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How to describe a picture of a lute blak. Methodological material for the creation-opisu behind the painting by Igor Emmanuilovich Grabar “Blaking Lyutnev

The first tvir before the painting by I.E. Grabar Lyutneva blakit» - 4th grade.

Lute days are glorified by suvorim whirlwinds and strong winds. Ale buvayut and miraculous sleepy days. One of these days, the artist Grabar recorded on his painting “Lutnev Blak”.

In the foreground there is a troch of bent birch. Vaughn is covered with a thin ball of frost. In the light of the bright sun, it shimmers. Here, there are pearls hanging on wide-spread birch branches. Trohi behind, the impersonal thin young birches were scattered, so that they could not lead a round dance along the old birch. They have the same luxurious clothes. All the birch trees stand on the white, gleaming view of the sun, cover, lightly throwing on the new black shade. The old leaves on the tops of the birches are fiery gold. birch guy burnt by the warmth of the sleepy light, you can see the approach of spring.

From above, over the birch forest, the sky sprang up without a hint of blakit-blakitne. Closer to the horizon there is light.

On the apron one can see the succulent wall of a dark fox. There, at the dense forest, there is still a kingdom of winter.

The picture is miraculous, vikonan in bright colors, calls out to the radio a little. It is reminiscent of the freshness of a sleepy frosty day and the quick awakenings of nature.

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Another tvir to the painting by I.E. Grabar "Lutnev Blakit" - 5th grade.

Azure- blakytny, blakytny, lower-blakytny.
Perlinnium- Mother-of-pearl.
Koralovy- bright red.
Sapphire- Blue-green.
Buzkovy- low, light purple.

Plan.

1. Entry.
2. Main part.
but. sky
b. sun
in. snow
m.
village Berizka: stovbur, gilki
e. other birches
well. horizon
3. Visnovok. Vrazhennya.

In the painting by I.E. Grabar “Lute to blanch” frosty lute wounds are depicted. All dovkola is reminiscent of a black syavi. Sparkling snow shimmers under the sun. The birches are permeated with sleepy light. Tse holy black sky and pearl birches, sacred to nature itself.

Bezkhmarne blue-blaky sky, to the horizon light and become sapphire. Regardless of those that are still winter, the sun is already warming good. That snow is rich. On the sun, the pure snow looks like a white-black color. From the birches fall blue with a violet shade. In the foreground is a tall birch. Stovbur is not straight, but nibi bending at the charming dance. The wine is dark below. Chim stovbur is greater, tim vin is greater. Gilks ​​were white, covered with frost, which is on the sun. On the very top of the birch, the top of the leaf was preserved. Covered with frost, in the sun it will burn with a coral color. The artist marvels at the birch from the bottom of the hill, I can’t match the top of that beech tree. Behind the old birch stands faceless young birches. Stink nibi to lead a round dance around her. Pearly birch barks intertwined and on the aphids of the black sky looked chimera merezhivo. In the distance, a dark vuzka smuga fox. Yakby is not out, heaven and earth were angry in one incomparable expanse.

Description of Grabar's painting "Lyutnev Blakit"

Grabar Igor Emmanuilovich - Russian artist-painter.
One winter, at the dacha of his friends, the artist walked around the outskirts of the search for new lands.
It was the end of the fierce, and the weather more and more often predicted about the Swedish coming of spring.
Beloved by the author's tree, the birch has always been, for that place of the birch tree was even more appropriate.

The sun shone brightly.
Yogo promenі vydbivalis on snіgu, vіd chogo everything just shone for a moment.
Against this background, birch trees were beautifully seen.
The sky was clearer and blackened.
Strolling around in search of a new look for his paintings, the artist lost his club, and if he got smart enough to raise his head and turn his head down, then swaying the birch, which shimmers with mother-of-pearl.
The sound of that zvichayne sky rapt sparkled with shades of blue and turquoise colors.
Naskіlki can change the picture of the splendid landscape under the other kut.
Not stained hour I.
Grabar ran home, to make the sketches of a bastard.

The coming day, already with the outlines of the wines, turned to the same place.
Yomu really wanted to convey to that mother-of-pearl birch tree and the blue sky.
To this end, I dug a hole and placed an easel under the necessary kut.
So sleepy prominnya did not promote farby on the canvas, and vіn intently painted this region.

There was a history with Igor Grabar in 1904.
Aleyogo is famous for the painting “Lute Glaze” and dosi radє vіdvіduvаchіv Tretyakov Gallery.
I want, it was given, what was so special in it: white snow, clear sky, birch on the whole canvas.
Ale, with a splintered stupor, the author conveyed light to the sleepy one, depicting the sky and the snow, which shimmers, like a vimalyuvav skin of a birch.
I want, in the picture winter is depicted, the soul is saddened with warmth, marveling at it.

Fancy Tvіr - Igor Emmanuilovich Grabar's painting "Lutnev Blakit" was written in 1904, especially in poetry. Lyuty is the whole month of fighting in the winter, as if you don’t want to give up your rights and only think about the coming spring, її easy death. Long-term awakening of nature after a quiet winter sleep.

Winter does not set its position, it is covered with frosts and snowy swirls. Ale, let the fierce weather be sleepy, if you start to respect nature, you will completely win the harn. It’s just that in our restless world we don’t know the hour to add respect and look around. Grabar, as a true artist, could not be deprived of such beauty by giving us this wonderful landscape.

In the foreground of the picture is a birch tree, covered with a thin ball of sheer hoarfrost, which shimmers and winds under the indistinct changes of the sun. Trochy far away, you can see young birch trees and more “podlitki” with thin stovburs. Here it is, having thrown the needles, the stench is circling around the smooth round dance, instead of young girls, holy to Maslyana and sounding the coming of spring. Only the forests in the background subdue the sky and the earth. As soon as you stand for a while, you see the pictures, you can tell that you clearly feel the Russian folk song about the birch. Adzhe birch is a symbol of Russia, її beauty, to which the people predicted a rich song about it and funny and summaries.

White beautiful images on the aphids of a black snow cover and may be of the same color of the winter sky. Colors, like such a generously stagnant painter, bring coolness and purity, mute wind and the smell of the still indistinct light course of spring.

Such shades of black, turquoise, blue, like a gift of our Russian nature in the most winter month on the shores of Russia. I create the whole canvas, as if it is holy, which is approaching,

The picture of Lutnev blakit befitted Igorev Emmanuilovich. Vіn often talking about those, like a rapt came a marvelous mood for її creation. This is the landscape of Grabar, having sipped near Moscow's frosty sony wound, going for a walk. Yogo, having struck the color of blackness, which, he says, having upset his mustache, and only birch trees, pulling out their necks, mute at the dance, diluted with the names of farby pearls, coral, sapphire and turquoise. All at once it looked like a kazkovy island near the syavi of an expensive stone.

The artist chirped with the fantastic beauty of birch groves at the chime of all the sounds of the oars, in the midst of the blue sky. On the aphids of the turquoise of the sky, the top of the leaves, as if on the very top of the birch, it turns golden. Nemov's cherished painting, sleepy days stood for two days, allowing Grabar to imagine the wonder. It seemed that nature called to the talented artist, showing her subtlety at the winter dress. Fuzzy lines to cope with the effect of making the picture brighter and brighter.

The artist of Vikoristov's light is pure and bright, beyond which the crystal clear chime of blackite color goes out - from the lower turquoise to ultramarine, which is to sparkle. The canvas reminds the paintings of the French impressionists.

Today, Grabar's painting "Lutnev to Blaze" is in the Sovereign Tretyakov Gallery. Rozmir linen 141 by 83 cm

Name of the painting: Lyutneva blakit

Place of exhibition: permanent exposition of the Tretyakov Gallery near Lavrushinsky provulk, b. 10, hall 38

The artist created a picture under the uninterrupted affection of nature. Writing his "Blakit Lutnev" Igor Grabar vozimku-navesnі 1904 fate, if he was visiting friends near Moscow region. Under the hour of one of his own splendid rank walks in the battles of the holy spring, which is thrown around, and the year, being already a venerable artist, having already told the story of the creation of this canvas.

“I was standing white of a marvelous specimen of birch, close behind the rhythmic budwood tree. Surprised at her, I let in a chick and sneered, so that I could lift it. If I looked at the top of the birch from below, from the surface of the snow, I was stunned at the sight of fantastic beauty that appeared in front of me: like a ringing and percussion of all the colors of the oars, bound by the blaky enamel of the sky. The nature of the nibi was celebrating like a holy black sky, pearl birches, coral hazels and sapphire shades on the buzkovy snow“. It is not surprising that the artist passionately wanted to convey “ want a tenth part qєї beautiful“.

I. Grabar repeatedly recognized that among the trees of the middle smug of Russia, birch is the most loved, and middle birch is the “weeping” variety. How many times an artist quickly turning home for the canvas, and then one session from nature throwing sketches of the future picture. The coming day, having taken another canvas, having become a writer of that same month, an etude, which appeared to be loved by everyone "Lute Blakitty". In the distance above this picture I. Grabar pratsyuvav on the open air, near the deep trench, like a vin specially viriv near the snow.

At "Lute Azure" I. Grabar reached the limit of color saturation, painting the whole landscape with pure color, applying strokes with a slit ball. The same drіbnі smears revealed the hoops of stovburіv trees, і vіzerunki hіlok, і humps of snow. A low thought made it possible for the artist to convey all the gradations of blackite color - from light green at the bottom to ultramarine highlands.

Igor Grabar, having mastered the best achievements of impressionism, knows his own artistic style in art - unique and original. The nature of Russia has taken on an absolutely new look in these parts of the world, it has sparkled with the arctic farbs, it has filled up with the vastness of that light. At his plan, Grabar continued and opened the cob, which showed more creativity. Levitana, U. Serova, Do. Korovina and other prominent Russian landscape painters.

Biography of Igor Grabar

Igor Emmanuilovich Grabar was born on 13 Birch, 1871 in Budapest, in the family of the Russian hromada E.I. Grabar. In 1876 p. yogo fathers, who were in the midst of the words of the Yan voluntarily rush, move to Russia.

Igor's childhood was not easy. The lad often parted with his fathers, being left under the guardianship of strangers. From the children's dreams of painting, namagavsya but closer to the artistic kіl, vіdvіduv vіstі exhibitions, vvchav collection of the Tretyakov Gallery.

From 1882 to 1989 Grabar studied at the Moscow Lyceum, and from 1889 to 1895 at St. Petersburg University once at two faculties - law and history and philology. After graduating from the university, joining the St. Petersburg Academy of Arts

In 1895, the fate of the wines began in the master of Illi Repin, and at the same time Malyavin, Bilibin and Somov began.

Summer of 1895 Grabar will rise in price in Europe, in view of Berlin, Paris, Venice, Florence, Rome, Naples.

Turning in 1901 to Russia, the artist resurfaced the beauty of Russian nature. Vіn bewitched by the beauty of the Russian winter, suffocated by the grace and magnetism of the enchanting birch tree. The suffocation of Russia after the long separation was revealed in the films: “There was winter”, “Lutneva blazed”, “Birch snow” and many others.

In 1910-1923, the fates of the wines in the form of painting were filled with architecture, the history of art, museum activities, and funeral memorials.

Vіn zamylyuє i zdіysnyuє vidannâ first "History of Russian art" in six volumes, write for her the most important divisions, publishing monographs about Іsak Levіtan and Valentin Sєrov. Igor Grabar also released other mystical knowledge.

In the period from 1913 to 1925, the artist was very Tretyakov Gallery. Here Grabar created a re-exposure, spreading it out and systematizing all the works of art in a historical sequence. In 1917, having seen the catalog of the gallery, which may have a significant scientific value.

Igor Emmanuilovich is one of the founders of museum studies, restoration and preservation of the monuments of mysticism and antiquity. In 1918 the artist created the Central Restoration Artisan. Vіn added to vryatuvat rich works of ancient Russian art, and as a result, the work of the master was carried out, which led to the identification of numerous prominent monuments of ancient Russian art - icons and frescoes near Novgorod, Pskov, Volodymyr and other places.

From 1924 to the end of the 1940s, Grabar turned anew to painting, giving special respect to the portrait, depicting his loved ones, scholars and musicians. Among the famous portraits are "Portrait of a mother", "Svetlana", "Portrait of a sweetheart against the background of a winter landscape", "Portrait of a son", "Portrait of Academician S. A. Chapligin". Widely seen are two self-portraits of the artist “Self-portrait from a palette”, “Self-portrait with a fur coat”.

IN Radian hour Grabar choked on the creativity of Andriy Rublov and I. Є. Repina. In 1937, roci vin created a two-volume monograph "Repin". This work brought Grabar Stalin Prize. In 1944, Grabar became director of the Institute of the History of Science of the Academy of Sciences of the SRSR.