Maria Alexandrova: "Trying with freedom is not a serious word." Maria Alexandrova: “My greatest disappointment is the reconstruction of the Great Theatre.
Maria Aleksandrova was born on March 20, 1978 near the city of Moscow. The girl began her creative path in the Kalinka ensemble, but after an hour she began to show a little interest in ballet. At the age of ten, Maria entered the Moscow State Academy of Choreography, and Lyudmila Kolenchenko began to study ceramics. Over the years, Larisa Dobzhan and Sofia Golovkina acted as mentors.
During the period, she took part in the ballet productions of "Luskunchik", "Kopeliya", "Chopiniana". For a long time її as a partner on the stage, the dancer Mikola Tsiskaridze will be with the future dancer. Graduated from the academy of choreography in 1996. In the same period, they began to appear at various international festivals.
Particularly successful for Maria Oleksandrova was the Moscow Ballet Competition. Within the framework of this forum, which took place near the Russian capital in 1997, the girl viconaled a variation of Gamzatti from La Bayadère. Yaskravy the dancer's performance brought the first prize to the competition, and at the same time from it the most prestigious request to the corpse of the Great Theater.
Vikonuvati on the stage of the Great Theater Oleksandrov's solo part began already in her debut season. Let us also take into account the fact that at that hour the girl was still respected by the dancer of the corps de ballet. Dali ballerina took part in such productions as "Dream of Don Quixote", "La Bayadère", "Legend of the Kokhannya", "Luskunchik" and others. Marina Semyonova was a mentor and tutor for tі roka її.
Talanovita, a young ballerina, played her first solo part: the role of the Queen in the production of Fantasies on a Theme of Kazanov on June 19, 1997. The vistup appeared in the distance and less than a month later it broke at the corpse warehouse of the Great Theater on tour to New York.
At the beginning of the 1998 season, Oleksandrova was transferred from the number of dancers of the corps de ballet to the category of luminaries. In today's ballet, representatives of this category of dancers see corps de ballet dancers from the mainstream and are in the middle of them in the foreground. After some new speeches, as if they were not left behind by the unremarkable Russian critics. In 1999, the authoritative magazine "Ballet" awarded Oleksandrovsky with a prestigious prize in the nomination "Outdoor Zirka". Such a height of knowledge has propelled the young ballerina to new heights.
In 1999, Maria played a few new numbers at ballet productions and was officially transferred to the soloists of the Great Theater without a bar. At this hour, Tetyana Golikova became a permanent tutor. Beginning in 2000, Oleksandrova became one of the leading stars of the Great Theatre. At once, with a ballet corpse, she circled a rich country. Tours of the theater took place in various places in Russia, and in France, the USA, Finland, and Italy.
Unforgettably in 2004, Maria won the prestigious theatrical award "Golden Mask". Through the river, a collection of special cities also received a certificate of awarding me the title of Honored Artist of Russia. Later, she was also awarded the title of People's Artist of Russia. Throughout his career, Oleksandrova has played over sixty different roles, most of which are respected by the eye of the lofty ballet art.
In the middle of 2013, the ballet dancer had a bad luck: on tour with the Great Britain, Maria hurt her leg. The injury turned out to be serious, the achil tendon ruptured. At that time, the artist managed to perform less at the first planned exhibition of the Great Theater "La Bayadère". At the beginning of the dance, Oleksandrova bumped into her partner Vladislav Lantratov, which led to injury. The first help was given to the artists at the stage in Covent Garden, after which the ballerina urgently flew to Russia. Prima was inspired by the river, after which she triumphantly continued her dance career.
Farther, in the middle of September 2017, the fate of the creative biography of Oleksandrova changed. Without explaining the reasons, the admission of the Great Theater wrote a statement about the release vlasniy bazhannyam. The administration of the theater, as well as the dancers of the ballerina, who knew about the call, were shocked by Mary's decisions.
Prote Maria reassured the fans of those who can not throw a ballet, but want to work with other dance groups, to enter the international stage. In part, the maiden sooner inspired my dream into life: Maria Oleksandrova, fatefully, earlier took part in the plastic production of the Provincial Theater under the name "Caligula", de viconal the role of Caesonia. Vistava was staged between dramatic and choreographic art by director Sergiy Zemlyansky.
After her departure from the Great Artist, she signed a contract with American colleagues, and already, for example, in June 2017, Maria performed in New York at productions that were called “Deesses & Demones”. The partner of the Russian woman was Blanca Li, costume designers: Jean-Paul Gaultier, Azzedine Alaya and Stella McCartney. The performance of the dances of exclamations reveals the different facets of women's special features: from angelic inclinations to demonic dailyness.
At the fall of the same rock, Maria Oleksandrova visited St. Petersburg, she performed at the concert “Choreographer”, dedicated to the 80th anniversary of the choreographer Oleg Vinogradov. On the stage of the Concert Hall "Zhovtneviy", Crimean artists of the Great Mariinsky theater, the stars of the foreign stage also performed: dancers from the USA, Pivdennoy Korea, Spain, Nimechchini.
On the occasion of breastfeeding 2017, the artist took part in the light premiere "Nureyev". The image of the main character on the stage was inspired by the premier of the ballet company Vladislav Lantratov. Maria Alexandrova at the production, as if before she left, she made a rich galas, vikonalized the part of Margo Fontaine, chosen image Radiant dancers Alla Osipenko and Natalia Makarova were inspired by Svitlana Zakharova. Music to ballet, imagining a fusion of classical dance, opera, choral, dramatic and cinematic art, written by the composer Illya Demutsky. Kirilo Serebrennikov acted as librettist, set designer and director of the action. Choreographed by Yuri Posokhov.
Nagorodi and Vyznannya Mary Oleksandrova
1997 - I prize at the International Ballet Competition in Moscow.
1999 - Prize to the magazine "Ballet" "Soul of dance" (nomination "Vihidna zirka").
2004 - National Theater Award "Golden Mask" for the victorious part of the Classical dancer in the ballet "Light Strumok" by Dmitri Shostakovich staged by Oleksiy Ratmansky (season 2002/03).
2005 - Title "Honored Artist Russian Federation».
2009 - Title "People's Artist of the Russian Federation".
2018 - Awarded the Leonid Myasin Prize (Positano) in the category "Dance of Rock on the International Stage".
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make-up: Kirilo Shabalin @Yves Saint Laurent
Hair: Evgeniya Lenz
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Prima of the Great Theater Maria Alexandrova,
became the heroine of our svyatkovo fashion-picture, told Posta-Magazine about the new vistava, the price of words, “ours” and “them” and the most important in life.
We got in touch with Mary Oleksandrova a few days before the premiere of "Kaliguli" at the Moscow Provincial Theatre. At the production of the director and choreographer Sergiy Zemlyansky for motives one-name p'єsi Alberta Camus, the prima ballerina of the Great Theater, plays with the squad of Caliguli Caesonia, as if in her love she is ready to accept all the blood sheds for the sake of her own pleasure. Vaughn baiduzhe guards for the driving in that atrocities of a person, the guilt of someone is stingy, you know, you don’t know between. You can’t look at Caligula in zhorstokostі, talking about Seneca, that nature created yoga “let’s see, to show that the building has unbearable depravity in the one with unbelievable dominion,” but she accepts the rules of unsafe gris, how to bring it up death.
The caesonia at Vikonan Maria Oleksandrova is Vladna, proud, chutteva. Її the image is formed by stingy changes, an ice of memorable turns of the head and quick glances - in contrast to the roaringness of Caliguli. She creates an anxious tension with her appearance on the stage alone.
Watching for Oleksandrova at the premiere, I thought of our rosemova, if she said that she would obviously become a dramatic actress, Yakby did not take the ballet. Vaughn is organic in any way, just as the ungracious student in Flindt's "Uroci", the divine Giselle, or the proud and self-sufficient Carmen. With such lightness, she changed at the hour of our marriage: she was either a funny girl, or a woman-vampa, or a comical non-manshey from the defense of Zoshchenko.
She has inner strength and wisdom of a mature woman - and with whom, as childishness, it manifests itself in smart prices for dribnitsy and for the sake of dribnitsy. And for the simplicity of the splintering, one observes the peculiarity of the principles. Yaku duzhe tsіkavo rozkrivati.
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Cloth with a seam and viscose Laroom ; a necklace made of a sreeble and a girsky crystal, a ring made of a blackened sreeble with garnets. Axenoff Jewelery
Inna Logunova: Caligula is plastic, not choreographic. Why did the form catch on? Even more technically for you, it’s a little more complicated than a factory, and a ballet performance.
Maria Oleksandrova : From two reasons First, to the fact that it is so chi іnakshe prodovzhennya the theater - like me like people, like all life to spend on stage, cіkava in all forms. Another reason is Sergiy Zemlyansky.
Have you worked with him before?
So, for the time being, we got together with 2009 roci - vin putting a number for my creative evening. Then, by stretching out, we didn’t thaw at the hands of the robots for a long time. Three years ago I spent on yoga "The Lady with the Camellias" at the Pushkin Theater and followed by "The Demon" at the Yermolova Theater - incredibly powerful performances, they hooked me to my life. And the last fate, literally two days later, I “flew” before the yogo “Inspector”, all in the same Yermolovsky and was simply dazzled by Sergin's talent. I was enormously satisfied with my participation in my performances - with the very production of that kind of team, the result of the forging of a unique positive. From quiet moments that are overwhelmed with you for all your life. That, if Sergiy phoned me a few months ago and asked me to take part in a new performance, I, without hesitation, came in handy - and only later did I start asking questions: what, de, why?
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At the performance, you enter the stage at once with the actors, which you faintly smell - it was easy for you to know spilnu mova with them?
We speak with them like we do with those who feel and speak, in this sense there is no care. At the rehearsals, the stench helped us, if it was the hour of the day we had the opportunity to score the language of gestures. We are also explaining, showing. We have developed a marvelous atmosphere among the team: everyone understands one and the same literally from the turn of their backs. Bulo chimalo comical situations. For example, one time the lads, pissed in the coddle, chewed up their mumbling words, and then Sergius turns to them with the words: “Well, why did you get angry?”
You seem that the plastic dance performance is not related to my voice. And all the same - would you like to try yourself in drama?
Zvichayno. They often ask me in interviews: if I’m not a ballerina, then I became Kim bi. I for sure confirm: a dramatic actor. The stage is light, for me it’s too loud, for me it’s impossible between and everything is possible. Meni is there.
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More shortly, lower for a great life?
Not those are better, faster, smarter.
And what is tsikavo - transformation?
Croc himself on stage. She started all the cicavo. Learn how to shine a promise. Otherwise, don’t shine, if you need such a wine - and you’ll be spinning like that. In my ballet profession, there is no possibility of transformation, for an hour it is simply unattainable, for that we are still bound by a physical warehouse. And the image is formed from various speeches - rehearsals at the hall, mutually with a partner, from that, as a suit.
I'll get the vihoja on stage if I can say something. For the very same reason, I also like tsikav non-classical performances, in which you don’t have a singing set of ruins, you can shove for yaks. As in the ballet you can indulge your soul and drink more deeply in the body, then you need to be spiritually inspired, otherwise you won’t see anything.
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As if, guessing childishness, you said that you had already understood the childishness that "ballet will teach you life." Naygolovnіshe, why did I teach you?
From one side, I was safe from the majestic number of unreasonable people, with a kind of mimicry in my life. From the other side - having given the sight of your light, that call, that I am making a vlasny path. Relating to people, that understanding of the fact that all of them are not bad is not good, it's just that the skin has its own p'esa. And what I have always been like at the ballet - so it is possible to do without words.
Why is it easier for you without words? You do not cope with the anger of a closed person.
Because the word is more important to me. Yakshcho the person said, it means maє zrobiti. I do not like words, for which there is nothing. I have already grown up as a girl, and I judge people over the toppings. Somehow the ballet is less sensible. I don’t fight, maybe I can’t win, the role can’t fall apart, but you’re trying to help, so you’re still left with the people to do.
One often speaks of ballet like the closing of the world, speeches in one's own mind. Are your near ones more important than ballet people?
Rіznі. For good luck. Insha river, that number is small. With this sensei I am not like a comrade man.
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We all intuitively subdue people into our own and others. I'm not talking about sympathy or dislike. It's just that one blames a spiritual connection, and others ... And others - less statistics for our life. The axis of your people is out of the yak?
Talanovity. Reasonable. With humor. The one who believes in kindness. Let the wine have mercy, for an hour you get hung up on some of your chvars, but all the same, you are a person, as if you believe in a kohanny. Yakiy vmіє pratsyuvati and tsіnuvati those that can be contagious. Don't stain yourself on dribnitsa.
Is life the most valuable?
Can't say in one word. People are destined to love, to marvel at life through the same word.
How important is knowledge to you, glory?
The recognition of that glory was by no means my dream. I always wanted to, schobi was tsikavo.
What, navit in school, let's say, 15th anniversary? For whomever, I have a chance, a lot of people dream about glory.
No, it didn't happen. Nikoli did not dream about pennies, that glory is great. I remember for a while, I always said: I don’t want to be the first, I want to be the best. I always sang at the kokhanny.
Skin maє their fears, yakі we have to pay. How do you cope with your own?
And I rush to the steam locomotive. I am aware that I am afraid - and I take care of myself, I say: so, it’s possible to spend money on the way, but I buy more richly. With the fear of principle, you can fight in only two ways: either by getting naustrich, or by looking at it.
Why are you not ready to put up with people?
With lies.
Who are your ballet idols?
I didn’t have any idols, as if from the very childhood I’m not able to think of everything. Ale zavzhdi with great honor was put up to talent, strong individuals, individuality - to the fact that people themselves are ruining the whole world. But I didn’t want to inherit.
But then again, your readers have thrown at you, even if it’s inevitable.
Most of my teachers at the school, in the other world, have deprived their voucher. Zavdyaki one I have miraculous hands, others - well placed at the professional sense of the body, the third - actor's individuality. I was lucky that the teacher, with whom I worked at the theater, Tetyana Mykolaivna Golikova, did not in any way respect the manifestation of her individuality. Singingly, I was respectful in me, but in the end, she delicately corrected me and led me forward, for which I am already vdyachnaya.
Are you a happy person?
Why rob you happy?
It’s already rich ... Ale first for everything - I’m walking the path of love: I’m engaged in my favorite profession, I work in my favorite theater, I have a kokhan and a loving person. I’m sorry.
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The graceful and talented ballerina Maria Oleksandrova is called the best dancer of our hour by dancers and dancers of ballet. The prima ballerina of the Great Theater has gained fame and glory for her nameless excellence and, of course, unparalleled talent.
Maria Oleksandrivna Oleksandrova is a native Muscovite. The girl was born in lime 1978 in sіm'ї, as I can't get to the art. Spontaneously, Masha was engaged in dancing at the children's ensemble "Kalinka". Ale, without delay, began to show interest in ballet. At the age of 10, Masha entered the capital's academy of choreography, where the mentors celebrated the success of the ballerina-pochatkіvtsya.
Diploma of the Academy Maria Aleksandrova took off in 1996. At that moment, the young ballerina already managed to recommend herself to the best.
Ballet
Even during the period of training at the Moscow State Academy of Choreography, the dancer appeared at a number of ballet performances - "Luskunchik", "Copelia" and "Chopiniana".
A long hour as a partner of Mary Oleksandrova behind the stage Buv. During the hour the dancers performed at various international festivals.
The successful performance of the young ballerina at the capital's competition of ballet artists in 1997 brought Mary the main prize for the competition. The judges highly appreciated the Vikonan Oleksandrova's part Gamzatti from La Bayadère. Ale, the ballerina's head overthrow did not appear in the city, but was requested to the corpse of the Great Theater.
The debut of the ballerina on the stage of the Great in the season 1997-1998. Todі Maria Alexandrova was the viconal of the first solo part, although she was also listed in the corps de ballet. Pozіnovuvachi tsgogo type of art first sang the talent dancer at the productions of "Luskunchik", "Dream" and "The Legend of the Kohannya". Oleksandrova’s coach during this period was a ballerina and a talanovite mentor.
On June 19, 1997, a ballerina with a height of 162 cm and a weight of 45 kg performed the part of the Queen in the play Fantasies on a Theme of Kazanov. The vistup turned out to be successful, but a month later Oleksandrova was taken to the group, as she was violating on tour to New York.
After the tour, at the beginning of the 1998-1999 season, the talented ballerina was transferred from the corps de ballet to the category of luminaries.
For the sake of the season, the renowned Ballet awarded Mariya Oleksandrivna Oleksandrovya with a prestigious prize in the nomination “Skhidna Zirka”. That same fate, a ballerina, as a victor of lowly glittering parties, was officially transferred to the soloists of the Great Theater.
At the new capital, Maria Oleksandrova was recognized as the prima ballerina of the Great. With the corpse of BT, the artist rounded up half of the world. Marie often came across propositions from ballets in New York, Paris and London. Ale Masha didn't want to leave the Fatherland, dezumila made such a brilliant career.
In 2004, the dancer was awarded the prestigious theatrical award "Golden Mask" for her performance in the production of "Light Strumok". For the river, Maria Alexandrova won the title of Honored Artist of the Russian Federation. After 4 years, she became the People's Artist of Russia.
At the fall of the leaves, Maria Alexandrova visited St. Petersburg, she performed at the concert “Choreographer”, dedicated to the 80th anniversary of the choreographer Oleg Vinogradov. On the stage of the Concert Hall "Zhovtneviy", around the artists of the Great and Mary theaters, the stars of the foreign stage also performed - dancers from the USA, Pivdennoy Korea, Spain, Nіmechchini.
The light premiere of "Nureyev" rotted away the artist like she was on the cob of the breast on the stage of the Great Theatre. The image of the main character on the stage was inspired by the premier of the ballet company Vladislav Lantratov. Maria Alexandrova at the stage, as if she had made a rich galas before the exit, she played the part of Margo Fontaine, and Alla Osipenko blew the selected image of the radiant dancers.
Music to ballet, imagining a fusion of classical dance, opera, choral, dramatic and cinematic art, written by the composer Illya Demutsky. Acting as a librettist, stage designer and director of action. Choreographed by Yuriy Possokhov, orchestra conducted by Anton Grishanin.
The performance was sold out, the hall was full of the worldly public, including representatives of the political and business elite. It is expected that the rights to the performance will be sold to a European theater group, while the upcoming show has been announced in Great Theater for the end of the month of 2018.
Maria Taglioni is a great ballerina of the 19th century, a representative of the famous Italian ballet dynasty Taglioni in the third generation, one of the central positions in the ballet of the era of romanticism.
Mary was bornApril 23, 1804at the same choreographer and choreographer Filippo Taglioni. The girl is not small, neither a ballet figure, nor a special soundness. Ignorantly on tse, the father virishiv robbed her of a ballerina. Maria started at Vydni, Stockholm, and then at Paris with Francois Coulomb. Later, the father took care of Mary himself, in 1822 he staged the ballet “The reception of a young nymph to the palace of Terpsichori”, with which Mary made her debut at Vidnia. The dancer moved in the presence of the important outfits that were attached to the ballet at that hour, peruk and make-up, walking on the stage only in a modest light cloth.
Maria reprimanded the Parisian public in 1827 as a dancer at the Venice Carnival, from that hour she often danced at the Parisian Grand Opera. Then she danced at London's. There, at the theater in Covent Garden. At Birch 1832, at the Parisian Grand Opera, the premiere of the ballet "Silfida" was held, which marked the beginning of the era of ballet romanticism. She herself introduced the tutu into the ballet, and then she first demonstrated the dance on pointe shoes.
Fifteen Fifteen Years Coming Maria Talion toured all over Europe: from London to Berlin and from Milan to St. Petersburg. Її the repertoire was formed by the leading rank from the productions of її dad. According to eyewitnesses, the dances of Talion were infused with grace and refinement. The best roles were in the ballets: "God and La Bayadère", "Silfida", "Zefir and Flora".
Bouvier, Jules. Marie Taglioni. At tance of Mazurka in the ballet, "La Gitana".
In front of the Petersburg peepsTalioni stood up1837 rock. That's true buv success, but triumph. It became so popular that the caramel "Talioni", the waltz "The Turn of Mary Talioni" and the capillaries "Talioni" appeared. Karatigin wrote the vaudeville "Lodge of the 1st tier for the remaining debut of Taglion", in a popular offensive couplet:
"Talion charіvnіst, zdivuvannya,
So inexactly garna,
What is in it in simple Russian
Remember the miraculous soul...
Do not tell about her in words,
Do not discuss її with your mind;
What seems to be with their feet
You can't say that with your tongue."
Hmara z gas. Ale krіm ballet pointe shoes Maria Talioni brought magic and spectators one more novelty, which she also presented in the ballet "Silfida" - a white tutu, which became an unbearable symbol of romantic ballet. Qiu "Hmaru z Gazu" was the artist and fashion designer Ezhen Lamy. The lightness of the tunic, which shaped the flower with its shape, that it sprung up, did not only help the dancers win the nevagom, but technically folded haircuts, but it was built, especially, unearthly light, the flooring was necessary for a romantic ballet. True, the image that Tallion inspired on the stage, long before the premiere, was slandered by Parisians in fashionable magazines. Open shoulders, streamers of light fabrics, deuce exude.
The Parisian fashionistas posed at the ballet heroine її shawl: thrown over her shoulders and falling on her hands, she gave the lady's silhouette a melancholy look, mute zupinenіy at the beauty of the Sylphides.
Famous ballerinas of the Royal Opera: Carlotta Grisi, Maria Taglion, Lucille Grand, Fanny Cerrito in Pas de Quatre
" Sіlfida" is an absolute symbol of the romantic ballet. In "Sіlfida" the ballerina Maria Taglioni first rose to pointy ("not for the effect, but for the sake of figurative tasks"). , if the dance "kovzal" on the stage, mayzhe not sticking to the log, and zavmirala to the flying arabesque, nibi miraculous force on the curve of the bent foot.
The plot of the ballet of foundations based on the fantastic novel by the French writer Charles Nodier "Trilbe" (1822). Premiere of ballet to music French composer Jean Schneitzhoffer appeared in 1832 at the Grand Opera in Paris.
In 1832, Mary became the deputy of the Comte de Voisin, but continued to wear girl's ghost and did not leave the stage. Having abandoned the theater in 1847, she lived most importantly in Italy, near the vlasnih villas. She gave ballet lessons. Once, she showed up in Paris, only for the amazement of her student Emmy Levy, a visionary star, who resurrected the classical ballet traditions forgotten for a day at the entrance of Taglion. For this debutante, she wrote the libretto for the ballet Metelik (with A. de Saint-Georges).
Choreography by Maria Taglion
Jacques Offenbach "Metelik". Provisions at 1833 roci
Irina Kolpakova and Sergiy Berezhny
Antique pas de deux staged by Mary Taglion
Maria Taglioni died in Marseilles in 1884, buried in the Père Lachaise church. An epitaph is stepped on the tombstone: "ô terre ne pèse pas trop sur elle, elle a si peu pese sur toi" (Earth, do not press too hard on it, even if it stepped on you so easily).
The famous ballerina that simply beautiful Maria Vinogradova dances on the stage of the Great Theater. HELLO! presenting an exclusive photo shoot and interview of the new Russian ballet scene. Talanovita, artistic, technical, ideally folded right hand beauty Maria Vinogradova - embellishment of the stage of the Great Theater. Last year, Maria Vinogradova became the squad of the famous dancer, the star of the Great and Mikhailovsky Theater Ivan Vasilyev: now the stench of the Daedals often dance together. On June 3, Vasiliev and Vinogradova appeared at the same time at Giselle on the stage of the Mikhailovsky Theater in St. Petersburg, and on spring Mary takes the fate of the new premier, like a ready-made person.
Masha, become a ballerina - why was the dream of childishness?
So, I had less than three rocks, but I already could not live without dancing and music. The fathers succumbed to my predilection and turned me down to the edge. There began to appear my zdіbnostі. I had more soft, crumbly drifts - the stench of the children, the principles of soft, elastic, but they could just "tie up" in any vuzol. (Smiling.) For an hour I studied in the same group, and then I was accepted into the Loktev Song and Dance Ensemble. There I found out that all the girls enter the taemnicho academy of choreography. I virishila, scho me tezh treba tudi.
- Your fathers from the ballet world?
No, zovsim. Mom is an economist, and Tato is a chemist. They didn’t have any annual contacts with the ballet world...
- Tobto you entered the academy of choreography not for blasphemy.
What are you, behind some blat? I don't know such an approach. Just through my stubborn character: I'm Gemini according to the horoscope - I always do my homework.
At the academy, you, singly, dreamed of becoming a soloist, and not the "right-handed third swan"?
Well, obviously. (Smiling). Appetite to come pіd hour їzhi. At the first class of the school, I still didn’t “stand on my feet” better for the ballet worlds: I had a four for the classical dance, but even from the other class - “Vіdmіnno”. I was already busy with a lot of work, and in an hour they began to give me solo parts. If I stepped onto the stage of the Great Theater in "La Bayadère" - there is a small party there, how do the students of the Academy ring out to win - I realized that I want to dance only here, on this legendary stage. In 2006, after graduating from the Academy, they asked me to look at the Great Theater and they took me from the corpse.
- At the Great Theatre, did you start the corps de ballet?
So, the ultimate practice: no matter what kind of successful parties you danced at the academy, you start everything from scratch at the theater. I started from another chord to the ballet. Then I moved on to the first. Then she became a luminary, a soloist, a first soloist. I went all the way - from the highest step to the leading soloist.
- What is your favorite role-party today? Giselle, maybe?
Yes, Giselle. I also love the role of Shirin in Yury Grigorovich's "Legends about Kokhannya" - a ballet that turned on the Historical stage of the Great Past Season. If the theater is under repair, the performance is out of the repertoire, I respect the majestic fortunes that they turned it around. Good luck with Yuri Mikolayovich Grigorovich. I first stumbled upon him, if I danced Anastasia in the yoga ballet "Ivan the Terrible" - I solidified me for this role. Yuriy Mikolayovich is a true genius.
At the ballet premiere of the Great, the performances of "The Hero of Our Hour", you dance Bela. Did the directors see your hot temperament?
Do not know. (Laugh.) But my heroine is more like me, and the whole party is like a garn. Ale is not easy. All 30 hvilin, until the trivaє vistava, you perebuvaєsh on the stage, and there is no chance to take a breath. Plus a foldable suit. Vin trisharovy. Along the way, I twist and get stuck in tops and pants, otherwise I’ll have to dance with such an axis of “vantage”.
- Masha, did you see it and wild, like Bela?
- (Laugh.) I'm not convinced that I'm wild, but I'm not overbearing. About the best thing for my man to sleep. Vanya tell me: "Shortly I don't know what kind of check you have."
You got to know each other, rehearsing "Spartacus". Yak vinik novel? Vin - Spartak, vi - Phrygia. You are separated on the market of slaves ...
- (Smiling.) I don’t think that Varto draws such parallels ...
- How did Ivan Vasilyev cheer you up? Cream talent, zrozumilo.
Even richer ... I love yoga even more. Vin is simply the best. Vanya has a faint sense of humor. I sche vіn honest, vіdkrit i, smut, vіdpovіdalna lyudina.
- Tobto behind him, like behind a stone wall?
Yes, just like that.
- And you are tenditna, lower. Primhliv?
Capricious. (Smiling.) Well, my mood changes often. Ale Ivan absolutely calmly take everything. No way fight, no way start. The ideal person for me. Absolutely.
It doesn’t matter if you let it go, you, Crimea, cheered him up with your beauty. Vzagali, beauty for a ballerina - why are the cities "not the worst"?
I don’t know... Sometimes, boo, I smell it at my address: “From, little muzzle, that’s where it’s going to dance.” I didn't want people to think that about me. Tim, I no longer respect myself for being especially beautiful. We have a lot beautiful girls in the theatre.
- Do the tiles bother you?
I have a strong character. I already said: I, if I want to, I will not show respect for anything - the axle was like a stinger. Buvayut, zvichayno, moments, yakі me zachіpayut. In such moods, I begin to worry, and Vanya calms me down: "Well, that's it, well, let's think about it already ..."
- How do you put yourself before criticism?
Ivan Vasiliev
The problem is that in us zovsіm did not have an hour. We importantly knew the date, if we were offended in Moscow. Vanya on the day of the wedding is less than 3 years old when he arrives in Moscow. We just got married and had an evening with the fathers ... Ale, it’s possible, it’s more sacred to me.
- Yak Ivan zrobiv proposition?
I turned back home from rehearsals. She went in, babbled, that the whole room was sizzling with trojans.
- Does he pamper you?
Yes, greedy. (Laugh). Vіn stіyno rob me like gifts.
- Which buv is the most memorable?
I had a premiere - Van was not in Moscow, and he gave me a ticket to the theater. After the visit, I go to the service pickup, and there the cat is larger in size for my car. I її so i left it. And the next day, the lads helped me carry її to the dressing room - it occupied the whole room.
– Do you like surprises yourself?
I swear! Recently, I had a surprise. We have run out of time until the end of the holiday, and I bought a small tour to Rome for three days. I booked everything, booked wonderful excursions - to the Vatican and the Colosseum. Vanya had a lot of time at Rome, and then he started a tour for an hour, and, in fact, he didn’t do anything, and at the new boul it was a long time ago to see the Colosseum. Vіn the dance of Spartacus, and for the new it was important to dance on the vlasnі eyes of the arena, where gladiatorial battles took place, to be transferred to this atmosphere. I was lucky that Vanya was more than happy.
Your man tells you that you cook miraculously, and once for the sake of your meatballs, you will not be impressed by the president of Russia after the ceremony of opening the Olympics in Sochi. Why are the cutlets so charming?
Cutlets with turkeys with buckwheat. (Laugh.)
- Did you learn how to cook deliciously?
My mother is already deliciously prepared - maybe, it was passed on to me from her. Plus, I always drank different cuisines, searched for recipes on the Internet.
Even people think that a ballerina and a kitchen are nonsense words, like genius and recklessness.
Tse zovsіm negarazd. Ballerinas prepare just like that, like everything else. I drank dumplings with my ballerina friend. I bake pies, cook soup. Well, if the hour permits. If I want to go out every day, then I won’t do it. Ale, I’ll make snacks forever: porridge, scrambled eggs, eggs ...
Vasilyev and Vinogradova at home and Vasilyev and Vinogradova on the stage - are there two different bets? Can you love one by one at a vіlny vіd robot and hour that barking rehearsing?
At the same time, I don’t get laєmosya. I'll listen to Vanya forever - for me, this thought is even more important. I want to know that I can’t be in the mood to mess up.
- Adzhe Vi danced in the first ballet production "Ballet No. 1" and now you are getting ready for the cicava.
You know, I'll make the work on "Ballet No. 1" like a hard hour. (Smiling.) Not only did we spend a whole day in the rehearsal room, but when Vanya was at home, he continued to dance, and vigaduvati. I said to youmu: "Will you be fooled already? Come on." I sat down on the sofa, dvі khvilin vіdpochivav, getting up and starting to dance anew: "How so, marvel?" I remember, I was in the kitchen, and I was in the room. Vіn "peretantsyuє" pіvkvartiry i vyyavlyаєtsya order zі me. (Laugh.) Axis at once we start to rehearse Vanya's new performances, and I see that history will repeat itself.
The season at the theater was celebrated with "Swan Lake". You win the Russian dance: the Russian beauty in the kokoshnik is a role that was created for you. Ale, Odette-Odile, do you want to become?
So, Odette-Odіllіya - tse mriya. Ale, for which image it is necessary to "survive".
Make-up artist and hair stylist: Olena Zubareva (The Agent)
Set designer: Illya Nemyrivsky
Photographer's assistant: Mikhailo Kovinev, Andriy Kharibin
Stylist assistant: Inga Soboleva
Producers: Yana Rudkovska, Natalia Oreshnikova
Clothes: EDEM COUTURE
