Marne is protective of ballet. It's a pity cows don't dance
I would like your respect for the libretto of the ballet "Marne of Preservation". Ballet "Marne Preservation" on two sides. Composer Louis Gerold. Libretto and production by J. Dauberval.
Persha vistava (with selected music): Bordeaux, 1 lime 1789; with the music of Herold - Paris, Grand Opera, 27 leaf fall 1828 p.
Marcelina, a peasant woman is welcome. Liza, її daughter. Kolin, vigilant peasant. Mіsho, vіdkupnik. Nikez, yoga syn. Notary. Lizi's friends. Villagers and villagers.
Zhadіbna farmer Marcelina wants to see her daughter marry the bad lad Nіkez, the son of Misho. Ale Lisa to love the poor peasant Kolin. Marcelina does not allow her daughter to chat with the Knee.
Villagers come - friends of Lisa and friends of Kolina. The stench with all their souls sings the grief of Lisa and Kolina, but they cannot help. Marcelina never takes her eyes off her daughters, zmushuє її pratsyuvati around the house: yearn chickens, beat oliya, pіdmіtati podvir'ya.
Field. The villagers are working. Middle NIX Liza, Nіkez, Colin and Marcelina. A storm is brewing. Blow the wind and spit on Nikez, who is golden on the majestic parasol. Zagalny reg.
Room at Marcellini's booth. The villagers bring the logs into the wood sheaves and put them in a hut. Unfailingly, Colin made his way into Marcellini's house, to hang out with Lisa.
Nezabar Marcelina went to the house, fixing the door with a key. The daughter is obsessed with the protection of her mother.
Liza mriє about her future life, if she will come out of the country for Kolina and she will have children. She will teach them to read and be a wise mother, ale, if you need it, you will be a suvor.
With a rapture the sheaves rise, and Kolin appears before Lisa. Liza zniyakovila and zlyakana. And a thought about those who stink when you get together, they can be together, reminiscent of their joy and happiness. The stinks are exchanged with their coats. The Idiliya of Lizi and Kolina is short: a little bit of Marcellini, who turns around. What work? Lisa takes Kolina to the office and starts to spin, but it is so unnatural to rob it that Marcelina suspects it is unkind. That hustka Kolіna on shiї Lizi saw її.
Marcelina is rozlyuchena in the early morning locking Lisa into the comora, in which Colin is already known.
Marcelina checks for a notary. Vigіdniy shlyub Lizi and Nіkeza rejoices її and she is stunnedly so quiet that they came after the notary Micho, Nіkeza and the villagers. Let Marcelina let her daughter out of the office at once.
The doors of the komori are opened, and on the other hand, the blessings of Lisa and Kolin are announced. The stinks throw themselves at the feet of Marcellini, as if they don’t lack anything, like it’s good for their hat.
L. Entelis
Article "Ballet Marne Preservation. Libretto"
"Marne Preservation".
Michael's Theatre.
Music by Louis Herold, choreography by Frederic Ashton.
After the Seventeenth Interruption, the repertoire of the Mikhailovsky Theater reappeared in the repertoire of the Marne of Preservation, for the first time in the choreography of Frederick Ashton (1960). A huge production by Oleg Vinogradov (1971) to the music of Louis Herold was featured in posters until 2007. 2002 roci ballet Ashton buv transfers to Great theater, but at the same time, Yury Grigorovich’s version was left behind in his repertoire.
Scene from the play.
“Marne of Preservation” is a lyrical comedy (a typical genre for classical ballet), miraculously survived all the reforms and shocks of the 19th and 20th centuries, is respected by the oldest ballet, which has shattered our days. True, there is less to say about the libreto of Jean Dauberval: the choreography and the choice of music premiered in 1789 were not spared by fate. Pastorals with unprepossessing intrigue, where you can set them up to amaze the dead, they were traditional for a ballet scene. All the same, the ballet was taken by the co-workers like an innovative one. Dauberval made the plot and characters more realistic (don't go and naivno): the bucolly seams of the wines were replaced by a prose chintz in a direct and figurative sense. The vitality of the choreography has also become an important factor. Following the teacher Jean Nover, Dauberval created a ballet, de diya developed through choreography, and not just a pantomime, as critics have pointed out more than once. At one of the premiere screenings at the theater of Bordeaux, the leading dancer, having heard a call from Paris about those who would become a third camp, having taken away the right to vote, having voted a toast on the stage, was loudly cheering the hall. In the 19th century, its “folk” ballet has two scores - Louis Herold (1828) and Peter Gertel (1864), and, in the interpretation of other choreographers, with the success of ours on European stages, which are often chosen for debuts on that tour due to their simplicity and universality.
In Russia, the ballet successfully survived the revolution of 1917, zіyshovshi for an accomplice for the balletomaniac-pochatkіvtsya. In 1937, the director Leonid Lavrovsky staged "Marne of Preservation" (based on the score by Hertel). The pastoral "lyalkove kingdom" (according to Lavrovsky's nominations) version of Marius Petipa - Lev Ivanov, was kept in the repertoire until 1922, replacing the wine with realism and social implication. The main motive was the struggle for “freedom”, as if I would triumph in the third act, put together by the choreographer for Christmas dances with the drive of the national leader Lisa and Kolina.
A. Soboleva (Liza), V. Lebedev (colin).
Photo - archives of Mikhailovsky theater.
Ashton's "Marne of Preservation" harmoniously blended into the atmosphere of bourgeois respectability, which brought it to the Mikhailovsky Theatre, favorably shaped by the growing ornament of the duat's opuses and gracefully adorned with extraordinary doses of extraordinary director's interpretations. Today, Ashton's ballet is a classic, but not yet archaic - it looks like a comical pastoral of the 20th century. At the performance, the appearance of a vіzka harnessed by a live horse is brought forward, and the ballet is performed by a comical pasdecinq pіvnya and a couple of yearning hens.
Like other faceless versions of this ballet, Ashton's "Marne" was chosen as a mosaic of musical fragments (edited by John Lunchbury on the basis of Herold's score), familiar with the original choreography. A lot of what was gleaned from the description of Tamari Karsavina, who played Lisa in the Petipa-Ivanov ballet, as well as from the photographs of Lavrovsky's performance. This is how the dance with lines appeared, the parasol-cognac of the silly fool Alyon, the scene with the herb tree and the keys ... The program before the performance of the Mikhailovsky Theater has a quote from Julie Kavanagh's book, as if attributing the idea to Simony's dance in the clog (number-hit of the performance) Ashton, Versions of Russian heritage wines appeared already at the performances of Petipa-Ivanov.
To the well-broken ballet of Ashton, a harmoniously intertwined dance (a whole lot of devi) and a pantomime, there will be bliss, skils can bring talent to vikonavtsi. The characteristic grotesque roles in comedy convey improvisation to the created image. However, in this case, there is serious obsmeshennia: choreographer-director Michael O'Hare and the right-hand man of Ashton's production Jean-P'er Gasque scrupulously follow for the exact correspondence to the original.
Scene from the play.
Photo - archives of Mikhailovsky theater.
The premieres of the 27th of March, the victories are not without enthusiasm, they rejected the very glitz, excitement, acting mastery. The main characters - Liza (Anastasia Soboleva) and Knee (Viktor Lebedev) - are more classical, less characteristic, more natural, they would look like a palace, and not a chiselled one. For an hour, we love and lower, who lead a flirtatious group, they did not get vitality and inconsistency, independently learned strokes, which would be forgotten.
Simone's widow - a grotesque role, a score like that of Michael O'Hare - did not become as enchanting and funny as she could be. Alain (Denis Tolmachov) appeared even though he was wondrous, but good malim.
A single ensemble of actors sang like crazy: they didn’t catch anyone, but without puffing on the diva of the theatrical transformation.
"Marne of Preservation" - in the literal translation "Badly looked at daughter" - a ballet on two sides, created by the French choreographer Jean Dauberval. The music did not work out especially before the ballet, J. Dauberval scored French folk melodies. “Marne of Preservation” is the only ballet of the classical repertoire, which is still alive to this day, in which the heroes were co-stars of the days of the premiere. The premiere took place on the 1st lime, 1789, near Cape Bordeaux.
Jean Dauberval - a student of Noverre and a prodovzhuvach of his choreographic ideas in the creation of wild ballet - is the founder of comedy ballet. The characters of these productions were not gods and ancient heroes, but representatives of the people, the so-called third one, the simplest people with their shortcomings and vices, pobutovoi non-government without global interests and domogan. For example, the aesthetics of the 18th century became an innovation, before that, representatives of the very bottom of the society took their place on the ballet stage.
After the appointment of J.Noverre from the director of the ballet troupe of the Paris Royal Academy of Music, this post was in 1781-1783. having borrowed Jean Dauberval, having not gone there for a long time, replacing the directorate with 1783 roles, and most of his productions, having been staged at the ballet troupe of the musical theater of Bordeaux, where the provincial public kindly chimed in with ballets about the same ordinary people, who were constantly consumed in comical situations and came out of them not for the help of greater forces, but for great heroes, but for their own guilt and cheerfulness, cunning and cunning.
One of these yoga ballets, becoming a two-act one (“A ballet about straw, otherwise there’s only one more step to goodness”) — the author himself called his tvir so himself, which he added to all the light ballet scenes and more vodomiy pid called La Fille mal gardée, and in Russia - "Marna oberezhnist".
Dyuchi faces:
Marcelina, a peasant woman is welcome.
Liza, її daughter.
Kolin, vigilant peasant.
Mіsho, vіdkupnik.
Nikez, yoga syn.
Notary.
Lizi's friends. Villagers and villagers.
Plot.
Marcelina dreamed of grafting her beautiful daughter Liza to the foreigner for Nikez, the son of the wealthy Misho. Ale's daughter already took away her own kokhan - tse susіdsky bіdny peasant lad Kolіn. Such a turn is not like a sovereign mother, as if joking about material well-being, and she doesn’t lower her eyes from her daughter, turning her back on her knee. Ale, the spritny bіdnyak does not dare to greet the kokhan. We make our way to the closet of the booth, where Marcelina and Lisa live, and howl in the stose of the son. And Marcelina, not knowing anything about Kolin's accessibility, conceived her own accessibility: so that the daughter at an inopportune moment did not run into a fagot to a kohan, she would go out in the comoria - the very same one, where Kolin had gone. She herself is actively getting ready for the upcoming wedding of the nepokіrnoї donka, and if only everyone gets into the booth: the notary, the wealthy Misho, the yogo son of the names of Nіkez, the guest-village, — she will let the daughter out of the commissariat. But before the glances of the attendants, two people stand - Liza and Kolin, who looks like a chick! material well-being I was not destined to get lost - an unfortunate mother, because she thought of everything so diligently and lived in all the foreign entrances, nothing is left behind, like it’s good for Lisa and Kolin’s love.
Screenplay by J. Dauberval.
“A ballet about straw, otherwise it’s only one step to goodness”
Ballet in 2 acts (3 scenes) to selected music, choreographer J. Dauberval.
1. Titonka Simony's Farm(At Russian productions of Marcellini). She's crushing her daughter Liza to win the price of the housework. And the girl thinks about the heart of the beloved Knee. The villagers come to hire for picking I give birth to Simony. Among them is Kolin, and Simon's wife, yogo get out. I don’t need bad names, I can’t see my daughter for the son of the wine-grower Tom (in Russian productions of Misho). The axis and the wines are light on the back, they come at once from their son Nikez (in Russian productions, Alyon). Nicez obіtsyaє bagate posag, Simona, having bargained, it will be fine. Liza leans in, twists her hand at the lad and ticks. Else follow her.
Field. I choose to give birth. At the break, Lisa will know Kolin, but Simon will be smitten again. Wild fun and dances of the villagers. A thunderstorm is starting. Nіkez rozkrivaє parasolka, but strong wind blow the wind to roll yogo s nіg. Evil zmushuє vsіh vіdіti. I'm dying again at the same time.
2. Room at Simony's farm. In the background, go to the bedroom. Simona tell her daughter to take care of the lock. She herself is also trying to spin, but she still sleeps. Lisa tries to steal the key from her mother's intestines. She rolls over and, to drive away sleep, encourages her daughters to dance. Lisa gladly waits and brings her mother a tambourine. Simone tries to accompany Lizi's dance, but then she falls asleep again. At the window above the door, Kolin appears, Liza again tries to steal the key. Simona raptly rolls over and looks like a tambourine. Simone dances with her daughter.
Women and women come. Bring a lot of sheaves and ask for payment. Simona sparingly distributes pennies and sees off the practitioners. Raptom from the sheaves Colin settles. Zvorushliva zustrіch, zakokhani exchange shiny khustki. Sensing that her mother was turning, Liza hurriedly sent the young man to the bedroom, and she herself pretended that she had fallen asleep at the robot. Simone to wake up her daughter. Having pumped a new chorus in her, she will order Liza in anger to go to bed. Daremno, the good girl does not work for him - the mother with a lock takes her daughter there, where Colin is known, and locks the door behind her.
Enter Thomas, Nіkez, the notary and behind them the villagers. Tom put two bears with pennies on the table, everything is ready to sign a free agreement. Simone gives the betrothed the key to the bedroom, and she tells them to go for the betrothed. Nikez wears mittens and urochisto walks up. Ale only vin turn the key at the lock, as if at the door you should be able to sing the signs, ale happy Lisa and Kolina. Nіkez is guided by friends, Simona is at the roost. Young people ask for good luck on their happiness. Mustache, including a notary, join them. Simone doesn’t miss anything, just wait. Less than Tom and Nikez are overwhelmed;
Silske piously ends the vistava.
"Marne of Preservation" is the oldest of the masterpieces of choreographic decay, so to speak, the great-grandmother of today's ballet. The famous dancer, teacher and choreographer Jean Berchet (1742-1806), famously Dauberval, was called “Molière of the dance” by his fellow students, and Diderot, brothers Grimm and Beaumarchais, were choked with mysticism. The premiere took place at the Great Theater of Bordeaux two days before the Bastille was taken. It is not surprising that the first lookers knew in the ballet those who were in tune with the hour. Nasampered - the struggle of the heroes for their own happiness, unrepentant on the main road and the battlefield. In the course of time, this conflict in the suspіlstvі zagostryuvavsya, and Misho becoming the master of rich milk, then entering another plane, and Alain becoming only a bad lad.
The name of the ballet was also changed with fate: “The Ballet about Straw”, “The Daughter Was Well Saved” (La Fille mal gardée), “One Krok From Good to Good”, “Oshukana Stara” and, nareshti, “Marne Preservation” - the name that established itself on the Russian stage. For more than two centuries, the primary choreography and music have been erased from memory. The smut was saved - the spirit and style of ballet, which did not waste its freshness, life and joyfulness.
The dramaturgy of "Marne oberezhnosti" is rightfully respected as a splendid act - the action, which was masterfully broken up by Dauberval, collapses with borderline simplicity and at the same time with an unfortunate aftermath. Rozpovіd ryasnіє nepodіvaniy and gracious turns. Virazna pantomіma will join with a different dance and in the distance you will see yoga. The heroes of the ballet are no longer clever comedy masks, but living people, even though they have poured in the tradition of fair comedians, crazy. The characters, as often used in old-fashioned ballets, have amassed the artistic success of many generations of prominent viconauts of the Marne Preserve. Mari Theodore, Fanny Elsler, Virginia Zukka, Matilda Kshesinska, Ganna Pavlova, Tamara Karsavina, Katerina Geltser, Olena Lukom, Tetyana Vecheslova, Pavlo Gerdt, Timofiy Stukolkin, Mikhailo Fokin, Mikhailo Mordkin and Mikita Dolgun.
Dauberval's ballet, like a lot of choreographic performances at that hour, playing music, choosing from popular melodies and couplets. French folk intonations sounded at the impudent accompaniment of the dances. In 1828, the role at the first production of "Marne Oberezhnost" on the stage of the Paris Royal Academy of Music vidomy composer Luis Herold tactfully shaped various musical fragments, preserving their naive simplicity and national character. In 1864, the ballet was staged at the Berlin Court Opera, adding a new musical selection, composed by the German composer Peter Gertel. The music, which has lost a lot of originality and French flavor, has become typically ballet, sentimental for an hour, banal for an hour. Nadali won't be supplemented with fragments of a different plan and quality: waltzes, polkas and chardash.
In Russia, the ballet is the cob of the nineteenth century from the first hand. The choreographer of the St. Petersburg theater Charles Didelot danced Colin beat Dauberval himself in his youth. Every year, "Marna Oberezhnist" was often staged both in Moscow and in the capital. The tour of Fanny Elsler was a great success, she painted Lisa as a naive, flirtatious and empty simpleton. In 1885, for the debut in St. Petersburg of the Italian ballerina Virginia Zukka, Lev Ivanov and Marius Petipa composed a three-act performance based on the music of Hertel. The dances had more daedals: the dance of the Bohemian gypsies appeared in the other picture, and the third act was a strong divertissement for the peasant. French style. Since 1896, for ten years, the role of Lizi was monopolized by the all-powerful Matilda Kshesinska. The ballerina shone and at the famous dance with lines from the first picture and in pantomime scenes and, obviously, in an effective pas de deux. The production was kept at the Mariinsky Theater for the remainder of 1920.
In 1937, young Leonid Lavrovsky, in his turn in the other Leningrad theater - the Small Opera House, played in the spirit of greatness, in his words, "pastorals with enchanting shepherds and shepherdesses who are seen by the old winds." Hertel's music was cleared from the past by conductor Pavel Feldt, who wrote a new third act, dedicating the first place to the people of Lisa and Kolin. Zaderikuvaty and ridiculous ballet buv, it was given b, not at the hour in 1937, prote wines were shown on 26 performances and zijshov from the stage “under the squeeze” of Pushkin's anniversary. At the important rock of the Great Vytchiznyanoi war insulting Leningrad theaters in the evacuation again guessed about the comedy "Marna Oberezhnist". At Maloy, who turned to the curvature, Fedir Lopukhov wrote a new choreography for the savings of three fragments in the performance of Lev Ivanov.
At the Kirov Theater, the renovation of the ballet in the editorial office of 1923 fell to the share of Volodymyr Ponomariev. Z tієyu vistavoy po'yazan єdina ballet review of the composer Sergiy Prokof'ev. In her wines, she explains the unmistakable climax to “Marne Preserve”: “The plot, composed by the famous French choreographer Dauberval, is simple, but danceable and easily conveyed by the ballet. No one has the opportunity to go into, like in some ballets, to the most soulful gestures, to explain between two dance numbers that “vin” love “її”, and “out” love “inshoy”, moreover, the public is unruly, navіscho “stink” so wave their hands a lot and still don’t know who to love. next place offensive ballet corpses did not save the comedy performance in the repertoire.
In the other half of the 20th century, with new productions of "Marne Oberezhnost", they turned to the music of Herold, re-orchestrating that double composition. In 1960, the choreographer Frederick Ashton "Marne of Preservation" staged anew at the London Royal Ballet. The conductor of the vistavi John Lanchbury, after having transcribed Herold's music in the distance, the legendary Tamara Karsavina advised the production. In the distance, the performance is no less than a long time, embellishing the London poster, but practically no competition for the bazhannya іnshih zahіdnyh corpses to realize “Marne oberezhnіst”. In 2002, a number of people were transferred to the Moscow Great Theater, who knew the old vikonavtsiv there. And in the meantime, near Kiev and Frunze, Riza and Odesa, Tallinn and Saratov, they danced a different version of the old-fashioned ballet.
In 1971, Oleg Vinogradov joined the Leningrad Maly Opera Theater in partnership with the ballet historian Yury Slonimsky. The choreographer has written all the choreography anew, relying on the best traditions of the past and without ignoring the present-day achievements of variety. Three acts of vistavi - in fact, three scenes of dances with obov'azkovym pas de deux at the skin. The range of moods in these duets is great: modest, closely related to the development of the plot in the first picture, more separations, emotional richness in the picture of life and, in the end, the finale is the triumph of heroes, which is the richness of classical dance. In the rest of the act, one can see a kind of quartet-smothering saboteurs that make it difficult for the vykonavtsiv and always vibrate the hoarding of the spectators. The whole performance of zanureniya in a poetic atmosphere pobutu, in a new rich light, yaskravih, hour of comedy scenery. Tse beshketna and zakhoplena gra v old ballet from a rural life. Actors once in a while “give replicas”, richly and far away, roar with sickles, rakes, too thin. The style and manner of the dance, the details of the stage behavior develop the traditions of the French comedy ballet Dauberval. Tilki on the native stage tsya vista, like a bula bagat on a lot of acting successes, passed 186 times. Those who didn’t make such a “Marna Oberezhnist” out of date in the 21st century, showed their recent productions near Perm, Kazan and Moscow musical theater named after Stanislavsky and Nemirovich-Danchenko.
A. Degen, I. Stupnikov
Photo: Marna Oberezhnist at the Mikhailovsky Theater
Details
DEPARTMENT OF CULTURE OF THE OMSK REGIONAL EXECUTIVE COMMITTEE OMSK STATE MUSIC THEATER
L. Herold
MARNA FRONTIER
Ballet for 2 acts, 4 scenes.
Libretto by J. Dauberval
Choreographers-directors: D. Avdish, V. Mogilda
Conductor - A. Leytush.
Artist - People's Artist of the RRFSR and the Bashkir Autonomous Soviet Socialist Republic, laureate of the Prize named after. S. Yulaeva V. Plekunov.
SPECIAL INDIVIDUALS AND VICONAVTS:
Marcelin - V. Kuznetsov, V. Tzaptashvili
LIZA - V. Filyanova, E. Shikhova, F. Yakupova
KOLIN - O. Ivanov O. Karpovich U Kuznetsov
MICHO - Y. Nadeikin F. Pavlov V. Yakovlev
ALEN - Yu. Efimov A. Ivanov A. Minєev
NOTARY - S. Kornilov
Girlfriends, saboteurs, villagers, villagers - soloists and ballet dancers.
Concertmaster - M. Shostak
Tutor - L. Ivanova
Head literary part of G. Malbakhov
Head staging part - P. Dyumin
Vistavy technique:
Goal. stage engineer - Yu. P. Malinin
Art. stage engineer - G. V. Bondarenko
Art. make-up artist - P. V. Remizov
Art. light designer - V. N. Zadorozhny
Art. decorator - A.I. Bezgin
Art. prop artist - G. M. Atramentova
Senior requisitioner - Y. A. Maslakova
Art. costume designers - L. A. Malinina, G. F. Fezhorenko
Women's costumes - E.I. Redina
Costumes of people - A. G. Girina
Radio - M. M. Ionov
Vzuttya - B.I. Kravets
Lead director dіyut. poses. Azerbaijan RSR A. T. USUBOV
Head choreographer dіyut. poses. RRFSR V. Ya. TULUPOV
Price 10 kop.
Ohm. region type. 1982 Zach. 792, tyr. 5000
"MARNA POPEREDZHNIST"
I day
The greedy farmer Marcelina wants to see her daughter marry the bad lad Alyon, Micho's son. Ale Lisa to love the poor peasant Kolin and want to be kind to his mother.
Lisa's friends and Colin's friends sing to him, but they can't help them to fall asleep. Marcelina does not take her eyes off her daughters, takes care of her husband and wife, zmushuyuchi pratsyuvati around the house, not giving any praise to the wife.
Field. The villagers are resting. Marceline, Micho and Alain are coming. The stinks are joking Lisa. Alain mriє about the wedding, mriє about his happiness with Lisa.
II day
Room at Marcellini's booth. Lisa thinks about the kohane. Marcelina tries to turn them into these thoughts, giving lessons in a warm tone, learning secular manners. Nareshti, Marcelina zasina is exhausted. Liza tries to open the door and enter the house, and then the mother immediately slips.
Friends come to Lizi. Together with them, the secret sneaks into the booths and Kolin. Vin hovaєtsya in Comoros. Suspicious of being unkind, Marcelina sends the guests out of the house and on her own.
Liza is alone. There is a dream about Kolin, about future children. Colin appears. The hearts of the suffocated refills of good fortune - you can get the stench in two. Subtly croco Marcellini. Perelyakana Liza hova Kolina at her bedroom.
Marcelina to bring spring cloth for her daughter. A notary is coming. Micho and Alain. On the other hand, a bright hat will be laid. Sob not to show the little girl earlier at the wedding cloth, Marcelina zmushu Lisa to hide at her room. Alain goes after Lisa... The doors of the bedroom are opened, and the zbentezheni of Lisa and Kolin are announced at the door. Misho get overwhelmed. Plani Marcellini fell. Їy nothing is missing, how to fit in the daughter's slub with the Knee
The villagers bіhat marvel at the betrothed, she will be named. Lisa and Kolin come out of the church. Їx gladly mustache hovers, ask Marcelina to vibachiti zakohanih.
Marcelina generously forgives the young, for the honor of those who are honored by the sacred.
Historical proof
In 1789, in France, in Bordeaux, the ballet performance "Marne Preservation" was held with great success. Music before the ballet was a selection, folded from urivkіv popular works of that time: Louis Gerold, vіdomy French composer, Chiї opera mali svetove vyznannya, virіshiv chastkovy robit and write music to tsoy popular ballet. On the 27th leaf fall of 1828, near Paris, on the stage of the Grand Opera, the premiere of the two-act ballet "Marne of Preservation" from the music of L. Herold took place.
