German literary expressionism of the philosophical and aesthetic foundations of specialness. Aesthetic plant expressionism
Under the expressiveness of the literature, hundreds of years of literature explore a whole complex of currents and directly in European literature at the beginning of the 20th century, including in the global trend of modernism. The main rank of literary expressionism is wide in the German regions: Germany and Austria, although the song is directly infused in other European regions: Poland, Czechoslovakia and other.
The German literary studies see the concept of the “expressionist decade”: 1914-1924. This is the hour of the greatest rozkvіtu tsgogo literary straightening. Wanting to do this periodization, as a clear understanding of the concept of "expressionism", the dosi is left to do it mentally.
Vzagali, tsei directly in the literature of the zdebіlshý pov'yazuyut іz diyalnistyu nіmetskomovnykh avtorіv pre-war hour. Near Nіmechchini, the center of traffic is Berlin (hocha bouli okremi groups near Dresden and Gamburzі), in the Austro-Ugric region - Vіden. In other lands, literary expressionism has developed under the direct and indirect influx of German literature.
In Nіmechchinі and Austria, tsey directly swelled on a grand scale. Thus, P. Raabe's “Documentary of Authors and Books to Expressionism” lists the names of 347 authors. In front of the power of yoga, the author characterizes expressionism as “a general manifestation, rare for the Nimachechini”, “a savage spiritual movement” of such power and affability that “it’s not like a counter-ruh chi protidia anywhere”. Tse allow the successors to say that the depth of this literary phenomenon has not been exhausted to the end:
“At the hearing of the robots are the same texts and the names of canonical authors: Trakl, Benn, Heim, Stramm, Becher, Werfel, Stadler, Lasker-Schuler, Kafka, Deblin, Kaiser, Barlach, Sorge, Toller, van Goddis, Liechtenstein, Tsekh, Rubiner, Leonhard, Llorque. Mabut, mustache. Rashtu is accepted to be called poetae minores. And among them, miraculously talented authors appear, like the pose of Russian expressionism: F. Hardekopf, E.V. about, and even dozens of authors of miraculous expressionist anthologies, the series "Judgment Day" ("Der jungste Tag"), hundreds of other periodicals ... "
Early Expressionism (until 1914)
The prewar hour (1910-1914) is seen as a period of "early expressionism" (nim. "Der Frühexpressionismus"), which caused the first expressionist journals ("Der Sturm", "Die Aktion") and clubs ("Neopathetic cabaret" , "Cabaret Wildebeest"). Basically, it is connected with it, that at this hour the term itself has not taken root yet. The authors did not call themselves expressionists for a long time, and they were less secure before them.
The first other organ of expressionists was the magazine Der Sturm, which saw Herwart Walden in 1910-1932. Through the river appeared the magazine "Die Aktion", among those who were born, the creations of "left" expressionists, close in spirit to socialism and helleric "activism", were befriended. In one of the first issues of "Die Aktion" in 1911, a programmatic expressionist verse by Jacob van Goddis "Kіnets svіtu" (nim. "Weltende") was published, which brought wide popularity to the author. The new one had eschatological motives characteristic of expressionism, which predicted the death of the bourgeois civilization.
Early expressive authors recognized various influxes. French and German symbolism (Gottfried Benn, Georg Trakl, Georg Geim), especially Arthur Rimbaud and Charles Baudelaire, became one of the creative reinterpretations of French and German symbolism. Others were fed up with baroque romanticism. Let's sleep for all the bula zoseredzhena respect for real life, but not in a realistic, naturalistic sense, but in terms of philosophical ambushes. The expressionists died out legendaryly: "Not a stone stone, but the law of gravity."
Krіm journals, at an early stage, the first creatives of the Expressionist Union appeared: “ new club And po'yazane with him "Neopathetic cabaret", as well as "Cabari Wildebeest". The greatest figures of this period are Georg Geim, Jacob van Goddis and Kurt Hiller.
“Early expressionist journals and authors such as Geim, Van Goddis, Trakl and Stadler so very little convinced themselves of the Expressionists, like later Stramm or Hasenclever. At the literary stakes before the First Holy War, such synonyms were used as “young Berliners”, “neopathetics”, “young literature”. In addition, young progressive revolutions were brought up to "futurism". Hiller saw the new password "activism". On tsomu protivagu іnozemny termіn "ekspresіonіzm" vselyaє Dumka about Yednist Epoch style abo estetichnih programs i all the same to serve zbіrnim poznachennyam rіznomanіtnih avangardistskih ruhіv that lіteraturnih tehnіk, splendens headache osoblivіst lezhit in їhnіy polemіchnіy zagostrenostі: antitraditsіonalіzmі, antirealіzmі that antirealіzmі.
One of characteristic rice early expressionism - yogo prophetic pathos, which was the most instilled in the works of Georg Heim, which vanished after an unfortunate fall two decades before the ear of the First Light War. At the verses “War” and “A great death is coming ...”, inspired by the Moroccan crisis, there are a lot of people who are reminiscent of the possible European war. In addition, not long after his death, the poet's pupils were revealed, in which wines they wrote down their dreams. One of these records practically accurately describes my own death.
In Austria, the largest figure is Georg Trakl. Trakl's pastoralism is not great, but it made a significant contribution to the development of German poetry. The tragic luminosity that pervades the poet's verses, the symbolic complexity of the images, the emotional intensity and the suggestive power of the verse, the brutality until death, decay and degradation allow Trakl to be expressive, although the ugly life itself does not formally lie down.
"The Expressionist Ten Years" (1914-1924)
The 1914-1924 years are respected for an hour of literary expressionism. At the same time, Gottfried Benn, Franz Werfel, Albert Erenstein and others were directly practicing.
An important place in the period is occupied by “front lines” (Ivan Goll, August Stramm and others.). The mass death of people has led to a surge of digital tendencies in expressionism (Kurt Hiller).
In 1919, the famous anthology "The Day of Humanity" (nim. "Die Menschheitsdämmerung") was published, in which Kurt Pinthus saw one of the most famous representatives directly. Over the years, the anthology has become a classic; in the XX century, the won was seen a dozen times.
Leviy Expressionism (Ernst Toller, Ernst Barlach) is becoming popular politically. At this hour of expression, they begin to establish their unity. New groups are blamed, expressionist magazines continue to be seen and one newspaper (Die Brücke) is called. Kurt Hiller is on the left wing. There are other “Meta” (nim. “Ziel-Jahrbücher”) guardians, who are discussing the future in war.
Deyakі sledniki ekpresіonіzmu act against yogo podіlu on "leviy" and "right". From the other side, the rest of the hour, there was a reassessment of the significance of the early stages in the development of expressionism. For example, N.V. Pestova write:
"Pivagged Uvagi to a half-definite aspect of the EkspressiMIZMU Side Dzlidnikіv explains the Schwidsh for the Svіtovi Svіtovі-ї іниніії ін и ін и и и итовавая и ина ина і ідельний тедціна питицацінііский истецва. Do not be true to yourself and do not prove yourself by poetic practice, gave expressionism to left and right.
Literary Expressionist
§ Hugo Ball (1886-1927)
§ Ernst Barlach (1870-1938)
§ Gottfried Benn (1886-1956)
§ Johannes Becher (1891-1958)
§ Max Brid (1884-1968)
§ Ernst Weiss (1884-1940)
§ Frank Wedekind (1864-1918)
§ Franz Werfel (1890-1945)
§ Walter Hasenklewer (1890-1940)
§ Georg Geim (1887-1912)
§ Ivan Goll (1891-1950)
§ Richard Huelsenbeck (1892-1974)
§ Alfred Deblin (1878-1957)
§ Theodor Deubler (1876-1934)
§ Georg Kaiser (1878-1945)
§ Franz Kafka (1883-1924)
§ Klabund (1890-1928)
§ Alfred Kubin (1877-1959)
§ Else Lasker-Schüler (1869-1945)
§ Alfred Liechtenstein (1889-1914)
§ Gustav Meyrink (1868-1932)
§ Minona (1871-1946)
§ Rainer Maria Rilke (1875-1926)
§ Ernst Toller (1893-1939)
§ Georg Trakl (1887-1914)
§ Fritz von Unruh (1885-1970)
§ Leonhard Frank (1882-1961)
§ Jacob van Goddis (1887-1942)
§ Kurt Schwitters (1887-1948)
§ Ernst Stadler (1883-1914)
§ Karl Sternheim (1878-1942)
§ Serpen Stramm (1874-1915)
§ Kazimir Edshmid (1890-1966)
§ Carl Einstein (1885-1940)
§ Albert Yerenstein (1886-1950)
§ Kurt Hiller (1885-1972)
§ Zenon Kosidovsky (1898-1978)
§ Karel Capek (1890-1938)
§ Geo Milov (1895-1925)
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- (Vid lat. expressio viraz) directly, which developed in European art and literature from about 1905 to 1920s. Viniklo as a reminder of the current social crisis of the 1st quarter of the 20th century. (including the 1st world war and offensive ... ... Great Radianska Encyclopedia
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- (Latin expressio - viraz), the artistic style of the art of modernism, which came from the 1910s. to the change of impressionism and the expansion of avant-garde literature. The blame for the style is connected with the appearance in the German culture. Literary encyclopedia
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Expressionism directly at the mysticism and literature of the krai Sunset of the first Thursday of the 20th century. The greatest development of expressionism was taken away from the German culture, and similar trends are remembered from the creativity of artists, musicians, cinematographers, poets, playwrights in other countries, including Russia. The term was propagated by H. Walden, who saw the magazine Shturm in 1911. Shturm and Aktion became the main magazines of the new school. In 1933, if fascism, which had won over Germany, voiced creativity in expressionism as a variety of “degenerative art”, which supported the fence, then more richly yogo representatives looked at others.
Aesthetics of Expressionism
The aesthetics of expressionism subsequently inspired the idea of a radical change in the image-creating language, which became necessary in the face of the reality of the 20th century, which was marked by deep destruction in the light. Expressionism lies in a wide artistic rush, zagalnenno called avant-garde. Vono evoked a review of the dominant manifestations of creativity as an objective affront to life, which is realized in plastic, natural forms. Exploring the traditions of the art of the 19th century, the primacy of subjectivity, experiment and novelty melt away fundamental principles for expressionism as an artistic phenomenon. Particularly important in this program is nabuvaє vіdmovi vіd vіd posobrazhat dіysnіst plausibly. This installation of expressionism opposed the grotesqueness of the images, the cult of deformation in the most manipulative manifestations. The art of expressionism, which survived its anger at the fate of the first world war and immediately after it ended, spoke about the world, a catastrophe swelled in it. It is permeated with feelings of constant pain, with anger in the intelligence of the butt, with an undeniable fear for the future of people, whose life is directed by social mechanisms, like schokhvilini, to threaten your mindless death. Shukannya ekspresionizmu, at first glance, surrounded by the area of formal innovations, may already be able to ideological nationality.
The main task of expressionism
The main task of expressionism is the dismantling of understanding, believing, looking at the illusions of the liberal character, the shards are taken into account that the stinks have shown their impossibility. Considering that the art of our days is an accident of naturalism and a victory over style, expressionism is not satisfied with the controversy with the addicts of life-likeness, so it sounds like a swell of sharp forms. Vіdkidayuchi tsey principle, ekspresіonіzm throwing vyklik and priynyatyu light, standing behind him, like an organic integrity. To this image of the world in the creativity of successors to expressionism is opposed the unacceptable harmony, from the baiduzhistyu to the colossal hour, which bleeds, and the bright emotionality of the composition, in contrast to the unbiased sexuality of the “academic polos. A note of anxiety, addiction to traumatic metaphors appeared in the daily experimental creations, created to prove a beloved thought to expressionism: mysticism does not have anything to do with the inheritance of nature. Vono is a special light, like creations of the hvilini of ingenious light, if the artist leans on the cunning facet between the visible and the unreal. Deforming visible proportions, viyavlyaє behind everyday appearances, a visceral, mystical and most painful sense. TAKE ROSUMINNYY SUNNOSTY CREE CREATING OF VIDDRIZNAYA PERSONNANNA ARTERIVE EKSPRESIONIONSMU: Berlіnskoi Growing "MIST" on Cholі z M.Phechtyin Ta E. Nolde, Munich's Growing "Blaknaya Hanging", to Jaco, Rosiyusky Artist V. Kadinskiy. Like and close to expressionism, the Swiss P. Klei and the Austrian O. Kokoshka, Kandinsky plunged into the painting of the 20th century. Significant were the achievements of expressionism in cinematography (films by German directors F. Lang, G. V. Pabst).
Expressionism in Literature
In literature, expressionism is most profoundly touched by poetry and dramaturgy. Grounded in the manifestoes to expressionism, the meta-reasoning of the “attached essences” to the world seemed to be familiar to the writers, as if they did not share their aesthetic position in the same way. Expressionism, voicing the creativity of the useless, try to create the art of "live life". It was obvious and speculatively schematic imagery of direct successors to expressionism - symbolists.
Expressionism in art
In the art of expressionism life was not to be described, not to succumb to abstract philosophical concepts, but to speak out, penetrating the secret sense, actively intruding into reality and plunging into everything that comes from the world. The position of the author was to blame, but it was clearly expressed, and directness and uncompromisingness itself became the way to pour in, for which the author exposed the laws of social mechanics and the secrets of human reflexes, not being afraid that the effect would be shocking. The darkness of the art, inspired by expressionism, showed its controversy to the rich spiritual and artistic aspirations of that era. For this reason, the position of a creative program, grounded by expressionism, is known to be directly in line with the aspirations and evidence of writers, as they did not directly belong to them: the Austrian prose writer F. Kafka (the short stories "At the Corrected Column1", "1919", 1919; The one who takes blunders", 1915; "Dog Waltz", 1916), Russian futurists, especially the young V. Mayakovsky. In the history of expressionism, there are also various manifestations of Italian, Polish, Croatian literature, in which for some time the role of the avant-garde has become significant.
Main literary developments in expressionism
Main literary excellence in expressionism due to the work of German writers, Shaho, got into the Perers Svіtov Vіin, in the Liteturian of that hour Steel became Romani, Tu Opovіdannya writing a writer Ekspressіonіzmu, Zokrema, Zbіrki nelvy "Lyuba" (1917) L. Franca, in Yakiy Retail it good luck. The dramaturgy of expressionism took even more inspiration: p'esi of G.Kaiser, E.Toler, the young B.Brecht (“Who is that soldier, who is this”, 1927; “Holy John of the slaughterhouse”, 1932), Nile (Beyond the Horizon, 1920; Kuzmata Mavpa, 1922). In these writers, with greater directness, the statement about the drama was expressed as a way to prove the singing idea, so that it should have a svіdomo schematization, a “thesis” character. Characters become just masks that instill that chi іnsu position. Diya will be as you see the antagonistic viruvans and glances. Laughing of the testimony of the Absolutes of Absolutes, Scho rivoded in Navkolishnyh Svіtі - someone else's, unproducible yom, ale, Yak Vorozhi, - ABO Vlaski Nesvіdomyiyi Spongukan, Yakі not Majut Nikovy Schіli Z doctonіv. The conflict of the flesh and soul is like a mirror image of the conflict of civilization and nature, which light war gave a new relevance, and a lack of earlier drama. Mayzhe invariably present in the drama is a thought about the wrongful depravity of the world and the approach of new shocks, like changing one’s sight to the point of unrecognizability, giving the theater of expressionism a fighting lion with directness and a clear propaganda sound. The artist of goiter shows the disguised reality of the characters, and social phenomena, as they are distinguished: Brecht undertook his program and his poetry. In the works of expressionism, the light of specialness sounds too much, we’re getting closer and closer, because. the heroes are less likely to illustrate the global trends that the author depicts.
The crisis of expressionism in the middle of the 1920s and the appearance of the most talented writers were mindful of the wretchedness of the possibilities of the image of a person who hopes for an aesthetic program.
The word expressionism is like Latin - expressio, which in translation means - viraz.
Zoshit
Edshmid's article was written in 1917. We start talking about German expressionism from 1910.
Already a lot of people perished, they quickly went like a generation. And then the era of expressionist cinematography began (Murnau, for example)
Poetry has already come out. Theory to talk about those who were
Article à term to go to painting (possibly, saying E. Munch (Norwegian artist) in front of his robot “Scream”)
Why is there a lack of impressionism? à mosaic, urivpartism.
What subjects does the expressionist choose in the light of the world?
Baudelaire chooses piece by piece, secondarily. Expressionist, navpaki, vіdkidyat everything secondarily, decoratively. The stench is primitive, straightforward. A rich hour is added to the body, I will become a special yogo ailing to the spirit.
Expression is important to the utopian task of reaching the objective reality without intermediary. The right look is the look of the opposite. On the back, a blow to the eyes, rose, and then reopened.
Edshmіd stands for abstract, psychological, spiritual mysticism Incremental stylistic devices of naturalism and symbolism. The stench is not right.
Expression and prose and poetry:
(G.Mann, P.Adler, Deblin, L.Frank, Erenstein, Walser, Kafka, Sternheim, Buber) - prose
Rozvtіlennya, deformation
"Sob it was possible to live in the world, it was necessary to deform it." Expressionists were extinguished in a smut.
Through deformation to an abstract idea.
Human bodyness is a tool for unraveling reality.
Now to depict the body, what is the guinea? à people zі strad.tіlom - people yak vono є (zagalnene suffering) Whose philosophy? Schopenhaur + Nietzsche. The body, which is being laid out, sticks closer to the point of absolute matter.
There is no suffering soul without a body to unfold.
"Days of Humanity" an anthology of German expressionism. Viishla 1919
2 express magazine - "Sturm", "Aktion" + "Pan", "Bili leaves".
Collection "Storm" à "Days of Humanity"
"Aktion" and "Comrades of Humanity" and political theories are projected on the social. action.
"Days of Humanity" à sing spirits, natures.
Nietzsche's book "The Day of the Idols" is a parody title of the Day of the Gods and Wagner's music cycle.
Є chimeri-kumiri, yakі mayut buti znischenі.
Є yavlennya itself about spіlnіst. People represent singing anger. Spirals of urbanism - Baudelaire and Verhaarn. The key word is masa.
The lyrical hero is part of the mass. Є universal human dosvіd. Lear. I repeat it more than once. Such a mustache, a rich one.
Expressionism is the first literature of the generation.
Place dії poezії - place - night, netrі: likarni, mortuary, factories, night cafes, quarters, canals.
Why cafe, cabaret, var'ete? Part of the Berlin culture. Rozvazhalny pledge, Actor, dancer - wearing an aesthetic cob - a link from the Dionysian cob. Nietzsche has a lot of heroes dancing. Wearing the Maidan, ale of the right art. Low mystetstvo, like ailments in life, are guides.
What are the heroes? à ailments, biblical characters (religious figurativeness), commoners, people of a frail age, corpses, є Ophelia, є Don Juan, people at the camp of Bogeville, artists.
L. Rubiner "Dancer Nizhinsky» à blindness station. From one side, I see myself, I transform them. Do you need stink?
How is the image presented? Rich details. The stench is active, full of heroes. Speeches become characters. Similar to Van Gogh's Shoes. The lyrical subject is an important language of poetic analysis.
"Narodzhennya" (191..g.) à how to spivvіdnosya denunciation and impersonality. Іsnuyut different borrowers: “mi”, (all), “ty” (comrade, Berlin), “I”.
Tempelhof field and fairs (up to which the central streets are described).
The global context is ringing.
Sister à go about lovemaking. Why? Christian subtext.
Other Christian motifs "half-light palm leaves over Berlin".
Pohodzhennya zagalnogo chelovecheskogo dosvidu that specific love dosvidu (Zokrema to abstraction)
à guess the verses of Mayakovsky (the same spivvіdnoshennia of the individual and the multiplier).
G. Benn "English Cafe"
à yakі equal priynyattya action?
Why an English cafe? à є as a claim for
Diya sees everything in the same Berlin
Who is Rachel? à calm (and biblical hero tezh)
Charme d, Orsi à perfume
More than two women are seen - Rachel and she is blonde.
Price specific night mortgage, not cheap à prostitutes of specific nationalities
Woman accepts through details
A more important hand is bare (not accepted)
So important are perfumes and a strong smell, a sensitive physical sensation
Є as a change of fir fate
Why are palm trees so represented? à follow-up Christian motives
Why Adriatic? à tongue ear
Asfadeli à the death of the dead/death
Troyandi à kviti kokhannya
Veselka à a symbol of happiness + gate for kohanih
Everything depends on the evidence of the lyrical hero. Through low to high.
Brecht "The Balad about the death of a kohannya"
1921 à what kind of cultural context?
Kokhannya - death as a stіyke understand. Diya rises on the mountains, and then the blood falls on them.
Riddles about children are not the first verse
A lot of riddles about water, water.
Kochance and green sea à “Tristan and Izolda” à Wagner libretto
Up to the high you can break through the low.
This couple is good, but nothing looks like Tristan and Isolde (before, everything was unacceptable)
Kafka "Process"
We may be on the right side of the text, we are preparing not for Kafka.
What is the theme of that sensation name?
Є riddles and about other processes (Block) + іn.
1) judicial review
2) internal history of a person
3) a deaky injection of a behavioral scheme
4) metaphysical blue with divine law
Religious tradition must be accepted widely, ale, from the other side, and borderline specific.
Hour and time at the novel
Greater for all children in Praz (Cathedral, city + German names) and in Praz they learn German at schools
Regional view of a specific place (pagorbi, gori, quarry)
Only at the final distribution are the edge views
Same K. marvel at / saturate the edge, turn around to the new one. I myself am a vartovih.
à the riddle of the moonlight
jewish prosharok
Diya is mostly seen in the net
How do you look like a place? And the narrow little streets
Terrible place, de to go through the court (at the same place live and wash, and have sex)
Room constructor
Social characteristics of single. Lives in a boarding house, occupies a high quarter of a procurator, knows the culture, knows the Italian language. You see your kohanka, my uncle, you are 30 years old.
And we have enough information, which in another novel could be the key
The place of yoga robots is a bank (a lot of times there are a lot of noises about the application of alogism.
Moving K. along the city (uphill-down and along the streets, and the gatherings of the bungalows).
And the link with Raskolnikov is more expensive uphill / down + it’s stiflingly stuffy for you, live in a tight little comrade)
My bachim are not ceremonial accommodations, but closets, tysnі kіmnati.
How is the place chosen?
à the middle, in which it is impossible to live, the place is a labyrinth, non-appointments for a normal life + a symbol of spiritual descent and that resurrection.
The novel is written at the hour of the 1st Holy War, from the day of birth until the day of death, cycles: R_k without one day, it seems that in a day it will come yogo d.r. à tobto rik. moment / the beginning of the process.
Є repetition of details and guards, on the 1st and the rest of the day they are selected + the scene of the arrest is repeated, if the wine is revealed by Fraulein Burstner (model of the arrest) + leaves uncles, de go about the arrest.
Why, if a person is sent to prison, is a suit taken from her?
a person is not free now
Why is the process itself so?
Chi can seem like a friend of the people. New people? Death?
The novel has 10 divisions. How do they smell one kind of one? At what stage do you get out of the parable?
Josef K. is busy with his own process, but why should he come? What's the prosuvannya?
Yogo vlasne razuminnya expands. I don’t know what to judge, then we want to fight, then we want to speed up the process.
Chapter 9 vibrates for a light, like 10 (a fragment of a landscape in a moonlight. First, a cathedral, and not a court. As a result, it’s necessary (vipadkovo, there is no rational grain).
Kim appears as a priest at the cathedral? Prison chaplain.
The same talk about the process, first trust the people, with some kind of talk.
To say that I am innocent
Like a parallel from Chatsky
(K. pragne to explain to the court that this process does not vindicate yogo vis.uyavlennyam; zanyatiya usim krіm meti - true to yourself).
The priest called yogo on im'ya - Josef K. à at the prayer, the call of the bearer.
About what Rozmov and what kind of drive does the parable tell?
At the 9th division, the song progress à clearly declares about innocence.
In Christianity, a person can be innocent and even original sin.
The correct interpretation of the appearance is that the incorrect clouding of that very appearance, in no case are mutually switched off.
You can know what to speak, but you cannot verbalize
Explanation of writing impossibility
What a sense parable?
What is the Law? Brama is recognized only for one person. M.B. heavenly gate (brama to heaven), m.b. stand the Covenant, tobto. Old Testament (Law vs Grace - Gospel) Skin is a people of a people, skin has its own gates, skin is wine in its own way.
What is the specialty of a goalkeeper?
à unreasonably, good vin chi evil, sensible chi bad
Call the priest and the parable speaks to all our food, but here everything is still mysterious.
And after the old disobedience ask us to accept everything, like є (absolute relativism is being solidified)
Then why is it like this? They are dying at the quarry. Why don't they hang? Driving on a stone is a sacrifice (those who God craved for the sight of Abraham are the strata of Isaac)
Shame
à as if the special setting is cold
The manner of rozpovіdі - nevlasne straight mova (transmission of the words of the character)
Є opovіdach, є vykladenі thoughts of the hero, є straight mova (the first eight divisions may have no direct mov). Then the advice becomes less, and then we start to learn + shilyayetsya.
Josef K. is to blame for that punishment à Kafka is so respected
Poetry of German Expressionism
Nature is one world, science is another, between them there can be nothing sleepy.
From the program statement to the Sturm magazine.
Not individually, but powerful to all people, who do not rise, but get.
From K. Pintus' forwarding to an anthology of expressionist poetry.
Today, there are many who laugh at expressionism - the same wine as a necessary artistic form. Vіn buv savagery against the artistic directly, like being pleased with it, to string the enemy, not putting nourishment on the daily, viable, ideas. Expressionism wants more, lower photography... Reality is small but permeated with light ideas. ( Toller E. Quer Durch! Reisebilder and Reden. - Berlin, 1930. - S. 280.)
« <...>Impressionism is more like a fashion, and expressionism is a light-gazer” (Shturm magazine).
« <...>The greatest sensation of the most expressive art<...>try to break through to God through the mustache of the dreadlocks of the laws of nature” (W. Worringer).
"An artistic body, like an independent organism, is equal to nature, and in its deep inner daily life, stand in a pose of a sound with it, shards under nature understand the visible surface of speeches" (V. Vorringer).
GEORGE GAME
The carousels made a lot of noise
The carousels were noisy,
Playing a giant gramophone,
Lights shone from the sides of the mouth,
Posters and names were clarified
De zbiralis natovpi bіlya kiosksіv
I called them out,
Where the empty paths lay
Cholovikiv and zhіnok, elders and pіdlіtkіv,
There is silence. gloomy crisis
The sickle of the month has spread the womb of trouble
Berezi nemov signs of the zodiac,
I marmur imli argued on the wiki
Prov. V. Toporova
On the outskirts
At your own quarter, at the street ford,
De low and close month
Crisis smorid etching and sleep
I threaten with a grin of a pale-dead,
Wash the stench. Suzir'ya beauty,
Under the eyes of the eyes, to blind them at night,
The clothes are rotting at the seams
And nudity rots in the dirah.
Then squelching, like slime, toothless mouth,
Here cults can be beaten;
Pogani begin to vote,
The old chola does not see leprosy.
Riding on self-protective militias,
Crippled children viyut in turmoil
Yakbi buli fleas, would have jumped a long time ago
Transitional, scho with a penny.
At the basement, de peel the stele,
Two zhemarki z lyutyu and anger
They treat the blind man with a fish brush.
I vomit blood on Khustka.
At the old women on the brudnoy stretch
To call the elders of the wind.
Silence, like an old man, began to groan,
Vismoktanі chest jokingly uvі snі.
Sleepy old on the edge of the bed
With a hurdy-gurdy rozvazhay shlondra,
I twist the blue young man's kulgavka
Shvidshe, lower on a non-koshtovny carousel.
I nareshti, in the time of the black shanty,
Walking ruins, piyatiki
They deprived the underground huts,
On the forehead, having placed a lamp, like a miner.
Ale, early ... The twins fell asleep:
Once you have sinned, repent, you wicked one.
The gate is fast. Ale shut up the brothels,
All eunuchs have long been an hour bye-bye.
That skull, which is on a victorious tavern,
Swinging... Everything is twisted and navskis shabli.
Fell asleep, fell into an ogida
3 above, name the benquetu.
І bіla stіni, at the evildoers of their own,
Especially shy to Marnoslavism, -
At the seam, ale in the canal,
Following the meteor is a rudiy dwarf.
Prov. V. Toporova
Nich
All Zakhid is in darkness, all Skhid is in darkness,
Less sleeping and freezing for a short time,
Lost in darkness. Above the river
The old town got cold
In guest caps. From heaven llє,
On the streets, at the crooked lanes
Chi no voice? Ale mi in the land of them.
Lish llє i llє at night without interruption.
Above the waters, at the roaring light
Night lighter, stand alone
Pokmury mandrivnik. Sir on the bridge.
So de-no-de blimaє vagnik
At the huts. Ale in the dark stream forever
A nekaplivy dead potik.
Prov. V. Toporova
Wherever you look, there is a place near the ruins
Wherever you look, the place is near the ruins.
Mustaches are tiled - at the Buryans.
Just call forever zdrigannya
The first whisper of the river waters beat the ancient walls.
At the napіvіtlі z haze heavenly,
Sums, at evening lows,
Go out - and start round dances -
Bachennya, flour, negarazdi.
Kviti in the hands withered, and on the faces -
Either fearful zhah, or zdivuvannya.
It's time for the fire to be buried
The sun blames everything alive.
Prov. V. Toporova
Georg Geim (1887-1912) - one of the founders of expressionism, a representative of a group of poets who united in the magazine "Storm". During his life, publishing mainly in the periodic press, G. Heim's poems went up to the first anthology of expressive poets "The Day of Humanity" (1919). Perche refill vіrshiv vyyshlo svіtlіsh in 1944 roci. One of the theorists of expressionism, K. Edshmid, said that G. Geim “thrown off” the fellows “shaved the tops” with a monumental gesture and “kuvav z having formed that stanza of his bachennya”. Vіrsі G. Game shifting the young B. Pasternak; put the crossbars to lie down for V. Toporov.
GEORGE TRAKL
Autumn of the Self
Vaughn, generous and primary, has come,
Gone are the days of misfortune.
Thick blue without cover,
Vidloti birds, like old-fashioned rebukes.
The wine took hold; quietly whispered
Solve the mystery of the darkness of Movchannya.
Here and there - slap on the gloomy gіrkah,
The scarlet fox's herd has gone astray.
Month of fire over the river, over the ceberok,
The woman's hand dropped languidly,
І synokryliy day with quiet lists
Rushed over the dakhs; the darkness thickened.
Suzir'ya call on your choli
Your nest; everything is calm,
I angels, indistinctly golden
From the lips of the beloved, angry from the blue;
Sweat before death tread
Dew, shining over the mowed grass.
Prov. V. Toporova
Rid human
Before the break of the fiery impulses, the human race,
Drіb drum, ratі in the fire fat,
Krіz chervіn imli blow pіdkіv deaf;
Rozum weeping, orders from the pіtmoyu all-worldly,
Tin Єvi here, chervontsі, dashing rut.
Let's break through the gloomy filigree.
Wine and bread - the path of the sacrifice,
It is lagid to give the Twelve Danina
I wail, falling asleep under the olive;
Saint Khoma contributes to the rani valley.
Prov. O. Solyanova
menschheit
Menschheit vor Feuerschlunden aufgestellt,
Ein Trommel wirbel, dunkler Krieger Stirnen,
Schritte (lurch Blutnebel; schwarzes Eisen schellt,
Verzweiflung, Nacht in traurigen Gehirnen:
Hier Evas Schatten, Jagd und rotes Geld.
Gewölk, das Licht durchbricht, das Abendmahl.
Es wohnt in Brot und Wein ein sanftes Schweigen
Und jene sind versammelt zwölf an Zahl.
Nachts schrein im Schlafsie unter Ölbaumzweigen;
Sankt Thomas taucht die Hand ins Wundenmal.
Sonya
Vechir, scho virіs at kochiv'yakh,
Burning notes.
Weeping birds in the trees.
Your life is a deaf note.
Blue light of the evening distant
Above your lives.
Rіdshayut early in the dark bedroom
I live okremim life.
Vechir, important and stingy.
What are you crying, what are you, what are you?
White beast, slaughter at the bush,
Your beat is a deaf note.
Old days in the sun
Burned my eyebrows.
Snіg pіde, zagasne sun,
Zaviryuha sit at the heads.
Prov. V. Toporova
Delirium
According to the snow, scatter with a speck,
A crimson finger pierces the forehead rested,
Azure in the bedroom crying grain,
My mirror has a fading face.
Under the skull of a cracked twin,
Falling into the tunnel in the grain crops,
I new style with a grin.
І tears hovaє wind at the dream of carnations.
Prov. O. Solyanova
Delirium
Der schwarze Schnee, der von den Dachcrn rinnt;
Ein roter Finger taucht in deine Stirne
Ins kahle Zimmer sinken blue Firne,
Die Liebender ersrtorbene Spiegel sind.
In schwere Stücke bricht das Haupt und sinnt
Den Schatten nach im Spiegel blauer Firne,
Dem kalten Lächein einer toten Dime.
At Nelkendürfen weint der Abendwind.
Georg Trakl (1887-1914) - Austrian, one of the most significant lyricists of expressionism, which belongs to the school of visionaries. The first verses sipped the light at the six-month-old magazine Der Brenner. Torishny serpnya 1914 fate R. Trakl go to the front. The war struck the poet, and the wine, leaning against the infirmary, takes an increased dose of drugs. Franz Kafka said at the time of G. Janouh that G. Trakl broke away in order to escape the zhahiv of the war (“The new bula had a strong vision. That guilt could not be blamed for the war, that the vinicla was the head rank through the incomprehensibility of the day of the war”).
The lyrics of Trakl are reminiscent of a picnic and a musical cob. The verses "Autumn of the Self", "Childhood", "Romance Until Night" and other. G. Traklja made a commemorative contribution to the German poetry of the 20th century in her hand and creativity.
For the life of G. Trakl, a single collection of his works “Gedichte” (1913) was published. Another collection "Sebastian im Traum" (1915) Trakl could not be read more in proof.
SCHASHNIKI ABOUT THE CREATIVITY OF G. TRAKL
P. M. Rilke about G. Trakl
Less than yesterday in the evening in a package, for which I blamed Kierkegaard, I know Trakl's "Helian" and thank you for the allowance. Melodious pidyomi and fall down at your beautiful vіrshi vykonanі nevimovnoї prinad; I was particularly struck by the yoga intervals; all of them were awakened in the pauses - a sprig of kіlochkіv, which are framed wordlessly, wordlessly: they are so laid out in a new row. It’s like a fence on a flat space, through the yaks the fences of the expanse are moving, which are constantly angry with the great, no one can lay flat.
(From the sheet of R. M. Rilke Ludwig von Fikker on February 8, 1915. Quoted from: Rilke P. M. Worpswedi. August Rodin. Leaves. Vershi. - M., 1994. - S. 210.)
<...>For an hour I took off "Sebastian's dream" and read a lot of it: suffocated, with a streak, spovneniye of perceptions and destruction. Shvidko razumієsh, sho think, sho called to life and melodic rage that zavmirannya, were unique and united - like to quiet furnishings, as if to produce before the appearance in our light of that chi іnshoy dream. I think that inwardly close to a new person is guilty of taking these images and manifestations, none of them marveled at them, crouching down to a crawl, so that changing the posture of light. Trakl's experience passes before us like a mirror image, reminiscent of the whole expanse, which is inaccessible to us, like an expanse at the mirror (who is this man?).<...>
Martin Heidegger about H. Trakl
What is the nature of the movie in the poetic arrangement of Trakl? She is showing that way, like a way to come. Stitch, on yak vіn enters, vіdvodit vіd old genus, scho vymiraє. There, before sunset, I saved the early life of an unpopular family, Mova poezі, the point of which is recognition, to talk about turning the unpopular human family home into a quiet cob of a quiet butt.
Mova tsієї poezії - Mova transition. Yogo stitch led to the sunset of death before the sunset in the daytime blue holiness. Tsya mova - sailing over and through the imlisty becoming a spiritual night. Tsya mova sings the song of a strange turn - from the time of my death I will fall apart in the wound of a calm, not yet colossal cob. Tsemov's way, which is the harmony of the spiritual fate of the alienated bulge. “The song of the stranger” sings, seemingly with words, “The confession and the sunset of the sun”, “the beauty of the family that turns home.”
Oskіlki mova tsієї poezії was born by the road of the stranger, the rest of the wines are marked by the rest, leaving, and tim, to what to bring yoga out. The language of poetry is rich in its day, and rich in its own way. We can feel a poetic way of speaking, as if from the power of stupidity, we have learned to take them from someone alone.
Day and night, sunset and death, madness and wildness, stakes and stone, bird of honor and chovn, profit and brother, God and spirit, just like that, call the flowers: blue and green, white and black, red and silver, golden and dark, again and again talking about multiplicity.
"Green" means: zіtlіuchy i roskvіtayuchy, "white" - dead and clean, "black" - gloomy and dark, "red" - purple-flesher and rozhevo-lagidny. "Srіblyasty" - the bliss of death and merekhtinnya zіrok. "Golden" - the truth and "golden evil laughter". Rich meaning is named here - ambivalence is worth us. Ale tsya ambivalence shows only one side of the target
{Heidegger M. Georg Trakl: clarification of the poetic arrangement // Trakl R. Obrane. - M. 1994. - S. 193-194).
ELSE LASKER-SCHULER
Kіnets svіtu
In the world cry and stop standing,
Why did God die with his kindness,
І lead thin overhanging boards
Embossed with a tombstone.
Oh come, we'd better get together...
Life lay unruly in the mustache of the heart,
Yak at the tomb.
sensible! We want to kiss passionately.
Tuga knocks on the whole world
As if we didn’t have a chance to die.
Prov. A. Parina
From "Jewish Balads"
My people
Utios of curvature,
I take the cob
My first song about God sounded...
I rushed to the way
I, pishovshi in yourself, strum
One, through the stone I will stack,
To the sea.
I wanted so badly
By your blood
Hot wines that have been fermented.
Ale, I echo with my heart,
I scream from glybin,
When, look at the hide,
my people,
Cliff of curvature gunpowder,
God is silently cry.
Prov. A. Larina
My black piano
To stand at my house is a black piano,
I didn’t understand that note.
Vіn zahovany at the basement, at the inanimate haze,
See, the earth has coarsened.
The dawning hands strum ugly.
(At the chovni, the full moon slept!)
Pid bryazkit dance with a yurboy.
Break the keys, zirvano fret.
Blue I will pay for the body.
Oh angel take me with you
(I didn’t eat hot bread?),
At the heavenly door I will see you alive.
And here I fought the fence.
Prov. A. Parina
Else Lasker-Schuler (1869-1945) - "poetry itself" as having identified the essence of gifting this marvelous poetess to the contemporary K. Edshmid. The granddaughter of a rabin and the daughter of an architect, Else Lasker-Schüler, lived a life that was full of misery and misery. Vaughn stood for the turn of expressionism and, by stretching the mustache of the creative path, saved fidelity. Lasker-Schuler worked with the leading expressive magazines "Action" and "Sturm", was familiar with poets and artists who stood on the positions of avant-garde art: Hille, Kraus, Werfel, Trakl, Fr. Mark.
Viznaniy, the leader of expressive poetry, she was given an armchair to individual bachelors and to the world. For її poezії is characterized by emotional tension, partiality, sometimes exoticism and fantasy, tightness for the used harmony and vіdchay vіd chaos and madness, which panuє navkolo. The words of Elsie Lasker-Schüler are a cry from the heart. usvіdomila rose the centuries-old zv'yazkіv zі svіtom, cosmos, fatherland, native people (vіrshі "Kіnets svіtu", "Prayer", "Remembrance Day" and іn.). A special place for the creativity of Lasker-Schüler sits the cycle "Jewish Baladi". Tse - commemoration of the poetic paths, as they brought to the anniversary of the birth of the roses of ancestral links, the realization of the poetic understanding of the tragic history of the Jewish people, a part of that
At the rock of fascism, the creativity of poetry was stunned by the law, and the Volodarka of one of the prestigious awards (Kleist-Preis, 1932) was embarrassed to deprive Nimechchyna. The roads of the poneviryans ran through the lands of Europe, and її life way buv completions in the fatherland of the ancestors near Palestine, she died near the villains and innocence. But the poetry is true, and the poetry of Lasker-Schüler is the same, immortal. Collections of її verses "Hebraische Balladen" (1913) and "Mein blaues Klavier" (1943) and today are included in the Golden Komori light poetry.
Gottfried Benn
Sloping booth
Zachatya re-spread
On rusty flowers,
Lie down, rose,
Kolina obviously.
At the position, helplessly generous,
Yak bi shout:
- Stop it, stop it! - Opening nadra
I mutter mud.
All the body is thrown and rembu,
Dream Sword:
Be the flood after us, and Tim, who is more stop,
Be you, be you...
Chamber at the cheerful gas,
Krovokromishna, bіla:
Children of the people, scum in the scum,
I death, like a doctor at the table.
Prov. V. Toporova
Crete bowl
Drink red wine
A gang of trojans on blue clay,
The moon is clear from Mycenae,
Spiv, consolation of breath,
Sorry, right.
Vivitrilosya. The cry of the people
Without zushi. At the fluffy light
Zviri, skele, rіy nіsenіtnits,
I harvest violets, naked skull
Resolve.
Against the mind
The heat of deep orgy,
Against the upper channels,
Against the truth!
Mozok, rassipsya! Brain, grow up!
Overflowing often body
Let's go back.
There, Leda clicks on the banquet,
There is a fall, there is a win,
Life, zachattya that dawn of a dream!
Prov. V. Toporova
3 BOOKS "LIFE" I "
(From the lyrics of twenty - fifty)
Acheron
You dreamed of me. You went into the shadows,
Guided by an invisible thread
At the circle, vіdbliskіv and vgnіv
I don’t go for a moment to sap.
Pomerlikh pried empty,
Prevablyuyuchi narcotic dreams;
The boys came out of the flattened eyes
I split the company with flames.
She led these two children - who is their father?
We didn't have that with you.
You went and went, the docks did not disappear,
Who is everything, who is instructed, as if it were a ghost.
Ale ti queen of the walnut chorus
For death, and not for equal life,
I went to the caravan of sorrow and slaughter
I - such a dream! - suffered in the same dream.
Prov. V. Toporova
Vіrshi
What does letter paper mean?
Into the fire? Rospach? Rozrahunok?
New top? Pulling sounds?
Where is the sum for you?
What do you want? dig in
Do the sufferers of us - and live in the middle?
Here he took a grain, there a grain.
Another grain of pidbery.
Unfortunately, not all of you are good.
Protect your good
I fence all the time
I disbelief away.
Shukay do not praise, but busy,
Alien pain remelted
I in baiduzhi embrace
Life, like a perlin, correct.
Prov. V. Toporova
The rest of the spring
Become a brother of the Trojans that are unleashed
I will name rubbish and stingy buzku
I own shelter - without scarg and without tears
Turn on the krovobig in nature.
Everything is lost. More days.
Do not feed, throw the cob.
Live, like a mustache, that the order has risen,
I, maybe, hold on to the earth.
Prov. V. Toporova
Gottfried Benn (1886-1956) - a German poet who saved the image of expressive poetics by stretching the strength of creativity. The priest's son taught German studies in Marburz, and then medicine in Berlin. Doctor-venereologist. At the rocks of the first and other luminous wars, they were a Viysk doctor, and they knew about them in their works. Collection of verses "Morgue", which wiyshov in 1912, the poet, who was similar to the vibuhu of the bomb, called the poet "the union of corpses and intestines" (verse "Cancer hut"). The poeticization of the self-indulgent is especially characteristic of the early period of Benn's work and his artistic technique, which oscillatedly brings alogism and zhorstokist daylight. Zaperechuyuchi be-yakі forms suspіlnogo ustroystva, be-yakі forms of sovereignty, Benn prote grafted the coming of the Nazis to power. The Nazis denounced Benn's creativity with the law. In the wartime Nimechchini Gottfried Benn - a meter of knowledge. His creative work imagined and saw “the generation is quiet, who turned around”, and the tragedy of the light-sensitive people of the 20th century, which could have been changed in the serenity of human madness. Sounds of stronger nihilistic and existential cobs in Benn's poetry. At the same time, it should be noted that the verses of the poetic G. Benn, marked by a varied emotional palette, are inspired by intellectual complexity and rhythmic artistry.
Benn is a laureate of several literary awards, an author of several novels.
FRANZ WERFEL
Chitachev
Tobі native buti, man, my mrіya!
Who would not buv ti - nemovlya, black man or acrobat,
Servants chi song, chi on the stars of the raft
Marvel at the rafting yard, little soldier chi.
Chi engraved at the childishness with a green towel
Tape and cork? Psuvavsya trigger?
If you have troubles,
I sing, weep, like me, don't be bitter!
I share all the knowledge. I will inform.
What do the actresses on the stage look like,
I boni, in'їhavshi in someone else's family,
I debutant, marvel at the prompter.
I live in foxes, serving as clerks,
Selling tickets to the pivstanka,
Having fired boilers, black-robed buv
I took off me leaving for a price.
I am yours, I am all, truly my brothers!
So don't hurt me!
Oh, yakby, if it could be so,
Why would we rush to one another in an embrace!
Prov. B. Pasternak
Aje on the land of foreigners all
Kill yourself with a pair of knives,
Splash with the word patriot,
Sacrifice your lives for this earth!
Mila does not hurry after you.
The edges turn to the swamp,
Stupish krok - water like a breeze fountain.
Let the capital be filled with chimeras.
Nineve kam'yanoy threat,
Don't let the turmoil sink into the turmoil...
Not a share - forever stand firm,
Knowing the world is becoming transcendent,
Our government has less tears.
Patiently burn that valley
I marvel at our sum'yattu.
Everywhere stomping, trochs we will pass by me.
The word "mіy" does not mean anything
Mustache at the borg mi th at the whole wine.
Ours on the right is redeemed.
Mother of the pledge of what will be ordained.
Budynok is an old virna emblem.
The sign of the nervous sign of love is everywhere.
Navіt heart judge - pozichki!
Aje on the land of foreigners all,
Everything is mortal that cries to the world.
Prov. B. Pasternak
Franz Werfel (1890-1945) - a representative of the prazkoi school of German poets. Born in Prazі from this merchant, started in Prazі, Leipzig, Gamburzі, participant of the first world war. Youth has a strong religious suffocation, which happened to creativity. As a great artist, he starts his creative path near Berlin and Vydni. In the Austrian capital, having become acquainted with the wealth of musicians, who stole the destruction of yoga knowledge from this galusi, it was known for the sake of yoga creations and, zokrema, from the novel about Verdi. Werfel's expressive right to sing the work of V. Gazenklever and K. Pintus, together with them publishing the almanac "Derjungste Tag". The expressionistic stage of Werfel's creativity is known in the collections "Welt-freund" (1911), "Wirsind" (1913), "Einander" (1915). The hero of Werfel's lyrical works is pragmatically brimming with all the roses of a rejoicing, ale pragnennya tsі marni (verses "Chitachu", "All foreigners on earth"). Characterizing the poetry of Werfel, Do. Edschmid wrote: “Franz Werfel, the most amazing. Yogo music is thunderous: kokhannya. The gestures of Yogo Virsha are without middle ground that great." In recognition of Werfel's work, he was awarded the Grillparzer Prize in 1925. With the arrival of the Nazis before the rule, Werfel emigrated a little bit to France, and then to the USA, de vin ended his life way.
In the world of literature, Franz Werfel sings no less than he sings, and the author of short stories, novels, dramatic works. In Russia, the works of F. Werfel were translated by O. Mandelstam, B. Pasternak, U. Neishtadt, R. Rathaus and others.
KAZIMIR EDSHMID
Z work "Expressionism at poetry"
Expressionism had a lot of successors in the whole world in the modern times, it is similar to that great and all-season that lies at the basis of yoga.
The artists of the new ruhu appeared. The stench was no longer a wake-up call for easy whining. The stinks were no longer bearers of the bare fact. Mitya, a second of impressionist creativity was for them more than an empty grain in a million hours. The stinks were more slaves of ideas, besides and special tragedies on the kshtalt of bourgeois and capitalist thought.
The stinks weren't surprised.
The stinks marveled.
The stinks weren't photographers.
The stench of small their appearance.
Instead of sleeping, the stench created a trivale of praise. Replace the moment - action in the hour. The stench didn't show the glittering circus vistavi. The stinks wanted to go, what are you trying.
Facts may be less important than the flooring, to give the artist the ability to reach out to what is attached to them.
Greatly transforming the universal sense was directed against the crushed molecular world of impressionists. The earth, buttya, became like a grandiose bachennya, which included people with its own senses. The stench is guilty, but they were apprised of their original essence. The music of the poet is great - yoga heroes. The stench is great in a new only, if it is more great ochennya. The stench is not of a heroic format - it would have been more decorative, - no stink is great in that sense, that you are buttya, you are experiencing - a part of the great butt of heaven and earth, that your heart is arguably to everything rhythms with light. For whom you need new artistic forms in a right way. Small but created a new system of light.
The whole expanse of the artist-expressionist is becoming a blur. The new one didn’t look - the new one looked. I don’t describe the wine - I feel the wine. I don’t visualize wine - I visualize wine. I don’t take wine - I take wine. The first axis is nothing bigger than a list of facts: factories, budinkov, sickness, povіy, cry and hunger. Only a few towers, a landscape of mysticism, penetration into the depths, primordial and spiritual beauty.
All become pov'yazanim from eternity.
Prov. W. Weber
Edshmid K. Expressionism in poetry // Naming speeches by their proper names:
Program presentations of masters of Western European literature of the XX century. -M., 1986.
V. KANDINSKY
Z roboti "About the spirituality of the art"
Our soul, as if only just beginning to wander off after a long materialistic period, has acquired in itself the rudiments of seeing, neviri, aimlessness and causelessness. It’s not a nightmare of materialistic glances that the evil aimless heat was smashed from the life of the whole world. The soul, which is being thrown, may yet be overwhelmed by the enemy of this nightmare. Only weakly light. Like a critical point in the majestic blackness. It’s weakly light - less than perceptive. Seems like there is no clear mercifulness: perhaps the light itself is a dream, and blackness is a reality? This sumnіv and gnіtyuchi suffering in the form of materialistic philosophy deeply intervene our soul in the form of the “primitive” soul. Our soul is shaken and, like someone who gets in, її bumps, it sounds like a price, at the depths of the earth a vase is refilled, which gave a crack. In the face of this burden to the primitive in the present hour, we are experiencing and in a sufficient world the inherited form cannot be long.
There are two similarities of the new art with the forms of the past periods, diametrically opposite, which can be seen from the first glance. The first look is an ethereal character, and that cannot be expected. The other kind is the inner character, and in the new there is the germ of the future. After a period of materialistic calmness, yaka, obviously, captivated her soul, and yaku all the same, she got scared of herself, like the sly calmness, the soul is rejuvenated, thinned by struggle and suffering. The artist will become less and less obsessed with rude feelings - fear, joy, confusion, melancholy - the building of the state of science and peace in the whole period. The artist Shukatime awakens subtle feelings, you can’t name them at once. He himself lives more foldable, more mellow life, and grew out of the new creation invariably vykliche in the eyes, before the building, more subtle emotions, for those who do not know the words of our language.
Ale is a rare building gazer of our days to such spiritual vibrations. The artistic creation of wines whispers of pure inheritance of nature. You can serve practical purposes (in everyday sense, the portrait is thin), or we lead the rank of interpreted, but still inherited nature, impressionistic painting, or, nareshti, zahovaniya from the forms of nature of spiritual states (which we call “moods”). All these forms, like the stench of the true mystetsky, win their recognition and serve<...>spiritual life.<...>Adopt similar works to make the soul look coarsened. The stinks trim її at the height of the sky, like a tuning fork strings to an instrument. All the same, the expansion of that sound in the hour and space will be one-sided and will not exhaust all the possibilities of the infusion of art.
The root of another mysticism, built up to the most distant dentures, lies also in your present spiritual era. But it’s still magic at the same hour, not only the moon of the epoch and її a mirror, but it’s still possible to carry the future I prophesy the power (seen by V.K.), which wriggles into the distance and into the depths.
Kandinsky V. About spirituality in art (painting). - L., 1990. - p. 9-11.
Vinikla mandated the need to designate "new forms". І ninі ці "new" forms є less than vodskoblenі vіd thor ball over the material matter and "eternal" ... "pure" forms of art, yoga is pure mova. Step-by-step and all the same nibi in one breath, the mysticism began to turn not to the vipadkovy of the mysticism, and in fact, it is possible, and to other people's elements of expression, but to the quiet yogo, without any mi tse art they didn’t know, we can’t reveal it and we recognize it for yoga’s eternal language; Literature has a word, music has a sound, sculpture has obsyag, architecture has a line, painting has a farba.
І zmushenі zvratitsya up to the intermediate moments in the first elements, we know for whom the most dazed new possibilities, new wealth (seen by me. - L. D.).
There. - S. 17.
Increasingly respect for those who are currently the spirituality of the maximum achievement of the possibilities of the most powerful movement, V. Kandinsky as one of the ideologists of the expressive aesthetics and an active participant in the group "Blue Vershnik", naked on one of the most important sides of the new “... not at all in the rest of the hours,” the author of the work “About the Spirituality of the Mystery” respects the “Pyramid” section, “the mystics, as such, did not stand one to one closer, lower than the rest of the year of the spiritual turn.
In everything ... paroski pragnennya to a natural, abstract, to the inner nature(Seen by V.K.). Svіdomo chi unsvіdomo, the mystics are rooted in the words of Socrates “know thyself”. Unfamiliarly, step by step, the artists of all mysticism turn their heads to their material and continue, consider yoga, call on spiritual territories the inner value of these elements, by the power of which they call to create mysticism.
І z of this exercise, by itself, a natural heritage is seen. division(Vidilene V.K.) of natural elements with elements of other art.
Tse porіvnyannya zabіv raznyh mystektv i tsevchennya one іѕtetstva in Іnshoy only і then і in that case may be more successful that win, yakshcho tsevchennya is not called, but it is important. So one mysticism in another May should be read to that, as if it were victorious in its own right, it can be read to that, to live in principle uniformly own good(Vidilene V.K.), that is the principle, which is the only way of power.<...>
Such a death in one's own mind is one mystotecstvo in another. Such a match is one after the other internal(Seen by V.K.) Pragnenny. So it becomes obvious that skin art can do it on its own, it is impossible to replace it with other art. So, let's face it, we come to the anger of these specific forces of various mysteries. For this anger, for an hour, blame the art, as if it were already before us, it’s true monumental(Seen by V.K.) Art.
There. - S. 19-2 0.
The work of V. Kandinsky “About the Spirituality of the Art” ends with the chapter “Creation and the Artist”, in a way that is formulated in a way that hangs down to the art of the artist. Accepting like a postulate a thought about the mystique of guilt<творения>, Kandinsky's team is no less than a sly rozcinyuvat process to create as an act of purposeless creation of speeches (independently, in any person who sees mysticism, the river is created). On the yogo glibok perekonannya, "mystery ... є strength and power, all the purposes, and may serve the development of that subtlety of the human soul ... Vono є mova, as it seems to him only one accessible and powerful form of soul about speeches, as for the soul - daily bread and which one can only take away from whom you look(Seen by V.K.).
If the art is carried out in the light of the task, then it is empty of the empty. For there is no other power that the power of the world, as if they could replace the art.
There. - S. 63.
