Rodchenko pictures. Serving the Radyansk Union: Oleksandr Rodchenko
Companion of Mayakovsky from advertising
5th anniversary of 125 birthdays of Oleksandr Rodchenko's birthday
Oleksandr Rodchenko
Oleksandr Rodchenko "Pioneer", 1930
painting
In 1916, Rodchenko moved to Moscow, got to know his squad and colleague Varvara Stepanova and took an active part in avant-garde exhibitions together with Vasil Kandinsky, Volodymyr Tatlin, Yel Lissitzky. At the same time, as an artist-non-objective, he is intermingled with easel painting with a compass and a line, richly in what is shown from the Suprematism of Kazimir Malevich.
Oleksandr Rodchenko
2. Oleksandr Rodchenko “Chervoniy. Zhovtiy. Blue", 1921 r_k
He experimented with flatness and texture, shape and color, successively transforming his creations on the geometric armchair - even more suvory, lower in Malevich.
3. Artist, photographer Oleksandr Rodchenko, director Vsevolod Meyerhold, Volodymyr Mayakovsky sings, composer Dmitro Shostakovich (angry to the right)
4. Oleksandr Rodchenko, Volodymyr Mayakovsky “There were no best nipples”, 1923 rіk
5. Oleksandr Rodchenko "Kіnook", 1924 rіk
Through similar rationalization, Mykola Khardzhiev, a writer, historian and one of the greatest successors of the Russian avant-garde, rated Rodchenko in this way: .
Prote in 1921 at the exhibition “5 × 5 = 25” showed the triptych “Smooth color” from three monochrome canvases (yellow, red, blue) and, in such a rite, breaking from the gap in reality with non-objective painting, to go to “virobnichesky art," as a little organically fit into the collective life of the new society.
9. Oleksandr Rodchenko "Workers' Club", 1925
Constructivism
The "Group of Constructivists" vindicated the fierce fate of 1921 for the initiatives of the artist and the art theorist Oleksiy Gan, as well as Rodchenko and Stepanova. Rocky earlier, Rodchenko began to read lectures at the VKhUTEMAS (The Highest State Artistic and Technical Masters) and supervise student projects - among them were, for example, a bus station and a universal exhibition facility.
10. Oleksandr Rodchenko. At the phone. 1928 rik
11. Oleksandr Rodchenko. Volodymyr Mayakovsky. 1924 rik
12. Oleksandr Rodchenko. Walk away. 1928 rik
For a new goal, a turn to design, eskіzіv іnter'ієrіv, poligraphic works and zrazkіv new furniture, yakі thought the constructivists as a way to improve the individuality of bourgeois art and order their own mystical natural environment.
13. Oleksandr Rodchenko “He is not a hulk of the SRSR, who is not a shareholder of Volunteer”, 1923 rіk
Advertising posters and photomontage
One of the first Rodchenko's fights against the evil of the day radian people, Becoming a poster: "He is not a hulk of the SRSR, who Dobrobolyota is not a shareholder." Since 1923, the tandem with Volodymyr Mayakovsky signed an advertising poster: "Advertising designer Mayakovsky - Rodchenko." The middle of their bedrooms is the emblem of Mosselprom, advertising for the magazine "Moloda Gvardiya", GUM and Rezinotrest.
14. Oleksandr Rodchenko. Mother's portrait. 1924 rik
15. Oleksandr Rodchenko. "Polyoví kviti". 1937 rik
16. Oleksandr Rodchenko. Sukharivskiy boulevard. 1928 rik
Zavdyaky inappropriate foreshortenings, brightening images and fading and a bulky text, a fundamentally new language of mass communication was born, as it combined Rodchenko's graphics with Mayakovsky's renditions of texts.
17. Oleksandr Rodchenko "Composition". 1917 rіk
18. Oleksandr Rodchenko "Dance". 1915 rik
Same day, 1923, Rodchenko began to zastosovuvat photomontage for ilustruvannya books. One of the most different images of this practice was the first ever sing of Mayakovsky's "Pro tse", for which Rodchenko put together collages of photographs and newspaper headlines, at the same time playing with layout and type.
19. Oleksandr Rodchenko Pioneer, 1930
photography
Today's signs of Rodchenko are associated with concise forms, clear lines and sensible images. The stench is sold by auctions and exhibited in museums. Prote your first photographs Rodchenko having worked in 1924 to collect material for photomontages.
20. Oleksandr Rodchenko "Bile Kolo". 1918 rik
21. Oleksandr Rodchenko
Since 1926, the fate of wine begins to experiment from angles, consolidating images and emphasizing inconspicuous details, write articles about the design idea and a documented look at the world (“Ways of modern photography”, “Against a suspected portrait for an instant sign” and “great talent without” ) ). Photo reports are published in Vechirniy Moskva, 30 Dniv, Vognik and Radio Listener magazines. Zyomka people at home, foreshortened pictures, psychological portraits became the calling card of Rodchenko the photographer.
At the 125th Rokovina on National DayOleksandra Rodchenko(1891-1956) - a constructivist, a photographer and one of the first designers in the SRSR, who until now has taken shape as a cultural archetype, "Gazeta.Ru" sets the main milestones of the artist's creativity.
Oleksandr Rodchenko created diagonal and vertical foreshortening for photography, which is similar to Mayakovsky's role in poetry in the visual art of the 20th century. But a lot of the artist’s fellow students called out for his great talent, and even if you can’t do it, Rodchenko can’t get past the pathetic lessons of the tabernacle practice. Tetyana Filevska conjures up a super-smart genius.
Batko Oleksandr Rodchenko worked as a props at the St. Petersburg theater. Before moving to Kazan, the apartment was located right above the stage - to enter the street, it was necessary to go through the theatrical platforms. From an early age, Oleksandr Rodchenko chimed in the mysticism - but the father wanted for the son of a normal profession and to inspire him to learn about dental technology.
On the other hand, the attempt to become a doctor failed, and Rodchenko became a good listener at the Kazan art school. There, they saw Varvara Stepanova's squad for the future, and also spent the evening with foreign futurists - Volodymyr Mayakovsky, David Burliuk and Vasil Kamensky. He wrote to his student: “The evening was over, and the public was well dispersed, but in a different way the public. Enemies and chanuvalniks. Others are few. Clearly, I was not only a swindler, but a lot more rich, I was a hoaxer. Nezabar Rodchenko moves to Moscow with us to join the Futurists.
Spit and stone
In Moscow, Rodchenko gets to know Volodymyr Tatlin and other leaders of avant-garde art, taking part in the exhibition "Magazin". With his authority he chooses Tatlin for yoga "sculptural painting". The ideas of constructivism, the deformation of form being angry with the function of speech, appear closer to Kazimir Malevich's theoretical thoughts about form and color.
Alya Rodchenko will not be left out of our minds until the last stage of Malevich’s Suprematism – I’m creating my own series “Black on Black” for the series “Bile on White”. To an unfamiliar glance, the two robots may look similar, but the authors of these works are different: Malevich is completing a deep study of the possibilities of forms and color in painting, Rodchenko is forging the textures of the surface of the image.
Tim is no less, Rodchenko often pardons Malevich's teachings, as a kind of wine in no way buv. And the deacons of the present indignantly called Yogo oblivious. “Vin [Rodchenko] appeared in 1916 as a roci, if everything had already begun, to instill Suprematism,” writes the literary scholar and collector Mykola Khardzhiev. - Vіn came to everything ready and did not understand anything. Vіn hated usіh i vsіm zazdriv. The trash was a man of neimovirna ... Malevich robbed a white square on a white aphid, and this one black square on a black aphid - soot, chobots. If you start to take up photography and photomontage, at Zahodі you will be miraculous masters - Man Ray and іn. They were mitts, but those photographs - to the beast, from below - just a n_senitnitsa. I vvazhu, scho such a mitzia was not. Yogo was spoiled with us and at auctions.
Tim is no less, Rodchenko often pardons Malevich's teachings, as a kind of wine in no way buv. And the deacons of the present indignantly called Yogo oblivious.
Oleksandr Rodchenko. "Girl with a watering can". 1934 rec. Collection to the museum "Moscow House of Photography". © A. Rodchenko – V. Stepanova archives. © Museum "Moscow Dim Photography"
Oleksandr Rodchenko. "Pioneer-trumpeter". 1930 rec. Collection to the museum "Moscow House of Photography". © A. Rodchenko – V. Stepanova archives. © Museum "Moscow Dim Photography"
Designer and editor
Oleksandr Rodchenko. "Funeral of Volodymyr Lenin". Photo collage for the magazine "Moloda Gvardiya". 1924 rik
Oleksandr Rodchenko. "Books from the best knowledge of knowledge." Poster 1925 rock. Lengiz
Aesthetics tabirna that proletarian
At the end of the 1920s, the fall of the avant-garde art in the SRSR fell. The art hardly corresponds to the principles of socialist realism, constructivism went far beyond the permissible limits.
Rodchenko was called at formalism. Vіn having taken it even more importantly: “Just so, with all my soul for radian power, I with all my strength work with faith that love to her, and I’m wrong with my raptom.” The 1st government gives Rodchenko a chance to prove his worth by entrusting the fate of 1933 to photograph the opening of the White Sea-Baltic Canal and issue the issue “SRSR on Life”.
Povemni over nature, Shcho Kostivala Sotnі Tishych Zhorttіv (Sermomi і Ukraїnskie Rosstіlyan Vіdodrodzhenna), Bula Zafіxovan in Kilkohki Tisychah Zobizko, Z Yogannі Vіdomі Blisko 30. Rodchenko's own znіf about SpringTlivius Pratrici's sickness on the Pratsyn's Persian. Vіn nibi not bachiv shot dozens of thousands of people: “I was struck by that strangeness and wisdom, with which people were rewired. There they knew an individual pidkhіd up to the skin. We [photographers] haven’t had the same marvelous setting before the mits…”
Oleksandr Rodchenko. "Go down." 1930 rec. Collection to the museum "Moscow House of Photography". © A. Rodchenko – V. Stepanova archives. © Museum "Moscow Dim Photography"
Tsya robot guaranteed safety to Rodchenko that grace of power. Vin continues to create a new proletarian aesthetics, robloxes of the iconic series of photographs of sports parades. Now artists are learning from photographers - let's study Rodchenko's work Oleksandr Deyneka.
Since then, Rodchenko knows the theater and the circus, engages in pictorialism (trying to bring photography closer to painting for the help of the softness of the lines and the creation of malovnichih effects), arranging books and albums from the team at once.
In 1951, Rodchenko's fate was excluded from the list of artists, which in fact meant to deprive him of yoga without the opportunity to practice and live. Only for the sake of the fate of Oleksandr Rodchenko, the efforts of the team encouraged and inspired him to allow him to hold a personal photo exhibition. Alevin did not live to see his death - in 1956 the 64-year-old artist died near Moscow.
With his pictures and photo collages, Rodchenko created a myth about the sympathetic infusion of practice on the relocation of the wounded.
Vin survived the radical changes in his native land and ended up launching drastic changes in the forms of the arts. "Mi zobov'yazanі eksperimentuvati", - having said Rodchenko, he looked at the "spy" photograph.
Oleksandr Mikhailovich Rodchenko was born near St. Petersburg in 1891, when he saw the end of the tsar's empire, when Lenin came, and as a reminder of Stalin's repressions. Yak sin of the turbulent generation of wines and he himself was restless. Wanting some of the first artistic works, which appeared to be the protagonist of the 1910s and 1920s, were part of the Russian avant-garde, which is rapidly developing, Rodchenko became one of the richest artists, whose creative instincts tidy up the suvori principles of artistic development, . From the 1930s until his death in 1956, roci, yoga robots focused on sports approaches, parades and other traditional propaganda topics.
From June 7th to March 28th, 2015, an exhibition will be held at Villa Manin, Codroipo commune near Pivnichniy Italy, where one hundred works of the artist are presented. Do your best to demonstrate the theme, technically accept and blame Rodchenko. A collection of works for magazines, films and advertisements, as well as wonderful compositions, created at once from the retinue and comrade-in-arms Varvara Stepanova.
The early robots of Rodchenko see a gifted and daring artist who poured in, it would have been possible for worldly paintings to have a new life. This exhibition was allowed to dictate to socialist realism, to show the bright, thoughtful and unforgettable images that Oleksandr Rodchenko sees.
Portrait of Lilia Brik on the poster "Books", 1924
Sketch of a poster for Dziga Vertov's documentary film "Film Okist", 1924
Rankova gymnastics at the dakha of a student's gurtozhitka in Lefortovoe, 1932
Pioneer trumpeter, 1930
Shukhovskaya Vezha, 1929
Portrait of a mother, 1924
Varvara Stepanova, 1928
Radio listener, 1929
Go down, 1930
Budinok to Mosselprom, 1926
Asphalt laying, Leningrad highway, 1929
Chovni, 1926
Bus, 1932
Obid at mekhanizovaniy їdalni, 1932
It so happened that photography became a gallery of art and unknown heroes. Varto inquire about a beloved artist, a poet or a writer, and even name a sprinkling of familiar nicknames. And if you ask for the name of a beloved photographer, few people can do it. Ale є vіtchiznânіy fotografії genіії, yоko kozhen know. Let not everything be done on behalf of you, but it will be important to know someone who has never once tried yoga. Tsya lyudina - Oleksandr Rodchenko.
Biography
Oleksandr Rodchenko was born on December 5, 1891 near St. Petersburg. Yogo father pratsyuvav theatrical props and buv categorically against the fact that he started his career in art. Vіn hotіv, schob Oleksandr mav a “normal” profession. Following the care of the father, Rodchenko, having taken away the professional education and a few years of birth, having worked for a fach - a prosthetist. Ale, having broken the practice, at 20 years of age having entered the Kazan Art School, after finishing his studies farther - to the Stroganov School. From 1920 to 1930, Rodchenko embraced the professor's quarters at a number of mystetsky head-stands. In 1930-1931, he took up the creations of the Zhovten photo collection. In 1932-1935 he worked as a correspondent for the vidavnits Izogiz. It's time for Rodchenko to create his debut series of sports photographs. From 1935 to 1938, he took the seat of a member of the editorial board of the magazine "Radyanske photo" and became a specialist in sports podiums. One of the most famous signs of the author of quiet rock "Sports column".
In the years 1938-1940, Rodchenko started a project about the Radian circus, but, at the link with the war, the photographs were never seen. At the war, the fates of the evacuation, de pratsyuvav Budinka technique as the lead artist. From 1945 to 1955, Rodchenko took up the design of low albums dedicated to historical podias, and also created a series of propaganda posters. In 1951, through the rarity of the ceramics of yoga, they turned on the spilki of artists, after three years, they were inspired back.
Creativity
Oleksandr Rodchenko with a rich specialty. Tse is not just a photographer, but also a painter, designer and teacher. The greatest popularity came to the very beginning of the znіmkam, as if for victorious technique that idea was exactly ahead of its time.
Meister did not recognize the canons and rules, he created his own style of power, which educates him to the life of the author. The most famous, breaking down against the dogmas of the photographic art of those times, were the gosto documentary work "Portrait of a Mother", as well as a series of pictures of Volodymyr Mayakovsky and Lily Brik.
Sometimes Rodchenko was too progressive for his time, and some of his robots were met with a flurry of criticism. So, the famous sign "Pioneer-trumpeter" was not politically correct - in the opinion of critics, the boy in the photo of the Viyshov looks like a "perennial bourgeois", which did not reflect the spirit of the Radyansk propaganda.
In the 1930s, the maister, having learned material about the life of the White Sea Canal, stole justice from socialism from the new world, and at the same time, from it, the job was to engage in propaganda work. The very same wine zahopivshis genre of sports photography, the reach of new serious successes.
Rodchenko's sports photography has a brand new style that has become his calling card. Such a pidhіd allowed us to “revive” and work the cіkavim to bring up the most banal plot.
One of the most popular robots of the master became the sign “Girl with a watering can”, on which yoga student Yevgeniya Lemberg is depicted. Tsey masterpiece otrimav light of recognition and in 1994 sold at auction Christie's for 115 thousand pounds sterling.
The fates of the war were marked for Rodchenko by black smog. There were few jobs, pennies were important for life, the photographer often had periods of depression. In 1951, a number of awards were made from the Split of Artists for "influence on socialist realism."
Through chotiri, yoga was revived, but Oleksandr Rodchenko did not succeed in creating new masterpieces - for a few months, on 3 December 1956, the heart of the genius of vitchiznyanoy photography was beaten forever.
Influx on the development of photography
It is important to reevaluate Oleksandr Rodchenko's contribution to the development of vicissitude photography. Vіn buv a pioneer of the Russian avant-garde - breaking the weary rules of photography and setting new ones, which are supposed to be yogo bachennya. Vіn becoming the luminary of radyansk propaganda, wanting to suffer under the oppression of the system, after all the merits.
Rodchenko wrote that he wanted to create photographs, which he had never been afraid of before; tі, yakі will divuvati and vrazhat, vіdobrazhuchi the very life of yoga simplicity and folding. Undoubtedly, the new master had a good time, and the master's scribbled pictures deserved the right to be instructed by any contemporary book, consecrated to photography.
It seems like a talanovite is a talanovite for everyone.
Legendary Radyansky photographer, artist, sculptor. The founder of constructivism, design and advertising in the USSR. Today we tell you about Oleksandrі Rodchenko (1891 - 1956).
The most people who are in love with an artist can be called in a flash, the beloved writer - tezh, but over the question about the beloved photographer, more for everything, to be conceited. Oleksandr Rodchenko, few people know in his name, but there are no people who would not dream of yoga.
At their robots, they have been vipered for an hour, for which they often recognize criticism. So, one of the most famous famous "Pioneer Trumpeter" was called unpolitically correct in his time. The lad in the photo wiyshov is overjoyed, but he didn’t show radyansk propaganda.
Oleksandr Rodchenko did not try to rule and create his own style. Nayvodomishi yoga shots, taken contrary to the usual canons of hourly photography, - the documentary work "Portrait of a Mother", which became a close-up classic of the capture, and a series of portraits of Volodymyr Mayakovsky, as they violated all the rules of the pavillion capture.
“When you’re working on a subject, you’re like people and you’re thinking, but how do you know: so, so what? And the need is to revolutionize people, to fight from the best points and for every kind of illumination.
O. Rodchenko. Notebook LEF. 1927
Not less than the robot maister's house "Girl with a watering can". It depicts yoga student Yevgeniya Lemberg. The photograph took away the light of recognition, and in 1994 a lot was sold at Christie's auctions for 115,000 pounds sterling.
The photographer seriously dabbled in the genre of sports photography, in which he achieved great success. Photographs from unusual angles have become a visiting card, and in the shots taken at sports arenas, the best victories of all have been seen. Navіt the simplest plots became unforgettable and eloquent.
Oleksandr Rodchenko is a richly-faceted person, who achieved success in everything he undertook. Vіn pratsyuvav over the design of the cafe "Pittorsk" near Moscow, creating a series of graphic, pictorial and spacious abstract-geometric minimalistic robots. Vin also took part in the exhibitions of the Russian avant-garde, for example, in the "Shop" exhibitions, organizing and architectural competitions.
In 1918, Oleksandr Rodchenko, a roci, painted the canvas “Black on Black”, priming only on the texture. Later, lines and dots appeared on yoga pictures, as if they became independent malovnichnymi forms. I was an innovator in the arts, and looked at my creativity as a light experiment.
Oleksandr Rodchenko became one of the founders of Radian constructivism. Vіn having shown himself in painting, and in the richness of other galuzahs of art. The artist created geometric sculptures from various materials.
So Rodchenko declared himself to be a designer of furniture and clothes, being the author of scenery for cinema and theater.
Pomіtniy trace of his creativity was overwhelmed by his collaboration with the poet Volodymyr Mayakovsky: he illustrated his books and magazines "LEF" and "New LEF", having created a series of advertising posters from them at once.
The ideology of Radyansk mysticism was changed after coming to Vlady I. V. Stalin. The state actively disdained the strong spirit of the avant-gardists. At this hour, Oleksandr Rodchenko has given up painting and begun to take up more photojournalism. His photographs were used to highlight the achievements of the era of Stalinism, urochist parades, people's forgetfulness, great crafts of business, life of the Radian Kolgospivs.
All the signs were overcome by that reach, and the most important life of the country at that time was left behind the scenes, the shards for photojournalists were categorically protected in order to show everything that threw a shadow on the power of that її order.
In the 1920s, Oleksandr Rodchenko made a magnificent contribution to the development of European photography and photomontage. Vіn having deprived the great creative work of the past, yak vplyvali on the rich artists and photographers.
Nini yogo on the right is continued by Oleksandr Mikolayovich Lavrentiev, onuk of the artist. He contributed to the Moscow School of Photography and Multimedia named after O. Rodchenko and the Stroganov Moscow Children's Art School, as well as the editor and consultant of scientific work about his famous ancestor.
