Sandro Botticelli, "Spring" and "The birth of Venus. "Nativity of Venus" Botticelli
Plot
At the myth, the pods roared softly. The father of the titans Uranus was copying on the prohannya of the squad of Yogo Gey, as if he was tired of the health of a man. And how can you not hurt you, if, according to the mythology, one of the head rices of Uranus, there was an inexhaustible fruitfulness. So from, having castrated the supergod yoga son Kronos, he could not calmly marvel at the suffering mother. The genitals of Uranus Kronos dipped into the sea through innocence. Ale, that inexhaustible fruitfulness itself caused it to infuse a drop of blood, which fell to the ground or near the water, stabbed for the birth of new beginnings - from nymphs to goddesses. Aphrodite was the most beautiful wicker.
"The birth of Venus". (wikipedia.org)
Goddess Vinykla from sea pine. Naked and on a shell (a symbol of a woman's bosom), she poured up to the shore and she went to land. There, where Aphrodite stepped, herbs and flowers grew: trojan (a symbol of love and suffering caused by it), hair and myrtle (symbols of birthright), daisy (symbol of innocence and purity), anemone (symbol tragic mess, a cup that the goddess of the earth will drink), an orange (a symbol of eternal life).
"Spring". (wikipedia.org)
The god of the chilly spring wind Zephyr directs the sink with his breath, and Flora, the goddess of flowers, escorts his squad. Your union symbolizes the unity of spiritual and carnal love.
With a red mantle, as a sign of divine power, such a beauty of beauty over the world, Ora Kvitucha, one daughter of Zeus and Themis, is depicted. Vaughn strove for order in nature, and therefore, you may be able to accompany Venus.
Context
This, perhaps, is the first history of painting the image of a naked woman in the context of the original sin. Botticelli inspired the ideas of the Florentine Neo-Platonists and advocated the synthesis of ancient wisdom and Christian morality. Therefore, for a person who painted the Sistine Chapel and created the cycle of the Mother of God (“Madonna with Silence”, “Madonna Magnificat” and “Madonna with a Book”), it was absolutely normal to practice over the pagan plot with her naked nature. The ancient goddess becomes an allegory of the Christian secret, through the yak the soul rages.
P'ero di Cosimo. Portrait of Simoneti Vespucci, before 1520. (wikipedia.org)
It’s not exactly clear who called Botticelli. For the widest version, the head of Simonetta Vespucci was the kohan of Giuliano Medici. Beauty її spіvuvali, riches and strong world її domalis її pretentiousness. Simonetta died at 23 o'clock in the drylands, ale zavdyaki Botticelli, who repeated її guise from picture to picture and for її life, and even after її death, Simonetta became the "guise" of the Florentine Renaissance.
Artist share
Botticelli was a marvelous person, according to the thought of yoga fellows. Vin is not chasing wealth, he lives in the world of his fantasies and images. Vіn not mav nі sim'ї, nі budinka. Ale bula beauty, instilled on the canvas, and that for the artist was more than enough. Vіn transforming life into mysticism, and mysticism became my life.
Sandro Botticelli. (wikipedia.org)
Botticelli protegulated the Medici, in the house of potionovuvachі mystekstva. The fame of the artist quickly expanded between the city of Florence. Navitt Pope Sixtus IV, who painted a chapel at his Roman palace, specially arranging Botticelli for ceramics with robots.
The contemporary dancers deserved the spivuch part of the line, the rhythm and the harmonies of the smallest nuances. Choosing classical subjects, Botticelli moves into canonical compositions and “directs” himself.
In the rest of the decade of the 15th century, the artist experienced a low number of failures. The reasons for this were sprat, like buvay. The forces of the artist helped to feel the ailment of the nig. The fashion for art changed. Prior to that, against Botticelli, the yogo following the covenants of Girolamo Savonaroli played - a chance, which, having called out to be inspired by the earthly life. The ringing of chents in nonsense, the recognition of wine and the bedroom on the bagatti, as if the world broke the spirit of painting.
Botticelli died on the 66th anniversary of his life near Florence, and today he rests his ashes on the church of the Usnich Saints.
Oh, how beautiful youth is,
Ale mitteva! Sleep now! Laugh!
Be happy, who wants to be happy!
Lorenzo de' Medici
In the midst of the beautiful bays of the Florentine Uffizi Gallery, which preserve the most important masterpieces of Western European art, there is one, of particular note. Hall of Botticelli. From early morning until late, there is a yurbi of people, enchanted and intoxicated with beauty. Beauty, over which there is no dominion. Beauty, at one glance at the yak heart, to the brim it is reminiscent of joy and inspiration.
"Spring" and "The Birth of Venus", created by Sandro Botticelli, take us to the most beautiful hour and month in the history of everything figurative art: at Florence in the eighteenth century of the XV century
Florence is the heart of the Renaissance, the center of mysticism, the pearl of Europe, the place that blooms under the rule of the Medici dynasty. The most boring representative of this family, young Lorenzo, was at least 20 years old when he became the father of his father. The wealth of that largest bank account in Europe has become no less insignificant. Vin having conquered all of Florence.
For the advent of 20 fates of wine, bring yourself and your place of supremacy glory. I will call Yogo Lorenzo the Wonderful, I will become the patron of the mysteries and the creator of the myth about myself, my family and about the prominent Florentines who otochuvali Yogo.
Medici, being bankers and merchants, it was impossible to boast of aristocratic adventures, laying the necessary promotion. Perfectly usvіdomlyuyuchi camp right, Medichі robbed nezvichaynu strategy: they invested great pennies in the creation of art that squandered the most famous artists, sculptors and architects of their time. Donatello, Brunelleschi, Leonardo and Michelangelo created masterpieces, glorifying and raising their patrons.
The descendant brothers of the Medici family, Lorenzo and Giuliano, were like princes. The Roman aristocrat Clarice Orsini became the squad of young Lorenzo. With skin rock, power and prestige sim'ї steadily grew.
Lorenzo soon became the soul of the place and trendsetter. There were no people in the place, as if she didn’t want to be like her, be friends with her and fawn over her intercession. Seeing Lorenzo de Medici in the colony was the greatest opportunity for artists, poets and philosophers.
It's wonderful, but "Spring" and "The Nation of Venus" are respected by creations not for Lorenzo the Chudovy, but for his cousin, Lorenzo di P'erfrancesco de' Medici and yoga villi in Castello, the frontier of Florence. For one version, the Folk of Venus could be part of an allegorical triptych, together with Spring and Palado and a centaur.
The painting illustrates the ancient myth about the people of the goddess Kokhannya and the beauty of the sea pine. Gola and beautiful Venus plyve, swayed by Zephyr, which embraces Chloride's team, to the coast of Cyprus. The breath of Zephyr, the god of the windy wind, which brings the curtains, filling the space with wondrous flowers. And on the birch, the goddess is already bare, one with Grace, stretching her miraculous veil.
Botticelli's painting revives, and reminds of a new light pagan mythology. Just look at that scene!
The flowing lines bring out the undivided harmony, and the composition, inspired by Venus, is blessed with holiness. Characters, to the idea of worship, and more beautifully and troch the goddess guess the image of the Madonna.
Botticelli's overarching rank was the beauty of antiquity (the model for the body of Venus, hung from marmur, was the sculpture of Venus from the collections of the Medici), the ideas of Christianity. Venus is naked, but unattainable. Її the body does not have anything sleepy with bodily love. Vaughn is love itself, merciful that way to the bottom.
In addition, Botticelli glorifies not only the ancient goddess and the idea of a new world, but also his own Simonetta Vespucci. A young beauty, who revived the Venus of Florence, arrived from Liguria, and the place of Porto Venere could be the place of the people.
Skilki and love put Sandro Botticelli at his vitvir! With such respect, you have embellished your masterpiece without color! They said about the new one: "Write not with the farbs of the palette, but with the farbs of your soul."
Note and other details: a flowery orange tree on a birch is a symbol of Lorenzo the Chudovy, and a laurel wreath on the breasts of Grazia is a direct link to Lawrence, which is also a sign of the recognition of the name of a prominent Florentine.
Lyubov Sandro was without borders before his patron. The death of Lorenzo the Chudovy was a terrible blow to the artist. Vіn to enter the phase of the crisis, since he did not see it until the end of his days, he is taken over by the ideas of Savonaroli's chents, who calls to the mound of the Medici and the spirit of the sinful mysticism. At the place, which drove out the Medici, the “fires of Marnoslavism” burn, like an artist, who, being angry, throws his masterpieces.
In the whole period of Botticelli, I will change my manner again, turn to religious images, filled with bitterness and tragedy. Ale navіt u pіznyu "Mourning for Christ" in the person of Mary Magdalene you will know rice and yoga music.
The artist did not make friends and, for the meetings of fellows, hardly loved anyone. Sandro Botticelli died in sin and selflessness in 1510 and was buried at the Church of All Saints, in the same place, de Simonetta Vespucci.
P.S. From the moment of the creation of "The Nation of Venus" passed three more than 20 years, and the young Michelangelo presented the light of his David.
And, wait, while you stand for the light, you will be forever beautiful and that image that embraces the beauty of masculinity and the charm of femininity.
Economic and technological college
abstract
Painting by Sandro Botticelli “Nativity of Venus”
Vikonala: Danshina Olesya
groupie student 3TO-418
Vikladach: Lisitska Vira Oleksandrivna
St. Petersburg 2011 rіk
Painting reproduction
passport picture
Biography of the artist
Picture analysis
Specialist of the enemy
List of featured sites
Painting reproduction
passport picture
Name: People of Venus
Materials: tempera on canvas
Rozmir: 278.5X172.5
Biography of the artist
Reference of the artist's name - Alessandro Filipepi (for Sandro's friends). Vіn buv youngest of chotiroh blues Mariano Filipepi and yoga squad of Zmeraldi and was born near Florence in 1445 roci. For the specialty, Mariano was a shkiryan and lives from his family near the quarter of Santa Maria Novela on Via Nuova, de vining an apartment in a booth, where to lay Rucellai. The new boulder had its own minestern near the Santa Trinita in Oltrarno bridge, on the right it brought a modest income.
Jewelery art played an important role in the formation of the young Botticelli, but it was the same brother Antonio who straightened it into the mainstream. To a jeweler ("like a Botticello", as Vasari writes, people, the specialty of which has not been established until this day), having corrected Alessandro father, exhausted himself from the yogo "extravagant rose of mind", gifted and gifted to vchennya, but restless and do not know the true call; Possibly, Mariano hotiv, the youngest son will step footsteps of Antonio, who worked as a jeweler in 1457, which would start a little, but a little more family business.
Sandro, kinder to the little one - the magic necessary for the exact and instilled "black", without a hitch choked on painting and virishiv dedicate it to himself, not forgetting the most important lessons of jewelry art.
Close to 1464, Sandro entered the maisterna of Fra Filippo Lippi from the monastery of Carmine, a miraculous painting of that time, as if he had left twenty-two rokiv in 1467. Having given full attention to painting, having become the successor of his teacher and having inherited yoga so that Fra Philippo fell in love with him and his masters without a bar, having lifted yoga flooring, I couldn’t even think about it.
Even earlier, Sandro's works seem to have a special, perhaps imperceptible atmosphere of spirituality, a kind of poetic ovality of images. Yunatska "Madonna with Silences and an Angel" (1465-1467, Florence, Gallery of the Vikhovny Budinku), bula vikonana Botticelli after a painting by Filippo Lippi on a similar plot ("Madonna with Silences", 1465, Florence, Utfіtsі vіdvoryuє composers Pylypa Botticelli, as if earlier bazhayuvay your thirst for knowledge, becoming shukati among the artistic achievements of the epoch іnshe dzherelo.
For some time now, having seen the work of Andrea Verrocchio, such paintings were born in these stakes, such as "Madonna in the Rosary" (bl. 1470, Florence, Uffizi) and "Madonna with Silence and Two Angels" (1468-1469, Naples, Capodimonte Museum ), the optimal synthesis of the lessons of Lippi and Verrocchio was found. Possibly, these creations were the first results of Botticelli's independent activity.
Until the period from 1467 to 1470, the first altarpiece of Sandro was brought to us, so the titles of "Vivtar of Sant'Ambrogio" (nine in the Uffici), Vіn buv vikonany for the head vіvtar of the Church of San Francesco in Montevarchi.
It is possible to make visnovoks, which already in 1469 Botichelli was an independent artist, but in the cadastre of the same fate Mariano declared that he was practicing at home. The activity of some blues brought the Sim'ї Filipepі significant income and camp at the suspenst. Filipepi vodili budinki, land, vineyards and shops.
Already in 1970, Sandro’s roci opened the air of the master and here between 18 linden and 8 serpny 1470 finished tver, which brought him a wide recognition. The painting from the images of Sealy's allegory was assigned to the Commercial Court
In 1472 he enrolled in the Guild of St. Luke (Union of Artists). Tse give you the opportunity, on a legal basis, to lead the way of life of an independent artist, establish a master and sharpen yourselves as assistants, so that you can rely on someone at the top, so that you can entrust not only pictures on wood, but frescoes, but also little models for "standards" textiles" (Vazari), inlay, stained glass and mosaics, as well as book illustrations and engravings.
Botticelli's commemoration was taken as the head rank at Florence, one of the most wonderful yogo paintings "Saint Sebastian" (Berlin, State Museums) was dedicated to the oldest church in the place of Santa Maria Maggiore. On September 20, 1474, on the anniversary of St. Sebastian Maggiore, the painting was stowed away one of the columns of the church. In the same year, in 1474, if the whole project was completed, the artist was asked to be repaid to another place. The painters asked him to paint frescoes in the cycle of paintings of Camposanto, and as a test of his mastery, they painted for him the image of the "Death of Mary".
In the same period, close contact was established between the artist and members of the Medici family, known as the rulers of Florence. For the brother of Lorenzo the Medici, Giuliano, he painted an ensign for the famous tournament of 1475 in Piazza Santa Croce. Not long before the death of the young Medici, or in response to her, Botticelli, perhaps for the help of students, having painted a few portraits of Giuliano, as if with a commemorative medal, vicarious Bertoldo from the will of Chudovy, they saved the rice of the dead for ever. The figures of the dignitaries, as if elevated, so quiet, that they still hover in the eyes of justice, Sandro wrote on the facade of the Palazzo della Signoria from the side of the Porta de Dogana.
In the interim between 1475 and 1482, with increased psychological vibrancy, the realism of the image reaches its maximum development. The paths of this design are clearly visible when two paintings on the theme "Adoration of the Magi" are paired, one of them (dated 1477) is in the Uffizi near Florence, and the other (dated 1481-1482) is in the National Gallery near Washington.
The vision of the skin image is a marvel of subtlety and nobility, but everything as a whole is encircled and squeezed into space; daily physical movement, and at the same time a spiritual blow from it.
Two of the most famous paintings by Botticelli, the so-called "Primavera" ("Spring") and "The Nativity of Venus" are inspired by the Medici and inspire a cultural atmosphere in their own country, which is like a vinyl in a medical case. Historians of the art one-flock date the works of 1477-1478. Paintings written for Giovanni ta Lorenzo di P'erfrancesco - blue brother P'ero "Gout".
Judging by the number of teachers and assistants registered with the cadastre, in 1480 the work of Botticelli was recognized by wide recognition.
Not far from Botticelli's booth was the liquorice of San Martino della Scala, de in 1481 the artist painted the fresco "Blessing" (Florence, Uffici) on the wall of the loggia. So they came to the likarni, first for all infected with the plague, painted, ymovirno, Botticelli's prayers for the end of the epidemic that hit the city. Sixtus ordered to put Botticelli on top of all the robots, and the attendants appreciated the frescoes of the master more than the work of other artists. Botticelli lie down, accepting, eleven figures of the Roman popes from the top row of paintings, as well as three scenes of the main cycle, which represent one against one episode from the life of Moses and Christ: "Youth of Moses", "Calm Christ" (navpaki) and "The Punishment Awakened" Levitiv". Biblical scenes are depicted on a variety of rich landscapes, which once again blame the silhouettes of the future of Ancient Rome (for example, the Arch of Kostyantin in the rest of the episode), and also the details are repetitively repetitive, which mean the tribute to the deputy - Pope Sixth IV of the genus della Rovere: and the combination of yellow and black - veneration of the coat of arms of della Rovere, Vikoristan in the dress of Aaron in the rest of the picture. Priori (now called Palazzo Vecchio). Prote Sandro in this robotic part did not take the offensive fate at once from the teachings on four boards, having written the story of Nastagio dell'Onesti, based on one of Boccaccio's "Decameron" novels, to embellish the merry screen.
After Botticelli's return to Rome, having painted a number of great paintings of religious change, and in the middle of them there is little tondo, de subtlety of the artist's feelings could be more clearly manifested in the rozpodіlі forms on the flat.
Among the great religious compositions, an unparalleled masterpiece is the "Vivtar of St. Barnavi", written right after turning back to Rome. Botticelli's great tvir "Marriage of the Mother of God" (1490) is pierced by a different spirit. The depicted angels have a lot of shyness, the oath gesture of St. Ієronіma dihaє vpevnіstyu and gіdnistyu. Vodnochas, here you can see the singing vіdkhіd vіd "perfect proportions".
In 1493, in the special life of Botticelli, there were important events: the brother Giovanni, the brother of Giovanni, died and was buried in honor of his father in the storehouse of Onisant.
Already from the youthful fates, as if not from the people, Sandro carried in his temple the beauty of beauty, almost a deep voice, the peculiarity of Botticelli is already far from being the same as before. In a row from the fearsome yoma, the insecurity, directed at the reach of the day of the callous thoroughness, the artist sees another insecurity, as if I threaten all the people, - the insecurity will hurt the soul. I Botticelli re-experiencing the creative torments, now it’s already like a convivial of moral beauty: “Abandoned”, “Blagovishchennya”, “Marriage of the Mother of God”, “Alegory to scaling”. After the death of Savonaroli Botticelli falls into the water. Trying to comprehend one's own feelings, one can move from the analysis to "Rizdvo" to the non-selfish motives of "Rozp'yattya" and "Scenes from the Life of St. Zenoviya". This is how this path ends - from the idyllic dreams of a sensitive young man to the prejudiced preaching of the prophet. Almost like an artist, they don’t waste hospitality, but they become very strange to the point of nourishing conscience and morality.
Botticelli died in 1510 roci, independent, forgetful, behind the words of Vasari. Possibly, self-sufficiency was necessary for the spiritual life of the artist, and that in the new itself was supposed to be the same way.
Picture analysis
Purple chiton, like Ora hides the nakedness of the goddess Kokhannya, perhaps, zgіdno with the treatise of the neoplatonist Porfiry “About the Nymphs’ Cave” means the soul, which is clothed with the body, descending from the light. "Sleeping Venus" which, as commentators say, is associated at the same time with the Christian theme of Baptism, and with the plot of "The Crowning of Divi". In the image of Venus, like in other female characters, they replayed the drawings of the beautiful Simonetti Vespucci, who was in love with him, like in 1476. raptovo died in the dryness through rich rocks, the artist commanded to pohovat himself at the feet of її tombs in the church of Onissant near Florence.
Example: an allegory of "Spring", in which the theme of Spring and change of fate is also embedded. Spring or Ora in the "Narodzhenny Venus", possibly, symbolizes the precious kohanna, and the zephyrs, reflecting the feelings of Plato, - sensibility, carnal. Botticelli chantingly knowing the text "Hymn to Aphrodite" (Greek mythology)
Goddess kokhannya, vinicla bare from the sea pine and on the shells of the shore. The first dry land on the її way appeared the island of Kiefer, but, having shown that it was more than maly, it moved to the Peloponnese, and then it remained in power”
At the pіnі povіtryanoї
Drove її podikh Zefira
With my strength
I Orry at the golden diadems
Radiantly shoot the goddess
Imperishable robes with robes
The painting was painted by the artist tempera (Italian tempera, temperare - zmishuvati farbi). Farbi (as well as painting with such farbs), which are prepared on the basis of dry natural powder pigments and (or) their synthetic counterparts. The happy speech of tamper farb serves as an emulsion - natural (diluted with water). On canvas in 1482. to the prayer of Duke Lorenzo di Pierfrancesco Medici for yoga villa in Castello. Vaughn hung over the fireplace and celebrated the function of the wall panel.
The composition of the picture evokes a streak of roses, like the members of the Platonic Academy at the court of Lorenzo Chudovy near Florence led among themselves.
Naivedomisha Botticelli's painting "The Nation of Venus" does not have any "cupids to help you enter the earth."
The central image of the picture is the goddess Venus, narodzhena from the sea stump, which rises on the shell to the shore. Zephyr's haze is angry in her eyes, trojans are hoarse in her breath, and dumbs remind us of the whole picture with thin arable land. The rhythm of their fall is similar to the rhythm of the wind, which is settled by the wash of the shell. On the other side, the nymph Ora, adorned with myrtle, was preparing a purple cloak to cover Venus. Venus, with the body of the ancient goddess and the guise of the Madonna, is overwhelmed with a bayduzh to the prejudiced breath of the Zephyrs, who pushes the shell to the earth and takes the reincarnation of Venus Urania into Aphrodite, which is the deity on the greater earth Primaveri”). Venus baiduzha and to protective diy tsnotlivoї Ori (similar to Mercury in "Primaveri").
Vidpovidno to the philosophy of the Neoplatonists, the anger of the divine and the human is created through love, the goddess Venus is angry, the artist Venus, like the artist, reaches the shore in a shell (the form of the Italian Renaissance is loved), like a sea of marshmallows. On the birch, the goddess checks Spring, to cover it with a cape, embroidered with quilts. The painting was painted through chotiri roki following “Alegoria (from the ancient Greek allegoria – allegory).
Viraz abstract ideas (understand) for the help of concrete artists
botіchelі italіyskiy artist painting
Questionnaire
1. Which rotis has a mitt?
2. Do you know what era the creativity of Sandro Botticelli will be?
3. Name the reference name of the artist.
4. Who did the painting “The Nativity of Venus” have been painted by?
5. Name some paintings written by Sandro Botticelli that you remember?
6. What was the picture for you?
7. What was the picture good for / not good for?
8. Who is Venus on the birch in the picture?
Specialist of the enemy
For some reason, because I didn’t like this picture, I wouldn’t write about it to the robot. And I її robbed the one who got me hooked. With my lower and soft nature.
By itself, the picture is not sharp on it, marveling at the satisfaction and enjoyment. The best thing in this picture is, as Venus herself is depicted, her innocent look, her hands, with which the parts of her body are crooked. Regardless of those who are completely naked, you marvel at her, you are not completely dressed. Adequate censorship and everyday elements, as if they could imagine the one who marvels at her.
Through the image of Spring, a song of warmth is conveyed to those who marvel, to those who can be commemorated in the picture by showing a song of turboti to Venus. Age Spring, you want to cover Venus with a garne cloth.
So, if I marvel at such works of art, I wonder about those who could spur a person to those who would write such a thing. Adzhe "The birth of Venus" is not a single picture, as if it were hostile to the eye of a person. For an hour I would like to get into the head of the author and see all the emotions and understand all the thoughts at the time of writing the picture. Ale, sorry, it’s impossible. We are satisfied with our thoughts and emotions, if we marvel at such masterpieces.
List of featured sites
http://ancientart.in/arti/Rozhdenie-Veneryi-Botichelli.html
http://www.centre.smr.ru/win/artists/bottich/biogr_bottich.htm
http://www.centre.smr.ru/win/pics/pic0118/p0118.htm
http://library.by/portalus/modules/biographies/referat_readme.php?subaction=showfull&id=1096279235&archive=&start_from=&ucat=1&
http://smallbay.ru/artreness/botticelli04.html
http://www.maranat.de/agr_02_01.html
Creation date: 1484-1486.
Type: canvas, tempera.
Roztashuvannya: Uffizi Gallery.
Analysis and interpretation of the people of Venus
A unique canvas, with religious motifs and classical antiquity, to lie down to a series of mythological paintings by the famous Botticelli (1445–1510). After Yogo came to Rome, three robots were created for Pope Sixtus IV. Before the birth of Venus, the master created the Palace and the Centaur (about 1482, the Uffizi Gallery), Venus and Mars (1483, the National Gallery of London) and Spring (1484-1486, the Uffizi).
The robot demonstrates the naked posture of the goddess Venus, like a vinyl from the sea, and was created for the prayer of Lorenzo the Miraculous from the homeland of the Medici, as it was especially entrenched in classical mythology and ancient legends in the context of the humanist mysticism of the renaissance era.
Venus
Angelo Poliziano, Florentine poet, humanist and scholar, in his epic poem "Stanze per la giostra" describing the process of Venus' appearance on the shore at the shell. The very plot, having inspired Botticelli on writing. Livoruch, head heroine pidganyaє Zephyr, hugging the team Chlorida. On the right, one of the harits is ready to wrap Venus's leg in a cloak, embellished with quilts.
Ignorant of the indestructible proportions of the body (bent neck, folded left hand) Botticelli depicts Venus as a uniquely beautiful woman with a smooth and lower skin, golden coachmen. There is a goddess of beauty in every world, and gazers become evidence of the act of creation. The wind will soon turn the Trojans (Vdpovіdno to the myth, if Venus was born, the Trojans bloomed ahead).
Interpretations and darkness
Іsnuє low interpretation of work. To finish the popular є mriyliva neoplatonic theory. Behind the materials, yakі, ymovіrno, belonged to the philosopher Plato, Venus was the goddess of the earth, who exhaled a person to a physical kohanna and a heavenly goddess, who exhaled spiritual love. Imovirno, the gazers of the 15th century marveled at the spirituality of that divine kohanna.
The deyakі izsteststvoznavtsi interpret the canvas as a messenger for the mighty Lorenzo de Medici. The image of Venus is imaginatively inspired by Simonetti Vespucci, Lorenzo's kohanka and his elder brother. A good example for this interpretation is the fact that Simonetta was born in the Italian city of Portovenere (from the English "Port of Venery").
Critics also admit that Venus is naked, telling Eva in the Garden of Eden. Evidently, the goddess herself separates the Christian church. In this cloud, it also did not happen without zbіgіv. "Stella Maris" (Sea Star) among the Catholics celebrates the Virgin Mary. Possibly, the sea is the people of Venus, similarly to Mary, like the people of Jesus.
Lamentation of the Dead Christ
Gothic style Renaissance
The greatest artist of Florence has presented impersonal ideas from the Gothic art, which confirms the wild style, the motives and the vision. On the vіdmіnu vіd suchasnіv Bottіchelli nіkoli nіkoli nіkoli nіkoli nіkoli nіkoli natіlіzmu na realіzmu. Figures on yoga cardboards are not given a specific mass and are obligatory and stashed from a narrow perspective. Realism is not for Botticelli, which is seen from the poses and figures of Venus, because of the emphasis on humanism and decorative aesthetics from Byzantine traditions. More Gothic details and advanced humanism to rob this picture as one of the greatest works of the Italian Renaissance.
The painting "Nativity of Venus" updated: Zhovten 23, 2017 by: Glib
Sandro Botticelli
Sandro Botticelli
The great Italian artist of the Renaissance, a representative of the Florentine school of painting.
Botticelli was born in the family of Mariano di Giovanni Filipepi and his brother Smeraldi near Santa Maria Novela near Florence. Prіzvisko "Botticelli" (bochenya) passed to a new type of older brother Giovanni, a kind of tovstun.
From 1470 to the fate of the Vіn mav vlasnu maisterny nearby the Church of the Usіkh saints. The painting “Alegory of Sili” (Fortitude), written in 1470, marks the achievement of Botticelli in his style. In 1470-1472, I wrote a diptych about the history of Judith: "The Turn of Judith" and "The Significance of the Body of Holofernes".
NATIONAL VENUS 
Nascita di Venere (ital. Nascita di Venere) is a painting by the Italian artist of the Tuscan school Sandro Botticelli. The painting is a tempera painting on canvas with a size of 172.5? 278.5 cm. At the present time, take in the Uffizi Gallery, Florence.
History of the painting
Dzherelo -1, Wikipedia
The biographer Giorgio Vasari, in his "Life of Life" (1550), guesses that the "Nativity of Venus" and "Spring" were taken from the Villa Castello near Florence, where Cosimo Medici lay. Most historians of the art agree on the thought that the painting was painted for Lorenzo di P'erfrancesco Medici, who led Villa Castello in 1486. Lorenzo di Pierfrancesco Medici is the cousin of Lorenzo Chudovy, Duke of Florence. The known knowledge of the inventory records of the Medici booth confirms that Lorenzo Volodymyr “Spring”, but I can’t prove unequivocally that the “Nation of Venus” was his own successor, so far I don’t know.
It is important that the model for Venus was Bula Simonetta Vespucci, as she was born in Portoveneri on the coast of Liguria. Possibly, the pressure on the plot is to be removed from the plot of the picture. There is also a version that Botticelli wrote "The Nation of Venus" not for Lorenzo the Medici, but for one of his noble co-workers, and the power of the Medici lost her life.
The description of the god of the windy wind Zephyr, the spirit of which brings spring, is described by Homer. Ovіdіy povidomlyaє about yogo team Chlorida, like embracing Zephyr with his hands and feet. It seems to be small-scale that Botticelli was a connoisseur of original Greek and Roman texts. So the library of contemporary artists of the Mayano brothers (ital. Benedetto e Giuliano da Maiano) of a similar social adventure had only 29 books, half of them were on religious topics, and from the classic texts there was only a biography of Oleksandr the Great and the robot Levy.
More than anything, Botticelli's library has a similar character. Prote, through his debt Giorgio Antonio Vespucci, Botticelli was near the intellectual elite of Florence. Possibly, I knew the poet Angelo Poliziano (1454-1494), who in one of his verses described the people of Venus. Also a friend of the artist was the philosopher Marsilio Fichino (1433-1499), who promoted classical philosophy with Christianity. In his philosophical doctrine, the heavenly Venus was an important figure, symbolizing humanism, mercy and love, whose beauty led mortals to heaven.
Navіt like Politiano and Fіcіno were not direct followers of Botticelli, their robots prepared a huge idea until they embraced the image of a naked ancient goddess, and the artist instantly worked on his work, not being afraid of being sued by the unreasonable bulk of his sleep.
In 1987, the restoration of the painting was completed. From it, a ball of varnish was seen, applied in a deaky hour after that, like Botticelli, having finished the work on it, and turning for a hundred years into a yellow-brown coating.
The painting illustrates the myth of the people of Venus (Greek aphrodite).
The goddess plyve is naked to the shore in the chair of a ribbed heart-shaped shell, which is blown by the wind. At the left part of the picture, Zephyr (the wind) in the arms of his squad Chloridi (Rom. Flora) is placed on the sink, creating the wind, filling with quilts. On the birch, the goddess is one of the graces.
Dzherelo-2, arts-dnevnik.ru
Botticelli and Medici
The picture was created for one of the representatives of the Medici dynasty. About them varto say a kіlka slіv. Because without them, what a masterpiece would not have been.
Medici were bankers and rightly ruled the city-state of Florence. Ale tsi people knew the most noble zastosuvanya to their wealth. The stench stained them on mysticism. They figured out that this is how the stench bathes their immortality.
The most genius philosophers, artists and poets were close to the courtyard. The stench all ate from the "anniversaries" of the Medici. Otrimuyuchi generously to the wine city for their creativity.
Among them is Botticelli (1445-1510). Vіn buv schiro zahopleniy svoі zamovniks. Your wisdom and generosity. I willingly created pictures for them. Including "Venus". Botticelli - there is no overturning. Yogo pictures - not just accept the eye of the canvas. Tse anthem is beautiful.
Draw yoga characters are pretty. Moreover, the stench is beautiful regardless of the era. Too late Madonna Raphael at once would hardly embellish the lining of fashion magazines. And write more beautiful Rubens. We would say that another beauty is valued at the same time.
And the axis of Botticelli contrived to write hourly beauty. Vaughn we zovsіm do not give up old. Marvel at yoga angels and nymphs. Botticelli's Venus vanishes the inner beauty of the goddess and the inner beauty of the Madonna.
My bachimo glance of a sensible, sage and lower woman. The Greek goddess could not have such a look. Adzhe pagan gods did not know the speech. It came only with Christianity. It is not surprising that Botticelli gave them all his madonnas to the beautiful appearances of Botticelli.
"The birth of Venus" was far from being recognized as a masterpiece. Until the middle of the 19th century, Botticelli was honored by another maister. No one was ready to beat the beautiful fair-haired goddess.
So all the artists suffered for Raphaelemania. Botticelli has a young contemporary Raphael. Yaky created no less beautiful Madonnas. І vіn mav two great victories before Botticelli. Raphael creating his masterpieces with olive farbs. Following Leonardo da Vinci. Naytonshi lіsuvannya (similar to prozorі shari farbi) killed yoga heroines alive.
At that hour, like Botticelli, he still worked for the old technology, tempered farbs. The stench dried quickly, they were superimposed with one ball. As a result, the images came out dry, lifeless. Botticelli's "Venus" could no longer be lightly revived for a rahunka blush and hair that develops.
Dzherelo – 3. smallbay.ru
Art of Italy 15th century. renaissance
The famous painting by the artist Sandro Botticelli "The Birth of Venus". Rozmir roboti 172.5x278.5 cm, canvas, tempera. The picture was painted on the request of Lorenzo di P'erfrancesco Medici, for whom "Spring" was celebrated. The picture bula is recognized for embellishing tієї zh vіlly Castello. Obviously, the stench was thought of as a pair of compositions, and between them having a singing link.
The picture depicts the people of the heavenly Venus from the pine of the sea, or the mystery of the manifestation of the light of Beauty. Under the likeness of Zephyr, who rushes over the expanse of the sea in the arms of her kohanoi Auri, the goddess swims on the shells to the shore. Її zastrіchaє Ora, ready to throw a cloak, embroidered with quilts, on the head of Venus's body. As "Spring" is associated with the saint in the kingdom of the goddess Kokhannya, then this composition represents theophany, or epiphany. This is how the Neoplatonists imagined the enigmatic appearance of Krasi. Behind the words of Herbert Horn, the legacy of Sandro Botticelli's work, spiritualizations permeate the picture in a way, Venus "is at the light of unimaginable bliss, as soon as the stakes of Paradise, below the heights of Olympus."
And yet, interpreting the scene, Botticelli again turned back to religious iconography: the symmetrical decoration of the figures, which may be central, guesses the compositional principle of the “Christ’s Baptism”, and the Holy Spirit appears in the sky. As always in the painting of Botticelli, the feeling of being felt here is between melancholy thoughtfulness, evoking an emotional atmosphere, permeated with light. Everything in the composition is a sign of the subjective world of the artist. Vіn having given a gostro specialty of the darkness of a number of old Greek poets and Politiano, they formed the basis of the program of the picture. So, the text of “Stands for the Tournament” by the Politiano: “On the shells of marshmallows They drove an unearthly maiden to the shore: She circles, and radiates the sky, - into the image of the early rank year with the fading headlights of the sky and the sea; under the board of trojans, a tendent goddess enters this deserted and beautiful world.
Botticelli vividly conveyed the elements of the winds that fly over the waters. Vdyagannya, what to swirl, lines, like written hair and wings - all the same vikonana dynamic wind, which inculcates one of the main elements of the universe. Vitry - Zephyr and Aura - visibly shake the water expanse. On the vіdmіnu vіd vіtrіv, whose element is povіtrya, the expanse of Ori is the earth. At the white cloth, embroidered hairs, embellished with garlands of myrtle and trojans, standing on the birch, ready to burn Venus with a cloak, the red color symbolizes love. The two wings of the composition - winds that are shed, and Ora, whose volume visibly increases the cloth that ripples in the wind, the tree and the cloak of Venus - standing on the curtain of the curtain, yak, having risen, presented the luminous mystery of the appearance of Beauty. The painting “The Birth of Venus” has a skin detail that is completely known for sure, and the composition as a whole is full of perfect harmony.
Stretched, jerky and melodic lines, which make a folded arabesque, the artist decorates the figures and more zagalnennym contours designate in the middle. You can see only the hutch of the shore, and the river is occupied by the light shining in the middle of the sky and the sea. Venus is not the most beautiful image in Botticelli. The artist gives light to the classical ideal of beauty, bringing spirituality to the image to a sensitive image.
Botticelli depicts a figure with thinly slender shoulders, a small head on a miraculous old neck, and well-proportioned body and soft, smooth contours of forms. The incorrectness of the transfer of the figure, the fixation of the contours, only strengthens the miraculous expression of the image. In the person of the goddess, there are also remembrances of classical correctness, but it is more beautiful and more enchanting. Viraz Yogo has a special significance, as the steadfast posture of the goddess has been improved, which came to the light. The eyes of Venus marvel at the troch zdivovano, not staring at anything. The head is crowned with a luxurious cascade of golden hair.
Following ancient Roman poets, Botticelli depicts hair, divided into skeins and rippled by the sea wind. This sight is enchanting. With a sarcastic gesture, Venus hides her body, such iconography is similar to the ancient type Venera pudica (“sharply”). The sensitive image of the beautiful goddess kohannya and that beauty, the artist has endowed with purity and even with a sacred height. Dosch troyand, which peacefully subside at the sea, transmissions in a clear language to lines and colors. Botticelli does not shukkaє scientifically proven accuracy of their contours and forms. The beauty of the flower choked dictates to you the simplicity, the thinned contours of the buds and the open trojans, turned at different angles. Їhnє lower zabarvlennya, krikhkіst budovi that rhythm tsgogo quiet plank z kvіtіv podkreslyuє emotsіynu tonality of the composition.
