Pobudov's gypsum head chopped off with tar. Chopping off as a basis for understanding folding volumetric forms
In the skin process, it is necessary to see the base of the cob, so that it goes further away. For the primary wedding of the human head with the best basis chopping off the head.
The sculpture of a human head is called a sculpture of a human head with a constructive household. A carcass was seen in the stubbled armchair, on which the facets of the plane are ruffled, from which the human head is folded.
Chopped off- the whole scheme for painting and analyzing the body of the head, the structure is clearly indicated, giving a clear indication of the form of the head and a clear coloring of the light on the surface.
For the beginning artists, all the same Jean-Antoine Houdon, who, for example, the XVIII century, created the best help for the wedding human body. Chopped off, whole head famous creation"Ekorshe" 1776r., as the bula was created for the preparation stage, it took away the name - flattened head.
Meta-painting chopping off the head:
- Remember the constructive scheme of the human head and the embellishment of the main elements, such as eyes, nose, mouth and mouth.
- Memorize the speed of the main mast and node points of communication.
- Rozіbrati that learned to shrivele with flats, plans for a little baby.
- Learn how to correctly apply a stroke and spread the tone over the entire volume of the head.
Having mastered the habit of chopping, the student without any problems can lay out the facets and main tones on a further stage with the participation of gypsum heads, and then nature.
In Hudon's work, the head is divided into impersonal plans and segments, like, in their own hands, constructively merge into a single form. The effective articulation of the faces often reflects learning in the design of the task. Do not varto rozpochinati robot z razmіtki faces, namagatisya evil rostashuvannya okremyh flats. Here, like a skin baby, there is a principle: from the public to the private.
A cut off construction with a geometric basis will help you to correctly practice with tone and plans, vicorist navichi, otrimani. Directly, that intensity of the stroke will set the logically expanded segments of the construction, which will clearly demonstrate where the stroke can strike, de darker, and de lighter.
Beginners, taken away while working on chopping off, become good in the coming tasks. Especially, vminnya koristuvatisya scheme of plans and faces, marked on the sculpture, stand in good hands with antique heads, and far away, with life figures.
The technique of the front chopping sketch was developed by the most famous artists from the beginning of the 15th century. The earliest butt of a simple little human head, which escaped, was dated 1404 by rock and was created near the Renaissance county - Florence. Tsya tekhnіka vykoristovuєtsya by artists stretching bagatioh stolіt for the front layout obsyagіv ta planіv. Zavdyaki Jean-Antoine Houdon won the breath in the image of a methodical helper, and she became the standard for awakening the head. Tsya tehnіka duzhe zruchna for the analysis and encouragement of any productions.
The program has a task, yakі є vіdpravnimi points, vertices, where the learner rises in the process of learning and the stars go straight to a distant path. The painting is cut off - one of the most important tasks in the program, debazhano give more respect and try to depict the production from different angles.
Be it a little baby, the picture starts from the most important handwriting. On the back, it would be easy and subtly maєmo masi our staging on arkush paper. At our point of view, we name a head, we sew that pedestal. Warto remember that at a moment, if a person is small, the size of the head will be 99% less for the designated area. Even rarer if the bag result is greater. So you don't need to grind. Ale and gigantism hoarsely not varto.
In addition, as the region is designated, we are responsible for the expansion of the head (top of the cranium (2) and bottom of the head (3)). Varto I still remember that qi points can be very damaging. It depends on what scale you get. And the wines lie ... In the first line, as we mentioned - the whole line was transferred (1). Vіdpovіdno to the proportions of cutting off mi vіryаєmo її raztashuvannya i pridaєmo width.
Favoring the prospect, we will be transferred. Here it’s important to respect those who will be guilty of me on their own and for help, they won’t be more important, they hurt me a lot and correct pardons. So at any time you will not be looking for help. For yoga, help me, only we correct and re-verify ourselves. It is also important to keep the axis line alive, so as to allow the misplaced parts of the disguise to disappear. The deaths of the nis suffer especially strongly.
Keep in mind the perspective and change the lines. We know that the line of the horizon is on the level of our eyes. Having chosen її on nature, estimate where the line will be on paper (or behind її boundaries) and look at your thoughts, show how the cut lines will change, going to invisible points right off the bat. Oskilka is especially symmetrical in chopping off, then for the sake of the back of the head will be one point, and then we will draw a line in perspective and on the back of the head, pick up the point independently from the other side of the individual, spiraling on the axial line, for the whole hour we can hardly. After that, we are already reverifying our nature with a glance, then with a visor. Yakshcho bachimo pardons - we correct them and analyze why we were pardoned and why we ourselves. Remember that for the help of the visor you can also have mercy (you need to train it for a long time) and it’s better to check the skin point for two or three other points, in which you are impressed. It is not uncommon to know pardons from the vіzuvanni help banal logic and lucid prospects. There's nothing left to see here. If you still suffer and are not trained ideally, you need a theoretical base.
In addition, as the superciliary arches and part of the chola were awakened, we cannot without a decision be the cranial box. We don't have enough dots of that wild picture. The key points, as I vvazhali vzagali, when pobudovі on the face є transferred, temples, nasal speck and fork. Even if you have a stink, everything else is easy. Prote, pobudov some points to go out of pobudov іnshih. It’s easier to start by yourself, but it doesn’t mean that you can’t try and start painting for something else.
In order to open up our eyes more often, we need to separate them with our noses. Ale! The tip of the nose will sound at the corners of the eyes. As an internal, and ovnishnim, to that stage, we are less likely to draw a line of the nose, but with a border.
Eyes, as they told us, they see three people in a bad way. What, vlasne, is logical. At times, the eyes are extremely omitted. On the back, we know the little tufts, then we revise along the lines and those that stink on the same promising lines. Tobto schob not Bulo skewed.
Now, if we have our eyes, we can come up with a fork. Vzagali, the forks can be blown up on the superciliary planes, but don’t forget about the eyes better, otherwise we might show up that the stench doesn’t help. Buvae th so.
Now, if we have those eyes, we will not be that nasolabial flat. Here it is important not to waste the axis line and draw it correctly. Under the nose we have a lot of space to the nasolabial fold. Whoever forgets about it and goes out ruins what they've done. The widest manifestation. Zagalom wider when painting individuals.
Now the black behind the lips. Without them, we cannot paint the bottom crack normally. On the back, the position of the folds of the lips is determined, and it is carried out down the edges of the flats. Look straight ahead. Rozmir ruins vimiryuemo be-yakim vіdomimi you ways. Spivvіdnoshennia shkodo іnshih parts of the individual, after the other points thinly.
Let's look at the surface of the lips. I'm at some stage I'm constantly hanging out. Wanting nothing coherent here is really dumb. It is possible to the right at the great number of small squares and it will take just more than an hour.
Prodovzhuєmo paint "disguise" with flats and, of course, I will accurately point at the bottom of the boarder. Let's run the line.
We'll be picking up. Here we are sorry. My favorite part.
We'll be a slit. There is nothing complicated here. Krapki pereviryayutsya even easily. Dobudovuєmo the surface of the lower part of the individual.
Now let's deal with the cranium. Lost zovsіm trohi. Ale with a turtle varto buti be careful. There is a tendency to move, flatten and grow. Revise resolutely. Like a baby, you need to go out and marvel from afar.
Doroblyaemo. The head is ready. Nareshti. Everything is respectfully reviewed again.
Domalyovuemo shyu that pedestal. We do it the same way, like a head. There are also flats.
Vlasne, that's all. Ripped off ready. Robimo gave her whatever they wanted. You can take qiu and try it in the editor, turn it into її different shades of gray, to convey the message
When copying a lesson on other resources, remember that you will be fine with it, that the lesson can be placed like this. You are also guilty of saying that it was wrong - to put a message on the entire resource.
vakharaConstructive baby - tse divided the disciplines of the academic little one - the little ones of the outer contours of objects, like visible, and invisible, vikonaniya s help line prompting. You create the framework of the object that you are going to paint. And in order to create such a frame, you need to analyze the image object. Constructive little ones begin with analysis.
Surprised, think, what is the sum of the object? What geometric bodies? And what are the simplest geometric bodies? Tse cube, sack, cylinder, cone, prism thinly. As soon as you learn how to work in the most basic objects of a geometric body, then you can easily create a frame, or, more precisely, constructive little ones.
For example, let's take a great dance. Vaughn to take revenge on his own cylinder, maybe a cone (strengthening), so, maybe, a shortened kul chi torus. Abo, for example, a shafa or a style, - it is formed from a choti-faced prism, or, perhaps, from cubes and parallelepipeds.
For this, the first crochet is to know everything that is familiar to us, geometric bodies. Tse dopomozhu rozvinut about'mne mislennya.
Another crochet is the image of the "framework". It is necessary to learn how to correctly place the geometric bodies, in addition to that, the image of the object is formed, in space. For whom you need knowledge from a linear perspective.
Tobto it is necessary to know what is the line of the horizon, the points are right off the bat to speed up this knowledge. For example, if a small cube is imaginary, we imagine the lines of parallel faces of the cube so that the stench converged at one point or two points on the line of the horizon.
Another point is the central line.
She helps to create the construction correctly. For example, we need to paint two different cylinders for the tovshchina, so that they have a different diameter. І one cylinder roztashovuetsya over the other. Robimo, for example, the design of the dance. For whom we need an axis line. Like a dance to stand, this line will be vertical.
Draw a vertical line. Paint a rectangle (the main part of the plate) so that the line runs in the middle. Paint another rectangle (neck) less so that the axis line runs in the middle. Now you need to paint (induce) 4 elipsi - from the bottom to the beast of the skin from the rectum.
It's already starting to look like a dance. Otherwise, you have another version of a constructive little one. As you draw a dance in perspective, so, do not marvel at it from the side and three to the beast. How can constructive little ones be created in such a time? On the back, it’s already not two rectangles, but two choti-faced prisms, from which we take two cylinders.
Zrozumilo, one prism is the main one. Dali on the lower and upper planes of the prism are drawn diagonally, otrimuemo two points. Z'ednuyemo tsі points - otrimuemo average all. Tsya all help us to induce correctly one more prism, for which we create the cylinder of the neck of the plate.
Putting one prism on the other side, we will have two cylinders. After this rounded cutie, we hope that the construction is plausible. You can create as constructions of such simple objects, like dishes, furniture, and create people.
Irrespective of the foldability of being humans or creatures, we can recognize simple geometric bodies in them - cylinders, prisms, cubes, coolers, etc. little.
Start developing your mind about the splendid cube. Paint yogo on the arch paper, tse, whatever one may say, the basis. The very beginning of the rozpochinaetsya constructive little ones. The cube presents us with three dimensions of space - width, height and depth.
The rest, tobto the depth - is an illusion, to the fact that we cannot have the depth on the flat of the sheet. Here, a spear of practical examples of constructive motivation is introduced.
The framework itself is created in such a rank, or on the surface, which burns, for a future object. Tse i є constructive pobudova.
Now let's look at the constructive phased baby in the form of simple geometric shapes to the position of a person:
Methodology of step-by-step painting...
Constructive analysis of the form of objects I will try.
Vivchennya perspectives from the butt of cubes of various sizes.
Still life from geometrical bodies.
Subject still life at the stage of shaping.
Finishing subject still life.
Simple canteen still life.
A small folding object.
Little gypsum palette.
Little capiteli colony of the Іonic order.
Drapery baby.
Promising little interior.
Constructive analysis of the shape of the skull with hatching.
The little one is chopped off the human head.
Ekorshe little human head.
The little eye of David - the right to understand the shape of the parts of the human head.
The human head (facial part) is constructive.
Constructive analysis of the human head with weak shading.
Little gypsum head of condatier Gattamelata.
Analysis of the form of the gypsum head of Apollo Belvedere from a number of angles.
Baby head of Zeus at two angles.
Baby head of the leader of Emperor Adrian - Antinous.
For this little boy, I prepared the material in such a way that the key principles of painting the head of a person could be seen. In order to learn how to draw a portrait, it is necessary to understand the shape of the head, but it is possible, for additional forgiveness, to elaborate on the details. For this purpose, I have chosen a schematic representation of the head with the name “chopping off”, an academic baby of the skull, a gradual baby of the head of a person, and additional schematic little ones, which allow understanding the features of the anatomical life.
1. Volume of form. Forgiveness that zagalnennya.
At the beginning of the stage, people begin painting the most common way to outline the object and replace it. The very same way they paint a portrait: paint the contours of the eyes, nose ... Aje the head of a person, eyes, nіs, ruin - all the stench can be volume, not just contours. In addition, the stench can finish the folding uniform. Therefore, on the cob, it is necessary to take into account the other rows and take into account the skin form.
On the back, we can try to paint the appearance of a person with protruding noses and chols, represented by straight-cut geometric figures.
2. Skull - the basis of the shape of the head.
Let's learn one important lesson. All the main vaginas and contours of the face are tucked into swellings and vaginas of the skull. Even the skull itself is the basis, on which the shape of the head in the portrait will be. Try quilting this interconnection by making the shape of a skull with a small head. This is an important moment for the navchanni.
If the skull can be folded, then it will not be easy to understand the interrelationships. That's why I'm trying to make the skull zagalneno.
The skull is composed of two main structures: cerebral and facial.
Until then, the shape of the skull can be mentally seen from a cube. The skull has a frontal side, two sides, a tilichna and so the titles of the skull are abo dah.
After the smart, zagalnennyh little ones, I put it like the butt of the head of the academic little skulls. With the impersonal details, it is possible to see the frontal, political, and side sides of that crypt. It can also be seen how the details are grouped in two main figures - brain and face.
It should also be noted that the widest part of the skull is closer to the roof. You can clearly see the little one below.
For those who want to paint a portrait, you can use the following anatomical names for the various parts of the skull:
- superciliary arches;
- forehead brush;
- thyme brush;
- utilitarian brush;
- skroneva brush;
- vilicious dross;
- large cyst;
- upper slit cyst;
- lower slit cyst;
- nasal brush;
- ochnitsya or ochna depression.
3. "Orubuvannya" - the key to understanding the shape of a person's head.
The crimson of the skull, on the shape of the head, that guise is poured into m'yazi, cartilage, fat deposits thinly. Sob not to get lost in the details, to expand in the anatomical life to help you cut off. Chopping off the mental images of the head of a person, which is formed from the edges. For the help of such flats, the volume of the head is formed. Zavdyaki tsim faces are good to see the main wigini of the skull and the main m'yazovі groups of faces. Be it a portrait, be it a person, the shape of the head will be based on these cut edges. Obviously, a skin person has her own peculiarities, her own proportions, and the key points in her head seem to show chopping off. Therefore, in the painting of the portrait, the artist always remembers these key facets.
Try to quilt the main surface of the stubble of the small skull and the tonal small of the head, wreathed with an olive.
4. Molding is obligatory for the help of light on the frontal, side and upper sides of the head.
So that the little ones' heads are voluminous, it is necessary to correct the shading. Shading creates the desired tone. Through a change in tone (lighter-darker) we can fit the shape. Behind the law of light, light rises on the surface of the form in an offensive sequence: bright, light, pivtin, shadow, reflex, falling shadow. If you draw balls like simple geometric figures, then everything is much simpler. But how to show the light of a tonal little man's head? In the portrait of light, the shading is also laid like a little kuli. Ale z tієyu razniceyu, scho mitets can streak lightly and tint on the skin creamy fragments of disguise, zokrema and on the whole head as a whole. That is, it is necessary to show light, pіvtin, shadow - on the nose, on the forehead, on the occular depressions, on the lips, pіdboriddі, etc. great faces and sides. For example, one side of the head can be dark for the other. This is an important moment at the hour of the meeting of the heads in the portrait.
For the sake of a short understanding of the numbers, I’ll bring up, as an example, the initial schemes, that little plaster of Paris chopping off, the skulls and the heads of people. With them, you can clearly shake the frontal, bichnu and upper facets of the head. Schemes and little ones with olives are folded in such a way that for the help of them you can step by step stitch the main faces of the head, which will help the painters-primarily paint the light on the surface of the head as a whole.
5. Mozkovyy and facial shaped heads.
I’ve already pointed out the sketchy little ones in a way that could see the cerebral and facial faces of the skull. Ale yak in practice to improve the area in the painting of a portrait? You can help someone with a number of little ones and the diagrams below. Here you can stitch between the facial and cerebral parts of the head of an olive baby, gypsum stumps and the first baby of the skull.
6. Gradual tonal little olive.
After the treatment of the main anatomical features of the head, you can proceed to the step-by-step little olive. Here you should acquire such a sequence. On the back of my hand, it’s slightly ugly. Let's improve the drawing, adding details.
a) Oskelki the shape of the head guesses the shape of the egg, then the back of the head draws a line in the shape of the figure.
b) If so, I will victoriously call the little head. There is little symmetry, as we pass in the middle of the head. It’s even more important, shards of everything, to allow to respect the left and right of the side, which will help to overcome pardons and inconsistencies. Dali, we are equal, on which eyebrows grow, eyes, nіs, ruin. We want them for the help of light lines. About those, how to designate qi equal, I wrote in the lesson
in) At the advancing stage, one can find visual depressions, eyes, nis, ruins, as well as a forechest, frontal parts, main m'azovі groups and folds on the face.
