Andriy rubles of insurance to the face of saints. Reverend Andrey Rublev, icon painter
It is not known for sure, if Andriy Rublov was born, which I will lie down, who would be a teacher of painting. Most of the doslidnikiv wisely respect 1360 as the date of the birth of the artist. Until 1405 p. having accepted blackness in the name of Andriy.
Nayranishi vіdomosti about the artist oppose the Moscow "Trinity Chronicle". In 1405, the Reverend Andrey worked in bed with Theophanes the Greek and Prokhor, “the elder from Gorodets”, over the embellishment of icons and frescoes of the Annunciation Cathedral of the Moscow Kremlin, the Budinkovo temple of the Moscow princes. The fate of the honorable decoration and embellishment of the house church of Vasil Dmitrovich, the elder son of Dmitri Donskoy, along with the famous names in Russia by Theophanes the Greek, characterizes Andriy Rublov as an exiled, authoritative master.
Commemoration of the Trinity Chronicle will be celebrated until 1408 - together with Danil Chorny, Andriy Rublyov worked on the painting and iconostasis of the Assumption Cathedral near Volodymyr.
Andriy Rublov and Danil Chorny worked at the Volodymyr Cathedral of the Dormition, donin's icons were set on the iconostasis, which formed a single ensemble with frescoes, which were often preserved on the walls of the temple. To become one of the features of the compositional gift of Andriy Rublov, one of the features of the compositional gift of Andriy Rublov.
Andriy Rublov, between 1408 and 1422, was created by the robot as soon as possible, the so-called “Zvenigorod rank”, one of the most beautiful iconic ensembles in Rublov’s painting. The rank consists of three explanatory icons: the Savior, the Archangel Michael and the Apostle Paul.
Zvenigorod's "Spas" nibi vytrachaet abstractness of the images of the deity and become crowded, which instills confidence and hope, which bear a good ear. Meister pours on Christ Russian rice and calls and gives his vision to the inner warehouse, especially the tonality of the camp: clarity, good-naturedness, and active participation.
Rublevsky painting is similar to others in the same way as the expressive Byzantine ones. The Russian icon painter is translucent in a soft light manner, so rank melting, so smoothly, “meltly”, as the icon painters said, and in a sprinkling of balls of laying tons, with improved translucence of more bright linings through the openings of the upper lights.
The painting of Andriy Rublov, especially of the Zvenigorod rank, is distinguished by the purity of the color, the gentry of tonal transitions, the subtlety of giving color to the light-bearing syava.
In the twenties of the 15th century the Artillery Maistrov, enchanted by Andriy Rublyov and Danil Chornim, embellished with icons and frescoes the Trinity Cathedral near the monastery of St. To the warehouse of the iconostasis, the icon of the Trinity, the most famous tvir of Andriy Rublov, has gone up like a high temple icon. This is the testimony of one from the 17th century about those who, as hegumen of the monastery Nikon, entrusted Andriy Rublov "to write the image of the Most Holy Trinity for the praise of his father, St. Sergius." The Monk Sergius of Radonez firmly believed that “by looking at the Holy Trinity, the fear of the hated fortune teller was overcome.”
For a long time there are a few variants of the image of the Trinity, sometimes with details of laying down and episodes of slaughter of bread and bakery bread (in the collections of the gallery there are icons of the Trinity of the XIV century from Rostov the Great and the XV century from Pskov).
The ruble icon has respect for three angels, they stand. The stench is depicted seated on the throne, in the center of which is placed the Eucharist bowl with the head of the sacrificial calf, which symbolizes the New Testament lamb, that is Christ. The sense of this image is a sacrificial kokhannya. The Levi angel, which means God the Father, blesses the cup with his right hand. The middle angel (Sin), depicted in the Evangelical dress of Jesus Christ, lowered to the throne with his right hand with symbolic fingers, expresses the obedience to the will of God the Father and the willingness to sacrifice himself in his love for people. The gesture of the right angel (Holy Spirit) completes the symbolic conversation of the Father and Sin, solidifying the high sense of sacrificial love, and drawing in the doomed to sacrifice.
Andriy Rublov’s depth of information in the sphere of ancient symbolic images of that yogic cloud, remembering their senses from the splendid Christian dogma, they allow a high illumination, which is characteristic of that illuminated our successor, zokrenov artist, for the distinguished artist.
The rest of the work of the Monk Andriy dates back to 1427-1430 - the creation of the painting of the Spassky Cathedral of the Spaso-Andronik Monastery in Moscow.
On September 29 (Fury 11), 1430, the Monk Andriy saw the Lord and consecrations at the Spaso-Andronic Monastery.
Andriy Rublov is the name that has become a symbol of Holy Russia, a symbol of the old Russian art that has not been corrupted, a symbol of the great Russian people, who can be out there. Purity, wisdom and spirituality are inescapable for a modern person, penetrating in all the innumerable robots that have come down to our days. Nina at the Spaso-Andronikivsky Monastery of Raztoshovaniya Museum named after Andriy Rublov.
Rev. Andriy Rublov, icon painter, canonized by the Pomіsny Cathedral of the Russian Orthodox Church in 1988. The memory of the Monk Andriy Rublov is celebrated on the day of the anniversary of the 4th (17th) lime.
The first icon of the Monk Andriy with his life was painted by Irina Vasilivna Vatagina; the task of this bula was set before her yet o. Vsevolod Spiller, who blessed the creation of iconography.
A phenomenon not only of Russian, but of light painting can be called the work of Andriy Rublov - icon painter, master of monumental painting and book miniatures, which is alive and between the XIV-XV centuries. The painter of the same high place instilled in her the spiritual beauty of the people and the moral strength, which they її understood in Russia in quiet hours.
Zbіzhzhya in Peklo
The court in the interpretation of O. Rublyov hopes for justice and mercy, and to that the fresco evokes badness, joy and optimism. The figures of the apostles, the saints and others are light and unforgiving, for the stench believes in the mercy of God that your salvation. Vmilo vikoristovuyuchi rozpodіl color, smoothness of lines and forms, the artist literally pozhvavlyuє old bіblіynu legend.
I won't live to serve people and donin. Adzhe at the robots of the great maister sound wisdom, spiritual purity, kindness and love. From the icons, it’s not the Suvorian God who judges, but the good Heavenly Father (“Savior”), who prepares everything to probachit and silence. Behind the icons one can judge the spiritual ideal and morality of a person of the XIV century. In our hour, everything is becoming more and more relevant.
Yogo creativity is of little great significance for the further development of the Russian school of painting. The Rublevskaya tradition was inspired by the Byzantine tradition, gave rise to the promotion of a new and original (Zokrema - Russian) art. Even for the life of the great icon painter, yoga robots were already valued that they were recognized as miraculous.
Baptism of the Lord
The stench was respected for rich painters, more importantly, that in 1551 they decreed a church-zemstvo council for the fate of Tsar Ivan the Terrible himself. After Rublov's Trinity, it was already depicted exclusively in yoga style, which became a kind of recognition of the "canon".
In Russian and worldly culture, iconography has become an inexhaustible sign of instilling a majestic artistic talent and no less hostile force to the human spirit.
Did you like it? Do not take your joy to the world - shareThe innovation of Rublyov’s creativity was succinctly and profoundly named by A. Kuraev, who said that before this icon painter the main icon in the icon was “Lord, have mercy”, then from Rublov in the icon the main flock is “Glory to you, Lord”
Vinyatkovіst yogo robіt bula was estimated by contemporary artists, and from the 16th century it was celebrated "Trіytsya" became an official symbol for Russian icon painters. Thinking of the main masterpieces of the artistic genius of Middle Russia.
"Last Judgment". Disguise of Christ
Thousands of people from the rest of the world come to Volodymyr to see the Assumption Cathedral and the unforgettable frescoes created in 1408 by Danil Chornym and Andriy Rublyov. This painting today is the only confirmation of the ruble art monument among the chronicle dzherelakh. Vikonan in the Byzantine tradition, the picture of the Other Coming of Christ is rethought. The central figure of the composition, without a doubt, is Christ, who cannot descend from heaven to Yogo the peeping man.
Vіn zdaєtsya completely close, the face of yoga is bright and lagniy. Vіn carry the world that poryatunok to people.
The presence of the cutaneous participant in the picture is true and symbolic: the Angel, who calls the heavens, like a suvoy, speaks about the nearness of the Court; the preparations of the Throne with the signs of the Passion tell about the quiet sacrifice of the Savior; the positions of the great-grandfathers symbolize the bondage of original sin.
Under the figure of Christ - the Mother of God and the Forerunner, as if looking forward to the uninterrupted prayer of the holy intercessors in the human race. The faces of the apostles continue the prayer, as they kindly and at once look sharply at the beholder. The idea of a righteous and merciful Judgment was embedded in this picture in such a thorough artistic form.
"Three". Faces of Angels
For an hour, the icon of the Trinity of the Old Testament (1411 or 1425-1427 (?)) was painted by Rublyov, which established the tradition of depicting this biblical episode, which was based on the description of the hospitality of the forefather Abraham, who accepts and treats three mandrivniks. Rublev's icon has become a new look at the good news story. On it there are no traditional Abraham and Sarri, in the background there are practically unremarkable dwellings of that Mamvrian oak, where the meal was held.
There are three mandriving angels in front of the spectator. Stink in calm silence to sit at the table with privates. Everything here is a direct creation of unperfected drama and reflective gazing.
The Central Angel aligns with Christ, to stand as one that sets the circular rhythm of all compositions: the silhouettes echo one to one with cloaks and falling lines of the robe, with slender heads, looking wildly. Equal positions of the Angels perebuvayut at the same time one with one that absolute fortune. To change the living concreteness, here comes the presentation of the image of the peace of mind for the sake of the mindfulness of Christ's sacrifice. You can watch the ruble Trinity at the Tretyakov Gallery.
"Zvenigorod rank". The guise of the Savior
In 1918, in a wood shed near the Zvenigorod Cathedral of the Assumption “what on Gorodok”, three deissic icons were revealed, attributed to I. Grabar on the basis of a stylistic analysis of Rublov’s penzl. The later investigators practically unanimously recognized Grabar's attribution, disregarding those that Rublov's authorship was never confirmed by documentary evidence.
"Zvenigorod rank" includes three icons: "Savior", "Archangel Mikhailo" and "Apostle Pavlo". The most thorough, no doubt, is the image of the Savior, calm, thoughtful and completely kind-hearted look of some kind of directing at the peephole.
Nadiya, a woman of closeness and heartfelt interest in order with a perfect, ideal beauty, as if inexorably distant from the world of ordinary people - everything miraculously came to the Russian icon painters.
"Zvenigorod rank". Appearance of the Archangel Michael
Another icon of the "Zvenigorod rank" became the image of the Archangel Michael. Yogo disguise, animal to the Savior, nibi to echo yoma pensive lagidnistyu that peaceful look. Whose image lifted us up to the Angels of the Holy Trinity, and not less than its humility, but its visual imitation - a dove, a hawk, a troche of a whipped neck, a hat of thick coachmen, a shabby head. The third icon - "The Apostle Pavlo" - was vikonan in a manner, in the manner of Rublov's, to which a number of contributors respect that this image was created by another master, - for example, Rublov's bagatarian associate - Danil Chornim. You can see the icons of the Zvenigorod rank at the Tretyakov Gallery.
List of Icons of Our Lady of Volodymyrska. Appearance of the Mother of God
Irrespective of the clearly visible rice of the Rublovsky leaf, the author of the icon was not Rublov himself, but someone from the nearest stake. Grabar, on the other hand, unambiguously declares about those who were victorious by the great master: “Here everything is Rublov's image - a cold, bright, blazing tone, the character of a little girl, drawing a disguise, with a typical for Rublov's light hump of the nose, thinned hands, a miraculous silhouette of all compositions, the rhythm of lines and harmony farb". The traditional Byzantine prototype - the Mother of God, who hovers on the right hand of the Holy Sin and lowers down to the New - the realizations of the deeds, better for everything, more blessed. The figures of the Mother are especially appreciated, for the fact that Nemovlya was created exactly behind the Byzantine eye.
At the position of the Mother of God, the anatomical correctness of forms is broken, nasampered, vigin shiї, which allows the face of the Mother to get as close as possible to the face of Jesus.
Look at them, they are zestriching. The hands of the Mother of God are marvelously inscribed, as if they were widely opened at the prayer gesture. The face of the Mother is covered with a maforia-plate, like a dome, stretching over Nemovlyam, protecting it and calming it down. And, obviously, the ruble's pacification, purity, the presence of sorrow and suffering, the feeling of silence, calmness and feelings of love in the image of the Mother of God, are the enemy. You can see the icon in the exposition of the Volodymyr-Suzdal Museum-Reserve.
Trinity iconostasis. Disguise of Dmitry Solunsky
In the name of Rublov, the creation of the iconostasis of the Trinity Cathedral of the Trinity-Sergius Lavra is commemorated. The penzel of icon painting can be clearly seen in the icons of the Archangel Gabriel, Dmitri Solunsky and the Apostles Peter and Paul. The Trinity iconostasis is unique. Vіn є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є є ії а а а а а а аааааааааааааааааааааааааааааааааааааааааааааааааааааааааа. Who wrote these icons - Andriy Rublov and Danilo Chorniy - is still a mystery. In the course of the rest of the restoration work, there was a strong commitment to the fact that among the icons, without a doubt, there are those that belong to Rublov. When you look, for example, at the image of Dmitri of Thessalonica, you really want to believe that the writings of Rublyov’s wines: the same head is shrouded in a lagid glance, the same hand is lifted in prayer, the hands are thinned, the same hat of thick curly hair, the same wide open and childlike on the outside ochі, that very lagіdnіst i pacification.
Gospel Khitrov. Appearance of Evangelist Matthew
One more hypothetical memo of the ruble sheet - the miniature of the altar Gospel of Khitrovo - is seen at the icon-painting. This unique piece of the manuscript, which is being collected today from the collections of the Russian State Library, has been officially recognized as one of the greatest masters of Grand Duke Moscow at the turn of the XIV-XV centuries. The text of the manuscript is accompanied by many facial illustrations-miniatures that depict the Evangelists and their symbols.
The style of the miniatures allows us to talk about those that were written by Theophanes the Greek, Danil Chorny and Andriy Rublyov, with whom the names of the two remaining icon painters are most often called.
In the middle of all, there is not a single thought: so, G. Vzdornov vvazha, that the stench of Chorny's penzle lies, and O. Popova is re-constructed to bring the opposite - all the stench of Rublyov's creation. The symbolic image of Evangelist Matthew is most often attributed to Rublov herself. Nakhil shii, description of the cap of a fluffy hair, the type of disguise is even closer to the ruble images created by the master on the Volodymyr frescoes. Prote, the glance of the Angel is sharp. At the clothes with the Evangelism at the hands, which develops every once in a while, the vines are rapidly collapsing on the edge of their eyes, trying to bring the Word of God to the new one.
Not marveling at those who often cannot establish the exact authorship of the holy icon painter, our country is undergoing a grandiose decline, which includes the unreversed features of the old Russian culture.
Reverend Andriy Rublov is a great ancient Russian icon painter, master of the Moscow school of icon painting, founder of Russian painting. The most famous yoga creators are those who have become a symbol of Russian Orthodoxy. Andriy Bovchen: having taken the tonsure, he is alive and died at the Moscow. A man of the holy life, I knew him well and closely connected with the teachings of the reverend.
Due to his spiritual authority and majestic talent, Andriy Rublov, having earned the pomp of the great princes, entrusted him with other icon painters to paint frescoes and icons for the largest cathedrals - near Moscow, Zvenigorod, Volodymyr. Rublov worked together with such maisters, like the famous Theophanes the Greek and Danilo Chorniy, and step by step changed his unique style, which became a vision of the very Russian icon painting. The manner of writing of the Monk Andriy was spontaneous and reminiscent of softness and penetratingness. In his icons and frescoes, Andriy Rublov drew in those who are called “theologians at the farbakhs”: vinted the artistic images of the Orthodox Church.
The shields of Andriy Rublov lie:
- the icon of the Trinity of the Old Testament was glorified, painted for the Trinity-Sergius Lavra, that painting on the stone cathedral of the same monastery;
- Zvenigorod rank(image of the Savior, Archangel Michael and the Apostle Paul);
- paintings (together with Feofan the Greek and Prokhor from Gorodtsya) and a row of icons of the Moscow Kremlin;
- murals at Volodymyr's (from which only the Last Judgment was saved until our time), the iconostasis of the same cathedral, transfers from the XVIII century to the village of Vasilivska near Shuya (so titles Vasilievsky rank),
- Painting of Andronikov monastery.
- The Museum of Old Russian Art named after Andriy Rublov is located in the Andronic Monastery in Moscow
- The authority of Andriy as an “artist-theologian” was so great that the Moscow Stogolovy Cathedral punished the writing of icons, the protection of the Holy Trinity, only “behind the wreaths that Rubl’s”
Reports about the life and work of Andriy Rublov can be read at our site until the day of remembrance of the holy icon painter.
It is clear that Andriy Rublov was the father of Sergius of Radonez and took a picture of him in the faces of the Savior on some of his icons.
The painting of the Spassky Cathedral of the Andronikov Monastery is respected by the remaining work of Andriy Rublov. Unexpectedly after її completion, Vіn died.
Before the “Kolo Rublyov” there are ancient Russian icons, the authorship of which has been established.
Andriy Rublov was canonized as a reverend by the Intercession Cathedral of the Russian Church, for example, in the 20th century, in 1988, the turn (Rik tysyacholіtya Khreshchennya Rusi), even though yoga chanuvanny began mayzhe in the wake of death. The burial place of the saint is located on the monastic tsvintary of Andronikov Monastery, which was the Cathedral of the Savior.
The icons and frescoes of Rublov were already highly valued and respected as miraculous for his life.
Rublov Andriy (approximately 1360 - 10/17/1428) - Russian artist, monumental painter, icon painter. Monk, zarahovany to the face of saints.
Main stages of biography
Accurate data about the life of Rublov was not saved much. Yogo imovirne place of the people - Moscow princedom, for the other version - Nizhniy Novgorod. The date of the birth of that name, given at the time of the birth, unknown. Judging by the name, yoga sim'ya can be a mother to a childbirth. At the young rock, Rublov took the veil in the monastery of Andronikov, taking the name Andriy. One of the new icons was signed as "Andriy Ivanov's son", regardless of those that the signature is incorrect, and is respected by indirect confirmation that the artist's father bore the name Ivan.
In 1405, for the evidence of litopisiv, taking part with Theophanes the Greek and other artists in the painting of the Annunciation Cathedral in Moscow. From the work of Rublov, the images of the saints were saved, which exude a special harmonious atmosphere, subtlety and warmth. Imovirno, mitets for that hour maw seriously dosvіd that reputation.
In 1408, D. Chornym wrote at the same time in the Assumption Cathedral near Volodymyr. Some of the frescoes depicting the Last Judgment on the back wall lie there. Irrespective of the most important topic, Rublov's robot demonstrates enlightenment and forgiveness and does not give an ugly vision of a terrible hare. At that hour, the artist was the right master of the school of painting, a kind of mausoleum style, the successors of that student.
In the 20s of the 15th century, under the ceramics of A. Rublov and D. Chorny, the iconostasis of the Trinity Cathedral was created. The frescoes were not spared, they left only three rows of the iconostasis, different according to the manner of the vikonann. At that time, the creation of "Trіytsi" - an icon, which has become a masterpiece of light painting, lies. Sens, the artist's contributions to qiu wondrous work - self-sacrifice for the sake of harmony that life. Rublov died in 1428 in Moscow's Andronik Monastery at the hour of the plague epidemic.
Creativity
The atmosphere of the cultural development of the 2nd half of the 14th century - the beginning of the 15th century, which was characterized by a deep interest in moral and spiritual problems, made a great contribution to the formation of Rublov's light-gazer. In his creations, within the framework of the middle-class iconography, Rublov instilled a new, enlightened spiritual beauty and moral strength of a person. Rublov's creativity is one of the pinnacles of Russian and worldly culture.
In 1408, Rublev together with Danil Chornim and other maisters created his single precisely dated and well-preserved work - the frescoes of the Assumption Cathedral near Volodymyr (paintings were taken chastkovo). From the frescoes of Rublyov in the Assumption Cathedral, the largest composition “The Last Judgment”, de traditionally evil scene, turned into the light of the holy triumph of justice, which strengthens the spiritual value of the people. Rublyov’s robots at Volodymyr’s to meet that already at the same time I’ve seen the master, who had enchanted the school of painting created by him.
In 1425-1427, Rublev, as a witness to the chronicles, together with Danil Chorny and other masters, painted the Trinity Cathedral of the Trinity-Sergius Monastery and created icons and an iconostasis. The icons were saved, which are respected by their robot artillery; the stench of vikonan in different manners and nervousness for artistic silliness. Ymovirno, the same iconostasis included the icon "Holy Trinity" - the only crazy work in the genre of icon painting. The traditional biblical plot of Rubles is reminiscent of a deep theological zmist.
More recent achievements of this time, which is better for everything, was written "Volodimir Bogomatir" (about 1409, Assumption Cathedral, Volodymyr) and part of the miniatures "Gospel of Khitrovo" (about 1395, Russian State Library, Moscow).
Other icons and frescoes that were attributed to Andriy Rublyov during the 20th century penzle, the rest of the contributors to the work of the school (artil) or just to teach the maister.
Life Specialist
In youth, I will consecrate Andriy Rublov proyshov to the black rank. Vіn vіdmovivsya vіd bazhannya to have a family and children. All my life was dedicated to serving God and creativity in the name of my yoga glorification. I didn’t save the information about other artists. It is not clear who were brothers in the new one, sisters and nephews.
Death is the memory
The icon painter died late in the autumn of 1428 during a plague epidemic in Moscow. Death overtook Andriy Rublov in the Andronik monastery, de vin hung at once from Danil Chorny, working on the fourth robot - the frescoes of the Spassky Cathedral (the stench was not spared). Nezabar for the icon painter pishov and yogic comrade-in-arms and friend. Behind orders, before his death, Andriy Rublov appeared before Danil Chorny's death, "for the joy of calling yoga to paradise." Danilov saw Andriy as happy and bright.
They commemorated the icon-painter of the door of the Spassky Cathedral. In 1988, the artist was canonized and buried to the face of the saints, falling asleep during the day of memory on the 17th day. In the mid-1990s, archaeologists unearthed the ancient altar of the Spassky Cathedral, and some of its relics. They attributed it to the famous master, but without a doubt they recognized the hypocrisy of the statement.
Doslidniki call the pardoning date of the death of the artist, stverzhuyuchi that Andriy Rublov died on the eve of September 1430. The architect P. D. Baranovsky is pushing on the date of September 29, 1430. The architect sang that they themselves cut down on the tombstone of Rublov before they spent it. The Museum of Old Russian Art named after Andriy Rublyov was founded in this area, the founder of which is the architect Petro Baranovsky.
For example, in the 1940s, a reserve appeared near the Spaso-Andronik Monastery. The memory of the great Rublyov is near Volodymyr: a monument to the icon painter stands at the entrance to the park named after A. S. Pushkin. A crater on Mercury was named in honor of the venerable saint, a series of commemorative coins and a postage stamp were issued. 1966 at the film studio "Mosfilm" director Andriy Tarkovsky filmed the film drama "Andrey Rublov". In the first place, the name of the painting - "Passion for Andriyem" - was inspired. The film is made up of eight short stories, in which the eyes of Andriy Rublov describe a lot of middle-class things. The artist was portrayed by actor Anatoly Solonitsin.
Zagalne exclamation
In the works of Andriy Rublov, there is a light of light. At that time, there was a characteristic cultural progress, respect was raised to moral nourishment. The creativity of painting inspired new spiritual beauty and morality;
Rublov's robots are extremely valuable, few of them have been saved. Numerical accomplishments have shown your creativity behind a unique style. The icon "Triytsya" - the only thing that saved the robot, like, madly, lay Rublov's brushes. Nine are taken from the Tretyakov Gallery. Few super-eyes call out the fact of the power of the maestro, which is made up of three icons of the Zvenigorod rank. New for Rublyov's creativity, a dramatic trace is emerging, which can be connected with podia at that hour (strife in Russia).
Most of them are attributed to the authorship of Rublyov "Volodymyrska Bogomatir", a copy of the miniatures "Gospel of Khitrovo". The Crimean tsikh created for the rest of the century hung impersonally to allow Rublov's penzle to be grumpy. Now all the robots are being inspired by the creations of the school of the glorious master. In the middle of the 16th century, icon painters were recognized by the eye to the present day, and a lot of artists saw a strong influx of Rublov's creativity. Do this to carry a deep spiritual zmіst and emotion among the concise and beautiful images.
In 1947, on the land of the Spaso-Andronik Monastery, a reserve was established, in 1985 - a museum of ancient Russian culture in honor of Andriy Rublov. In 1988, roci Rublov were canonized at the face of the venerable saints. The name of the artist is to wear the streets of many Russian cities, monuments are dedicated to him, films about Rublov have been made. Also, a crater on Mercury was named in honor of the militia.
Canonization
According to the Cathedral of the Russian Orthodox Church in 1988, the priests were canonized at the face of the venerable saints.
According to the Orthodox calendar, the memory of the saint is met with trichs on the river:
- 4 (17) lime - the repose of the Monk Andriy (Rublev) of Moscow, icon painting (1428; service without a sign).
- 6 (19) lime tree - the memory of St. Andriy (Rublev) of Moscow at the Cathedral of the Radonezsky Saints.
- On the day before the 26th sickle (8th spring) - the memory of the Monk Andriy (Rublyov) of Moscow at the Cathedral of the Moscow Saints.
Icons and frescoes
- Archangel Mikhailo with a rank, 1414
- Ascension of the Lord, 1408
- Apostle Pavlo with a ceremonial rank, 1410. Derzhavna Tretyakov Gallery (MTG)
- Saved in strength, 1408
- Spas, 1410
- Zbіg in hell, 1408-1410. GTG
- Feast of Christ. Annunciation Cathedral of the Moscow Kremlin
- Archangel Mikhailo, 1408
- Archangel Gabriel, 1408
- Bogomatir, 1408
- Gregory the Theologian, 1408
- John Chrysostom, 1408
- John the Theologian, 1408
- John the Baptist, 1408
- Andrew the First Call, 1408
- Annunciation, 1405
- Transfiguration, first quarter of the XV century. GTG
- Holy Trinity, 1410s. GTG
