Stage technique. Vlastuvannya stage
AT theater shows we value not only a group of actors, but also the design of the scene. To that, the decoration is an important part, whether it be vistavi.
You can explain to a preschooler what a scenery is like this: "Everything that is on the stage (for the blame of the actors) and shows the place is destined for the performance."
Decorations, as a rule, are landscapes, views of streets, a square, a place in the middle. Fahіvtsі z prepared decorations are called .
Head warehouse parts softly theatrical scenery - a backdrop, backstage and padugi. Backdrop Like a background in paintings, depicting everything that is in the distant plane. Kulisi- Large pieces of canvas - placed on the sides of the stage in a row of sprats and represent nearby objects - trees, houses, rocks. BUT padugi- pieces of cloth, stretched up in the mountains and imagining the sky, the upper tree branches, laying thinly. Mustaches at once fakhivtsі are often called stage clothes.
You can also walk up to the stage clothes (soft scenery).
Zhorstki, general decorations can be heated for an hour or so Get off, railings, trees, booths, columns are called active decorations.
The rest of the hour has become fashionable to play with light or virtual decorations that are synthesized on a computer.
Pursuing more expensive theatrical world, we spend this day at the world behind the scenes and learn about the meaning of such words, like a ramp, proscenium, scenery, and also learn about their role in the performance.
Later, looking up to the hall, the skin gazer once stared at the stage.
Scene- tse: 1) the place, where the theatrical show takes place; 2) synonymous with the word "appearance" - okrema partina diї, an act of theatrical p'єsi, if the warehouse diyovih osib on the stage it becomes immutable.
Scene- Type of Greek. skene - booth, scaffolding. In the era of the birth of the Greek theater, skene was a cliché or a name, arriving behind the orchestra.
Skene, orchectra, theatron form the three main scenographic elements of the ancient Greek performance. The orchestra or the playful maidanchik played the stage for that public. Skene developed at the height, including the theologian or playful maidanchik of gods and heroes, and on the surface at once with the proscenium, the architectural facade, the front of the wall decorum, which is better to create a spacious proscenium. In the course of history, the sense of the term “scene” is gradually expanding: scenery, playful maidanchik, place of diy, timchasovy vіdrіzok prolonging the act, nareshti, in the metaphorical sense – raptova yaskrava vidovischna podіya (“to rule the scene”). But not everyone knows that the scene is divided into sprats. It is accepted to distinguish between: the proscenium, the rear stage, the upper and lower stages. Try to understand these understandings.
Proscenium- expanse of the stage between the curtain and the hall for peeping eyes.
Like a playful maidan, the proscenium is widely played in opera and ballet performances. In dramatic theaters, the proscenium is the main place for small scenes in front of a closed curtain, like vistawi pictures. Acting directors blame the main action on the forefront, expanding the stage maidan.
A low bar, which opens up the proscenium in front of the hall for peeping eyes, is called ramp. In addition, the ramp closes the side of the hall for peeping eyes to light the stage. Often this word is used to name the very system of theatrical lighting equipment, which avenges this bar and serves to illuminate the space of the stage in front and below. To illuminate the stage in front of the beast, vicorist soffit - a row of lamps, ruffled from the sides of the stage.
Ar'erscene- stretch behind the main stage maidan. The stage is the continuation of the main scene, which is played to create the illusion of a great depth of space, to serve as a backup location for the installation of scenery. On the stage, there are furks or wraparound knurling around behind the back of the installed decorations. The top of the stage is equipped with grates with decorative podiums and light equipment. Under the subplot of the stage, storehouses of hanging decorations will be placed.
top stage- part of the stage box, which is bigger than the mirror of the stage and is surrounded by a grate to the beast. Vaughn is equipped with working galleries and transitional spaces, to serve for the placement of hanging decorations, fittings for overhead lighting, various stage mechanisms.
bottom scene- a part of the stage box below the tablet, de-stashed stage mechanisms, a prompter and a light-regulatory booth, a pedestal-lowering extension, an extension for stage effects.
And even more scenes, they appear, there is swarming! Bichna swish scene- Application for dynamic change of scenery for additional special rolling maidanchiks. Bіchnі kishenі roztashovuyutsya from both sides of the stage. These dimensions allow you to place decorations on furts, which occupy the entire playful maidanchik of the stage. Sound up to the lateral bowels adjoin decorative warehouses.
Named at the front of the appointed "furka", a series of "grids" and "shtanketami", enter to the technical possession of the stage. furka- Part of the stage equipment; a reusable maidanchik on rollers, which serves to move elements of decorative design on the stage. The transfer of the furka is driven by an electric motor, manually or for an additional cable, one end of which is known for the lashtunks, and the other one is fastened to the furka's side wall.
- Gratchast (wooden) flooring, rotting over the stage maidan. Vіn serve for the installation of blocks of stage mechanisms, which are victorious for robots, connected with the pіdvіsk element of the design of the performance. The grates are seen by the working galleries and the stage by the stationary gatherings.
Shtanket- A metal pipe on cables, in which the curtains, decoration details are attached.
AT academic theaters all the technical elements of the scene are attached to the decorative frames, up to which the veil, curtains, backdrop and porch can enter.
Entering the hall to the cob vistavi, lookout bachit curtain- a cloth cloth, suspended in the area of the stage portal and covering the stage from the hall for peeping eyes. Yogo is also called "intermission-rozsuvnoy" or "intermission" veil.
Intermission-rozsuvna (intermission) hangingє to the permanent possession of the scene that closes the mirror. Rozsuvaetsya before the cob of vistavi, it curls up and vіdkrivaєtsya between acts.
Hangings are sewn from a slitted fabric on a sash lining, embellished with the emblem of the theater or with a wide fringe, which is attached to the bottom of the hanging. The veil allows the invisible process of changing the situation, creating a wonderful gap between the hours. An intermission-rozsuvna veil can be of several types. Wagnerivska and Italian are the most frequent.
It is made up of two halves, fastened up with overlays. Offending wings of this air curtain are twisted behind an additional mechanism, which pulls the lower inner coils to the edges of the stage, often covering the lower part of the air visible to the viewers.
Offended parts Italian dependency rozsuvayutsya synchronously behind the help of cables, attached to them at a height of 2-3 meters and pull the curtain to the upper kutіv proscenium. Above, above the stage, spread out paduga- Horizontal swag of fabric (acting in the role of decorations), hanging on the pants and surrounding the height of the stage, attaching the upper mechanisms of the stage, light fixtures, grate and upper shed over the scenery.
If the veil is curved, the peeping eye will be able to frame the scene, the vikonan zі smuzhok fabrics, ruffled vertically - tse backstage.
Ar'єrscenu vіd glyadachіv zakryє backdrop- painted or smooth body with soft tissue, raised in the depths of the stage.
On the stage, the decorations of the vistavi are roaming.
scenery(Lat. "Colour") - artistic design of the scene on the theater stage. I create a splendid way of injecting myself with painting and architecture.
The decoration can be brown, effective, functional. Among the main functions of the scenery is the illustration of the image of the elements, which can be seen in the dramatic universe, and the design of the scene change, which is seen as a game mechanism.
The creation of the scenery and the decorative design of the vistavi are the whole of the art, as scenography is called. At different times, the meaning of that word changed.
The scenography of the ancient Greeks is a mystical design for the theater and a pictorial decoration that stands out due to the technology. In the period of the Renaissance, scenography was the technique of painting the backdrop canvas. In today's theatrical art, the word represents science and the art of organizing the scene and theatrical space. Vlasne, the scenery is the result of the stage designer's work.
This term is more and more often replaced by the word "decoration", which means that it is necessary to go beyond the framework of the concept of design. The scenography is a sign of the act of being a leaf in a three-flat space (to some extent, adding to the temporal world), and not just the magic of painting the canvas, with which the theater was pleased right up to naturalism.
At the moment of the development of modern scenography, the decorators zoomed in on life in the open air, take the part of the actor in the total creative act, if it is important to select the director, illuminator, actor and musician.
Scenography props- the objects of the stage situation, with which the actors are koristuyutsya or manipulate along the way props- specially made items (sculptures, furniture, dishes, embellishments, accessories and others.), as in theatrical performances, instead of the right things. The objects of props are reminiscent of the cheapness, the cheapness, the reinforced appearance of the old form. At tsomu the props start ringing in the presence of invisible prying details.
The preparation of props is a great piece of theatrical technology, which includes works with paper masses, cardboard, metal, synthetic materials and polymers, fabrics, varnishes, farbs, mastics and other. , ozdoblyuvalnyh and slyusarnyh robit, painting fabrics, karbuvannya on metal.
The next time we know a report about the leaders of the theatrical profession, the representatives of which do not only create a performance without a middle ground, but also take care of its technical support, practice from spectators.
The definition of the representation of the terms is taken from the sites.
Vlashtuvannya stage.
Dzherelo: What's up? Dovіdnik-wordbook for a young person" Petro Monastirsky
Ar'erscene. The back part of the stage is a reserve place for saving scenery.
Grids. The upper part is stitched over the stage board. The main element of the grate in the flooring of the beams, mounted on the vіdpovіdnіy vіdstanі one vіd one. Such a setting allows you to create a stage or lower the scenery and other elements of the performance. Above and below the grate, blocks for cables are installed, lighting fittings and everything that is necessary to hide from the eyes of the beholder.
The tablet. Podloga in the stage box. To put wine in such a rank that the new man did not have gaps. Tse pov'yazano z okhoronoy zdorov'ya, safe for nіg. In dramatic theaters, the tablet is shattered from different turning stakes and concentric rings. Such a "small mechanization" allows the creation of additional creative tasks.
Kiltse-Kolo. One of the most important elements of the machine on the stage is a ring, cut into a tablet and wrapped around an indestructible part of the tablet. In the remaining three or three decades, a decade showed up in the stage machinery in the next ring. It can be wrapped around at once from a stake, so it can be fastened with similar fastenings. If it is necessary, it can wrap itself autonomously in the form of a stake. This foldable mechanics helps to bring to life a rich set of scenographic ideas of the artist and director. Especially if the stake, let's say, collapses behind the Year's arrow, and the ring - against the Year's arrow. In different cases, these contributions may be blamed for additional video effects.
Proscenium. Part of the stage, deshcho hanging in the hall for peeping. In dramatic theaters, serve as a place for small scenes in front of a closed curtain, which is the ringing link between the main scenes of the performance.
"Kishene". Good service accommodation from both sides of the stage box, de, first, you can take away the elements of the stage design of the performances in the streaming repertoire, in a different way, mount the furks, which collapse, on which they take the necessary decorations for serving the paper on the stage, sob the beginning of the upcoming episode. In this rank, while the performance is left behind, the rights are taken up for the upcoming episode. This technology ensures the dynamics of change of the city.
Kulisi. At the theater there is a part of hanging decorations, a part of the stage clothes. Roofing from the sides of the stage box, in parallel or under the hood to the portal, surround the playing space, mask the scenery that stands on the sides of the stage, cover up the side spaces of the stage, acquiring technical possession, lighting equipment and artists ready to go. Kulisi roam the invisible those behind them.
Stage portal. The veils in the front wall of the stage, which are cremated in the hall for peeping eyes, the left and right portals make the mirror of the stage so called. The cream of post-stones on the stage is two ragged, for their help the stage can quickly grow in size.
Stage mirror. Reception in the architectural portal, which opens the stage box in the hall for peeping eyes.
Decorations. In our day, with the emphasis on artistic design, we speak more often about scenography, and not about decoration. Skіlki іsnuє theater, scenery before performances bula obov'yazkovaya warehouse it’s more like a characteristic of the place of podії. Before that goiter, they said, in a first way, the confession of the vistavi, the de actors told the story. In a different way, the author's remarks of the goiter were made to issue a place for a diy. Ale, when a director showed up at the theater, everything started to change in the image of the play, emotional clouding ... The theater ceased to be a straightforward sight, and began to speak with allegories, tensions. Elementary scenery in this moment could not have been needed: it could not provide a little or no glimpse of the union of the scene of those peeps. For new minds, scenography has already become a necessity, as time by time it has become more and more to win the hearts of those who look, that the greatest artists-creators of the world.
Scene clothes. Framed stage boxes, which are made up of lashtunks, padugs, backdrops. Padugas are fixed over the tablet on horizontal battens. The stench "hove" all the statehood that is in the mountains, pidzor the same fall, ale vіn know closer to the looker and cover the battery and the first spotlight. The floorboards are covered with rugs, which are not too familiar to look like a wooden bed, in a serious skin theater, such sets of sprats are stale in the form of furnishings. As a rule, the clothes are a scene of satisfaction on the road.
Paduga. Smuga fabric of the same color, like a coulisse, is moved horizontally near the upper part of the stage box. It’s there and distorting the look of the peeping “technical nonsense, rotting under the grate (sofity, lighting, other elements of design).
Pidzor. A frill, a fringe oblyamіvka, that I'm walking along the edge of a bag. Fastening on the pants.
Shtanket. A detail of the stage mechanism is a rod from the left to the right place, which lowers and lifts the elements of decoration to it, as if they fall down with their hands or with a motor.
Back. Great pictorial canvas, as if it could be ashes for vistavi. Next guess that the back is not obov'yazkovo can be malovnichnym. V_nodi can be just a part of the stage dress. So, wine can be neutral, the same for the color, like the wings of that paduga.
Sofit. A battery of lamps, selected from the song programming sequence, straight down on the tablet, or on the back, or on the hall for spectators, or on the different part of the stage box.
Ramp. A long, low bar of the proscenium, which is attracted by the gazing lamps, directed onto the stage.
Proscenium. The stage before the curtain. Proscenium ce and additional area, which can be used as a vikoristan for intermedia, screensavers between pictures, interplay with peeps.
Dependence. Hanging, as if the stage is in the hall for peeping eyes, after the skin air curtain, after the intermission, it will rise again. Let's surround the main curtain, the great theaters have a super-curtain that hangs on the first pants and an anti-burner curtain, so that after the skin curtain falls, to open the stage in the hall for peeping people. Today, in front of the cob of vistavi, the protipozhzhe veil rises and hangs there, on the hills, in combat readiness, on the verge of fire.
The word “decoration” is most often played for recognition by the theater, as if to create the illusion of a place for its recognition, for whom it is necessary to play, which is played on the stage. Therefore, theatrical decorations represent the local or landscapes, or the prospective see the street, the square and the stuffing of the houses. The stench is written with farbs on the canvas.
Head warehouse of leather theatrical decorations - curtains and backstage. The first one hangs in the depths of the scene, stretching across the entire width, and depicting all those that the landscape or prospects have in the distant plan; the curtains are the essence of the cloth of the canvas, the larger ones are in povnyannі z veil, stretched on the wood wattle and virіzanі from one edge with an overlay rank; stinks are placed on the sides of the stage in two, three and sprat rows, one by one, and represent nearby objects, for example. wood, skele, budinki, pilasters and other parts of the stage. Additional decorations are the arches - pieces of canvas, stretched up the mountains across the whole stage and depicting the pieces of the sky, the upper branches of trees, crypts, etc. ., stone, bridges, skelly winds, hanging galleries, get off thinly.
The artist, who is engaged in the vicons of theatrical scenery and decorator titles, is obliged to his mother for training, necessary for painting, for some special knowledge: you need to know the rules of the linear new perspective, Lesomiti Sobi Velmi Wide Sheet, Vmіti Prostovyvati Sviy Coloring to Vagnaya Oswiestlennya, at the same time walked away the scenechni, Izvyvnya, І Rosegovuvati on those whisching in the result of yogo pratsi selected Malovnich's situation zayvoyu simplicity abo vichur, but spryaє forces that longness of the enemy, vibrated by her at the beholder.
Having put together the sketches of little decorations, the decorator prepares a model for her, so that a miniature like a scene with cardboard curtains, lashtunkas and other accessories, so that for the price of the model one can judge the effect of the future creation. Proceeding thereafter to the end of the decoration itself, stretching the canvas of the hanging in a horizontal position on the back of its mains, transfer to a new little sketch with a larger view for the help of breaking it into squares and, nareshti, take on the sheet with farbs. So itself to rob the wines and at the vikonanni kulіs and other parts of the scenery. The palette is replaced by a box of jars of different roses on farb glue; for writing, serve more or less large, coarse bristle brushes with long handles. Under an hour of work, once in a while, interrupting її, to go up to the gallery, vlashtovanu in the main at the singing height in the form of logs, and look at the stars on the writing. Pratsyuє vіn zvichayno not alone, but at the same time with their own teachers and assistants, as a kind of handing over training and other parts of the work.
scenery vistava sketches dramaturgy
Stage appearances were furnished with decorations of ancient Greeks. As one of the oldest decorators known in history, one can point to Agafarch, who is alive at about 460-420 pp. BC new hours decorative painting, having spread to us in front of Italy, as it delivered the best masters from the center of the country and other countries.
Of the Italian decorators in the XVIII century, Giovanni Servandon, who worked for the Royal Opera near Paris, became especially famous. Then the first place in the roaming region passed to the French. In the midst of them, the theatrical painter Boke hung over the miraculous gift; famous Watteau and Boucher did not dare to look at their paintings in order to write for the stage. Then, among French decorators, Degotte, Cicere, the rest of Seschan, Desplechin, Fescher and Cambon, Chaperon, Thierry, Rubet and Cheret were famously popular. The chief decorators of Nіmechchini were Schinkel, Karl Gropius, the Italians Quaglio and I. Hoffmann. In Russia, the needs of the imperial theaters were satisfied on the cob with the arrival of Italian decorators - Peresinott, Quarenghi, Kanopі, Gonzaga, that buv, for the reign of Mikoli I, German artists Andreas Roller, Do. Wagner and others; only in the other half of the 19th century, decorative painting, having entered Russia on the paths of independence, has become such a gifted master, like M. I. Bocharov and M. A. Shishkov, that establishment at the Academy of Art of a special class for the education of the circle of art.
Theatrical-decorative art (sometimes it is also called scenography) - a kind of image-creating creativity, interfacing with artistic design theatrical performance, so created on the theatrical stage of the life of the middle, in which the heroes of the dramatic and musical-dramatic creation, as well as looking at the heroes themselves. The main elements of theatrical and decorative art - scenery, lighting, props and props, costumes and make-up of actors - form a single artistic whole, which reflects the sensation and character of the stage action, subordering the idea of the performance. Theatrical and decorative art is closely related to the development of the theater. Scenic manifestations without elements of artistic and figurative design are vinnyatka.
The basis of the artistic design of the vistavi is the decoration that depicts the place and hour of the day. Specifically, the form of decorations (compositions, colorsistiy Lada іt. D. Okuraki Dіlki Zm_stom Diї, Alla I, Yozh Zovnіshnіmi Umov (Bіlsh-Mensen Schwidkimniki Mіszya DII, SPRIES SPRIES DIRECTORY SKULES FOR GLAADACHIV, PAYNANNEY ї ї T. e.) The image, which is intruded on the stage, is created by the artist in sketches or layouts.
Theatrical scenery includes framing the stage, a special curtain (or curtains), an image-creating solution to the stage space of the stage, backstage, background, etc. Ways of depicting the life of the middle ground on the stage are different. In the traditions of Russian realistic art, malovnichi decisions are overrated. When you write flat elements, sound together with inducements (common or intoxicating) into a complete image that creates the illusion of unity spacious middle dії. Moreover, the basis of decoration can be made by figurative and visual constructions, projections, drapery, thin screens, as well as the use of different ways of depicting. The development of the stage technique and the expansion of the ways of the image does not, however, mean the importance of painting as the basis of theatrical and decorative art in a flash. The choice of the way of depicting a skin-smooth expression is determined by a specific theme, genre and style of creation, which is influenced by the scene.
The costumes of the characters, created by the artist in unity with the scenery, characterize the social, national, and individual characteristics of the heroes of the vistavi. The stench spivvdnosyasya behind the colors with the scenery (“fit” into the big picture), and in the ballet performance they can also have a special “dancing” specificity (mayut but are handy and light and support the dance moves). Behind the help of lighting, the visibility (look, “reading”) of the scenery is not only clear, but the images of different times of fate and doby, the illusion of natural phenomena (snow, wood, are thin). The colors of the effects of the appearance of the building create an indescribably singing emotional atmosphere of the stage action.
Theatrical and decorative art is changing from development artistic culture in general. It will fall into a panivny artistic style, into a type of dramaturgy, I will become figurative art, as well as in the power of theatrical applications and scenes, in the light of lighting technology and richness of other specific historical minds.
Theatrical and decorative art in Russia at the turn of the 19th - 20th centuries reached a high level of development, if prominent artists came to the theater. The stench brought the great pictorial culture to the design, promoted the artistic integrity of the stage action, organic participation in the new imaginative art, the unity of scenery, the hanging of those costumes with dramaturgy and music. Tse buli artists, like a hand in hand, worked at the Mammoth Opera (V. M. Vasnetsov, V. D. Polenov, M. A. Vrubel et al.), then at the Moscow Art Theater (V. A. Simov et al.), in imperial musical theaters(K. A. Korovin, A. Ya. Golovin), Diaghilev's "Russian Seasons" (A. N. Benois, L. S. Bakst, N. K. Roerich and others).
An exhausting stimulus for the development of theatrical and decorative art was given by creative works of advanced direction (K. S. Stanislavsky, V. I. Nemirovich-Danchenko, V. E. Meyerhold, ballet master M. M. Fokin and A. A. Gorsky).
Literature
E. Zmoiro. Layout of the scenery before the visit of the Central child theater"Koniki" for the song of S. V. Mikhalkov. 1976.
scenery
From the old hours, the important meaning of the nabula decorative painting, scho to become a special galuz of art, the history of what її development went beyond the ruins of easel painting, painting paintings. Before her, one can do something like that, like delivering the remains, like the stench of vikonan on the walls and plafonds, it is important for the ornamental method (wall and plafond painting, frescoes); but the main rank of the element is to establish ornaments in a strict sense of the word, that is a beautiful combination of geometric lines and figures, as well as forms of a dewy and creature kingdom, fantasized or immutable (for example, wall painting in Pompeii's boudins, Moorish arabesques, etc.). The motifs of decorative painting changed indefinitely in the course of the historical course of culture and art in different peoples, in view of the relish and architectural style, which were panned at the same time. In the 19th century, the French took over the name decorative art(Fr. l'art decoratif) for various galuzeys of craftsmanship, yakі require additional help of art, such as the preparation of vitonchennyh furniture, kilimіv, merzhiv, sklyanyh and pottery, jewelry speeches, bronze, tapestries and other items in luxury there, in a word, for everything It is customary to call Kleinkünste or Kunstgewerbe, and in Russia - applied art or artistic craft.
Theatrical scenery
The word "decoration" is most often used as a sign of belonging to the theater, to make its own recognition viroblyat іluzіyu mіstsya, in which it is played, played on the stage. Therefore, theatrical decorations represent the local or landscapes, or the prospective see the street, the square and the stuffing of the houses. The stench is written with farbs on the canvas. Head warehouse of leather theatrical decorations - curtainі backstage. The first one hangs in the depths of the scene, stretching across the entire width, and depicting all those that the landscape or prospects have in the distant plan; the curtains are the essence of the cloth of the canvas, the larger ones are in povnyannі z veil, stretched on the wood wattle and virіzanі from one edge with an overlay rank; stinks are placed on the sides of the stage in two, three and sprat rows, one by one, and represent nearby objects, for example. wood, skele, budinki, pilasters and other parts of the stage. Additional decorations subarcs- pieces of canvas, stretched up the hills across the whole stage and depicting pieces of the sky, upper tree branches, crypts, etc., as well as practical- variously disguised wooden scaffolds and avenues, which are placed on the stage and represent, for example, stone, bridges, windmills, hanging galleries, go thinly.
The artist who is engaged in the design of theatrical scenery and is called decorator, Guilty mother Hope pіdgotovku, neobhіdnoї for artist vzagalі, deyakimi spetsіalnimi spoken: Yomou potrіbno doskonalo know the rules lіnіynoї i povіtryanoї prospects zasvoїti sobі duzhe wide Priya letters vmіti pristosovuvati svіy flavor to vognyanogo osvіtlennya have Money Does zazvichay vіdbuvayutsya stsenіchnі uyavlennya, i vzagalі rozrahovuvati on those who, as a result of yoga practice, had a juvenile atmosphere, which is played out, not only not to be naughty with their simplicity, but chimerism, or else the strength and longevity of the enemy, vibrated by her on the looker. Having made sketches of little decorations, the decorator prepares for her layout, so that a miniature like a scene with a cardboard curtain, lashtunks and other accessories, so that for this model one can judge the effect of the future creation. Proceeding from that to the end of the decoration itself, stretching the canvas of the hanging in a horizontal position on the back of its mains, transfer to a new (wuhilliam or a special kind of ink) little ones eskіzu from a larger one for the help of a sheet of farthing, take a square. So itself to rob the wines and at the vikonanni kulіs and other parts of the scenery. The palette is replaced by a box of jars of different roses on farb glue; for writing, serve more or less large, coarse bristle brushes with long handles. Under an hour of work, once in a while, interrupting її, to go up to the gallery, vlashtovanu in the main at the singing height in the form of logs, and look at the stars on the writing. Pratsyuє vіn zvichayno not alone, but at the same time with their own teachers and assistants, as a kind of handing over training and other parts of the work.
Stage performances were furnished with scenery from ancient Greeks (scenography). As one of the oldest decorators known in history, one can point to Agafarch, who is alive at about 460-420 pp. BC In the new hours, decorative painting rose to the fore in Italy, as it delivered the best masters from the center and other lands. Of the Italian decorators in the XVIII century, Giovanni Servandon, who worked for the Royal Opera near Paris, became especially famous. Then the first place in the roaming region passed to the French. In the midst of them, the theatrical painter Boke hung over the miraculous gift; famous Watteau and Boucher did not dare to look at their paintings in order to write for the stage. Then, among the French decorators, Degotte, Cicere, the rest of Seschan, Desplechin, Fescher and Cambon, Chaperon, Thierry, Rubet and Cheret were famously popular. The chief decorators in Nіmechchinі were Schinkel, Karl Gropius, the Italian Quallo (Domeniko, brother Simon and son Angelo) and I. Hoffmann. In Russia, the needs of the imperial theaters were satisfied on the cob with the arrival of Italian decorators - Peresinott, Quarenghi, Kanopі, Gonzaga, and then, for the reign of Mikoli I, the German artists Andreas Roller, K. Wagner and іn; Only in the other half of the 19th century did decorative painting enter Russia on the paths of independence with such gifted masters, like M.I. Bocharov and M. A. Shishkov, that establishment at the Academy of Art of a special class for the education of the circle of art.
Wikimedia Foundation. 2010 .
Synonyms:Marvel at the same "Decoration" in other dictionaries:
scenery- I, f. decoration f. 1. Architect. Architectural, sculptural, pictorial and other. embellishment budіvlі. Sl. 18. They guard a maister and a little one, whose profile, given the type of architect, should not spend the same proportions, because he has the best life ... Historical Dictionary Galicism Russian language
- (Mid. V_k. lat., V_d lat. Decor embellishment). The depiction of that picture, written in a special rank, and placed on the theater stage in order to make it look like that month, de may be seen. Glossary of foreign words that have gone to the warehouse. Dictionary of foreign words of Russian language Tlumachny dictionary of Ushakov
DECORATION, that, squads. Malyuvalne, about the architecture of the image and the situation of the stage scene, which is installed on the stage, to the significant Maidan. | dod. decorative, ah, oh. Tlumachny dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949… … Tlumachny dictionary of Ozhegov
female, lat. embellish, embellish, atmosphere; at the theatre: a view, a place to see the scenery, what to decorate. Decorator man. the artist who paints the scenery, see from afar, embellish, decorate, furnish. Dahl's dark dictionary. V.I. Dal... Dahl's Dark Dictionary
In a broad meaning of the word, every artistic embellishment of the subject is intended. Zvіdsi dієslovo: to embellish, to paint the artist's embellishment, and a decorative appliqué, stasis, on the mov architecture, to the extent to the term. Encyclopedia of Brockhaus and Efron
Showcase. Jarg. business. Umisne zbіlshennya rozmіru pributkіv y balansі, schob prihovat filth financial state undertakings. BS, 44 ... Great dictionary of Russian orders
