Corneille sitinnya analysis of creation. Ideological and artistic originality of the tragedy P
The conflict in "Sida" is more characteristic of the dramaturgy of classicism: a conflict between significant values and special ones. Here the stinks are represented by different values.
Heroes p'єsi bagatorazovo stand before the choice, skin їhnya concrete action and motivation of raznі.
The current situation is due to the fact that the Spanish king can turn a mentor for his fall, and the senior prince bearing the official title of infant. Only a man was fit for a Vikhovanian, knowing his wisdom, life dosvidom the kind of significant kind. This oldness is more honorable and many people claim it. Among them are the fathers of heroes, the future Sid, Rodrigo Dias and Count Gomez (father of Don Khimeni). Count Gomez is somewhat young, and R. Dias is already old, and equal to Gomez's infirmities. Ale same R. Dias is appointed as the instructor of the infant. Mіzh young people (Khimnoyu and Sidom) blame the kohannya, docks the king not to break his choice. Count Gomez is deeply imaginative, between two nobles there is welding and a divine sight of failure Gomez gives a blunder to his superman. Single vіdpovіd - a duel, a duel - bring yourself to death, or else the monarch's guilt, and Count Dias stumbles at the hopelessness. In the 17th century, there is a statement about those that the image can be transferred to one of the relatives and the old Dias calls out the son, and Sid is guilty of defending the honor of the father and that of the future father-in-law. Ale, it’s almost as if there’s a risk to go, and a lad of understanding, that Ximena was used for a new duel. Ale, if you don’t see wine, you will be godless, and Chimene will still be spent for him.
The French drama was written by the Alexandrian verse, the French movable verse was adopted from the same number of warehouses, the Alexandrian verse was written by the 6-foot iamb with the parable rhymes.
Sіd virishu fight in a duel. In a duel with Count Gomez, Sid wins, and Ximena gets a father.
Act 2: Ximena virushaє to the king, bringing the scarga to Sid, and won't help, so that the king is punished - striv Sid. Ale won all the same continue to love the lad. And at once, Father Sida will come from her. And the same podia hangs from two sides. The king is guilty of vibir, and vіn ruin. Vіn vchiniv like a sage: take the blame for the vartu and imprison it to the trough.
The episode from the Moors sharply turns the plot. The entire garrison does not have a permanent war, and the only chance to sing is the talent of the commander Sida, and let him go for one night. Mavri vіdbitі.
The fire is coming in the Cortes (sovereign's decision), Sid gives a sound about those who happened at night, in the form of a monologue (4 min.) . Vіn zalishaє reserve, shovavshi pіd choven, and the main part of the way out nazustrich moors. The Moors were caught by a friend who was beaten right on the ships. The enemy of destruction, and Sid appears as a supporter of the king and the state. Vіdteper vіn hero, scho else change the situation.
Khimenu to know the defender for the duel with Sid - an earthly young man who favors Sid and secretly hopelessly dies at Khimenu. Fighting in a duel is death for a young man; Sid beat the sword from the supernik, and the duel will end in shock.
The king, it seems, that the shards of Sid, having let Chimen of the cholovіchoї pіdtrimki, vin is guilty of taking on all the bindings. Wesillya was added to the river. On this note, the plot ends, which is related to the tragicomedy genre.
For the creation of artistic integrity, Corneille writes on a number of violations of the norms, sticking to the plan of expression:
Trinity (p'єsa trivaє repeat dobi, 36)
Not one but two storylines(The line, tied with the daughter of the king - Ursula, the aristocrat will suffocate, but not the royal blood, but she will be subdued with the choice of the father)
Ticket 20. Genre originality"Sida" Corneille.
"Sid" (1636)
In 1637, the peeps played a performance after Corneille's song "Sid". On the back, the author called his p'esu a tragicomedy.
Here the writer formed a historical plot - an episode from the life of the hero of the Spanish reconquest Ruy (Rodrigo) Dias de Bivar (XI century), called Sid, which means Arabic "pan". Vіn relativly vvchaє іstorіchnі prаtsі, legends, poetic creаt, scho opіvіdat about zhіttya аnd deeds оf Rodrigo. Then we will work vibir, change the podії for an hour, their connections and sensation, invariably grow out of the characters of the heroes in the p'єsi, tightening the conflict to the end of their day-to-day vibes, they are naked on the head of a human ear.
Corneille's main dzherel was the poem of the Spanish writer Guillen de Castro "Youth of the Sida" (1618). The playwright saved the main storyline of Pershodzherel, connected with the history of the friendship of the Spanish person in Khimeni - the daughter of Count Gormas, who was beaten by him in a duel.Corneille asks the diyu and accentuates respect for the feelings and experiences of the heroes. The tragedy of "Sida" manifests itself on the cob of moral conflicts, in the "high" problematics of p'esi.
Corneille reflects on French life in the 1930s of the 17th century. "Fathers" - Count Gormas and Don Diego - are not just grandees of the past hours, but also courtiers, whose prestige is humiliated by us in front of the closeness to the person of the king and Viysk feats for the benefit of the crown. The prestige itself, having become the cause of їhnёї chvari, scho is small tragic consequences.
Sound the conflict of the classic tragedy conflict. Ale at tsіy p'єsі kolіzіya folding. Folding is explained by a special concept of kokhannya. That honor is gained by the characters of "Sid". The hero of setting before the choice between honor and dishonor, but in both vipadkah vіn spend the kokhannya of his kokhanoy.
Aje "Sid" is a hymn of love, semi-dim and pure, based on the buried silence, who loves one alone, on their deepening in the human value of dearness. the love of the Cornelius heroes is always a reasonable predilection, love to the godly. Welding fathers zmushu Rodrigo and Ximena choose between love and moral principles of that world, to which the stench lies for the people and vihovannyam. And no matter how important it is to young people, it is recognized: fidelity to the sacred for both zvichaїv ancestors means for them fidelity to themselves, є mental mutual respect, and also, and mutual love. About this it is penetratingly said in the famous stanzas of Rodrigo, as they complete the first act of the tragedy:
Having avenged, I have become unquenchable with anger;
Її knowingly I get it, without taking revenge.
For Khіmeni, love and honor are also inseparable => "subvoina, raised to the stage of tragedy". The heroes are impossible to hem, change the furnishing, but the stench can goiter and make the right choice.
Corneille's masterpiece appears as a tragic collision, which is blamed for the constriction of special features and moral manifestations of the feudal society. "Sidі" has stipulated other fundamentals of human life, a wider, lower code of honor and joy about the interests of others.
Like a lot of yogo co-workers, Corneille was the bastard of the transformation of France into a single mighty power, bachachi in the service of yogo interests I will find the mission of blue votchizni. The playwright shows that, having passed through the crucible of war, the noble young man Rodrigo becomes the first knight of Seville. Ale, noteworthy, in the long-standing monologue of the fourth act, we recount about the battle with the Moors, as about the feat of the rich, weightless warriors, whose military practice was only directing "and I myself didn’t know what the result was until dawn." Lyudina, "like a mustache", is strong in solidarity with others like her - such a hero of the tragedy "Sid".
Truly, it’s easy to turn the episodes over to the thought about thoughtfulness, the logical orientation of the composition - two duels, two explanations. Until then, the heroes are constantly analyzing the vlasnі vchinki that almost. Stendhal, the great shanuvalnik of the genius Corneille, subtly pointed out the peculiarity of the poetics of "Sida", calling the final monologue of the first act (Rodrigo chooses, don't drive the father in the kohanoi chi) "judgment of the people's mind over the hands of the yoga heart." And yet this monologue, which has become a textbook, profoundly poetic, conveys a sum of feelings, forcibly podal not a simple logical mirkuvannyam, but biased bazhannyam ozozumіt yourself and learn the right choice. Such a zealous poetic masterpiece of Corneille. The analytic pathos of "Sida" mingles with the pathos of lofty feelings and is itself pathetic.
The idea about the freedom of the artist was creatively inspired by "Sidі", it was voted in the "Iluziya" manifesto. Tse vіdnositsya, zokrema, until interpretation of the images of the royal family. The tragedy repeatedly repeats that it is the responsibility of the king to reproach the king, honor Yogo, serve Yomu. Such were the scope of the playwright's perekonannya.
Vernopiddanskie feel like here as one of the incarnations of the power of Rodrigo modesty and pov'yazani with the praise of his special merit. The king and the warrior cherish the scenes of Rodrigo's turning from the battle with the Moors for the sensible human sense. It's marvelous that Corneille's enemies, who fell upon the "Sida" with unfair criticism, told the playwright that they "having taken the crown from Don Fernando's head and pulled in her blasphemy kovpak."
Maybe, those same fools lay at the heart of the firmness of something that in p'єsі "zayvim" character є іnfanta Urrak. True, the king's daughter can't spit into the rose. Її the role can be assigned as a lyrical comment before it is introduced. Ale її feel that movi deeply zmіstovnі. Lovers Rodrigo, she’ll come and stifle her addiction, remembering her high dignity and dying at the same time. This image, like the image of Don Fernando, allows one to think that the author of "The Sid" is crying out for the need for the tsar's estates to seek the laws of reason and justice. This purely classical concept will pass like a red thread through all the farther creativity of the playwright.
Corneille is somewhat different from other theorists of classicism, especially in the interpretation of the principle of credibility in tragedy. Corneille first introduced the moral and philosophical problem of the French. fight between honor and obov'yazkom. Corneille enters the strictly obov'yazkovy in the tragedy of the Alexandrian verse and turns to the big folding form. The skin stanza ends with the name of Khimeni, who creates the thematic center of the entire monologue. The main compositional reception-antithesis, that expresses the struggle of the soul of the hero. Mustache to bring tragedy to strumin lyricism and arrogance, swearing not to the authoritative style of the French. classic tragedies.
The principle novelty of "Sida" is related to the severity of the internal conflict.
NAZHI Vіdraza pіsl Rispirate Prem'єri Rounded Furniture in Istorії Lіteraturi "Supervik about" Sіdu ". Cornell's masterpiece Pіddali Suvorіy Krititsi. Akademia Pіddal P'єSU Privitizi Krititsi: Vіdhiennia Vіd Rules, weaving) DII Zovnіshnіyi, Introduced 2-OPI (unshared love "), vikoristannya vіlnyh strophic forms of Golovniy zakid the gods addressed the immorality of the heroine, which destroyed the plausibility of p'yesi.How many times has the principle of credibility been undermined by the etiquette norm and moral statements, playing these roles, as recognized by the ideologists as special to absolutism, and she herself can be good and good for the mind of an impeccable order. From the first glance, Chimena was stunned by the bula "immoral", and her behavior was spared by logic. The authors of "Dumka" did not care for the need to take the foldedness and super-fluidity of human nature to the point of respect. In the first rows, they postulated "steadiness" of character, like the mind's "correct" logic.
ІZ LECTIONS:
There is a paradox in the fact that the first and most boring p'єs Corneille is a sign of the classic tragedy of spellings yak tragicomedy. Corneille calling її on the cob. Singing tragicomic rice dosi saved. Tse p'yesa Sid", placed in 1637 and became not just a premier, but podіёyu theater history. Incited like a dream not on antique material, how can one look at a classic tragedy, but on materials SW historyі history of Spain The whole story is about the Spanish hero of the Reconquista. Rodrigo Diase, Who was nicknamed "Sid" - sir, this history is formed and set in the period when France is at war with Spain. In 1635, the French enter the 35th war with Spain. Don't talk about Corneille's opposition. For French cultural information, Spanish and Spanish theme heroic valor, this theme is connected with the theater - the Spanish theater is familiar and close to France (the Spanish corpses toured France), the proximity and other times they worked in the home of Spanish dramaturgy, the theatricality of the Spanish themes, pathetic heroism in the presence of Take on a topical topic, Corneille zagalnuє, rob it globalі ardent human. Tse pitanya about absolutism, about those, how to spivvіdnosya valor of an aristocrat and the courtier's bindings, how to tie ancestral, sovereign borgі borg kohannya.
Cornel take the yak of the uninterrupted dzherel p'esu Gilina de Castro "Youth of Sida" (1619) — typical baroque style, spire on the Spanish romances, on the saying about the young Rodrigo, who has not yet become a Sid, with effects and benefits, a lot of side effects, but it was added to others. written and metaphorically ornate my. Three rokiv are born at different places. For K. it was important to transform, first of all, to create on this material. For K., it was necessary to sound the podії meaningfully (36 years old). dorimuetsya nagolovnіshe - tse credibility. flared up controversy navkolo yogo p'esi: from one side, choked up, p'sa becomes a sight of the beautiful. And in 1634, the thought of the French Academy about the tragic comedy of Corneille "Sid" - a document in the name of the French Academy, spellings Jean Chaplin, and many others gave criticism on p'esu. Chaplen says: “It would be better if Corneille ruined the unity of the hour even more, lowering such a greedy speech: how positive the heroine is to lead a girl, how she dared to love her father, it’s immoral”. Її obіtsyanka vіdbuvaєє the coming day after the fact that the father died. Corneille: the very principle of verisimilitude has a paradoxical nature: a comedy can be plausible, but it can be scandalous, it can be destroyed, it can be a conflict, which will be a real comedy. To love someone who has beaten your dad is not scandalous, but heroes come to whom as a result successiveі strict dotrimann normi, borg.
If we talk about the conflict in literature: there may be a conflict of the good with the bad, and not the good with the best. At Corneille - foldable and right the conflict of the good with the best or accept the conflict and present heroes. The stench viyavlyayutsya in a strained choice: choose one good and dramatic, to super-speak one to one speeches. What is the tragic story of this comedy? If it seems that the Kornelian tragedy is not tragic, think about it, rozv'azka not tragic. It all ends with the fact that Rodrigo is forgiven, the king tells Ximena about the need to give a confession, revering almost the best reports about those that Rodrigo died, and if everything is cleared up, then he punishes Ximeni after complaints to become Rodrigo's squad. Everything ends happily. Why is more tragic? Debignyak wrote about it: it is not successful to rob the tragedy of a tragic chi tragic. Corneille has the best sticking 2 borg: flattened borg and sovereign borg, borg kohannya and borg by appointment to d-vi, king.
Don Diego and Gormes: Gormes impersonates Don Diego - father of Rodrigo, if you think about it: he is guilty of avenging the father, but to love Ximen. Zreshtoy razumіє, scho vin repair dishonestly - do not stand up for the honor of the father, then vin all the same will not achieve the love of Khimeni, that you will not love the unworthy out, if not in the heart of the heroes of Corneille. The love of Kornelev's heroes always conveys passion, but only to be addicted to a good person, in a singing sensation for a reasonable choice, not to convey prudence, and those who are a hero cannot fall in love with a special evil or a harmless person. That Rodrigo chooses that vchinok, which he wants to separate Yogo from Chimena, but not to let in neither Yogo, nor Chimena in the eyes of others: no one can say that if she loved an unworthy person. If the names are rozmіrkovuє about those, yak їy incriminate: if you won’t love Rodrigo, but її obov’yazok tse vimagati punish the one who drove in її dad - so it’s good to blame it. Vaughn to rob such a visnovok himself, you can’t humiliate Rodrigo for the honor of the father, it’s the fault of the good Rodrigo, having robbed like that to rob him. If it seems that it is not plausible, To the beasts to the core, write about those that this history is taken from legends, Spanish sayings. Vіn zrobiv tsyu kolіzіyu dramatic, dzherelі bulo: іspanskaya і іvchina, koї koї vіd Rodrіgo, go to the king: іїї її її її її її її її її ії її ії її papa, then let's wine on nіy befriended. Corneille made things easier. To enter the scene of testing, is guilty of reconciliation with the truth of the senses. Ximena does not reach permission for early warning, but її chanuvalnik Don Sancho is ready to intercede, in a duel of wines he appears wounded and recognizes Rodrigo's victory. Dona Uraka - an infanta, fall to the throne, like a critic's look - a zayviy character, she's zakohana in Sida, talk about her feelings, but not recognize the hero in them, talk about those who undermine them and that's all. Ale tse, in a first way, lends the concept of love to a reasonable choice, objectifies the goodness of Rodrigo, like Don Sancho, declares the goodness of Ximeni. The stench of good people is in the eyes of the eyes of others, and not less in their own. Tsya environment to rob these heroes is absolutely necessary for the development of the conflict. Given the fact that the rozv'azka is successful, if the deacons of the successors want to respect that the very fact that the friendship has been brought to the future - it’s doubtful, the tragedy is not in this, but on the right in the fact that tragic. Rodrigo can't stop being beaten. Vіn already entered. Axis iz tsim won can live. If Chaplin condemns the heroine, then in a flat moral sense Vіn maє ratsіyu, ale Corneille and great at tsomu, sho choose a flat surface, write about those who cannot get out of the quiet, who drive in your relatives. Factually: there is no tragic rozv'azki, the tragedy is inexorable, the trivaє pose of tragedy. And blame it on an even more effective dramatic background: it starts from a thorough well-being. On the right, not in the fact that Ximena and Rodrigo died, but in the fact that the father of one and the father of another - stink and think about future friendship, Gormes virishiv, that Rodrigo will become the man of his daughter. Nevipadkovo, Khimena, it seems: “immorally happy instilling me with fear” - such kindness can end in disaster. This catastrophe has a guilty father. Until the very last moment, in which the political life of France is growing: centralization, the formation of an absolutist monarchy, becoming strong and devastated, and for a certain moment, the task of absolutism, that support, is escaping, at which To stand up for the sovereign good, to that on which way. Rodrigo as a mentor for his son, Gormes sim images: why not teach the scum? Yogo can see youth rise up from the archaic point of dawn, Gormes exercises his right not to please the king, not to succumb to you. And Don Diego, like an older generation, seems like: ale piddany, and for him I’ll be the first, I can’t discuss the punishment of the king. The axis of the price of the new sight of the courtier was instilled by Don Diego. With whom, Rodrigo's heroic nature allows a lot of things. Vіn kills Gormes - the commander of the viysk, to that ocholuє vіysk against the Moors and vіn peremagaє, yogo is true before the king
Tvir
Corneille Born in Rouen, with this official. Graduated from the Єzuїtsky college, having won the tenure of a lawyer. Once, as if retelling a retelling, one of Corneille's friends, having known yoga with his kohana, but she saw the victory of P'erovi to her colossal guard. This history spurred Corneille to write a comedy. This is how yoga "Melita" appeared (1629). Potim - "Klitandr", "Widow", "Gallery of the Court", "King's Square" - forget them. Following "Comic Illusions", with її naming heaps of fantastic istots and podias, Corneille created "Sida" - a tragedy that revealed the glorious history of the French national theater, laid down the national pride of the French.
"Sid" brought the authors praise to the people that rozdratuvannya Richelieu (because there are political motives - a Spanish hero). Richelieu zazdriv, for he himself sings of filth. They attacked Cornel. The Academy took up the issue of pardons and reparations for the "rules" of classicism. Playwright for the first hour of the castle. In 1639-1640 - the tragedy "Horace" and "Cinna", 1643 - "Polyevkt". In 1652 - the tragedy "Pertarit" - a new failure. Zamovka on this rock, then at 1659 - "Edip". Rasin will come to change you. Corneille doesn't want to say hello. Voltaire in 1731 at the poem "Temple of Taste" depicted Corneille throwing his remnants of tragedy - "the cold old age of creation" at the fire. In 1674, Roci K. stopped writing and died 10 years later.
Dramatic ambush of Corneille. Breaking the rule of three things (hour, day and month). Saying that you are not approaching someone who does not know them. Sometimes they rehashed them. All the tragedies were inspired by the historical facts. Psychological conflicts, the history of feelings, the ups and downs of the tragedy in this tragedy had a different plan. The main characters of yoga are always kings and are seen as heroic individuals. The main dramaturgical conflict of K. is a conflict of reason and sense, will and desire, obsession and passion.
"Sid". The heroes of Corneille are for a great human age, for whom the stench is very romantic, but the stench is people with powerful people with feelings, passions and passions, stink people of great will. Stink people are healthy physically and morally. I feel strong in power, but every year the victory from them is significant. The image of Sid - the Spanish hero of a g_dny laurel, yoga of life - low peremog. Vіdomostі about Sіda – the historical person of Rodrigo Dias – K. otrimati from the heroic middle-class song, dedicated to the Spanish hero, from the lyric songs. Ale Kornelivsky "Sid" - completely original, national french tvir. From the number of stories about Sid, K. took only one - the story of Yogo Vesillya. Before interi asking the scheme to the plot, ringing the number diyovih osib to the minimum, blame for the interim scenes They are seen here, behind the stage, they are rarely spoken about by glances, and on the stage there are pictures of a folding internal struggle, like in the hearts of people.
Conflict obov'yazku that almost:
· Vchora father Kokhanih friends, today - opponents.
· The suffering image of the infant, the daughter of the king, instilling summaries of thoughts about the empty and marnot of quiet becoming zabobonivs, with which people have entwined their stosunki one by one (“Oh, almighty God, / Do not let the triumph of the ace, me rotten, / I fence my world, the honor of the fence "mine! / To become happy, I see happiness").
· Corneille, in order to psychologically correct Rodrigo for the honored father, showing clearly the injustice of Gormas: Don Diego tried his best to calm the count down.
· Rodrigo does not care, to think about those who can be deprived of the image without vengeance, would be dishonorable. Ale, the young man is suffering, you know that you are spending your kohana forever. Father and kokhan, love and honor stumbled at the unrecognizable protirichchi, mutually including one alone. One decision led yoga to waste happiness, and even to shattering.
· Ximena is facing a terrible dilemma, for one who cannot, in his love, sing Sid on the paths of slaughter.
· Gormas is a svavіlny feudal lord, not recognizing the authority of the king's power: yakbi vin vіd the king's decision on the cob is not discussed, as if for the sake of yoma don Diego, the yearly conflict buv.
· Young people succumb under the vagary of imposing aesthetic norms on them. "Skіlki suffering and tears koshtuvatimut us our fathers!"
· Don Diego mіrkuє with the coldness of the old logic: “We have one honor, ale kohankas! Kokhannya is nothing more than fun, honor is nothing more than bindings!
The tragedy of Corneille ends with a happy rozv'azkoy. Young people are roused by the order of the king. The borg of tribal honor and blood vengeance indulges the new laws, which were opposed to youma by civil and patriotic bindings. The interests of the sovereign outweigh the interests of that family. This is how the ideology of sovereign absolutism was formed, which, having acted among the historical minds of those who looked like a state monarchy, fought against feudal fragmentation and anti-state anarchy in the institutions of that state.
Tvir
CHIMENA (fr. Chimene) - the heroine of the tragedy by P. Corneille "Sid" (1636; another version - 1660). Historical background: Dona Ximena, daughter of Don Gomez, Count of Gormas, was the guardian of Don Rodrigo Dias de Bivar, nicknamed Sid (XI century). In the tragedy of Corneille X. - Passive character, which carries the main moral and psychological burden. Leaning at the double-valued camp (Kohaniy killed his father in a duel), X. woke up at the king's strata. Vaughn razumіє, scho, defending the honor of his father in a duel, Rodrigo vykonuvav patrimonial shoes, so that we would become better for the kohana. For whom the heroine is visibly foldable. Vaughn was choked with the valor and spiritual courage of Rodrigo, who had overcome his own passion and made him a national hero for his healing years. Ale can’t fight the Kokhan “for the sake of” this world’s colossal world, de Rodrigo was the “face of Khimeni”, and not the “shield of the Batkivshchyna”. For the heroine, the thought is hateful that, having chosen in her Rodrygo, the young horseman, to give Sid as compensation. Rodrigo's fault for X. itself is that he became a Sid and cim was moved in the face of a new special butt. And the social, stately world, which now deserves kohaniya, for her, as a year for the other heroines of Corneille (Camilla in Horatia), - the abstraction was unreasonable. Since the theme of Rodrigo is the search for harmony of specialness and the light of the suspile, then X. makes a special protest against the need to equalize the appointment of understanding. For this sense, the heroine of Corneille is a baroque character as a whole, and that conflict with Rodrigo is a kind of manifestation of the inter-opportunities of the “new”, classicistic harmony of the special and the social. Situation X. riveted to itself the respect of the contributors to the cob of the history of "Sida". Corneille's co-workers called the heroine immoral, saying that she should "repair more like a kokhan, lower like a daughter." In modern root knowledge (O.Nadal, S.Dubrovskі and іn.), it is possible to cast X. in lack of strength of mind. Tim at the hour of X. is a more romantic image, and the theme of the heroine is to fight with yourself, to help yourself, often praise the public, lower the story of a soulless, morally strong Sid. It can be said that X. conveys not only the famous heroines of Corneille, but also the wicked, sly, disobedient women of Racine. The first vicar of the role of X. at the premiere of "Sida" at the theater "Mare" was paid 1636/37 rubles. Bula Mademoiselle Vilje. Among the famous female roles X. - Maria Casares, played a couple with Gerard Philip (1951).
Magnificent images of suvorih, bullock heroes hang on to the idea of a patriotic binding, which is understood as a servant of the state in the name of the king. Characteristic for classicism is the theme - zіtknennya special interests with the sovereign borg - allowed by Corneille to slander the binding, wanting with great strength to depict the tragedy of the human senses, as if to respect the absolutist sovereignty.
Corneille. Sid. Film 1961
Corneille's best creation is his early song "Sid" (tragicomedy, which means "tragedy with a happy end" - not accepted by classicism as a genre). The plot її is taken from the middle Spanish epic, but imagine that problematics inspire the French life of the 17th century.
P'isa is adopted by heroic pathos. Yunak Rodrigo to the maiden Ximena, who loves one alone, sacrifices his love in his obsession, in this way - obsession to fight for the honor of his fathers: Rodrigo beats father Ximena into a duel, which has formed a blunder of his father; Khimena, with her help, fought Rodrigo’s strata for driving in his father. Spiritual conflict of both expressions majestic power, especially in the famous monolosis of Rodrigo in VI, the manifestation of the first diy:
I am the witness of the internal war:
My love and honor at the unreconciled struggle:
Intercede for the father, call Kohanoi!
That one calls to masculinity, that one trims my hand.
Kokhannya, by which Rodrigo and Ximena sacrifice, is depicted as a great heroic feeling. Skin from them, having made this sacrifice, die. Majestic and at the same time savage is the scene of їhnyoї zustrіchі after the driving in, as if it crossed their way to happiness. No resentment in the air of zhorstoy ob'yazku, ale, parting, widely hang out their human bіl.
Most of the heroism is shown here by the one who herself shows courage and strength and does not put up with weakness and slander. As I explain to Rodrigo Ximena, slandering the inner superchick to the fury of the shoe made me think about those
Who is the one who blazed me called bachiti,
Humiliated may be hated.
Ximena vіdpovіd declares to Rodrigo:
Worthy of you to torture you to drive.
Rodrigo is glorified as an ideal warrior, as a tribute to that honor, as a patriot, as a heroic heroic deed for the defense of the fatherland, and as a slaughter, ready to die for his kohannya.
Vіn tsіnuvav, like the best of vіtchiznі,
Passion for Borg and passion for life.
Yogo's character, in such a rank, is not remade on a schematically instilled one figure, the power is almost given to him by the liveliness and perekonlivistnost.
P'esa is more than a reading for your everyday life. The main problem is revealed by the numerical miraculousness of the heroes and logically clear symmetrical contrasting images: from one side, Rodrigo is the only blue one with his love and bondage in front of the father; from the other side, such a camp of Ximena has only one daughter. Above the mustache, as a judge, the king,
A logical analysis of the conflict is spied and the sound of the verse is clear. Among the classicists of Rome, they are strikingly naked in sensual phrases. Parallel to the everyday two rows of rows or two halves of the row, Corneille creates hospitality:
Ximena:
Vіn donka having spared the father!
Don Diego:
Vin honor turning the father!
Prote's absolutist ideology is far from consistent in "Sidі"! The victory of obov'yazku seems to be inconsistent: Ximena can easily win a place for the death of her father. Heroes p'єsi - independent feudal lords, yakі it is important to take into account many liberties; vodpovidalny vchinki stench roar at your fear and risk, fight in fights, against which at that hour Richelieu fought fiercely. The most tidy of them - Father Khimeni - allows himself to criticize the decision of the king in unpretentious tones.
In p'єсі non-strict dorimani and artistic rules for classicism. I did not replicate the genre of tragicomedy, nor the Spanish middle (replacement of the ancient) plot. The damage to decency was shown by a blunder on the stage. Expanded cloudiness three singles: the place is changing in the boundaries of one place, the hour is Corneille's stretching up to 36 years, moreover, in this term, in the words of Pushkin, "having piled up for as many as 4 months." The day of life is destroyed by the roll of the infant, daughter of the king; before that, її love to Rodrigo, a young man of non-royal blood, also depicted the norms of the court.
For all the steps of "Sid" to the aid of Cardinal Richelieu, regardless of the great success of the public, but the condemnation of the French Academy.
