Characteristics of the heroes who die in a thunderstorm. A.N
The squad of Tikhon Kabanov and the bride of Kabanikhi. This is the central character of the story, for the help of which Ostrovsky points out to the share of strong, extraordinary specialness in the minds of a small patriarchal place. Katerina’s more childishness is even stronger bajannya happiness, as if she has grown up into a bazhanya of mutual kokhannya.
Bagata merchant's wife Kabanova Marfa Ignativna is one of the main leaders of the "dark kingdom". Tse vladna, zhorstok, zabobonna zhіnka, like being put with deep distrust and navіt znevago to everything new. In progressive manifestations of their time, there is no more evil to succumb to, so Kabanikha with such zeal and guards his light from their invasion.
Cholovik Katerina and son Kabanikhi. Tse people are downtrodden, as they suffer from the constant zakidiv and punishments of the Boar. In this case, all the characters are more openly shaped, the ruining power of the “dark kingdom”, as if transforming people into nothing more than themselves. Tikhin is not building on the vіdsіch - vіn stіyno vіdvuєtsya, vіlyakо dogodzhayuchi mothers, be afraid not to obey.
One of the central heroes, who is the nephew of the merchant Wild. In the midst of the provincial public of Kalinov's place, Boris is commemoratively seen by his vihovannyam and well-groomed illumination. True, from Boris’s rhetoric, it became clear that having come here from Moscow, having been born, virus and doty is alive, the father’s docks did not perish in the cholera epidemic.
One of the most important representatives of Kalinov was the arrival of that sovereign merchant Savel Prokopovich Dikiy. At one time, to stand, in order from Kabanihoy, is respected by the isolation of the "dark kingdom". For his sutty, Wild - tse tyrant, who, in the first place, put less of his bazhannya that primhi. To that yoga stosunki with otochyuchimi can be characterized only in one word - svavіllya.
Vanya Kudryash, with a national character, is a whole person, cheerful and cheerful, as if you can always stand up for yourself and for your senses. Whose hero appears in the midst of the scene, knowing the readers at the same time with Kuliginim, with the orders and handing over of Kalinov and yoga residents.
The daughter of Kabanikhi is that sister of Tikhon. Vaughn is enthralled in herself, not afraid of mystical signs, she knows what she wants in life. But at the same time, the specialty of Barbara may act morally, the reason for such a life in the family of Kabanovs. The zhorstok orders of this provincial town are not suitable for your call, but Varvara does not know anything better, as if to reconcile with the way of life.
At p'єsі evidence, a character, like a protracted creature, reports singing zusil for the sake of progress and subservient interests. The first name to be called - Kuligin - is even similar to the name of the famous Russian winemaker Ivan Kulibin. Regardless of his mischief-making, Kuligin knows right, but not for his mystical purposes. Golovna yogo turbota - cero development native place to this all forces were directed to the "gromadsku peevishness".
Storinka Feklusha is another character, but with whom, even a characteristic representative of the dark kingdom. Mandrіvniki that blessed for all hours were permanent guests of merchant houses. For example, Feklusha roams the representatives of the Kabanovs' hut with various tales about overseas lands, telling about people with witty heads and rulers, like "don't judge the stench, everything is wrong."
Podії at the drama of A. M. Ostrovsky "Thunderstorm" roar from the bank of the Volga, at the foreman's place Kalinov. The creation has a lot of character traits and short descriptions, but it’s still not enough to better understand the light of the skin character and understand the conflict in general. The leading heroes of Ostrovsky's "Thunderstorm" are not so rich.
Katerina, girl, the main heroine of p'yesi. Vaughn is young to finish, її early they gave zamіzh. Katya swung as if following the traditions of the house-building: the main characters of the squads were povaga and submissive to their own people. On the back of her head, Katya tried to love Tikhon, but nothing, I’m sorry, she couldn’t taste it. With whom, the maiden tried to help her man, to help him and not to hurt him. Katerina can be called the most modest, but with whom, the most powerful character in Thunderstorms. True, the sound strength of Katya's character is not manifested. At first glance, the maiden is weak and movable, yes, you can easily get angry. Ale tse zovsіm negarazd. Katerina is alone with her, to resist the attacks of the Kabanikh. Resist yourself, but do not ignore them, like Barbara. The conflict carried more of an internal character. Adzhe Kabanikha will be afraid that Katya might get stuck on her son, after which Tikhin will stop bowing to the will of his mother.
Katya, if she wants to fly, often beats herself out of the bird. Vaughn literally suffocates in the "dark kingdom" of Kalinov. Having suffocated at the arrival of the lad, Katya created her own ideal image of a kohannya that could be allowed. It's a pity, її dumki little little sleepy with reality. The girl's life ended tragically.
Ostrovsky in "Thunderstorm" as the main hero to kill not only Katerina. The image of Katya is affixed to the image of Martha Ignativna. A woman, as if she were afraid of fear, she strained her whole family, not crying out for fear. The boar is strong and despotic. More than anything, the "princes of government" won after the death of a person. I want to find out that the Kabanikha did not care for the cold. Katya, the bride, got the most out of her. Kabanikha itself is in the middle of wine at the death of Katerini.
Varvara is the daughter of Kabanikhi. Irrespective of those who, for the style of fate, learned to be quiet and nonsense, the reader still sympathizes with her. Varvara garna girl. It's wonderful, but deceit and cunning not to shy away її similar to the decision of the inhabitants of the city. Vaughn to repair so, as it should be, and live like you will be tempted. Barbara is not afraid of her mother's wrath, for that is no authority for her.
Tikhin Kabanov repeats his own name. Vin is quiet, weak, incomprehensible. Tikhin cannot defend his retinue in the sight of his mother; Yogo rebellion is the most significant result. Even the very words, and not for the sake of Varvaria, irritate the readers to think about the current tragedy of the situation.
Kuligina the author characterizes as a self-taught mechanic. Tsey character is his own guide. At the first divinity, you can lead us along Kalinov, telling us about your voice, about your family, how to live here, about the social situation. Kuligin, you know, you know about everything. Other estimates are more accurate. Kuligin himself good people, what a sound of living behind the weary rules of Vіn postiyno mriє about the global good, about perpet mobile, about thunder, about honest work. Unfortunately, yoga dreams were not destined to be realized.
Wild clerk, Curly. This character is Tskavy Tim, who is not afraid of a merchant and can speak to you of those who think about him. With whom, Curly, just like Wild, tries to know the best. Yogo can be characterized as a simple person.
Boris arrives at Kalinovoe on the right: you need a term to pay a hundred dollars from Wild, even if only in your case you can legally take away the commandments to you pennies. Prote ne Boris, ne Wild don't want to make one alone. On the spot, Boris is given to readers like Katya, honestly, she is fair. In the rest of the scenes, it is necessary to ask: Boris is not built to venture into a serious job, take on the responsibility, you just stick in, leaving Katya on your own.
One of the heroes of "Thunderstorm" is a mandriving woman and a servant. Feklusha and Glasha are shown as typical residents of the Kalinov district. Darkness and lack of light are widely hostile. These judgments are absurd, and the horizon is too narrow. Women judge morality and morality for some kind of twisted, created understanding. “Moscow is now a playground and a game, but in the streets it’s indo gurkit go, it’s worth standing. That one, mother Martha Ignativna, they began to harness the fire snake: everything, bachish, for the sake of speed” - this is how Feklusha talks about progress and reforms, and the woman calls the car “fire snake”. It is alien to such people to understand the progress of culture, even if it is easy for them to live in the foreseeable world of peace and serenity.
tsіy statti given short description heroes of the “Thunderstorm”, for a deeper understanding, it is recommended to familiarize yourself with the thematic articles about the skin character “Thunderstorm” on our website.
Creativity test
The crime of the main heroes, including those of other rows, plays an equally important role in the p'esi.
With replicas of other heroes, Ostrovsky draws a background, which speaks about the camp of the main heroes, a small amount of action. From these words, you can learn a lot about the names of Kalinov, the past and the aggressive rejection of everything new, about the help, as they are presented to the inhabitants of Kalinov, they will be beaten, drama and characters.
In the remarks that lead us to the image of Katerina and the monologue-characteristics, there is a modest young beautiful woman, about which nothing can be said nasty. The less respectful Varvara looked at his reaction to Boris and pissed off to the point of death, without succumbing to anything filthy and nitrohi, without tormenting himself like a guilty brother. Better for everything, Katerina would not hesitate to change, but the bride simply handed her the key, knowing that she could not stand up. In the person of Varvara, we can prove that there is no kohanna at the Kabanikh's house among relatives, and there is no more skin care for a special life, for good.
Її kohanets, Ivan Kudryash, tezh not vodchuvaє kokhannya. Vіn can change Barbara just for the sake of the wild child, and having broken the beat, yakbi yogo daughters were older. For Varvara and Kudryash їх zustrіchі - the possibility of satisfying the body's needs, on mutual satisfaction. Creature hit - the norm of the night Kalinov is obvious. On the butt of their bet, the main part of the youth of Kalinov is shown, those same generations, like not saying anything, the Crimea of their special needs.
Before young generation lie like friends Tikhin and non-friends Boris, ale stinks іnshі. Tse, rather, vinyatok іz zagalnogo rule.
Tikhin is that part of the young that is strangled by the older ones and is rebuying from the new fallow land in them. It’s unlikely that if you behaved like this, like a sister, you’re more orderly - and that’s unfortunate. Vіn can not vdavat, scho podkoreny, like yogo sister - vin true root, mother yogo zlamala. For the new one alone - drink yourself to death, if there is no constant control in the individual mother.
Boris the other, more virіs not in Kalinov, that yoga of the late mother is a noblewoman. Yogo Batko, having deprived Kalinov and be happy, the docks did not die, having left the children with orphans. Boris bachiv other life. Prote, through her young sister, is ready for self-sacrifice - she is staying at the service of her uncle, mriyuchi, if the Wild one gives him a part of the scum, deprived of her grandmother. Kalinov has no annual roses, breaths - and wines suffocated. It's true suffocation, not a creature's hit. On the yoga butt, Kalinov's relatives are shown, like the troubles of living with rich merchants.
On the butt of Kuligin, a self-taught mechanic, who tries to create a perpetuum mobile, shows the wine-growers of small places, constantly ask pennies for the wine-growers, and take it for granted, and then like. Vіn is trying to bring progress to the place, but only to those who want to fight. Rashtu is all power, otherwise the stench has reconciled itself to its share. The only positive another row hero p'yesi, ale y vin subdued with a share. Fighting with the Wild Youmu does not give strength. Bazhannya bachiti and create for the people are not paid. And Ostrovskiy sued "dark kingdom" for Yogo to help him. Win the beauty of the Volga, Kalinov, nature, that storms are coming - why sip, krim new, nothing. To the very same wine, seeing the corpse of Katerini, wilt the words of the condemnation of the "dark kingdom".
In opposition to you, the "professional" mandriving woman Feklusha ruled well. You don’t bring a new one, but you know better that you want a little bit, you have a delicious meal with some of them. Zmini - like a devil, who trades at great places, to benevolence people. Do new things - also like the devil - the very ones who fully support the thoughts of Kabanikhi. Kalinov, podtakuyuchi Kabanis, Feklusha will always have a sieve, and hedgehog and comfort - the same thing, to which there is no baiduzh.
I will not leave the role of playing and napivbozhevilna pani, about how it was known that she had sinned a lot in her youth, and until old age she was obsessed with this topic. "Sin" and "beauty" - these are two inseparable understandings for her. Beauty has dawned - and the sign of a sense of life, tse, well, it is God's punishment for sins. On this soil, pan and divinity, and begin to victoriously, bachachi garne personally. But in spite of Katerina, she coped with the angel’s defeat, wanting more terrible God’s curry for her vchinok she came up with herself.
Without other rows of characters, "Thunderstorm" could not have been emotionally and stylistically rich. With thoughtful remarks, like strokes, the author creates a new picture of the hopeless life of the dark, patriarchal Kalinov, as if he could bring his soul to death, like a dream about the field. That's why people don't fly there. Abo fly, ale, a few seconds at a free fall.
Federal Agency for Education of the Russian Federation
Gymnasium №123
from literature
Movna characterization of heroes in the drama of A.N. Ostrovsky
"Thunderstorm".
Viconal robot:
10 class student "A"
Khomenko Evgeniya Sergiivna
………………………………
Vikladach:
Orehova Olga Vasilivna
……………………………..
Rating…………………….
Barnaul-2005
Introduction………………………………………………………
Chapter 1. Biography of A. N. Ostrovsky……………………..
Chapter 2
Chapter 3
Chapter 4
Conclusion……………………………………………………
List of victorious literature……………………….
Entry
Ostrovsky's drama "Thunderstorm" is the most important work of the famous playwright. Vaughn bula was written in the period of a suspenseful pidyoma, if the foundations of the fortress crackled, and in a suffocating atmosphere a thunderstorm was actually gathering. P'esa Ostrovsky to transfer us to the merchant's middle, de housekeeping orders were treated with the greatest carelessness. Residents of a provincial town live closed and alien to the public interests of life, with the unknown of what lives in the world, with the non-government and the baiduzhost.
Until the cієї dram mi zváєmos i contagion. Even more important for us are those problems, as the author hangs around with her. Ostrovsky destroying the problem of fracture suspіlnogo life, which became in the 50s, changed the suspension ambushes.
After reading the novel, I put myself as a metaphor, to highlight the peculiarities of the characters' moving characteristics and explain them, as the characters' language helps to understand their character. Age the image of the hero is created with the help of a portrait, with the help of artistic features, with the help of the characteristics of the features, the modern characteristics. First of all, bachachi people, for її promo, intonation, behavior, we can understand її inner light, like life interests and, more heady, yoga character. A moving characterization is even more important for a dramatic work, even though through it one can sing the essence of another hero.
In order to better understand the character of Katerina, Kabanikhi and Diky, it is necessary to comprehend such a task.
I often wrote from the biography of Ostrovsky and the history of the creation of “Threats”, in order to understand, as if I could see the talent of the future master of the characterization of the characters, even if the author clearly shows the entire global difference between positive and negative heroes of his work. Then I will look at the current characterization of Katerina and I will analyze the very characterization of the Wild Boar. After all, I will try to create a song about the moving characterization of the heroes and their role in the drama "Thunderstorm"
Working on the topic, I got to know these articles I. A. Goncharova "A note about the drama" Thunderstorm "by Ostrovsky" and M. A. Dobrolyubov "Promin light in the dark kingdom." Please, I read the article by A.I. Revyakin "Peculiarities of Katerini's movie", de good shows the main dzherel movie of Katerini. Relevant material about the biography of Ostrovsky and the history of the creation of dramas I knew in the assistant of the Russian literature of the nineteenth century V. Yu. Lebedev.
Exploration with theoretical concepts (hero, characterization, mova, author) was supplemented by an encyclopedic glossary of terms, visions for kerіvnitstv Yu. Borєєv.
Irrespective of those that Ostrovsky's drama "Thunderstorm" is devoted to a lot of critical articles, reviews of literary scholars, the current characterization of the heroes is not fully developed, that's why it's worth mentioning.
Chapter 1. Biography of A. N. Ostrovsky
Oleksandr Mikolayovich Ostrovskiy was born on 31 Birch, 1823 in Zamoskvorechchi, near the very center of Moscow, near the center of the glorious Russian history, everyone was talking about the yaku, name the Zamoskvoretsky streets.
Ostrovsky graduated from the Pershu Moscow Gymnasium and in 1840, as a father, entered the law faculty of the Moscow University. But the study at the university did not touch him to the soul, the culprit was a conflict with one of the professors, and, for example, another course, Ostrovsky was called "for home furnishing."
In 1843, the father's father appointed him to the service of the Moscow Summary Court. For a future playwright, this is the gift of a share of failure. At the court, the fathers' scargs looked at the short-lived blues, the main ones and the other homely superchicks. Judging deeply delving into the right, respectfully listening to the super-cats, and transcribing Ostrovsky in the notes on the right. Pozivachі and vіdpovіdachi in the course of the investigation acted in such a way that it sounds like it's good and it's good in the eyes of strangers. This was the right school for learning the dramatic sides of the merchant's life. 1845 Ostrovsky crossing to the Moscow Commerce Court as a clerical officer at the table "for the purpose of verbal punishment". Here, the wines stuck with the trade of the peasants, the city dwellers, merchants, and the ancient nobility. Brothers and sisters were judged “according to their conscience”, as if they were talking about recession, impromptu barmen. In front of us, the whole world of dramatic conflicts was roaring, all the richness of the living movement sounded in different voices. It was possible to guess the character of a person for її movny warehouse, peculiarities of intonation. Vikhovuvavsya that vydtochuvavsya talent of the future "realist-hearing", as if calling himself Ostrovsky - a playwright, a master of the characterization of the characters in his songs.
Propratsyuvavshi for the Russian stage mayzhe forty rokiv Ostrovsky having created a whole repertoire - close to fifty p's. The creations of the Ostrovskiy dosi are overflowing on the stage. І for the second half of the rokiv it is not important to sing the instructions of the heroes of yoga p'єs.
Ostrovsky died in 1886 with his beloved Trans-Volz mother Shchelikov, who is in the dense forests of Kostroma: on the humpy banks of small winding rivers. The life of a writer of a good life and passed through these hearts of Russia: in his youth, for a moment, he was able to calm down, still little damaged by the modern world civilization, sounds and sounds, a little bit the root of Russian language.
Part 2. The history of the creation of dramas "Thunderstorm"
The creation of "The Thunderstorm" was carried out by the playwright's expedition to the Upper Volga, which was destroyed by the head of the Moscow Ministry in 1856-1857. Vaughn revived and resurrected in the memory of the youthful anger, if in 1848 Ostrovsky had first broken with the household in a hoarsely dear father to the fatherland, in the Volzka there was a place for Kostroma and far away, in the pridbana the father of Shchelikov's garden. Under the bag of the trip, Ostrovsky's worker showed up, richly vodkrivaє yogo adopted by the provincial Volga Russia.
For a long time, it was important that Ostrovsky took the plot of The Thunderstorm from the life of the Kostroma merchants, which formed the basis of it for the richness of Kostroma and the end of 1859 to the right of the Klykovs. Right up to the beginning of the 20th century, the Kostroma residents were calling at the place of Katerini's vbivsiya - an altanka like a small boulevard, which literally hung over the Volga in the mountains. Showed and budinok, the girl lived, - the order of the Church of the Assumption. And if the "Thunderstorm" first appeared on the stage of the Kostroma theater, the artists made up their faces "under the Cliques."
The Kostroma kraisnauts dutifully rounded up the canvas in the archives of Klikivska Prava and, with documents in their hands, vysnovka, which Ostrovsky won the very story at the robot over the Thunderstorm. Zbіgi came out literally. A.P. Klikova was seen sixteen years in a gloomy, unsociable merchant family, which was formed from old fathers, the son of that independent daughter. Mrs. Budinka, suvora and dexterous, with her despotism made a person that child. She frightened the young bride-to-be like a black robot, slapped her at the prohannyas to flirt with her relatives.
At the time of Klikovo's drama, there were nineteen years. In the past, she wriggled at the kohanna and in the soul of the soul in her, as if she didn’t chula her grandmother, she was cheerful, lively, life-radius. Now she has opined herself in this unkind stranger. A young man її, Klik, a non-turbulent person, could not defend the squad against the mother-in-law and standing up to her baiduzh. The Klikovs had no children. And here another man, Mar'yn, who served at the post office, got up on the path of the young woman. Suspicion began, scenes of jealousy. It ended when, on the 10th leaf fall of 1859, A.P. Klikova knew about the Volz. Having begun a trial trial of the judges, like a wide-voiced voice to inspire the pose of the Kostroma province, and from Kostroma, no doubt that Ostrovsky was quick to correct the materials in The Thunderstorm.
A good ten years passed, and the first investigators established for sure that the Thunderstorm was written before the Kostroma merchant Klikova rushed to the Volga. Pratsyyuchi over the "Thunderstorm" Ostrovsky rose at the red-linden 1859 year and ended on the 9th day of the same fate. Previously, the article was published in the current issue of the journal "Library for Reading" for 1860. The first performance of "Thunderstorms" on the stage took place on the 16th leaf fall of 1859 at the Maly Theatre, with the benefit performance of S. V. Vasiliev with L. P. Nikulin-Kositskaya in the role of Katerina. The version about the Kostroma dzherelo "Grozi" appeared far-fetched. Prote the very fact of the marvelous ability to talk a lot about what: we can tell about the foresight of the national playwright, that we have caught the conflict, that we are growing in the merchant's life, between the old and the new, the conflict, in which Dobrolyubov not for nothing said S. A. Yur’ev said: “Thunderstorm” was not written by Ostrovsky ... Volga wrote “Thunderstorm”.
Chapter 3
The main dzherela movi of Katerini is folk vernacular, folk poetry and church-life literature.
A deep connection between the language of the language and the popular vernacular is given signs in vocabulary, in figurativeness, and in syntax.
Її mova ryasnіє verbal vyslovlyuvannya, idioms of folk vernacular: "Don't beat me neither father nor mother"; "the soul is not a chula"; "Calm my soul"; “what a long time to eat in the bidu”; "Be a sin", the sensi is unhappy. Ale tsі ta podіbnі to them idioms - zagalnozumіlі, zagalnovzhivanі, zrozumіlі. Less than a vinnyatka in її promos are garbled with morphologically incorrect coverage: “you don’t know my character”; "After you move."
The figurativeness of її mov is manifested in a great number of verbal and image-creating abilities, zocrema porivnyan. So, її promov have over twenty porivnyans, and at the reshti dіyovih osіb p'єsi, at once they are narrow, three times more than tsієї kіlkostі. When tsmu її porіvnyannya wear wide, extensions, folk character: “Nibi pigeon me”, “Nibi blue cooing”, “Nibi the mountain fell from his shoulders”, “Shoot your hands, mov vugilla”.
Katerina's promos often sound like words and motives from folk poetry.
Turning to Barbara, Katerina seems to say: "Why don't people fly like birds? .." - and so on.
Sumyuyuchy after Boris, Katerina in a monologue seems to be: “Now I need to live now, well now? I don’t need anything, I don’t like anything, and God’s light is not nicer!
Here there are phraseological turns of a folk-spacious and folk-song character. So, for example, in the collections of folk songs, seen by Sobolevsky, we read:
No, you can't live without a dear friend...
I'll guess, I'll guess about the dear, not dear girl, the light was more,
Not nice, not nice white light...
Viyshovshi poachennya before Boris, Katerina vigukuє: “Navіscho you come, my destroyer?”. At the folk rite of passage, the name of the zubrіchaє named with the words: “Otse go my slubnik”.
In the final monolose, Katerina seems to say: “At the grave it’s more beautiful ... The grave is under the tree ... like kindness ... The sun is її grіє, the plank її wet ... hanging grass grows on it, it’s so soft ... birds fly to the tree, sleep, children evoke, quotes open: Zhovtenki, Chervoni, pigeons ... ".
There are all types of folk poetry: changeable-suffixal vocabulary, phraseological turns, images.
For this part of the monologue in sleepy poetry, one has enough and direct textile appearances. For example:
... Oak with a doshka
And lower it into the grave
And sizzle with orphan earth.
You with ant grass,
More brightly-red kvitami!
The entrustment from the people's vernacular and the power of the people's poetry to the language of Katerina, as it was meant to be, was celebrated by the church and everyday literature.
“We have, - rozpovidaє won, - povniy budinok buv mandrivnitsa and pilgrimage. And we’ll come from the church, sit down for a robot ... and the chanters will roar, they’ll stink, they’ll sing, lives of difference, or the verses will sleep” (d. 1, yavl. 7).
Volodiyuchi is matched by a rich dictionary, Katerina speak freely, lucidly different and psychologically even more profoundly matched. Її mova llєtsya. So, її not strangers so words that turn literary movie, yak: mriya, thought, realized, as if everything was in one second, it was so unimaginable for me.
At the first monologue, Katerina told about her dream: “And what a dream I dreamed about, Varenko, what a dream! Abo the temples of gold, or plant like an invisible one, and all the invisible voices sing, and the smell of cypress, and the burning of that tree, nothing is not so, like it is wonderful, but like it is written on the images.
Tsі dream and for zmіst, and the form of verbal influencing, without a doubt, and spiritual verses.
Katerini's way is original both lexical and phraseological, and syntactically. It is formed by the head rank of simple and foldable speeches, with the setting of adjectives for example phrases: “So before the hour and pass. Here old people lie down to sleep, and I walk in the garden ... It was so good” (d. 1, yavl. 7).
Most of all, as if tamanly to the syntax of the folk promo, Katerina poov'yazuє propozitsії at the look of the unions and so. “And we’ll come from the church ... and the mandrіvniki rozpovidatimut ... Otherwise, I’m flying ... And I dreamed about dreams.”
The floating mova of Katerina sometimes sings to the character of the folk voice: “Ah, my bida, bida! (Crying) Where do I go, poor, go? For whom do I fall for?".
The mova of Katerini is deeply emotional, lyrically sincere, poetic. For nadannya її movi emotional-poetic variety serve and change suffixes, so powerful in folk mov (key, water, children, grave, plank, grass), and subsyllabic parts (“How did you screw me? How did you say words?”), and wiguk (“Ah, how boring I am for him!”).
The lyrical sincerity, the poetic nature of Katerina's motives give epithets that go after the appointed words (churches of gold, gardens undead, crafty offerings), and repetition, so powerful in the poetry of the people.
Ostrovskiy rozkrivaє promo Katerina like її pristrasnu, low-poetic nature, and volova force. Volova's strength, Katerini's daring are recognizable by syntactic constructions of a sharply stubborn negative character.
Chapter 4
Kabanikhi
In Ostrovsky's drama "Thunderstorm", Wild and Boar are representatives of the "Dark Kingdom". There is an enemy, nibi Kalinov vidgorodzheny in the light of the world with the most parkan and we live like a special, closed life. Ostrovsky, having concentrated his respect on the most important, showing the wretchedness, savagery of the Russian patriarchal pobut, even if all life is only to stand on the primary, outdated laws, which, obviously, are absolutely stupid. " Temne kingdom»Chipko tremble for his old, tired. Cost of standing for one mist. And it’s possible to stand at that vapadka, as if it were supported by people, as if they could gain strength and power.
More externally, my glance, the manifestation of a person can give a yogo language, so that it is obvious and specific, more powerful than this hero. Mi bachimo, like a Wild yak, it didn’t happen in anything, it’s just that you can imagine a person. Don’t put wine in anything more than otochyuchy, but inspire your relatives and loved ones. Yogo at home live with constant fear of yoga anger. Wild everything knows about his nephew. To finish guessing the first word: “Just saying to you, saying two to you”; "Don't let me trample on zustrich"; you will find everything! Are you short on time? Wherever you fall, here you are. Shut up, damn it! Why are you standing still! Do you think so?”. The wild door shows that you don’t respect your nephew. Vin to set yourself higher for all the rest. And no one can repair his beloved support. Vіn barks all, over whom you see your strength, but if you want to bark yourself, if you can’t tell, then stay at home! On them Wild and wild all their anger.
Wild - "significant person" in the city, merchant. The axis is how to talk about the new Shapkin: “Already such a like, like we have Savel Prokofich, joking. Wrong man ripped off.
"Invisible sight! Beauty! The soul is happy! ”- Kuligin viguku, but on the aphrodisiac beautiful landscape there is a hopeless picture of life, as it stands before us at the Thunderstorm. Kuligin himself gives the exact description of the description, I will tell you about it, what to pan at the city of Kalinov.
So, like a wild boar, the Kabaniha is revolted by his mystical impudence, she thinks only to herself. Residents of the Kalinov town talk about Wild and Boar more often, but I can only take rich material. Shapkin calls Dikiy a “liker” at Kudryash’s roses, while Kudryash calls Yogo a “penetrating man.” The boar calls Wild "warrior". It’s all worth talking about quarrelsomeness and nervousness in one’s character. Notes about Kabanikh tezh are not worth it. Kuligin calls her "prudish" and it seems that she "saw the zhebrakіv, but zaїl zovsіm" at home. Tse characterizes the merchant's wife from a filthy side.
We are opposed by their heartlessness due to the introduction to the fallow types of people, the lack of separation from a penny when they are cut off from the workers. Let’s guess, what did Wild say: “About fasting, about a great thing, I said, but here it’s not easy and fuck a little man, for a penny, he brought firewood ... I’ve made a mistake: waving, waving so much ... without killing a little.” Mustaches for people, I think, will be on wealth.
The boar is rich for the Wild, and to that there is a single person in the city, at the meeting with the Wild one, there may be more. “Well, don’t open your throat too much! You know cheaper for me! And I am dear to you!
One more rice, yak їх podnuє - tserіgіynіnіst. Ale God stench not like someone who forgives, but like someone who can punish them.
The boar, like nobody else, brings all the promise of this place to the old traditions. (She’s going to read Katerina, Tikhon, as if it’s necessary to live in a fire and how to behave in a specific mood.) Kabanova tries to be kind, generous, and a smut unfortunate woman, tries to be true to her vchinki vіkom: “Mother is old, bad; well, you, young people, are reasonable, not guilty of us, fools, and pull. Ale tsi hardness is more similar to irony, lower is wider than awareness. Kabanova respect yourself as the center of respect, you can show that you will be with us light after death. The boar is absurdly blind to its old traditions, zmushyuyuchi all domestic dances to its tune. Vaughn zmushuє Tikhon in the old way to say goodbye to his retinue, crying out laughter and almost stinging in otochyuchih.
From one side, it seems that Wild is rude, strong and, also, terrible. Ale, surprised, mi bachimo, that the Wild building only scream and buoy. Vaughn stunned everyone, kept everything under control, she tried to slander people with mutual efforts to bring Katerina to death. The boar is cunning and sensible, at the sight of the Wild, and to rob the terrible. The promos of the Kabanikha clearly show hypocrisy, the duality of the movie. She already sighed and rudely speaks to people, but at one time, at the hour of talking with him, you want to be kind, splendid, wide, and the head of an unhappy woman.
We can say that Wild is absolutely illiterate. Vіn kazhe Borisovі: “Fail you! I don’t want to talk to you and I don’t want to speak with you.” Wild live in his promo "with a reason" deputy "with a reason". So, you will accompany your promo with spitting, which will still show your lack of culture. Vzagali protyag us drama mi bachimo yogo husky, scho over your promo. What else is here! What a hell of a water thing is here!
Wild rude and straightforward in its aggressiveness, roaring the teeth, sometimes crying out like a sting and scorching at the otochyuchiy. Create a building and beat a man, not giving him a penny, and then, in front of everyone, stand in front of him at the fort, asking for forgiveness. Vіn buoyant, and in his riotous building throw thunder and gleams on your home, in fear hovayutsya in the new.
To that it is possible to give a pleasant visnovka to that which the Wild and Boar cannot be considered as typical representatives of the merchant's camp. Many of the characters in Ostrovsky's dramas are similar and are revolted by his mystical impudence, it's hard to think about yourself. And inspire good children, as if the world is given to them at the front. Such a setting cannot beautify people, for the same reason Wild Boar calls out negative emotions from readers.
Visnovok
Speaking about Ostrovsky, my glance, we can with the full right to call Yogo an unperfect master of the word, an artist. The characters in the play "Thunderstorm" appear as if they were alive, with vivid embossed characters. The skin word, spoken by the hero, reveals a new facet of his character, showing him from the other side. The character of a person, її moods, set to otochuyuchih, navіt like wine tsgogo do not want to appear in the language, and Ostrovskiy, the right master of the movable characteristics, mark the figures. The warehouse of the movie, in the author's opinion, can be said a lot more about the character. In this rank, the skin of the diy's person gains her own individuality, a unique coloring. It is especially important for dramas.
In Ostrovsky's Thunderstorm we can clearly see the positive hero Katherine and two negative heroes Wild and Kabanikha. Madly, stink є representatives. dark kingdom". And Katerina is the only person who tries to fight with them. The image of Katerina's inscriptions is bright and vivid. Golovna heroine to speak beautifully, figuratively my folk. Її mova ryasnіє thin smyslovymi vіdtinki. Katerina's monologues, like drops of water, bring out all the rich inner light. At the promo of the character, blame the author of the new one. With such love, Ostrovsky's words are placed before Katerina, and as sharply vin condemned the tyranny of the Kabanikh and the Wild.
Winning the Kabanikha as if I had overtaken the ambushes of the "dark kingdom". Vaughn suvoro dotrimuetsya all the orders of the patriarchal antiquity, do not tolerate any in whom show a special will, may have great power over the restless.
To the Wild, the Ostrovsky Zmig convey all the anger and anger that boils in your soul. All households are afraid of the wild, zokrema and nephew Boris. Vіn vіdkrito, rude and unceremonious. Ale offended by the power of the hero is unfortunate: you don’t know what to work with your unstriking character.
In the drama of Ostrovsky "Thunderstorm", for the help of the artist, the writer zoomed in to characterize the heroes and create a vivid picture of that hour. "Thunderstorm" is even stronger for injecting into a chitacha, a peep. Dramas of heroes do not fill the hearts of people with bait, that minds of people do not go into the skin of writers. Only a right artist can create such miraculous, promotional images, only such a master of the modern characteristics of the building can say about the heroes of the chitachev only for the help of their own words, intonations, without going into any other additional characteristics.
List of victorious literature
1. A. N. Ostrovsky "Thunderstorm". Moscow "Moscow Robotnik", 1974.
2. Yu. U. Lebedev "Russian literature of the 19th century", part 2. Education, 2000.
3.I. Є. Kaplin, M. T. Pinaev "Russian Literature". Moscow "Osvita", 1993.
4. Yu. Borev. aesthetics. Theory. Literature. Encyclopedic dictionary terms, 2003.
Diya p'єsi "Thunderstorm" comes from the foreseeable little town of Kalinov, yake є chosen rank all provincial towns of that hour.
The leading heroes of the "Thunderstorm" are not so rich, about the skin need to say okay.
Katerina is a young woman, seen abroad without love, “in a strange life”, she is pious and pious. IN to the father's house Katerina grew up in love and turbot, she prayed and made a life. Zamіzhzhya for her appeared to be heavy trials, which її lagidna soul resisted. Ale, regardless of the fearfulness and submissiveness, passions boil in Katerina's soul, if she dies into someone else's person.
Tikhin is a man of Katerina, a kind and gentle person, love his squad, shkoduє її, ale, like everything at home, support your mother. Drink against the will of the "mothers" of the wines do not bother the whole p'єsu, just like you said to the squad about your kohannya, the mother's shards are hindered similarly, so that the squad is not spoiled.
Kabanikha is the widow of Kabanov's assistant, Tikhon's mother, Katerina's father-in-law. A despotic woman, who has the whole house in the government, without her knowledge of nothing, she can’t do it for fear of damnation. Behind the words of one of the heroes of p'yesi, Kudryash, Kabanikh - "a hypocrite, give to zhemareks, but there are housewives" She tells Tikhonov and Katerina herself, as if she needed to live her family life in the best traditions of "Domobud".
Varvara is Tikhon's sister, an independent girl. At the sight of a brother, mothers swear only at a glance, she herself sweats at night for a chuckle, sighing for Katerina. Її principle - it’s possible to sin, if you don’t want to kill anyone, otherwise you’ll spend all your life as a mother.
The helper of the Wild is an episodic character, but he specializes in the image of a “tyrant”, tobto. the power of the one who is inspired, that pennies give the right to do everything that the souls desire.
Boris is the nephew of Dikiy, who, having come to Nadiya, to take away his part of the fall, succumb to Katerina, but cowardly vtika, leaving the woman calmed by him.
Moreover, take the fate of Curly - the clerk of the Wild. Kuligin is a self-taught winemaker, who constantly tries to get into the life of a sleepy little place new, but ask for pennies for winemaking from Wild. The same one, in his own circle, being a representative of the “batkiv”, upevneniya at the marnosti of the windings of Kuligin.
All the names of those names in p'єsі are "talkers", the stinks tell about the nature of their "masters" rather than be-like vchinki.
She herself vividly shows the opposition of the "old" and "young". The first ones are actively pursuing strong innovations, telling that young people have forgotten the punishments of their ancestors, they don’t want to live “like lying down”. Others, with their own blackness, succumb to the oppression of the father’s orders, understand that life is moving forward, changing.
But not everyone dares to go against the will of the father, though through fear they will fall into recession. Htos - the fathers called out to everyone.
On the smoldering tyranny of tyranny and the house-budding winds of roses, the fence of Katerina and Boris's hut. Young people gravitate one to one, but Katerina is friendly, and Boris has everything to lie down like his uncle.
The atmosphere of Kalinov's place is heavy, the vise of the evil mother-in-law, the storm that has begun, terrifies Katerina, who is tormented by doctors of conscience through the evil of a person, everyone knows in public. The Kabaniha triumphs - there is little right, the ardent Tikhonovs trim the squad "in severity." Tikhin is afraid of the mother, but it will be a pleasure for you to beat the squad, so you know, for the new one you are unacceptable.
The explanations of Boris and Katerina are even more powerful for the camp of an unfortunate woman. Now you can live far away in the face of a kokhan, with a man who knows about її zrada, with yoga matir'yu, as now you will definitely see a bride. God-fearing Katerina to bring її to the thought that there is not much to live, the woman throws herself from the urvishcha into the river.
Having only spent a woman’s kohana, Tikhin saw it, as if it meant a lot to a new one. Now you will have to live all your life with the understanding that your callousness and devotion to your tyrannical mother has led to such a finale. The words of Tikhon melt away with the rest of the words, the words of Tikhon are buried above the body of the dead squad: Good luck, Katya! And I’m here in the world, having lost my life and I’m tormented!”
