Musorg's biography is a short presentation for children. Presentation before the music lesson "Modest Petrovich Mussorgsky
Composer Dates of Life City of the People Opera Instrumental Music Vocal Music Mussorgsky Modest Petrovich (1839–1881) village of Karevo, Toropetsky county, Pskov province, Friendship, Boris Godunov, Khovanshchina Sorochinskiy fair Nich on Lisii Gori, on the words of Ninita Nekrasov wet texts
I studied at the Petropavlovsk School, and then at the School of Guards Ensign Viishov at the post office.
In the early childhood, having learned to play the piano under the mother's mother, until that hour, one can hear the first notes of musical improvisation by 1854. taking lessons from the famous pianist and teacher A.A. Ensign" for piano. After the completion of the school, ensigns of the Preobrazhensky Viishov Regiment were sent to the post office.
Zenomi through the Material Networks of the Bouw of the sickness serve as an official of the i-ventricular administrator, the L_sovo Department II in Revіzіinіi Komіsії Konіvdnikov Rosіysniv Concelted by People, D. M. Leonovo, 1880 Bow Acompance at Vіdkriti School School (courses) SPIVII Ski D. S. Dargomizhsky, M.D.Balakirevim, V.V. Stasovim. Mussorgsky became a permanent member of the Balakirovsky group of "Mighty Kupka", who voted his method of struggle for national art. In the mid 60s. Mussorgsky, having created a number of realistic vocal scenes from folk life (to the words of Vlasni, N. A. Nekrasov, A. N. Ostrovsky, etc.) ”, “Siritka”, “Seminarist” and others, as if, being “etudes” before operas, portrayed unique national characters.
186869; 2nd edition of one of the greatest creations of the folk musical drama "Boris Godunov" (according to A. Z. Pushkin and M. M. Karamzin). 70s. Mussorgsky worked on the folk musical drama "Khovanshchina" (on a historical plot, proponed by Stasov, libretto by Mussorgsky, vocal cycles were created to the words of A. A. Golenishchev-Kutuzov "Without a dream" (1874), "Songs and dances of death" (187577) and also "Child" (words by Mussorgsky, 1872), romances to the words of A.K.
Dyuchi faces: Boris Godunov, Tsar Fedir and Xenia, yoga children, Prince Vasil Shuisky
Opera plan Prologue 1 scene The door of the Novodovichi Monastery 2 scene The square near the Kremlin in front of the Assumption Cathedral. The scene of the crowning of the kingdom I day 1 picture At the cell of the Chudov Monastery The Monologue of the Season 2 picture At the tavern on the Lithuanian cordon Song of Varlaam II day The Tsar's tower at the Kremlin Scene with chimes
Opera plan III de 1 scene Sandomierz castle near Poland Ariya Marini Mniszek 2 scene In the garden with a fountain IV de 1 scene Square in front of St. Basil's Cathedral Cry of the Holy Fool Choir "Bread!..." 2 scene At the Palace of the Facets of the Moscow Kremlin Scene of the death of Boris 3 Kromi Barlaam's Song that Misaila Lament of the Holy Fool
Blazen and the holy fool in middle-class culture Jester Yurodivy Kovpak with a penzlik, special suit. Barefoot, clothes at the lahmittya, on the chains. Peculiarities of a light-gazer I don’t know the world without God, that’s a rebel against doctrines, but not against God, vismіuє the vices of okrem people and the supremacy of zagali Sue people for entering into the Christian commandments and he himself tries to live according to the norms of Christianity, vvazha, you need to die I am spiritually perfect suspіlnogo life Reveal the truth about the world and power, help to overcome fear and unsettledness of tomorrow, try to erase the hierarchical framework and turn to human stature; beyond the threshold of official culture, the light of anti-culture is being built up. Stosunki with official power Whether it was a real human truth, it was only allowed in rex temperaments, if it appeared in an innocent form, evoking laughter and not pretending to be a serious role in life. to the archetype that evokes the king and the outcast slave, the leper
Municipal budgetary lighting installation supplementary education for children "Petrivska child school of mysticism". Presentation on the topic: "Satyric songs of M.P. Mussorgsky" The work of a viconal: teaching the 5th grade of piano education Anna Petrosyan. Writer: Mirkina Olena Vasilivna.
S. Petrovske
Tambov region.
Not much about creativity.
M.P.Mussorgsky folded the chamber vocal music with the stretch of his own life.
About 70 creations were created by him, versatility behind the zmist and form.
Tse i lyric, i skravi realistic painting of folk life-folk pictures and musical portraits.
Developing the traditions of Dargomizhsky, composer of victorious genres of monologue-scene, monologue-rope, balady, dramatic song.
But Mussorgsky's comedy was especially brightly revealed when he composed satirical songs.
Kalistrat
At the grass 1864. their own vocal song is created from the village life to the words of Nekrasov "Kalistrat". Mussorgsky characterizing it as "I try the comedy" in creativity. "... more laughing at the simpleton, but even your laughing at the bitterness" - so wrote Belinsky.
In the images of vocal poetry, irony, smile, images shine with tart folk humor, sensual tragedy. “Kalistratushka” is a song-parable about a joyless part of the day, told by him himself from a comedy, which calls out a big smile.
"Oh ti, p'yana black grouse"
V. Mikilsky
In the autumn of 1866, Mussorgsky wrote a song-sketch "Oh, dick grouse!" Tsya song trivaly hour was left unattended and only in 1906 was published by Rimsky-Korsakov. Vtіm, this song was not intended for publication. This is a kind of "home parody". The song is dedicated to V. Mikilsky, a famous historian, teacher and linguist. The close friendship between Mussorgsky and Mikilsky played an important role in the composer's work. Nikolsky himself urged Mussorgsky to write an opera based on the plot of Pushkin's "Boris Godunov", taking part in the development of the plan of musical drama.
Oh ti, p'yana black grouse
Superbly clearly conveyed in the music is the scene of the fidgeting prayer of the “woman of Pakhomich”, now resounding, now blessed. Pakhomich himself is passive on stage. Vіn blunt in the field, not trying to tell the truth and budding a good moment, spontaneously come to the voice of the squad, which we call you to see yourself. Tsey blows, which is not viishov, invisible behind the comical display of characters in the scene.
Seminarist
Five days later, after the comical scene “out of Pakhomich’s favors,” the “Seminarist” appeared (September 27, 1866). , we will present to Golenishchev-Kutuzov.
The rhythm of the scene is the impulse of figurative movement. Rhythm has the "reinvented" intonation of the punished seminarian; from the rhythm blames the sing-song of the seminarist about the rum'yana Stesha, the priest's donka, and about those who, like you, "seem to be calm, had a chance to be received in the temple of God",
For what is the reason of embarrassment now there are hateful Latin words.
The scene is laced with caustic sarcasm and vague irony. In the comedic image of the indistinct seminarian, one sees the rude, but the simple-hearted nature of the undressed lad.
Beshketnik
At the breast 1867 Mussorgsky wrote 3 vocal songs “Beshketnik”, “Svіtska Kazochka” (“Goat”) in English words; and “Flowered Garden Under the Don” on the verse by A. Koltsov.
"Beshketnik" is one of the quiet pictures, the comic is truly tragic. The lad followed the hunchbacked old man, worrying about squalor.
“Oh, baushko, oh dear, beautiful, turn around! Vostronosa, sribna, vitrishkuvat, kiss!...” Old b'є yogo, vіn shout in pain - “oh, don't beat!” - and irritate everything worse and pitiless. Vіn vіtonchuєtsya in beskketnyh vіvkah, and scho stink more, the scene sounds more tragic. The figurative development of the musical movie is based on a short theme.
Ts. Kui said that Mussorgsky's "Beshketnik" is a painless scherzo, beyond the power of that novelty.
"Beshketnik" yelled at the listeners a grin of speech.
As if “Beshketnik” called out to the listeners with a smirk, then “The goat is a cheerful laugh. Tsya p'sa, called by the composer "a secular Cossack", written in the genre of tales, the sensation of which is revealed in a funny allegory: the girl went for a walk, her goat was "an old, brudish, bearded, terrible, evil and all hairy, a real devil", swayed wildly and flowed in like a dead man. The axis came to its zamіzh, zestrivsya panel іnshiy, velikosvіtsky Goat - "Old and hunchbacked, fox, evil and bearded, devil", but yogo didn't zlyakalas - "there's got a little blue for a man, singing scho verna ...".
Dotapny irony in the characteristics of the Svitsky pannochka and the goat, the original pianoforte accompanied by indestructible humor, commenting on the sensation of the kazochka - all the majestic success stories about the goat were zoomed in.
Chirping of the white-flank.
Tsey tvir Mussorgsky clave 26 Serpnya 1867, if he stayed with St. Petersburg. This is a vocal scherzo, in which the composer warmly embodied two small verses by Pushkin: “The chirping of the white-flanked” and “The twins are ringing”. Music sparkles with ingenuous humor, guiltiness.
Tsya neymovirna humoresque vinyl, maybe, impromptu-at a group of close friends Oleksandriya and Nadiya Opochininikh. Їm won and assigned.
The “nebuvaliable little twink” of the chewing magpie-rattling inconstantly chirps with the twinkles of the dancing gypsy-spivuni, the “majstra divination”.
At this hour, the lyrical song “For Mushrooms” was written to the words of L. May. Dedicated to V. Mikilsky.
In 1870 Vletka wrote a vocal pamphlet - "Rayok". Stasov introduces his TV like this: “The description of the peasant’s entrapment under booths at the oil house, which shows “to honor the gentlemen the miracle of the sea in the round little hut of his house”
"Rayok" begins with the cheerful ringing of the raynik ("I myself" as if naming Mussorgsky.)
The composer dresses his heroes in musical masks.
“The district is a folk theater of pictures, which is made up of a small box with two large folds in front. In the middle of the new one, pictures are rearranged, or they are rewound from one kovzanka to another paper's smug with home-grown images of different places of great people and that one. Raeshnik peresuvayet pictures and rozpovidaє orders and attachments to the skin of a new plot.
The song of Mephistopheles at the loch of Auerbach about a flea.
Before the hour of the concert trip, Mussorgsky got involved in creative work.
In 1879 p. having sung the song that became famous “The Song of Mephistopheles at Auerbach’s Fungus about a Flea”, to the words of Goethe. The last satirical song of the composer.
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Respect! The forward review of the slides is scored solely for the purpose of learning and may not give notice about all the possibilities of the presentation. How did you get hooked dana robot, be kind, zavantazhte povnu version.
Naytonshi rice of nature people human masses, flattering kolupannya in tsikh
in small-scale lands, that conquest of them is the axis of the right call of the artist”.
From the sheet of M. Mussorgsky to V. Stasov
Modest Petrovich Mussorgsky (slide 1) is one of the most daring innovators of the 19th century, a brilliant composer who transferred the art of the 20th century and made a great contribution to the development of the Russian and European musical art.
Aesthetically speaking, they were formed under the influx of democratic and folk-permissive ideas of the 60s - the hour of high spiritual exaltation and hostile social conflicts. The composer’s metaphor of his art is close to the truthful life of the people, to the psychological credibility of images, to the cohanna and to the misery of people, which brought his music closer to the richness of the works of modern literature and painting. His main creative principle - "life, deb was not marked, however, as if it were not salty" - vіn vіlyuvav in different creations.
The leading genres for Mussorgsky were always opera and chamber vocal music. The composer himself in them gradually shukav new features of musical variety. Smitch Eksperimenuyuyuyu, Vіn Pruesov to the synthesis of Rosіyskoy Selliansіїї п, Scho Visno-Ukraine in himself in himself, Intonatsії Rosovno Movy, and Yozhoy Novatorskі Garmoni, Tembrov, Bagato, Vіlna Gra Tonalniki, kept Kagato Vіdkritty Rosіyskiya Taji.
Modest Petrovich Mussorgsky (slide 2) was born on the 9th of Birch, 1839, near the village of Karevo, Pskov province, with his father, Peter Oleksiyovich, a poor assistant, a representative of the old noble family of Rurikovich. The first ten years of this life have passed for the juvenile garden. The beauty and poetry of nature, the simple and unsettled silly spirit of the ancient Russian sim, the peasant labor, the folk sounds of the holy, the songs of that legend left a deep trace in the soul of the future composer. With a year of wine, having guessed that, under the uninterrupted infusion of a nanny, I already got to know Russian Cossacks early.
Vіn buv the youngest, the fourth son of the family. The two elders died one by one at the child's vіtsi, and Modest woke up with his brother Philaret. All the mother's mother, Yuliya Ivanivna, a good and soft woman, was given to two who were deprived, and especially to you, lover, lesser, Modinka. The first one began to read yoga on the old piano, which was standing at the hall of their wooden lord's booth. Under її kerіvnitstvom the lad robbed great successes at the grі on the pianoforte. Already the seventh century vin engraved the small works of Lista, and 9 fates (slide 3) victorious the great concert of J. Field. Mussorgsky's fathers smelled that memorable evening for them in the face of the requested impersonal inundated compliments for bringing the lad's insane talent. One can say that this childish ledge zoomed in on the biography of Mussorgsky. For the sake of the family, it was decided to report all the achievements for the development of the creative inclinations of Modest. Ale, not allowing anything, that the boy will become a musician. Youmu prepared another share. Mustache Mussorgsky, who resembled a noble family, served from the military part, the composer's father.
Until 1849, Modest took home lighting, and then (slide 4) together with his brother entered the Peter and Paul School in St. Here, krіm usgogo іnshoy, vіn vyvchav nіmetsku mova and latino, and also seriously zatsіkavivsya literature. St. Petersburg pianist and teacher, teacher of the famous John Field Anton Gerke (slide 5) was a teacher of music. In 1852, for the sake of a teacher, the first piano tvir of Mussorgsky polka "Pidprapornik" was published.
Without graduating from college, the future composer entered (slide 6) to the St. Petersburg School of Guards Ensigns (1852-1856). At the school, the spirit of military drill was panting, and there was no need for the exercise of knowledge and practice. Mussorgsky's spiritual maturation in these circumstances proceeded even more superbly. Inner potyag to a serious development, spontaneously, having learned foreign language, history, literature, art, taking piano lessons, playing opera performances, in spite of the displeasure of the military authorities. From one side - the wines flourished in the Viysk sciences, for which they were honored with the especially loving respect of the emperor; Yogo is right to play and improvise on the pianoforte, as well as spіv arias from fashionable Italian operas, they turned their full respect and loved yogo comrades. On the other hand, as a participant in evenings with card games, on such nights, without interruption, playing polkas and quadrilles.
After finishing school in 1856 (slide 7), Mussorgsky was appointed an officer in the Life Guards Preobrazhensky Regiment; in front of him gleamed the gleaming Vijska car'er. Same day, 1856, Mussorgsky got to know A.P. Borodin, who became Yogo's close friend.
The return of 1857 to the fate of Mussorgsky's life was another important occasion: yoga was requested (slide 8) for the evening before A.S. Dargomizsky. The gentleman himself, the atmosphere of the musical gatherings that the works of Glinka and Dargomizhsky sounded there, cast an unforgettable hostility towards the young musician. Vіn becoming often buvat at Dargomizhsky, like having fallen in love with a gifted young man. Under the influx of new Russian music, Mussorgsky composes his first romance “De ti, zirochka?” (To the words of N. Grekov) in the character of the Russian lingering song. At the house of the Dargomizhsky rock, you will know (slide 9) with your future musical friends and associates - Ts. A. Kuy and M.A. Balakirevim, and art critic V.V. Stasovim. Nezabar Mussorgsky became a participant in the "Mighty Cup".
Hotch Balakirov was only twenty years old, he was already recognized as a musician - a composer, a concert pianist. Balakirov volodіv vіrnym gusto, critical sensibilities and vіdrazu well recognizing Mussorgsky's unabashed talent. Vіn becoming occupied with composition with him, at the same time create Beethoven, Schubert, Schumann, Berlioz, Liszt and their application explain the peculiarities of form, orchestration, texture. Modest Petrovich greedily reproduced the creativity of classical and contemporary authors, watching concerts and performances. The new one had a thirst for creativity, a perfection in the musical art, as it became a method of his life. Mussorgsky reached out to Balakiryov with his first teeth. Vіn having become to show him his first legacy, regardless of those that Balakirov was sharp and merciless in criticism. Vіn mriyav about those, shchob Balakirov giving you lessons in composition, and that wait. Young Mussorgsky, musically gifted, but little illuminated, busy with Balakirev, insanely, brought great retribution. At the same time, Caesar Antonovich Cui came to music lessons from him, often visiting V.V. Stasiv.
The junior officer at the custody of Stasov and Balakireva felt nothing to himself. Coming home, hurried to "catch up" їх - nights without interruption sitting over books. And in the day - look around, razluchennya, stupid army life. I was drawn to music, books, I wanted to reach friends, but I didn’t have the strength, I didn’t get an hour. And then the decision came - to quit the service. Friends buli strivozheni - chi varto rizikuvati, if the musician's career is so hopeless and hit? Ale yunak was firm in his decision. The result of the struggle between the biased craving for creativity and the impossibility of raising one’s right to call on the military service is to slander about the resignation, as if it were the influx of 1858. Music called Yogo.
Winning from romances, from small orchestral songs. Hotch bi scho pisav - people swayed at him alive, scenes from folk life, fun, sumn, and sometimes girki to tears.
Mussorgsky begins to work on music before the tragedy of the ancient playwright Sophocles
Viyshovshi at the entrance, Mussorgsky seriously rozmіrkovuє about the power of his share, richly engaged in self-illumination, cultivating Russian and European literature, as well as the work of Glinka, Mozart, Beethoven and contemporary composers. Yogo tsіkavlyat yak raznі problems - philosophic and religious, і nurture psikhії і navit prirodoznavstva, geologii.
Mussorgsky was stunned by that democratic look, vchinkiv. Especially brightly appeared after the peasant reform of 1861. For two years, after the permission of the villagers, they were forced to take part in the management of the family maetkom. In order to save his money in the form of large payments, Modest Petrovich moved in his part of the recession to the greed of his brother (slide 10). Through financial difficulties, it is possible to gradually work in the state service: at the Head Engineering Department, the forestry department of the Ministry of State Mines, the Ministry of Internal Affairs, the Audit Commission of Sovereign Control. Having earned wines and steps.
The ideas of Russian people's democrats were hoarded. At the right hour (slide 11) Mussorgsky is alive with the "commune", which appeared a few times among the leading intellectuals of the sixty-decade years after leaving the world in 1863 as part of Chernishevsky's novel "Who Work?". V.V. Stasov at a biographical sketch about Mussorgsky tієї pores of rozpovіd: “... In the autumn of 1863, having turned from the village, he settled down, at once from a small group of young comrades, in a sleeping apartment, like a stench they called a “commune”, perhaps, from the legacy of this theoretical life , like preaching the famous novel “What work?”. At the skin comrade, it was on the edge of its own room ... and right there there was one large bedroom, where everyone converged in the evenings, if they were free to occupy, read, hear, read, talk, chat, talk, just talk about listening to Mussorgsky, What do you play on the piano or do you sing romances and verses from operas. Such small comradely “sleepers” were often seen in St. Petersburg, and, perhaps, in Russia. There were six of our comrades in the group... All the people were more intelligent; skin of them, having taken care of my beloved scientific and artistic right, without regard for those who were richly changed from them in the service in the senate and ministries; none of them want to be saints intellectually, and marveling at the contempt for those lives of sybarism, empty and baiting, as the majority of the Russian youth had long been leading up to that hour.
Nezabarom period of accumulated knowledge changed to a period of active creative activity. The composer, having conceived to write an opera, would have known that he would be addicted to the great folk scenes and the image of a strong willful specialness. The creativity of Mussorgsky's diyalnist was gurgling. The robot went garyachkovo, the leather twir opened up new horizons, it didn’t happen until the end. So the opera "King Edip" (Sophocles) was left unfinished (slide 12) і "Salambo" (Flaubert), where the composer first tried to inculcate the most intricate interweaving among the people of that strong and powerful individual.
On the cob of the 1860s, Mussorgsky often and long lived in the countryside, taking care of the rights of the tortured after death father mother. The very same in the color of the wines, respectfully impressing the vagrant, girke of the life of the peasants, highlighting their peculiarities of character, natural intelligence and talent. In the new one, faith was born in the wisdom of the people, its stamina was that kindness, the will to fight against evil and injustice. Tsi Special Aweden, Rosuminnya Seliansky Artsov, Volukovoyvan in the Intonatantsi People's Movy, Ta Pisen Potimim Vtіliyi in the darling of the Castle: "Plischyu Babs of the characteristics of the I Men's Tyovikh - Majki Skіzhih, not, do not want to chisel in Rosіyskіy, oh, oh , skіlki! I like juicy, glorious ". Mussorgsky’s speech in the romances of the 60s, (slide 13) in some of them there was a great artist’s note: “Svitik Savishna” - what is it, according to Stasov’s words, zamalovka from nature, “Koliskov Yeremushki” (words by M. Nekrasov), "Gopak" (lyrics by T. Shevchenko), "Seminarist", "Orphan", "Beshketnik" (lyrics by M. Mussorgsky). Mustaches are their own "people's pictures", permeated by speeches to poor people. Misunderstanding Mussorgsky’s memory, I can vividly and accurately embody nature in the music (“I will mark the axis of some peoples, and then, in case of a good time, I will press”), create a clearly characteristic language, give the plot visibility on the stage. And the smut, the songs are permeated with such a force of speech to the underprivileged people, that in the skin of them the most significant fact rises to the level of a tragic aggravation, socially victorious pathos. Not vipadkovo the song “Seminarist” was blocked by censorship!
Vinyatkovo important role of the creativity of Mussorgsky played (slide 14) the opera “Friendship” (act 1, 1868) was not completed. At the nіy pіd in a burst of Dargomizhsky's opera “ Kam'yany guest” Vіn vikoristav mayzhe nezmeneny text p'єsi M. Gogol. The composer, having put his own head of the musical creation of the “human movie in the short and long viginah." The originality of the idea and the humility of the experiment in the creation of “musical prose” were developed by “Odruzhennya” with a kind of creative laboratory, in a kind of search for “musical truth” and that they were noticed by the differences between “Boris Godunov” and “Khovanshchina”. Behind the words of the author, having hovered the TV channel “Friendship”, planted wine at the “cell of the word”. After the completion of the first stage, the completion ended, enriching the composer with new facets of craftsmanship.
The pinnacle of Mussorgsky's work in the 60s. became (slide 15) opera “ Boris Godunov"(Based on the plot of the drama by A. Pushkin). Mussorgsky began to write її in 1868. and in the first edition (without the Polish Act) presenting the ink of 1870. at the directorate of the imperial theatres, yak sighed the opera nibito through the presence of women's parties and the foldedness of recitatives. "The novelty and supremacy of music," said Rimsky-Korsakov in his "Chronicles of my Musical Life," "put an important committee in a dead end." Confusions and images Mussorgsky, having taken his score, to that, having thought, having dared to submit to її rutovnym reworks and additions. After completion (one of the results of which was the famous scene near Kromy) in 1873. for the marriage of Yu. - the whole opera (the truth, with grand bills).
Mustache innovations (slide 16) Mussorgsky was hotly praised by his comrades - members of the "Mighty Cup". At this hour, the closest blues accumulated at the composer's (slide 17) with Rimsky-Korsakov - the stench of the day lived at once: “Our life with Modest,” guessing Rimsky-Korsakov, “bulo, I guess, is the only butt of the sleepy life of two composers. How could we not respect one alone? And the axis is yak. From early in the year to 12, Mussorgsky played the piano, and I either copied or orchestrated, I had already thought it over. Until the age of 12, I was born to serve in the ministry, and I played the piano. In the evenings, on the right, I was looking for a plentiful pleasure ... In autumn and winter, in autumn and winter, insults were richly directed, exchanging constantly thoughts and thoughts.
A supporter of friends, middle boules (slide 18) and prominent opera artists - D. Leonova, Yu. Platonova, F. Komisarzhevsky, G. Kondratyev, helped the composer survive the important blow of the second theater committee, then get the production of "Boris Godunov" on stage “ Mariinsky theater- a little less than three scenes, and on September 27, 1874, the end of the opera.
The premiere (slide 19) was held with great success, following the words of V.V. Stasov, "it was great holy Mussorgsky." However, farther away, the share of the opera was developing importantly, more and more tvir rіshuche ruinuvav sounding announcements about the opera performance. Here everything was new: the hostro-social idea of intransigence of the interests of the people and the tsarist government, the depth of revealing passions and characteristics, and the psychological folding of the image of the tsar-killing children. The musical language was unmistakable, about which Mussorgsky himself wrote: "Working over the human voice, I am kind to the melody, what was going on with the voice, good to the instillation of recitative in the melody."
Contrasting with the crowded public, the magic of criticism: Mussorgsky’s verse was innovative, the sound of the opera was ruined so much and it was seen as an unremarkable musical language, that the reviewers told the author in non-government, pragmatic to the “original” “meaning”.
For the rocky work on "Boris Godunov" (1868-1872), the composer became close and, in a right way, partnered with V.V. Stasov, often visiting his St. Petersburg apartment and the summer cottage. I spit my love (slide 20) to Stasov’s young brother, Dmitry Vasilyovich, and that yogo child, as if they told the “Musoryanin” to be buried and burnt.
Warmly and lowered to them, to the poetic world of their feelings, modesty and joy, Mussorgsky hung at the vocal cycle "Child". Friendship with V. V. Stasovim meant a lot to him: the composer vociferously demanded pіdtrimki and heartfelt tribute, that Mussorgsky did not have his own family, and his comrade composers step by step went one way and one.
Another period of work on "Boris Godunov" Mussorgsky wine conceived " Khovanshchini ” (Slide 21) and start picking up materials. Everything was done with the participation of U. Stasov, which in the 70s. n. getting close to Mussorgsky and being one of the poor, who in a right way understands the seriousness of the composer's creative minds. V. V. Stasov, having become the natkhnennik and closest assistant of Mussorgsky in the creation of the opera, worked on some wine from 1872 until the end of his life. “I will consecrate to you the whole period of my life, if “Khovanshchina” will be created ... the same cob you have given,” Mussorgsky wrote to Stasov on July 15, 1872.
The composer was again won by the shares of the Russian people during the critical period of Russian history. The rebellions of the end of the 17th century, the hostile struggle of the old boyar Russia and the new young Russia of Peter I, the rebellions of the archers and the rukh schismatics gave Mussorgsky the opportunity to create a new folk musical drama. "Khovanshchina" the author dedicating to V. V. Stasov.
work over" Khovanshchina ” flowed smoothly - Mussorgsky turned to the material, which goes far beyond the framework of the opera vistavi. Prote vin wrote intensively (“ Robot boil!”), although with great interruptions, calling out for immeasurable reasons. At this hour, Mussorgsky was having a hard time with the disintegration of the Balakirovsky group, the chilling of the stounks from Cuis and Rimsky-Korsakov, the exit of Balakireva from the musical-suspile activity. Vіn vіdchuvav, scho kozhen from them becoming an independent artist and pіshov already in the vashny path. The bureaucratic service deprived the creative work of music only in the evenings and nights, and it led to a strong relapse and even greater depression. Against all odds, the composer's creative work in the period is opposed by force, richness of artistic ideas.
Vlitka 1874 I am creating one of the most prominent works of piano literature - (slide 22) the cycle “Babys from the Exhibition ” , dedications to Stasov, to whom Mussorgsky buv is inexcusably awarded for the fate of that support: “ Nothing specializes you in all respects ... nothing clearer showed me the path-way” ...
The idea of writing a piano cycle of vinyl under the defeat (slide 23) of a posthumous exhibition of the works of the artist V. Hartmann at the fierce 1874 p. Vin was a close friend of Mussorgsky, and his death deeply impressed the composer. The robot vinicla like a hot sound and ran through boisterously, intensely (3 days in total): "The sounds of that thought hung in the air, I am forging and ob'їdayus, I'm stealing rags on the paper." The plot is composed of ten paragraphs, the prototype of such steels (slide 24) Hartmann's various creations: yoga watercolors ("Catacombi"), little ones ("Hatina on smoking legs"), architectural projects ("Bogatyr's Gates"), sketches of toys (" Dwarf") and costumes to a ballet performance ("Ballet of Birds That Haven't Witted"), nareshti, pictorial portraits ("Two Jews - wealthy and vicious") and genre painting ("Tyulriysky garden"). Ale p'єsi u syuїti - not just musical illustrations, but free fantasies of the composer's creative thoughts. The stench poov'yazanі mіzh itself to the post-turning of the pochatkovoї those creations - "Wanderings", as it has become a kind of self-portrait of the author himself, which goes from the exhibit of the exhibition to the next. In “Pictures from the Exhibition” all the facets of Mussorgsky’s brilliant pianism were known – from the effective virtuosity of image-creation and timbre barvistosity to the deep sound writing of psychological characteristics (Already in the 20th century, the French composer Maurice Ravel, orchestrating the beauty of music).
In parallel with the tragic “Khovanshchina” from 1875. Mussorgsky Pratsyuє (slide 25) over the comic opera “ Sorochinskiy Fair ” (after Gogol). “ This is good as an economy of creative forces, - Mussorgsky wrote. - Two pudoviki: “Boris” and “Khovanshchina” the order can crush” ... At the onset of fate, the composer sometimes folded the scenes for her, but the opera was left unfinished.
Another, but still vocal (slide 26) "picture from the exhibition" of the dramatic ballad "Zabutiy" - Mussorgsky wrote under the objections of the same-name painting by V. Vereshchagin to the text by A. Golenishchev-Kutuzov. The composer that sings became friends. As a result of their creative union, there were also vocal cycles “Without a dream” and “Songs and dances of death”, which depicted the heavy spiritual camp of Mussorgsky. Like the cycle "Without a dream" becoming the composer's lyrical speech, deep deep and tight self-confidence! then “Songs and Dances of Death” became one of the most tragic works. The vocal cycles “Without Sleep” (1874) and “Songs and Dances of Death” (1875-77) became the basis of the composer's chamber and vocal creativity.
AT stay rocky life was troubling in the distance of Mussorgsky and his comrades-kuchkists. Vіn importantly experiencing the chill of friendship with them, only with Borodinim, the warmth of the heart was saved from him. Heavily ill, who suffers horribly from evil, selfishness, ignorance, Mussorgsky stubbornly repeats that “he is beaten to the last drop of blood.”
Shortly before death, vletka 1879 Vіn zdіisnyuє (slide 27) at once from the home of D. Leonova as an accompanist to the great concert tour of Russia and Ukraine. The tour brought him fresh inspiration and artistic success. At concerts, he performed as a solo pianist, playing his piano songs and transcriptions of fragments from operas. But after the return to St. Petersburg (slide 28), life's hardships came upon Mussorgsky again. Yogo's health continued to improve; in the fierce fate of 1881, a blow was struck behind him. Through the efforts of Mussorgsky's friends, they sent Mussorgsky to the Mykolaiv military hospital, and a month later, on February 16, 1881, he died.
After death (slide 29) by Mussorgsky Rimsky-Korsakov, having completed "Khovanshchina" and, hopefully turn "Boris Godunov" onto the stage, having created a new edition of the opera. In the 1920s, Russian musicologist P.A. Lamm, having made a grandiose work, having autographed the author's text of the opera. The rest of the edition of "Boris Godunov", which is worth the instrumentation, belongs to D. D. Shostakovich. Shostakovich re-introduced "Khovanshchina", turning the episode, shortened by Rimsky-Korsakov, that instrumentalized opera. And to the editorial staff of Rimsky-Korsakov's "Boris Godunov" having taken away the world's popularity; The great Russian singer F.I. Shalyapin. In 1917, the roci kyui finished and orchestrated "Sorochinsky Fair". The composer V.Ya. Shebalin.
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Modest Petrovich Mussorgsky - Russian composer, member of the "Mighty Cup". Batko Mussorgsky resembled the old noble family of the Mussorgskys. In 1849, the roci, having moved to St. Petersburg, Modest joined the German school. After a few years, without graduating from college, he graduated from the School of Guards ensigns, as if he graduated in 1856. Yunist
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Until the moment I enter the musical group of Balakirev Mussorgsky Buv miraculously illuminated and learned by a Russian officer (I freely read and spoke French and German mov, parsing Latin and Greek) and pragmatically (like I myself am a musician) Balakiryov defied Mussorgsky and gave serious respect to musical activities. Under yoga, Mussorgsky read orchestral scores, developing musical skills in his own. Interest in music
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The musical creativity of Mussorgsky knew the original and vivid expression of Russian national rice. The original peculiarity of yoga style showed itself in a different way: in smart behavior with folk songs, with melodic, harmonious and rhythmic features of music, nareshti, with a choice of plots, head rank, and from Russian life. Mussorgsky is a hater of routine, so music has no authority. They had little respect for the rules of musical "grammar" of the wines, succumbing to some of the camps of science, less than a collection of composer's tricks from many epochs. Sounds like the post-work of Mussorgsky-composer to the novelty of everything. Mussorgsky's specialty is vocal music. From one side, vіn pragnuv realism, from the other side, barvy rozkrittya words. Lyrics of love added little to it. The specific style of Mussorgsky is widely manifested, which leads to the Russian peasant life. Mussorgsky's songs “Kalistrat”, “Koliskov Yeryomushki”, “Spi-usnі, peasant's son”, “Gopak”, “Svitik Savishna” and “Beshketnik” and richly others are richly colorful. In such songs and romances, Mussorgsky knows the truthful musical expression for the absence of a way out, like a song is attached to the text of the zovnishnim humor. Humor, irony, and satire struck a good chord with Mussorgsky. Creativity
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The work on the great form of Mussorgsky began from music to the tragedy of Sophocles "Edip", but did not finish it. Next great thoughts - the opera after Flaubert's novel "Sala mbo" and the plot of "Friendship" by Gogol - were also realized in a residual way. Mussorgsky vikoristovuvav z tsikh nacherkіv in pіznіshih creations. First robots
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A great idea is coming - the opera "Boris Godunov" after the tragedy of A. S. Pushkin - Mussorgsky finished to the end. The premiere took place on the stage of the Mariinsky Theater in St. Petersburg in 1874. For 10 upcoming rock "Boris Godunov" was given 15 times and then taken from the repertoire. Less than a hint of leaf fall 1896 "Boris Godunov" blew the light again - at the editorial office of M. A. Rimsky-Korsakov "Boris Godunov"
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In 1872 p. Mussorgsky conceived the dramatic opera "Khovanshchina", and at the same time worked on a comical opera based on the plot of Gogol's "Sorochinsky Fair". "Khovanshchina" was mostly completed in the clavier, but not instrumented. The first stage edition of "Khovanshchina" was published in 1883 by Vicon N. A. Rimsky-Korsakov. At that fate, Bessel and Co. saw the score and clavier. The first vikonanny of "Khovanshchina" was born in 1886 near St. Petersburg, near Kononov Hall. "Khovanshchina" The experience of not being known and the “unreasonableness” took away the viraz from the “nervous flirtation”, which had grown stronger in the other half of the 1870s, and, as a result, from addiction to alcohol. Mussorgsky died at the military hospital, where the premises were after the attack of the white fever. Stay rocky Modest Petrovich Mussorgsky 1839 r 1839
History of life Modest Mussorgsky was born on 21 Birch, 1839 in the village of Karevo, Toropetsky county, at the mother of his father, a poor helper of Peter Oleksiyovich. Childhood in provinces in the Pskov region, in the wilderness, in the middle of forests and lakes. Vіn buv the youngest, the fourth son of the family. The two elders died one by one at the child's head. All the mother's mother, Yuliya Ivanivna, was given away to the two who were left behind, and especially to you, lover, lesser, Modinka. The first one began to read yoga on the old piano, which was standing at the hall of their wooden lord's booth. Modest Mussorgsky was born on the 21st of February, 1839, in the village of Karevo, Toropetsky county, at the mother of his father, a poor assistant, Peter Oleksiyovich. Childhood in provinces in the Pskov region, in the wilderness, in the middle of forests and lakes. Vіn buv the youngest, the fourth son of the family. The two elders died one by one at the child's head. All the mother's mother, Yuliya Ivanivna, was given away to the two who were left behind, and especially to you, lover, lesser, Modinka. The first one began to read yoga on the old piano, which was standing at the hall of their wooden lord's booth. Ale, the future of Mussorgsky was written in advance. At the decimal vіtsі vіn at once from the elder brother came to St. Petersburg. Here it was necessary for youmu to join the privileged military school, the School of Guards Ensigns. Ale, the future of Mussorgsky was written in advance. At the decimal vіtsі vіn at once from the elder brother came to St. Petersburg. Here it was necessary for youmu to join the privileged military school, the School of Guards Ensigns. After the completion of the Mussorgsky School, the Preobrazhensky Guards Regiment was appointed. Modest was seventeen years old. Obov'yazki yogo boules are not heavy. Ale, unstoppable for all, Mussorgsky gives at the front and turns the way, so far pink. After the completion of the Mussorgsky School, the Preobrazhensky Guards Regiment was appointed. Modest was seventeen years old. Obov'yazki yogo boules are not heavy. Ale, unstoppable for all, Mussorgsky gives at the front and turns the way, so far pink. Not long before, one of the comrades-transfigurators, known from Dargomizhsky, grafted to the new Mussorgsky. Yunak teased the musician not only with his thunder on the piano, but with free improvisations. Dargomizhsky highly appreciated yoga non-abyakі musical zdіbnostі and cognizes Balakіrєvim and Kuї. Thus began a new life for the young musician, in what a smutty place Balakiryov and the band “May Kupka” were occupied. Not long before, one of the comrades-transfigurators, known from Dargomizhsky, grafted to the new Mussorgsky. Yunak teased the musician not only with his thunder on the piano, but with free improvisations. Dargomizhsky highly appreciated yoga non-abyakі musical zdіbnostі and cognizes Balakіrєvim and Kuї. Thus began a new life for the young musician, in what a smutty place Balakiryov and the band “May Kupka” were occupied.
Mussorgsky's creative activity began to growl. Leather tvir vіdkrivav new horizons, navіt yakscho not brought to the end. Thus, the operas King Edip and Salambo were left unfinished, de first the composer having tried to inculcate the most intricate interlacing among the people of that strong and powerful individual. Mussorgsky's creative activity began to growl. Leather tvir vіdkrivav new horizons, navіt yakscho not brought to the end. Thus, the operas King Edip and Salambo were left unfinished, de first the composer having tried to inculcate the most intricate interlacing among the people of that strong and powerful individual. The unfinished opera Marriage (Act 1, 1868) played an important role for Mussorgsky's work, playing the unfinished text of N. Gogol's song, setting before himself the task of musical creation of human mov in all the most subtle virgins. Crushing the idea of programmability, Mussorgsky creates a number of symphonic works, among them - Night on Fox Mountain (1867). The unfinished opera Marriage (Act 1, 1868) played an important role for Mussorgsky's work, playing the unfinished text of N. Gogol's song, setting before himself the task of musical creation of human mov in all the most subtle virgins. Crushing the idea of programmability, Mussorgsky creates a number of symphonic works, among them - Night on Fox Mountain (1867). Ale nayaskravishі khudozhnі vіdkrittya was zdіyssnenno at 60 roky. in vocal music. Songs appeared, de first in music there was a gallery of folk types, people of humiliation and images: Kalistrat, Gopak, Svetik Savishna, Koliskova Eromushka, Siritka, Po mushrooms. Vrazhayuche in Mussorgsky’s mind, I vividly and accurately embody nature in music, embody a clearly characteristic language, give the plot visibility on the stage. And the smut, the songs are permeated with such a force of speech to the underprivileged people, that in the skin of them the most significant fact rises to the level of a tragic aggravation, socially victorious pathos. Nevipadkovo song Seminarist bula fenced by censorship! Ale nayaskravishі khudozhnі vіdkrittya was zdіyssnenno at 60 roki. in vocal music. Songs appeared, de first in music there was a gallery of folk types, people of humiliation and images: Kalistrat, Gopak, Svetik Savishna, Koliskova Eromushka, Siritka, Po mushrooms. Vrazhayuche in Mussorgsky’s mind, I vividly and accurately embody nature in music, embody a clearly characteristic language, give the plot visibility on the stage. And the smut, the songs are permeated with such a force of speech to the underprivileged people, that in the skin of them the most significant fact rises to the level of a tragic aggravation, socially victorious pathos. Nevipadkovo song Seminarist bula fenced by censorship!
The pinnacle of Mussorgsky's work in the 60s. became an opera by Boris Godunov. The public was democratically set up with Mussorgsky's new tvir with great enthusiasm. The pinnacle of Mussorgsky's work in the 60s. became an opera by Boris Godunov. The public was democratically set up with Mussorgsky's new tvir with great enthusiasm. However, farther away, the share of the opera was developing importantly, more and more tvir rіshuche ruinuvav sounding announcements about the opera performance. Here everything was new: the hostro-social idea of the intransigence of the interests of the people and the tsarist government, the depth of revealing passions and characteristics, and the psychological folding of the image of the tsar-children. However, farther away, the share of the opera was developing importantly, more and more tvir rіshuche ruinuvav sounding announcements about the opera performance. Here everything was new: the hostro-social idea of the intransigence of the interests of the people and the tsarist government, the depth of revealing passions and characteristics, and the psychological folding of the image of the tsar-children.
The work over the Khovanshchina proceeded smoothly - Mussorgsky turned to the material, which goes far beyond the framework of the opera vistavi. At this hour, Mussorgsky was having a hard time with the disintegration of the Balakirovsky group, the chilling of the stounks from Cuis and Rimsky-Korsakov, the exit of Balakireva from the musical-suspile activity. Against all odds, the composer's creative work in the period is opposed by force, richness of artistic ideas. In parallel with the tragic Khovanshchina in 1875. Mussorgsky Pratsyuє over the comic opera Sorochinskiy fairs (for Gogol). Vlitka 1874 I am creating one of the most prominent works of piano literature - the cycle of Pictures from the exhibition, dedications to Stasov, to whom Mussorgsky buv is unreservedly grateful for the fate of that support. The work over the Khovanshchina proceeded smoothly - Mussorgsky turned to the material, which goes far beyond the framework of the opera vistavi. At this hour, Mussorgsky was having a hard time with the disintegration of the Balakirovsky group, the chilling of the stounks from Cuis and Rimsky-Korsakov, the exit of Balakireva from the musical-suspile activity. Against all odds, the composer's creative work in the period is opposed by force, richness of artistic ideas. In parallel with the tragic Khovanshchina in 1875. Mussorgsky Pratsyuє over the comic opera Sorochinskiy fairs (for Gogol). Vlitka 1874 I am creating one of the most prominent works of piano literature - the cycle of Pictures from the exhibition, dedications to Stasov, to whom Mussorgsky buv is unreservedly grateful for the fate of that support.
The idea to write a series of Pictures from Vinyl Exhibitions for the Posthumous Posthumous Exhibition of the Works of the Artist V. Hartmann in the Fierce 1874 Vin was a close friend of Mussorgsky, and his death deeply impressed the composer. The robot proceeded boisterously, intensely: The sounds of that thought hung on the window, I forge it, I am obsessed, and rushing to rag on the paper. And in parallel, one by one, 3 vocal cycles are heard: Child (1872, on the favo. verse), Without a dream (1874) and Songs and Dances of Death (offended at the station by A. Golenishchev-Kutuzov). The stench is becoming a bag of the composer's chamber-vocal creativity. The idea to write a series of Pictures from Vinyl Exhibitions for the Posthumous Posthumous Exhibition of the Works of the Artist V. Hartmann in the Fierce 1874 Vin was a close friend of Mussorgsky, and his death deeply impressed the composer. The robot proceeded boisterously, intensely: The sounds of that thought hung on the window, I forge it, I am obsessed, and rushing to rag on the paper. And in parallel, one by one, 3 vocal cycles are heard: Child (1872, on the favo. verse), Without a dream (1874) and Songs and Dances of Death (offended at the station by A. Golenishchev-Kutuzov). The stench is becoming a bag of the composer's chamber-vocal creativity.
Severely ill, who suffers horribly for consumption, selfishness, ignorance, Mussorgsky stubbornly repeats that he is beaten to the last drop of blood. Not long before his death, vltku 1879 Vіn Zdіysnyuє at once Zi Spevachku D. Leonovoy Great Concener CoPuzku Pivden Rosії Ta Ukraine, Vikonuє Musika Glіnka, Kuchkistіv, Schubert, Chopin, L_sta, Shimanan, Urivka Zi Own Opera Sorochinskiy Fair І Prica Znamennik to New Music Pratsi, Wide Music Robotic Kliche Livtya. .. to the new shores until the boundless mysticism! Severely ill, who suffers horribly for consumption, selfishness, ignorance, Mussorgsky stubbornly repeats that he is beaten to the last drop of blood. Not long before his death, vltku 1879 Vіn Zdіysnyuє at once Zi Spevachku D. Leonovoy Great Concener CoPuzku Pivden Rosії Ta Ukraine, Vikonuє Musika Glіnka, Kuchkistіv, Schubert, Chopin, L_sta, Shimanan, Urivka Zi Own Opera Sorochinskiy Fair І Prica Znamennik to New Music Pratsi, Wide Music Robotic Kliche Livtya. .. to the new shores until the boundless mysticism!
The share was ordered otherwise. Mussorgsky's health deteriorated sharply. Fierce 1881 p. becoming a blow. Mussorgsky was sent to the Mykolaiv military-land hospital, de vin died without having completed the Khovanshchina and the Sorochinsky fairs. The share was ordered otherwise. Mussorgsky's health deteriorated sharply. Fierce 1881 p. becoming a blow. Mussorgsky was sent to the Mykolaiv military-land hospital, de vin died without having completed the Khovanshchina and the Sorochinsky fairs. The entire archives of the composer after the death of Rimsky-Korsakov. I finished the Khovanshchina, created a new edition of Boris Godunov and had the opportunity to stage them on the imperial opera stage. Sorochinskiy fairs completed by O. Lyadov. The entire archives of the composer after the death of Rimsky-Korsakov. I finished the Khovanshchina, created a new edition of Boris Godunov and had the opportunity to stage them on the imperial opera stage. Sorochinskiy fairs completed by O. Lyadov.
