What is the subject of solfeggio at the music school. What is solfeggio and why should I start? About the practical part to take
The fathers, bringing their children to the music school, do not think about food: but what is the child ready to master the program?
For example, solfeggio programs.
Go at once about the fathers-musicians, who are the leaders and everyone can help their child. What do you know about the comforts of your child father, if you never started at a music school, or if you yourself left it on a pivdora?
Shards of the profession of a musician at once "do not get drunk," fathers give their children "at the music" just for their wild development. There is no competition at the same time for a great music school, that must be done - regardless of their "attachment" or "non-attachment". The directors of schools and vikladachi check with prostrate volumes of skin children, even if there are as many children as possible, to begin, to lay down the material balance of the school. All schools at the same time may be self-sustaining, there are even few pennies in the city of the region.
What to go out? The program was lost for gifted, selected children, and children are trained for it, as they are not ready to master the skills of learning.
Solfeggio is especially important, as it includes singing, mastering the rhythm, learning by ear, musical dictation, TV music and theoretical presentations. It’s like going out like this, that even children especially “stumble” on this subject, the voice apparatus of those who are not ready to sleep, and the voices of solfeggio, as they cannot help the children themselves in speech.
Who is the vikladachi solfeggio? For better people, like good spirits with different theoretical vіdomosti, that you can already have a strong ear for music, learn how to compose music, but do not let yourself be inspired by mysticism. It's like this: the solfeggio program has "sleep" on the first plan, but vikladach can't sleep? It's a pity that the training vikladach - solfegist nowhere (neither in the music school, nor in the college, nor at the university) does not have the subject "Staging the voice". Tіlki zovsіm recently (for this reason) as an experiment with some muses. colleges have started "staging the voice" of the future students of solfeggio.
And scho work at once? The child is not ready to sleep, the helper is not able to help. Half of the children (or more) don’t get it, “choke” on “numbers” according to solfeggio (note rows for singing). From class to class, the foldability of such rooms grows steadily. Already in the 3rd class, it is necessary to sing "numbers" at a swedish pace, with folding intonations and dribbling tribalities. And half of the children in the 3rd grade cannot sleep in the numbers with the labor of one class. As a rule, vikladach to inspire "not to be in a flash," to those who do not know themselves how to work, but to urge children and zmushuvat more at home to sleep - there is no sense, nonetheless, everything is wrong to sleep.
Sound the vikladach thinking: “Well, you know the rules of solfeggio, it will be easy to be like a din, an interval, a chord, to “knock” the rhythm correctly, to wind up musical dictations as if they manage to write. What else do you need? what can I do? I can't sleep myself."
Axis and go out, so that everything looks like it does. Unprepared to sleep, the children are trying at home to sleep the assigned numbers. Good, like at home, there are keyboard instruments like a piano (synthesizer) or an accordion. You can play the number and want to try and sleep well. Why don't you? Like at home, say, drums, flute, guitar, balalaika, domra, violin? It is not possible at the music school with the help of these instruments to learn the "number".
There is a problem with piano and accordion. They are equally temperamental mode - piece (the octave is divided into equal number of pivtoniv - 12). Sleep at the new one's handy. Vіn duzhe vіdznyaєtsya vіd fret, scho іsnuє in nature. Kolis for a long time, before I.S. Bach, the musicians played with the grі on the instruments with natural natural arrangements. Ale wine, having separated the number of living tonalities. More than tonality up to 2 characters per key (inclusive) were victorious. Tonality z great kіlkistyu the signs sounded false. For a long time, music theorists (since the 16th century) have been joking about the possibility of introducing a new one, a combination of "good temperament", and then "equally tempered" mode, which, having allowed a greater number of tonalities (24), to freely move from one key to another in one volume well create, do not change the tool (module). Nareshti - vіdbulosya. At the same time, the piano, the accordion, and the button accordion - itself in such a way, unsuitable for singing.
What kind of exit? Sleep in formation close to natural.
And how do you sleep with the new one? What kind of display of natural will I arrange? Sleep in the new lightly! Well, natural device!
Vikladachi-choirs, themselves sing in a natural way (because it’s handy in nature) and with vocal skills, and children are trying to learn how to sing. Prote, having left the choir class, the children are dragged again into the trap of the temperamental fret, playing the instruments, or if they try to sleep on the solfeggio. A one-time busy day for Hora, obviously, does not help.
I myself am a vikladach-theorist (vikladach solfeggio). Neither in the music school, nor in the college, nor in the conservatory did I ever sleep. I sang "clean" for sure, tobto. at the temperamental system. Always small "5" for solfeggio. Ale... I already knew that I couldn’t sleep, I really wanted to learn, but I didn’t know why to start. I worked as an accompanist in the choirs, in the lessons of staging the voice of the vocalists, bit by bit bit by bit, information was collected, as it allowed me to learn how to sleep. I have read a lot of books on voice production. I learned all the right vocals on my own, they gave me lessons, and I learned about them from books. Now I know that it was enough for a child to hear and learn to sleep on the right simple butts - just to hear the sound of sleep.
Axis scho vіdbuvaєtsya, if a child is trying to sing a number, playing the piano - it won't go to the notes, not sіvaє, but rozmovlyає.
Try to take care of these numbers. Try to sleep yourself (after listening) and let's try the baby. The spіv will definitely be improved after the first "trenuvan" weeds by 50%.
Possible reactions of speakers of solfeggio:
1) If the child didn’t sleep and raptom “sleep” after taking it right, then the reaction of the vikladach will definitely be: “Oh, what a good fellow you are.”
2) If the child slept "not much", but if she fell asleep more richly, then the reaction of the solfeggio vikladach could be: "Tse false sleep." I would say so myself 10 years ago. And now guess operatic spivakiv. The stinks sleep at the formation, even close to natural. The proteas seem to "get along" with the temperamental orchestra. Otzhe vikhid є: let the vikladach solfeggio de-not-de play chords to the accompaniment until the song of your child. In the first class, such a transition is allowed as a whole. And before the other class of the child, she herself learns to trim the balance between the scales, close to natural and temperament scales (in some areas of the musical text).
Saved numbers and help:
create in the head the necessary auditory basis;
expand musical ear;
good understanding of the musical text;
sleep with the right sound;
not responsible for the solfeggio program;
we are always preparing buti at the solfeggio lesson;
take away only good marks for wedding numbers;
be the best of the group;
love sleep;
take the satisfaction out of taking solfeggio.
Solfeggio
Literature
- Shulgin D.I. Help from auditory harmonic analysis. - M., 1991
- Karasova M.V. Solfeggio - psychotechnics for the development of musical ear. M., 1999 (2nd view - M., 2002, 3rd view - 2009).
Notes
Wikimedia Foundation. 2010 .
Synonyms:Wonder what "Solfeggio" is in other dictionaries:
- (It.). Div solfeggio. Glossary of inshomonic words that have gone up to the stock of Russian language. Chudinov A.N., 1910. SOLFEGIO (music) in the voice of notes without text, moreover, singing the name of the skin note, for stepwise, right in speech. Dictionary of foreign words of Russian language
- (solfeggio) (ital. solfeggio in the name of the notes sіl ta fa), vocal right for the development of hearing and the ability to read music; when playing solfeggio, the names of the notes that are vibrated are displayed. Warehouse solfeggio for memorization of musical compositions. Great Encyclopedic dictionary
- (Correct: solfeggio), neskl., SR. (Ital. solfeggio in the name of the notes sol and fa) (music). Vocal is right for the development of the ear, that nabuttya beginners to sing according to the notes without the help of the instrument (to be victorious without words, the names of those who are named ...). Tlumachny dictionary of Ushakov
Solfeggio, right Dictionary of Russian synonyms. solfeggio day, kіl at synonyms: 2 solfeggio (1) ... Glossary of synonyms
Modern Encyclopedia
SOLFEGIO, several i SOLFEJO, non-cl., SR. (Specialist.). Right in spіvі without slіv, zamіst yah vymovlyayutsya name notes. Tlumachny dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Tlumachny dictionary of Ozhegov
Pochatkovі vocal right at reading notes without text. When singing melody S., the skin note is called. Z., as it is right, roztashovuyutsya at the collection with stepwise transition from mild to severe. S. is written in all keys of major i ... Encyclopedia of Brockhaus and Efron
solfeggio- and solfeggio is acceptable ... Glossary of difficult language and voice in modern Russian language
Solfeggio- (Solfeggio) (Italian solfeggio), 1) spіv melodies with voiced names of sounds (solmіzаtsіya); one of the methods of musical education. Developing hearing and learning to read music. 2) Primary discipline, recognized for the development of musical ear. Illustrative encyclopedic dictionary
Solfeggio (ital. solfeggio, in the name of the musical sound. sіl ta fa). 1) Those same, scho solmіzatsіya. 2) Uch. an object to enter before the cycle of muses. theoretical disciplines. Metoyu S. є vyhovannya hearing, svіdomlennya elementіv muses. promote those roles ... ... Music Encyclopedia
Books
- Solfeggio, Danheiser A.-L.. Adolf-Leopold Danheiser (1835-1896) - French composer, teacher, professor of the Paris Conservatory, author of assistants in music theory and solfeggio... Chief help"Solfeggio"...
The theory of music, solfeggio and musical notation - these are similar to understanding, protesting the stench of the essence of recognition.
Theory of music and musical notation - the whole theory, then the same solfeggio - the same practice, so but more precisely, the whole complex is right, the method of such a development is the development of learning to put the theoretical part of music into practice.
Solfeggio in a broad sense can be considered as a song behind the notes. Before the speech, varto respect, that the whole word was created by the way of folding, naming two notes - sil ta fa, that's why the floorings sound musical.
Now you can see what kind of solfeggio the music has. Below, we will tell about those who are taught during the first hour of solfeggio lessons in music schools.
What is solfeggio like a primary discipline
As if it were a subject, solfeggio may be on the verge of the passage of the theoretical part, prote in music schools the theory is not indispensable in the form of practice, and then, not without reason, after the development of musical notation, the practical part begins - the development of that spіv din, and also the numbers and the right to conduct.
At the beginning of the course, the following skills are obtained:
- Remember to sleep like a melody from arkush. To finish the song of the newcomer, even if it’s enough for a year, it will be enough to look at the musical collection and vikonat composition.
- Cleverly manifest in thoughts, and then we will pick up on the instruments and write down notes, I will feel the melody. At the lessons of solfeggio, it is now developing in a way of writing musical dictations.
- Vminnya pick, and then play the accompaniment to the third chi іnshої melody.
Obviously, in order to determine all the values of the day, you will need more than one rіk navchannya, which will be used to carry out impersonal rights. Until then, in order to achieve success here, like in the best of times, you need patience, work that hour, it’s necessary to add to the busyness of the day, and more than once for a week, less in the classroom.
At the end of the varto, it is clear that the solfeggio is the beginning, which was brought to automatism, and on the right, there were three steps and steps, it is impossible to immediately check the result after the introduction of one lesson.
Solfeggio in a broad sense can be considered as a song behind the notes. Before the speech, varto respect, that the whole word was created by the way of folding, naming two notes - sil ta fa, that's why the floorings sound musical. Do you need more solfeggio lessons in schools? Nasampered - for the development of a musical ear, for the training of yoga in the form of a simple chill to a straining professional instrument. How does the sound of the sound transform into the ear of a musician?- for the help of practitioners and special rights - they are also engaged in solfeggio.
Fathers, whose children go to a music school, often ask about nutrition, what is solfeggio. It’s a pity, not a skin child in the capture of solfeggio lessons (it’s natural: sound out which subject is associated with children’s mathematics lessons spiritual lighting school). While the process of learning to solfeggio is even more intensive, the fathers should control the implementation of this lesson by their child.
In view of other musical disciplines, the practical result of the solfeggio course is not so obvious. The result of the lessons piano or vocals can be seen practically at a glance - tse vminnya play the piano, chi sleep. Same course result solfeggio not obvious, the shards of an illusory object are richly faceted. Solfeggio develops a wide range of musical skills – an ear for music, a sense of rhythm, memory, which helps to master other musical subjects. Also, the foundations of musical theory are taught on solfeggio.
And yet, the result of the course of solfeggio and kіlka is more necessary, practical and stagnant in life.
So, how can beginners be able to become successful as a result of the solfeggio course?
1)Vminnya cleanly fall asleep from the arkush be-like a melody. Even better for the life of a beginner, having mastered the yaku, You can sing a melody, be it a song from a musical selection. The same, by itself, it is pure sleep that brought satisfaction to you, that otochyuchim.
2) In the meantime, bring out your thoughts, pick up on the instruments and write it down correctly with notes, whether you feel the melody. In the course of solfeggio, this type of activity is called musical dictation. Is it really true, is it better? They only sensed a harmonica melody - and at once they could play the instrument.
3) Vminnya pіdіbrati and play to be-like melody accompaniment. I think that the correctness of this point does not call out to anyone, until the speech, which learners ask to teach them especially often.
music theory, solfeggioі sheet music- tse podіbnі understanding, protesting the stench and іstotnі vіdmіnnostі.
Music theory and musical notation - all theory, same solfeggio - tse practice.
Solfeggio can be characterized as:
- primary discipline, recognized for development musical earі musical memory, what is included solfejuvannya (solmization),musical dictation, aural analysis.
- selections are right for one- or rich-voiced solfejuvannya or analysis by ear;
- special vocal right for voice development, also called vocalizations;
Like any subject, solfeggio may be on the left side of the theoretical part, prote in music schools, theory is not the same as practice, and so, not without reason, after the development of musical notation, the practical part begins. rozuchuvannya that spіv din, as well as the numbers are right with diriguvannyam.
When singing melody in solfeggio, a skin note is called. Solfeggio, as it is right, can be sorted out in the collection with a stepwise transition from light to important. Solfeggio is written by everyone majorі minor keys and in common keys for different voices, both women and men. It is more important to write solfeggio in one voice, but to use two- and three-voices, metaphors like those in the past, sing their own part independently, without straying after the chanting of other parts with other voices.
At conservatories in solfeggio, special respect is given as to the best way to develop the ear, and to read the music notation without pardon.
Fathers, who want to learn solfeggio and what kind of solfeggio, are often asked by fathers, whose children go to music school or are engaged in music within the framework of supplementary education. Why are the children who are learning grі on musical instrument in obov'yazkovomu order solfeggio vyvchayut? What is the relationship between them?
Let's try to get to know this mysterious musical discipline closer, maybe rich food, including vivchati chi not vivchati, fall at the fathers by themselves
« Solfeggio"- the garne of the Italian word, as it was formed from the names of two notes - "str" and "fa" and in translation means " sing for notes". Tse musical discipline, the main tasks of which are development of musical ear- The head instrument of any musician.
The development of musical ear, as well as the development of the rhythm of the learners, is available in solfeggio lessons for the help of singing monophonic, double-voiced and rich-voiced rights, writing melodic and rhythmic dictations, auditory analysis of musical material.
Finding the best rank from solfeggio pov'yazana music theory. The cordon between them is smarter than that, so in schools the stench twists at once like two warehouses of one subject: the theory of music theoretically explains why music is ruled, and solfeggio - in practice, trains newcomers, necessary musicians.
The main ones of such skills are:
- Sіfejuvannya- spіv special single-voiced, double-voiced and rich-voiced rights and numbers musical works) from the name of the skin note. In this way, the intonation and harmony ear develops.
Spriynyattya music by ear. Hearing analysis different sounds, chords, tunes and other musical structures.
Vminnya write down a melody with musical signs. Tse reachable by constant practice of writing musical dictations.
Neposidi Vіdkritiy lesson - Solfeggio
The occupation of solfeggio develops the ear: people begin to distinguish the subtlest sound-hundred, dynamic and rhythmic nuances of music, the adoption of that victorious music becomes rich and varied.
Solfeggio lessons develop the skills of intonation ("pure", accurate singing without falsehood): a person can play music both out loud and to himself, "with a little inner ear."
