Biography of albino adagio. Tomaso Albinoni
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Tomaso Albinoni
Tomaso was born into the wealthy merchant family of patrician Antonio in 1671. In his time, he was a popular opera composer. In our days, yoga instrumental compositions can often be heard at concerts classical music.
The biography of this miraculous master, unfortunately, is insufficiently recorded. However, there are records to whom Albinoni herself assigned her work.
Dear friend, fill in 5 minutes of yours, do it and listen to "Adagio" ↓
And yet, it seems that my father, who loved music and did not miss the annual theatrical premiere, having given his son a tutor to the Venetian violinist that was most famous at that time, I did not save any kind of history.
At the same time, I took vocal lessons, and oscills from early rock loves to sleep. The training was easy for youmu. Step by step, becoming a divination of his teacher with a violin violin to the true virtuoso Volodya. And after three years, the teacher became the first listener and poised the works of his teaching.
Kar'єra yogo developed quickly. The twenty-triple Tomaso ventured to dedicate Opus No. 1 to Cardinal P'etro Ottobony, who is known as a generous patron of the arts and wants young musicians, incl. Corelli.
At 1700 r. a young musician to go to Duke F. Carlo as a court violinist. As it is written in the archival documents, Opus No. 2 was dedicated to the duke herself, and that piece of instrumental songs.
On the approaching river of Albino write Opus No. 3, most popular among music lovers, and dedicated to the Duke of Tuscany, Ferdinand III.
Composer's Special Life
Tomaso made friends, since youmu was 34 years old, with Margarita Raimondi. At the wedding, a close friend of Antonino Biffi, the bandmaster of St. Mark's Cathedral, was requested.
Venice. St. Mark's Cathedral on St. Mark's Square was the Palace of the Doges.
For the time being, Albinoni has gained popularity not only in his fatherland, but also in European places. Vіn skladє not only music to operas, but also sonati, violin concertos and oboe. Maximilian II Elector of Bavaria, I will ask the composer as a conductor for the premiere of his opera.
For a long time the popular author of music, after the death of his squad, is alive on his own in native Venice. Vіn practically didn't talk to kim. The composer died from life in 1751, if he was already 80 years old, imovirno in the presence of a diabetic crisis.
Tomaso Albinoni, having created 48 operas. Many of them blew the light on the Venetian theatrical platforms. Others did not reach the Donins (manuscript scores, like those near Dresden, burned down an hour after 1944).
Yogo music suited I. Bach, having written fugues on those Albinons. Bach sang yoga bass parts to the teachings, developing in them a sense of miraculous harmony.
This video has additional information
Tommaso Giovanni Albinoni (ital. Tommaso Giovanni Albinoni, 8 chervnya, 1671, Venice, Venetian Republic - 17 September, 1751, Venice) - Italian composer of the Baroque era. For life, it is the leading rank as the author of numerous operas, the prote in this hour of popularization is chiding and regularly victorious, the leading rank of this is instrumental music. So called Adagio Albino in G minor, which is often attributed to you, and is one of the works of music, which are most often celebrated and recorded, in fact, the work of the Italian composer of the XX century Remo Giazotto.
Biography
Born in the family of Antonio Albinoni (1634-1709), a wealthy merchant and Venetian patrician, he wove a violin and spiv. Little is known about this life, especially looking at the position of the composer and collecting a small handful of documents from that era that have been preserved. In 1694, he consecrated his Opus 1 to the Venetian spivtiznik P'etro, Cardinal Ottobon (great-nephew of Papi Alexander VIII. 2, selection of instrumental songs In 1701, he wrote Opus 3, which became even more popular, and consecrated it to the Grand Duke of Tuscany Ferdinand III.
At 1705 p. friends, Antonino Biffi, bandmaster of the Cathedral of St. Mark in Venice was a new witness and, perhaps, another friend. Maybe, Albinona didn’t have any other connections from the most important musical institutions of Venice. At the same time, he reached his first glory like an opera composer in rich places in Italy - such as Venice, Genoa, Bologna, Mantua, Udine, Piacenza and Naples. One hour wine great number making instrumental music. Until 1705 he wrote importantly trio sonatas and violin concerti, later, until 1719 he composed solo sonatas and concerti for oboe.
On the vіdmіnu vіd bolshostі komponentіv that hour, naskіlki vіdomo, vіn nіkoli not otrimati otrimati posada at the yard chi tserkvі, but mave vlasnі koshti that mozhlivіst fold the music independently.
In 1722 p. Maximilian II Emanuil, Elector of Bavaria, dedicating a cycle of 12 sonatas to Yak Albinoni, asking him to cherubate with his opera.
In 1742 p. A selection of violin sonatas by Albіnon was published in France at the sight of a posthumous sight, to which the contributors respected the old hour, that at that hour Albіnon was dead. However, it was stated later that Vin is alive in Venice without a trace: a record from the parish of St. Barnabas, de Vin was born, confirms that Tommaso Albinoni died in 1751. with diabetes.
The music is pouring into the present
He wrote about 50 operas, 28 of which were staged near Venice between 1723 and 1740, and even more importantly, instrumental music, especially concerts for oboe.
Yogo instrumental music turned serious respect to Johann Sebastian Bach, who wrote two fugues on those Albinons and constantly victorious yoga bass parts for the right of his studies in harmony.
Significant part of the Albinonian fallow land was wasted during the second hour of the Second World War at the death of the Dresden state library, little is known about the life of that music after the mid-1720s.
Tomaso Giovanni Albinoni(ital. Tomaso Giovanni Albinoni, 8 chernja 1671, Venice - 17 sichnya 1751, Venice)
About the life of T. Albinoni, the Italian violinist and composer, we know only a few facts. Born in Venice in the care of a wealthy merchant and a Venetian patrician, you can calmly take up music, not worrying about your material camp. Since 1711, you have ceased to sign your creations "Venetian dilettante" (delettanta venete) and call yourself musico de violino, thereby signing your transition to the status of a professional. De and in whom Albinoni got into - it is not known. Let's say, scho J. Legrenzi. After friendship, the composer moves to Veroni. Maybe, the deaky hour of wine is alive at Florence - take it there, at 1703r. one of the yogo operas ("Griselda", in lib. A. Zeno) is victorious. Albinoni buvav at Nіmechchinі and, obviously, having shown himself there as a non-Abian maister, to that you yourself was given the honor of writing that viskonat in Munich (1722) an opera before the wedding of Prince Charles Albert. Nothing more is known about Albinoni, except that Vin died near Venice. The innumerable works of the composer that have come before us are mainly instrumental concerti and sonatas. However, being a partner of A. Vivaldi, I. S. Bach and G. F. Handel, Albіnonі are not lost in the lava of composers, whose names are known only to music historians. In the period of the emergence of the Italian instrumental art of the Baroque, and the creativity of prominent maisters in the concert of the 17th - in the first half of the 18th century. - T. Martin, F. Verachin, J. Tartin, A. Corelli, J. Torelli, A. Vivaldi and others. - Albinons, having said their significant artistic word, as if they remembered it for an hour, they appreciated the touches. . Ale є svіdchennya recognition of yoga creativity that for life. In 1718 p. in Amsterdam there is a selection that includes 12 concerts of the most famous Italian composers at that time. In the middle of them is the Albino Concerto in S Major, the best among all of them. The great Bach, who resolutely played the music of his fellows, saw the sonatas of Albino, the plastic beauty of their melodies and wrote his fugues on two of them.
Concerto in C major for flute and strings
Allegro
Adagio
Allegro
GRAMATICA Antiveduto St Cecila with Two Angels
Paired with Vivaldi's concertos, their sweep, gleaming virtuoso solo parts, contrasts, dynamism and passion, Albinoni's concerti are distinguished by their streamlined rigor, visceral refinement, and melodism. Albіnoni wrote about 50 operas, the main rank on historical and mythological plots (larger, lower Handel), over some pratsyuvav stretching the mustache of life.
Thin, plastic, in its own voice the melodic fabric of the instrumental concerts of Albinona is suitable for the daily listener with its thorough, suvoroy, relieved by all sorts of beauty, as a mark of high art.
Concerto for two violins in D minor
Allegro
Adagio
Allegro
Composers often endure, living for life, after death, they are suddenly forgotten, and only after a lot of dozens and hundreds of years they experience rebirth. So it was with Bach, Vivaldi, and others with composers. However, in recognition of the work of the Italian composer Tomaso Albinoni, it is especially noteworthy that the suspense of the 20th century spurred on his work, which the composer himself is unlikely to recognize having known to his own. Let's talk about the famous "Adagio" for organ and strings, based on a fragment of a manuscript, published in Dresden. state library after the II Holy War of Remo Giazotto, the Milanese historian of music, who at that time completed the biography of Albino and the catalog of yoga music. More than a bass part and six bars of melody, yaki, ymovirno, and a fragment of the full part of the sonata trio. Giazotto "created" in his house "Adagio" near 1945, basing on the fragments that he saved. Having allowed the oskіlki vin, that the song was written before the vicination at the church, adding the organ to the vin. For the irony of the share, the very beginning of creation, the greater creation of the XX century, the renaissance of Albion’s creativity swept through the whole world.
Concerto in D minor
Allegro e non presto
Adagio
Allegro
Concerto in G minor
Allegro
Adagio
Allegro
According to Giazotto's assertions, this is a reconstruction based on fragments of music. Tomaso Albinoni, found on the ruins of a run-of-the-mill war Saxon State Library at Dresden. Remo Giazotto published in 1945 the first scientific biography of Albinoni, in 1720s. worked at Nimechchyna. A fragment of knowledge, zgіdno z before the move Giazotto to the first sight of the Adagio, avenging the bass part and two fragments of the part of the first violin, the sing-along trivality and six tactіvs. The first publication was, for the most part, titled: Remo Giazotto. Adagio in B Minor for strings and organ based on two fragments of themes and digital bass Tomaso Albino(Ital. Remo Giazotto: adagio in sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni).
P'esa, from the point of view of criticism, stylistically vіdіznyаєєєєєєєєєєєєєєєє without opposing works of the Baroque ignited that Albіnonі zokrema. У 1998 році відомий музикознавець та музичний педагог, професор Люнебурзького університету Вульф Дітер Лугерт у співавторстві з Фолькером Шютцем опублікував у журналі «Praxis des Musikunterrichts» огляд проблеми авторства Адажіо, що включає фрагменти листів із Саксонської земельної бібліотеки, в яких стверджується спадщини Альбіноні в зборах бібліотеки in the daytime and not in any way in the new, so that the verse in general is a crazy pidrobka Giazotto.
One of the most iconic musical creations of the other half of the 20th century
The famous "Adagio"
Albinoni Giazotto
Tomaso Giovanni Albinoni(ital. Tomaso Giovanni Albinoni, 8 chernja 1671, Venice - 17 sichnya 1751, Venice)
About the life of T. Albinoni, the Italian violinist and composer, we know only a few facts. Born in Venice in the care of a wealthy merchant and a Venetian patrician, you can calmly take up music, not worrying about your material camp. Since 1711, you have ceased to sign your creations "Venetian dilettante" (delettanta venete) and call yourself musico de violino, thereby signing your transition to the status of a professional. De and in whom Albinoni got into - it is not known. Let's say, scho J. Legrenzi. After friendship, the composer moves to Veroni. Maybe, the deaky hour of wine is alive at Florence - take it there, at 1703r. one of the yogo operas ("Griselda", in lib. A. Zeno) is victorious. Albinoni buvav at Nіmechchinі and, obviously, having shown himself there as a non-Abian maister, to that you yourself was given the honor of writing that viskonat in Munich (1722) an opera before the wedding of Prince Charles Albert. Nothing more is known about Albinoni, except that Vin died near Venice. The innumerable works of the composer that have come before us are mainly instrumental concerti and sonatas. However, being a partner of A. Vivaldi, I. S. Bach and G. F. Handel, Albіnonі are not lost in the lava of composers, whose names are known only to music historians. In the period of the emergence of the Italian instrumental art of the Baroque, and the creativity of prominent maisters in the concert of the 17th - in the first half of the 18th century. - T. Martin, F. Verachin, J. Tartin, A. Corelli, J. Torelli, A. Vivaldi and others. - Albinons, having said their significant artistic word, as if they remembered it for an hour, they appreciated the touches. . Ale є svіdchennya recognition of yoga creativity that for life. In 1718 p. in Amsterdam there is a selection that includes 12 concerts of the most famous Italian composers at that time. In the middle of them is the Albino Concerto in S Major, the best among all of them. The great Bach, who resolutely played the music of his fellows, saw the sonatas of Albino, the plastic beauty of their melodies and wrote his fugues on two of them.
Concerto in C major for flute and strings
Allegro
GRAMATICA Antiveduto St Cecila with Two Angels
Paired with Vivaldi's concertos, their sweep, gleaming virtuoso solo parts, contrasts, dynamism and passion, Albinoni's concerti are distinguished by their streamlined rigor, visceral refinement, and melodism. Albіnoni wrote about 50 operas, the main rank on historical and mythological plots (larger, lower Handel), over some pratsyuvav stretching the mustache of life.
Thin, plastic, in its own voice the melodic fabric of the instrumental concerts of Albinona is suitable for the daily listener with its thorough, suvoroy, relieved by all sorts of beauty, as a mark of high art.Concerto for two violins in D minor
Composers often endure, living for life, after death, they are suddenly forgotten, and only after a lot of dozens and hundreds of years they experience rebirth. So it was with Bach, Vivaldi, and other famous composers. However, in recognition of the work of the Italian composer Tomaso Albinoni, it is especially noteworthy that the suspense of the 20th century spurred on his work, which the composer himself is unlikely to recognize having known to his own. Let's talk about the famous "Adagio" for organ and strings, based on a fragment of a manuscript, included in the Dresden State Library after the Second World War of Remo Giazotto, the Milanese legacy of music, which at that time ended the biography of Albinona and the catalog of yoga music. More than a bass part and six bars of melody, yaki, ymovirno, and a fragment of the full part of the sonata trio. Giazotto "created" in his house "Adagio" near 1945, basing on the fragments that he saved. Having allowed the oskіlki vin, that the song was written before the vicination at the church, adding the organ to the vin. For the irony of the share, the very beginning of creation, the greater creation of the XX century, the renaissance of Albion’s creativity swept through the whole world.
Concerto in D minor
Concerto in G minor
Adagio in C Minor for string instruments that body, vіdome yak Adagio Albinoni- Tvіr Remo Giazotto, first published in 1958.
According to Giazotto's assertions, this is a reconstruction based on fragments of music. Tomaso Albinoni, found on the ruins of a run-of-the-mill war Saxon State Library at Dresden. Remo Giazotto published in 1945 the first scientific biography of Albinoni, in 1720s. worked at Nimechchyna. A fragment of knowledge, zgіdno z before the move Giazotto to the first sight of the Adagio, avenging the bass part and two fragments of the part of the first violin, the sing-along trivality and six tactіvs. The first publication was, for the most part, titled: Remo Giazotto. Adagio in B Minor for strings and organ based on two fragments of themes and digital bass Tomaso Albino(Ital. Remo Giazotto: adagio in sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni).P'esa, from the point of view of criticism, stylistically vіdіznyаєєєєєєєєєєєєєєєє without opposing works of the Baroque ignited that Albіnonі zokrema. У 1998 році відомий музикознавець та музичний педагог, професор Люнебурзького університету Вульф Дітер Лугерт у співавторстві з Фолькером Шютцем опублікував у журналі «Praxis des Musikunterrichts» огляд проблеми авторства Адажіо, що включає фрагменти листів із Саксонської земельної бібліотеки, в яких стверджується спадщини Альбіноні в зборах бібліотеки in the daytime and not in any way in the new, so that the verse in general is a crazy pidrobka Giazotto.
Tomaso Giovanni Albinoni(1671-1750) - Venetian composer and violinist of the Baroque era.
short biography
Albinoni order z A. Vivaldi - the largest representative Venetian school crazy baroque. Born near Venice with the security of the bourgeois family. From the youthful rokіv learned to play violin, spіvu, counterpoint. Albinoni on the back of his head otrimav popularity like lighting lover of music (do your own signing like a "Venetian dilettante"). Since 1711, the work of Albinona has been described as a “musician-violinist” on the titular arches.
Albinoni is the author of more than 50 operas, which have appeared on the stages of Venetian theatres, and cantatas (nine will be forgotten). The main significance is the instrumental creativity of Albinoni. Yoga symphonies, violin concertos, sonatas and trio-sonatas are inspired by polyphonic mastery, plasticity of the development of thematic material. At the symphonies and concerts, they conveyed the stylistic features of the classical symphony. I. S. Bach, appreciating highly the works of Albino, having completed the arrangements of 2 fugues from the selection of trio sonatas (Nos. 3 and 8).
Create:
opera:"Griselda" (1703)
"Abandoned Dido" (1725)
"Artamena" (1740)
collections of trio sonatas
symphonies
concerti
sonati
