Vistava Vesilla Figaro. Theatrical poster - reviews about the play Friendship of Fibaro Lazarev

I wanted to spend some time on tsyu wistava for a number of reasons. First of all, the vistava was praised. So, I’m staging battles to the point of laudatory remarks, but behind some photographs, that interview thought that it would be a good show. In a different way, Sergiy Lazarev in the role of Figaro. I was more skeptical about Lazarev-actor, to be honest. For a long time she slacked off the interview, in which she said that she could play 10 years at the theater! They took another from the theatrical performance from this theatre, like a theater. Have a new name 3-4 names from the theater! With a sigh, I tried to marvel at the new one. Thirdly, to Oleksandra Arsentiev! The same Billy Flyn from the musical "Chicago".
Having been worthy of a performance, I can recommend it for raising the mood of that festive evening.
I didn’t marvel at the recording with Andriy Mironov in the role of Figaro, I didn’t read the song, as if honestly, I’m not small, what to show me (I’m so illiterate, I’ll correct myself in the world of possibilities). There was no point in praising me, I marveled from a clean slate.
First, what is the enemy at the vistavi - decorations at the 4th tier! A single minus, but it’s not true: if one passes through the fourth tier, only one’s legs can be sown on the balcony (although rarely and unimportant heroes pass there, it’s important to tick or go in).
Vistava is dramatic, but with miraculously picked up musical inserts, to bring even more vitality and dynamism to the performance.
Warehouse of actors Play at one warehouse all! That yak play! Miraculous! Seriously play such a story, do not stoop to hackwork and bad pressures and hotties for me, something rich in wart. Trochs more specific for the program.
Figaro - Sergiy Lazarev. I've become worthy of me! All my doubts have gone, I’m also glad for Lazarev, that in the new theater and roles, around concerts, and for myself, that I looked at the actor. In honor of everything, Sergiy is actively engaged in promo before the vistavs, wanting a better voice, more one on the right to sleep at the microphone, the other on the right, say so, so that I felt everything from my front row of the balcony (and I felt everything!). Maybe it's just my admission, I don't know.
The role has definitely gone! Vikrutlivy, cunning, nice, kind, helpful - all in one person, shown miraculously. Navit naprikintsi vistavi, if the monologue of Figaro is hvilin at 5, I slandered the troch, chi vtrimaє. Utrimav! The hall of sitting, like charms! I am among them. Miraculous! I guess it's good that I looked at the show, if after the premiere it took about 15-20 shows, if everything is run in already.
Count - Oleksandr Arsentiev. Great! Everything went well: a good look, language, manners, you can’t imagine better) .
W female roles, splendidly varto saw the Countess (Victoria Isakova) and Suzanne (Oleksandra Ursulyak). The Countess also has a swan's ringing intonation, which is dying, but the mask periodically glows at the right moment, which calls out the reaction of the spectators, and other heroes in the play. Wonder costumes! They look miraculous, even more beautiful, support the figure. Susanna is a true pair of Figaro) Super team of viide! Stink stand alone) Garniy viyshov blows.
Zagalom, everything was worthy of me (and not only the leading heroes, I wrote briefly about yaks), everything was worthy of me, I recommend marveling at that, it’s a blessing from a good place (ale tsini bite lightly). I would recommend and watch the performance!

UVAGA! The term of reservation of tickets for the whole trip is stored for 1 year!

Pierre-Augustin Caron Beaumarchais

Comedy

DIRECTOR - Evgen Pisarev
SCENOGRAPHY Zinoviy Margolin
COSTUMES - Leonid Aleksiev
LIGHT Damir Ismagilov
COMPOSER - Igor Gorsky
CHOREOGRAPH - Albert Alberts

The comedy "Friends of Figaro" was invented by the courtier Beaumarchais, with a three-hundred-thousand-year-old coveted majestic success of the ideal, silent mechanism of the year, composition, dynamism and humor, which did not waste its freshness.

Ale is the main secret of success, obviously, in the character of the protagonist: Figaro's talent, having recognized accidents in all his successive and creative initiatives, ale, the faults of goodness, creativity, vitality, and smut - the deaths of death. Itself through Kokhannya on Yogo often falls "God's Day", by stretching out some kind of wine I can weave intrigues, wriggle in court, know the spent fathers, try out the evil of a friend, I will reveal the evil of the young squad, but if I don’t spend it, I won’t spend it on my own, on my own …

It is a lot of people to know that "at the kohanna, like in the war, all things are good." This principle is followed by the characters of a cheerful, dynamic vistavi. Friends of Figaro". The Pushkin Theater propagates the audience with a staging with a hoarse plot, which evokes a lack of twists and turns, funny episodes and garnished decorations.

The comedy is based on famous creation P'era de Beaumarchais, a kind of rozpovіv about the usefulness of the sprit and smart Figaro. Like a hero, having given a friendly service to Count Almaviva, ruling over the yogo veil with the beautiful Rosina. Tim is no less, an aristocrat, having shown himself a person who is not dyadic: after a certain hour of guilt, having passed with a stick, I am addicted to the name of Figaro himself, the enchanting Susanna. The maiden did not attack the earl's face, after which Almavivi's other negative quality was revealed - vengeance. Vіn beginning to be under the feet of a dead bet, spodіvayuchis to cross the slub. However, Figaro and Susanna show unabashed cunning, pretending to outwit a proud aristocrat. To help him, Countess Rozina, irritated by the lightness of a person, as well as the guilty page of Cherubino. At the same time, there are a lot of secrets, zokrema, characters lean in court, and something from them to bring on the future of their fathers. Look, they bought tickets for the play "The Friends of Figaro", to play a few comical scenes, the swindler that was turned over, the zavdyaks of which the deer became hoarse and the cicava.

Directed by the director Evgenia Pisareva I tell you about those people are ready to drink for the sake of reaching their goal: calm the girl, play the fun, give a lesson to the wrong person. The development of the podia at the play "The Friends of Figaro" is accompanied by music, written by Igor Gorsky. The melodies, together with barvy costumes and scenery, the choreography of Albert Alberts will convey to the whole world the subtlety and subtlety, the taman tsіy tsikavіy istoriї.

SPECIAL INDIVIDUALS AND VICONAVTS:

Count Almaviva -Oleksandr Arsentiev
Countess - Victoria Isakova
FIGARO - Sergiy Lazarev
SUZANNA - Taisiya Vilkova / Oleksandra Ursulyaka
Marceline - Irina Byakova
ANTONIO - Oleksiy Rakhmanov
FANCHETTA - Ganna Bigunova / Stasya Miloslavska
CHERUBINO - Sergiy Kudryashov
BARTOLO - Oleg Pishnenko
BASIL - Oleksandr Matrosov
DON HUMAN BRIDUAZON -Sergiy Miller
Doubleman - Ivan Litvinenko
PEDRILLO - Mykola Kislichenko
PERFUME: Egor Komarov, Veronica Mokhireva

There are close to thirty film actors at Hanni Yevgenivny’s birthday party, from which they can get a lot of leading roles - Vika in the drama “Zhorstokist”, Dasha and Yulia in the psychological detective “Voice”, Asya in “Spadkoєmitsi”, Olena in the melodrama “For the Time of Dash” and іn.

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The first yoga robots on this stage were Shpekin from the play "Inspector" and Fistach at "Testosteron". At the same time, the artist’s dancers can play yoga at rich repertoire productions - “Red Flower”, de vin playing Anton, - Amalia Balike, - Robin, - Ted Bandi, - Claude Riv'er, Ivan at "Three Ivanakh" and іn.

In cinema, the debut robot became an episode in the Russian-Ukrainian project “Kill me! Well, be kind", taken from 2004 roci. I played Sasha in the melodrama "Happy for the Recipe", an episode in one of the series of the series "Law and Order", Sasha in the same series, Dyusha in "Obruchtsi", Oleg Isaevich in "Tatusev Donki", Kostya in "Ranetki", Seva in the series "Katina Kokhannya"

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At the cinema, Oleksandr Arsentiev played over sixty characters, including Andriy in the melodrama “Under the sky of Veroni”, Igor in the “Liza of the sounding squads”, Yakov in the viysk drama “Tyazhky pisok”, Maxim in the melodrama “I will give my own miracle” , Chulimova in "Yurochtsі" and in.

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The artist once revealed his talent and played on this stage over two dozen roles. Tse Gavrilo in "Dowryless", Kit with Chobots in a fairy tale of the same name, Charles Bovary in "Madame Bovary", Aubin in "Ladies' Beauty", Mario in "Nights of Cabiria", Tybalt in "Romeo and Juliet", Bobchinsky and Derzhimorda from "Inspector", Bishop of "Jeanne d'Arc" and in.

At the same time, the dancers of Oleksandr Valeriyovich can play yoga in such performances as yak, de vin graє Fridrich, "Hedda Gabler" - the role of Eilert, - Metkaf, "Island of Treasures" - Billy Bons, "Rizdvo O. Henry" - Berman, - Kuvikin. In the production of "Three Ivans" Matrosov plays the role of Babadur, and in "Friends of Figaro" - Basil.

The artist successfully works on the dramatic stage with filmmakers. As of today, the filmography includes over thirty-six films and serials. Have 2004 r. Matrosov starred in the detective "MUR є MUR". Pіznіshe vіn zigrav Lepu in “Liquidation”, cavalier in “The Most Beautiful”, Mishan in “Law and Order”, Lehu in “March of Turetsky”, Uramanov in the action movie “Paid for Death”, Andron in “Atlantis” and other film characters.

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Oleksiy Igorovich rozpochav his artistic career of the roles of Anton in "Chervonoi votochka", Oreste in "Great Magic", Dobchinsky in "Inspector", Ludoger in the fairy tale "The Whale at the Chobots". At the same time, he took part in such repertoire productions as "Island of Treasures", de grey Morgan and Billy Bons - the role of Antonio, "Three Ivans" - Miller, "Offis" - Kruse.

The first role in cinema was the role of Misha in one of the detective series “Law and Order”, filmed in 2007. Pіznіshe vіn zіg vіn znіv znіv sіnіv іn іn іn thіѕ аnԁ thе assistant іn thе series “I am thе guard”, Molodoy іn “Bus”, Gіchko іn “Zagoryzhenі”, Sanya іn “Lower Zustriches”, Kostya іn Іnternakh, Kesha іn “Groupі Happiness” аnd іn.

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Sergiy Miller, having acquired theatrical education at GITIS, took the course of V. Spesivtsev and L. Topichov. Having completed his studies in 2000, he became an actor and began to improve his mastery, interpreting the different characters of the heroes in the classical and contemporary repertoire.

Here he played Gavrilo in "Dowryless", Bassin in "Lady's Beauty", Claude in "Madame Bovary", Arturo and Otto in "The Great Magic", Titus in "Testosterone", Breckenberry in "Richard-Richard", Varville in "Ladies "with camellias", Derzhimorda at the "Revisors", Vittorio at the production of "Nights of the Cabiria".

In the current repertoire of the theater, Sergiy Andriyovich plays such performances as yak, de grey Єpikhodov, "Figaro's Friends" - the role of Don Gusman, "Island of Scarves" - Black Dog, Billy Bones and Merry Gomez - Egor, "Great Magic" - Arturo Pena. and other productions.

On a significant maidanchik, Miller started practicing 2002. His first role in cinema was the role of Corporal Karl Gille in the Viysk drama Zirka. Have 2003 r. won an episode in the series Antikiller-2, and two years later he took part in the film Love and Gold. Also, the film heroes of this actor became Odnokiy in the action movie “Vovkodav z genus Sirikh psiv”, Ignat in the TV series “My Prechistenka”, Titov in “Law and Order”, a Swedish soldier in “Servants of the Sovereign”, a doctor in the TV series “Kitchen” and others.

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Mikola Kislichenko came to the corpse in 2011 - just after the completion of training at the Moscow Art Theater School-Studio, de yogo mentors were R. Kozak and D. Brusnikin. The first great robots on this stage were the roles of Tretin in Testosterone, the Archbishop in Jeanne D'Arc, Posilny in Posit tenor!

I would characterize the production at the Pushkin Theater in three words: cheerful, academic and musical performance.
The comedy of Beaumarchais is staged in such a way that in the hall for the peeping people, time and again, you will hear laughter. Glyadachi quickly react to the fire of the author of the era of Enlightenment.
"Turn around, God willing!" - "Maybe I won't!"; "I am tezh" - "I am tezh" - "I am tezh" - "Yak the moon is strong here!"
The academic quality of the power of this production is the choice of the director, and you don’t see anything. That performance may be worthy of those who love academicism. And whoever does not love - let them not make claims. Go out, tse vistava is not for them. All credits for the academic text of Beaumarchais in the academic translation of N.M. Lyubimova. And if you especially care about how artists cope with the text, how stinks they put in their replicas.

Music sounded - Mozart and Russia. It was worthy of me that she was not like an inserted number (it sounds like that in Lenkom), but like a part of the sight without the middle. Non-singular arrangements - the axis of what was non-academic in the performance! – broken down to the tempo of the performance. The academic orchestra in black tailcoats is obviously not good here. Melodies from "The Friends of Figaro", "The Barber of Seville", those from "Little Night Serenade", the 40th symphony, the 21st Mozart concerto are well known and fit well into the action.

I respectfully listened to the monologue of Figaro - Sergiy Lazarev about cunning principles, about deceit and intrigue, and I thought: “Well, you bastard! I care for ourselves, we rule! Ale, the hour of such natures has come.

Vіm, not to say, that the authors of the vistavi realized the production (just like an anachronism, Marcelini's short haircut looked like an anachronism). Directed by Yevgen Pisarev, a hero of the old comedy in the world, which sounds like our hour, sounds like our soul, and it has become like a watcher.

The Countess - Victoria Isakova - half-heartedly gave herself up as a fool. The whole hall laughed at її foolishness! Ale of women's solidarity Syuzanna - Oleksandra Ursulyak - helping the Countess to get the mountain over the Count and bring the squad, which the deception of yoga zipsovaniya nature, the inheritance of old-fashioned suzerains to no good!

It was fitting that Sergiy Lazarev and Oleksandra Ursulyak show that Figaro and Susanna truly love one alone. At the performance, in such a rank, the thought of the triumph of the kohanny is spitting!

Oleksandr Arsentiev in the role of Count Almavivi follows the instructions of the author - Beaumarchais. I’m wondering if this is the graph of “commons of the power of greatness, but I’m going to get along with the grace of that innocence.” The arrogance of the count's manners is shown by the artist even better. It is good with the author that "the role of the count is especially important for those who inevitably opine at the comedy camp."

Ale Arsentyev is so bright that I changed to the Count of Spivchutts.

The artist has pleased me with his thunder. It can be seen that vin, like and reshta vikonavtsiv, from the satisfaction of the grace of the performance. Creation of the image, emotions, assessments, behavior in the "movement zones" - everything is on vishomu equal, perekonlivo that is adequate.

Meni zavzhdi befits, like Arsentiev in vzaєmodіє іz partners. Today, it happened that with the appearance of Count Almavivi on the stage, the show began to spin like a clockwork toy mechanism when the key was turned.

Not to love the Count of Zhartiv - all this has come to a head. In the mind of documents, but not in intrigues and feelings. To that, in my gallery of wines, I recognized the blows.

Zhorstky, commanding officer, shooting, judging, but with whom, a farcical character. On the back of the ear, the Count is angry as if it were not, chi, too much too much, talking, not to lead me for nіs - I know you are wrong. And for example, Figaro and women far away brought yoga to the heat, and vomited absolutely naturally.

The scenery is amazing. Kumedna scene was played with a sledgehammer. Glyadachi laughed like a circus. Well, I know, if someone does not like farce, then now they make claims about the farce of what is on stage?

The performance had a sprinkling of overlays (sorry for the jargon), otherwise the stench looked like this. That wine was spilled - it happened to wipe it with a servette, then they threw an apple, but they didn’t pick it up. Sergiy Lazarev - Figaro did not drink an orange, throwing Arsentiev - Count. Then I followed the text and began to check, if Figaro picked up an orange, which I rolled, and threw it back to the Count. You could talk for a thousand rubles, which Arsentiev drinks. Drinking. I knew.

It is marvelous to write about it if you are talking about a professional actor. Ale Arsentiev sees positive feedback from his peers. It can be said that this is an artist from an internal culture, like a bula was attached to the charms of the masters of the generation, who is going, the stars of our childishness. And it is wonderful that among today's actors there are such, like Arsentiev, who continue the best traditions of our theater and cinema, our culture.
Well, I'm in the grip, this is my thought, my reaction.

Recognize first

About the performance

Moscow can again live through one divine day, in which there will be fun, judge, scandals and reconciliation. Vistava "Friendship of Figaro" at the Theater im. Pushkin is a dazzling comedy, as if not the first river is gaining full houses.
Vіkove obmezhennya - 16+.
. Author - P.-O. Caron Beaumarchais;
. director - Evgen Pisarev.
Roles play
. A. Arsentiev;
. V. Isakova;
. S. Lazarev;
. T. Vilkova;
. I. Byakova and others.
The premiere took place on April 2014.

crazy day
And in the castle of Count Almavivi, neither the servants, nor the rulers, nor the guests are so calm. The day is just beginning, but it dawned on me that you definitely can’t call Yogo the greatest. Figaro is a friendly young man, a friend of the count and yogo housekeeper - having made friends with the beautiful Susanna. It seemed that, with a hand of tribute, prote on the path of the young stood up superniki. The old borzhok guessed the main character Marcelin, and now I’m afraid to take him for the squad, and the count himself lays claim to Suzanne’s heart ... The intrigue gets lost, and it’s becoming more and more complicated to join this ridiculous collection. Try to buy tickets for the “Friendship of Figaro” show from Moscow and find out how this classic story ended.

Old story with new scenery
The generosity of the creators of the production, you know, I don’t know between! Naked costumes, miraculous surroundings, monumental embellishments. Vikonans in pastel colors, they become an ideal backdrop for the bright and barvy carnival of passions, which whirl around all the heroes and whirl, not letting in, until the rest of the whining. An absolutely canonical plot is revealed in front of the spectators, and the realization of such a direction did not have fashionable tricks of participation. On the stage - true Spain of the 18th century, but without the old classics. Freshness, youth, expression - this year's Figaro of life events and does not smell of naphthalene.

New description

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additional information

Trivality - 2 years 50 minutes (with intermission).
The booking term for a performance is 2 years.

New description

Why Ponominalu?

Place like at the theater

Do not submit a purchase

Why Ponominalu?

Ponominalu received an agreement from the Pushkin Theater for the sale of tickets. All prices for official tickets are set by the theatre.

Place like at the theater

We are connected to the ticket base for the Pushkin Theater and we offer all officially available tickets for the performance.

Do not submit a purchase

Closer to the date of the visit, the most demanded and the most optimal for the price and the distribution of the money will end.

Theater addresses: Mayakovska metro station, Moscow, Tverskoy Boulevard, bud. 23

  • Mayakovska
  • Tverska
  • Chekhovskaya
  • Pushkinska

Pushkin Theater

History of the Pushkin Theater

The Pushkin Drama Theater traces its history back to the drama theater of the epoch directed by Oleksandr Tairov, born in 1914. That's why wine is considered one of the oldest Moscow theatrical maidans. Bud_vlya on Tverskoy Boulevard, in which wines there are more spores. The first riddle about the new one comes up until the time of the reign of Catherine the Great. Yogo was the first Vlasnik, Prince Vyazemsky. From that hour, during the course of the 19th century, often passing from one ruler to another, they rebuilt and repaired it a few times, until the Kamerny Theater did not appear on the cob of the 20th century.

The theater of Oleksandr Tairov having woken up until 1949, the docks of yoga did not form that formalism. This place has occupied the Drama Theater named after Pushkin, which at the current moment is one of the best theatrical Maidan theaters in the capital. Vіn povnіstu vіdnovleny vіnter'єryakh XIX century and rich embellishments.

On this Maidanchik, it is more important to play vistavi from foreign playwrights of the twentieth century, such as "Misholovka", "Talents and the dead", "Happy days" and " good people from Cezouan”, but the repertoire also includes Russian classics and contemporary master dramas.

How to get to the theater named after Pushkin
Bud_vlya Theater named after Pushkin roztashovan on Tverskoy Boulevard. It is not easy to know yoga, but you need to get to the Tverska metro station, or to Pushkinskaya. Viyshovshi from the metro, you lean on the cob of Tverskoy Boulevard, de vine tumble over Tverskaya Street. Cross the boulevard to the right. You can only walk five minutes to the opening of the Drama Theater named after Pushkin.

Photograph - official reference of VKontakte.

 
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