The ballet "Pakhita" was staged at the Mariinsky Theater. Evening of old choreography
Diya persha
Scene 1
Valley on the outskirts of Zaragoza. On the pagorbs, you can see great stone bulges of rough sculpture far away. Right-handed towering majestic rocks with natural gatherings. Here is a gypsy mantling.
The sculptor has written on a Marmur tablet. Spanish villagers lie down and stand in groups. The French general at the escort of the governor of the Spanish province and his sister Serafina. Lucian is supporting his grandmother. The general punished me to show that I was a sculptor. Vaughn offensive zmistu:
"To the riddle of my brother Charles d" Ervil, driven in by that daughter's retinue on May 25, 1795.
Looking at it, I guessed in the mimetic explanation of my bag, that I was traipsing in yoga the rest is more expensive in Spain. Like a Frenchman and a survivor in this country, mayuchi, later, the right to punish, vimage, who wrote boulo virizano on the rock in the very same place, de bending his brother into the dagger of the robbers. Lucian is hurting his grandmother. The governor, for some reason, if you develop a gloomy mood, you will deafen їm about the great strength of the sacred, as it was recognized right there and on the same day, and then the saint proclaims the will of the brother of the monument. Don Lopez keeps an eye on the arriving guests, and it is more possible for them to meet with them.
The general is not opposed to the union, and, having taken the hand of Serafina, has come with the hand of Lucian, for the sake of the first. It’s worth remembering that the governor wants to be called and the alliance is suitable, he is inspired by political conditions and the strength of the victors, but the inner wines are far away from him. The governor, like a Spaniard, to live in the soul hatred of the French - hatred, as it was repeatedly the cause of a lot of driving in the rest of the Spanish war.
Tim, for an hour, the grandmother quietly drinks her onuk, which I will name to love. “Ni,” he says, “my heart is still free.” - "You'll get it! You’ll start to croak, it’s not a good time, ”- it’s like a grandmother, and all three of them, at the request of Don Lopez, go for a walk and admire the picnic outskirts of Zaragoza.
The music is alive and cheerful, talking about the arrival of the camp of gypsies. The stinks are descending from the mountain. Wagons, stretchers with belongings and other belongings are more than fair to compete with. All have fun in the eyes of the future saint, ale Іnіgo, the head of the camp, looking at him with a look, respect that Pahiti is dumb, yoga first, the most beautiful and the most beautiful dancers.
At her command, the deacons turn to follow her on the road, but at the right time she appears on the mountains. Without staring at the frown from the bouquet, which she has in her hands, Pakhita descends freely. Pidishovshi to her friends, she gives them tickets, taken by her dear. Another evil one and the mule to go out through those who she was asleep. Yogo is important to trim. Vіn vіddaє raznі punishment schodo holy, and all go to the mark.
Having been left alone with Pakhita, I can speak about my own feelings, about those who, through my hands, have worked as a slave for a proud and non-Game overlord. Pakhita heavy with your slavery, but still, you see the victory of yoga love Other. Vaughn vіdskakuє vіd nygo, live, dance in yakomu zabutti, nіbi try to drown out propositions of the other, and sumnі vіdchuttya, like the stench wafted. I think for no reason other than to think: Pahita with one glance, in which you see clearly bewildered, utrimu yogo. Zbentezheny Іnіgo vіddalyaєtsya.
Bereft of herself, Pakhita made a portrait on her breasts, so that she would not be separated from childhood. On the new one you can’t see neither the family, nor the fatherland of the one whom I portray. Ale Pahiti think that in the new image, draw the one to whom the goiter is tied to life - the one with whom all joys are tied and bring quiet family happiness. Going to go to your girlfriends and looking around at the sight of the neighborhood, they raptly growl, having recognized those places with a flicker, where in your eyes the crooked path was seen, about the yak there was no more unimaginable thoughts. Here, in the very same place, an officer fell dead, who was not on his hands, we sweated, suffered unknown people, we sweat ... But the noise and the yurbi of the peepers and participants, who are climbing, respecting Pahity's guess and guessing the sum . Vaughn go to the name of the gypsies.
The scene is reminiscent. The general, yoga mother, Seraphina, the governor turn around and take a month, prepared for them. I’m going to see gypsies in shabby suits. Dances After them, Іnіgo, roaring for the beauty of Pachita, punishing her to go around the peeping ones and take pennies from them. Paquita swears, ale sorom, sarcastically, summarily, reluctantly. Lucien's passers-by, she copes with a new strong hostility. The selection is over. Ale try the generosity of a young officer, greedy for any dissatisfaction. If you want to refill the sum of your money, I’ll start paying for Pakhita again, ordering you to start dancing. Chi before Pahit? Less than lower, if it’s not, she’s smart enough to dance, it’s vague, it’s tedious, she’s inspired. Otherwise, get out of yourself and if you want to take it, but Lucien stands up for the misfortune. Calm Pakhita, you are respectfully surprised at her. Nіzhnіst її disguise, whiteness, gentry oppose yoga. Everyone talks about those that she is not a gypsy, that she is a fatal mystery, that she has come to life and a trip. Lucien brings Pakhita to her grandmother, as she is so amazed by the beauty of the maiden and reveals her fate. Lucien asks Other, who is the girl. Another proves that he is a kinsman. Lucien does not believe and stares at food until Pachiti itself. Pahita seems like I can say one word, so you can explain who it is and the stars are the portrait, and start shukati yogo, but it's a pity ... The portrait is signed. Otherwise, bachachi, what kind of turn does the explanation take, having slandered yogo naslіdkіv, stealing the medallion from her intestines. At the touch and rose of Pakhita, it sounds different. Lucien punishes zatrimat yoga, and then the governor enters and slays the gypsy. Lucien insists on the fact that Pakhita was not embarrassed by the dancers. Jealous Other is a distant view of that, to influence others. Ale Pakhita, praying to hang out her vdyachnistnost for the fate and intercession of the young man, involuntarily confessing to you with feelings and collapsing with the inexhaustible instinct of the most innocent and natural coquetry, she herself wanted to dance. Now I'm changing it to others. Here the governor is already intervening and punishing those who are worthy of Pakhit robiti.
The presence of Llyusien is insane, there is dancing. Yogo love razpalyuetsya all stronger and stronger, and Mendoza, having conceived evil, with joy, guards for addiction, which is born. I will ask the general with his family to the point of offense, about what to give to the nobility of the servants that they have gone. Guests go, but the governor is left for another hour under the drive of the need for this presence after the end of the holy.
Having been left alone with Inigo, the governor asks yoga, which is angry at Lucien. "Wow!" - Vіdpovіdaє Іnіgo. "And if I tell you not to follow you, then you vb'esh yogo?" - "Yogo? Your future son-in-law? - "So, my future son-in-law... But I don't want to be my son-in-law, and I invite you to kill Yogo..." - I'm not without a mark, - Mendoza confirms. “Hai Pahita will be our fleeting siege and avenge you.”
Paquita turns around. Mendoza go to his guests. Otherwise, Pahiti, if you want to go, and you will be sent to the date to pick up all your tabir at the same time at the departure.
Pakhita is alone, and yet the mit has not passed, as Lucien goes into it. Young people, at first glance, prejudicedly died alone. Lucian, still taking it for a simple and, henceforth, corrupt gypsy woman, propouє їy pennies, but Pakhita is depicted with a spirit of guidance in them. Lucien obіtsyaє їy іnakshe vlastuvati її share, swear to svіlniti from captivity, to be known, and ask її pіti for him, ale і on the price Lucien is good, if she wants to be allowed to walk with her sometimes, and in the outpost of whom I will allow you to ask for a bouquet of flowers, which is in her hands, ale Pakhita and in whom you will be inspired. Lussien's embarrassment is far away. Pakhita shkoda yogo, she repents at her zhorstokostі and straight after him ... And here Pakhita is sly and jealous look of Inigo. Vіn buv here, vin bachiv mustache, vin chuv the rest of the words of my explanation. Paquita swells; foretelling that Lucien is threatened with death, and without warning the її znaryaddy, for the sake of her intransigence at the front stage.
Another time to come to the governor and tell him about the wedding of young people and about the bouquet, which Pakhita did not fit to meet Lucien. The governor immediately sees the correct plan for the death of Lucien. Tim spends an hour talking about the exit of a French general. On the occasion of winding up with wires, the governor will work on the distribution of orders for the tsієї nagodi and mіzh іnhim instruct all the villagers to collect tickets and bouquets and present them to the guests as a sign of special honor to such good allies in Spain. Pakhiti's bouquet, however, is not put into a charred cat, but is passed quietly by one young gypsy, having learned in advance how to work.
The general is coming, the old countess is with the escort Lucienne and Serafini. Just before the hour of bringing bouquets to Lucien, a young gypsy woman comes and secretly passes the bouquet to you. Lucian, from the hoards, discovers Pakhiti's bouquet. Vіn drank gypsy, as if confirming yogo he knew, showing that Pahita is alive, having added at the same time that Lucien can baschit with her at any time. Not zatrimuyuchis Lucien negaino want to go to the top of the place and deaf about it to his relatives. The general and the old countess do not try yoga, but only ask for those who didn’t wake up before the upcoming ball, at which may celebrate yoga fun with Serafina. Lucien hurry up, put on a travel cloak, say goodbye and go. The villagers will alienate the guests of the governor, at the same time like a gypsy tabir, on the choli of some kind of Іnіgo and Pakhіta, also destroying the pokhіd. Lucien follows them from a distance.
Scene 2
Interior decoration of a small gypsy dwelling.
Enter Pahita, she is thoughtful. There's a dream about Lucien. Chi pobachit out yogo prick? ... Raptom can feel the noise. Pakhita vydchinyaє vіkonnitsi, like a stranger at the mass go to the booth and go up the gatherings. Pahita, suspecting that it is not good, hovaetsya for the shafu.
To enter disguises the governor that Іnigo. The governor dwells on the death of the victim they have planned, as he does not bother to show up for a sprat of khvilin. Don't worry, don't need any drilling drug addiction, as if you were drinking in the drink of a peeped mandrill, and then Lucien was destined for inevitable death. Another way to drink in a closet, zamikaє її, not suspecting that Pahita is chasing after skin yoga. The governor is going, having handed over the Іnigo hamanets for his future service. After this Іnіgo at the vіkno cry of chotirioh comrades, yakі mаyut buti yogo helpers at the crooked thought, and vіddaє їm part of the otrimanoї pay him. Opivnochі may vіdbutisya malice. Otherwise, at the same time, two of your sleepers walk behind the wall of the fireplace, as they collapse and spin on their own, walking on the other side of the door. Raptom at this hour Pakhita, bazhayuchi drink and get ahead of the unfortunate victim, zachіpaє for the stіlets and by the same to themselves miraculously manifest. Turning around, sipping Pakhita and grabbing her by the hand - her death, as if she heard a secret ... Ale Pakhita sings, that she swayed away, and calm down Other. Tsієї mitі knock at the door. There is no hope for the order - to enter Lucian.
The joy of Lucien under the hour of zustrichi with Pakhita - and the joy of Pachita, as she realized that the person who is threatening death - Lucien ...
Inigo with a good fortune for this honor. It’s more memorable for all the rukhs, for all the signs of Pachita - there’s no question: “Are you here? Are you going to die now? At the entrance, Lucien shows her a bouquet that she has given. Pakhita zaperechuє, ale marno: Lucian does not believe and does not understand її. The other way is to punish Pachita to serve the guest. Lucian wears a shablo Inigo, and Pahit - a cloak. Pakhita nibi inadvertently throws yogo on the head of the Other and explains to Lucien that I am threatening you, but Lucien does not believe it: you will be surprised at her and think only about her, far from being a battle. At the same time, I pronounce the evening to Lucien and, walking, order it, then we lead Pakhita with us, so, moving on, we do not stop working signs to Lucien, but we will protect and cook until it is not safe.
Lucien is left alone and respects what is true and wonderful and suspected and in the very dwelling, and in the other owner; Vіn ide to vіkna - it is closed, to the doors - the same. Here you will guess that they took the shablya in the new one; vіn shukaє її, but she's shovana. While I’m thinking about making a zahist, I’ll enter the room again.
Pakhita enter first with accessories and plates. Behind her - Іnigo. Make up the evening. If you want to drink, Pakhita gives a sign to Lucien to take yoga and not to waste on the wind. Lucien is afraid, otherwise he will be left alone and have evenings with him. After the long ceremonies, it will be fine. Otherwise, pour a bottle of wine to Lucien, Pakhita to make a sign that you can drink - Lucien is heard. At the same time, Pahita, serving, steals from the Second pistol and collects gunpowder from the police. In other words, without troubling him and bachachi, there is no more affection and obliging animal Pachita, proponing her to dance in front of Lucienne. While wines go for castanets, young people are able to give one to one sprat of forward signs. Turning around, he pours the excess of the dance into Lucien’s flask, just like the same thing, and, having guessed it, hit his forehead, go to the shafi and win, see the glass of the best wine, if you want to treat the young officer. . Paquita to rob a sign to Lucien, that this dance is broken. Otherwise, after pouring, ask for a drink, Lucien is encouraged. At this hour Pahita misses the plates. Others turn around and angeredly marvel at what is broken, and Pakhita at the same time grabs the flasks. Everyone calms down, but the roles change. Now Lucien asks for another drink with him at once, in one gulp. Otherwise, do not suspect anything, you'll be fine. If something, in total awareness, that I thought of it even better, I will ask you to dance Pakhita and dance a gypsy dance with her. At the hour of the dance, Pahita vstigaє to give the nobility to Lucien, and about the number of vbivts, and about the year, recognized for vbivtsy. Moreover, she punishes you to go away, nibi vin zasina. Lucien swears, and Іnіgo triumphs, vvahayuchi, that the supernik is in his hands, but with a raptom of wine he sings himself, pozihaє and mimicantly flatten his eyes. For a long time, we are trying to stand up to the sleepy zillya - we are robbing the cloth and dropping the medallion, which is like a wake of Pachita. Otherwise, hitting, going to the table, falling on the stilts and falling asleep. Todi Pakhita gives the nobility to Lucien that it is not possible to spend any money, and reportly explains the situation to him. Lucien draws pistols, but - unfortunately - there is no gunpowder on the police. Lucien jokes about his sword, to know, but what can you do to fight against the chotirokh, fired by pistols! Tim an hour b'є pіvnіch, and the doors of the fireplace begin to turn. Pakhita grabs Lucien by the hand, run with him to the door; the stinks are drawn down to her and, by a turn, they come out of the room - the stench is vryatovani. Tim, for an hour, the beats appear, and, having taken the other for Lucian, they drive in the yogo.
Diya friend
Chudova hall at the booth of the French commandant Zaragosi. Moorish architecture, with embellishments of the era of the emperor. A great portrait with a figure for the final stage in an officer's uniform on the first plan of the hall. Ball at the traditions of that hour. Viyskovi all ranks and fates, courtiers of all classes and both articles, in the most boring uniforms and costumes of the imperial era. Let's go around the French, you can see a little of the Spaniards in the national costume.
Count D "Erville to Vye with his Maybutnoye Nevystkoy, I ї dad - Governor. Grandmother Grandmother session is Vidsutsuti Lucyna. Graf, I am not a turbuvas. Lucien appears, leading Pahit by the hand, telling Lucien about the nebezpeka, which he has gone down, zbudzhu not only blatant zdivuvannya and joy, but zhah the governor, and Lucien stuns, to whom the goiter and yazan with his sorryatunkom and I feel alone in one stink. to ask not to reshuffle the new z'ednanny, but Pahita herself does not bazhaє tsgo, rozumіyuchi razmіyuchi їhnoy camp in the court, she is glad that she caught Lyusyan's vryatuvati, and if you want to drink, Lucien utrimuє її The Count and Grandmother Countess are trying to help Lucien, the more the governor is here and he is already preparing to vimagati the words they have made friends with Lucien on his sister Sira Finn. Hello! Pahita wonders at the governor and clearly recognizes the new ignorance, which encourages others to beat him up. The appointment of the governor will change everything more and more at the expense of others, so that they can be brought in. Serafina follows him. Pakhita is still not good enough to proponate her happiness, ale, rejoicing again, she marks the portrait on the wall, marvels at the new one, wins her medallion, stares at the portrait, and - oh joy! - this portrait is a portrait of її old man, brother of Count d "Ervіlї, and she herself is that child herself, as if she was vryatovana at the hour of the terrible evil of 1795 fate and vihovana in the gypsy camp Іnіgo. try.
Children: Paquita, Lucien de Yervil, Inigo - head of the gypsy camp, Don Lopez de Mendoza - governor of the province in Spain, Count de Ervil - French general, father Lucien, gypsies.
DIA I
PAINTING PERSH
Spring has come at the mountains of Zaragoza. The sun breaks through the mist and illuminates the valley, in the distance, the towering castle of the French general Count de Erville.
Not far from the castle, a gypsy mantling was rotting. The cygans descend with a narrow stitch. Behind them comes a gang of the gypsy camp Ingo with his young servant. Among them, do not scatter the beautiful dancers of the camp of Pakhit, in a stunned manner, suffocate, and go, continuing the jokes. The girl descends with a stitch and approaches the gypsies. It turns to others, because of the clouding in the daytime of Pakhiti, but the girl does not react to the gypsy’s dokori, she’s completely zanuren at her goddamn. To ask for another drink, zaproponuvavshis only Pakhit. Gigani go. Otherwise, you try to tell the beautiful Pakhiti how to love you, but the maiden sees his face, giving you an understanding that you don’t understand until the new year’s feelings.
After a deaky hour, the mustaches of the tsigani turn around. Together with them, the governor of the province of Saragossa will come with his friend - the French general Comte de Erville and yogo son Lucien. The governor asks the gypsies to dance in honor of the noble guests from France.
The gypsy baron called his best dancer Pahita and punished her vikonati dance. The girl does not want to dance. One is angry at a gypsy woman and in anger swings at her, but Lucien shakes her head at the camp. Other steps. The young count shows respect for the unimaginable beauty, that gentry is a figure of disguise. At the first glance, Vin will suffocate at Pahitu. In sympathy for the Zahist, the girl dances for Lucien and the distinguished guests. Must have fun.
Governor to gypsies for miracle dances. We must separate.
Paquita is left alone. The maiden has a medallion, which is rebuked from her childhood. In the portrait - you know the drawings of people, you can’t guess what it is. Think step by step to turn on Pakhita, and she will become sleepy.
PICTURE OF A FRIEND
The dream of Pachiti.
The maiden to dance for herself at the ball at the palace among the courtiers, and the brand, the beautiful Lucien entrusted from her.
At the hour of sleep, the gypsy steals a medallion from the girl. The dream has passed, Pahita is true again. Tsієї mitі, Lucien, who wants to see Pachit in the kohanna, is entrusted with her. Zakohani do not mention that they are causing others. If Lucien is going, the gypsy gives a message to his little servant to go to the gypsy house for the preparation of the evening. The second idea is the upcoming plan of driving in the dead Lucien. Pakhita sweat guard for the gypsy baron and yoga servant. She's right behind the gypsy, to avoid driving in the kohan.
DIA II
PICTURE THREE
Gypsy budinochok. The little servant vikonu Іnіgo, vіn ready stіl for the evening.
Feeling the noise behind the door, squealing її і, rattling the scary mask, unobtrusive, embedding the medallion.
Pakhita hovered behind the mask, she picked up the medallion and hovered at the hut. Following her, Lucienne and the Other would come to the booth. While the young count is looking around the life, the approaching baron secretly adds wine in his cells, appointments to Lucien. Pakhіta bachit everything that comes up. I tell Lucien to drink some wine, the girl of wisdom, that it is impossible to call. Vaughn has gained respect for herself, vdavshi, who only lost her. Count radium bachiti kokhanu, and Inogo, navpaki, is trying to bring Pakhita. The girl begins to dance, abi is left in the room. Pakhіta vikoristovuє zruchny moment, schob vіdverni Іnіgo. Vaughn told Lucien about the baron's approach and changed the kelikhs.
Turn around, turn around, make a toast to the count, and sip wine offendedly. The gypsy, at the top of his mind, that his plan is going in, starts dancing at once from Pakhita. The legs of the Indigo begin to splinter, the limbs get stuck, the yoga is thrown at the fever. Otherwise, hitting and wasting strength, reach the table and fall asleep. Zakokhani safely flood the living quarters.
PICTURE FOURTH
Ball at the castle of the Comte de Hervil. At the celebratory reception, Lucian and Pakhita run up to the hall, the stench speaks about the unsafety, as they have gone far away. The young earl at the presence of all dyaku Pakhitі for the order. The general sacks a medallion from a well-known rank on the shiї maiden, having looked at him nearby, scatter, that in front of him is an image of his rotten brother. The general understands that Pakhita is a brother's daughter. Lucienne to ask for the girl's hand. Now you can die of your heart. The ball is held in honor of Pachita and Lucien's zaruchins.
Z-Pb. Mariinsky theater (historical stage).29.03.2018
"Paquita". Ballet to music by Deldeviz, Minkus, Drigo
Fourth visit to the subscription "Petipa".
A life-giving balm after a protracted winter, that tragic winter was shed on the souls of the gazers of Paquita.
Fairy, bright to the blindness of the eyes of the scene. Variety of costumes. Perhaps, here at the warm pіvdenih collapses, it was calloused to the eyes, but in the gray St. Petersburg climate, with our hopeless ochіkuvannyam, tsі buzkovі gloomy jacarandi on the aphids of the turquoise fields and the black sky - the best faces in the nudgi. And the skilki are not stringy, but rather radiantly. And miraculously fit the arches of the palace in the Moorish style in the scene of Grand pas - it was thought that they would smack us like Spain. I garlands of flowers, which fall at the finale, finished off the rest, and called out to the childish suffocation. How we adore these pseudo-gypsy and pseudo-Spanish passions!
Possibly, equally with Grand pas, we will present the past fate at the graduation party of the Academy of Russian Ballet, there was a little “too much”. Ale tsі Grand pas of an absolutely different shtibu - at the Academy, shvidshe, a ball in one of the St. Petersburg front palaces, and at the theater version - right in Spanish.
Ballet program:
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The finale of the ballet - Grand pas at the production of Yuri Burlaka - the triumph of classical choreography by Petipa. Sea-sea of dances! Vishukani variations of the leading heroes and girlfriends of the named, officers. And what a miracle mazurka at the vikonan’s enchanting children from Vaganivsky!
About vikonavtsiv:
At Oksani Skorik(Pahity) boov debut. And in me, like a peeping eye, I was the first zustrіch from a ballerina. Skorik is more technical, professional, inspired. High, with garnii lines, wide cut - leg to vuh, with swan graceful hands. And yet, diagonally on pointe shoes, on one leg, she received a well-deserved ovation - it was called “cast concrete” :). Ale, in the image of Pakhiti-Skorik, looked like coldness and sternness. For myself, I wrote off the price for the noble behavior of a gypsy woman. Adzha was spitted on by the natural gypsy Christina. Nadia Batoeva. Oh, how she looked at that respect! Coquetry, fuse, burning eyes! She danced brightly and in shoes from a young gypsy (Naїl Enіkєєev) and on pointe at the trio and variations of Grand pas. The success of the dance with red cloaks in the camp is the merit of the soloists of the enchanting Batoyeva and the enchanting Enikiev.
Andres ( Xander Parish) showing up, shvidshe, as a gypsy baron prince. Proud landing head, vyshukanі manners, officer's article to inspire in a simple suit - the whole vistava was merciful. Ale Supernik Yogo Clemente ( David Zaliev) not ruined by aphids blushing-macho. True, David's coat was picked up, as if from someone else's shoulder, but they danced miraculously at such a chosen wine.
Grand pas had wonderful variations of some of Pachita's girlfriends. The moustache danced miraculously, but for herself she especially recognized the prize Maria Shirinkina(debut) ta miracle Shamal Huseynov.
dirigent Valery Ovsyannikov passing the leather rush on the stage, literally wildly at once with the dancers. On the bows, try to try vikonati yakes "pa" :).
Bravo, bravo, bravo to everyone for the wonderful ballet!
Photo from bows: 
But there, like a skin author, if you happen to be fast, you enter into a rage, and then you don’t know yourself - which version of the viish is better: the newest chi of the speed.
Three urochist of the course of ballet corpses, dedicated to the 200th anniversary of the birth of our ballet "all" Marius Petipa. Before the Christmas lavas of demonstrators, enchanted by "Don Quixote" at the theater named after Leonid Yakobson, "Pakhita" joined the "Ural Opera Ballet" (Yekaterinburg). At the premiere on 22 and 23 I felt fierce FLEA IN A SWEATER.
Tsya "Pakhita" is doomed to become a hit and the most beautiful phenomenon of the last ballet season, even though it appeared that the tragic death of the stage director Sergiy Vikharev was blown on the cob of the rehearsal process. The premiere show received a memorial status, Yekaterinburg - a newcomer, hooting and absolutely unperceived "Pakhita", choreographer V'yacheslav Samodurov - an unplanned ballet, which you had the opportunity to complete that release at the free swimming.
Геніальний стиліст і реконструктор класичної хореографії Сергій Віхарєв у співавторстві з Павлом Гершензоном склали абсолютно провокаційний спектакль, не змінивши при цьому жодного сюжетного ходу лібретто Поля Фуше і Жозефа Мазильє зразка 1846 року і дбайливо уклавши в дорожній У єкатеринбурзькій «Пахіті» немає жодної формальної зміни у сценарії that is known on equal terms in choreography. Everything is so stolen in childhood, a French aristocrat respecting herself with a Spanish gypsy woman, giving up the claims of the head of the camp of Ingo, turning into a glittering officer and ryatuє yogo life, ruiyuyuchi folded zmovu with rueful wine, chotirmana; go after the family portraits of the murdered fathers and make friends with the vryatovanny red. Everything just sings the solos of Pas de trois with the ballet chorus “glissad - zhete, glіssad - zhete”, which so itself prances at the spring Grand pas “four” and “dvіyka” in the textbook “ispanistom” rozspivі “pa gala - pa galyu - cabriole - pose. Ale ce accepted archeological artifacts, known in the process of everyday life, say, a bridge, and built into a new one, as proof of the foundation of civilization in any particular place.
Thus, Yekaterinburg’s “Pahita” is a place that thrived in the past: the island of the ballet legend of the 19th century with the materialistic action of the 21st century, relying on the choreographic rationalism of the 20th century. Yogo leading designers Vikharev and Gershenzon hammered the pale fantasies into the hysterical ground of non-obvious ballet documentary, set up the pillars of the slick logic, disregarding the incessant stream of historical anecdotes and incidents, they put it directly into the hands of both. Pachyta of the XIX century, sіvshi in a gypsy tent, arrived in the third thousand years behind the kerm of a wet racing car, antrohi not zdivuvavsya transformations, scho vіdbulisya.
Three acts of "Pakhiti" were placed by the authors of the three different eras from bright croque in 80 rokiv. Перша дія, з неквапливою експозицією, з представленням головних героїв, із зав'язкою конфлікту (офіцер Люсьєн не подобається ні іспанському губернатору, ні директору циганського табору, які за це і вирішують його вбити), заколисує глядачів високоякісної реконструкцією однієї зі знакових вистав епохи розквіту . The new one has all those who appreciate Pakhity and Pan Vikharev, a brilliant sign of archival choreography: the presence of the stage positions, the wines and the charming dances, the groovy pantomime dialogues, the ideal characters of the hare, the charms of the characters. that ruffle.
The rozchulennogo peeping, scho having spent a pilnist, another act is shocked by the awakening. It turns out that the authors only checked at the time of writing the whole romantic flair, sorry and irritatingly straining on our physical day. Melodramatic may be the first pantomime scene, utterly loved by balletomanes for the virtuoso actor's play, inspired by the most stylized receptions in the ballet theater of the middle of the 19th century, looked stupidly, in the shortest of times - archaic. The stage director, Nemov Bulgakov's Woland, to conduct a magic session with sleazy її vikritts, transferring the vulgar (zagal) scene to an ideally esthetic middle ground: cinema has the beginnings of the twentieth century. The details of the puzzle fit perfectly! The red-haired Lucien and the fatal woman Pahita, who show their eyes with pre-iron eyes, actively give replicas that are projected onto the screen; wicked frosts with shriveled grimaces wave their hospitable knives; the ideal wicked (Glib Sagiev and Maksim Klekovkin), demonically regochuchi, to do his vile right and he himself falls a victim of wily cunning, picturesquely curling up in death agony. Diya swiftly rush to the rose, the brilliant pianist-demiurge German Markhasin (and, as it seems, the young Dmitro Shostakovich sang at the cinemas with a pianist) ruthlessly ruffled romantic illusions, like in the third act, getting drunk on cava from the cava automaton, resurrect, schob subs. eternal values, which are avenged by the Petipovsky Grand pas.
Ale to Grand pas, the crisis ball will still make its way through the intermissions of the actors in the theatrical buffet. In the new reality, Lucienne and Paquita become the premieres of the ballet company, Luciena the director of the theater, the Spanish governor, who, having planned the murder of the main character, is the general sponsor of the company. V'yacheslav Samodurov, Nostradamus of our time, already two days before the final, having transferred the victory of Russian hockey players to the Olympics, having put a television from the broadcast of the match on the stage of the theater, such a wine keruє. Reality is dramatic, it is sporty and theatrical, they merge together: on the aphids of the licorice hockey players, it was possible to win the name of the orphanless orphan Pakhita, the vikrittya of theatrical corruptionists, the arrests and the saints, crowning the merry Grand pas.
Grand pas dance mayzhe іdeally: vimushtruvana to finish the corpse synchronously cut through the expanse of the stage, chic with cabriols and calmly cancan ambuate. At Grand pas, the heads of the dancers are embellished not with “Spanish” combs, which can be washed out of a kitsch, but with charming French drops from the “Moulin Rouge”, but on the legs - black leotards and black and pointy, which, together with charming grins, give bronze to an academic. flair, playfulness and frivolity, stained in the past century. Miki Nіsіgutі and Katerina Sapogova win the main part with a sweet French rozvyaznіstyu and bezpalny pofіgіzm, the stench does not joke at the choreography of promiscuous records and do not “lubricate” the fuete with a look of truth in the rest of the station, in all the absence of words. Oleksiy Seliverstov and Oleksandr Merkushev, who acted in the role of Lucien, appreciated the plastic variability, proponed by the stage directors - the ideal gentleman-darling in the first act, which reflects the neurotic hero in another and the aristocratic premier in the third.
But such a "Pakhita" became a zavdyak to the composer Yuri Krasavin, the author of the "free transcription" of the score by Eduard Deldevez and Ludwig Minkus. Having created a musical breakthrough, reincarnating inconspicuous motives and melody in a strong polyphonic sound of a name-calling and groaning creation. Tsі transformations and guesses by Mr. Beautiful musical charades throw a shalen zakhoplennya. The accordion and xylophone were introduced to the orchestra and the role of the drums was strengthened, then the protectively delicate ones, which hack from the shoulder and prepare “applause” pas, gave the score of “Pachity” by Krasavin even more plasticity and “Frenchness”. Vtіm, hit the whip in the most energetic moments not to let the enchantment of the deceptively old-fashioned ballet sway.
"Paquita" was sung by the choreographer Joseph Mazilie. In the form of a literary dzherel (“The Gypsy Girl” by Cervantes), the libreto lost only the motif of the noble girl stolen by the Gypsies at the hour of rebuking її speechlessness. Everything else, having emerged from the sixteenth century, resurrected in the nineteenth century and turned to amorous favors in the midst of the french war with the spaniards in the hour of the napoleons.
Through the river after the premiere, the ballet settled down in Russia, de yogo staged a young Frenchman - the forthcoming meter of the imperial ballet Marius Ivanovich Petipa. After a ten-foot span, I turned to "Pachity", rearranging it again, putting the child's mazurka and "Grand Pas" on the music of Minkus - the apotheosis of the woman's dance, the glittering hierarchical ensemble-divertimento, accept, premiere, the first of the others. At this slow parade, they easily knew the place of the inserted variations from other performances: Petipa is eager to nasustrіch the worship of ballerinas.
After 1917, the Bolsheviks hung up "Pakhita" until it was shown as a relic of the damned tsarism. Ale "Grand Pas", like a concert piece, has been preserved and lit up for the good life, including on the stage of St. Petersburg theatres. Today, the idea of reviving “Pakhiti” is renewed. The prote choreography of the ballet was not spared, and the recordings of the pre-revolutionary performance were inaccurate.
Enthusiasts of "Pakhiti" practice in a different way. Oleksiy Ratmansky, for example, focused on pre-Trimani archival documents and stylizations of the old St. Petersburg vikonnanny style. P'er Lacotte shukav ways to show how to instantly watch the performance of Mazile.
No one, zrozumilo, could not pass the Grand Pas. The director of "Pachyty" at the Mariinsky Theater Yuri Smekalov didn't even think, even though he radically went to the ballet. Smekalov looked like a huge libreto. Vіn wrote his own, really close to the Servantes novel. head hero having become the Spanish nobleman Andres, who, with love to the garnet gypsy Pahita, roams at once from її camp. Stolen in the childhood, the gypsy woman, saving the family relics of the rapt, became a noblewoman, and the known fathers do not despise Andres as a pardon ring in the thief, and bless the joy of the young. (Vlasne kazhuchi, “Grand pas” at the quiet vistavi є merry ceremony).
Diya in the new libreto I feel like I’m waking up, like in the old “Pachita”, not for the hour of Cervantes, but for the hour of the nineteenth century, for the hour of Goya (the premiere of “Pachita” at the Mariinsky Theater was held on the day of the first people). The colors of the costumes and the details of the scenery (artist Andriy Sevbo) fit on the artist's paintings.
The main criterion for staging - with reformatted music and insertions of a number of ballet composers of the 19th century - was visual performance. A new, great bariste, costume ballet with classical dance appeared at the theater, which the public especially loves. On the stage, gypsies with earrings in their boots, gypsies with bagatose-ball quilted cloths, fruit merchants, a corps de ballet, which plays with scarlet cloaks, officers in red uniforms and dances with hats on boots. Majestic portraits of noble ancestors on the walls of a booth, which trample on the heels of a girl with trojans at the hair, a comfy haircut. The sun warms the ruddy walls of the houses near the bright green, the "wandering" tree, the comical "horse", stacked from two dancers - zagalom, the people of satisfaction. The first aspect of the classical ballet is quite normal. Zreshtoy, a little pissant of storms and the imperial ballet theater of the hours of Petipa. We have propped up the old zmichka, we are new, as a principle, don’t bent it. Tse spivavtorіv ballet called "a look at the "Pakhita" from the twenty first century." Why should we, we sway at the Radian editions of old ballets, be afraid of eclecticism? Insha river, how eclecticism is folded.
Choreographically two-thirds vistava is built from scratch. Wanting to be the author of Smekalova, Yuriy Burlaka, fakhivets from ballet reconstructions, having tried, as far as possible, to recreate the woman’s dance at the “Grand Pas” with a calm look. Por_vnyano iz radyanskoy editorial board changed richly. Ale Burlaka, a sternly thoughtful and respectful historian-practitioner, did not try to pinch today's artists with the nuances of the Vikonian manner of the 19th century, wanting to try it in the performance of the hands of the soloists. Vіn did not protest against the duo's high praises, they did not founded the "Grand Pas" for hours. I added a human variation, vigadan in the past century. What do you think, if without a solo dance the now unacceptable image of the main character?
Vistavi Smekalov, nachebto tailored for perverted canons, hasn’t been hanging around for the whole hour. Direction - sequences: a lot of twists in the plot are simply cut off. Choreography - versatility: її simplicity is inadvertently inspired by the subtle combinations of Petipa, which, on the “leitmotif” of one moment, induce a plastic light. What are the tsiganis, what are the nobles at Smekalov's dance mayzhe however. Deyakі decision nerazumіlі. For example, should the soloist-persons be given descriptions from ballet literature (as a historical fact!) of a calmly woman’s dance with cloaks, de “cavaliers were beaten by dancers-herbs”? The street natovp is too blunt, without biased pivdennoy life. The pantomime is not more eloquent and more fidgety. The crime of the roaring scene of the ringing in the burglars, otherwise, the recognition of the fathers and the wedding (I guess not the church, but in the prison) is heard in a few seconds. In the meantime, having joined the dances on the pidbors with the dance on pointe shoes, and the ideas of the Spanish folk dance - with the main poses and the classics, Smekalov, for a moment, conveying the inoculation of the rich traditions of Russian ballet Spain, commemorate, understand, "Don Koto".
Photo: Natasha Razina/Mariinsky Theater
Naturally, the corpse of the Mariinsky theater is rich in what is the biggest shortcomings of the production. The variable manner of Viktor Tereshkina (Pakhita), with a clear fixation of the posture and a “hospitable” foot, looked especially good at the finale, with a whirlwind vykonannі fueta, ahead of simple and sublime ones. The pakhita of Katerina Kandaurova was lower, the trochs were "spread" in the lines, the fueta twisted faster, and the calmness of the night on the stage created more. Timur Askerov (Andreas) blindly laughing, effectively cheering at the haircuts and twisting feasts, periodically raptly znikayayuchi, maybe, look tired. Andriy Yermakov at another warehouse, it was easier to shoot, but not to be ready to play the dead Spanish. And how glorious the Mariinsky theater is, so with a middle ballet line - soloists in variations, as a whole resolutely (though not without guards on some women) performed the "Grand Pas". Petipa's masterpiece, which lights up the performance, has rightfully occupied the place of the ballet's center of meaning. Reshta, in fact, is just a new move.
