Presentation on the theme "Oblomiv" - the image of O. Illinskaya
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slide 1
Symbolic images in the novel by I.A. Goncharova "Oblomov" Vikonali: students of the 10th grade Lisenka Marina, Ruban Anastasia, Kireeva Veronika. Teacher: L.I. Gerasimenkoslide 2
An image is a creation of an object, information about a new or another description, structurally similar, but not related to it. The symbol of the art is a characteristic of the artistic image at a glance of its knowledge, the manifestation of a singing artistic idea. On the face of the allegory, the sense of the symbol is not the same as the figurative structure, but it is reminiscent of the rich richness of its meaning.
slide 3
Oblomiv is a person, with powerful people with traits - breadth, kindness, purity. Ale lynki, apathy, idleness - ce and є majestic minus of a person. Those that Oblomov himself "people" bring the symbolism of his name: Three letters O. Pro is the sphere, and the sphere is the most important form of matter (electrons, protons, atoms, electrostatic, magnetic fields, planets, trajectory of electrons, planets, nucleus clitins, eggs - all make the shape of a sphere chi kola). Im'ya Illya is associated with the famous Illey Muromets, who has lain on the stove for thirty years. The heavenly patron of Oblomov is the Old Testament prophet Illya, whose name is Oblomov. Іllya means “Yahweh is my God, the power of God, the fort of the Lord, the believer” Repeated at the name of the son of the name of the father (Іllya Іllіch, Іllya sin Іllі) Goncharov, as bi, reinforces the immensity, repeating the way of life among representatives of the Oblomov family. The name of a hero and comments are not required, the flooring is out in the open. One of the meanings of the disword is to “break off” the Russian one - to persuade, to change the chomus. Illya Illich Oblomov
slide 4
Oblomov's heart is like a flower, a heavenly trojan, a bowl. Such an associative series is indicated by R. Guenon. Vіn write, scho cup - tse thrown trikutnik, kvіtka, celestial troyanda. The hero's heart, being the "heart of the novel," can be entirely equal to the heart of Jesus, which is "both real and symbolic, the center of the butt."
slide 5
Oblomov - light, soft pillow, on a yakіy vin sleeping. Yaka won zruchna, tatish yaka! Yaka good home! It's easy to change and change, it's always clean!
slide 6
A sofa, a bathrobe and shoes are symbols of lazy nights and apathy. Sofa for Oblomov - tse stse іsnuvannya, yogo's best friend and "support", pіdtrimka at any hour, hovering over the stormy unsettled world, crossing over to be-yakої dії. Tse basic ashes of yogo life, tse yogo are the essence and purpose. Tse zvichka, the zvichka of all life, as it is impossible to induce if you hate it. Everything started from the sofa, everything ended on the sofa ... The symbol of recovery became a symbol of happiness, a symbol of lanterns, a symbol of meti, a symbol of life, a symbol of oblomivshchina.
Slide 7
Under Oblomov's dressing gown, yogo Krishtal's soul was buried, yogo is purer, yogo unimaginable life, guessing about the yak, it is impossible to characterize it unambiguously.
Slide 8
"Oblomov's Dream" - the exposition of the novel, which is known not on the cob, but in the middle of creation; vikoristovuyuchi such an artistic technique, showing the character of the hero on the back, that buv turns and yogo molding, Goncharov showed the foundations and depths of the soul, evidence, psychology of the protagonist. The psychologism of the novel is that the author has brought the inner world of all the characters. And to that, the wine calls for internal monologues - the mirroring of the hero, which the wine does not speak out loud. The monologues show the protagonist's attitude to himself, to himself, to his feelings, to life, love, death - to everything. The motive of sleep in Goncharov's novel is combined with the motive of the dream, the dream in reality. The “dream” reveals the most curved layer of the broken (and our) bridge. In "Snі" the author prepares the ground before the creation of the gigantic position of Oblomov, who was called by the article and instructed him to bring "eternal images" to the world literature. Oblomov's dream
Slide 9
Stolz Dobrolyubov and Pisarev were called "people's worker", and Kulikovsky called yoga "people's movement". Im'ya Andriy told about the apostle - the patron of Russia, that one is just about the mission of the mandriving preacher. Stolz can be matched with a year old, which works not for the battery's rahun, but for the life force's rahun. Vіn, like a year-old man, is crashing forward, pragmatic of the new, Stolz is impossibly to rise to the reach, in order to rob him of the “new” people. Stolz Andriy Ivanovich
slide 10
Giving the heroine the name of Olga, the author puts a charge on the heroes of the "volitional, active, practical, intellectual" woman. Іm'ya Olga means "holy, bright", and the call is to resemble the name of Illya. According to Olga's father - Sergіїvna (Sergiy - "high, high") - explains the situation that the heroine is beyond the reach of Oblomov. Olga embraces Oblomov and the reader like a beautiful statue. Illynska Olga Sergiivna
slide 11
"Lord" of this world, Agafia Matviїvna Pshenitsina, like Olga, is nіbi recognized as Іllі: іm'ya її can be read as a kind "God's gift", and "bread" the name directly indicates the "genetic" staleness of the heroin of the words yanami yak “patron of the harvest, that kindred, siyach, reaper and giver of blessings... Pshenitsina Agafia Matviivna Vіdnosini Olga i Shtolz nasampered razumnі, їm constantly accompanying the novel monthly syaivo. Їхнє lovingly explained after sunset. Heroes nibi specially check the current darkness, sob open their souls one before one. Under the hour of explanation, Olga’s face falls brightly in the window, and Stolz could read in a moment what was on her mind. The evening is light, the light of the month in the novel is understood as a disputed light of the sony. This is the light of truth, the light of grace. The very same statement about the night lived brightly in the light of words. It is not for nothing that in the light of this world Olga hove lichchya, bazhayuchi prihovat in Stolz the truth about her swindle before Oblomov. The happy life of Olga and Stolz, the author shows on aphids “not broken”, but pure nature - the stink of living by the sea. Behind the mythological manifestations of different peoples, “life, strength, energy and eternality are surfed by the water,” write Mircha Eliade. Olga and Stolz, moon light slide 2
The purpose of the lesson
Look at the women's images of the novel Conduct an analysis of the mutual relations of the central character with the women's characters in the work
slide 3
Olga Illinskaya
“Olga in a strict sensi was a beauty ... ale yakbi її turn into a statue, there would be a statue of grace and harmony. For example, the size of the head, the size of the head - the oval and the size of the face, suvoro showed the height of the height; everything, at its heart, harmonized with the shoulders, the shoulders - with the encampment ... Having made the trochs commemoratively, the graceful line; destroy the subtle and the richest style: a sign of an uninterruptedly directed thought on something. The same presence of a roaming thought shone in the sawy, vivacious badyora, the look of dark, gray-blaky eyes that did not let through anything. Eyebrows gave a special beauty to the eyes: the stench was not arched, did not round the eyes of two thin threads plucked with a finger - no, they were two Russians, fluffy, maybe straight smugs, yak rarely lay symmetrically: one on the line of which a small fold lay above the brow; Olga walked with a well-groomed troch, head forward, as if so stringently, nobly lay on a thin, proud, shii; collapsed with all the body evenly, croaking easily, may be imperceptible ... "
slide 4
Agafia Matviivna
“... with bare shoulders and elbows. Їy was rocky thirty. Vaughn bila was stronger and clearer of appearances, so that the blush, it seems, didn’t break through the cracks in a moment. She didn’t have eyebrows at all, but on her legs, two trochs were swollen, gleaming dark, with sparse light hairs. Eyes sіruvato-innocent, like and all viraz guise; hands were white, ale zhorstkі, with great knots of blue veins, which were named. The cloth was sitting tight on it: it is clear that it did not go into the desired art, to wind up the back of the back, in order to increase the stegon and change the waist. Vіd tsego navіt i close the breasts її, if there was a bula without a hustka, it could serve as a painter or a sculptor, a model of small, healthy breasts, without destroying її modesty. Cloth її, worn to a shawl to a shawl and a front cap, was given old and worn. Agafia Matviivna: widow; pratsovita, inconsistent with nature, honest and sumly, obmezhena, "knocked off" in the state, not self-reliant, even homely.
slide 5
Zovnishnist
Olga Illinskaya Agafiya Pshenitsina Offended women are gracious: one grace, and another statute. They show a truly Russian beauty: “... breasts and shoulders shone with contentment, fullness, lightness shone in the eyes.” A good and modest woman, a miraculous master, that chuyna is dbail. She has no "neither mannerisms, nor coquetry, any nonsense, any tinsel". "Yakby її turn into a statue, there would be a statue of grace and harmony." I didn’t blush, but I changed into an hour of sleep. Fuck antipodes!
slide 6
Social walk
Olga Illinskaya Agafiya Pshenitsyna For people who do not care about lighting, it is simple. It’s not good to understand books, like Olga reads, to sleep “Casta diva”. From the nobles, I got a miracle light. Revealed by a non-abyak mind, exercising new positions. Good sleep, put your soul into sleep. Fuck antipodes!
Slide 7
The role of Oblomov's life
Olga Illinskaya Agafiya Pshenitsina Її love is spiritualized, but hisistic: she loves her efforts in Oblomov, she loves the future Oblomov, who stinks to create with Stolz. You can’t break off like this, and in this way you can’t blame me. Olga zovsіm does not look like a woman, like Illya Illich himself manifested in his dreams. Vіn hooting high її souls. But Yogo was tired of his restless nature. Vaughn was a woman, which made Oblomov embarrassed to get up from the sofa, take off her bathrobe and try a romantic coax. Її love is self-sacrificing and sacrificial, thrives on spiritual whimsicality and manifests itself in the post-turbo. Vaughn took Oblomov like that, like a wine, without any effort to change it, it will seem like a short time. That won't sack at the new waters - Oblomov buv її іdealom. Vaughn enlightened my mind, although I would hardly have told you about her. At the house on the Viborsky side, all Oblomov's thoughts about Oblomivka were answered. Agafia honed yoga with a turbotoy, secured it from all the bad luck - the storm of life did not reach the new one. Vaughn was a woman, zavdyaki like Oblomov, having re-dressed his robe, knowing his human happiness, that calm. Fuck antipodes!
Slide 8
Think about reading
Chi loved Olga Oblomova? Why did Olga and Andriy Stolts's love come after a love failure with Oblomov? Lyubov Olga chi Agafії Matviїvni need Oblomov? For Olga, "life is a bond, a bond, and also love is a bond." Pochutya Olga is sensible, she marries cordiality, self-expression. Lyubov Pshenitsino is not rational, but cordial. Її almost similar to the mother, protective kohannya. With Agafia Matviivna Oblomov will be his "Oblomovka"
Slide 9
How do you see Agafia Matviїvna, how did you give Andriyev Oblomov to win the Stolts? Yakim Viroste Andriy Illich Oblomov? What, in the opinion of the author of the novel, is the ideal image of a Russian woman? ?
View all slides
Olga Illinskaya harmoniously walks in her “heart and will”, look at life with a look at life, indulgence in the fight for a sustainable meta, sustenance to reason. Yaskraviy is a strong character. The depth of sensibility and femininity became one of the harmonious, light images in Russian literature of the 19th century. Literary supporter of Olga - Tetyana Larina. And yet, as a heroine of another historical hour, Olga is more impressed with her, her mind will require constant work. Without being more beautiful, Olga is inspired by artistry, grace and harmony. N.V. Shcheglov. Olga. 1979
The life of the nibi is thrown into Olzya at once from the life of Oblomov. Ale, in this process, it is significantly more intensive, lower in Illi Illichi. Olga began to reconsider, on her new ability, a woman and a shaker at once. Її neabiyakі rozі і soul vymagayut daedalі more "folding" їzhi. Like Olga to Oblomov, it’s whole and harmonious: she’s just to love, just like Oblomov constantly tries to catch the depths of this kohanny, that’s what she suffers, respecting that Olga “to love now, like hanging on the canvas: quietly, lazily go out the vizerunok, anyway roar yoga, have mercy, then let's do it and forget it. Yu. Z. Gershkovich. Oblomov and Olga. 1982
Widow of an official, sister of Ivan Matviyovich Mukhoyarov, godfather Tarantiev. Kind, modest woman, beautiful lady, reverent before her "lodger". Wheat is not balaky and the sound of life is not hovering over anything, only in a well-kept house it has reached perfection. Lyubov Oblomov to Agafia Matveevna grew up on the pansky bells. In it, Illya Illich knows those who have been in this world of life. Agafia Matviivna. Artist G. Mazurin
The romantic mood is given the opportunity to a realistic approach to life. Oblomov's vitrates are especially turbulent: a new apartment, a crew, a cook. In the midst of these gloomy thoughts, it died in the sight of the ochikuvannya of the fun. Every hour Illya Illich vagaєtsya, now I’m hooting almost to Olga, now I’m stomping on life’s problems. The scene of painful explanation of Oblomov and Olga is a grave sight.
The role of Olga in Oblomov's life is spiritualized with love, but hisistic: she loves her efforts in Oblomov, she loves the future Oblomov, who stinks to create at once from Stolz. You can’t break off like this, and in this way you can’t blame me. Lyubov Olga has a small sensible, enlightened character, almost rejecting bezsperednosti, and naturalness. Olga zovsіm is not similar to a woman, as if she were in the dreams of Illya Іllich. Vіn hooting high її souls. Vaughn nibi was called by Oblomov's guardian angel to wake Yogo. And yet, Olga’s restless vdacha is included. Oblomova changed her mind for the next hour, but it’s enough to enter into a new life so I didn’t know. Vaughn was a woman, which made Oblomov embarrassed to get up from the sofa, take off her bathrobe and try a romantic coax. Yu. Z. Gershkovich. Olga bіlya vіkna “Olga, behind her development, represents the greatest ideal, which is only now possible for the Russian artist of the community; from the current Russian life. ON THE. Dobrolyubov
The role of Agafі Matviїvni in the life of Oblomov Її love is self-sacrificing and sacrificial; Vaughn gave Oblomov such a kind of wine, without any effort to change it, to save some short-lived ones. That won't sack at the new waters - Oblomov buv її іdealom. Vaughn enlightened my mind, wanting hardly anyone to tell you about her. At my booth on the Viborsky side of the vines I know Oblomivka. Agafia honed yoga with a turbotoy, secured it from all the bad luck - the storm of life did not reach the new one. Here, on Verhlivsky Street, and live out his life Oblomov from a woman, about how to start a dream. Vaughn was a woman, zavdyaki like Oblomov, again putting on a dressing gown, knowing her human happiness, that calm.
Olga ta Agafiya Matviїvna Zovnіshіst “She has no manners, no coquetry, no nonsense, no tinsel.” "Yakby її turn into a statue, there would be a statue of grace and harmony." I didn’t blush, but I changed into an hour of sleep. She has a truly Russian beauty: “... breasts and shoulders shone with contentment, fullness, lightness shone in her eyes.” A good and modest woman, a miraculous master, that chuyna is dbail. From the nobles, I got a miracle light. Explore a non-abyak mind, exercising new knowledge. Good sleep, put your soul into sleep. The social welfare of the people, who do not care about lighting, is even simpler. It’s not good to understand books, like Olga reads, to sleep “Casta diva”.
Presentation on the topic "Images of women in Goncharov's novels" (
Vikonav: student of group A-62
Tarasov Oleksandr
“You have a walk, - writing to one of your acquaintances, suspecting
love and those that only this strength can crumble with light,
keruvati by the will of man
that direct її to fialnostі».
Same kohannya, at the thought of a writer, zdatne
radically change the life of a person, and in
love manifests its best and best sides
The history of Oblomov's kohanny and Olga Illinskaya is dedicated to Goncharov's novel
Olga Illinskaya
“Olga at the strict sensi was beautiful… aleyakby її turn into a statue, there bula b statue
grace and harmony. Descho to the high riser
suvoro v_dpovidala the size of the head, the size of the head
- oval and rozmіri individuals; all tse, at his devil,
harmonized with shoulders, shoulders - with camp.
Nіs having made trochs commemoratively swollen, graceful
line; destroy thin and rich style:
the sign is permanently straight on the shaft
thoughts. The same presence of a moving thought
shone in the saw, start badyor, nothing
I miss the glance of dark, gray-black eyes.
Eyebrows gave a special beauty to the eyes: there was no stink
were arched, did not round the eyes of two
thin threads plucked with a finger -
nі, tse buli two rusyavі, fluffy, mayzhe straight
husbands, which rarely lay symmetrically: one
on the line of the bula more for the іnsha, which is visible above the eyebrow
there was a small fold, in a nibe it said, nibi there lay a thought.
Olga went with a well-groomed troch in advance
head, so stringently, nobly lay on
thin, proud, shi; collapsed with all the body equally,
krokuyuchi easily, mayzhe imperceptibly ... "
Image of Olga Illinskaya
A.M. Pshenitsyna
Їy was thirty years old. Vaughn was already bіla and spovnenain person, so rum'yanets, zdaetsya, not a moment to break through
crazy shocks. She didn’t have eyebrows, maybe, but
boules on their feet, two trochs of the nibs were swollen,
gleaming smuga, with rare light hair.
Eyes sіruvato-innocent, like all viraz
individuals; hands were white, ale zhorstkі, with protruding
called the great knots of blue veins.
the cloth sat on her close-fitting: it is clear that she is not
went to the desired art, navіt to zayvoї
sleepers, schob zbіshiti obsyag stegon and change
waist. Vіd tsogo navіt i close the chest її, if won
bula without hustka, mig bi serve as a painter chi
sculptor model of small, healthy breasts, not
destroying modesty. Cloth її, by date until
elegant shawl and front cap, it was built in the old
and worn out”.
Obraz A.M. Wheat
Olga
“... invisibly sly, chewingOlga ... to explore all the funny features of the hero, not
being deceived by anіtrochs, graє them, mayzhe
enjoy them and be deceived only in
roses on a solid foundation of Oblomov's character.
A.V. Druzhinin
Agafia Matviivna
“…beyond-sidedand not obscured by theories
rozum viber, yak vibrating Oblomov,
Agafia Matviievna, not only to the one who
liktі spokuslivі i scho
she’s good at cooking pies, but the one who won is richer
female, lower Olga.
A. Grigor'ev
