Tvіr on the theme "Katerina - promin light in the dark kingdom" (Ostrovsky "Thunderstorm"). Twir on the topic: Katerina - promin light in the dark kingdom in the sky Thunderstorm, Ostrovsky Katerina promin light in the dark kingdom
In front of you is a wonderful tvir behind the creation "Thunderstorm" by O.M. Ostrovsky. Tse tvir on the topic "Katerina - promin light dark kingdom».
Creation text
In p'yesі "Thunderstorm" O.M. Ostrovsky, having put one of the most important meals of his time - the release of a woman from family slavery, її rozkrіpachennya.
The central place in the house is occupied by Katerina's share: the history of її zamіzhzhya, life in the house of Kabanovs, love її that tightness for the will. Behind the warehouse of her character, Katerina is sharply seen from that middle, she drank it in a yak. In this guiltiness and originality to the character of the heroine, the cause of deep life dramas, it is small to survive in dark kingdom » Wild and Kabanovikh.
Katerina is a poetic-mrіyli nature. The image of a bird is often blamed on її svidomosti:
“Why don’t people fly! Why don't people fly like birds?.. Some people think I'm a bird. If you stand on the mountain, then you will be more difficult to fly. So I broke out, raised my hands and flew away ... "
Guessing about her childishness and girlish fates, which they missed so unremarkably, Katerina herself told Variations about those, how the world felt that mood. Todi, in to the father's house, won lived, " like a bird on the loose ". Caresses of the mother, yak in nіy " no soul ", the watcher for the beloved quotes, such as Katerini had" bagato bagato ”, embroidery on oxamite - the axis of a number of quiet hostile enemies, under the influx of them, the inner light is swelled. Out of the blue of nature, Katerina listened greedily to the roses of the mantras and prayers. As a result, vyav, fantasy, and religious humility have greatly expanded in it. Katerina lived in a closed inner light, poring over an hour like a daydream, like a fairy tale.
“... On a sunny day, from the dome, a light stovp goes down, and in which stovp go dim, mov is gloomy, and I’m running, buvalo, no angels in which stovp fly and sleep. And then, it used to be, I’d get up at night ... that one here at the little corner and pray until the wound. Otherwise, I’ll go to the garden early ... I’ll fall on my knees, pray and cry, and I myself don’t know what I’m praying about and crying about ... ”- barbarians tell.
Katerina will take a stick and I will cherish my soul.
“So already I was born hot! I’ve been rocking six times more, no more, so I’ve grown up! They imagined less home, and on the right it was over the evening, it was already dark, I swept into the Volga, strength in chauvin, she looked out over the coast. The offensive wound was already known, ten miles away!
Katerina Zdatna not only for smiley toppings, ale and for the latest development of the ostogidlim їy zhityam.
“Oh, Varya, you don’t know my character! Zvichayno, God forbid tsiom statisya! And if there are other guards here, then do not hold me by any force. I’ll throw myself at the vikno, I’ll throw myself at the Volga. I don’t want to live here, so I won’t, I want less rіzh!
The first axis Katerina spends in the family of Kabanova, in an atmosphere of holiness and stubbornness, dribbling opika. After the homely paradise, with the enchanting light of dreams and visions, Katerina sips into the atmosphere. dark kingdom ". Naturally, the conflict between dark kingdom » And the spiritual light of Katerini appeared inevitable.
The camp of Katerina is folded into a new team, which they saw abroad for a people, as if they didn’t know and couldn’t love, as if they didn’t help themselves with a faithful and loving squad. Try Katerina to know that the heart of a person is broken about the servile humiliation and Tikhon's closeness. It doesn’t matter to understand, with some power it’s not enough to knock off Katerini’s feelings, if you stand on this path. Nova people, Not like all the restless ones, with a soul similar to її vlasna, and with moods close to his own. Lyubov before Boris became a sensation її іsnuvannya. Katerina and Kohanna are special. Vaughn is ready for anything for the kohana people, stepping over to inspire you to understand about sin and honesty, which were sacred to the unholy. Inner purity and truthfulness do not allow her to lie in the kohanna, to deceive, to go away. " Don't let yourself know, let's learn that I'm working!... If I'm not afraid of your sin, why should I be afraid of human judgment?"- Declares out to Boris. The catastrophe comes to the very fact that Katerina does not want and cannot take her sin. The struggle is almost overwhelmed, and the obov'yazku ends up because the woman is unhappy in public, on the Moscow Boulevard, to repent before the man. Unforgettably, the drama unleashed: the self-destruction of the heroine, as she showed her own willful, even though powerless protest against " dark kingdom ».
At the tragic scene, behind the words of Dobrolyubov, a terrible cry was given to self-righteous forces ... Katerina Bachimo mi protest against boars to understand about morality, protest, bringing to an end, votes and homemade katuvans, and over the abyss, in a yak, the poor woman rushed«.
Katerina - promise the light to the dark kingdom.
Plan.
- The life of a woman in family slavery is one of the topical meals of the 50s of the 19th century.
- Katerina - "Pray the light in the dark kingdom."
- Place the image of Katerini among the images of drama.
- The life of Katerina at the father's booth, її merriment.
- Wash the life of Katerina after friendship. Katerina at the Kabanovs' booth.
- Bzhanya love and vіddanostі.
- The power of Katerini's kohanny.
- Honesty and rіshuchіst
- Dobrolyubov about the character of Katerini.
- Self-destruction is a protest against the dark kingdom
- Dobrolyubov about the ideological sensation of the image of Katerini
The strongest protest is the one that arises from the breasts of the weakest and most tolerant - it already means that the end of the "Dark Kingdom" is near.
Epigraph: "Katerina's character, like vikonaniya at the "Thunderstorm", - to get ahead of the dramatic activity of Ostrovsky, and the whole of our literature" . N.A. Dobrolyubov.
In his creations, Ostrovskiy reveals the desire of women in family slavery - but one of the topical diets of the 50s of the 19th century. A woman of the 1950s, in the wake of centuries of rot, was powerless before tyranny and was a victim of the “dark kingdom”.
The image of Katerina is the image of a free bird - a symbol of freedom. Ale, a wild bird, having eaten a cage by the bay. I won’t fight and grieve in captivity: “I lived, I didn’t grieve about anything, why the bird is free,” - I guess my life with my mother: “Why don’t people fly, like birds? - Looks like Varvara is out. - You know, sometimes I know that I am a bird. Drama Katerina has an insinuation of "Russian living nature". Vaughn vvazha for better die, lower life in captivity. “You can see a protest against the boars to understand about morality, protest, bringing to the end, voting under home torturs and over the absence of day, Katerina rushed into the yak. It is strong in nature to endure only until the singing hour. “And if I’m already cold here, it’s like it’s out, so don’t press me with any force. I’ll throw myself at the vikno, I’ll throw myself at the Volga. I don’t want to live here, so I won’t, I want you to live less! The image of Katerina was inspired by the "great people's idea" - the idea of freedom.
The vision of Katerina among the images of the “dark kingdom” is shaped by a strong character, courage, directness. “I can’t deceive, I can’t take anything,” - it’s like Varvara won, as if trying to inspire her, that you can’t live in your booth without deception. Katerina's character is manifested in her simple-hearted explanations about her childish life and life at the father's house.
Katerina spoke to Barbara, like stinks they went to the church, sewed with gold on oxamite, heard roses of mandriving, walked in the garden, like they spoke anew with pilgrims and prayed themselves. “I love going to church to death! It was as if I would go to heaven, and I don’t care for anyone, I don’t remember the hour, and I don’t feel if the service is over. Living like a free bird with her mother, Katerina loved dreams. “And what a dream I dreamed, Varenko, what a dream! Abo the temples of gold, or plant like an invisible one, and all the invisible voices sing, and smell of cypress, and burn, and trees, otherwise not like that, like it is wonderful, but like it is written on the images. Otherwise, I’m flying, so I’m flying in the wind.”
At Kabanov's hut, Katerini's life went on just like it did in her mother, the difference was in the fact that at the Kabanov's everything was shy at the beginning of captivity.
Pochutya kokhannya Katerini is angry with her tight will, with a dream about the right people's life. Katerina is not easy to love, like a greedy victim of the “dark kingdom”. To the words of his kokhan: “No one knows about our love,” she says: “Let me know everything, everything that I work for,” and I won’t enter into my kohanny at the nervous bey of the “dark kingdom”.
Religiousness of Katerina - tse does not oppress Kabanikhi, but it is better for all the child's faith enchanting fairy tales. Katherine authorities in religious zaboboni, like zmushuyut a young woman to take a kohanna like a mortal sin. “Ah, Varya, sin is on my mind! Skіlki I, bіdna. I cried, why didn’t I rob myself of myself! Don't drag me into this sin. Don't get in anywhere. Even if it’s not good, if it’s a terrible sin, Varenko, why do I love someone else! ”
Katerina's character is "seriously-rischy, unsightly true to natural truth, having faith in new ideals and self-confidence in that sense, that death is more likely for you, lower life for quiet ambushes, like you are not accepted." In this integrity and inner harmony, buildingness, start by yourself, in no way and in no way change yourself, and the strength of Katerini's character is not exhausted.
Beating herself in, slacking off at the sight of the church, a great sin, Katerina thinks not about the mess of her soul, but about the kohanna, as if she had screamed. "My friend! My joy! Farewell! - Tse stop Katerini's words. Self-destruction can be in the winery, if it is impossible to fight.
Dobrolyubov about the ideological sensation of the image of Katerina, saying: “The strongest protest is the one that rises from the breasts of the weakest and most tolerant - it already means that the end of the “Dark Kingdom” is near.
A. N. Ostrovsky wrote a rich essay about merchants. The stench of the flooring is true and true, that Dobrolyubov called them “the pisses of life”. In these creations, the life of merchants is described as the world of hidden, quietly sithal mourning, the world of dull, no pain, the world of prison, grave mourning. And if they sound deaf, stupidly remembrance, then they will die already with their people. The critic N. A. Dobrolyubov called his article, dedicated to the analysis of Ostrovsky's p'es, "Dark Kingdom". Winning a thought about those, that the tyranny of the merchants is less likely to be based on non-government and subservience. Ale away, it will be known that in a human being it is not possible to live in a good way. There will be no long time for rooting.
"Who can throw the light of light into the indulgent darkness of the dark kingdom?" - feeding Dobrolyubov. Vidpoviddu tse pitannya served as a new piece of playwright "Thunderstorm".
Written in 1860 rotsі, p'єsa and in his spirit, and I'll call it as if it symbolized the process of renewal of prosperity, as if he was afraid of himself. And in p'єsі a thunderstorm is like a manifestation of nature, and the yaskrava is an image of the internal struggle that began in a dark life.
P'esi has a lot of diovih osib. But the main one of them is Katerina. The image of a woman's woman is not only the most complicated, the wine is sharply shaken in the eyes of others. It is not for nothing that the critic called її "we will exchange light for the dark kingdom." Why is Katerina so excited about the other inhabitants of this kingdom?
There are no good people in this world! Neither tyrants nor their victims are like that. Here you can deceive, like Barbara, but live in truth and conscience, not grimacing your soul, you can’t.
Hotcha Katerina wiggled at the merchant's family, at home she “lived, she didn’t grieve about anything, otherwise the bird is free.” And after the zamіzhzhya, the free nature drank the tyranny of the mother-in-law to the squalor.
At the house of Katerina, there was always a lot of mandriving and praying people, roses of them (the same situation in the house) were shattered even more religiously, as if to believe at the commandments of the church. It's no wonder that love before Boris takes it like a grave sin. Ale Katerina in religion - "sings" (after the words of the Gorky hero). She is endowed with a bright vein, she is emotionally merry. Hearing different stories, you won’t be able to see them in reality. He often dreamed of paradise gardens and birds, and if she went to the church, she would bachila yangoliv. Navit mova її musical and singing, scho guess folk saying that song.
However, religion, a closed life, the emergence of a non-Abian nature, awakened Katerina's sickness of sensitivity. To that, the hour of the storm came, feeling the curse of the half-witted lady, she began to pray. If she bobbed on the walls of the little “fiery hell”, she didn’t show her nerves, and she recognized Tikhon from her love before Boris.
Її religiosity to inspire as if it were such a figure, as if it were an exercise in independence and truth, courage and rarity. The petty tyrant of the Wild and forever dear to the relatives of the Kabanikha started to insinuate the mind of other people. In pairs with them, or with the characterless Tikhon, who sometimes allows himself to go on a spree for a few days, with Boris, who does not appreciate right kokhannya, Katerina becomes especially sociable. She doesn’t want and can’t deceive and directly declares: “I can’t deceive; I can’t grab anything!” Love before Boris is everything for Katerina: tightness of will, thoughts about right life. And in im'ya tsієї lyubovі won't enter a nervous duel from the "dark kingdom". She doesn’t take her protest like a storm against the whole system, she doesn’t think about it. Ale is so ruled by the "dark kingdom" that, be it showing independence, independence, goodness of specialness, it is accepted by him like a deadly sin, like a rebellion against their foundations, panuvannya tyrants. To that very end, the death of the heroine will end: she’s not only selfishness, but she’s divided by the inner witness of her “sin”.
The death of such a woman - I will cry out. Hі, tse moral peremoga over the "dark kingdom", like forfeiting freedom, will, reason. Self-destruction, for the vchennyam of the church, a sin that is not forgiven. Ale Katerina is not afraid of anything. Having fallen in love, she declares to Boris: "I am not afraid of your sin, because I am afraid of the human court." And the rest of the її words were: “My friend! My joy! Goodbye!
You can truly call Katerina for the її decision, which led to a tragic finale, but you can’t help but grovel at the integrity of її nature, the bajannya of freedom, rіshuchistyu. Death struck such people, like Tikhin, who already in his eyes is ringing the matir at the death of the squad.
Otzhe, Katerina’s vchinok was truly “a terrible call of tyranny of power.” Also, in the “dark kingdom” people of light of nature can appear, as if in their lives and death they can hang the “kingdom”.
"Katerina - promin light in the dark kingdom"
O.M. Ostrovskiy, the author of the numerical letters, is truly respected as a “merchant's matchmaker”. The very image of the world of the merchants of the other half of the 19th century, called Dobrolyubim in one of the articles "dark kingdom", became the main theme of Ostrovsky's work.
The drama "Thunderstorm" appeared at the press in 1860. Plot її dosit simple. The main heroine, Katerina Kabanova, not knowing how she feels about a person, fell in love with another person. Tortured by the doctors of conscience, and also not bazhayuchi lies, she confesses her guilt in the church, publicly. Because of this reason, the flooring becomes unbearable, that she lays hands on herself.
This is the basis for the canvas of creation, with the help of which the author may reveal a whole gallery of types. Here are merchants-tyrants (Savel Prokopovich Dikoi), and important mothers of families (Marfa Ignativna Kabanova), and mantras-prayers, who roar the nebilitsy, scabby dark and unillumined people (Feklusha), and home-grown wine-growers-searchlights (Kuli). However, with all the diversity of types, it’s not important to remember that all the stinks of the forest are divided into two camps, which can be intelligently called: “dark kingdom” and “victims of the dark kingdom”.
The “dark kingdom” is being created by people who have power in their hands, those who can pour in a huge thought from Mr. Kalinov. Nasampered, tse Martha Ignativna Kabanova, as in the city is respected, respected by the vision of honesty and the guardian of tradition. Kabanova, and rightly, there are traditions, constantly reading the otochyuyuchih, as if "robbed for the old hours," to the right of the courtship, seeing off the man to the church. Kabanova is an uncompromising enemy of everything new: a threat to the tired course of speeches looms, she judges young people through those who have no “strong povaga” in her to the elders, do not shine, shards, on the її thought, “when it’s less roaring intellect”. Kabanova is aware that a person can live in fear of God, and a woman can live in fear of a person.
Boudinok of Kabanovykh are always spawned by praying mantresses and mandrіvnits, as here they take "grace", and those who want to feel them - fairy tales about the earth, where people live with sleepy heads, about "divine" people in great places, what they see whether it be an innovation on the locomotive train and by the same token bring the end of the world. "The hypocrite, - to speak about Kabanova Kuligin, - I saw the same marriage, but I call the housemates ..." And it's true, Martha's behavior in public is rich in what one thinks about the behavior of the house. All this I live in fear of her. Tikhіn, zovsіm humiliation of the sovereign mother, live by one simple bazhann - virvatis, let it go and not for long, from the house and take a walk to your heart's content. The home environment of the floor is to rot yoga, but neither the blessing of the squad, how to love the wines, nor can you manage to trim yoga at home, as if you hope to have the least good fortune, be happy. Sister Tikhon, Varvara, is also aware of all the hardships of her family situation. However, at the sight of Tikhon, she has a firm character, and there is a lot of brilliance in her, let her secretly, do not greet her mother.
The head of another family represented in the drama is Savel Prokopovich Dikiy. On the vіdmіnu vіd Kabanikhi, as if trying to cover up your tyranny with hypocritical mirkuvannyam about the evil good, We'll take wild vvazha tse. Vіn vede to yourself, as if you were tempted, if you hit anyone - susіdіv, pracіvnіkiv, members of your sіm'ї; not to pay the laborers their pennies (“I know that I need to pay, but I still can’t ...”), moreover, the antrochs do not shy away, on the contrary, not without singing pride, they declare that the leather from the workers on the copy does not get better, but “ I have 1000 of them.” Wild, the guardian of his nephews - Boris and his sister, as if at the command of the fathers to take away their fall from the Wild in that moment, "as if they would be shanoble with him." Everything is in the place, and bring Boris himself, miraculously understand that they don’t take away the stink of the past from his sister, that nothing can make the Wild declare, neither the nephews were unscrupulous with him. Not only that, Wild to say directly that they don’t dare to be separated for a penny, to the one who has “his own good children”.
Self-righteousness "rule the ball" at the Kalinov municipality. However, some wines are like representatives of the “dark kingdom”, and others have “victims” in the lesser world. Joden from the quiet, who suffers from rudeness and swaville, does not dare to protest. Tikhіn pragne with all the forces virvatisya from the house; Boris, miraculously wise, that he does not take away any recession, all the same, he does not blame himself on the rise of his uncle and continues to “weep for the flow”. Vіn can't defend your love and less than narіkaє: "Ex, yakbi strength!" - I don’t protest at my own, if I run it “at the right” at Siberia. Sister Tikhon, Varvara, dares to protest, but the philosophy of life is little thought of by the representatives of the "dark kingdom" philosophy - rob, whatever you want, "abi everything is sewn that critical bulo." She taєmno takes from her mother the key to the garden, go to the garden, drink Katerina with her. Zreshtoy Varvara to live at home at once with Kudryash, but it also sounds not only to pan in the little town of Kalinov. So її vtecha, like Tikhon’s post-mortem, run into a tavern, stupidly.
Navit Kuligin, a person who is completely independent, succumb to the Wild, willfully do not call her. Mriya Kuligina about short life that technical progress is utopian. Your fantasies are more than enough for those who want to try for the ultimate good to install a thunderstorm or start a sleepy year in the square. Vіz zakhoplennym mriє, sho bіn robyv, yakbi mav million, don't rob anything, sob tsey milion, but go for a penny to the Wild.
Representatives of the "dark kingdom" are not only capable of cultivating their own interests, but are even better able to stand up for themselves. Ledve p'yanyy drunk Vilayati and Kabanihu are swayed by the Wild, like that yoga mittyu "put on the plate", and susid, schoo viruvav, immediately switch to a kindly tone.
In this rank, Katerina, I fell in love with you so much, as you can love less even stronger, that prejudiced nature, manifested in the outer self. No one is in the grip of її zahistiti - not a man, not a kohan of a person, not a city dweller, like a spivchuvayut їy (Kuligin). Barbara pronounces Katerina not to be turbulent and live, as before: lies at home and for the first time, you’ll be better off for a bachelorette to a kohanoy people. However, it is unacceptable for Katerina, shards out of mind, who are less likely to destroy their souls with nonsense, step by step to spend the building of bread and unruly love. Її piety does not have anything to do with the hypocrisy of the Kabanikh, Katerina calls only to herself in her “sin”, not a word to Borisov, who does not rob the living zusil, to help her.
Katerina's death is like a drama and natural - for her there is no other way out. It is impossible for her to come to the quiet, who preach the principles of the “dark kingdom”, as one of the yogo pribіchnіv, shards would mean to stop dreaming, virvati from the soul pure, bright; but it’s impossible to put up with a submissive camp, to come to the “victims of the dark kingdom” - to live according to the principle “abi everything is sewn that crito bulo” and shukati quietly for. The fault of Katerina is a fault before a specific group of people, but it is her own fault, before the soul through those that she has obscured with nonsense. Rosemary, Katerina does not call anyone, but those who cannot live with an unobscured soul in the "dark kingdom" are protesting. She doesn’t need such a life, and she’s free to be separated from her - it’s about Kuligin Kabanova to say over the lifeless body of Katerina: “The body is here, but now your soul is not yours, now out before the judge, who is merciful for you!”
In this rank, Katerina's protest is a protest against hypocrisy and hypocritical morality of conscience, against the lies and vulgarity of human interactions. Katerina's protest is not immediately buti diєvim, oskolki її voice is self-sufficient, and nothing z її otochennya buv not in the mind not less than її pіdrimati, but navit zrazumіti to the point. The protest was self-destructive, but vin buv and є vіdchenniâ vіbor sobistnostі, yak not bazhає reconcile with the laws, scho nav'yazuyuyutsya їsspіlstvo, with sanctimonious morality and the sіrіstyu pobutu.
List of references
For the preparation of this work, we collected materials from the Russian site internet
". On the cob її Dobrolyubov write about those who "Ostrovsky can more deeply understand Russian life." Give them an analysis of the article about Ostrovskiy and other critics, write about those who “have a direct look at speech” in them.
Then Dobrolyubov compares "Thunderstorm" with the dramatic canons: "The subject of the drama can always be podia, de Bachimo fight addiction and bondage - with unfortunate traces, you can overcome addiction with happy ones, if you overcome debt." So the drama may have a unity of diї, and it may be written high literary mine. “Thunderstorm” at the same time “is not satisfied with the most intense drama - inspire a moral bondage and show the worst of the legacy of being addicted. Katerina, the evil-doer, seems to us in the drama not only not to bring down the gloomy light, but to instill martyrdom out of it. She speaks so kindly, she suffers so pitifully, but everything is so bad about her, that you will fight against її oppression and, in such a rank, in її guise you will truly vice. Henceforth, the drama does not win its high recognition. All the action was going to be the right thing, because it was charac- terized by scenes of those persons who are not necessary. Nareshti and mova, how to speak playful faces, I turn over every patience of a twisted person.
It is necessary to carry out a comparison with the canon of Dobrolyubov in order to show that we are going to work with preparing statements about those that can be shown, without giving a true understanding. “What do you think about a man, a yak, having strummed a woman’s harn, you begin to resonate with a rapt, that in her the camp is not like that of Venus Miloskoy? The truth is above dialectical subtleties, but the living truth of that which is circulating. It is impossible to say that people were angry for nature, and this cannot be accepted for literary works principles on the kshtalt of what, for example, vice always triumphs, and honesty is punished.
“The writer of the dossi was given a small role in this Russian people to the natural ears,” Dobrolyubov writes, after which he writes Shakespeare, who “having put the headline of people on a sprat of steps, they didn’t rise to anything.” Then the author goes back to other critical articles about the "Thunderstorm", Apollon Grigor'ev's zocrema, which proves that Ostrovsky's main merit is in his "nationality". “Ale, then, polygaє narodnist, r. Grigor'ev does not explain, and to this the replica came to us like a comedy.
Then Dobrolyubov destined for Ostrovsky's p'es with a spell like “p'es of life”: “We want to say that in the first plan, the atmosphere of life is always savage. Vіn do not punish nor hardship, nor sacrifice. See that this camp is panuє over them, and vibrate them only in the fact that the stench does not show enough energy to get out of this position. I don’t care why I don’t dare to take into account the non-common ones and take those individuals of Ostrovsky’s p’єs, yakı do not take part directly in the intrigue. In our opinion, these individuals are necessary for p'esi, like smuts: stench will show us that situation, in which you live, paint the camp, which is the sense of action of the main characters in p'esi.
In "Thunderstorm" one can especially see the need for "unnecessary" characters (other rows and episodic characters). Dobrolyubov analyzes the replicas of Feklusha, Glasha, Wild, Curly, Kuligin and others. The author analyzes the inner camp of the heroes of the “dark kingdom”: “everything seems to be restless, unkind. Krіm them, without sleeping, grew more life, with less cobs, and even though you can’t see the good, but even more poached the filthy swarm of tyrants. I Kabanova is seriously confused by the future of the old order, with which they have lived. Vaughn transfers them, tries to understand their meanings, but then realizes that there is no great deal of honor for them and that for the first opportunity to leave them.
Then the author writes about those who “Thunderstorm” is “the best TV of Ostrovsky; mutually the tyranny of tyranny was brought to them to the most tragic legacy; and at the same time it’s quieter, who read and bachiv tsyu p’esu, it’s good to know that in the “Thunderstorm” it’s refreshing and pidbadjorliv. Tse "shchos" and є, in our thought, the background of the p'єsi, instructing us and showing the cunning and the near end of tyranny. Let us remember the very character of Katerina, which is painted on this aphid, that is on us in new lives, as it is shown to us at our own death.
Dobrolyubov gave an analysis of the image of Katerina, taking it like “the crop is ahead of all our literature”: “Russian life has gone to the point where people need more energy and energy.” The image of Katerina is “unsatisfactorily true to the feelings of natural truth and self-confidence to that sensi, who would rather die, lower life for quiet ambushes, which are unacceptable to you. In this wholeness, that harmony of character has strength. In the meantime, and light, with all the precautions of the gin of tyranny, they rush into Katerina's cell, they are torn to a new life, if only they had a chance to die in the same swarm. What is death? All the same - they don’t care about life and those animals, as if they had fallen to the lot of the Kabanovs’ homeland.
The author reports on analyzing the motives of Katerini’s actions: “Katerina’s advice is not to grow up to violent characters, discontented, who love to ruin. Navpaki, tse character, what is more important to create, love, ideal. Axis why won't you try to ennoble everything at your own sight. A little love for the people, the need of the lower nasalods naturally instilled in the young woman. Ale, there will be no Tikhon Kabanov, who is “far too late in order to understand the nature of Katerini’s emotions:“ I won’t tell you, Katya, - it’s like wine, - then you won’t get a word, not those caresses, otherwise so you just lie. So sound the zipsovani of nature to judge the nature of the strong and fresh.
Dobrolyubov inspired a visnovka, which inspired a great folk idea in the image of Katerina Ostrovsky: “Other works of our literature have strong characters, similar fountains, fallow in the form of a third-party mechanism. Katerina is such a big river: the bottom is even, the garne is flowing calmly, the stone is big, it is jumping over them, the urvische is cascading, zaruzhuyut її - it is viruє and breaks through in another place. It’s not for the one who won’t, so that the water quickly wanted to make a noise, or to get angry at the change, but simply for the one who needs to overcome all the natural forces - for a distant leak.
Analyzing the affairs of Katerini, the author writes about those who care about the possibility of Katerina and Boris being the best solution. Katerina is ready to move on, but here one more problem emerges - Boris's material fallowing due to his uncle Diky. “We said more than a sprat of words about Tikhon; Boris is like himself, in fact, only a few illuminations.
Naprikintsi p'yesi “it's good for us to fight Katerini's order - even through death, if it's not possible otherwise. Live in the "dark kingdom" more for death. Tikhin, throwing themselves at the corpse of a squad, wriggling from the water, shouting at self-confidence: “Good for you, Katya! And now I’ve lost my life in the world and I’m tormented!” The p'esa will end with this viguk, and we are told that nothing could be invented stronger and more truthfully than such an ending. Tikhon’s words make you think about not a love affair, but about everything in life, let’s die alive.”
At the end, Dobrolyubov goes back to reading the article: “If our readers know that the Russian life and the Russian power have been called by the artist at the “Grozi” on the right, and if they see the legality and the importance of the cієї do it, then some, they pleased our those literary courts”.
