Fruit sanctify the poster. P'esa Leo Tolstoy "Fruits of the Light" at the theater named after Mayakovsky: reviews
The fruit of sanctification is an emotional vistava, in which it is told about the life of the homeland of the Zoryantsevs. Your house is constantly filled with people. The servants time and again make the doors for the artillerymen from the cloth for the lady, for Sakhatov, the barmaid and the doctor, for the villagers, as they came to the pan, giving them land to pay. Until the speech, a servant helped them, having led them to their master under the watch of mediums. The sir himself, Leonid Fedorovich, doesn’t mark anyone for the sake of being choked by spiritual seances.
"Fruits of the Light" from L. Tolstoy's comedy was richly rocked by Fomenko's production. This year, a new version is presented by the legendary maestro M. Karbauskis. The Її premiere took place in 2015. This year's staging rightfully occupies a space of one of the "densely populated" shows. Age in tsіy vystavі take the fate of the whole corpse of the theater - from mature artists to young ones, less pochatkіvtsіv and small houses. Such a tandem will please the watchers. If you want to evaluate the tour, hurry up and buy tickets on our website.
Vistava "Fruit of the Light" at the Mayakovsky Theater
Dedicated to Petr Naumovich Fomenko.
"The Fruit of the Sanctification", which appeared on the theatrical poster of Moscow in 2015, is a comedy by Leo Tolstoy, written not for the professional stage, but for the home theater. Imovirno, to that all the scenes are warmer, and the heroes of the Nemes are written off from reality. Diya goes to the Zvezintsevs' booth, where the men come to ask for the land to be paid. The owner of the booth, Leonid Fedorovich, was deprived of baiduzhim - wines of choking on the chard spiritualistic seance. Rest is trying to help the villagers, having seen one of them as a medium.
The director of the vistavi “Fruits of the Light” is Mindaugas Karbauskis, who has been the director of the Mayakovsky Theater for 5 years. A lot of rock in Mayakivka's repertoire was "The Fruit of the Light" staged by Fomenka. Karbauskis dedicating the first premiere of 2015 to his legendary teacher, arranging it as material for that song itself, as putting yoga master at that theater itself. "Fruits of the Sanctification" of Karbauskis is symbolic not only by the fact and context of his accusation, but also, that it is one of the most populated vistas: the stage director has literally all generations of corpses: Igor Kostolevsky, Mikhailo Filippov, Galina Anisimova, Svlodіtlana G. Namolyakova , along with the history, and today, and the future of the theater.
It’s sing-song, skin from us, even if it’s just that sounding white glossy theater posters and having looked at it, the illustrative illustrations are calling out to marvel at that other spectacle. Today in modern theaters there are various performances, invested in different categories of population, fallow due to the influence of the constriction of the domestic public. And up to some genres theatrical art favor you?
How do you like a subtle comedy, which is conveyed by that light-gazing people of the 19th century, that you love create classical, written by the great Russian writers-thinkers, so that you can see the original and original comedy "The Fruit of the Sanctification". The Mayakovsky Theater is a living room for everyone who cares about their importance.
Naipers staging
Tsya p'esa did not leave the bridges of the Russian theaters in front of the cob of writing. Written in 1890 by the miraculously talented writer Lev Mikolayovich Tolstim, it was more than worthy of a wide audience and at the same time, one of the performances of the theater named after. Mayakovsky.
The first stage director was famous Kostyantyn Stanislavsky (who played one of the leading roles in the play).
The staging of the bula is shown to a very large number of viewers, which is more important than friends of the actors.
TV on the great stage
Then the bula was staged on the platform of the Oleksandrinsky Theater, where such stars of the imperial stage were lit up, like Volodymyr Davidov, Vira Michurina-Samoilova, Vasil Dalmatov. It is noteworthy that the actors took away their main plot roles from the performance; stench wanted to play characters that are unremarkable at first glance, but then they can think of the same sense of vanity. Dosі, zgіdno z nіmnymi vіdgukami about "Fruits of the sanctification", і characters vvazhayutsya central figures, on which the whole staging is set and to which prikutі look at that respect of the peeps. Here we are before Tanya, Betsі, men, cooker, cooker and so on. To that, as you will be present at the comedy, to show respect, as contemporary artists cope with these special, original images.
After a few months after the first show, the song was held with great success at the Maly Theatre. There, having visited the exhibition, Leo Tolstoy. "Fruits of the Light", demonstrated by no less talented actors (among them, the boules Kostyantin Ribakov, Oleksandr Lensky, Glykeria Fedotova, Olga Sadovska), sent a letter of reprimand to the writer. The protagonist of the actors who play the role of peasants seemed to Lev Mikolayovich unnatural and tedious. Like Bachimo, Leo Tolstoy introduced an important role to the characters themselves in his p'єsі. About those who play these heroes on stage theater, we'll talk for a little while.
From the history of writing to creation
The first, black version of the p'єsi "The fruit of the sanctification" was written by the great Russian writer as early as 1886. Writings and deprivations at the drawer of the table. Later, for three years, tver vyrishili put at the highest stake of this Tolstoy. This gave the author the opportunity to marvel at his literary creation sideways.
During the period of numerical rehearsals, Lev Mikolayovich began to practice over the alteration of the p'esi, trying to convey the dramatic images more clearly and more accurately. The change of that koriguvannya creation was made more than once, for what reason, it was entitled earlier "The thread broke", nabula its current name.
Trochs about the theater itself
Theater im. Mayakovsky, founded in 1922, is known for the address: Velyka Nikitskaya Street, 19/13. Pochatkovi vistavi the theater lay down to the present foreign p'єs. Then classical art was delivered, decorated in a daring, innovative style.
Talented directors and artists, such as Oleksiy Popov, Mikola Okhlopkov, Andriy Goncharov and others, were the artistic masters of the theater in different hours.
At once, the place of the artistic director is borrowed (beginning from 2011) with additional knowledge and gifts under the yogo chuynim kerіvnitstv theater im. Mayakovsky, recognizing the current changes and at the same time as one of the most famous theaters in the capital. Also here showing his productions is another master of his work - a Russian theater director, teacher and professor Yu. V. Ioffe.
The dramatic repertoire has so many talented actors, such as Svitlana Nemolyaeva, Igor Kostolevsky, Olga Prokof'eva, Galina Bylyaeva, Andriy Gusev and others.
Contemporary productions of p'esi
Vistava "Fruit of the Light" is already a 3rd hour on the stage of the Mayakovsky Theater. Formerly yoga was staged in 1985. The staging was entrusted to the requested director - P. N. Fomenko. "Fruits of the Sanctification" in the interpretation of Peter Naumovich exalted grotesque, live action, figurativeness, vividness and musicality. Glyadachі vzhe nastіlki zvikli to tsієї the work of the great director, scho zaberezhnіstyu priynyali sensitive about the new staging p'єsi, scho zdіysnyuєє under the curiosity of Mindaugas Karbauskis.
Before the speech, the artistic director dedicating the prime minister to the vistavi to Fomenko herself - her friend and teacher.
P'esa at the facts
Axis short information about tvir:
- The current staging of the vistavi "The Fruit of the Light" at the Mayakovsky Theater was ahead of the fierce fate of 2015.
- Trivality dramatic creation three years of good health for twenty years.
- The performance has practically all the actors from the theatrical corpse.
- Tsіkavo, that in the current production p'єsi zadіyanі deyakі actors, yakі play at її early variation. Nasampered, tse - Igor Kostolevsky, who played the role of the young Zvezdintsev for Fomenko, at the same time he got the character of the older century - Zirdintsiv-dad. So beautiful in her new heroine is the People's Artist of the RRFSR Svitlana Nemolyaeva. As before, she played the role of Zvezdintseva, now now she’s got that funny character - the cook.
Other actors, let's talk a troch below.
Acknowledged artists
Who else has tasks for the production of "The Fruits of Enlightenment"? The poster before the vistavi is given a final opinion on the question.
Nasampered, tse Igor Kostolevskiy, who plays the role of a wealthy landowner, a representative lieutenant of the film guard, who dabbles in spiritualism. Igor Matviyovich, nationality in 1948, є Deserved and People's Actor known to the Russian public from numerous films ("The Dawns Here Are Quiet", "Asya", "Garage", "Tehran-43", "Admission for Your Rahunok" and others) . . In the midst of yogo yakravikh and unforgettable theatrical robots, it is obligatory to guess such productions, like "Karamazov" (Ivan Karamazov), " Dead souls"(Plyushkin), "The Seagull" (Treplev) and so on.
The role of the squad of Zvezdintsev graє Tetyana Augshkap (Rik Narodzhennia - 1961). Honored artist of Russia, with such theatrical images as Serafima Saratova ("Blazh"), Nina Smilska ("Talents and Shanuvalniki"), Polina ("Children sing stosunki"), Sinyo Borodi's squad ("The Day of Sinyo Borodi's National Day"), Elizaveta Markivna ("Dead Souls") and in. Among the most talented film actors of the actress, one can especially see "Slidopit" (Jenny), "Tomorrow Bula Viyna" (Zina Kovalenko), "Queen Margo" (Claudette), "Daughters and Mothers" (Marta) and so on.
It is impossible not to guess Galina Anisimova, People's Artist of the RRFSR, as she plays the role of Comrade Pan. Galina Oleksandrivna, nationalized in 1929 in roci, practicing in 1952 in roci. Vaughn is a veteran of the war and a veteran of the practice. Among the shining robots of the actress, one can especially see "One Year Before the Svitanka" (Varya Kalinnikova), "Talents and Shanuvalniki" (Smilska), "Hamlet" (Ophelia), " cherry orchard"(Anya), "Sim'ya Zhurbinikh" (Tonya), "Lady Macbeth of the Mtsensk District" (Aksinya) and richly rich others.
Young talents
The role of Zirdinov's daughter Betsy graє Tse is a young actress (born in 1994). Regardless of such a young age, the girl was already featured in the episodic roles of such celebrity performances, such as "On the Grass Yard", "Lakeyska", "Dead Souls".
Sina podruzhzhya Zvezdintsevykh graє is also a young actor (1989 to the fate of the people) - Volodymyr Guskov. The talented young artist takes an active part in other productions of the native theater - "Stop" (Oleksandr), "Berdichiv" (Garyk), "Nine by Ten" (Kostolivsky), "Mayakovsky Ide for the Church" (Mayakovsky) and іn. Volodymyr is also known in cinema.
The role of Tanya's calmness was given to the young actress Natalya Palagushkino, as she gave hope. Also, the artist is watching such theatrical robots as "Fathers and Blue" (Fenechka), "Berdichiv" (Zoya), "Not all butter to a cat" (Agniya) too thin. You can also play the girl at the movies ("Moscow. Three Stations", "Gromadyanka Boss. Prodovzhennya", "Barvikha" and others).
Like a bachimo, at the production of "The Fruit of the Light" the nayyaskravishi and naytalanovitish artists of the present have their backs. However, your statement about the performance will not be correct, so do not give short description yogo plot. About tse timetsya below.
Intrigue to create
Diya p'ysi begins with the arrival of three peasants to the house of the landowner Zvezdintsev. They want to buy stench in a new land and bring a small deposit. Leonid Fedorovich is dissatisfied with such a meager sum and does not want to sell his money, as he said earlier. Moreover, at the same time, the thoughts of the government do not turbulate. Vіn veneration for more than one bazhann - to know a garrison medium for an offensive seance.
Tanya is not satisfied with the lady's lieutenant at the office. You want to help the peasants - your countrymen and relatives. So the girl dares to cheat: she sees her betrothed - the barmaid Semyon for the medium. Zirdintsiv will ask a young man for a session, after which everything starts to happen. How will the song "The Fruit of the Light" end - you can sing, having visited the production itself.
Positive feedback from viewers about TV
What is the cost real insights about the performance, then for two years they accumulated chimalo. Richly distinguished by the talent of a group of actors (especially Kostolevsky and Nemolyaeva). So, for numerous reviews, laudatory reviews were awarded to p'sa itself, її comicality and spitefulness. Prote not all peeps are the same.
Negative and neutral comments
Deyakі znayutsya, scho Nemolyaeva played them, as well as zayavnuta that wisdom of creation. The performance, looking boring, we will make it old and cunning.
However, as the gazers know, the present-day production of Vitriman's "Fruits of the Light" in the classic Russian style, which inspires his own frank humor, subtle psychologism and actual poshchalnist. P'sa clearly that spontaneously conveys the spirit of that hour, she laughs and laughs at once.
It also opposes the talanovita gra of actors, which combines a sprinkling of age-old categories of corpses. It can be seen that the leather artist diligently got used to the image, harmoniously supplementing the other, engraving from the senses that he knew his own.
Awarded for the miracle eccentric comedy - Mindaugas Karbauskis, head director of the Mayakovsky Theater.
The fruits of enlightenment
Comedy
The author of the creation is L.M. Tolstoy
Staging - Mindaugas Karbauskis
Prostir - Sergiy Barkhin
Costumes - Natalia Voinova
Music - Giedrius Puskunigis
Artist of the world - Igor Kapustin
Dіyuchі individuals and vikonavtsі:
Leonid Fedorovich Zvіzdintsіv, senior lieutenant of the Film Guard - Igor Kostolevsky
Ganna Pavlivna Zvezintseva, yoga team - Tetyana Augshkap
Betsy, my daughter - Valeriya Kulikova
Vasil Leonidich, son - Volodymyr Guskov
Oleksiy Volodimirovich Krugosvitlov, professor - Mikhailo Filippov
Likar - Maxim Glibov
Maria Kostyantinivna, music teacher - Olga Yergina
Petrishchev - Oleksiy Zolotovitsky
Grosman - Niyaz Hajiyev
Tovsta pani - Lyubov Rudenko
Sakhatov Sergiy Ivanovich - Kostyantin Konstantinov
Fedir Ivanovich, valet - Yuriy Nikulin
Grigory, footman - Pavlo Parkhomenko
Yakiv, barmaid - Igor Yevtushenko
Semyon, barmaid man - Oleksiy Sergiev
Old cook: Rasmi Dzhabrailov, Sergiy Rubeko
Cook - Svitlana Nemolyaeva
Tanya, rest - Natalia Palagushkina
and others.
The first premiere of 2015 is dedicated to Peter Naumovich Fomenko.
Rich Rocks in the Repertoire Fomenko. The premiere of 2015 is not a reconstruction, but it is possible that the production of the artist Mindaugas Karbauskis, the teacher of Petr Naumovich, will have “citations”.
Servants are scurrying around at the rankoviy motto of a rich Moscow booth, ringing nonstop at the door: an artilleryman in Bourdieu with a cloth for a young lady, who chimes in the world pan Sakhatov, a short-lived barman, an elegant doctor. Without haste, they go down to the snidanku and gospodar budinka, sob in a short time they will talk about mediums, spiritualism and seances. The low number of visits is continued by unsatisfied guests - men from the Kursk village, who are talking about buying land. Although it’s paradoxical, but the main food of their life is to blame the guilty servant.
Tolstoy's first remark is "youthful and garniy lackey looking in the mirror and squinting". Її th was taken as a basis by the artist Sergiy Barkhin and the director Mindaugas Karbauskis, who instilled in the scenery the very theatrical understanding of the “mirror of the stage”. The mirror itself will become your own passe-partout until you see it: the axis of the impregnable barman rehearses a fatal look, diligently combs his fox pan Sakhatov, footman Grigory, showing off, guessing his love wins, mister budinka, passing the cart, straightening his comb, and the servant of the ganchir.
The play “Fruits of the Light” will become one of the most densely populated: all generations of the theater are dead at the stage. A lot of artists played at the performance of Fomenko. And just as earlier, for example, Igor Kostolevskiy played the role of Vasil Leonidich Zvezdintsev, and played the role of his father Leonid Fedorovich. Like in the production of Fomenok, the role of professor Krugosvitlov vikona Mihailo Filippov, and the role of Tolstoy lady - Galina Anisimova. Compared with the meters of the theatrical stage at the stage performance of Mindaugas Karbauskis, it is very young: Tanya’s rest, “the collapsing power of the whole action”, is played by Natalia Palagushkina, in the role of Vasil Leonidich Zvezdintsev - Volodymyr Guskov.
The premiere of the show took place on February 21, 2015.
Trivality vistavi - three years 20 hvilin.
Festivals:
Participant of the XI International Theater Festival "Season of Stanislavsky" (Moscow program), Moscow, 2015.
The performance is on the long list of the Golden Mask award (a reminder of the performances of the 2014/15 season for the opinion of experts).
On the first version of the theater im. Vl. Mayakovsky, right-handed at the entrance, on the corridor, at the kutka there is a dressing room table - a trellis. You don’t look at anyone, you don’t marvel at anything - they climb higher up the hill. The dzerkalo is bigger, navpak, more popular to the point of supremacy. Like at Pushkin's kaztsі, the mirror is to speak and show. At the new and past, and today, and, sometimes, you can see what you can see in the future. Dzerkalo tse - theater. Vіn then lives, then the vice is quiet, who is trying to correct yoga clarity. The photos are retouched, the films are “rіzhut”, from the books that song the words are scribbled, the axis of the other vistavi is being corrected. Behind the veil, there is no less intrigue, - performances and whole theaters “hang”. They don’t blame the mirror, Ima put the stats of the criminal code in front of the province, depicting it as if, “desecrated objects of shanuvannya” ... Or, simply, use the mirror, that flattery has been learned. Broken mirrors - filthy prikmet. Sign of the hour. Kut vіdobrazhennya sharpen, not pereymayuchis vugіllya svodіnnya. All the same, they still take a handful of clumsy theatrical mirrors, marvel at them (that’s at oneself in them) with an eye (then, they recognize). And without a looking glass, how will you sort it out, chi go wild on a new chi ...?
Director Mindaugas Karbauskis, having taken up the production of L.M. Tolstoy's “Fruit of the Light”, having proponed the viewers with a focus from three mirrors: a mirror of life, a mirror of the stage, and just a mirror. The expanse, created by the prominent stage designer Sergiy Barkhinim, is framed: the whole stage is framed by the performance, transforming the skin into a new picture. Graut here is hard - picturesque, like in the genre paintings of Pavel Fedotov. In the introduction of the vistavi there is a portrait gallery of images, the director has invented his own “outward appearance”, his own characteristic figure, as it appears in the way the skin of them is trimmed in front of the mirror. Here, some people spit on the “fourth wall”, so that we can then wipe it, others turn around in front of it, and still others lap up the wet breath. Young people are flaunting, frail age is amazed; youth throws a swishy look of satisfaction at the mirror and hurry to live; old age summarily hits its head, or unsuccessfully swaggers before the hour of fermentation. For an hour, there is double in the eyes of the Lord: old age makes too much youth, youth glimmers, commemorating the “witch” ... From impersonal similar studies, invented by the director, the performance is put together, but the “mirror motives” are not exhausted.
The program "Plodіv osvіti" has no vkazіvki for the viewer about the vistavi genre. In a nutshell, that verse: “Attributed to P.M. Fomenko. The one-time performance of the teacher Mindaugas Karbauskis, that and simply the Reader, went on this stage for more than 30 years and deserved to be “legendary” on the epithet. Chi continue this production of the legend for an hour, but it didn’t happen without retelling. A lot of participants in the current premier were taken by P.M. Fomenko and either saved their roles like Mikhailo Filippov (Professor Krugosvitlov) and Galina Anisimova (Tovsta Pani), or they reconciled the images of other characters: Igor Kostolevsky from the son of Zvєzintseva viris at the father, and Svіtlana Nemolyaruchika entrusted her friend to the grave , who once took on the role of a cooker, having remade her “episod” on one of the most beautiful enemies of the vistavi. And in the new "Fruits ..." and remember those details of the performance-advantage, yakі іz zchituyutsya zitayutsya with satisfaction, yakі remember that production. One of the first author's titles of p'esi - "The thread broke", at the theater named after. Vl. Do not shave Mayakovsky's “days of a happy thread”, for a long time.
"The theater is not a mirror that reflects, but a greater slope," - saying to the one who now wears a lot of Theater of the Revolution. It is entirely true for the present premiere, but in this case, however, the relevance cannot be seen through binoculars. Rehearsing the song, which is based on a satire on the inundation of spiritualism with other supernatural amusements, the director is inspired, without putting it out of her mind to talk about those who "telepathy, Buddhists, spiritualists, preparatists, Freudians, neurologists, psychopaths" got the upper hand. Without supranatural, prote, it did not happen. The artists themselves play like this, every one of them. Play "over", tobto. not natural. Overplay, but you can’t give them a throw. “Fruct…” the remarks and remarks of the author, who thought up the idea for a home performance and did not love it, are unreservedly finished. Three and a half years before the gazer, all the author's bows are opened, respected in italics, priming to the old-looking characters (costumes, created by Natalia Voinova for fashion magazines of that era, merited for a great exhibition); and waltz L.M. Tolstoy (arranged by Giedryus Puskunigis) there is an hour. As the author Zvezdintsiv Sr. is a gentle, gentleman, there is not much to clarify that the actors Igorev Kostolevsky did not have to report on special achievements in this role - the splashes here are safe, and it’s fair, but not new. The squad of Zvezdintsev is a young, drastically dignified lady (according to the author’s instructions), and the actress Tetyana Augshkap, a nationally decorative dog for servants, begins to bark and replace her, squabbling and exactly behind the text. The daughters of the Zoryantsevs, Betsy, are characterized by a roaring manner, which people inherit, and pince-nez, and the actress Valeriya Kulikova is a good example of this image. And so far behind the program, you can snoop on the vіdmіnnostі vіd pershodzherel and not shukat. No opinions, no words of utterance, no mirror image of the text. copying. It is impossible not to notice, however, the role of the actor’s valet at the viconan Yukhim Baykovsky and the village walkers (Igor Marichov, Viktor Zaporizky, Sergiy Udovik), which the author “rozrahuvav” on the first, second, third and less in the text names are a sign of the hour: for paniv "people" to go to the rahunok, in the evenings ...
“The fruit of the sanctification” is a master’s illustration to the letter, the book is a lay-out according to them, a gift seen from gold embossing. At "Rik Literatury" it's tse hovering, it's saying goodbye at the hour, more performances "to help the school" are rare, and "new forms" and readings often inspire readers. “Fruit ...” read aloud, with the senses and to the tune, clearly (to inspire the villagers at the performance, over the incomprehensible movements of some of them, the author especially worked on them, use his “moving” and “tapericha” to imitate with the usual canons of the stage movie) and vocally, gestures that intonation - in assortment. Here, apparently, they made a skin replica, rushed around with it like a barmaid Yakiv (Igor Yevtushenko), who constantly perehrovuє spoons. Serving is good, and the tablecloth is boiled white, and behind the high backs of the stilts you can not see the companions. Є і scho grati, і to whom, but not to the ensemble, not to the themes. Here, the author didn’t give up on scrupulousness, they got carried away with parsing those evocative details, trying to be astonished to stare at the whist, responding to “dribnitsy” and “strokes”. It’s too rich, it’s too late, so “smoking, let’s say, let it go nowhere”, and stink dear. But what are the details and for the sake of what, as long as you can’t look at the distance. There is no “movement” at the show, but the public is not violent on the political context, sensing: “The people are weak. It’s a pity,” or “So, it’s like I’m far away from Europe!”, And if you sound: “I’m living my way, which I have demonstrated in Odessa,” the lookers and zovsіm meht schos zovsіm behind the mirror.
On the stage there is a majestic steel-podium for a seance. In front of the performance of Mindaugas Karbauskis "Kant" tezh bula "zastіlnoyu", but the deputy of the "buffet" - the main table-talk with three words - "words, words, words". The first public was enchanted, mesmerized by them. "Kant" was the right "spiritual séance", the holy spirit of that thought. In Plodakh osviti, hypnosis is given only to mechanized scenes, and the peeps are filled with such that they do not. For the middle of the twenty-two characters in the public, it is not important to know their own voices. In the first uplifted act, the looker feels like an artilleryman in Bourdieu (Yuriy Lobodenko), who, having fallen asleep at the front, in ochіkuvannі panіv. In another, if the participants in the session are violating someone “attached” to the medium, the spectator receives a replica on their own account: “Sit down and look around a little. And don’t think anything yourself” and if you don’t sleep, then don’t sleep. Survive the fullness of the first di varto for the sake of another. At a stranger’s house, the cooker, that old cook, Svetlana Nemolyaeva and Rasmi Dzhabrailova, is blowing in a savage way. The stench “mirror”, colorize, prophesy the share of the now faded (for youth?) couple of Tanya’s rest (Natalya Palagushkina) and the barmaid Semyon (Oleksii Sergiev). Went to the stage of Nemolyaeva, perhaps the most effective in the performance. Promenev (what a suit, what is light, and, most likely, the aura of the actress is the reason for this) go out under the sounds of O. Krem's romance "When love is dying" and what you need to say that you will overshadow everyone with yourself. At the same time, "see" light at the performance, like a grey. In її replicas there is not a single word about kohannya, how to lay down the kitchen, you can talk about the profession, about those like “eating”, “drinking” and “starting” on the pianos of the master, but the actress tells the lookers to get richer, lower the proponation of the text.
The vistavi frame appeared already the same as it was installed on the stage. Actors step over the frame of the stage from time to time, go to the hall, and the performance, it seems, is afraid to go beyond the boundaries. Vіn framing, shackling frames p'єsi ta vistavi P.M. Fomenko. All other theatrical benefits, incl. and the reach of Mindaugas Karbauskis himself, who has always been distinguished by a special literary ear and seems to be “overwhelmed” by the acceptance of texts, blamed for the frames, sent to the scenes. The director, who at times could be called a medium during the capture of vistavi, here he appeared as a mediator, an intermediary between the p'esoy, її past production and the ninth public. Yarlik "medium" migrated to the performance - vin wiyshov chimos middle. І the middle is still not gilded.
Mirroring is the solution that is the basis of vistavi. Vіdobrazhennya - pіdstupna rіch povna іlyuzіy; they have everything navpaki that at the gate directly. Ale, if you don’t go into the physicist that Carroll mirror, then the mirror is just beautiful. And it’s not so out of place, like a yogo frame, like on a poster for a performance, on a kind of dominant pompous gilded frame, like a comedy mask and Amuri. That and “Fruits of Enlightenment” completely embellished the repertoire. With its own sound work: the names of beloved actors and directors, decorations, songs (another act of inscribing unacceptable for the realities of the pansky house of the 19th century divertissement - in the human kitchen of the villagers, start a song "If mav gold burns ...", ale, the villagers ), and whoever can be and the author will be sure. Yogo a portrait of phenomena on a poster (like a talanovite at the theater), but at a glance, a portrait of a peasant who splits up, with a bushy beard in a cylinder and bast shoes, with a cane and a kitchen for alms. The count, who stood up for the relief of the life of the peasantry and for the sake of becoming privileges, having written not so a comedy about the names, but about the poshchalny p'esu. They have impersonal repetitions, longevity and dawn. He has a mirror of vdach tієї pori and a mirror of the inevitability of the Russian revolution. Some are occupied with charades and “spiritualism” on saucers, others drink tea from saucers, some are turbulent with land food, others philosophize about beyond the earth.
The culmination of the performance is a spiritual séance - everything may be seen at the darkness. "They planted me, put out the light, led me to sleep," - so in other times, gazers guess and guess. Shouts, noises, candles, vanity of vanities, "Grosman vibrates" - but no magic on the stage, no trick. And vikritta є. Behind the mirrors at the p'sі the human panska hati appeared, the servants were showing their pans; souls were ruined on the bed of Natalia's bed, I share that they lakay Tanya, that she came to change, to serve as an example of the bar's malice without turbos. In Tolstoy's "panі ta panova" short-lived and empty, stupid and idle, lackeys twist them and, zazdrivsya, hate ("Today I'm a lackey, but tomorrow, maybe, I won't live longer than they"), and the people, as usual, suffer , but be patient. “The fruits of enlightenment” of today, even in the “mirror-like” mind, could become a talk about “lackeyism”, which overcame (before the speech, in the repertoire of the theater there is a tsikava vistava on this topic - “Lakeyska”), become a drive for reflection (zvernennya back and on yourself), divination about those who take the “walking hour” will be their blessing. Ale "Fruit ..." stared at the oblyamіvtsі saucer, at the lovely primkhas of old times, at "Marshmallows and Cupids."
It is not surprising that in 125 years, since the day of writing has passed, "Fruits ..." have stale, humor has caught on, and the theme of class nervousness has become dull. Wіm, and spiritism today can be played funny: Woody Allen went far away in “Magії” monthly light”, was known in this place and a simple plot, and it’s hard to think about ideas about the illusory nature of life and the illusions of life, about trustworthiness and not to believe and about those that are unbelievable, for an hour, richly reconsider the truth. Qi thought є th at p'єsi Tolstoy. Ale blame the stench between the rows. That is why there is no such thing as a vistavi, serendipity is included in the author's text and the history of the productions.
The performance was performed by Kostyantin Stanislavsky, Vira Komisarzhevska, Maria Lilina, Oleksandr Artem, and after them there were many other famous names. Everything has a pre-history, it is important to know it, respect it, remember it, why bother with the reincarnation of vistavi? The director is not told in irony - resuscitation about spirits (“You are sensible that we live, so the invisible light of spirits is alive right there”), but in some ways it is necrotic and taxidermic. And without devoting a poster to the Ninishna, they would inevitably compare with Fomenkivsky, and without the director’s direct quotes from the director, there were used parallels, and there was no such thing as a rozpodіlі roles “bіgіv” in the reviews they wrote: in my role. Ale would write about the director Karbauskis, and not about the teachings of the director Fomenko. Try to speak in a strange voice characteristic rice and priyomi (tobto suto zovnishnє) lead to a parody, an effect in this type of nebazhany. A study is a teacher’s ticket, but sooner or later it’s necessary to stop being like a ticket. Karbauskis had long ago finished his studies, and it’s not clear why now you need to “scrub.” Would it be possible for the director to turn into a new self as a genre painter, like a writer? Occupying with high spheres and themes, throwing away the saucers and tyurnurivs at the world, switching over to them, how to beat the nickname Kapchich in “apchhi” and grabbing with mirrors so that they ceased to vibrate with them. On the other hand, for young artists, the work in the performance is crazy, pleasurable and lighting: the whole school (successively studies) of movies, manners, heritage, “behind the mirror” background. And for their teacher-teacher Mindaugas Karbauskis, as for an artistic director - this is a blessing, as for a director - a waste of self-sufficiency. It didn’t seem like it was there, but it was dedicated to posters - it’s dedicated to the help of a teacher from a learned school. What time.
