The concept of literary tradition. Tvіr on the topic: "Russian Literature"
Russian classical literature of the 19th century is the whole literature of "eternal themes". Russian writers jumped at the fold of food buttya: about the sense of life, about happiness, about the Fatherland, about the nature of the people, about the laws of life, that All-World, about God ... But, like people with an active life, that supple position, Russian classics could not stand aside Actual problems of their hour At the link with the “forever those” in Russian literature, they expressed themselves, as if on me, through the joke of the “hero of the hour”.
So, "Likho z rozumu" A.S. Griboyedova portrays the same problem of “fathers” and “children”. Oleksandr Andriyovich Chatsky protested against the old order, which took root among the Russian nobility. The hero of the comedy chooses "new" laws: freedom, reason, culture, patriotism.
Arriving at Famusov's booth, Chatsky dreamed about the donation of the famous gentleman Sophia. But here the hero is checked for less roses and blows. First, it is stated that Famus' daughter loves someone else. In a different way, people in the booth of this pan are strangers to the hero. Vin can't wait for their views on life.
The stand of Chatsky in comedy is unenviable. Yogo struggle is important and overwhelmed, but the victory of the new, according to Griboyedov's thought, is inevitable. Chatsky's words will resound, be repeated everywhere and break their own storm. The stench of the grandeur of the midst of the "new", progressive people. In this rank, the writer blames the food of "batkiv" and "children" for the mischief of children.
The second Russian writer, who worked in the other half of the 19th century - I.S. Turgenev - also destroying the main food. Yogo's novel "Fathers and Children" in a different way solves the problem of mutual generation. From the glance of Turgenev, more than the onset of generations, the decline of culture, traditions and glances, wisely modernizing the old and the new, we can bring to a positive development.
On the butt of the protagonist - Yevgen Vasilovich Bazarov - the writer shows that there is no more to be recounted, no more to be new, no more to bring to ruin and death. This is not a good way. And the denial of one's human nature is an absurdity. Bazarov, who thinks he is a superhuman and ignorant of the “gentry nonsense” about the kohanny, it seems that he will suffocate with a rapt. For the new one, it becomes a right test, like a hero, unfortunately, you can’t see it; at the end of the novel, you die. Tim Turgenev himself shows the impossibility of Bazarov's nіhilistic theory, and once again denounces the necessary offensiveness of the generations, the value of the culture of the ancestors, the need for harmony and step-by-step in everything.
Roman O.S. Pushkin's "Evgeny Onegin" also contains a lot of "eternal themes": love, happiness, freedom of choice, sense of life, the role of moral values in the life of a person.
Mayzhe, on the cob of the novel, Pushkin shows the “superficiality” of his hero. Onegin is a shanuvalnik of fashion, to rob and read only those with which you can shine in the most light. The hero learned early on to be hypocritical, to go in, to deceive, in order to reach his goal. Ale, Yogo’s soul was always empty when he was empty, to that Onegin’s nature was richly glibsha, cіkavіsha, richness, it was lighter than that.
Pochinayutsya pochinayutsya sense of life, scho gave their result only after the terrible tragedy - driving Oneginim in a duel of the young poet Lensky. This podia turned everything in the hero's soul, and began his moral rebirth. About those that the hero has changed, note the eighth chapter of the novel. Onegin, having become independent in the light of the thought of light, vin pretending to be independent strong specialty, I’ll live the way I want, and not the greater light of St. Petersburg, I’ll love and suffer.
In particular, Aunt Larin Pushkin shows us a sign of moral purity, gentry, breadth, uninterruptedness, independence, and strong feelings.
As for the finale of Eugen Onegin, there is hope for the happiness of the hero, then the main character of the novel by M.Yu. Lermontov "Hero of our hour" not to know his place, happy in life.
Pechorin of enchantment in the present-day world of the world and in his generation: “We are more advanced to great sacrifices, not for the good of the people, not for our own happiness.” Such thoughts lead Grigoriy Oleksandrovich to tedium, bait-and-switch and make him roar. Itself became apathy and tedium to slander Pechorin with self-sufficiency. Seemingly, I feel like I’m going nowhere, I’m going to ruin the hero.
Pechorin, having poured faith into the people, into the significance of his world. Inevitably, nudga will give birth to friendship in the heroes of the genie. Qi almost, perhaps, and appeared at the singing moment of one's life, but did not bring happiness to Pechorin. Tsya people feel "zayva" in his life, vzagali, "zayva" in life. The result is Pechorin Gina. Lermontov shows us that there is no place for people in the world of disharmony, as if I use my soul, even though it is uninformed, the real harmony.
Practicing harmony with oneself and with the light of one more hero of Russian literature of the 19th century - Rodion Raskolnikov. In searches of harmony of wines, to conduct an experiment on oneself - I break the moral law, driving in the old pawnbroker that її sister.
The pardon of the main character lies in the fact that the cause of evil lies in the very nature of a person, and the law, which gives the right to the strong of this world to do evil, respects peace. Deputy to fight against the immoral mood and її zakonіv, Raskolnikov followed them.
For the violation of the moral law in himself, the hero inevitably bears punishment. Vono polagaє, persh for everything, in the throes of yogo wet sumlіnnya. Postupovo Rodion to come to the understanding of his terrible pardon, to the knowledge of that kayattya. But the rest of the transformation of the hero is also beyond the scope of the novel.
The heroes of Tolstoy's epic "War and Peace" are whispering to themselves, their way, harmonies. So, P'er Bezukhov, having improved the process of bolsnyh roses and pardons, the result is to know the sensation of life.
The hero of the usima by the forces of pragne light, to the truth. It is the best thing to bring Yogo to the Masonic Lodge. From the other side, the activity of P'era turns to the villagers: they transfer to start him liquoreries, schools. But the most important stage of the hero's life begins with the invasion of Napoleon's troops. P'єr could not be left aside for a moment, if his fatherland was threatened by such a terrible insecurity. Itself here, in the war, P'єr approaches the simple people, learns its wisdom, the value of its way of life, its philosophy.
Acquaintance with Platon Karataevim at the French crowd helped him to get a better look at the patriarchal peasantry from the light-gazer. P'er saw the smut: people are not so richly needed for happiness. The reason for the suffering and torment of the human spirit is most often found in greed, unrelenting greed.
Henceforth, all Russian literature of the 19th century can be called literature for the sake of the Hero. The scribes jumped to work in a new person, to serve the homeland, to bring mischief with their rights and thoughts, and also just to be happy and harmonious, to develop and move forward.
At the process of searching for a “hero of the hour”, Russian writers jumped the verse of “eternal food” buttya: the sense of life, the nature of people, the laws of the All-world, the foundation of God and so on. Leather from the classics in its own way overcomes these problems. All the same, the invariable flame of Russian classical literature is constantly depriving itself of the need to know the types of basic nutrition, without vying which it is impossible to find the basis of a human being.
Create on the topic: Vіchnі motives in svіtovіy literature
Leather people maє their books, like taking turns from the distant and ancient folklore. National literature reflects the specifics of life - the way of thinking of people from different lands, their culture, and traditions. The art of the word for the skin people is original and original.
And yet there are problems that praise all people for all hours, regardless of their nationality, minds of life, social camp. It’s a new generation of skin and a new place to put deep philosophical nourishment in front of you: what is life and death, what is love, like the power of light and people, who has the sense of life, like values to stand above the mustache, what is God ... Literature has the sound of "eternal motives".
One of the most profound geniuses of light literature, which revealed the depths of the human soul, is the English W. Shakespeare, who is alive in the 16th century. Yogo p'yesi - profoundly philosophical creations that important food buttya hang around. Thus, Shakespeare's tragedy "Hamlet" draws an eternal conflict, a confrontation between people and the world of the world.
The hero of the tragedy, the young prince Hamlet, is terrified: he recognizes that his brother fought for the throne. From whom evil took the fate of Hamlet's mother - Queen Gertrude.
The young hero is rebuffed by fear and new destruction. Vіn rozcharovuєtsya in the whole world and all people - what can be seen from them, as if they were the closest and cynical zradniks?
In this order, Hamlet appears forever and ever with an unjust world, and in fact, with his own illusions, to the whole world. You begin to doubt the value of life and dotality of life, because evil is so strong and inexorable, what is the sense of life?
And step by step, Hamlet understands and accepts his mission - "right" the drifts of the "Hour" that have gone awry. Vin enters the fight against Evil, bazhayuchi reaffirms justice, "Hid the Hour" and the spivvіdnoshennia of the Light and Temryavi. After this confrontation, the hero writes a rich food for himself, the main food is about the day of death. At the result of the wines come to the knowledge that death will turn a person into nothing, and life will always wipe out between reality and ideals.
The hero of another classic of light literature is I.V. Goethe's teachings Faust - also knowing the day of life and death, as well as knowing about all the secrets of the All-World. Why is there a sense of human life? Yakim є recognition of beauty and what є beauty? What is creativity and inspiration? What is a kohanna? Where does good end and evil begin? What is the human soul and what is the value of cherishing for it?
All food will stand in front of Faust at yoga jokes. The hero sees everything on his own: he sinks to the very bottom, consorting with the devil, and rises to the top, making love to Margarita. The process has its own way of life win a lot of pardons, ale vreshti-resht come until you are aware of the sense of your life - creative work for the benefit of people.
In Shakespeare's other tragedy - "Romeo and Juliet" - the author writes about food, love, what strength and meaning in life. On the butt of his heroes, the great English shows that it is almost a miracle in all manifestations.
All people are married to love, irrespective of the age of that social situation, they may differ in that appearance (the love of the Nurse to Juliet, the father to his children, the love of a man and woman, the love of friends, the love of a duke to his people, the love of a priest to his nareshti, God's love for people). Moreover, it seems that life is necessary for the skin, because the whole world is grounded on it.
Shakespeare, on the traditional resurrection, to witness that you show love, spirituality and body are beautiful. Zaperchuyuchi yakus іz tsikh warehouses, people svіdomo zbіdnyuyut yourself.
On the butt, it’s like Romeo and Juliet, mi rozumіemo, that love is the most powerful force, it’s possible to reconcile the unreconciled enemies (the birthplace of the Montagues and the Capulets) and podolat be-like the steps, bring death.
The greatest classic of world literature - the Frenchman J. B. Molière (18th century) - in his comedy "Tartuffe" deeply reveals one "eternal" theme - the theme of Hypocrisy and its ruinous power.
The scribe shows that nonsense is an invisible part of human nature and human spirit. But if it’s innocent nonsense, or it’s nonsense for the good (Elmira’s cunning, promote Dorina), then it’s real ruinous nonsense, to cut the stakes, to work the swing on the holy savior. We carry such nonsense and other manifestations (hypocrisy, hypocrisy) in the comedy of the saint Tartuffe.
This person, maisterno deceitful and hypocritical, dominates his own, daily cunning, goals - take wealth to Orgon, grow up with his retinue Elmira and so on. For Tartuffe, there is nothing holy or undistinguished - you are ready to make a hardening, belittle, ruin everything in your own way, ruthlessly and methodically. In this rank, the hero is infused with absolute Evil. But the characters of Molière, on the face of Shakespeare's Hamlet, outmaneuver Tartuffe, then, hi and timchasovo, outweigh Evil itself. For whom it helps, obviously, Good, as it is interpreted by the playwright in the soul of the epoch of Enlightenment - in the special power of that consecrated monarch.
In this way, the eternal motives of the worldly literature help to highlight the important aspects of the human butt, connected with deep philosophical problems. People will always respectfully understand who is out, where to know and where to go. Svіtova klіsika vіdpovіdає on qі nutrition, I help readers to know their place in life, to understand and acquire the inevitable values, to set their priorities.
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Russian classical literature of the 19th century is the whole literature of "eternal themes". Russian writers jumped at the fold of food buttya: about the sense of life, about happiness, about the Fatherland, about the nature of the people, about the laws of life, that All-World, about God ... But, like people with an active life, that supple position, Russian classics could not stand aside Actual problems of their hour At the link with the “forever those” in Russian literature, they expressed themselves, as if on me, through the joke of the “hero of the hour”.
Thus, A. S. Griboyedov’s “Daringly Out of Mind” depicts the calm problem of “fathers” and “children”. Oleksandr Andriyovich Chatsky protested against the old order, which took root among the Russian nobility. The hero of the comedy chooses "new" laws: freedom, reason, culture, patriotism.
Arriving at Famusov's booth, Chatsky dreamed about the donation of the famous gentleman Sophia. But here the hero is checked for less roses and blows. First, it is stated that Famus' daughter loves someone else. In a different way, people in the booth of this pan are strangers to the hero. Vin can't wait for their views on life.
The stand of Chatsky in comedy is unenviable. Yogo struggle is important and overwhelmed, but the victory of the new, according to Griboyedov's thought, is inevitable. Chatsky's words will resound, be repeated everywhere and break their own storm. The stench of the grandeur of the midst of the "new", progressive people. In this rank, the writer blames the food of "batkiv" and "children" for the mischief of children.
The second Russian writer, who worked in the other half of the 19th century - I. S. Turgenev - also destroyed the food. Yogo's novel "Fathers and Children" in a different way solves the problem of mutual generation. From the glance of Turgenev, more than the onset of generations, the decline of culture, traditions and glances, wisely modernizing the old and the new, we can bring to a positive development.
On the butt of the protagonist - Evgen Vasilyovich Bazarov - the writer shows that there is no more to be recounted, no reason to induce new things, to bring less to ruin and death. This is not a good way. And the absurdity of absurdity has begun to cross its human nature. Bazarov, who thinks he is a superhuman and ignorant of the “gentry nonsense” about the kohanny, it seems that he will suffocate with a rapt. For the new one, it becomes a right test, like a hero, unfortunately, you can’t see it; at the end of the novel, you die. Tim Turgenev himself shows the impossibility of Bazarov's nіhilistic theory, and once again denounces the necessary offensiveness of the generations, the value of the culture of the ancestors, the need for harmony and step-by-step in everything.
A. Z. Pushkin's novel "Eugene Onegin" is also full of "eternal themes": love, happiness, freedom of choice, sense of life, the role of moral values in life.
Mayzhe, on the cob of the novel, Pushkin shows the “superficiality” of his hero. Onegin is a shanuvalnik of modi, to rob and read only those with which you can shine at the greatest light. The hero learned early on to be hypocritical, to go in, to deceive, in order to reach his goal. Ale, Yogo’s soul was always empty when he was empty, to that Onegin’s nature was richly glibsha, cіkavіsha, richness, it was lighter than that.
Pochinayutsya sense of life, yakі gave their result only after the terrible tragedy - driving Oneginim in a duel of the young poet Lensky. This podia turned everything in the hero's soul, and began his moral rebirth. About those that the hero has changed, note the eighth chapter of the novel. Onegin, becoming an independent mind of the world, transforming himself into an independent strong individuality, living a life as one wants, and not the greater light of Petersburg, love and suffer.
In particular, Aunt Larin Pushkin shows us a sign of moral purity, gentry, breadth, uninterruptedness, independence, and strong feelings.
As the finale of Eugene Onegin has hope for the happiness of the hero, then the main character of the novel by M. Yu. Lermontov The hero of our hour does not know his place, being happy in his life.
Pechorin of enchantment in the present-day world of the world and in his generation: “We are more advanced to great sacrifices, not for the good of the people, not for our own happiness.” Such thoughts lead Grigoriy Oleksandrovich to tedium, bait-and-switch and make him roar. Itself became apathy and tedium to slander Pechorin with self-sufficiency. Seemingly, I feel like I’m going nowhere, I’m going to ruin the hero.
Pechorin, having poured faith into the people, into the significance of his world. Inevitably, nudga will give birth to friendship in the heroes of the genie. Qi almost, perhaps, and appeared at the singing moment of one's life, but did not bring happiness to Pechorin. Tsya people feel "zayva" in his life, vzagali, "zayva" in life. The result is Pechorin Gina. Lermontov shows us that there is no place for people in the world of disharmony, as with all his soul, even though it is uninformed, the real harmony.
Practicing harmony with oneself and with the light of another hero of Russian literature of the 19th century - Rodion Raskolnikov. In searches of harmony of wines, to conduct an experiment on oneself - I break the moral law, driving in the old pawnbroker that її sister.
The pardon of the main character lies in the fact that the cause of evil lies in the very nature of a person, and the law, which gives the right to the strong of this world to do evil, respects peace. Deputy to fight against the immoral mood and її zakonіv, Raskolnikov followed them.
For the violation of the moral law in himself, the hero inevitably bears punishment. Vono polagaє, persh for everything, in the throes of yogo wet sumlіnnya. Postupovo Rodion to come to the understanding of his terrible pardon, to the knowledge of that kayattya. But the rest of the transformation of the hero is also beyond the scope of the novel.
The heroes of Tolstoy's epic "War and Peace" are whispering to themselves, their way, harmonies. So, P'er Bezukhov, having improved the process of bolsnyh roses and pardons, the result is to know the sensation of life.
The hero of the usima by the forces of pragne light, truth. It is the best thing to bring Yogo to the Masonic Lodge. From the other side, the activity of P'era turns to the villagers: they transfer to start him liquoreries, schools. But the most important stage of the hero's life begins with the invasion of Napoleon's troops. P'єr could not be left aside for a moment, if his fatherland was threatened by such a terrible insecurity. Itself here, in the war, P'єr approaches the simple people, learns its wisdom, the value of its way of life, its philosophy.
Acquaintance with Platon Karataevim at the French crowd helped him to get a better look at the patriarchal peasantry from the light-gazer. P'er saw the smut: people are not so richly needed for happiness. The reason for the suffering and torment of the human spirit is most often found in greed, unrelenting greed.
Henceforth, all Russian literature of the 19th century can be called literature for the sake of the Hero. The clerks jumped to work in a new person, serve the patriarchy, bring mischief with their rights and thoughts, and just build a happy and harmonious life, develop and move forward.
At the process of searching for a “hero of the hour”, Russian writers jumped the verse of “eternal food” buttya: the sense of life, the nature of people, the laws of the All-world, the foundation of God and so on. Leather from the classics in its own way overcomes these problems. All the same, the invariable flame of Russian classical literature is constantly depriving itself of the need to know the types of basic nutrition, without vying which it is impossible to find the basis of a human being.
We live, our life cannot stand on the spot, the hour passes irrevocably. By protracting a lifetime of life among people, blame the impersonal power and the hour of respite on the power of food is known in books. The book, as it was written richly a hundred years ago, remains relevant in our days. The food is rich in topics, as if they were breaking down, they praise us at the same time.
Russian literature has lost its bowl of evening meals. All writers describe the kokhanny differently. For someone else, it’s lighter, like A.S. Pushkin. With his verses, Pushkin brings love to the skies, and for those who love, it’s better to mite, as it were, and there’s no more. We can commemorate such a mittev of love at the roses of I.A.
Bunina. In all yoga creations, in my opinion, it is shown not to be shy, but to suffocate. Even if only death can last forever, deprive me of it, such death can be called pardon in our life, like, singsongly, having recognized the skin from us. Such "love" is given to us for confirmation. And if you talk about love, about love right, then such love is always cherished, we carry it through all our lives in the same way. Vaughn can be unfortunate, undivided, ale won є, bula and be. Turning to creativity O.S. Pushkin, by yoga let's create about a kohannya, a novel by the verses "Evgeniy Onegin". Whose creations are described by the senses, emotions, experiences and praise of the heroes. A.S. Pushkin zoom to convey to us head sense novel. "What can we not take, but weep after weeping." Onegin has fallen asleep, rozkriv vіn his own great feeling to love nadto pizno. And for that I punished my self-esteem. And love Tetyana and love Onegin, with whom you lose your faithful person. Axis of stink, heroes of the novel, who love one by one, ale, not looking forward to a chance but at once. Tetyana until the end of life will be unhappy, even if it’s a kohannya, it’s not like a person, who can be left unhappy, even if you’re wondering, that Tetyana loves your own other people. So unfortunate and Onegin, who did not take a kohanna on the back, and then began to vimagati її, already like a foreign woman. The axis is out of life, the axis is out of the kohannya.
Obviously, to understand the love of novels, verses, to instill good writing even more smoothly, but you can take a good lesson for yourself. “It’s sing-song, it’s right to shy away that the kokhannya is placed in books, it’s there itself.” Reading create writers, for example, like Kuprin, (“ Garnet bracelet”), Tolstoy (“War and Peace”), Sholokhov (“Quiet Flows the Don”), peacefully, like a kohanna, and at what cost it is given. For the scribes of quiet hours, we know that nothing has changed. Love is real and contagious, love is bright and good, hot and unfortunate. And great happiness, as far away as I could see the light, I felt so, as Tetyana saw to Onegin, as Natasha saw to Bolkonsky.
The nourishment of love in Russian literature becomes relevant at all times. People turn around again and again, and pick up this topic steadily. I know the skin of the works about kokhannya, schos own specialty, painfully aware of that understanding.
The role of Russian literature is even more important to reevaluate. Tsya role is rich, like literature itself. Gorky wrote: "Our literature is our pride."
"The pinnacle of worldly humanism" - they call Russian literature. Classical Russian literature is a sight for rich people. All the same Maxim Gorky wrote: “Giant Pushkin is our greatest pride and the greatest manifestation of the spiritual forces of Russia, and Gogol, merciless to himself and the people, stingy Lermontov, foolish Turgenev, angry Nekrasov, the great rebel Tolstoy, ..., Dostoyevsky, the enchanter of the movie - they are not similar one to one, how can Russia be with us, ”and we add that our prophets stink, readers, summaries of the nation.
Before the current creativity, before the creativity of other Russian writers, people go all their lives: whispering about the poor soul of nourishment, touching science in exchange for people, articles, learning about life.
The great writers-psychologists are F. Dostoyevsky, L. Tolstoy, A. Chekhov. On the basis of their literary heroes, we understand that such good and evil that help people develop and go far. We understand that it is so calm, as it leads to the moral fall of a person. Reading їхні create, mimosa robiti correct choice in life, in people and in oneself, to objectively evaluate the current world.
About Turgenev, Belinsky wrote that the writer is guilty, in the soul of which “all sorrow is the nourishment of the Russian people.” And yet, behind the words of the same Belinsky, his writer can in the meantime imaginatively depict pictures of Russian nature. He describes the landscapes of love as far as the Batkivshchyna, almost like patriotism. The social and psychological novels of Turgenev reveal the subtle soul of a Russian woman.
Speaking about Russian literature, one cannot but guess about Russian poetry, even the creativity of rich Russian poets is visible to the whole world.
Pushkin ... Who doesn't love yoga creativity? Children love yogo fairy tales, the girl is buried in tears, reading the poet’s love lyrics, and lovers of looking at Russian landscapes will remember to quote those chi іnshi yogo verses. True, they have accuracy in more words, and to that, creativity is known to itself. Reading yoga, do it - we believe it, we become better, we fix our pardons, we want to love.
But how can you not guess about the creativity of Fet, Tyutchev? Voni are poet-artists of Russian nature. Your creativity plays a great role in the aesthetic vihovanni people. The stench awakens in him caution, respect, almost love for nature. “I love a thunderstorm on the cob of grass, If it’s springtime, the first grim, If you don’t roar and roar, Gurkaє in the sky is blaky,” Tyutchev wrote simply, but you can’t say it better. You are not only chuєsh, but ale and bachish are not merciful gurkіt to thunder and you can smell the smell of the first spring thunderstorm. Abo “E in the autumn first. It’s a short, scarlet marvelous time - All day long stand like a crystal, I change evenings ... ”, - well, it’s more accurate to say about the warm period of autumn,“ a woman’s summer.
Let's guess the creativity of Nekrasov. Yogo rosemary of a simple Russian soul, the soul of a Russian woman - nothing can compare. Rows of yoga creations have passed the trivogo for the share of the Russian people, who wake us up a little bit svіchtya.
All Russian literature is to be a human being. Lyudina - Specialty! Russian literature is our priceless nadbannya, the handyman of life, as our fathers began to teach us.
