Tvir: description of the painting by A. M
To write a twir on the topic "I'm going to tell" with a description of the picture, we'll put together a plan, so that we can write the text itself.
Creativity plan
At the entrance to the varto, put incant words about the hour of writing the picture and about the specialty of the artist. Let's talk about those, how the picture was painted, what is depicted on it. Gave the need to tell about those, as if the enemy had thrown at you this tvir. For example, create a short winding.
Otzhe, the plan for the creation on the topic "Let's do it" looks like this:
Intro.
1. History of the creation of the picture.
2. What is depicted.
3. My perception of the picture.
Visnovok.
Entry
The painting by Oleksandr Mikhailovich Gerasimov "Wishing for a Doscha" (another version of the name is "Wet Terrace") was painted in 1935, when the artist had already become a mature master. Yogo creativity today is accepted directly socialist realism. Gerasimov painted anonymous paintings. Among them are portraits, genre scenes, landscapes, still lifes. Such a large number of majestic pratsezdatnosti and creative mindfulness in the maister. I think that most of my life has passed through the painting.
Apparently, Gerasimov was especially popular with Josip Stalin. Today, it is customary to say that the leader was loved by the artist. The artist has faceless canvases depicting images of Stalin, Lenin, Voroshilov and other communist heroes. The creation of these official and pompous canvases imposed on the artist a burden to the heightened awareness. Inadmissible were the pardons and inaccuracies. Tse approximately the same, like a student of our school undertook to paint a portrait of the director of the school, or to fill the measure of the place. Although, obviously, in the mind of Stalin, everything was much more serious.
All the same I am writing to those who understand that such a number of “locking” robots could not but be created by the artist himself from the inspiration of the leader. It is unlikely that it could have been otherwise. Tim is bigger, as you know, if Klimenty Voroshilov, after burying Gerasimov’s family from the rozkurkulyuvannya (the artist’s father was a merchant-cattleman), helped save the sadiba and know him as a leader.
Well, and then - “master of social realism”, “stalin’s artist of love”, as well as official regalia (first president of the Academy of Arts of the SRSR, sometimes laureate of the Stalin Prize, people’s artist of the SRSR). And everything was necessary to be truthful with fast and fruitful practice. What, in my opinion, could not help but put a blow on the artist's work as a whole.
The history of the creation of the painting
One of the showcases of this is the painting “Let me finish. Wet terrace. The artist's sister recounted that the artist, having created її literally in three years, suffocated with the view of freshening up after filling up the terrace and garden.
Behind the tips of the moderns, Oleksandr Gerasimov, like an artist, was heavenly to the last. Yogo loved by kvіtami always blew pіvonії and trojandi. The artist's brushes lay faceless canvases from images of different bouquets or flowers that just grow on the moon. And in the garden of Yogo Budinka in the provincial town of Kozlovi (the ninth town of Michurinsk) grew both pivonies and trojans.
Oleksandr Mikhailovich himself said that he saw his shoes as an artist and portrayed "the beautiful creation of nature." Ale, having added wine, “Kostyantin Oleksiyovich Korovin, obviously, robbed me more than ever. Yoga trojans have more tenderness, poetry, lightness. I, like a stepovik, have the Trojans otherwise: mіtsі prosperity of the earthly forces of black-earth kinship.
So, the style of the sheet is close to Korovin's (as if Kostyantin Korovin was his teacher), but why is the subtlety and lyricism of the Korovin's manner so strikingly distinguished from the simple simplicity and gaudiness of Gerasimov's? Navit if Korovin does not write down the details, but write more sketchily, revealing his portraits in such cliques that you want to be amazed at them and figure out who these people lived, how they stink, what they thought about. On the faces and poses of the heroes in the portraits of Gerasimov, the artist has depicted everything that he wants to depict, and nothing needs to be done. Level the canvases with images of people or genre scenes of both these artists, and you will understand what I'm talking about.
What and how is depicted
Gerasimov's painting "Wet Terrace" depicts a terrace filled with wood, on which there is a table with a bouquet of flowers. Behind the terrace - a garden, vimokliy and skhvilovaniya under evil.
Well, the picture is vikonan maistrom. Whom can have a doubt. It has a lot of space and light tones. And the terrace is wet, the shop, the style, and the letters - everything is written with love, in the minds, inspired and at once with soft strokes. Particularly realistic were the terraces and stils filled with planks.
But I wonder why I think that certain moments in this picture were thought up and the whole composition was motivated so that people, to marvel at her, all at once became conscious. As it seems - "on the forehead."
On the table is a bottle. The artist seems to say: "When the wood began to rise, when a strong wind blew, the flask was thrown over by the breeze of that wind, watch it!" And why didn’t the flask scatter around the table and fall into a trap? It’s just that the wrath ended so very raptov, as if it started, everything calmed down.
And the bouquet of pivonia? Aje everyone knows: pivonії - even lower kviti, stench easily sips. Yakby blowing the wind with such force that the flask was thrown, the bouquet having put in much more pellets, below is shown in the picture. Possibly, navit shvidshe for everything, and the vase would not have stood up. Ale, the pelyusts under the vase were painted, more precisely, recognized, less than a trio, so that we believed the artist's production.
The table is given as alien to the canvas. Vin stand on the side, completing the composition and filling the dirka with itself, exit from the terrace. Vіn buv is necessary for the artist, which virіshuvav sevne compositіyne zavdannya. І vіn patted the terrace and the wet garden, typing on the breasts of the wet summer wind and choking. And then we brought and placed a stele, a bouquet of pivonia, we were afraid in front of them, so that the stench let in a sprat of pelyust. Instructed to gently put a bottle on the glass - so, we understood: a man was sitting at the table, drinking, marveling at the garden, having a gracious flask on the table, rozmirkovuvav ... I raptom - dosch! And such a wind that people rushed from the terrace to the hut, leaving everything.
Opposite the terrace, behind the trees, is an old barn. I won’t believe in any way that people, like such a liar, let’s forgive and not even look at the government, put on the terrace an old house under a plank that winds of a thin robot and a table with bending thin legs. Ale can be called simply prichipki, I will understand.
My opinion
I was not struck by the painting. Take all the lyric, as here it is small for a gazing thought - the water is fresh, the freshness, the plow of wet grass and trees, the quiet wind, which is already more than pulling a thunderstorm on the past, they made me the simplest speeches, about how I and rose on my topic. I'll write a copy based on Gerasimov's painting. At my glance, the composition of the picture is empty and what is not lost on her - what is alive and ticking, the flask is thrown below. That made me feel bored, as if looking at me.
If in the past Gerasimov called this painting “in love”, maybe, I was guilty of burying the terraces, as if I had survived, and the very process of working on the painting. Alya didn’t pass on the mercy especially to me. And the bouquet placed in the table and placed in the room is not enough.
Visnovok
Tvіr on the topic "I'm going to send a message" (Grade 6) is dedicated to the same painting by Gerasimov. It's really a beautiful picture. Nevipadkovo this year won't stop at the exposition of the Derzhavnoy Tretyakov Gallery.
The canvas of Gerasimov is light and may be quiet, but there is no cicava. But I'm not an artist, and in my creations on the topic "I'll tell you" I can talk about my own anger.
I will suggest one of the possible options for understanding this artistic creativity tsomu mini-create on the theme "Let's doshchu". It is hardly possible that everyone would agree on a single thought about this picture. Yak and about Yakus rose, verse, song.
Like a person befits what is not appropriate, let her ask yourself - why? It is not enough to trust emotions, it is necessary to try to comprehend those that you hear. In my own work on the theme "Let me deliver" (Gerasimov A.M.) I made it myself.
The artist at his picture, having tried to convey it to us. Chi was far away to you tse, virishuvatememo only to me, ale skin in its own way.
Oleksandr Mikhailovich Gerasimov
I wrote to the board (Wet terrace)
Canvas, oliya. 78 x 85
Derzhavna Tretyakov Gallery,
Moscow.
Until 1935, rock, having painted faceless portraits of U. I. Lenina, I. W. Stalin and other radyansky kerivniki, A. M. Gerasimov hanging from the largest maistra of socialist realism. Tired of fighting for the official recognition of that success, I found myself in love with my loved one, the town of Kozlov. It was here that “Wet Terrace” was created.
The artist's sister wondered how the picture was painted. Її brother buv was literally enthralled by the sight of his garden following one super-strong plank. “Nature smelled of freshness. The water lay like a ball on the leaves, on the underside of the gazebo, on the benches and vibrated, creating an over-the-top malovnichesky chord. And far away, behind the trees, the sky was clearing and white.
Mitya, move on to the palette! - Oleksandr shouted to his assistant Dmitry Rodionovich Panin. The picture, like a brother calling it “Wet Terrace”, is vinyl with a blissful swedishness – it was painted three years ago. Our modest garden altanka with a little garden otrimala poetic viraz under the brother's penzle.
Natomist picture, scho Vinyl spontaneously written nevipadkovo. The fancy motif of the nature refreshed by the woods made the artist more likely to be trained in the School of Painting. Wet objects, dahi, roads, and grass penetrated into Youmu. Oleksandr Gerasimov, perhaps, without knowing it himself, is ready to see the pictures of his old fates and is addicted to pampering his eyes, which we contagiously put on the canvas. Otherwise, just don't turn your back on the terraska flooded with wood.
The picture has no tension, no rewriting of pieces and a predictable plot. Vaughn is defiantly written on one foot, so fresh, like a breath of a green leaf, wrapped in a plank. The image is captivating without being in the middle, you can see the lightness of the artist's feelings.
The artistic effect of the painting is rich in what the temple of the pictorial technique was called, prompted by reflexes. “On the terrace lay juicy bliss of garden greenery, on the wet surface of the table - erysipelas, blakitnі. Tіnі barvistі, navіt kolorovі. Vidbitya on water boards is seen with a sliver. The artist vikoristovuvav lesuvannya, applying new balls of farbi over the dried-up ball - like openings and openings, then varnishing. Navpaki, deakі details, for example, garden vouchers, written pasty, reinforced with textured strokes. Majornu, I’m bringing a note to bring a backlight to the picture, lighting up the back, vpritul, the crowns of trees far away make merehtlivy stained glass” (Kuptsov I. A. Gerasimov. Writing a board // Yuniy artist. 1988. No. 3. Z. 17.).
In the Russian painting of the Radyansk period, there are a few works, de boulo would be vividly transferred to the camp of nature. I respect that this is the most beautiful picture of A. M. Gerasimov. The artist has lived a long life, having painted a lot of canvases on various subjects, having taken away a lot of honors and prizes for some reason, and looking back at the path, looking back at the most important thing.
The history and description of the painting “Let me tell you” by the famous painter A. M. Gerasimov.
The author of the painting, the description of which is presented here, is Oleksandr Mikhailovich Gerasimov (1881-1963). Respected by one of the prominent Radian artists. Became the First President of the Academy of Sciences of the USSR (1947-1957), Academician of the Academy of Arts of the USSR. 1943 Youmu was awarded the honorary title of People's Artist of the SRSR. Becoming a laureate of several Stalin Prizes. Having painted a few paintings, as of today, they appreciate the true masterpieces of Russian painting. Yogo robots are found in such great museums as the Tretyakov Gallery and the Sovereign Russian Museum. One of the works of the artist, as a merit for special respect, is the painting "Let's do it".
The painting "I'll send a message" was painted in 1935. I can also call it "Wet Terrace". Canvas, oliya. Rosemary: 78 x 85 cm. Located at the State Tretyakov Gallery, Moscow.
At the time of the creation of the painting, Oleksandr Gerasimov was already one of the best representatives of social realism. Vіn wrote portraits of Radyansk kerіvnikіv, among them boules Volodymyr Illich Lenin and Josip Vissarionovich Stalin. The painting, as if it were being viewed in the light of social realism, was painted on the artist's initiative to a native place Kozlov. About those, how the paintings were created, then the artist's sister spoke. For її words, Oleksandr Mihajlovich buv prigoloshcheny view їhnёї altanka and the garden pіslya plank. The water was literally creaking, it shone “creating an over-the-top majestic chord”, and nature smelled fresh. The artist simply could not go through such a sight, and having created a picture, he struck all lovers and admirers of painting.
Thinking of painting this picture, Oleksandr shouted to his commissar: “Mitya, better off for the palette!”. As a result, the picture of the bula was written in three years. The robot, like a bula written on one pod, literally breathes freshness, calms the eye with its naturalness and simplicity. Many of us repeatedly succumbed to the same after the board, but after the mass of right and thoughts often simply didn’t give respect, the nature was updated after the great board. Wondering at the picture of this artist, you understand, how richly beautiful in such a magnificent manifestation, like a talented painter, having handed over for help a small patch of altanka and a garden, which you will feel.
The sun, as if breaking through the dark gloom, rob the kalyuzhi on the boards of the terrace in a right charm. The stench shines and shimmers with different colors. On the table we can put a vase with flowers, a flask thrown over by an angry or windy one, which makes the past scoundrels even more so that the pellets stuck to the table. In the background you can see the trees in the garden. The hilts of the trees sagged in the water, which was stingy on the leaves. Behind the trees, you can beat a part of the house or the gospodar's spore. Zavdyak that A. M. Gerasimov, having created the picture even quickly, on the same breath, being smitten and infuriated by the transformations of nature, in the picture of the wines, it was possible to fix not just an evocative look sharpened after the wood, but also its own appearance and emotion.
Written by A.M. Gerasimov for students of the 6th grade.
Plan
- The plot of the painting by A. Gerasimov "Let's do it"
- Description of the terrace, table, glechika with kvitami
- The background of the picture (garden, budinok, budіvnitstvo)
- Painting technique
- My mood is like a buddy.
I marvel at the painting by A.M. Everything that I work, I need to describe to the creator. I will start from the plot of the picture. In front of our eyes, there is a small terrace after the board. The artist chooses the objects of his canvas as an object: a stele, a glechik with quilts, a part of the terrace with railings, and depicts them on the aphids of nature.
Shoyno proyshov board. My bachimo are small kaluzhs, which have spilled out, on benches and pіdlozі terasi. Everything appears at the glare of a wet surface. On the table lies a faceted flask. Mabut, doshch buv even stronger, yakscho zalishiv on his own style "slіdіv".
The terrace itself won't bother us. Vertical support trim dah (mi bachimo is less than yogo kut), wooden maidanchik may go for exit to the garden. A narrow lava ends with simple handrails. On such a terrace it is pleasant to sit in the evening and enjoy the smells of nature. Otherwise, you can get together and drink a cup of tea.
Zlіva nahoditsya stіl z rіzblenimi nizhkami. The figurine top of the table is also covered with dots on the board. And on the table there is a cursed glechik with quilts. Bouquet of beautiful flowers tezh vydchuv on your own strength board. Deyakі pelyustki fell and lie near the water, scho stingy on the edge of the table. Or maybe the wind missed the little chick and rose the lower pelyust? Kvіti rozafarbovani in white and red colors, here the stench can smell of erysipelas and low green. Leaves may be even darker and more green colors. Bouquet, maybe, they picked it up to a plank, to decorate it with steel. Ale Znenatska began to be angry, and the bouquet was overflowing on the terrace.
In the background are pictures of a part of the garden. All yogo greenery is bright with red colors. Here it is more bright, light, navіt to go over to a light green color, and here it is dark green, juicy, which can have a look of emerald and bring on blue colors. The garden has a lot of trees. To the side you can see a wooden spore, maybe a small barn, or a small camp. On її dahu there is a trumpet.
On the right in the picture, behind the thick leaves, mi bachimo cut the house, until the terrace closes. A.Gerasimov was the winner of the image technique. Mustache objects can change contours. There are no clear right lines. The technique of a painted brushstroke to make a picture of a cicava. If you're surprised, you can replace the leaves on the tree with just an obscure brush stroke. Instead, the artist did not try to visualize all the elements so, as if they looked like stench, and having flooded the canvases with the colors of the necessary colors. So are the images and the flowers in the glare, and part of the terrace, and the small piece of the sky, which shines through the thick leaves. Here the colors are well mixed. The stench will unite one by one, establishing a new vision.
The picture creates a garni mood. As soon as the wood becomes bright and radiant, nature changes, everything is fresh. Everyday thoughts, only positive emotions!
Artist Oleksandr Mikhailovich Gerasimov standing for the new, Radiansky pictorial art. A small canvas, even simpler for the plot, in which, however, the right soul appeared great artist, Maistry.
Tvir: description of the painting by A. M. Gerasimov
Wet" effect in Gerasimov's painting "I'm going to do my duty". Let's marvel at the painting by Oleksandr Gerasimov "Pislya doshchu" at once. In the background in front of us is a clean garniy edge view - a summer garden, hung with a plank. Everything shone with such purity, looked so miraculous that the artist, without becoming a check and hvilin, hoarded the canvas and palette and began to paint a picture. Ale, the painting “Let me finish. Mokra terasa” bula yogo kohanoy.
Oleksandr Gerasimov is an artist of various planes. The theme of this renewal of nature is not new, not only in the artistic world, but also in the work of Gerasimov.
Marveling at Gerasimov's painting "Let's Doshchu", you smell the smell of fresh summer anger, you feel the streaks hitting the leaves of the trees. The entire terrace is flooded with light and extraordinary purity, wrapped in a plank of nature. Deep behind the trees, on the aphids, you can see the booths. From one side of the image there is a landscape, so that a large part of the picture is occupied by garden trees, traces of a natural phenomenon in nature. The impression of the picture is super clear. The painting by Viktor Mikhailovich Vasnetsov depicts a girl in winter clothes.
Mi bachimo tse u yogo pictures. In the youth of the artist, he acquired impressionism. Having created the same artist marvelous picture"Let me tell you." Tsey tvіr razyuche vіdіznyаєєєєєєєєєєєє іѕ іѕ іѕ іх іх іх іѕ created by the artist. Oleksandr Mikhailovich's sister wondered that the artist's garden had literally been shaken by the wood. This was a marvelous sight, like Gerasimov obov'yazkovo wanted to fix on the canvas. The picture of the bula was painted more quickly, for a sprat of years. It’s worth mentioning about those, how big the mitzvah was buried by the wondrous beauty of nature.
