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Oil painting: local view and olive oil painting for pochatkivtsiv. Vchimosya painting olives

painting by olіyu- the most popular and the most beloved technique is rich all over the world famous artists like the past centuries, so is our hour. The springs of their plastic structure oily farby dry long enough, which gives the ability to correct the little ones for a long time. Painting, painting in oils, always looking thinned out and vishucano. Learn how to paint an olієyu - the task of wanting and important, but to bring the sea to the artist. If you haven’t mastered this technique yet, start now: who knows, maybe you have the future Aivazovsky or Vasnetsov attached to you? What does a mother need for an artist-primary to paint an olive?

Transfer of the necessary items for painting Oliya

1. Olive farbi.
2. Brushes: you can use brushes with natural bristles and synthetics (choose a penny depending on how much you need and what result you want to achieve).
3. Wooden palettes.
4. Butter for rosemary.
5. Rosrіdzhuvach (wictory to ensure that the farbi is not too thick).
6. Cloths (however, good is the canvas on the frame, the canvas on the cardboard, and the priming of the cardboard).
7. A special home for the mitt of brushes.
8. Kistemiyka.

Olive farbi- farbi, created with olії, pigment and turpentine. For oily farb, llyan, hemp, poppy, gorikhov or safflower oliya are used. Pigments are added to the color of farby and can be synthetic and natural. Paintings, painted in oil, for the past century are abandoned at the miraculous camp: hanging, oily farby save their color, the stench is not afraid of light and frost. Zavdyaki pastopodіbnіy structures, oily farbi volodіyut miraculous vibes that cry.

Shields: oily farby is best applied with natural bristle brushes or synthetic brushes. A skin artist can have buti brushes of different thickness and different forms - to help visualize the bazhan structure of the picture and to make small details clear.

Wooden palette- Tse indispensable rіch in the arsenal of the artist, who loves the little ones with oil farbs. For clarity, you can have two palettes: one is large - for painting at the studio, the other - a small one. Give respect to those who do not use a plastic palette for painting with olive farbs.

Maslyanka- special utensils for rozridzhuvach, which, for the help of a special seal, can be fastened to the palette.

Rosrіdzhuvach vikoristovuetsya in order to make the farbi boules less dense. For oily farb, it is most common to extract vicorist petroleum, tee or ollyanu oliya. Before speech, people who react negatively to odors and allergic people, rather than vikoristovuvat petroleum itself, shards of wine do not like the smell.

canvas- tse material, for whom to paint pictures. The variety of canvases in our time can be rewarded by a novice artist. At any art supply store, you can find a great selection of canvases on a frame or on cardboard and canvases wound around a roll. Cloths are made from lyon or bavovna, so as to create a varied structure - from fine-grained to coarse-grained. Most often, medium-grained canvases are painted by artists.

Motherland for the mitt of brushes- Tse spets_alny zas_b for cleaning the brushes in the zalishk_v farbi. It is easier for such a motherland to make a brush richer, for lower retailers, that brush, with the right watch, will serve a richer one.

Kistemiyka- a small vessel, which often takes the form of a small cebra, with a spiral built into the beast, for fixing the brush. For the help of a brush, in the homeland for a mitt, only a small part of the brush is needed, which allows you to save the handle of the brush from the poshkodzhen.

Buy yakіsnі olive farbi, as well as all the necessary accessories for olive painting, you can at our shop. We'll be happy to help you!

Olya painting. Basics. Lessons from Bill Martin for Pochatkivtsiv.

Speech, yakі you are guilty of nobility, first of all, start writing olієyu.
Mustache farbi - tse sumish of dry pigment and rindine. In oily farbs, the pigment, which is farbuє, is mixed with a lily olієyu. Llyana oliya - tse oliya, which hangs in the process of oxidation. Vono picks up the kisen from repeat and crystallizes the farbi pigment on a permanent basis. If the oil is hanging, it is impossible to see.
Olive farbi thick. The stench vibrates at the tubes. Farbi looks at the palette and looks for an additional palette knife to pick up new colors. Then the stench is applied on a vertically lined canvas with hard springy penzliks.
Olіynі farbi to dry properly. Ring the next check for three days, first place the next ball. Such a trivaly hour of hanging is at once a short time. There is a great perevaga in the fact that you have an hour to comprehend what you have painted. It’s more complex, if you work on gradients, go from one color to another. Otherwise, if you are dissatisfied with it, when you go out, while farb is still a volog, you can scrape with a ganchirka, a palette knife or a humic scraper, and repaint it.
It’s not enough to put two different colors in charge of the farbi, the stench can mix one with one inaccurately. With a palette, with tassels and a soft canvas, it is necessary to wear it more carefully, so as not to wear yourself, clothes, I eat that furniture.
With farboi, you can work up to 12 years of sleep, then you are guilty of depriving the work of drying for three days, after which you can continue the work. If the farbi is dry, you can put new colors on top. The robot may have faceless balls. The skin of the advancing ball is guilty of the same according to the comrade, or the comrade, lower in front, otherwise blame the cracks.
Since the robot is completely dry (for three to six months), it is necessary to sweet ball dammar varnish.

BABY.

Folding babies are easily used when applying oil farb, so babies are better denoted by simple figures and contour lines. Little ones can be worked directly on the canvas, or yoga can be prepared ahead of time and transferred to the canvas.
If you apply the little ones on the canvas, it’s better to shrivele with a rosemary farboi. Oskіlki tse and so farba, you will not happen to isolate її in the coming balls.
So you can speed up the woogills. Vuhilny little baby will need to be isolated from the advancing balls with a fixer. M'yaké vugіllya is easier to fix with fixer, lower pressing vugіllya.
Babies can be applied with olive oil on the canvas. Let's also fix it with a fixer. Gostry kіnchik ol_vtsya can make cracks in the ball of soil, so you can additionally apply one more ball of priming. Yakshcho Wee applied one more ball of primer, fixer is not needed.

In the photo: a spray can of fixer, the box has copy paper.
Babies for translation through carbon paper are better prepared on thin calcium, then it will be easy to translate it. Attach the little ones to the canvas. Translate yoga for the help of a copy paper. Circle your little ones with a carbon copy. Koristuytes with your sack handle of contrasting color, sob bachiti, yakі dіlyanki Vi already transferred that to control the comradeship of the lines. The application of the little ones is also due to fixing with a fixer or a thin ball of transparent primer.

TRANSFER OF ONE QUOTE TO ANOTHER

Let's look at the graduations of the transition from one color to another. Oily farbi, shards of stench take an hour to hang, allow you to move them along the canvas, while the stink of water is still there. It is easier for this oil to work with smooth gradations of color, lower for the help of other farbs. Tse can be robiti be-like Kitits. Ale, the best are flat brushes, and the best are round. For other and great stretches, the same principles apply.


Farbies look at the palette and apply it to their own space on canvases. Let's then drive with a pencil here and there in a cross manner between two gradations of color, until the result is taken that pleases you. Then we will carry out parallel smears for the residual processing of the plot. Pratsyyuyut clean with a penzle from a dark color to medium, and then again clean with a penzle from a light color to medium.


(A) On which buttstock, the strokes with the penzle are drawn perpendicularly to the glare. Ruhayuchis penzle on the stake, smearing smears of robity perpendicular to the vіdblisku, vіdpovіdno otrimuєmo shape of smears in twisted brushes.
(C) Fallow, in the form of coloring of the main colors of the extension, there is a notification about the plane, in which the surface is shaded. Respect how the colors are rolled up to depict a flat surface (left-handed) and a curved surface (right-handed).

CREATE FORM

All forms are created from five basic forms. Number of forms: sack, cone, cylinder, cube and torus (bagel, bagel). Parts of these forms satisfy whether they are objects, like mi bachimo. Show the half of the cylinder on the cube - and you will take the form of the American postal screen. A half of a kulі that cone will give you the shape of a slozi, a yalinka will give you the shape of a cone, an oak will give you a pіvsfera (pіvkulі), and a cylindrical kitchen can ring the handle at the looking half of the torus (donut).


Svіtlotinka creates a form. The skin of these forms can be clearly defined locations of light and shadows. The sphere is characterized by sickles and ovals. At the cones, the part is brightly illuminated and in the shade of the reshta. Kubi and flat surfaces should be stretched (gradient transition of light into darkness).
The cylinders are folded in 3 rings. Thor - z pіvmіsyatsіv ta muzhok.
Inverted variant of these forms may have the same light, but without reflexes.
If you learn to paint five forms, you can paint everything.

Kulya (sphere) is designated as pіvmіsyatsі and ovals. Coolers are painted with sickle-shaped and twisted brush strokes.


The cones are folded with tricots of light and shade. Cones write with tricot strokes of the brush.


The cylinders are folded together with light and darkness. Cylinders write with parallel strokes of the brush.

Cubes and whether they are flat surfaces follow the same rules. Graduation transition from light to darkness. If the surface that is being depicted is parallel to the canvas, then it is depicted in one equal tone. Cube - tse podnannya flats, scho peretinayutsya. The skin side of the cube is to avenge the stretching of the light. The cube is painted with parallel brush strokes.

Thor to avenge the aspects of two other figures. The new wife has light and shade, like a cylinder, near the center, and pvmisyatsi, like a sphere, along the edges. Thor is written for the help of twisted strokes and crescent strokes.


Here you see that in order to transfer the form of an object, it is necessary to speed it up with light and darkness, and not with lines to the contour. Light can beat you with a pantel, then try to shake the shape of the object, and then we'll - as the light itself strikes at that shape.

WRITTEN REGISTER


The Raiduga gives us a supply of clean letters, as if they will make us feel at ease with the world. The colors of the oars are in order: red-violet, red, red-orange, orange, yellow-yellow-hot, yellow, yellow-green, green, blue-green, blue-violet, violet. If the colors are decorated in the color, we will take the color of the color. The color circle is necessary when setting colors.


The ring was stashed in such a way that a yellow, most beautiful light color, appeared in the mountains, and purple, the darkest - below. From top to bottom, right-handed, go yellow-yellow-hot, orange, red-yellow-hot, red and red-violet. Qi colors are called warm.
From top to bottom, levoruch, go yellow-green, green, blue-green, blue and blue-violet. Qi colors are called cold.

Additional colors.


Be it TWO colors, roztashovani one instead of one in a color number, they are called ADDITIONAL colors. Chervoniy and greenery with additional colors according to one to one, so that they are stashed on the contrary one to one per color number. Yellow and purple are also complementary in terms of one to one. Yellow-green and red-violet - additional colors. Dodatkovі kolori, poladenі on the canvas handrails, polyuyut one alone. Dodatkovі kolori pіd hour zmіshuvannya on palіtr_ neutralize one of one. On this table, the supplementary colors are on the opposite ends of the scale one to one. If we move along the scale to the middle, then we will come to a neutral-gray color, the least saturated color.

Mustaches of colors make colors. Pure spectral colors on this picture are marked with letters.
Father, how do we pick colors, remembering everything that was said above?
We need only a few more questions on qi three questions.
1. From what color should we use the color, what color should we know on the color number? (maєtsya on uvazi spectral color).
2. How many wines are intensive? (The more we give the colors of the supplementary color, the less we get the color we need).
3. Vidtinok (still dark and bright in the future).

The axis is all right.


Farbi layout for colors on the panel.


Pick a color, like a brown leaf.
The spectral color will be red-violet. Biliy dodaetsya, schob zbіgtisya by sight. Yellow-green, dodatkovy to red-violet, dodaetsya, sob to reduce yogo density.


We choose the color of the green leaf.
Spectral green. Green cadmium is our main color. Vіn avenge a little bit of life, to that we reduce the number of red-violet (khіnakridonovim erysipelas). Yellow-green and red-violet with complementary colors one to one.
White dodaemo, to clarify the details.


Choose the color of silver tape.
The spectral color is blue. White is added to clarify the tonal character. Orange, dodatkovy to blue, add that otrimuemo gray color.


We choose the color of the trivimir object. The scarf is cute.


On the back we pick up the middle. The spectral color is yellow-yellow hot. Even a small amount of additional blue-violet is added, in order to reduce the intensity of the color. I troch white.


To take away the light of our sweetheart, to finish the color of the middle of the white. To trim the color of the shade, add to the color of the middle of the blue-violet.


Otzhe, the colors are sweetly chosen. Sound, to select the color of the shade on the subject, it is necessary to add it to the main color of the subject. For more dark shadows, vicorate the main color of the subject, ale with a smaller amount of white. In certain moods, adding an additional color to the color does not darken the color enough, but we add a little black.

TINI

Shadows create light. Тіні are subdivided into three categories. Persha - tse obscured part of the subject, the view is just like TIN. A friend is the shadow that falls, the sight of an object, as if it were about those that the object stands in front of the light in the light. The third category is the question about the legal objects.


The dark part of the object is the same dark, smaller version of the main color.
Direct light gives dark shadows. Rossiyane light gives less intense dispersal of shade.
See the light in the dark (reflex).


The light, which is used on the object from this sharpening, is called light chi reflex. The color of objects, as if our object is reminiscent of, suffices to see the light in the air. Are you looking green for the light of the left ball? To give respect to the victorious hearts of the middle ball. The color of sharpening is the invisible part of all shadows.


The lightness of the navkolishnіh ob'ektіv so very pours into the light. The first ball just hangs by the window. Another ball hit and bіlu the surface. The third ball hits the black surface. Svіtlotineva nasichnost navkolishnіh ob'ektіv є nevid'mnoy part of the shadows.

Thin, scho to fall.

The falling shadow is always characterized by the fact that it is the darkest and most focused white of the shadow (near the subject). Shadows that fall are written in darker, less intense colors, lower colors on the surface, on the stink of falling.


The color of the falling shadow is to be replaced by the additional color to the color of the lightening and the additional color to the color of the surface, to lay the shadow.
Why do you see a blue light near a dark object, which is illuminated by an orange light? І orange color at a thin object, illuminated by a blue color. A dark object, illuminated by a red light, has a hint of green color. I give respect to the red-violet shadow of the shade, which is seen by the object, illuminated by the yellow-green light.
Falling shadows are connected with the shape and texture.


Falling shadows describe the sharpness of the object. The evil wall is signified by the light of the falling shadow of the bottle. On the right, the shadow reflects the presence of the hump.


The edges of the shadow define the texture of the surface, as the shadow falls.
Grass levoruch and brood with stones pravoruch.

Shadows that fall, near a straight and pink light.




Straight light (left-handed) sounds like one dzherel light - for example, the sun or a dot lamp. Vin gives high contrast and deep dark drop shadows.
Rossiyane svіtlo sound to go out of the kіlkoh dzherel svіtla. Vin gives low contrast and fuzzy falling shadows.


Objects are practically without a drop of darkness in the light, they are more flat and less textured.

Tіnі vіd suіdnіkh ob'єktіv.


Tse dark shadows, like mi bachimo at the missions, de objects stand alone. The dark line is near the closing of the doors, the dark line is under the kitchen with the kava, the dark line is between the tightly clenched fingers - tse and є tіn vіd susіdnіh ob'ektіv.
It’s not possible to lie down in a straight line of light. Tsі tіnі in the shadows ring out the darkest place of the little one.


The dark woman under the cylinder is angry to tell us about those who are divided. The cylinder is right-handed, with its own basis.

CONTRAST

Victoriously light and quiet at the same time.

Contrast is the expression of the most light and dark part of the object, which is sharpened.

tone scale.

Livoruch - high contrast, right-hander - low contrast.

If there is a high contrast between objects, the stench is given to us by our neighbors. If the contrast is less, the objects seem to be far away from us. Those rocks in the distance are given to us by roaming distances from us, their contrast is lower, the contrast of the closest to us is a rock.


The steps of the objects of contrast to rob them closer to us.


By contrast, the falling shade and the sharpness can be seen as a difference.

Low contrast


Objects in a pink light may have the lowest contrast.


Objects without falling shadows are always known to the pink light. As a matter of fact, there may be a gradation from medium to dark, but there may be a shadow that falls.


Like an object maetonic transition from the middle to the light, the sky will appear in a serpentine or mist.

CONTRAST CREATE THE LIGHT TYPE. The high contrast lends itself to bright lighting. The low contrast reflects the pink illumination, the distant view and haze.

TEXTURE

Texture helps you figure out what you want.

The best texture is visible under the hour of the transition of light into darkness. On smooth objects, there is a bliss - it created the fermentation of the light itself. The sharper the focus of the image, the smoother the surface of the object. The glassy dance has a more smooth surface, lower aluminium, yak, at its edge, smoother, lower the candle's hair. We know how many objects focus on their own vision.

On objects without bright glare, the texture can be seen well and is marked by a transition from light to darkness.

Qi ten objects are arranged according to their equal texture.
Show respect, where your eye will marvel, to appreciate the texture of the object.

We marvel at the transition of the light into the darkness, to signify, the textured object.

The texture of the pink light.

Evil - straight light, right-handed - roses.

Objects near the direct light are made textured, lower objects in the pink light.
A deck and a towel are made soft and smoothed when brightly illuminated. Objects are given less texturing in case of pink light, so that the transition from light to darkness will be more comfortable.

glazing

Glazed balls are superimposed on top of the withered farbi.

Clear balls of butter farbi are called glazing. Napіvprozori - lesuvannya chains. For otrimannya lіsuvannya farba razvodit at spіvvіdnoshennі 1/3 damarskogo varnish, 1/3 turpentine and 1/3 ollyanoї olії. Glaze is a thin farbi ball, which is put on another withered ball, to take a look at the third color. For example, if you put the dilutions of quinacridonium erysipelas (prozory color) on blue, you will take away violet. If you glare at such a color, then you will lighten up. Shadows that fall on folding textures are often covered with glazes. Glazing of the troch darkens the color. (Wonder the lesson "Farbi" about transparency and dullness).

Tse glazing.

For example, the shell of a beetle needs to be polished.

The motherland for glazing is mixed with a palette of cyan green (clearance color), until the necessary degree of transparency is reached.

Potim sumish is applied with a kolonkovy penzlik on the little ones in a horizontal position. Let's dry for nothing. With victorian glazing, you can change the color of the little one without directly changing the farby strokes on the main ball.

Scaffolding comes out with diluted matte color on top of the withered color of other farby. The glazing ball does not change the color and smells like a transparent ball.

Farba is also mixed on the palette for glazing and applied to the horizontal surface with a coring pen.

White (matt color) with glazing to give us a change of light. Leave the robot to dry for nothing.
http://demiart.ru/

And you dreamed if you could write a harn, show a picture of an olive? You will know a sprinkling of joys at these stats, and they will help you to leave at the beautiful world of olive farms. As soon as you discover the foundations of work with oil farbs, the canvas will become your light of fantasy!

Kroki

part 1

cob roboti

Choose farbi. You yourself will understand, first paint a picture of olive oil, you need to bring olive farby. Obviously, the choice of farb in our days is more low wide, prote not varto to buy cheap farb. So, please, save cheap farbies, as a rule, their quality is lower than average, through which your artistic opinion will be ... not acceptable. Spend more pennies, or buy one jar of yakish farb, and not 2-3 cheap ones.

Stock up on everything else. Artists-pochatkіvtsі often give in to the demon of economy and do not buy money. In principle, it’s not so bad, as it turns out, it’s cheap, without which the painting of Olivia will not be so acceptable and forgive me!

Prepare the work space. So, as for painting, you need a lot of everything, and if you need it, you need a lot of money. Easel chi stіl treba put there, de you do not care about anyone. Bazhano, krіm іnshhogo, pratsyuvati in good light to the natural light of the city. It’s still not bad to lay on the bed on the kshtalt curved, so that you don’t get confused on the bed with farbi specks.

part 2

Score baby

1. Raise the little ones of the future picture as an olive on the canvas. Tse dopomozhe to the cob of work with farbs zbuduvat composition, detailed details, equal lines and so on. Having created a sketch, you can easily make changes. On the back - a sketch of an olive, and then - a painting of farbs (for sure, you don’t plan to paint abstractly in a vipadkove). Don't forget about composition and negative space.

   • The composition is the setting of objects for the little one. The composition is to blame for such a look, attracting the little ones as a whole, and not like just one part.
   • The negative expanse, with its blackness, has extended for a small object near the object. If, let's say, you are painting a real object, then you can paint a folding space without special problems, as if you marvel not at the object itself, but at the space of a new one. Think about how you can fill the negative space for the little one, so that the object is still seen, and not ruined by aphids.
   • Hedge the figures that are tinted and overlapped one on one, beat them to give your little glibini. If the composition is such that nothing is overwhelmed anywhere, then the hour has come to change the composition. Depth to make your little ones more realistic.

2. Find out the light of the day. So that the little ones are realistic, you can’t do without the image of darkening and lightening of the trees in the picture. Marvel at the object and think, under some kind of light falling on a new fall, where the shadow will rise, pivtin and vіdblisk.

   • If it is light, then it will be a shadow - a fact. Vtіm, as light falls to the beast, then the shadow can be gracefully remembered. Try shifting the neck of the light or the object itself to make the darkened and brightened areas more obvious.
   • Possibly, you won’t have dark, which is darker than daylight hours, and syava, which is better than a sweatshirt. What is already there, better for everything, you have a tin and a tin and a breeze in the air on a pivton-tone. If your body of light does not give a clear boundary between "light and shade", then do not worry. Tse is fine.

3. Choose colors. At times, it’s even more convenient to set the color of the object with the color of the farby (especially in that case, if the farby needs to be mixed, to take off the color, what to joke about). Everything that the brain is “buffing” with colors is idealized - you can start changing the farba for painting the blue sky, and then you will understand that your farba is how blue it is, it’s necessary. How to get out of the way? Try to see the same symbols that vikoristovu your brain, that victoriously vikoristovuvani kolori. Why change the brightness of the farb.

   • Object, painting at night, will be darker and richer in color. Object, painting a day, we will brighten.
   • Change the color of the dzherel light. On a sunny day, your object may be golden yellow. It's a gloomy day, it's clear, it's bright, which rises through the gloom, pofarbuє the object of the Syrian colors. Light can be inspired by colors - neon lamps are an example of this, and it’s just to change the color of the object.

4. Marvel at the flow of the object. Before the speech, what is your object collapsing, what is being painted? Abo collapses, what a yak? Perhaps, it’s not only the object itself that is collapsing, but the whole thing is dovkol? Pay all the money, you will need it at the stage of planning a distant work and penzle. In the paintings, which look realistic, the brush strokes convey the movement (vtіm, vіrno i zvorotne).

part 3

Creation of a masterpiece

Smile farbi. Oliynі farby in tsomu sensі ready to "vibachiti" mayzhe be-yakі pardon - the stench is more proper to dry. Vtіm, varto remembrance, scho zmіshat two farbi in one and the same color of two girls may not be possible. Which one can you learn a lesson from? That's right, zmishuvati farbi required "wholesale" from the reserve, so that the next day you would be chimney.

• Speed ​​up with the color scheme, so that it would be easier to mix colors. For help, you will learn the main, secondary and third colors, and also understand how to grow them.
• Pure colors - these are those that did not mix with white or black. When changing the main colors, the secondary colors appear.
• Light zabarvlennya zavdyaki to add to the color of the white color.
• Darkness is evidently to go beyond the rahunok to add black.
• To improve the tone, add a white color (colour + black colour). Tony vikoristovuyutsya even more widely, the stench represents more kvіtіv іz, so to speak, everyday life.

1. Start small. Malyuvati can be, in a way that is convenient for you and technique, even if it’s tiny bits, even if it’s balls, even if it’s. Vtіm, as you practice with oil farboi, then remember the great rule: thicker on rare. In other words, it is necessary to make a spade with fertilized, rare farbs, and if we don’t sweat on top of them - thick.

   • Try to paint simple objects. All the figures are composed of a number of simple forms: a cube, a cone, a cylinder and a ring. Paint them on the back as real objects (say, a box of oranges) or as flat shapes to themselves.
   • How to sprout farba not so thick? Take turpentine abo llyanu oliyu, mix yoga with farboa and burn for everything. Give the rіdzhuvalnu speech in small doses, on the sly, to take that consistency, as you need.
   • The farby ball will dry in three days, so that in a new way you can paint another ball, so do not hurry and let the farby dry.

2. Try different painting techniques. There are dozens of such techniques, prote yakshcho vie, novice, read them all, then your head is going around like crazy. It would be better for you to choose a couple of technicians and focus on them.

part 4

Final touches

Correct all pardons. You will have close to three days, until the farbish waters, and at this hour you can correct like a pardon, so I will erase them again with a wet ganchirka. Cheer, you don’t need to hurry about those who are preparing to deafen the little ones - you need to critically evaluate and think about what you can’t improve.

Save farba, which is left out. How did you change the Farbi shoes, that you didn’t need more, save it until the next time. Put farba in small bowls, close them with grub.

Clean up the brushes. If the oil farba dries up on the brush, then the brush will be easier to throw away, so do not put clean brushes on the right in a long box. Take turpentine, old ganchirka and go ahead - wipe the farba and rinse the penzel under running water, the docks that flow from the penzle will not become a seer. Twist the bristles with your hand, so that you can perekonatisya in the fact that the whole farba is wimit. Put clean penzliks in a jar - bristles uphill, not down! Change your mind, what is in the room, where to stand penzl, the circulation is normal again. It's best to just put a jar of penzly on the open space, say, on the police, or steel, and not on the wardrobe, or on the desk drawer.

Check. If the olive farba is dry again? At the same time, you can drink up to 3 months, or you can see more, so the picture is formed from the faceless farby balls. Put your creations in there, don’t disturb anyone, and don’t let it break your right, which is hanging.

• If the oily farbies are dried out, take them away from good lighting, dry and warm rooms. In addition, when choosing a farb, make sure you let it dry better.

1. Cover the painting with varnish. If the farba is dry, you need to protect it, and for which you need varnish. Lacquer more and more colors, protect the vigorian (that other world). If it’s dry and varnish, then you can indulge yourself - your picture is ready, hang it on the bottom of the bowl!

   RADA FAKHIVTSIA

   Kelly Medford is an American artist based in Rome, Italy. Vyvchala classical painting, painting and graphics in the US and in Italy. Pratsyuє most importantly in the open air on the streets of Rome, as well as trips for private collectors. Sketching Rome Tours, the creator of art tours in Rome, at the hour of such navchaє guests of the Eternal Place to create road painting.

   Artist who works in the open air

   Cover the picture with varnish the next time, like a dried farb - not earlier. Kelly Medford is an artist, like she works in the open air, like: “ See different farbi to dry a different hour - if you want to lay them down, if they are next covered with varnish. Olіynі farbi dry beast down, and you can go six months before the rock, first lower farba is dry, and you can protect it with varnish. varnish don't give farbі dihati and over to the residual hanging, to that, if you apply yoga too early, the picture can simply be painted.

• The color "black elephant's brush" is already dry for a long time - try not to stain yoga for background covers.
• Do not wink the olea oliya for the breeding of light farb - the stink of a shvidko zhovknut.
• To steal oil farbi from your hands, wink the child or olive oil. Apply trochs of olive oil to the ganchirka or the servlet and wipe your hands with it. Do not wash your hands until you see the farba, otherwise this method will appear marnim. Maslyana farb is easy to get away with, as if to beat a wedge with a wedge - with other oil. If you see the farba from your hands, wash them with water with love.
• So that the palette with farbs did not hang, put it near water or put it near the refrigerator.
• Do not put the palette near the water over a long time, otherwise it will become oily in the form of farbi.
• To keep your hands free, put on latex gloves.
• Persh lower vikoristovuvati new farba, thoroughly rinse the brush in warm water.
• To make the image more voluminous, to make strokes around the object. For example, as you paint the subplot, draw horizontal strokes.

Oil farby to finish the folding material and master the oil painting without going too far. Navit great masters can repeatedly correct and reshape their work, bringing them to perfection. Ale, a series of difficulties, oil painting opens up new horizons for creativity, gives the ability to conquer light sketches and deep deep work, incorporating a group of light and darkness, creating an overflow of that smooth flow of colors.

It doesn't matter, the artist has a lot of experience, otherwise you just start to master Imaginative art, you choose to create a masterpiece or create a small handwriting - for the cob you need to choose oily farby, penzle, canvas and other necessary tools.

Before that, how to paint a robot with a color, it is necessary to transfer the little ones to the canvas. As soon as you wrote a portrait, then sequentially, mouth, nіs, oval disguise, shyu, hair. You can do it for the help of an olive, vugillya chi carbon paper. After applying a little yoga, it is necessary to fix it on the canvas. To fight tse in order that the farba would stick to the foundation more quickly. Until then, the particles of the material, like applying little ones, can get into the farba, changing the color. It’s better to do it for the help of a special fixer. It is possible to spawn little ones with strongly grown olive farbs, which do not need to be fixed.

Іsnuyut two main techniques of work with oil farbs: in one go - Alya Prima and Bagatosharova.

Professional artists call to choose the technique of bagatospheric writing, so that it gives the opportunity to more quickly convey the depth and explore all the possibilities of oil painting. The essence of this method lies in the fact that after painting the outline, shatter the undercoats - place light patches and shades of accents on the canvas. Rob it with a thin ball of strongly spread farboi. Then the picture is written thicker in all the diversity of colors and colors. І nasamkinets shy away from lessuvannya - application of nap_vprozorikh colors on the already dry base. This allows you to create a deep color from the overflow effect.
The disadvantage of such a method is that the creation of a picture takes six to twelve months.

As soon as you tried to master the technique of rich-ball painting, then you could see some nuances connected with the power of oil farbs. If you don’t let the primary ball dry out, then with the second spelling, the oliya can go out - become matte. Such defects can be used for additional varnish. It is also possible to vicorate and oil, with some leftovers that did not get into the farba, they climb the coming day for additional blotters. In ancient times, the maistri rubbed the heavily dried farba with a cut cibulei or a watchmaker, not repairing the chains of balls between themselves.

According to the comrade, the leather of the new ball is to be added to the front, or the varto is to put on a thicker farba. Ale is not thinner in any case, otherwise, when hanging farba, it simply crackles.

In the year of oily farby, the trochs are clear, and those nebazhanі mіstsya, as if they were smeared, begin to shine through the crystal of the upper ball. Therefore, it’s enough to take care of the non-bad elements, you can only scrape them off, until the stench has dried up.
The robots at the Alya Prima technіtsі are working harder. Before that, this way is simpler and miraculously pidide for the pochatkivtsiv. The sense of painting pictures using technology is based on the fact that you complete the entire work before you catch a farby. That way the artist works on the cob in stock may not be more than three or three days. Short terms can become an advantage, as you wrote “in swedish”. At the term visihannya, the comradeship of the smear is added: how thick the farba is, more than an hour is needed for it. That is why here they are more often coryzed with bred farbs, sometimes allowing them to shine through the olive. It creates the effect of lightness and light.

you need

• - olive farbi of different colors;
• - penzliks with natural bristles (bristles and columns);
• - canvas;
• - primer;
• - dry emery paper;
• - Easel;
• - palette;
• - drying oil;
• - palette knife;
• - Retailer;
• - turpentine;
• - varnish;
• - fabric;
• -a cup.

Instruction

Buy in a specialized store, or buy yaksni oil farby, penzliks and other necessary accessories for painters to take. I would like to give special respect to the farbams and penzliks – the main tools of the artist. Good brushes keep their shape after a skin smear, bad ones - practically do not bend and do not turn to their original shape when soaked in oil farba.

Stretch the canvas on the stretcher. For painting with olive farbs, vikoristovuyut shіlne bavovnyane or abo llyane canvas. Yogo needs to be primed before the robot. Apply the first ball of primer horizontally. Level the surface with an emery paper and, in order to avoid fine cracks, apply another, vertical ball of primer.

Place the canvas on the easel. Pour turpentine into a cup of trocha to cleanse your brushes for an hour. After hanging the primer on the wall, it will take approximately one hour. Growing little pictures.

Wipe the palette with olive oil and wipe dry. Let's see the olive farbi on her. Under the hour of work, the palette can be trimmed in hands, or put in charge.

Mix drying oil with dark farbs, like vikoristovuvatimete for the base of the picture. To introduce at the sumish for help the palette knife the troch of the retailer. Tse to give the farbam a plinth, and the stench will fall on the canvas more evenly.

Pratsyyuchi over the picture, apply farba neat strokes. If your work is a great promise, then paint with bristle brushes. Okremі dіlyanki z thin promalovuvannyami vykonut calico penzlikami.

Correct pardons and inaccuracies in the picture, rubbing farba with a palette knife and vicarious shreds of fabric leaked with turpentine. Then let's work the pit with an emery paper and let me literally just one drop of linseed olea.