Features of the sculpture of ancient Greece Statues of the Greek Gods - svіtova sculptural settlement The name of the statue of ancient Greece
Having stumbled with the Greek mysticism, the minds of the richly seen minds hung out inexactly suffocated. One z hillіdom_stnikіv Mussettva, Johann Vinkelman (1717-1768) Talk about Walp Sculpture: "Valtsі і" Nazlіduwachі Walstiki Creative Creative to Naikreki Maja Titure, but b_lshe, nіzh Nature, but sama ід іданна ї Krasu, Yaku images, thrown by the mind.
Everyone who writes about the Greek mysticism, seems to him to have a marvelous sense of the naive impossibility of that deepness, reality and insight. In nomu, especially in sculpture, the ideal of a person is instilled. What is special about the ideal? Why did the old Goethe ride at the Louvre in front of the sculpture of Aphrodite?
The Greeks always appreciated that only a beautiful body can live a beautiful soul. That is why the harmony of the body, the sound thoroughness - is not a mastermind of the mind, that is the basis of an ideal person. The Greek ideal is defined by the term kalokagatiya (Greek kalos - beautiful + good agathos). So, as kalokagatiya includes thoroughness and bodily constitution, and spiritually moral warehouse, then at the same time with beauty and strength the ideal carries justice, sensibility, masculinity and intelligence. To rob yourself, created by ancient sculptors, uniquely beautiful.
The best memorials of ancient Greek sculpture were created in the 5th century. BC But before us, more early work was done. Statues VII - VI Art. BC symmetrical: one half of the body is a mirror image of the outside. Skutі posti, vityagnutі hands are pressed to the m'yazovogo body. Not the least nahil chi turn your head, but ruin the roar of laughs. A smile in the middle of the visvitlyuє sculpture viraz the joy of life.
Later, in the period of classicism, statues become more diverse in forms. Try to algebraically comprehend harmony. The first scientific achievements are those that are harmony, having killed Pіthagoras. The school, having begun to conceive, looked at the nourishment of a philosophical and mathematical character, zastosovuyuchi mathematical calculations to all sides of activity. Neither the musical harmony, nor the harmony of the human body or the architectural controversy vindicated.
The Pythagorean school respected the number as the foundation and the cob of the world. How can the theory of numbers be traced back to Greek science? Rather, the shards of the harmony of the spheres of the All-World and the harmony of the whole world are manifested by one of the very same numbers of numbers, the names of which are 2/1, 3/2 and 4/3 (music has an octave, a fifth, and a quart). In addition, harmony conveys the possibility of counting whether there is any combination of parts of a skin object, including sculptures, for an advancing proportion: a / b = b / c, de a - be-yak a smaller part of the object, b - be-yak the greater part, with - the whole.
On this foundation, the great Greek sculptor Poliklet (5th century BC), having created a sculpture of a young man-bearer (5th century BC), yak is called “Dorifor” (“Spis-bearer”), or “Canon” - after I call the work sculptor, de vin, roaming about the theory of art, looking at the laws of the image of a thoroughly human being. It is important that the artist's mirkuvannya can zarahuvat and yoga sculpture. Statues of Polykleitos in the wake of a busy life. Polykleitos loves to portray athletes at peace. Take the same "Scribe". This mighty folding of a person is almost like a wetness. Vin stand unmoved in front of the looker. Ale is not a static calm of ancient Egyptian statues. Like a man, who was kind and easy to lift his body, he took off the troch, bending one leg and moving the tractor to the corps on the other side. It’s here, what’s mine, and win the crop in advance, turn your head, proud of its beauty and strength. Before us, a person is strong, beautiful, free from fear, proud, striman - infused with Greek ideals.
In front of his co-worker Poliklet, Miron loved to depict his statues in Russia. Axis, for example, the statue "Discobolus" (V century BC; Museum of Therm. Rome). Її the author, the great sculptor Miron, depicting a beautiful young man at that moment, if he waved an important disk. The body is bent and strained with the hand, as if a spring is ready to unfold. Under the springy skin that was brought back, the hands were bulging with the exercised mud. The fingers of the nig, satisfying the supremacy of support, squeezed deeply into the sand. The statues of Myron and Polykleitos were made of bronze, but before us there were only Marmur copies of ancient Greek originals, crushed by the Romans.
The Greeks considered Phidias the greatest sculptor of their time, having embellished the Parthenon with a marble sculpture. In yoga sculptures, ancient Greeks adopted gods as the image of an ideal person. The most beautifully preserved Marmur line in the relief is the frieze of the zavdovka 160 m. On it is depicted the passage that goes straight to the temple of the goddess Athena - the Parthenon. The sculpture of the Parthenon suffered further damage. And the statue of "Athena Parthenos" has perished in antiquity. Vaughn stood in the middle of the temple and was even more beautiful. The head of the goddess with a low, smooth forehead and rounded brows, her neck and hands were shattered from ivory brushes, and her hair, robe, shield and sholom were made of leaves of gold.
In the photo: Athena Parthenos, sculptor Fidiy. Copy. Inspired by the descriptions. National Archaeological Museum, Athens.
The goddess in the image of a beautiful woman is a separate part of Athens. Impersonal stories connected with this sculpture. The creations are a masterpiece of the great and famous pavement, which the author’s name suddenly appeared impersonal zazdrіsnikіv. The stinks tried their best to annoy the sculptor and joked about different reasons, from which it would be possible to call Yogo in chomus. It seems that Phidias was called in the fact that they nailed a piece of gold, which was given as a material for the goddess's well-being. To prove his innocence, Fidiy took all the golden objects from the sculpture and called them. Vaga just zbіglasya z vagago given to the sculpture of gold.
Todі Fіdіya rang at godlessness. The reason for this was the shield of Athena. On the new bulb, the plot of the battle of the Greeks with the Amazons is depicted. Among the Greeks, Phidias depicted to himself that Perikles, who was in love with him. Fidiya on the shield and became the cause of the conflict. Ignoring all the reach of Phidias, the bulk of Greece managed to beat the contrary. The life of the great sculptor ended in a cruel punishment.
The achievement of Phidias at the Parthenon was the only one among creativity. The sculptor, having created impersonal other works, the best of which was the colossal bronze figure of Athena Promachos, placed on the Acropolis for about 460 rubles. BC and it is no less majestic to set up from the ivory brush and the gold of Zeus for the temple in Olympia.
This is how you can describe the statue of Zeus for the temple in Olympia: The majestic 14-meter god sits on a golden throne, and it was given up, get tired, wide shoulders straightened - it’s like a stele in the hall and a low stele appears. Having embellished the head of Zeus with a wreath of olive trees - a sign of the peacefulness of the dirty god. The disguise, shoulders, arms, breasts were of ivory brush, and the cloak was thrown over the left shoulder. Vinets, the beard of Zeus was made of glittering gold. Phidiy filled Zeus with human nobility. Yogo has a fine appearance, framed by a curly beard and curly hair, we were not only suvorim, but kind, the posture of the urologist, majestic and calm. The increase in bodily beauty and the kindness of the soul reinforced his divine ideality. The statue carried such an enmity that, behind the words of the ancient author, people, tormented by grief, whispered in the quiet at the peeping creations of Phidias. Voice voicing the statue of Zeus as one of the "seven wonders of the world."
Unfortunately, we don’t have any more help, and we can’t look at the miraculous eyes of the miracles of ancient Greece. We have lost less of their descriptions and copies. The reason for this was the fanatical erection of statues by believing Christians.
The robots of all three sculptors were similar to the point that all the stinks depicted the harmony of the garnet body and the good soul laid in it. Tse buv the main one right at that hour. Obviously, the norms of the attitudes of the Greek science were changed by the prolongation of history. The art of the archaic was straightforward, for some there was a deep sense of uneasiness, as if people were drowning in the period of the Greek classics.
In the epoch of Hellenism, if the human being has spent a lot of resilience in the world, the art has lost its old ideals. The new one began to feel a little unsettled from the future one, who panicked at the suspіlnyh currents at that hour. One thing kept up the development of the Greek art of that art all the time: it was especially addicted to plastic arts, to vast arts.
Podіbna passion ozumіla: majestic stocks of rіznomanіtny for zabarvlenny, noble and ideal material - marmur, represented wide possibilities for yogo implementation. Although most of the Greek sculptures were engraved in bronze, oskilki marmur buv krykhky, the very texture of marmur with its color and decorativeness allowed, with the greatest variety, to create the beauty of the human body.
What are the features of ancient Greek sculpture?
Having stumbled with the Greek mysticism, the minds of the richly seen minds hung out inexactly suffocated. One z hillіdomіdnikіdnikіv Mussettva Tremolman (1717-1768) Speaking about Walrian Sculpture: "Valtsі і нас нас нас нас миства мишники на и лілки are created from images thrown by the mind. Everyone who writes about the Greek mysticism, seems to him to have a marvelous sense of the naive impossibility of that deepness, reality and insight. In nomu, especially in sculpture, the ideal of a person is instilled. What is special about the ideal? Why did the old Goethe ride at the Louvre in front of the sculpture of Aphrodite?
The Greeks always appreciated that only a beautiful body can live a beautiful soul. That is why the harmony of the body, the sound thoroughness - is not a mastermind of the mind, that is the basis of an ideal person. The Greek ideal is defined by the term kalokagatiya(Greek. kalos- Weird + agathos kind). So, as kalokagatiya includes thoroughness and bodily constitution, and spiritually moral warehouse, then at the same time with beauty and strength the ideal carries justice, sensibility, masculinity and intelligence. Itself to rob the Greek gods, created by ancient sculptors, uniquely beautiful.
http://historic.ru/lostcivil/greece/gallery/stat_001.shtml Beautiful reminders of ancient Greek sculpture were created in the V century. BC But before us, more early work was done. Statues VII-VI Art. e.symmetrical: one half of the body - a mirror image of the other. Skutі posti, vityagnutі hands are pressed to the m'yazovogo body. Not the least nahil chi turn your head, but ruin the roar of laughs. A smile in the middle of the visvitlyuє sculpture viraz the joy of life.
Later, in the period of classicism, statues become more diverse in forms.
Try to algebraically comprehend harmony. The first scientific achievements are those that are harmony, having killed Pіthagoras. The school, having begun to conceive, looked at the nourishment of a philosophical and mathematical character, zastosovuyuchi mathematical calculations to all sides of activity. Neither the musical harmony, nor the harmony of the human body or the architectural controversy vindicated. The Pythagorean school respected the number as the foundation and the cob of the world.
How can the theory of numbers be traced back to Greek science? Rather, the shards of the harmony of the spheres of the All-World and the harmony of the whole world are manifested by one of the very same numbers of numbers, the names of which are the same - 2/1, 3/2 and 4/3 (the music has an octave, a fifth, and a quart). In addition, harmony conveys the possibility of counting whether there is any combination of parts of a skin object, including sculptures, for an advancing proportion: a / b = b / c, de a - be-yak a smaller part of the object, b - be-yak the greater part, with - the whole. On this occasion, the great Greek sculptor Poliklet (5th century BC), having created a sculpture of a young man-bearer (5th century BC), yak call "Dorifor" ("Spis-bearer") or "Canon" - for I call the work sculptor, de vin, roaming about the theory of art, looking at the laws of the image of a thoroughly human being. It is important that the artist's mirkuvannya can zarahuvat and yoga sculpture.
Statues of Polykleitos in the wake of a busy life. Polykleitos loves to portray athletes at peace. Take the same "Scribe". This mighty folding of a person is almost like a wetness. Vin stand unmoved in front of the looker. Ale is not a static calm of ancient Egyptian statues. Like a man, who was kind and easy to lift his body, he took off the troch, bending one leg and moving the tractor to the corps on the other side. It’s up to you to mine the mine and win the crop in advance, turn your head, proud of its beauty and strength. Before us, a person is strong, beautiful, free from fear, proud, striman - infused with Greek ideals.
In front of his co-worker Poliklet, Miron loved to depict his statues in Russia. Axis, for example, a statue of "Discobolus" (V cent. e.; Museum of Therm. Rome). Її the author, the great sculptor Miron, depicting a beautiful young man at that moment, if he waved an important disk. The body is bent and strained with the hand, as if a spring is ready to unfold. Under the springy skin that was brought back, the hands were bulging with the exercised mud. The fingers of the nig, satisfying the supremacy of support, squeezed deeply into the sand. The statues of Myron and Polykleitos were made of bronze, but before us there were only Marmur copies of ancient Greek originals, crushed by the Romans.
The Greeks considered Phidias the greatest sculptor of their time, having embellished the Parthenon with a marble sculpture. In yoga sculptures, it is especially shown that the gods in Greece are nothing else, like the image of an ideal person. Marmur's line was best preserved to the relief of the frieze of the zavdovka 160 m. On it is depicted a passage that goes straight to the temple of the goddess Athena - the Parthenon.
The sculpture of the Parthenon suffered further damage. And "Athena Parthenos" has perished in antiquity. Vaughn stood in the middle of the temple and was even more beautiful. The head of the goddess with a low, smooth forehead and rounded brows, her neck and hands were shattered from ivory brushes, and her hair, robe, shield and sholom were made of leaves of gold. The goddess in the image of a beautiful woman is a separate part of Athens.
http://historic.ru/lostcivil/greece/gallery/stat_007.shtml A lot of history related to this sculpture. The creations are a masterpiece of the great and famous pavement, which the author’s name suddenly appeared impersonal zazdrіsnikіv. The stinks tried their best to threaten the sculptor and joked about different reasons, from which it would be possible to call Yogo in chomus. It seems that Phidias was called in the fact that they nailed a piece of gold, which was given as a material for the goddess's well-being. To prove his innocence, Fidiy took all the golden objects from the sculpture and called them. Vaga just zbіglasya z vagago given to the sculpture of gold. Todі Fіdіya rang at godlessness. The reason for this was the shield of Athena. On the new bulb, the plot of the battle of the Greeks with the Amazons is depicted. Among the Greeks, Phidias depicted to himself that Perikles, who was in love with him. Fidiya on the shield and became the cause of the conflict. Despite all the efforts of Phidias, the bulk of Greece was able to defy yoga. The life of the great sculptor ended in a cruel punishment.
The achievements of Phidias in the Parthenon were the culmination of yoga creativity. The sculptor, having created impersonal other works, the best of which became the colossal bronze figure of Athena Promachos, sporudzhen on the Acropolis at about 460 r. BC Unfortunately, we don’t have any more help, and we can’t look at the miraculous eyes of the miracles of ancient Greece. We have lost less of their descriptions and copies. The reason for this was the fanatical erection of statues by believing Christians.
This is how you can describe the statue of Zeus for the temple in Olympia: The majestic fourteen-meter god sat on a golden throne, and it was given, get tired, wide shoulders straightened - it would be tight for you in the hall and a stele would appear low. Having embellished the head of Zeus with a wreath of olive trees - a sign of the peacefulness of the dirty god. The disguise, shoulders, arms, breasts were of ivory brush, and the cloak was thrown over the left shoulder. Vinets, the beard of Zeus was made of glittering gold.
Phidiy filled Zeus with human nobility. Yogo has a fine appearance, framed by a curly beard and curly hair, we were not only suvorim, but kind, the posture of the urologist, majestic and calm. The increase in bodily beauty and the kindness of the soul reinforced his divine ideality. The statue carried such an enmity that, behind the words of the ancient author, people, tormented by grief, whispered in the quiet at the peeping creations of Phidias. Voice voicing the statue of Zeus as one of the "seven wonders of the world."
The robots of all three sculptors were similar to the point that all the stinks depicted the harmony of the garnet body and the good soul laid in it. Tse buv the main one right at that hour.
Obviously, the norms of the attitudes of the Greek science were changed by the prolongation of history. The art of the archaic was straightforward, for some there was a deep sense of uneasiness, as if people were drowning in the period of the Greek classics. In the epoch of Hellenism, if the human being has spent a lot of resilience in the world, the art has lost its old ideals. The new one began to feel a little innocence from the future one, who was panting at the huge currents at that hour.
One thing kept up the development of the Greek art of that art all the time: tse, as M. Alpatov writes, he was especially addicted to plastic arts, to open spaces of art. Podіbna passion ozumіla: majestic stocks of rіznomanіtny for zabarvlennyam, noble and ideal material - marmur - represented wide possibilities for yogo implementation. Although the majority of Greek sculptures were wrought in bronze, the shards of marmur buv krykhky, the same texture of marmur with its color and decorativeness allowed, with the greatest variety, to create the beauty of the human body. To that, most of all, “the human body, that suppleness, that stringiness and bendiness, screwed the respect of the Greeks to themselves, the stench willingly depicted the human body and stripped, and in a light transparent dress.”
Topic: Prominent sculptors of Ancient Greece.
Target: Vivchennya of the main stages in the development of ancient Greek sculpture.
New words:
«MIMESIS"- like.
Kalokagatiya (Greek. kalos- Weird + agathos kind).
Kuroshi ta kori - creations for doby archaic muzhs. that woman. figures (up to 3 m) Mіmesis - similarity. cariatid (Greek karyatis) - a sculptural image of a woman's figure, which stands to serve as a support for a beam in everyday life (or figuratively expresses its function).
Hermi - stones pіloni with "hands" that were placed at the front entrance to the booth.
Power supply.
Sculptural Canons of Policlet and Miron.
Sculptural works of Skopas and Praxiteles.
Lisipp i Leokhar.
Sculpture to Hellenism.
Hid lesson.
1. Actualization of knowledge about the architecture of Ancient Greece.
2. Informed by those who are the goal of the lesson.
The Greeks have always respected only a beautiful soul can live with a beautiful soul. Therefore, the harmony of the body, the soundness of perfection It is not an original mind that the basis of an ideal person. The Greek ideal is defined by the term kalokagatiya(Greek. kalos- Weird + agathos kind). So, as kalokagatiya includes thoroughness and bodily constitution, and spiritually moral warehouse, then at the same time with beauty and strength the ideal carries justice, sensibility, masculinity and intelligence. Itself to rob the Greek gods, created by ancient sculptors, uniquely beautiful.
For all the similarity of sculptures VI and V Art. BC, є they have characteristic features:
Already there is no fascination, schematism of archaic sculptures;
The statues become more realistic.
Sculptural Canons of Policlet and Miron .
1. Hymn to the greatness and spiritual power of the People;
2. Loving image - a stringy youth of an athletic statue;
3. Spiritual and physical image of the harmony, there is nothing overbearing, nothing over the world.
The most famous sculptors of the era of the High Classics Policlet and Miron.
Policlet - an ancient Greek sculptor and theorist of art, who worked at Argos in the other half of the 5th century BC.
| Poliklet is fond of depicting athletes at a calm place, specializing in depicting athletes, Olympic athletes. "Dorifor"("Spisonets") Poliklet was the first to think of putting the figures in such a setting, so that the stench spiraled on the lower part of only one leg. (An early example of a classical contraposto - Dorіfor). Policlet having smarted to show the human body in the camp of jealousy - the human being to stand at the calm to the right crucible is given to the crumbling and chewing gums to those who are not parallel to the horizontal axis. Statues of Polykleitos in the wake of a busy life. Polykleitos loves to portray athletes at peace. Take the same "Scribe". This mighty folding of a person is almost like a wetness. Vin stand unmoved in front of the looker. Ale is not a static calm of ancient Egyptian statues. Like a man, who was kind and easy to lift his body, he took off the troch, bending one leg and moving the tractor to the corps on the other side. It’s up to you to mine the mine and win the crop in advance, turn your head, proud of its beauty and strength. Before us, a person is strong, beautiful, free from fear, proud, striman - infused with Greek ideals. Create: 2. "Dіadumen" ("Yunak, scho pov'yazuє pov'yazku"). "Wounded Amazon" The colossal statue of Heri in Argos. The bula was vikonana in the chrysoelephantine technique and took on like a pandanus to Zeus of Olympia Phidias. Sculptures were used and looked after old Roman copies, which were saved. |
1. On the sacrament of the priests in the temple of Artemis Ephesian Bl. 440 BC Policlet, having created a statue of a wounded Amazon, planted the first place at the competition, de, Crimea, took the fate of Phidias and Cresilaus. Appearances about her give copies - relief, manifestations in Ephesus, as well as statues in Berlin, Copenhagen and the Metropolitan Museum in New York. The legs of the Amazon are placed just like that of Dorifor, but the hand is free not to hang on the bridle of the body, but thrown over the head; Another hand lifts the body, spiraling onto the column. The pose is harmonious and vrіvnovazhen, but Poliklet did not take to respect those who, under the right breasts of a person, have a wound, his right hand cannot be raised high uphill. Mabut, beautiful, harmonic form of the tsikavila yogo is bigger, lower the plot and the transmission is sensible. Tієї w turbotoy adopted and retelna rozrobka folds short tunic of the Amazon.
2. Potim Poliklet pratsyuvav in Athens, de bl. 420 BC I am the creation of Diadumen, a young man from a bandage around his head. In this creation, who was called the lower young man, on the face of the male Doryphoros, one sees the inflow of the Attic school. Here I am revisiting the motif of kroku, without respect for those who offended hands lifted and trimmed the bandage, - Rukh, how much more calm and steady the camp was. The extent of the right and left sides is not so pronounced. Draw a picture of that pishnі curls hair richly m'yakshi, lower at the front robots. The best repetition of Diadumen is a copy found in Delos and which is found at the same time in Athens, a statue of Vezon near France, which is kept in the British Museum, and a copy in Madrid and in the Metropolitan. A sprat of terracotta and bronze statuettes was also preserved. The best copies of the head of Diadumen are found near Dresden and Kassel.
3. Close to 420 BC Poliklet created for the temple in Argos a colossal chrysoelephantine (from gold and ivory tassel) statue of Geri, who sits on the throne. Coins of Argos can give a deacon a statement about those, as the statue looked like, that it had perished in antiquity. The entrustment from the Hero was Hebe, created by Navkid, we teach Poliklet. At the plastic decorated temple, one sees like an infusion of the masters of the Attic school, and Polykleitos; perhaps, tse robot yogo uchniv. The works of Polykleitos did not get the grandeur of the statues of Phidias, but there were too many critics to respect that they would overturn Phidias with their academic perfection and ideal femininity of posture. Polykleitos had numerous followers right up to the epoch of Lysip (the end of the 4th century BC), who said that he was a teacher at the mysticism of Dorefor, wanting to see the canon of Polikleta replacing him with his own power.
Myron
creating statues of athletes-victims, correctly conveying the human figure naturally, revealing the mystery of the plastic concept of movement. Ale (!!!) yogo roboti can only look at one point. Sculptural composition lies before the most popular yoga. 
"Athena and Mars", as well as "Discobolus". 
Myron was the senior accomplice of Phidias and Poliklet and became one of the greatest sculptors of his time. Pratsyuvav in bronze, but the same day yogo creations were not saved; stench in the lead rank of the copy. Same vіdomy tvіr Myrona - Discus Thrower (Disc Thrower). Discobolus of images in folding position at the moment of greatest tension in front of the throw. The sculptor was stunned by the shape and proportion of the figures, which they change from the Russians. Myron was the master of the transfer to the climax, the transitional moment. At the laudatory epigram, consecrated to the bronze statue of the athlete Ladas, there is an acknowledgment that the runner, that it is important to breathe, broadcasts are superbly chewy. the sculptural group of Myron Athena and Mars, which stood on the Athenian Acropolis, was marked by the same mastery in the transmission of the movement.
2. Sculptures of Skopas and Praxiteles.
IV Art. BC
1. They skipped the transmission of energy diy;
2. They conveyed that experience of the people:
passion
Mriylivist
zakohanist
mischief
Rospach
Suffering
SCOPAS
(rozkvit of activity 375-335 BC), Greek sculptor and architect, who was born on the island of Paros bl. 420 e., maybe. The first visit to us was the tvir of Scopas - the temple of Athena Alєї at Tegeya, in the Peloponnese, which needed to be rebuilt, oskolki kolishnіy gorіv in 395 BC. Skopas, being part of a group of chotirioh sculptors (and, perhaps, the elder among them), like the widow of Mausolus Artemisia, entrusted the creation of the sculptural part to the Mausoleum (one of the seven wonders of the world) at Halikarnassus, the tomb of her man. Passion is attached to the works of Scopas, reaching us in front of us for help a new interpretation of the eyes: the stench is deeply planted and sharpened with important folds of the eyes. The liveliness of the ruhіv and the boldness of the position of the body reflect the strained energy and demonstrate the guilt of the master. 
The most famous creation of Scopas was:
- Scopas . "Amazonomachy".
- Battle of the Greeks and the Amazons. Fragment of the frieze of the Galikarnassky Mausoleum. Marmur. Close to 350 B.C. e. London. British Museum. 
A magnificent relief, which depicts a warrior, which, sharply looking back, helps to resist the onslaught of the Amazon, who grabbed him with one hand behind the shield, and another with a mortal blow. Livoruch in the middle of the group is depicted an Amazon, galloping on a burning horse. Vaughn to sit turned back and, maybe, throws a dart at the enemy, which is followed by її. Throw mayzhe naїzhdzhaє on the war, who looked back. Razke zіtknennya protilezhno ruhіv vertices that war and the unimaginable planting of the amazon with their contrasts enhance the dramatic drama of the composition.
Scopas. The head of a wounded warrior from the back pediment of the temple of Athena-Aleia near Tegea. Marmur. First half of the 4th century to the sound e. Athens. National Museum. 
Scopas. Maenad. Middle 4th century. to the sound e. Changed Marmurov Roman copy of the original. Dresden. Albertinum.
Marmurov's "Maenad", which has come down to us in a small, sloppy antique copy, instills the image of a man possessed by a gurgling spirit of passion. Not instilled in the image of a hero who was inspired to sing over his passions, but to reveal an over-the-top ecstatic passion that slandered the people, pritamanno "Menadi". Tsikavo, that the Maenad of Skopas, on the vіdmіnu of the sculptures of the 5th century, is protected for looking at from the sides.
PROXYVAL (4th century BC),
| Praxiteles is an ancient Greek sculptor, one of the largest Attic sculptors of the 4th century BC. e. The author of the famous compositions "Hermes with the impossibility of Dionysus", "Apollo, who drives in a lizard". Most of the works of Praxiteles are known for Roman copies or for the descriptions of ancient authors. Sculptures of Praxiteles rozmalovuvav Athenian artist Nikii. Praxiteles - the first sculptor who depicted a naked woman as realistically as possible: sculpture by Aphrodite Knidska, when the goddess is naked, she takes her clothes with her hand, that she has fallen. Praxiteles. Head of Aphrodite Knidskaya (Aphrodite Kaufman). Until 360 BC e. Marmurov's Roman copy of the original. Berlin. Zibr. Kaufman. |
The statue of Aphrodite Knidsky was respected in antiquity not only by the best works of Praxiteles, but also by the best statue of all hours. As Pliny the Elder writes, having arrived to Knidi more than just for the sake of pampering. It was earlier in the Greek art of monumental depiction of a naked female figure, and to that it was thrown out by the sacks of Kos, for which it was assigned, after which the townspeople of the dry Knidos bought it. In the Roman clock, the image of the statue of Aphrodite was carved on Cnidian coins, and numerous copies were mined from it (the best copy of them is at the Vatican, and the best copy of the head of Aphrodite is in the Kaufmann collection in Berlin). It has long been confirmed that the model of Praxiteles was bula yogo kohana hetero Frіn. 
The best statement about the style of Praxiteles give a statue of Hermes with the silence of Dionysus (Museum in Olympia), yak bula was found at the hour of excavations at the temple of Geri in Olympia. Ignorantly in sumnіvi, tse mayzhe singsongly the original, creations of bl. 340 BC Gnuchka postat Hermes vtonchenno clung to the stovbur tree. The maister went to great lengths to interpret the motif of a man with a child in his arms: both arms of Hermes are compositionally tied to speechlessness. Mabut, at the yogi of the right, that the hand was not spared a bunch of grapes, which wounded Dionysus, which did not care for her and was burdened. The figure of Hermes is proportionately folded and well pierced, the appearance of the cloak, the profile of thinnings, is reduced, and the smooth surface of the coat contrasts sharply with the schematic outline of the hair and the woolly surface of the cloak thrown over the stovbur. Hair, drapery, eyes and ruin, as well as remіntsі sandals were ruffled.
Above are other statues of Aphrodite, which are attributed to Praxiteles. Copies of the statue made by the inhabitants of Kos were not preserved. Aphrodite of Arles, named for the place of the knowledge that is taken in the Louvre, perhaps, depicts not Aphrodite, but Frina. The legs of the statue are attached to drapery, and the torso is exposed; judging by the position, the left hand had a mirror. We also saved a sprinkling of thin figurines of a woman, which dress us up, but in them I can still dance like Aphrodite, so a mortal woman.
Praxiteles. Artemis from Gabia. Close to 340-330 years. to the sound e. Marmurov's Roman copy of the original. Paris. Louvre.
At the statue of Artemida, bachimo put a perfection on the motif of a draped human position. Artemida is depicted here as the patroness of women: she throws a curve on her right shoulder, bringing a woman as a gift for success, brought the loader.
Praxiteles was an irreversible master at conveying the grace of the body and the subtle harmony of the spirit. Most of the time, having portrayed the gods and made the satyrs young; in yoga creativity to change the greatness and height of images 5 tbsp. BC come vitonchenіst and mrіyliva nіzhnіst.
3. Leohar and Lysipp. The greatest successively mysticism of the hybno-classical was directly revealed in creativity Leohara, Leohar, an Athenian on a journey, becoming the court painter of Oleksandr the Great. Having created the low chrysolephantine statues of the kings of the Macedonian dynasty for Philippeion. The cold and classicizing style, which is similar to the classical forms, the style of Leohar's creations satisfies the needs of the monarchy of Oleksandr, which is being formed. Statement about the style of Leohar's works, dedicated to the glorification of the Macedonian monarchy, gives us a Roman copy of the heroic portrait of Oleksandr the Great. The head figure of Oleksandr is small in abstract and ideal character.
Leohar. Apollo Belvedere
. Close to 340 BC. e. Marmurov's Roman copy of the bronze original. Rome. Vatican. 
The most important middle robot of Leohara was the statue of Apollo - the famous "Apollo Belvedere" ( "Apollo Belvedere" - naming the Roman Marmur copy, which came before us, from the bronze original of Leochar, which spent one hour at the Vatican Belvedere (open loggia)).
Prote's image of Apollo is more effective, less internally significant. Pishnist zachіska, proud turn of the head, theatrical gesture deeply foreign to the right traditions of the classics. 
The statue of “Artemidia of Versailles” is close and famous to the stake of Leochar, it is made cold, like a proud majesty.
Leohar. Artemida Versalska. Third quarter 4 tbsp. to the sound e. Marmurov's Roman copy of the original. Paris. Louvre.
Lysipp.. Mystic Lisipa virishuvalas task of revealing the inner world of human experiences and individualization of the image of a person. At the same time, Lysipp introduced new insights into cherry blossoms artistic problems, and smut, vіn ceasing to look at the creation of the image of a thoroughly beautiful person as the main task of mysticism. Lysipp is an artist, having seen what new minds suspіlnogo life let this ideal be a serious life ground.
Perche, Lisipp to know the basis for the typical image in the image of a person not in quiet rice, like characterizing a person as a member of the team of the free citizens of the polis, like a harmoniously distinguished specialty, and the peculiarities of one’s age, occupation, belonging to a different psychological temperament. Particularly important new rice in Lisip's creativity is interest in revealing the characteristically vivacious, and not ideally thorough in the image of a person.
In a different way Lysippus sings the world in his creations a moment of special spontaneity, to convey his emotions to the image. According to Pliny's words, Lysipp said that the old-timers portrayed people as they really stink, then wine, Lysipp, - such as they are. Lysipp. Apoxyomenos. Head (div. small 215).
Lysippus especially vividly evoked the image of a person insinuated into yoga famous for a long time bronze statue "Apoxiomen". Lisipp depicting a young man, like a scraper cleans the sand of the arena from himself, like a bailiff to his body for an hour of sports magic. At this statue, there is a mitten: miraculously passing that camp to the tomi, as if suffocating the young man after the strain of struggle experienced by him.
In Apoxyomena Lysipp, I want to show not inner calm and steadfastness, but folding and superbly changing mood.
Lysipp. Restful Hermes
. Third quarter 4 tbsp. to the sound e. Bronze Roman copy of the lost original. Neapil. National Museum. 
Hermes began to move on to the edge of the rock. The artist conveyed here a calm, easy to that and at once the readiness of Hermes to continue the swedish flight.
This series also included a group that depicts the struggle of Hercules with the German left, the same came to us with the Roman copy, which is taken in the Hermitage. 
Lysipp. Hercules from the left . The other half 4 tbsp. to the sound e. Changed Marmur copy of the Roman clock from the worn-in bronze original. Leningrad. Hermitage.
Lisip's creativity is especially great for the further evolution of the Greek portrait.
Head of Alexander the Great
from the island of Kos. The most vivid originality and strength of the portrait mastery of Lysip were instilled in the yoga portraits of Oleksandr the Great. 
The volitional, energetic turn of the head, the sharply thrown skein of hair creates a passionate, pathetic breeze. From the other side, the mournful folds on the forehead, the suffering look, the twisted mouth give the image of Oleksandr a figure of tragic confusion. For whom the whole portrait in the past in the history of art is expressed with such force, the tension of predilections and their inner struggle.
4. Sculpture to Hellenism.
1. Flexibility and tension osib;
2. Vikhor sensible that experience in images;
3. The imaginativeness of images;
4. Harmonious thoroughness and cleanliness
Hellenistic mystotecstvo vikonane contrasts - gigantic and miniature, ceremonial and button, allegorical and natural. Head trend - vіdkhіd vіd zagalnenny human typeto the understanding of a person as a concrete, individual, and the stars are growing respect for yoga psychology, interest for podіynostі, і new stature for national, age-old, social and other special features.
All that has been said does not mean that the era of Hellenism did not deprive the great sculptors of this mystical memory. More than that, she created creations, yakі, in our avowed, synthesizing the most attainable ancient plastics, є її unattainable zrazki. 
Aphrodite Meloska,
Nick of Samothrace , vіvtar Zeus at Pergamon. These famous sculptures were created in the era of Hellenism. Their authors, about which nothing else is known, practiced in line with the classical tradition, developing true creativity.
Among the sculptors of this era, one can name the names of the next ones: Apollonius, Taurisk (“Farnesian Bik”), Athenodorus, Polydorus, Agesander (“Aphrodite Meloska”, “Laocoon”).
The vdachas and forms of life, as well as the forms of religion, began to change in the era of Hellenism, but friendship did not sink in and the world did not set in, the brothers and wars did not stick.
5.Visnovok. One of them kept up the development of the Greek art of that science: especially addicted to plasticity, to open spaces of art.
We looked at the works of the greatest sculptors of ancient Greece during the last period of antiquity. We supported the whole process of formation, the development and the fall of styles of sculptures - the whole transition from strict, static and idealized archaic forms through the equalization of the harmony of classical sculpture to the dramatic psychologism of the articles of Hellenism. The work of sculptors Ancient Greece was rightfully respected as a vision, an ideal, a canon to support riches and at once won’t cease to be recognized as a masterpiece of worldly classics. Not before, not since, nothing of the kind has been achieved. All contemporary sculpture can be taken into account by the other world's continuation of the traditions of Ancient Greece. Sculpture Ancient Greece at the development passed a folding path, preparing the ground at the development of the plastics of the coming eras in different countries.
Apparently, most of the ancient maisters of plastic art did not wag at the stone, the stench did at the bronze. In the centuries that followed the era of Greek civilization, the conservation of bronze masterpieces has seen the success of their melting down on domes or coins, and more on harmati. At the last hour, the traditions laid down by ancient Greek sculptures were enriched with new achievements and achievements, the ancient canons served as the necessary basis, the basis for the development of the plastic art of all the coming eras.
6. Budinok. Head: Ch.8, Art. 84-91., Head of Art. 91.
LIST OF DZHEREL VICTORIES
1. Antique culture. Slovnik-dovidnik/zag. ed. V.M. Yarkho - M., 2002
2. Bistrova A. N. "The World of Culture, the Foundations of Culturology"
Polikarpov V.S. Lectures on cultural studies - M: "Gardarika", "Expert Bureau", 1997
3. Wipper B.R. The Art of Ancient Greece. - M., 1972
4. Gnedich P.P. All-world history of sciences - M., 2000
5. Gribunina N.G. History of light artistic culture, in 4 parts. Parts 1, 2. - Tver, 1993
6. Dmitrieva, Akimova. Antique mystetstvo. Draw. - M., 1988
The middle of a usogo variety of masterpieces cultural recession Old-time Greece occupies a special place. The Greek statues have instillations and sagging with additional image-creating features of the ideal of a person, the beauty of a human body. However, not Tіlki Vitonchenіst І Plavenіst Lynіy Vіdriznyaє Davagnogyki Skulpturi - Maisterschniyat їhvіv Sagliki is great, Shaho to transfer the whole Gama of Lyudsky Emotsіy and Nadati Fіurguras, Glytty Sense, Digitty Sadda Yellow. dosi attract and do not overwhelm the spying baiduzhim.
Like other cultures, Ancient Greece experienced different periods of its development, leather from some of them, making those changes in the process of molding all types, to which the sculpture should lie. It is possible to explain the stages of the formation of this kind of art by briefly characterizing the features of ancient Greek sculpture Ancient Greece in different periods of historical development.
ARCHAIC PERIOD (VIII-VI centuries BC).
The sculptures of this period are characterized by the primitiveness of the figures themselves through those that the images, which were drawn into them, were overthinking and did not quarrel with diversity (figures of young people were called kouros, and girls were called korami). The statue of Apollo with Tinea, vikonan with marmura (Apollo himself stands before us with his hands down with his hands clenched into fists with his fingers clenched into fists and kindly flattened his eyes, and in yoga guise he knew in his appearance) at that time, an archaic chuckle). The images of the girls and the woman drooped the old clothes, the hair was frizzy, and most of all, they got the smoothness and fineness of the lines - the instillation of the woman's grace.
CLASSIC PERIOD (V-IV centuries BC).
One of the most important articles of the middle sculptors of this period can be called Pythagoras of Regius (480-450). Having given life to their vitvors themselves and made them more realistic, even though the deacons of yoga robots and vowed to be innovative and more daring (for example, the statue I call the Boy, who wiymaє rolling pin). His special talent and zhvavist intellect allowed him to work on the sensation of harmony for the help of algebraic methods of research, like wines, on the basis of the philosophical and mathematical school founded by him. Vykoristovuyuchi such methods, Pіthagoras finished the harmony of different nature: musical harmony, harmony of the human body or architectural controversy. The Pythagorean school was based on the principle of number, as it was considered the basis of the whole world.
We will encircle Pythagoras the classical period, giving the world culture of such famous masters, like Miron, Poliklet and Fidiy, create them by changing one principle: the improvement of the harmonious development of the ideal body that is laid in a new, no less beautiful soul. The very principle was the basis for the creation of the sculptures of that hour.
Myron's robots were thrown into the light of the fifth century art in Athens (to solve the puzzles of famous bronze Discobolus).
In the works of Polykleitos, the mastery of someone who believed in cleverness to give an equal figure of a person, who stands on one leg with a hand raised uphill (butt can be a statue of Doryphoros-Yunak-list-bearer), was instilled in the works of Poliklet. In his robots, Poliklet tried to combine ideal physical data with beauty and spirituality. This pragnennya suffocated yoga writing and seeing the canon treatise, which, unfortunately, the Donin did not save. Phidias can rightly be called the great creator of sculpture of the 5th century, even though the bronze art was perfected. 13 sculptural posts, illustrating Phidiem, embellished the Temple of Apollo at Delphi. The twenty-meter statue of Athena Divi in the Parthenon, a vikonan made of pure gold and ivory tassel (such a technique of vikonannia of statues took away the name of chryso-elephantine) is also close to lie. Right popularity came to Phidias after he created the statue of Zeus for the temple in Olympia (її the height became 13 meters).
THE PERIOD OF HELLENISM. (IV-I century BC).
Sculpture in this period of the development of the old Greek state, as before, is small in its main recognitions for the embellishment of architectural disputes, although in it they knew the signs of change that were in the state administration. In addition, the sculpture, as one of the most visible views of the art, viniklo impersonal scales and straight lines.
Scopas became a memorable figure among the sculptors of that period. This mastery was instilled into the Hellenism of St. Nicholas of Samothrace, so named, in memory of the victory of the Rhodes fleet in 306 BC before ours and was installed on a pedestal, which, by design, made a ship's nose. The images of the sculptors of the census of the epoch became classic images.
In the sculpture of Hellenism, one can clearly see the so-called gigantomania (prayer of the bazhan image at the statue of majestic roses): we can use the butt to make a statue of the god Helios from gilded bronze, as it grew by 32 meters at the entrance of Rhodeska Harbor. Above this sculpture, twelve rokiv, tirelessly, practicing the teachings of Lysippa - Khares. Tsey vitvir mystetstva rightfully occupied an honorable place in the list of Wonders of the World. After the sacking of ancient Greece by the Roman conquerors, richly created works of art (creams and richly-volume collections of imperial libraries, masterpieces of painting and sculpture) were swept away її mezhі, shche, at full blu sacked richly representatives of the gallery of science and enlightenment. In this manner, the culture of ancient Rome was intertwined and pushed into the її further development of the elements of Greek culture.
Different periods of the development of Ancient Greece, madly, made their own adjustments to the molding process of this kind figurative art,
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Zіtknuvshis zі sculptures Ancient Greece, richly seen minds hung out inexplicably buried. One z hillіdomіdnikіdnikіv Mussettva Tremolman (1717-1768) Speaking about Walrian Sculpture: "Valtsі і нас нас нас нас миства мишники на и лілки are created from images thrown by the mind. Everyone who writes about the Greek mysticism, seems to him to have a marvelous sense of the naive impossibility of that deepness, reality and insight.
In nomu, especially in sculpture, the ideal of a person is instilled. What is special about the ideal? Why did the old Goethe ride at the Louvre in front of the sculpture of Aphrodite? The Greeks always appreciated that only a beautiful body can live a beautiful soul. That is why the harmony of the body, the sound thoroughness - is not a mastermind of the mind, that is the basis of an ideal person. The Greek ideal is defined by the term kalokagatiya (Greek kalos - beautiful + good agathos). So, as kalokagatiya includes thoroughness and bodily constitution, and spiritually moral warehouse, then at the same time with beauty and strength the ideal carries justice, sensibility, masculinity and intelligence. Itself to rob the Greek gods, created by ancient sculptors, uniquely beautiful.
The best memorials of ancient Greek sculpture were created in the 5th century. BC But before us, more early work was done. Statues VII - VI Art. e. symmetrical: one half of the body - a mirror image of the other. Skutі posti, vityagnutі hands are pressed to the m'yazovogo body. Not the least nahil chi turn your head, but ruin the roar of laughs. A smile in the middle of the visvitlyuє sculpture viraz the joy of life. Later, in the period of classicism, statues become more diverse in forms. Try to algebraically comprehend harmony. The first scientific achievements are those that are harmony, having killed Pіthagoras. The school, having begun to conceive, looked at the nourishment of a philosophical and mathematical character, zastosovuyuchi mathematical calculations to all sides of activity.
Video: Sculptures of Ancient Greece
Number Theory and Sculptures of Ancient Greece
Neither the musical harmony, nor the harmony of the human body or the architectural controversy vindicated. The Pythagorean school respected the number as the foundation and the cob of the world. How can the theory of numbers be traced back to Greek science? Rather, the shards of the harmony of the spheres of the All-World and the harmony of the whole world are manifested by one of the very same numbers of numbers, the names of which are 2/1, 3/2 and 4/3 (music has an octave, a fifth, and a quart). In addition, harmony conveys the possibility of counting whether there is any combination of parts of a skin object, including sculptures, for an advancing proportion: a / b = b / c, de a - be-yak a smaller part of the object, b - be-yak the greater part, with - the whole. On this occasion, the great Greek sculptor Policlet (5th century BC), having created a sculpture of a young man-bearer (5th century BC), called Dorifor (Spis-bearer) or Kanon - after calling the work of the sculptor, de vin, rozmirkovuyuchi about the theory of art, looking at the laws of the image of a thoroughly human being.
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Greece on the map, de bulo created sculptures Ancient Greece
Statue of Polykleitos "Spis-bearer"
It is important that the artist's mirkuvannya can zarahuvat and yoga sculpture. Statues of Polykleitos in the wake of a busy life. Polykleitos loves to portray athletes at peace. Take the same "Scribe". This mighty folding of a person is almost like a wetness. Vin stand unmoved in front of the looker. Ale is not a static calm of ancient Egyptian statues. Like a man, who was kind and easy to lift his body, he took off the troch, bending one leg and moving the tractor to the corps on the other side. It’s up to you to mine the mine and win the crop in advance, turn your head, proud of its beauty and strength. Before us, a person is strong, beautiful, free from fear, proud, striman - infused with Greek ideals.
Video: Greek sculptors.
Statue of Myron "Discoball"
In front of his co-worker Poliklet, Miron loved to depict his statues in Russia. Axis, for example, the statue "Discobolus" (V century BC; Museum of Therm. Rome). Її the author, the great sculptor Miron, depicting a beautiful young man at that moment, if he waved an important disk. The body is bent and strained with the hand, as if a spring is ready to unfold.
Under the springy skin that was brought back, the hands were bulging with the exercised mud. The fingers of the nig, satisfying the supremacy of support, squeezed deeply into the sand.
Sculpture Fidiya "Athena Parthenos"
The statues of Myron and Polykleitos were made of bronze, but before us there were only Marmur copies of ancient Greek originals, crushed by the Romans. The Greeks considered Phidias the greatest sculptor of their time, having embellished the Parthenon with a marble sculpture. In yoga sculptures, it is especially shown that the gods in Greece are nothing else, like the image of an ideal person. Marmur's line was best preserved to the relief of the frieze of the zavdovka 160 m. On it is depicted a passage that goes straight to the temple of the goddess Athena - the Parthenon. The sculpture of the Parthenon suffered further damage. And "Athena Parthenos" has perished in antiquity. Vaughn stood in the middle of the temple and was even more beautiful. The head of the goddess with a low, smooth forehead and rounded brows, her neck and hands were shattered from ivory brushes, and her hair, robe, shield and sholom were made of leaves of gold. The goddess in the image of a beautiful woman is a separate part of Athens. A lot of history connected with this sculpture.
Other sculptures of Phidias
The creations are a masterpiece of the great and famous pavement, which the author’s name suddenly appeared impersonal zazdrіsnikіv. The stinks tried their best to threaten the sculptor and joked about different reasons, from which it would be possible to call Yogo in chomus. It seems that Phidias was called in the fact that they nailed a piece of gold, which was given as a material for the goddess's well-being. To prove his innocence, Fidiy took all the golden objects from the sculpture and called them. Vaga just zbіglasya z vagago given to the sculpture of gold. Todі Fіdіya rang at godlessness. The reason for this was the shield of Athena.
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Athena on the map, de boulo created sculptures Ancient Greece
On the new bulb, the plot of the battle of the Greeks with the Amazons is depicted. Among the Greeks, Phidias depicted to himself that Perikles, who was in love with him. Fidiya on the shield and became the cause of the conflict. Despite all the efforts of Phidias, the bulk of Greece was able to defy yoga. The life of the great sculptor ended in a cruel punishment. The achievements of Phidias in the Parthenon were the culmination of yoga creativity. The sculptor, having created impersonal other works, the best of which became the colossal bronze figure of Athena Promachos, sporudzhen on the Acropolis at about 460 r. BC
Unfortunately, we don’t have any more help, and we can’t look at the miraculous eyes of the miracles of ancient Greece. We have lost less of their descriptions and copies. The reason for this was the fanatical erection of statues by believing Christians. This is how you can describe the statue of Zeus for the temple in Olympia: The majestic fourteen-meter god sat on a golden throne, and it was given, get tired, wide shoulders straightened - it would be tight for you in the hall and a stele would appear low. Having embellished the head of Zeus with a wreath of olive trees - a sign of the peacefulness of the dirty god. The disguise, shoulders, arms, breasts were of ivory tufts, and the cloak was thrown over the left shoulder. Vinets, the beard of Zeus was made of glittering gold. Phidiy filled Zeus with human nobility. Yogo has a fine appearance, framed by a curly beard and curly hair, we were not only suvorim, but kind, the posture of the urologist, majestic and calm.
The increase in bodily beauty and the kindness of the soul reinforced his divine ideality. The statue carried such an enmity that, behind the words of the ancient author, people, tormented by grief, whispered in the quiet at the peeping creations of Phidias. Voice voicing the statue of Zeus as one of the "seven wonders of the world." The robots of all three sculptors were similar to the point that all the stinks depicted the harmony of the garnet body and the good soul laid in it. Tse buv the main one right at that hour. Obviously, the norms of the attitudes of the Greek science were changed by the prolongation of history. The art of the archaic was straightforward, for some there was a deep sense of uneasiness, as if people were drowning in the period of the Greek classics. In the epoch of Hellenism, if the human being has spent a lot of resilience in the world, the art has lost its old ideals. The new one began to feel a little unsettled from the future one, who panicked at the suspіlnyh currents at that hour.
Sculpture materials Ancient Greece
One thing kept up the development of the Greek art of that art all the time: tse, as M. Alpatov writes, he was especially addicted to plastic arts, to open spaces of art. Podіbna passion ozumіla: majestic stocks of rіznomanіtny for zabarvlennyam, noble and ideal material - marmur - represented wide possibilities for yogo implementation. Although most of the Greek sculptures were engraved in bronze, oskilki marmur buv krykhky, the very texture of marmur with its color and decorativeness allowed, with the greatest variety, to create the beauty of the human body. To that, most of all, “the human body, that suppleness, that stringiness and bendiness, screwed the respect of the Greeks to themselves, the stench willingly depicted the human body and stripped, and in a light transparent dress.”
Video: Sculptures of Ancient Greece
