Vistava Blue bird. More expensive
On the 13th and 14th of April, the Stanislavsky Electrotheatre hosted the premiere of the vistavi “Servants of Sunset Boulevard”. The leading actor of the theater and the director Volodymyr Korenev rozpovida, how the production was created, how the scenography and yak eksperimenty zaluchayut.
Volodymyr Korenev is one of the most memorable and most beautiful articles of the country's cinematographer. Even in the 1960s, viewers fell in love with the role of Ikhtiandr in the film "Amphibian Man". His peers wanted to make him look like him, and his peers showered the hero with love sheets.
More than 50 years ago Korenev came to the Moscow Drama Theater named after K.S. Stanislavsky and soon became a leading actor. The new life of the theater under the name "Stanislavsky Electrotheatre" was celebrated in 2015 with the fantastic play "The Blue Bird", in which Volodymyr Korenev and the team of Aleftin Konstantinov played the main roles - the boy Tiltil and the girl Mitil. New performance theater "Servants of Sunset Boulevard" - the first director of the actor's robot on the native stage.
— To Volodymyr Borisovich, your vistava is based on two works — Jean Zhenya’s The Servants and Bill Wilder’s film Sunset Boulevard. What did you take from your skin plot? What is your performance about?
- Vystav will need to marvel - and less than a second, everything will be understood. You can’t explain in two words, because a person didn’t marvel at Wilder’s film and didn’t read a poem. I honestly seem to chime in, as if I had read something, - I myself got to know her at the age of 60 years. This is a foldable tver. A rich woman, Madame, lives in a chic apartment, at the same time two servants from her - young girls, sisters Solange and Claire. Madame maє kohantsya, like someone to sit down for ґrati. Servants deserve a way of life master, they captivate all the glamour. Vіn becomes an intrusive idea.
I thought, what between the lines of history should be solved. What is it? main heroine will not just be a wealthy woman, a way of life that will zazdryat and that someone will be rich, but a really talented person, a star, an actress? І axis two girls-servants suffocated in її screen images, drank in її booths, scrounging for work for her. And they don’t care about them, they don’t need the stench. And she herself is not needed by anyone, as it appeared. They start to hate and see the tragedy that has become of them. The axis of what I tried to bring in, as if to say it is simple, at qiu vistavu.
- In our country, the production of "The Servants" has gained great popularity with the start of the production of Roman Viktyuk. Wee bachili qiu vistavu?
- Yes, more than once. Vіn far away, miraculous, garniy, vin having taken the whole world on tour.
- At Roman Grigorovich, kabuki theater, improvisation and dance ...
— Truly, having built up the existential form, there the form is bright. But what happened, what happened in your history? Roman Grigorovich solved the problem not for the help of the dramatic theater, but for the help of the plastics of the ballet. Having already fixed the plot for me, I wanted to improve on it. I often asked myself: why don't they play in other theaters? Aje tse can be right in a right way beautiful.
- But visually your vistava does not compromise the productions of Roman Grigorovich. You, for example, have a bunch of decorations - from black and white recycled plastic bags.
- So, Anastasia Nefyodova proclaimed, lead artist. The idea is unimaginable, I don’t immediately impress, but I think that I can get away from my artists, if the stink of the decorations and costumes. Step by step, everyone called out, and the stench began to please them.
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Ale smut - p'esa. I am a gift to the artistic designer of the theater Boris Yukhananov, who gave me the opportunity to experiment on any kind of unsafe material, because nothing can fall down on such a p'єsі. I have worked out those things that are close to the people of my profession. I am already richly bachelor in the life of actors, chanters, fangirls, as if they are revisiting our brother. What are they ruining? Why do you stink your life to feed it?
- After the role of Ikhtiandra in the film "The Amphibian Man" you also became very popular. Isn't it true that the leaves from the freezers came to you in such quantities that you had to put them in boxes of refrigerators?
- Truth. Ale, I didn’t know, it was too rich. For whom I would need to throw all my papers. I wanted to, when I saw the red leaves on the bow, as if it was written, it captivated me. And so, you know, it’s not philosophers who write to young actors, but young girls, as if the image of your creations simply suffocated. Ale was welcome, it’s great that I’m so good to be.
- Such glory - why is it hard to try chi navpaki?
- Food, better, at the one who doesn’t fall ill on his own. If you seem to sound "midday trumpets", you will try to be successful in the future. And it can be even more terrible. Ale, it seemed to carry me. Instructed by me were wise fathers, good friends. And then we will come to understand what needs to be confirmed to our popularity. You can live your whole life as a narcissist, marvel at the mirror: How God has made me happy, how beautiful I am! And you can try something more. Axis, for example, Misha Kozakov, a kind of engraving in "People-Amphibians". Garniy, popular, vіn mіg vіg zavzhdi zavzhdi zavzhati tsgogo role i do not require anything. And starting to take up directing, making films. "Pokrovsky gate" - a miracle picture. You begin to respect a person, if you are a bachelor, you won’t win your talents, and not more than a soundness.
«Vyishla zovsim іnsha іstorіya»
- "Servants of Sunset Boulevard" - is your debut as a director?
- I don't know. For example, I staged the play "Unsafe Links" after the novel by Choderlos de Laclos at the Arkhangelsk Theater (Arkhangelsk Drama Theater named after M.V. Lomonosov). Note.mos. en). This is a great theater, which is on repeat in a thousand places. Glyadachi took the production, there were full houses. I am 12 years old at the faculty theatrical art The Institute of Humanitarian Education and Information Technologies was given a chance to put on some performances with graduate students. And I put skilki urivkiv - just don’t worry. Also, we don’t call a debut. It's just that I'm doing things that suit me, and I can have such an opportunity.
— How comfortable are you to be a director or an actor?
- And tse mayzhe cannot be helped. What do actors and directors do? Psychological analysis. Why is an actor happy? For the one who can swim in the ocean of proponated environments, as the author does. The stench of the day is different. Tse th at the director. As a rule, most often the director comes out of the actor. Maybe I wanted to try something new. If you put on a performance, all the same internally you will play for all the actors, you will change the whole story by yourself. In the arts, everything lies in your individuality. What more is not similar to others, the more beautiful. Than you are more irritated by the knowledge of the norms, the more you feel dazed.
Let's tell about one story. As before Kostyantin Stanislavsky, a young playwright came and said: “Give me a theme for p'esi”. Toyomu replies: “Well, axis, be kind: the youngster, having gone beyond the cordon, turns around, and in the same hour, the yomu girl succumbed to another.” The playwright seems to say: "But it's trite." And Stanislavsky recounted: "Oleksandr Griboyedov wrote" Dashingly out of mind "on this topic." Bachete, how important is it to marvel at the world in a different way? In my opinion, it's wonderful. Axis i in me was familiar with another story about servants.
- Are you still setting the time for the next hour?
- I don't know how to go. Chi will be a successful performance, you don’t know in any way. I am convinced that wine is worthy. I can only say one thing, that we practiced yoga with great interest and love. We slandered, so that we would understand the vin, so that the gazing person would swindle history. As you see, I am convinced that Boris Yuriyovich will give me more to put, what is appropriate for me. I also want to say that my actors are just fantastically great at playing. I am writing to them, what a stench to slacken. I don't know who else would have been so easy to compose my story so easily.
"Druzhina - the best actress for me"
- One of the roles is played by your donka Irina, and at the stage show "The Blue Bird" you enter the stage at once with your retinue Aloftina Kostyantinova. To tell the truth, what is better with other people?
- If yak. Donka has a very important character. If we lay with her - sparks fly on all sides! She is an independent person. And the team is just an artist. So it seemed that we rarely played with her at the same time in the same performances, as if it never happened. Ale Vaughn is just a miracle actress, better for me.
- Vistava "Blue Bird" - hit "Stanislavsky Electrotheatre". If Boris Yukhananov urged you to take your fate, did you immediately come in handy? Chi project zdavsya you need something radical?
- Koli Boris Yuriyovich (Yukhananov - approx. site) having spoken about it for the first time, I'm shocked. I yogo pitiv: "And how do my vіtsі be a boy?" Vіn kazhe: “If you come to child theater, You know what role the actress is playing. There seems to be a childish voice - and for five minutes the peeping chime. Tse wash gri.
Then Yukhananov said: “See with the retinue we went through the same path, which our brother and sister went through, the stench also went shukat happiness, in which all of our lives. And if your history is intertwined with the history of these lads and girls, then the looker thinks and rozmirkovuvatim over him, who checks for these heroes in the distance.
- For you, the role of a seven-year-old boy is not superfluous, but your help, your special history.
- So, it was more with us, with my retinue, life was no more simple. In the eyes of Aleftini they hammered in її matir - at the military fates. I am rich in style in my life, both summative and tragic. Hello, good luck, well, bulo. Boris Yuriyovich maє ratsіyu: "Blue bird" - zovsim unchildish TV. And the old Hollywood movie behind this creation, that Elizabeth Taylor starred there. I respect that the picture is a failure, more unreasonably, for some time it is out of insurance. And our vistava is for grown-up peeps. I Maurice Maeterlinck is a truly serious philosopher. Vіn having written tsyu p'єsu for reflection. And Boris Yuriyovich saw an absolutely innovative move: I don’t portray myself on stage, I’m a great person, like a peeping eye.
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Anatoly Korolev, writer, especially for RIA-News.
For days, the Russian theater celebrates an indeterminate date - a hundred years since the production of Kostyantyn Sergiyovich Stanislavsky's performance "The Blue Bird". The whole song, staged by the great reformer on the stage of the Moscow Art Theater, as it has been to this day (nowadays I went to the stage of the Moscow Art Theater named after Gorky under T. Doronina's curiosity). And although, consciously, over the past few years, the production has changed a lot, the scenery and costumes have changed, the little roles have changed, the smut - the Kazakh Maeterlinck has a lot of mystery, the spirit of the production has been saved. So with the rocks is saved that mіtsnіє aroma of cognac.
In fact, we have a miracle.
Zhodna s pearls of Stanislavsky did not reach us, but this diamond survived. Perhaps, more than one “Princess Turandot”, staged by 20 years of Vakhtangov, can be distinguished from Stanislavsky’s masterpiece for its trivality on stage.
The secret of such a long-term success may be a sprinkling of clues.
Most of all, Stanislavsky Bov is more serious, the rehearsals were played out like rocks. The skin mise-en-scene was re-verified hundreds of times. Like a jeweler, the director marveled at the scene, like cutting at the edge of a diamond, and then the great worker paused with a rapt.
«Incoli follow
Drink a glass of Clicquot!
For the new tse buv - I quote - “mіy vіdpochinok, mіy hot, what a sight necessary for the artist. The French chansonettes sing... (read more).
Part of this story is guessing the way with young Stevenson, who has not been able to write for a long time and having gloomy philosophical novels; For boys? shuddered Stevenson, turning home, in one gulp wrote his first masterpiece "Island of Treasures". Why in one gulp? To that zvіlnivsya vіd important vantage of cob installations to write seriously.
Later, having ventured to be more foolish, drink a glass of Clique, create a performance for children Stanislavsky on the back of his head to reach the author himself, to Maurice Maeterlinck to France, who is alive on the 6th anniversary of the trip to Paris.
I (guess Stanislavsky) went on the Russian road: with a faceless bundle of all sorts of gifts. Having written down on the cuff the food.
Ale, unfortunately, at the railway station there was no one, and, as if for sin, there was no good wear on the platform. With a bunch of packers, Stanislavsky straightened to the parking lot of the car, de yurmilis the driver. Here they held a ticket from the new one, as it is customary at Zahodі. The ridges flew apart. Just like a brave driver with a gray coat and a driver's pocket, rushing to speak. Having asked in French: Monsieur Stanislavsky? Having sat down by the car and rushed off on a terrible speed.
Nalyakany shvidkistyu, Stanislavsky sidiv, without seeming a word, and less than a year later, having come to sleep with the driver: how are you Mr Maeterlinck?
Maeterlinck? - the chauffeur yelled in a sigh, - I am Maeterlinck!
Stanislavsky clasped his hands, and both of them roared loudly for a long time.
This failure of reprimands and becoming a great letter for Stanislavsky's further work, which always could not make his acquaintance with Maeterlinck without laughing. The performance was permeated with laughter, irony, those її eternal companions - turmoil and melancholy.
Letting go of the flags, Stanislavsky made the work easy and unimpressed. Vіn allowed the actors to improvise, and he himself got in the middle of the winemaking of chaklunstvo. Vin did not want to put just a child's casket, but becoming a charming parable about the expansion of space, about the cost of children beyond the borders of the world, until the mystery of buttya.
At this plant, I was supplemented with black oxamite.
Stanislavsky first tried to try the magic of textiles, yak - varto just hit the river, like an actor, like a piece of black oxamite - to rob invisible objects. Oxamite pressed the scene looking like a mystery, as if hovering over a great set of objects: at the table, behind the bed, behind the bowl for the dough, behind the fire in the middle. the beauty of the svitanka, which dosі zberig the purity of the diamond and the brilliance of faceting and illuminating us with the exchange of enchantment.
The premiere took place in the autumn of 1908.
The artist of the production is the miracle master V. Egorov.
The music was written by the composer I. Sats.
Sister and brother, Mitil and Tiltil were played by A. Koonen and S. Khalyutina.
The role of the cat vikonav great I. Moskvin. Virnogo and bad Dog zigrav V.Luzkiy, food Bread - V.Gribunin, soft Tsukor - A.Goryov and the role of the fairy viconal M.Lilina.
The fairy tale is small and splendidly successful in children and those who have grown up.
Critic zaznav, scho glaring tears clenched the heart.
The thoroughness of the work, made by Stanislavsky easily without exaggeration, close to the soul of Mozart, and provided the "Blue Bird" with an unprecedented long life, the centenary of what is today and marks the Russian theater.
The author's thought may not match the editorial position
The onuk of the people's artist has chosen to make friends and soon to grow up as a great-grandfather
In the renovated Stanislavsky Drama Theatre, now the Stanislavsky Electrotheatre, the new artist Boris YUKHANANOV presented the first premiere. The vista-fairy "The Blue Bird" spent three evenings sleeping for the song of METERLINK. Based on Vіdomoї kazki the share of Tiltilya and Mіtil, which is played by Volodymyr KORENEV and that yoga squad Alla KONSTANTINOVA, is being raised. Vistava is filled with the special ways of an actor's wager: childishness, youth, come to the theater, stage from the frontiers of productions, tell about colleagues. This is the right benefit of the luminaries of the scene.
- Volodymyr Borisovich, you came to the Stanislavsky Theater on the cob of the 60s for Mikhail Yanshin.
Mikhailo Mikhailovich greeted me at the primary theater at the diploma exhibition. Vіn zіbrav rokіshniy kolektiv, і our theater zhartom called filієyu Theater kinoaktora. To the fact that the corpse has a boule Evgen Vesnik, Evgen Urbansky, Evgen Leonov, Lilya Gritsenko. Everyone in the theater loved Yanshin. If you’ve left the Moscow Art Theater, serving as an artist, on foreign tours, bringing gifts to everyone: a bed for someone, a fountain pen for someone, a keychain for someone, we’ll turn on the make-up of such robotic scenes. Mikhailo Mikhailovich, having registered an actress at his apartment. So it was impossible to work in the capital, not looking for a residence permit, and Yanshin, having registered someone else's people in his place. At that hour, it was already extraordinary and human-like.
- What else do you remember about Mikhailo Mikhailovich?
Loving savory food, but you couldn’t bulo, because all your life you suffered in the form of a transcendental vaga. And our theater has a buffet on the same level as the restaurant. The first artistic director periodically dropped down to the Institute of Eating for liquor, and then again gaining weight in the buffet. Ale Yanshin was not such a good-natured person, as he could get away. Mav firmly look, as if you were afraid of standing up. For example, youmu has been called more than once for those who support dissidents. More in the new bula addiction - distill. Half of the boulevard, sung at the subdrom, was sung for ti pennies, which was the program. Win an actress by taking one from a corpse, because my father is a jockey. Mikhailo Mikhailovich, thinking, what do you say to him, on what kind of horse to put. Alecia was gone. - It’s true, once the gazing ice didn’t stare at you, if they beat you on the stage, like the living Ikhtiander from “Amphibian People”? - So, it happened on tour at Kuybisheva. Me at the exhibition "Dni Turbinikh" gave the small role of a cadet, less than a sprat of words. Ale, but I’m viishov, ovations rose from the hall. I took less of the role.
With the retinue, the actor Alla Kostyantinova, they started at the same time, and all life at the theater at once. Didn't you care at all?
Early, perhaps. And with the rocks I understand that such a native person. I manage without her and can її bachiti steadily. Alona is an actor of a miracle, and I am the leader of success. And at the same time, the "Blue Bird" plays like two scenes from "The Seagull" - the most raven. And I respect that simple people's joys - family, health, friends - tse and є happiness. - Well, you say so at once, but in your youth you sang your ambitions were great.- I didn’t have ambition, and I didn’t waver in any way. The art does not need to stand behind a kim at the black. Golovne, shovechora, if you go on stage, maesh holy.
- And it was like that, that you earned a bunch of pennies and did not know how to spend them?
It’s like I starred in Yalta in one picture, having taken a great fee and virishiv: I’m going to the famous restaurant “Oreanda” and I’ll pay the most dear. It turned out that there was a cost of 38 rubles. With whom, the salary in me was 85. Strava was called kokotbardoles. The waitress seemed to be ambiguously surprised at me and brought a fried silver kokotnitsa with a krishechka. There appeared ... sausages in tomato sauce. Vaughn explained that this Spanish sauce was very important to prepare. Well, garazd, I got caught like an idiot. It was necessary to grow up. He came to the film group to himself and boasted, as if he had a roaring meal in "Oreanda", having covered the dearest grass. The next day, ten idiots came to the restaurant and slammed "kokotbardoles". It is necessary to have a bachiti guise of a waitress! But my friends didn’t beat me, I went to Moscow in the evening.
- It's been a long time. And in a flash you bathed the squads with expensive speeches: a fur coat, koshtovnosti?
Obviously, she, krіm me, has no one. But if we got along, lived in a decorative shed at the theater, we didn’t have anything. - Ale vie Muscovite. They could bring the squad to the fathers.– Want to be independent. The druzhina swung me. I started earning money, becoming a professor.
Your daughter plays with you in the theater, and we all checked, if your onuk grows and you will be Korenev number two, even more like you. Ale Yegor, you know, you don’t care about artists?
I don’t want to, i, it’s possible, good. Learn from Vishchiy School of Economics on another course. The new one has a head that works in this meaning. Vіn change, how to sell a car, but I don’t sell, but shy, like Pushkin in "Evgeniy Onegin": Onegin "having read Adam Smith and was a deep economy," and "dad did not understand Yogo in a moment and land at the outpost."
- Onuk is alive, singing, okay, seeing you?- So, okremo and get together. The axis of ce and є happiness is the continuation of the family. I am in no way happy in my profession.
- Are you inspired by the life of a person?
No, doubt it. I am always ready for the worst, for that I am calm. First, I can’t please, they didn’t teach me. I don’t like the Holy, I don’t know what to do. I don't like great halls and faceless people. Petro Pershy sleeping by the wardrobe. Vіn takozh tsіnuvav small mіstsya. - And how expensive will you lie down?- I love my dacha. I love delicious food, cook it myself. Susid I have a good one there, we have picnics with him. I love cooking lagman, plov. I got used to touring. - And the ritual pilaf finishes? Lubricate the bacon on the back and drink it in the foot.- Obov'yazkovo! I have a lot of police books of cookbooks.
"Blue bird". Trilogy after the play by M. Maeterlinck and the words of Aleftini Kostyantinova and Volodymyr Korenev.
Electrotheatre Stanislavsky (Moscow).
Director Boris Yukhananov, artist Yury Kharikov
Don't freak out with the flicker.
W. Blake and J. Jarmusch
The situation, if a new artist arrives at the theater and puts on a performance, which is attributed to the theatre, start to recognize your program, there is little space at St. Petersburg. Tse, obviously, "Alisa" by Andriy the Mighty at the BDT. Only at Boris Yukhananov's place is the fall in the rabbit hole - more expensive for the blue bird at three evenings. Yak is more expensive at the potoybіchny svіt і back і like a ritual of transition. The history of the colossal dramatic theater named after Stanislavsky's wines "read" nibi yakus "the book of the dead".
Leading figures of the theater become guides - friends Volodymyr Korenev and Aleftina Konstantinova, who play for Tiltil and Mitil at the same time.
Zanuruyuchi his heroine - Alice, Alisa Brunovna Freindlich - in the theatrical land of miracles, Mighty operating on images and legends of the BDT. The realities of people's biographies were verified and influenced by images when they played different roles. In this composition, the image of the skin is double, and sometimes it is triple, richly broken and broken by the “crooked mirror” of the theater: the images of Carroll shone with the images of the roles and the images of the “masks” of the artists, and behind them the people glimmered. For this reason, the artistic result is second to none, but not super friendly.
Boris Yukhananov, having taken away from the recessions not so much a theater-legend, like a theatrical corpse with a legendary reputation as "devourers" of the leading directors.
I’ll tell you once again, in the “Blue Bird” there is a combination of a special and artistic plan in the greater world of mechanics. Volodymyr Korenev Ta Aleftіna Konstantinova That Dіyut Yak Tіltіl Ta Mitail in the prominities of Pomerylіnka Tu Ohochenni Surreal_stichny Pop ArtIvskikh Article, then Vlasnogo O. Vlasnoy, Rospovіdayuchi Istorії ї и ї ї и и с и и и и и сілі сторі стой и и и и и и и исткаівів. back at the theater-like-vzhe-ni. And young colleagues illustrate their stories with images of different levels of artistic ability.
Shvi mіzh tsimi plans as if they were not shown for show, signifying two tasks, set by the director.
Leather from three evenings of destruction with re-imaginings of some song genre goals, song tonality. The first one, "Highlight" - is the most beautiful, pure extravaganza that exhibition reaches the "surrealistic state". The other, "Nich", is a visionary and meditative - a ritual that flows on the aphids of the majestic and mellifluous moon landscape. The third one, "Bliss", is the most listed, the worst of the things that didn't get worse in the first two, and heavy before the show, var'ete. Hell is presented at the circus, the "bliss" is wafted onto the arena in fluffy polyester costumes, like characters of a simple wound.
Modernization of the plot of "The Blue Bird" was reportedly included in the libreto. To this I will only sign a tie: the old Tiltil and Mitil zasinayut at the salon of Boeing 777 (the model at the rose is practically life-size presented on the stage), The soul of light - the stewardess corrects his blankets, everything is farther - їхній dream.
Scene from the performance. Photo by O. Chumachenko
Like in a fairy tale, here that lawless fantasy of art triumphs. Giant crows roam around the stage in a stately manner, distantly similar to the blue shkіdniks from the “Yellow underwater chovn”, a voice deafeningly hoarse croaking. Grandmother and child Tіltіl and Mіtіl are presented at the sight of a sprat of galvanized, then forever young gods-olympians. The skin soul of speeches has its own plastic "exit", arrangements, like in the theater of Ale, and in the same order of sounding musically. If V. Korenev thinks about the scenes of "People-Amphibians", on the screen they will show frames of the underwater world from the film (the exotic beauty of which, as it seems, was seen in the aquarium - through the life of the Black Sea flora and fauna), and in the halls they look over their heads, crying tails, giant ribini. The lively plan gradually happens with wine-like videography and soundings by the right live orchestra, roaming, nibi on church "choirs", on balconies, behind the backs of gazers, through which the music of Dmitri Kurlyandsky miraculously envelops the entire hall.
The central duet, stalely in the situation, then diligently plays the little ones in flannel pajamas (especially reaching Korenev, pidsyusyukuyuchi and vikoristovuyuchi the entire arsenal of defects in the movie), then comes out in the first individual, or else - in the manner, which we create a wicked channel. Russia".
I’m more than that, as the acts of the episodes are presented. Tі, de rozpovid that image, it provokes, enter into the “chemical reaction”.
So, in one of the first dream scenes of Aleftina Konstantinov, she tells about those, like a six-fold girl, and her mother was driven to Nimechchina. The convoy was shot, my mother perished, and the grandmother gave the girl away. Giant yalink retro-games will alienate the heroine: here is a snow maiden, and a majestic cotton bird, and a pair of gilded soldiers in earflaps, like kissing in it ... like a bezporedny sensitive spriyatti, and broken spriynatty children of roses of senior participants in the subdivisions.
No less miraculous metamorphosis is known by Korenev’s story about the father, the red-haired admiral, the hero of war and the love of women, who, having known “Onegin”, will remind and remember for the second month of the Chinese language in a pink obsyaz. “Dream of Auntie”, stylizations on a Chinese opera kshtalt and chanting by a Russian reader - Tetyana with furrowed brows and a Chinese translator-wedded bear (wine is Onegin), sound sly and biased and arranged in a “beaded row” of a comic book by an old man.
Thick culturological okroshka with quotes that came to life, not letting the lookers get bored. Volodymyr Korenev's inconspicuous (frankly speaking) reflection of Volodymyr Korenev about the advantages of Fellini's creative method (“I give you hope!”) Before Tarkovsky's method, they call out to the life of two - literally - the "light" of a light cinematograph with light bulbs on that spot, de lie your head. Animation Dostoyevsky throws gleams from his eyes, nibi pagan Perun, just like a colorful devil on springy legs and with a hairy scruff of the neck to catch Napoleon with a batog, and the burial grounds near the quilted jackets with quotes from "Hamlet" comment on those who are talking about. It doesn’t seem like it’s about those that death and the sweating light of the past three evenings are presented to the most manipulative sight - from the graveyards to the Egyptian pantheon of gods on the aphids of the Kremlin’s toy mausoleum.
Scene from the performance. Photo by V. Lupovsky
And now I will say more unsafe and, perhaps, unfair speech. Even better, the “clothing” is more effective than Boris Yukhananov, the fact is overridden by the fact: kings are naked. And in a mystic "frame" image, if you try to convey the scenes of history from your life. Kostyantinova's explanations sound more broad, and Korenev's fat ball of theatrical tales and anecdotes are lit up, but wait a minute, don't break the line.
Like it or not, to go out, that in the life of Volodymyr Korenev there is no brighter way, the bottom of the “Amphibian” zomka, and the moon is a long life. The most spicy "romance" is shown by the leaves of the shawl, a photo of her naked body was overstretched on the skin side of the skin ... Like a lady-collage in a tight leotard appears on the stage, waving right from the giant envelope and dancing a calm dance. And if in the same envelope she takes Volodymyr Korenev with her, the old one with vague diction, in whom it is stingy.
It appears that there were great roles in the life of Aleftini Kostyantinova, but, unfortunately, the “reconstruction” of “The Seagull” in that one looks like it will show us - from pathetic wiguks and wrinkled hands - we do not see welcome criticism. And about the old performances, in fact, nothing can be said, except for the fact that the stench was “wonderful”.
Scene from the performance. Photo by V. Lupovsky
So nothing can be said about the serpen of 1991. The average set of emotions of people, who spent 19 days hitting the TV screen and worried about their daughter, who went to Moscow, was brought to color by the dances of the BTR pid "Swan Lake".
Although these stories are not given mythology, so it does not give a lot of hidden knowledge about people.
All susillya, let’s go, throw them at those who show their life - on the stage and posture it - in which they don’t look like a bourgeois-decent look. Life, in a way that nothing has ever hurt “neither squads, nor vitchizn”, in honor of bringing all peace and tranquility, in the sight of O. Vertinskaya to the barracks of hard Ivanovo weavers, our hero had a chance to spend an hour at the twenty-fifth concert » ».
The most shocking thing is: if the Korenev are bitter to talk about those who “in our theater there was no intrigue, no power, we, actors, stole about it”, we can speak with the strength of breadth and faith, like a building.
Scene from the performance. Photo by V. Lupovsky
Axis and go out: what life, what roles, what is the history of the theater - a real fake, aberrations and German imitations human memory. For an hour, people’s lives are richer for theatrical ...
What can we have in excess.
"Otochennya" beat the queens. "Blue Bird" became a parade of fighting force "Electrotheatre", all material and technical and artistic bases. And I’m not ironic, but honestly speaking about the ensemble, musicality, stigility, stance and - smut - the multi-acceptance of the young part of the corpse, as in a short term I mastered Chinese and Japanese movi, shamanic throat spiv and - like a member of the great clan. moreover, not formally, but with the help of yoga ritual rigor and internal awareness.
V. Afanasyev (Rudakov), A. Konstantinova (Alla).
Photo by V. Lupovsky
The ambitions of the elders, who bathe in the water for three evenings, are satisfied.
It is important to underestimate the steps of the director's cunning of Boris Yukhananov, who, having satisfied the appetite of the veterans of the corpse and slaughtered food, escorted the colossal Theater im. Stanislavsky. The conjuration of perfumes in the theater, their satisfaction and far away, you can vvazhat vikonanim.
Just to say: how did it work out for me, if in the scene with the grandmother and the daddy Tiltilya and Mіtіl the heroes are laid on a wooden stіl, so they can be twisted, like “children” have grown, from them they know the worlds for the drones?
For example, not only less, it means that there are more ethical meals before the vistavi, less aesthetic ones.
