Tickets for the show "Sniguronka. The performance of Snіguronka Vistava "Snіguronka" at the New Space Theater of the Nation
“If there are thirteen at the table, then, therefore, here they die,” - it was noted in Chekhov’s “Three Sisters”. thirteen diyovih osib performance to witness about those same people. On the stage of the theater MM. Yermolova played the history of the kokhanny, in which there were no casualties - "Sniguronka". Kazka? Bullshit! Music performance. If the first is not transverse, then the other is still - on the virist.
Father Frost, for Ostrovsky, Snіguronka's father, for the performance of visions. Spring-chervona stands in front of the gazers at the tilogry and felted boots - to our pіvnіchnih kraїv Spring in a different outfit would not come With a great door shovel, she picks up from the scenes of the next change of a person - kuchuguri. On the vіm, іstorіya kazkova, kuchuguri come to life and wrap themselves up asleep under the snow berendey: under the snow it's warmer. "Spring kazkoy" gazing at Yermolovsky, you want to be warm, but you will embrace the cold.
Oleksiy Kuzmin-Tarasov was the only one among three persons to perform the idea, instilling that music. Music at the performance to finish and the public is completely satisfied with it. "Snіguronka" was designated as "Scenes from the Outback in 12 Songs", so that the operatic work of N. A. Rimsky-Korsakov lost its shortcomings. Natomist text O.M. Ostrovsky, writing 140 years to that, having freely embraced the rhythms of folk, reggae and rock-n-roll, which are celebrated by the musicians of Garik Sukachov's group "Nedotorkanni". Even in the author's song, they were rebuffed, and the same musical interpretation is not given to someone else's pershogerel. The music of the performance is alive and flamboyant, and the voices do not call out, - everything is in time: the sounds, the voices, the hitting of the gazing nigs. And all the same, "The Snow Maiden" is far from being a musical, even twelve songs arranged by "scenes".
Sniguronka is a character of winter quarters, urochisty, A.N. Ostrovsky wrote a spring fairy tale, and also the daughter of Frost, as if her soul had become a father, the holiday was not long. Veronica Ivashchenko, as a victorious role, now cuts skuyovdzhenim (from the forest) with “blue panchohoy” (at the same blue cloth), then as a spectacular cold blonde, for which it is necessary to wear half-coloured wines - a sharp temperature drop. Well, without the motives of a childish wound, that white-blue fur coat with an inventory number did not happen here. Snіguronka bazhaє kokhannya, not dreaming about her zhego understanding. For her, at the vistavi, an arrogant and arrogant person, a kohannya, it’s right for the dress code, without some yoga, not to be allowed to come to the party from Yarilin’s day. To him the words: “Mom, give me love!”, - they will turn out with an impartial everyday intonation to kshtalt: “Mom, give me a penny!”. To dress up a snowman and a camp and a heart, but the outfit is similar to those that Medea Kreusa gave to a leaky rotten (in this mood - love) cloth. The finale of the vіdomiy, - “tane, tane, know”. In Snіguronka, the wet place and the dry eyes of the gazers are lost.
The ups and downs of "The Snow Maiden" through reasons, born of childhood, cannot win, so you check the drive for a show of actors. I take yoga. Artists of vistavi, recent graduates of theatrical VNZ, spewing that energy of youth, it’s not surprising, they didn’t bring it to vistavi. Navpaki, playing after the weather - "the sun will shine, but not grіє". Not the ones that can be called "Winter Frosts" (vistav Kiril Serebrennikov), but the reaction and dynamics of them deprive the best. Vikonavtsi spovilnenі, razslablenі, raznіzhenі, and їх characters marriage є sontsya, from the sky there is no "gold line", and severe frost, it would be possible to destroy the berendeev. Do not boil the sbiten, and did not understand what they are warming. Soul half-witted? Ale, the sparks do not reach the eyes of yoga. The words of "Snіgurontsі" do not "sound", instead they sound like songs.
Singing and Lel (Artem Efimov), the first lad in the countryside (and the village, judging by the scenery of Leonid Shulyakov, - in one house) with a guitar for the better (for sure, it’s true, you don’t lose the desired sound), at once in the Spring (the beautiful work of Elizabeth Paschenka) and Snіguronka. Mіzh matіr'yu that daughter was appointed ice commemorate the competition for the heart of a shepherdess. Garni and “lads from our yard” on the kshtalt of the Smoking Room (Anton Kolesnikov), such a street bully with lancets on jeans that you can twist the keys on your fingers in the direction of ... an impractical motorcycle, otherwise Brusili (Mikola Zozulin) is healthy. Notes and girls-girlfriends of the rose Kupavi (Ganna Kuzmina) - Radushka (Margarita Tolstoganova) and Malusha (Valentina Oleneva), comedy-divine Beautiful Olena (Kristina Pivnyova). From the haunting lined canvas of the vistavi, one can see the rather shy young man Mіzgіr (Rustam Akhmadєєv) and the other non-transmissions of the p'єсі okhoronets, let's forgive the names of the "slov'yansky" іm'yam Emil (Ygor Kharlamov). If the Sloboda residents of Berendievka would have been given an easy talk, then Mizgiru zovsim should not be distinguished by an obvious accent. In the meantime, Mizgir is a foreigner near Berendiev Posad, and this similar veil is like an addition, which he opposes to the town lads. Another aspect of the actor’s figure is deliberately seriousness in the interpretation of proponing scenes: the actor gives his hero a twang, a harsh gesture, a tragic grimace, so that we rob him without a smirk on the aphids of relaxed, calm colleagues. It’s not so much a problem of a vistavi, like an actor who tightens an easy setting. "Burn down," - respect Snіguronka i, judging by the slyness of Mіzgіr, it's up to you, that vin vіdpovіst їy; "Juliet is the sun."
"Snіguronka", I put it on the music, it's pleasant to hear, but bachiti is marvelous. No folklore, at least - folk. They spared the costume designer - there is no yoga in the program, you don’t know yoga on the stage. Actors are dressed up on weekdays, allowing for a single style of robes, who in some way - in a summer sundress, in light, in cloth. Musicians with hats (they really stink), actors with thermoses and plastic cups, third-party (not from Ostrovskiy) replicas... At the last student's rhymes, the vistas create a completely ilusion of the critical rehearsal, and the public has come to the fore. The people on the stage, like the people from the streets, are recognized for their excellent characteristics, and this “democratism” of “Sniguronci” is not to be greedy. The appearance of a single image can be true even if it was created in the program from the great letter Zakholust. And such a “pocket of calmness, practice and inspiration” on the map of the Pskov region, but it’s unlikely that the costumes of writing from the local inhabitants of the city.
For all the lightness, I will conceive of a significant montage of the text; So, the dialogue of the Tsar (Sergiy Badichkin) and the "near boyar" Berm'yati (Yuri Kazakov) appears even more in tune with the hour (not the stage, the mass). The tsar denounces those who have “became a service of beauty” among the people, calling for a fall, calling for a radnik universally in the mustache for the government, which cherishes: “Seeing the decree!”. “Are we daughters of brown?”, Tsar specifies, “Niyakiy”, - you can hear it, - “Cleaning us”.
The camp is right at the kingdom of Berendey, similar to Karamzin's diagnosis - "Steal", it's true, the kingdom is "small, roam anywhere", and Bermyata specifies: "offal". “Do you catch?”, - without particular interest, ask yoga Majesty; - “Navіscho w їh to catch, / Pratsi vtrachat? / Get yourselves to steal, / If you don’t want to trap ... ". Ale, judging by the simple decoration of the royal chambers, everything is already stolen. That tsar himself, having changed the scepter and orb (or maybe from the great letter?) for a massive anniversary and sokir, as if he were sitting in the pomist on the stage, is not even similar to the king. If it so happened, the kings stink either s, or under the sokir. Inakshe - less for Cossacks, de "porridge with sokiri". For "Sniguronka" and porridge - a mix of genres, and juice - montage to the text and meanings - symbols.
“The magnanimous people are great in everything,” - sing the Tsar at the finale, and zaderikuvat the song. Sumno pіdspіvuyut tsar berendeї. How to lie to the people for the Tsar - in chorus. For a few scenes before the finale, the “generous people” were hushed by the mortal vigor, blamed on Mizgir, shouting: “And if? At the skilka?" -berendeyski", quiet, who does not bow to the sound of "more often, that lower."
Musical numbers go at the performance "with a bang", ale varto voice zbitisya on recitative pay nibi zaidai. The style of the performance is such a special jam session (not musical, but artistic), which can be played without any special preparations, thoughts and strength. It turns out that the artists on the stage spend an hour, staring at the top of their heads, and we are satisfied. І tim, who is on the stage, and tim, who is in the hall for a long two years, he dares to endure to carry out the permit. "Sniguronka" is not an evening at the theater, but a theatrical evening. Talk about the interpretation of images, there is no need to bring up that relevance here, but you won’t call such a lost evening. "Snіguronka" at the theater, which is now democratic and canteen buffet, is an ideal option for zustris, while spending evenings and ceremonies, if it is the fault of the hostel to opine in public. Nice, intelligent, not expensive. Chi do not heart, ale and do not gamanciu. Ale and such a kind of theater, which is “not low, not high”, not just can, but can be. “Turboti get out of the way: it’s time for turboti,” they sing at the performance and stench make a walk.
"The Snow Maiden", according to the director's idea, is played by the "darkness", but it is connected, perhaps, with the timely presence in the repertoire of the theatre. Appearing її, vtіm, completely true - the theater is not afraid of opening the door to young directors, but to the expensive varte. Mova, of course, is not about beats. "Sniguronka" is a universal, family, unobtrusive and springtime project. “Spring is coming”, “the mind is not in harmony with the heart”, but “The Snow Maiden” may have every chance not to break up, but to adjust in the right way.
"Komsomolskaya Pravda", "Teatron"
The first dramatic performance of The Snow Maiden took place on May 11, 1873 at the Maly Theatre, near Moscow. Music before the vistavi bula was dedicated to P.I. To Tchaikovsky, Ostrovsky sent the text to Tchaikovsky during the process of working on the p'esoy part. "Music of Tchaikovsky to "Snіguronka" is charіvna", - the playwright wrote. "Snow Maiden"<...>the bula was written at the request of the directorate of the theaters and on the passage of Ostrovskiy in 1873, rotis, hanging, and the same bula was given, - having guessed later, in 1879, roci, Tchaikovsky. - This is one of my favorite children. Spring was miraculous, my soul felt good, as if it were a blessing in the presence of summer and a three-month will.
The song of Ostrovsky was like me, and I wrote music for three days without a year's worth of music. I’m sure that in this music I can remember the joy of spring moods, as I would like to adopt.”
Before participating in the performance, all three corpses of the Imperial Theater were trained: dramatic, opera and ballet.
“I put the p’esu myself, like a true master,” Ostrovsky said with joy, “here it’s better to think, just think for good and mother success. Tomorrow I'm reading "Sniguronka" to the artists of the third, then the passing role with skin cream. The scene of Snіguronka's dancing was discussed for a long time. Assistant to stage engineer K.F. Waltz guessing: “It was stricken to sharpen Snіguronka’s kіlkom with rows of small openings near the stage, from which small streams of water rise, like, thickening, it’s guilty to take the vikonovitsі, which unfailingly descends into the projector’s hatch.”
At the start of the renovation at the Maly Theater "Sniguronka" the Great Theater was destroyed. For dramatic actors, the stage Great Theater appeared unruly. Vaughn was too big and acoustically unsuitable for a natural, but-button voice to sound like. Tse rich in what made the vistavi successful. Actor P.M. Sadovsky, writing to Ostrovsky, who was not present at the premiere: “The public heard with great respect, but we didn’t chula much, so the scene of Kupavi with the Tsar, regardless of all the efforts of Nikulina, speak loudly and virtuously, bula is just barely half ". The next day, the playwright V.I. Rodislavsky sent reports to Ostrovsky with a “sound”, in which he mentioned about those short vistas: “... a lot of wonderful, top-class poetic beauty, the sheets were generously spread by you in pієsi, they perished and can be resurrected only in the press ... Ale rozpovidatim in order. Lisovik's charming monologue is absolutely familiar. Polit Vesni bov dosit in the distance, that її poetic monologue zdavsya dozhelezny. A warm folk song about birds sang, because the music did not allow one to hear the words, so hospitable that censorship thought about them. The bird station was applauded. Miraculous rozpovid Frost about yoga fun znick, because I don’t rozpoviddu, but with music that drowns out the words. Maslyanitsa’s monologue didn’t go into it, but Milensky spoke yoga because of the lashtunks, and not prihovaniya at the straw man fell down ... At the first act, the enchanting pisenka of Lelya was repeated ... . .. without notice, the move was gone, Snіguronka's signing was no more than a master ... The theater was absolutely spovneniy, there was no empty empty space ... The cry of a biruch went into the distance.
The reviewer wrote about the appearance of the public before "Sniguronka": "... some of them turned right in, more than anything for their reason, and said that it was filthy, that it failed, etc. Well, if the stench marveled suddenly, it became like ... Music ... and original, and even better, smut - the familiar character of everything p'єсі.
For the life of Ostrovsky, "The Snowman" was performed at the Moscow Maly Theater 9 times. The last day of the week was 25 April 1874.
In 1880 N.A. Rimsky-Korsakov asked Ostrovsky for permission to speed up the text of "The Snow Maiden" for the creation of an opera. The composer himself composed the libreto, agreeing with the author. Rimsky-Korsakov suddenly guessed: “I first read The Snow Maiden around 1874, when it showed up at the press. At the reading room, there was little merit; the kingdom of Berendey was wondrous for me. Why? Were the ideas of the 60s rocky alive in me, and the help of plots from the so-called life, which were in use in the 70s, did they put me in fetters?<...>In a word, the miraculous, poetic tale of Ostrovsky did not work on me. In the winter of 1879-1880, I re-read the “Snow Maiden” and as if I saw the wondrous beauty of it. I immediately wanted to write an opera based on the whole plot.”
The first appearance of Rimsky-Korsakov's opera was in St. Petersburg, at the Mariinsky Theatre, on September 29, 1882.
Vzimku 1882/83 to the rock "Sniguronka" at the dramatic production of the bula was vikonan by amateurs at the house of the Mamontovs. Before her, it was learned from representatives of the artistic intelligentsia. The vistava commemorated the trial of a new reading of p'esi. The artistic part of the production was taken by V.M. Vasnetsov. The talent of the artist is manifested in this robot with the greatest strength: the zooms not only take over the poetry of Ostrovsky's miracle fairy tale, create a special atmosphere, the Russian spirit, but also invite other participants to the vistavi. Before that, he miraculously played the role of Dida Moroz.
Hanging out to the Mammoths' booth, becoming a prologue to the production of "The Snow Maiden" by N.A. Rimsky-Korsakov on the stage of the Private Russian Opera S.I. Mamontov near Moscow on July 8, 1885. The design artist was created by V.M. Vasnetsov, I.I. Levitan and K.A. Korovin. The robotic artists showed us the new spirit of Ostrovsky's fairy tales and Rimsky-Korsakov's operas, which brought the interest of the public to their creations. After the premiere, the newspapers stubbornly pushed the inclusion of the opera "The Snow Maiden" to the repertoire of the Great Theatre. Prote on the stage of the Great Theater "Sniguronka" was celebrated only on September 26, 1893.
In 1900, the "Sniguronka" theater went on at two theaters in Moscow - at the New Theater and at the Moscow Art Theater. Wonderful Russian actor and director V.E. Meyerhold wrote about the performance of the Art Theater: “It was staged wonderfully. Stilki farb, scho, for sure, it would take ten points. Significantly, that the barvisty of the vistavi was grounded on the wedding ethnographic p'esi; she tried to convey the true malovnichnost of the old-fashioned pobutu and go to the task seriously, you can learn the real forms of folk applied art: costume, the situation of the life of the villagers.
Kriega broke...
At the theater im. Yermolova - new season, new life, new performances. The theater requested a young director Oleksiy Kuzmin-Tarasov, who suggested an original interpretation of the poetic fairy tale by Oleksandr Mikolayovich Ostrovskiy "The Snow Maiden". For the experimental performance at the Yermolova Theater, they chose recent graduates from various theater schools: there are insanely few young actors at the corpse warehouse of the Yermolovsky theater, and for the "Sniguronka" they will need the youngest actors themselves. Snіguronka's age is approximately the same as that of Julietty, if the kohanna is valued more dearly for life, and they choose it, regardless of death, even if it’s not the largest number of self-absorbers in the very middle of the pіdlіtkіv: naїvna youth is not known, yak shvidko you can still be in life.
“Scenes from the Wilderness in 12 Songs”, having thus recognized the poetic fairy tale of Ostrovskiy, the director-producer, wholeheartedly sings to us for hours, if the lads walked in the villages with girls, and this year in the wilderness they walk like that, the girls who are married, have become merciful the lads are more like women and unscrupulous.
From a long time ago, people joked about their soul mate, and whoever knew it went into that happy buv. In the kingdom of Berendey, everything was like that, until the day followed nothing, spring followed winter. But once the order of speeches was broken - Spring gave birth to a daughter in Frost, and this union did not bring happiness to either mother or daughter. Beloved Spring (Elizaveta Pashchenko) can't live with the Frost, and the Snigurontsy (Veronika Ivashchenko) can't live without a hot kohanny, and prepare for it. Cіkavo, that Spring at the performance does not look older than Snіguronka, that it’s easy for the soul of today (with modern rejuvenation, deyakі grannies look like the same age as onuchok), until then, the woman is familiar and addicted, she easily leads you to ice cream.
Lel (Artem Єfimov) - mlyavy, young man roaring the woman with respect, becomes a trifle energetic, having taken the guitar to his hands. It is not so important for Yomu, that women loved Yogo, just like hearers loved Yogo. Shanuvalnikov and chanuvalnitsa at the licorice-voiced speaker are vistachay, and it is required to sign, songs, scho їх vikonuє, do decent, and the stench is written by the director himself on the authentic texts of Ostrovsky. Young peeps are pleased to take compositions in the style of blues, reggae, hip-hop, turnip. Musicians from the band of Garik Sukachov “Nedotorkanni” - crazy, harmonica, shkoda, because they didn’t know a good place, and the stink on the stage looks like that, start rehearsals. It was necessary to dress them up in a smart way, to get them to the stage, through which the performance would only be won, and so, the lights of their presence on the stage are like a smart-concert variant.
Prote the plot of the fairy tale is not used, everything goes, how to lie down: є tie, culmination, rozvyazka. Mizgir, a hot young man of "Asian" blood (Rustam Ahmadiev) dies in Kupava (Ganna Kuzmina). It is easy for a man with such a temperament to achieve a woman, but even to an accessible level, Kupavi Mіzgir quickly takes interest. Where would you like the meta: conquer the cold Snіguronka, before that the blonde! However, it’s not enough just to cook for you, it’s necessary to tell the women to the world, so in the good and bright kingdom of Berendey, strangers bring confusion. As the Tsar (Sergiy Badichkin) does not swear by Berm'yata (Yuri Kazakov), call the people to love the world, the idyll of the birth of the kingdom is ruined: kohanna is ruined, goodness is without protection, and the sun does not come to heaven. Ale, as it seems, signs of a fairy tale are given at random, and the daubings on the rіchtsі-scaffolds start to crackle and connect with the natural gurkot down (scenography by Leonid Shulyakov), the lads and girls, zhvavo shooting eyes, know one of one with songs and dances. With songs, as we have already remembered, it’s not bad on the right, but from the dances it’s still not good: don’t go out at Berendey’s followers decently collapse (choreographer Ramune Khodorkaite), so it’s okay to break down, whoever.
Ale navitt іz dіmі nedolіkami, yakі easily vpraviti, staging vіjshla zaderukovatoy іronіchnoy, nezvjayuchi deaku vogkіst (і not іlki vіd Snіguronka, scho rozstanula in іnci, і why zovsіm not shkoda). The first sun, like a mi tezh in Russia, is checked for impatience, the finals still appear, and mіtsnіє hope for those who will be a good judge of the young. Young wine to roam in Yermolovsky hutras, let you see it and give it a miraculously savory taste.
About the proximity of New Roku, it’s not enough to talk about the selection of yalinka and bright illumination on the streets, but also the impersonal new manifestations. At the Children's theater of the stage, a show has already begun enchanting fairy tale"Sniguronka"!
From Kira, we were given the honor of making this charming history one of the first)))
Snіguronka lives on her own with Father Dіd Frost. Mother Spring is an invisibly present charge: start to lift it up and let it in. May I dream: live with people, listen to their songs, dance with them silently. While it’s still hanging around, listen to the soulful songs of the shepherdess Lelya from afar. Grandfather Frost, bachachi її tight, dare to let her in, but for the help of the defender, she manages her faithful servant Lisovik at the same time.
Snіguronka get to know Lelem, but he didn’t realize that such a sincere song could make more than її kiss. Kupava is ready to become a true friend of Snіgurontsі and to know her with her sonorous Mіzgіr. Ale here seems to be inconsistent.
Even tsіkavo, in a new way tsіkavo sounded in Kazakh folk motives. And at the end of the dance, a vision changed on the yaskrava: here and winter fun ("snapped" a wonderful snowman), and sound to bestow a gift not only on the name, but also on the girlfriends, and an oil round dance, if you take on the leather stitch thinly.
The costumes of the heroes were even more worthy: yaskra, self-made, tsikav, which made their own unique style. The costumes of Ded Moroz, Snіguronka, Lisovik and Mіzgіr were especially seen. A kokoshnik, a pishna bed, blue dresses in the style of Gzhel: with a Snow Maiden's robe you can be mercifully indistinct) Do not understand cunning, for the help of such a large flower on the back remembered the color!
I would also like to add about the decorations: rebuilt constructions, as if they were reincarnated on the throne, then on bushes in the winter forest they were miracles. And the transparency of the veil, which divided the scene into two parts, seemed to merekhtila with stars, then it was illuminated by different colors.
The original ending of the fairy tale is not matched, I would say, contemporary style: good songs for a strong one are still not enough. For me, the whole production became unbearable: I thought for a reason to play the classic fairy tale about Snіguronka, but it was necessary to get to know the first time) O.M. Ostrovskiy buv his look at the story about Snіguronka))) The authors of the production wrote that New river- it’s more fun holy, for that enchanting hour, fairy tales cannot end summarily! Therefore, the fairy tale will end in an extraordinary way and, it is possible, it is not logical, but it’s better!
A quieter and more comfortable hall for peeping eyes: a good pidyom, you can also take a pillow for a child. Before the presentation, the lads can try themselves at the Russian folk fun. When we went to budіvlya Children's theater we drank the trains of dumb people at the fairs, so loudly and teasing the lads called to come))
Yaskrava and musical new vistava for children and their fathers. If you are ready for the daily reading of the classic song, miraculous costumes, fairy dances and the non-trivial ending of the fairy tale, then this is for you! Take a new mood from yourself and come)
