Analysis of the creation of a fatal egg. "Unsafe experiment (povidi M
MISTO IN A STATE OF STATE - ANALYSIS OF THE STORY "FILN EGGS" by M.A. BULGAKOVA
Department of History of New Russian Literature and Contemporary Literary Process Faculty of Philology Moscow State University named after V.I. M.V. Lomonosov Vorobyovi Gori, 1st building, Moscow, Russia, 119991
The article is dedicated to the analysis of the image of Moscow in the novel " fatal eggs» M.A. Bulgakov. An hour, space, and characters reflect the historical and pobutov realities of Moscow in the 1920s. For ten years (1919-1929), in the course of the development of the new era, Moscow has lived through two new cycles of life, which are composed of three main stages: the new fall, the crying out under the revolution and the Gromadyansk war, the new resurrection and the roaring. The Mіs'ky prostіr at the same time is localized at the two most important topographic centers, the main podії are dispersed. Mystical aura (unclean power) accompanying the description of the entire artistic space and become characters. Bulgakov's science fiction is brutal in the future and in fear of catastrophes.
Key words: M. Bulgakov, "Fatal Eggs", the image of Moscow.
The antithesis of Moscow and St. Petersburg was strongly fixed in Russian culture. In the literature of the 19th and 20th centuries, the won was realized in two "texts": Petersburg and Moscow, the realities of which were molded by the creativity of the most famous writers - A.S. Pushkin, L.M. Tolstoy, F.M. Dostoevsky to Andriy Bily, A.P. Platonova, M.A. Bulgakov, B.L. Pasternak.
Mikhailo Opanasovich Bulgakov - the great Russian writer and playwright - "inspired us in Russian and world literature as the author of the novel "Maister and Margarita", which is a rich literary scholar and thoughtful reader to respect the best novel of the XX century." For the sake of special respect, the novel “Maister and Margarita” deserves credit for creating something else - like, for example, the cycle of “Moscow stories” of the 1920s (“The Devil”, “Fatal Eggs”, “Dog’s Heart”).
anti-utopian fantastic story"Fatal Eggs" - another part of "Moscow stories" by M.A. Bulgakov. The story was first published in 1925. Vaughn also made friends with the short editorial staff under the title “Promin life” (1) .
Diya povistі vіdbuvaєtsya in 1928 roci. Brilliant zoologist Professor Volodymyr Ipatiyovich Persikov vivaciously reveals a wondrous chervony promin, which brings about an accelerated development of biological organisms. At the same time, the chicken pestilence swept through the whole country, and politically victorious vikrittya Persikov for the renewal of chicken farming in the country. Prote zlovzhivannya science "drives" the place. Bulgakov's science fiction is brutal in the future and in fear of catastrophes.
The article examines the image of Moscow in the story "Fatal Eggs", analyzes the myth about the special Moscow expanse and hour. Just as in the story "Dia-voliad" the image of Moscow is an ice of intent, then in the story "Fatal Eggs" the capital acquires clear outlines and begins to live a full-blooded and rich life.
In the "Fatal Eggs" povіst, the city's expanse is localized at two of the most important topographic centers, and the main pods are dispersed. This is the name of the Zoological Institute on Herzen Street, as well as the apartment of Professor Persikov on Prechistenka Street, as they represent their own “philia” to the center. A similar expanse of organization is characteristic of Bulgakov: for example, in the novel "Bila Guards", the central station near the Kiev city is occupied by the apartment of Turbinikh, and in the novel "Heart of a Dog" - the Moscow apartment of Professor Preobrazhensky. The artistic space of the “Fatal Eggs” area was organized more folded and predicted three concentric stakes: the central one appointed by the Zoological Institute and the professor’s apartment, followed by the expansion of the Moscow space, the third one including the space around Moscow, to know how to enter. Such a budova often repeats the structure of space in the novel "Bila Guards", where Moscow occupies Kyiv.
Moscow has lived through two cycles of life already, in three main stages: the new fall, the crying out under the revolution and the great war, the war, the resurrection, the nareshti, the boisterous rozkvit. The development of the first life stake is included in the first chapter, which is small for obsyagi, if it is three times less than ten years (from 1919 to 1928). Podіyam another cycle, scho vіschuєtsya in a sentry vіdrіzok dovzhina in one river (from the spring of 1928 to the spring of 1929 rock), vlasna, and the story itself is consecrated, the first chapter of its kind, entering the main diї. By the end of the summer of 1928, Moscow is able to survive three catastrophic downfalls, as if one can see three turns in the development of one great catastrophe.
The first new cycle includes the coming stages: development and growing crisis, new fall, the beginning of renewal, nareshti, rozkvit. Having occupied this new wrapper, less than ten years. The reasons for the fall of 1919-1922 are toiling in the air, but all the same, the stench remains outside the scope of the warning. Golovne, which attaches respect, - the power of the place is majestic and life force, the will is screwed up to life. Yakscho Petersburg " Midny Vershnik"or" Malice and punishment "to take revenge on my own threat, forever ready to break through the ruinous elements, then Moscow in Bulgakov's land, now, like a calmly healthy organism, to take revenge on my own straining mechanism of defense against misfortunes and building to regenerate.
However, at the very end of the first division, it would have been better, life would be shaved with the words: “And the influx of 1928 became those nameless, zhahliv ...”. Every time the reason for the new confusion in chaos is not just named, it becomes an object of sawing. The reason is a man-made disaster. Here we can see the main branch line between the classic St. Petersburg myth and the image of Moscow, prompted by Bulgakov’s stories “Fatal
eggs" and "Dog's Heart". The myth about Petersburg has a place to resist the natural middle ground and the natural elements. In Bulgakov's stories, navpak, it is natural that organically there is a place for verses, piece by piece called out by people.
The central podia of another division of povisti is the presentation of the so-called “change of life”. Vіdkrittya, blamed by a brilliant scientist, it can be comical and filthy in its status as a nickname for Peaches (possibly, Bulgakov at times in the same time as an academic nickname for the Abrikosovs). Vіdkrittya vіdbuvаєtsya navіnі pіd stupovo fading noise of the place. From the beginning, the professor’s office at the institute hears the insolent “rumble of spring Moscow”, then we smell the sounds of the place, and more ingeniously, even more scary, we hear at the upper and evil silence: for example, a pose with a focus drug. For a moment everything was mumbling.”
Closer to the wound, the place begins to invade the enclosed space of the office. Persikov, fading his experiment from change, then raises, then lowers the curtains: “The curtains flew again. The sun was now in the presence. The axis of it flooded the walls of the institute and lay like a jamb on the ends of Herzen”; "Sniffed light in the corridors of the institute." Well, if Persikov, who has stubbornly cultivated a scientific opinion, has impossibly rebuffed the traces (“Azhe tse obіtsiaє the devil knows so! ..”), he lets us continue the experiment and slander promin in the sun, the sun of the sunny light is on the eve of the evil. The final chord of another sounded like a sign of catastrophic podia: The sun came out." The sun, like a professor, can win victorious as a tool for establishing information, unstoppably transforming from life to death to threat.
The dome of the Cathedral of Christ the Savior becomes a kind of beacon in the expanse of another division. The paintings, which took this dome on the cob in order with the approaching night moon, and then brightly burning at the exchanges of the spring sun, frame the rhyme about the saying “trading life”. Shining with the fiery light of the "sholom of Christ" also wins the role of the alarming banner, because it is more brightly burning light, half-light fire of infusions in the context of the evil mystical spirit, symbolizing heavenly wrath, lower.
However, at the onset of the division, Professor Persikov establishes that a new promise cannot be taken away from the sony natural light, wines only from the light of the piece, electric. In this way, the role of the heavenly body in the context is changed: it becomes one of the symbols of the natural that day, opposed to the broken and unnatural. And this is the supporting antithesis of everything.
At the third branch, there is a podia, which conveys a large-scale catastrophe to the future. As a result of the experiments conducted by professor Persikovich and yoga assistant Ivanov at the institute, a mini-cataclysm was observed: By stretching 2 dіb z іrnok vilu-
drank thousands of puppets. Ale, that’s not enough, by pulling one, the tufts grew overhead into toads, and so evil and ungreedy, that half of them were immediately torn open by the other half ... At the office of the great man, the devil knows: the tufts dispersed from the office throughout the entire institute. Pankrat, having been so afraid of Persikov like fire, now he felt one thing: he was dead. Through tyzhden i himself teachings vіdchuv, scho vіn shalenіє. The institute was filled with the smell of ether and potassium cyanide, like ice not breaking off Pankrat, like not suddenly taking off his mask. The swamp of the generation, which has grown, has grown far away to kill with bruises, ventilate the classrooms. In this manner, on the other side of the scale, a catastrophic scenario for the development of new developments is being realized.
Tsіkavі u zvyazku kіlka momentsіv. First, the catastrophe in miniature is spreading near the center of Moscow, near the walls of the institute. Buv chance that Moscow will become the epicenter of hardship. However, at the same time, on a full scale, the catastrophe flares up in Moscow and begins to rush into the place like a hellish enemy. In another way, at the walls of the institute of launchings, as a result of the final process, it goes under control and, perhaps, burns out. Ale, with this, it’s true that under the control of yoga you don’t trim Peaches, and you don’t blame yoga. Tse zavdyaki Pankrat. And Persikov, already at this stage, obviously succumbs to the phenomenon, as if they gave rise to the following: “he himself learned the teachings, that he was shaley”. At this stage, we become aware that, having left Peaches alone in the face of his own troubles, nothing can be done against him.
The story "Fatal Eggs" is freed from mysticism in the novel "The Devil and Margarita", as well as in the novel "The Meister and Margarita". Prote mystical aura is here, without a trace, present. The author calls the experiment carried out by Persikov as a robot “an important secret”. Dzvіnucha silence, napіvtryava, trembling skhіd, semi-lunacy of the dome of the Cathedral of Christ the Savior - everything accompanies that sci-fi rozpovid is taken over by a mystical spirit, that in the world appears to be related to another, greater world. The basis of this other world is not clearly shown in the story, as, for example, in the novel "Maister and Margarita", but it is also obvious here.
The character is low, in fact they act like a kind of intercessor of evil spirits. The first of them is Alfred Arkadiyovich Bronsky, “a spokesperson for the satirical magazine Chervoniy Raven, a glimpse of the GPU.” We can speak about it in a way to describe it: “Behind Pankrat’s back, a young man with smooth, oily guise was struck. , eyebrows and under them not for a second to be surprised in the eyes of a spivrezmovnik of agate eyes.The dressed-up young man is absolutely unbelievable and fashionable. a reed, a droplet with a gostry horseback and a notebook. Agate eyes, the widest pants, laces, similar to the hoard - everything is not so lakaє, skilki are trochi evilly wondrous.
nocturnal onslaught on evil spirits, it’s more, then we’ll break it off at the walk with this “journalist” Peaches call those who write “devil’s”.
It is more significant that the catastrophe is man-made, that it becomes the central podia of the story, not the result of some evil namir. For whom you create, like in the story “Heart of a Dog”, there are no characters who have any strength, like they inspire evil. Figures that you carry on your own ice is a powerful vidbitok that is evil and sweaty, not with the helpers and the bearers of evil. Shvidshe, stinks - tools in the hands of an invisible force, as if they were furnishing them.
Famously, what happened, maddened by a large number of such furnishings. First - scientific opinion of Professor Persikov. Another is a chicken pestilence. The third is a swindler with parcels addressed to Persikov and Rokk, a representative of the new government, who, having called Persikov to revive chickens in the country. With whom, neither Persikov, nor Rokk, nor anyone else there would have yet jumped to win the titles of promining life for evil.
Otzhe, vіdkrittya vіdbulosya - the first crock before the catastrophe was crushed.
Another unfortunate situation, which was zoomed in by the tragic development of the undergrowth - chicken sea. Here, again, I can rightly, by the will of the fall, as I am another, unfettered human strength. The reasons for the smoking sea are not named in the story.
Diya is supposed to be transferred beyond the borders of Moscow, where the foyer of potential dashing was strangled, in a small town of Steklovsk, Kostroma province. Here the first act starts without a trace of self-drama, which turned into a heap of gigantic squirrels. Like the classic version of the podia on the back of the head, it appears in the form of a tragedy, that buv repeats itself like a farce, then Bulgakov’s navpak - like a farce before a real tragedy. The smoking sea can be perceived as reductions and tributes in the ironic light version of the cataclysm, which in Bulgakov's work conveys the cataclysm of the right.
The history of the smoking sea is repeating the scenario of the development of podia, which was studied at the Moscow Zoological Institute, and also transmitting the main podia of the story. Here is the epicenter - the bird's door of Drozdova's widow, which, in the context of the wild, seems to be a parallel to Persikov's office at the institute. And there, and there, they begin and gather wrappers of uncontrolled and uncontrolled appearances - at Persikov, toads and snakes bred, at Drozdova, chickens suffocated. Dali vinikaє razbіzhnіst, significantly - timchasov razbіzhnіst. In the institute in Moscow, with an unbelievable phenomenon, one can go in, at Steklovsky it continues to develop and gain wraps, gaining more and more menacing scale: On Personal Street, before noon, only three triggers were left alive ... but you and you died for the day. In this rank, the smoking pest goes between its pit and squirms to the place.
Garyachkov, transcendental intensity and tension of life between god-villas. Misto similar to a living organism infected with fever,
and yogo streets - to the middle of the fire: "Theatrical passage, Neglinny and Lub'yanka fell with great and purple swarms, rattled with exchanges, wagged with signals, swirled with a saw."
A crisis of absurd turmoil with a hint of Godville, a crisis of a comical situation in a few fragments begins to overlook the sweaty world, the image of the hell itself rises, the phantasmagoric reality is invaded by devilry: from the hoses they poured water over them, then the red whit walked across the screen, the inanimate smoke swollen and dangled with claws, lifted the jet, viskakuvav fire wrote: "Bedroom of smoking corpses on Khodintsi."
Here a rich fire blazed up, over a bright, sticky light, an electric syava (“shimmering and sparkling”, “sittingly crying”, “fire-year-old” thinly), at which Misto burn like hell in the half-light.
Sounds, like a reminder of the space of Mista, also call out associations with some kind of devilish coven: “boys-newspapermen grumbled and wailed between the wheels of motors”, ““ Ha-ha-ha-ha”, - laughing circus”, “A-up!” - piercingly shouted the clowns, "Ah, the devil!" - squeaking Peaches, etc.
In the course of your life, you have passed through the path of transformation, you will be victorious by the author when describing the Great Ball with Satan in the novel “Maister and Margarita”.
In a right way, destroy the life of Moscow life to lie ahead of the onset phase of the catastrophe - an invasion of gigantic squirrels. Under the threat of the downfall, Moscow will change as a whole as its own old look, and the way of foundation.
The story "Fatal Eggs" develops the theme of rock, before the apocalypse. Lance of vipadkovosti brought to a full-scale catastrophe. The name of one of the key characters - Rokk - became a peculiar symbol of these vipadkivs. The unmediated culprit of the catastrophe - Rokk - endowing with the features of a representative of evil spirits. Keeping in mind the name of this character, one can say that Bulgakov's share of evil is close to a demon.
A mystical aura accompanies the description not only of the characters, but of the entire artistic space. Zvernemosya to tієї chapters of the story, in a yakіy vіdbuvaє one of the key to the development of the plot of podіy, scho zoomed catastrophe - the transfer of Rokku Persikov camera for experimentation. Tse vіdbuvaєtsya at the other part of the som rasdіlu. The famous replicas sound here: “Rock priyshov” and “Rock from paper? Ridkisne poednannya ".
Here, at whom they split, Persikov's office became like a rich and small, like an entrance to the very hell. Through the rest of the change, it is stingy, dark and unclean at the host: “trochs are warming up and so stuffy and unclean in the office, quietly lying a red sheaf of change.” Itself promin without intermediary to go to the hellish storms and begin to embrace like a gift from Satan: “chambers, in yak, like in the oven, raspberry merekhtiv, rozbuhly at the windows promin” . Persikov, having accepted the satanic gift, also swells some kind of demonic rice: “I myself Persikov at the temryave of the guest’s head wasted, that he fell from the reflector, and sang marvelous and majestic at the quintet armchair.” This short description allows you to create the image of Persikov
not only with the figure of Preobrazhensky in the novel “Heart of a Dog”, but also with the image of Woland in the novel “Maister and Margarita”.
The name of the radgospa enchanted by Rokkom - "Chervony Promin" - plays the same role, which is associated not only with communist symbols, but also with symbols that signify inferno and inferno.
Zustrich Persikov with Rokk, as it ends with the transfer of the camera to Rokk with an exchange, a dreadful dramatic podia. Having offended the characters, in some ways, they are similar to evil spirits, and that, and the other image will be for help, to such Bulgakov more than once going into, tinkering with the devil of various caliber. Ale sho tsikavo: two, mentally seeming, the demons do not sympathize with one alone. Under the hour, the stench stinks in their own way, alone, alone, as if unacceptably marveling at one alone. Professor Navit shows Rocca his unimportant attitude. Peaches and Rokk are of the same mind and feel blessed and at the same time, like, for example, characters from Woland's mail. However, the result of theirs is such, no one is guilty of the evil spirit itself and the underminings. It is not for nothing that Bulgakov described the activity of the other Bulgakov with the remark “on the mountains of the republic”: “The middle place is not mediocre, mountains of the republic, the microscope was sitting. Hi, sit Professor Persikov! ; “On the mountains of the republic, Oleksandr Semyonovich’s seething brain did not die, near Moscow Rokk stumbled with Persikov’s winegrower, and in the rooms on Tver’s “Chervoniy Paris” an idea was born from Oleksandr Semyonovich, as if for help in exchange for Persikov, to bring forth a month of chickens from the republic.”
Let's guess: neither Rokk, nor Professor Persikov did not have a few filthy, evil spirits. None of them zbiravsya vikoristovuvat promin to reach power, wealth and other coy purposes. Otzhe, it can be said, that they stink as Satan's followers, without knowing it themselves. The stench is an instrument of evil will, they bear on themselves the most obvious signs, the prote themselves do not acknowledge it. The skin of them mark these signs in his mind, but he does not see that he himself wears them. Tsya vlastіvіst zgod passed to the main characters of the novel “Heart of a Dog”.
Tragic podiam, the description of which starts from the chapter "History in the radgospі", conveys a kind of symbolic artistic gesture: Bulgakov started to mimic that sound lightly. Postupovo. The sound of the night is beginning to come, suddenly: “Good evening, closer to the night, Pankrat, sitting barefoot by the sparsely illuminated vestibule ...”, and then the expanse of the open space is completely distressed by silence and darkness: “There was not a bit of sound from the office of the future. That light was not in the new. There was no smugness in front of the door.
Otzhe, the development will go to the climax - the invasion of giant plazunov. At this stage, the plot begins to begin to clearly follow the laws of the genre, which, within the framework of modern mass culture, can be called a “thriller”. Yogo pohodzhennya resemble, as it seems, to a classic gothic novel. Necessary warehouse creations of this one are such a trick, like suspense, - pumping up an anxious mind. Zagale sum'yattya, humility, which suffocated everyone for no reason, restless, filthy premonitions, which zavmirayut in the end of the rahunka in a silent darkness,
from which axis-axis the contours of something terrible and unstoppable can appear, they create the same trivozhne ochіkuvannya.
The final scene of the eighth division tells the daily reader the most gloomy episodes of the most popular films. Nasampered by the “Park of the Jurassic Period” and “Shchelepy”: “The snake is about fifteen arshins and a tovshchina in a man, like a spring, jumped out of the burdocks ... The snake waved the head of the head of the radgospa right there, de bula was a blouse on the road. Rokk bachiv as a whole clearly: Manya became yellow-white, and for a long time she had hair, like a drotyan, rose to the top of her head. The snake in the eyes of Rocca, having opened its eyes to the pasture, sighed like a see-through, sank its teeth into Manya, who was settling into a pill, by the shoulder, so that she lifted him a yard above the ground. Todi Manya repeated the poignant element before death. The snake wriggled five times with a twist, the whip її serpent tornado, and began to squeeze Manya. She didn’t see the same sound anymore, and Rokk chuv, as if her brushes were bursting. Mani's head flew high above the ground, stooping low to the snake's cheeks. Three companies in Mani sloshed blood, a broken hand jumped out, and fountains of blood blew out. Then the snake, twisting the cracks, opened the pasture and at once put its head on Mani's head and began to fit on it, like a mitten on a finger. They gave the following reminiscence from Gogol’s “Viya”: “In the sight of the snake, there was such speculation on all sides that it was like Rocca, and the whip of ice did not blow it out of the road ... Axis here Rock and Posiv. On the back of the lion and then on the right, half of the black yogo, like a chobit, curled his head with a sword. The chapter ends in the flow of Rocca from the mist of terrible podias: “At the mortal vanity of the wines, having crossed the road, nothing and no one bachachi, deafening the surroundings with a wild roar, rushing to the gods ...” .
As the successors obediently say, “in Bulgakov’s work, already on the cob of the 20th century, there are single texts, among them there are words-figures, keywords, the characters and walk, like in the world the groaning of Bulgakov's creative biographies, swell with repetition and variability and form a single motivic structure - Bulgakov's meta-text. Numerical autocitations, roll calls and analogies to adopt the creation of a whole and unified artistic world. "Korotkov's dream in "Diyaboliad" is reminiscent of Petka Shcheglov's dream in "The White Guard"... In the "Fatal Eggs" I still know the nickname - Pestrukhin, which led to "Diyavoliad". The place, as if attacking the call of the elemental threat, is Moscow in the "Fatal Eggs" and Kiev at the "Biliy Guard". Professor Persikov, who lived on Prechistenka Street "in an apartment with five rooms," and his closest assistant, Privatdozent Ivanov, transferred Professor Preobrazhensky and Dr. Bormental from the novel "Heart of a Dog." Professor Preobrazhensky's house honour, the porter at the house, Daria Petrivna and Zina, linger on her confessions at the novel "Fatal Eggs" - the housekeeper Maria Stepanivna, as she went "for the professor, like a nanny" that watchman of the Pankrat Institute. A fragment of another part of the story "Fatal Eggs", in which an experiment is described, conducted by Professor Persikov and his assistant over a toad, is replayed with a fragment of the story "A Dog's Heart". "Fatal Eggs": "The toad is heavy
she shook her head, and in her fading eyes the words appeared: “You bastards, what the heck…” she stroked Yogo.
The nearest state with the artistic expanse of Bulgakov has the expanse of Gogol. In the story "Fatal Eggs" the places are in the first rows, if we start to name the main character of the story - Persikov. Let's guess Bulgakov's fakeon, who can tell about those who, like supervisors, seemed to be leaning one by one on the lava of the judges. One of the rich directors bore the nickname Peach, and the feuilleton itself was called "Enchanted Misce".
In the novel “Fatal Eggs”, the motive of intercession is blamed for the first time, which hopes the main character is unnamed for him, high-ranking and pleasurable: “Professor can be calm ... more than that, no one will be turbulent, no one will be in the institute, no one will come in ... live"; “Here Persikov fainted a little, that scho denouncement, to reach the house, rang from the Kremlin, for a long time and sensitively spoke to Persikov about his work and showed a banquet to see the laboratory.” This motive continues in the story “Dog's Heart”, de Professor Preobrazhensky to go to the zahist like a pleasurable individual in the name of Vitaliy Oleksandrovich: who is not Schwonder, no one else could ever get to the door of my apartment. Remaining paper. Factual. Help. Armor. Sob my name was not guessed. Skinned.
It is respectful that, as in the story "Fatal Eggs", so in the story "Dog's Heart", in order to give intercession, individuals are endowed with rice of the all-powerful, and also, close to the greatest, strength. It is enough to take shape in the novel “Maister and Margarita”, where Satan himself plays the role of patron saint.
NOTE
(1) "Fatal eggs" - a story. Published: Nadra, M., 1925, No. 6. Removed to collection: Bulgakov M. Diaboliad. Moscow: Nadra, 1925 (2nd species - 1926); and Bulgakov M. Fatal eggs. Riga: Literature, 1928. The short story of R. Ya. friend: Chervona panorama, 1925, nos. 19-22 (number 22 - under the name "Fatal eggs").
LITERATURE
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CITY UNDER SIEGE - ANALYSIS OF M. BULGAKOV "S SHORT NOVEL "THE FATAL EGGS"
Department of History of Contemporary Russian Literature and Contemporary Literary Processes Lomonosov Moscow State University Vorobiovy Hills, the 1st humanitarian building, Moscow, Russia, 119991
This material is the funding for the analysis of Moscow "s image, the creations of M. Bulgakov in his short novel "The Fatal Eggs". and Shvidky flowering. Mystical aura (evil spirit) fills the description of narration and characters. Bulgakov's fiction foretells the future and serves as a warning of disaster.
Key words: M. Bulgakov, "The Fatal Eggs", image of Moscow.
"Fatal Eggs", written, after the words of M. Gorky, "warmly and calmly", were not just, as it could have been, vitriolic satire on the radian suspіlstvo epoch nepu. Bulgakov to try here to try to make an artistic diagnosis of the legacy of the gigantic experiment, a kind of probing over the "progressive part of the people." Zocrema, let's talk about the intransigence of the intrusion of the mind, science into the infinite world of nature and human nature itself. Ale chi not talking about those three things earlier than Bulgakov, at the verse "The Riddle of the Sphinx" (1922), the teachings of Valery Bryusov?
About other all-worlds, we should speak about the world of wars under microscopes.
Ale mi between them - the fox has moose,
It's easier for thoughts to sit under windows...
All in the same place guinea pig,
All the same dosvid іz chickens, z reptiles ...
Ho before Edip is the solution of the Sphinx,
Forgive the numbers, not all guesses.
The very word “with chickens, with reptiles”, if under the miraculous chervonim exchange, vipadkovo vіdkritim Professor Persikov, the replacement of elephant-like broilers come to life giant reptiles, allowing Bulgakov to show where the road is, paved with the best names. As a matter of fact, as a result of Professor Persikov's statement, the result (in the words of Andriy Platonov) is no more "naughty nature." Ale, what’s the point?
“At the red smoothie, and then in the mustache disk it became crowded and the inevitable struggle began. Znov narodzhenі fiercely attacked one on one and tore into pieces and forged. In the midst of the people lay the corpses of those who had died in the struggle for a reason. Overcame the best and the strongest. І qі naykraschi buli zhahlivі. In the first place, the stinks almost always outdid the primordial amoebis, and in another way, they sighed as if they were especially angry and chewy.
Chervoniy promin, vіdkrity Persikov, - the same symbol, richly repeated, say, in the names of radian magazines and newspapers (“Chervoniy Vognik”, “Chervoniy Pepper”, “Chervoniy Zhurnal”, “Chervoniy Spotlight”, “Chervona Vechirnya Moscow” and Navit) organ of the DPU "Chervoniy Raven"), spіvrobіtniki yak pravіtniki glorify and glorify the feat of the professor, in the name of the radgospu, de may but conduct a virishalny experiment. Bulgakov, along the way, parodies here the vchennya of Marxism, as if, stoically bumping into something alive, negainally called out to the new boiling class struggle, “anger and chewing”. An experiment of saying a little more than once and succumbing to the will in advance of appointment, fate, which in the world personification was in the person of a communist-ascetic that director of the Radgospa "Chervoniy Promin" Rocca. The Red Army must enter into a deadly thing with reptiles that will call on Moscow.
- Mother ... mother ... - it moved along the ranks. Packs of cigarettes were streaked at the brightened night sky, and white teeth were skimming at deceived people and horses. In the ranks pouring a deaf and stinging heart spіv:
... No ace, no queen, no jack,
Let's beat my bastards without a doubt,
Chotiri sideways - there are none of yours.
A bunch of hurricanes cheered over the mustache of porridge, to the one who missed a bit, who in front of the ranks on the horse, in the same crimson hood, like all the tops, їde 10 years to that, having become legendary, the commander of the cinema community has become old and powerful.
How many salts and fiercely attached to this description, which insanely turns Bulgakov to the greater conclusions about the program of the Gromadyan war and її peremozhtsiv! Mimohіd vin - nechuvana in quiet minds zukhvalіst! - rejoicing in the holy of holies - the anthem of the proletariat of the world "Internatsionalom", with yoga "No one will give us permission, no God, no king and no hero ...". This story-pamphlet ends with a blow of a rapt, mid-summer, frost, in the wake of which the rocks ring, and the death of Professor Persikov, at the same time with such an infusion, for good, and a red promise.
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Think M. Bulgakov at the novel "Fatal Eggs"
Be a human being, mother, such a high status - it means to be vigilant in front of your wives and not to think about the legacy. Mikhailo Bulgakov created the anti-utopia "Fatal Eggs" in order to guard people from pardons. A writing-book for a fantastic work of satire, irony and philosophical vysnovka.
In a row, it becomes clear that Bulgakov's main theme is viability. Persikov, intellectual, enlightened people, exclaiming the “chervony promin”, which encourages the active reproduction of organisms, as if the growths reach the gigantic ones. At the same time, the country endures a smoking pestilence, like a roaring hens. The order solves the problem in the experiment of a zoologist and ask Yogo for help. Bulgakov betrays our respect for those who Persikov's preparations are in the hands of unillumined and short-sighted people, who cause catastrophic consequences. Why is it possible to grow such visnovkas: you can’t breeze to the right thoughtlessly, and then you’ll get into the nature of a person more. The nature of a human being is a substance that cannot be invaded. Bulgakov anti-utopia philosophical satire
Such an invasion will lead to death. Unexplained appearances in the countryside, the main rank of eighteen degrees of frost in the middle of the sickle, clearly give us an understanding that nature is much stronger for us, and no red army, no other army does not vryatuyut people in the middle. The very composition of creation is laced with a paradoxical phenomenon. The heroes, following the kind promptings, wanted to work as better as possible - to raise chickens and hit the whole countryside, the protests went out of the way. Rokk, to the hands of which the preparations of the professor have been squandered, we are less than embarrassed by the experimenter.
We don't need knowledge, which would have served to achieve positive results, but we don't know anything. Pospishnist experiment that negative feedback in foreign lands they appear strong, and the hero is in spite of nature. Through yoga non-dominance, monsters appear, as if all the dovkola were ignorant. Impossibility to restore them, to bring them to the point of driving in a vchenny. The story has one more storyline. Bulgakov parodicly repeats the path of the Napoleonic heap. Serpents mark the French as if they were advancing on Moscow. The author of the "Fatal Eggs" zooms in for an hour, and a tone, and pictures that were abused on the sides of the history of the aftermath of Napoleonic battles.
Bulgakov wants to give respect to the impossibility of changing the course of evolution. Vіn pokazuє, scho planning future, we have to live less now. People will be “a new ideal life”, being inspired that it will be richer, but, unfortunately, they will forget about those who cannot be bright for the present of a healthy mind and the knowledge of all the memories. Nature does not allow anyone to decide the shares of people without looking for those rights.
I want to give you a few bags with words, exactly said by Silovan Ramishvili: “People will get the most pardon if they are real.” Dane's speech is more beautifully reflecting the essence of the story of "Fatal eggs", even if a person has a mind, which is guilty of guarding such tragedies.
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The satirical works of M. Bulgakov occupy a special place as in creativity, and in all Russian literature. Yakby stinks were widely abused and appreciated at their hour, then, perhaps, they could serve as guardians of rich pardons - but, unfortunately, the very same bula was narrowed not an easy lot.
Diya in the story “Fatal Eggs”, written in 1924, appears in the near future. Sita and bezturbotna Moscow "shone, the fires danced, they went out and saved." Vcheniy Persikov, “fahivets from naked reptiles”, exclaims a red promise, for the help of which one can increase living organisms to an unimaginable extent. Newspapers surmise about how the life of the country is changing. It’s a pity that during the experiment, the replacement of peaceful and brown chickens multiply and grow on the zhah all sorts of reptiles - snakes, crocodiles and other unsafe for the life of animals. First ryatuє in them is not the Chervona Army, but a marvel - 18-degree frost in the middle of sickle.
The story was written so easily, with such gleaming humor, that before criticism, it was not possible to see a parallel with the head red experiment, which was carried out in the country: they wanted to, like it was better, but they multiplied and tidied up the hands of the ungodly power in the main like fates. And vryatuvatisya in front of them was all the more important. І frost їх, unfortunately, I didn’t take it.
"Evil satire", "in the doorway of znuschannya", "straight divination" - this is how Rapp's critics assessed the story.
Nadal, the government paid their pardons - Bulgakov’s story, “The Heart of a Dog,” was coming, written in 1925, littered the world more than 1987.
The theme itself is an ill-conceived experiment and yoga results. An unfortunate stray dog, forever hungry and humiliation, raptly transforms into a human being - and as a result, he doesn’t throw himself to learn, for example, human culture, he doesn’t want to, knowing the rights of a human being - a passport and a residence permit - create a picture for the people, build an elementary kindness to goodness you don’t know your own - neither to Professor Preobrazhensky for sieve and decent reason and for trying like a gentry, nor to Shvonder’s spiritual mentor, that the flooring is considered to be the right of a “depressed” creature. Well, if you don’t believe Bulgakov, that you’ve voiced some ideas, to inspire the most beautiful ones, at once with Marx’s readings, to kill alcoholics and free spirits, embittered by insincerity, decent people - it doesn’t seem to be about the ideal person of the future, “the svedom budivnik of socialism.” Genetics genetics, but who knows, without Shvonder's introduction, maybe, it would have gone far to Sharikov's Preobrazhensky Trimat within the framework of decency. Postupovo - but not soon - marveling, and right on the people, becoming bi buti similar, lightly. Yakby knowing his place. So Shvonder added, schob "educate" shdo right. I went wild and stupid. Nahabne, aggressive, at the same time fearful to the point of spending any kind of mirkuvannya, spared the least signs of good feelings, greedy, hopelessly stupid - but with cunning. Before that, I had an irrepressible craving for alcohol.
In the story, everything ends well. Well, having broken a bunch of everyone, well, having won a small amount of power, having patted, sensibly, garnered nervously, zirvav a sprat of priyomiv, blackmailing the secretary to the bells of the robot ... They suddenly went scammed - and turned the ugly unfinished man back at the charming dog, the drunken and all. The cats, honestly, weren't spared.
In life, everything was more foldable. Natovpi kulkovyh, razbeshchennyh power, scho nepodіvanno called on them, did what they wanted. "Suffocated, suffocated..."
The story has a lot of sweet worldly wisdom. If the whole country was hypnotized with garbled words and in the ruins dreamed of something great, Professor Preobrazhensky’s words about those who are ruined sounded like a dissonance - if you sing in chorus to replace that, to win your obsessions - chi trumpet, chi operuvaty Ruin - if you talk about the revolution and steal galoshes. Є on the right і є balakanina, є "destruction in the heads", in view of all things.
Bulgakov's story came to us after a sixty-decimal experiment conducted in the country. Mi bachimo, yak vin mav raciyu - even on the very cob. It's a shame that we read these books so pizno!
One of the cores of the storyline is the novel by the famous British science fiction writer H. G. Wells "The Lady of the Gods". There I go about the mihoy of їїжу, Shaho regaining the zrostatnaya zhivih organismіv, the ignition of the ІNTelectual health in humans in humans-gіgantіv, the brunt of the spiritual one of the spirituality of the people of the people to call in Romance to Bіlsh, the thorough correspondence of the Svitonnya Svіta Gigantіv Zi Svіt Pіgtev. In Bulgakov, however, it is not intellectually protruding human individuals that appear as giants, but especially aggressive creepers. The "Fatal Eggs" featured Wells' second novel - "The Struggle of the Worlds", de Marsians, who conquered the Earth, quickly perish in the earth's microbes. The same share checks for the hordes of plazunov, who approached Moscow, as if they become victims of fantastic sickle frosts.
Middle dzherel povistі є th exotic. So, Maksimilian Voloshin, who is alive near Koktebel, in Crimea, sings, after glorifying Bulgakov a verse from one of the Feodosian newspapers of 1921, it was said “about the appearance of a majestic reptile in the Kara-Dag mountain region, a company of red army soldiers was sent to capture such a bula.” The writer and literary scholar Viktor Borisovich Shklovsky, who served as the prototype of Shpolyansky in the “Biliy Guard”, in his book “Sentimental is more expensive” (1923) instilled feelings that were circulating in Kiev on the cob of 1919 rock and singsongly lived Bulgakov’s fantasy:
“They told that the French have a violet omen, with which the stench can blind all the Belarusians, and Boris Mirsky wrote about this omen, the feuilleton “Kvora Krasunya”. Krasunya - old world, which is necessary to exuberance with a violet exchange, and no one was so afraid of the bіshoviks before, like at that hour. They told that the English - they told people that they were not ill - that the English had already planted herds of mavp in Baku, taught the usual rules of the military way. They told us that it is not possible to propagate these mavp, that the stench can attack without fear, that the stench will overcome the Bolsheviks.
They pointed with their hand at a arshin to the pidlogs of the growth of tsikh mavp. They said that if during the capture of Baku one such mavpu was driven in, then they cheered with the orchestra of Scottish Viysk music and the Scots wept.
That's why the instructors of the mawpyachih legions were Scots.
From Russia, a black wind blew, the black flame of Russia grew, the “beautiful illness” maril.
Bulgakov has a terrible violet promise of parodic transformations on the red promise of life, which he has already accumulated chimalo bid. As a substitute for the campaign against the miraculous combat mavp, none brought from beyond the cordon, from Bulgakov to Moscow, hordes of gigantic fierce reptiles come up, which hatched from the eggs sent from beyond the cordon.
Beastly respect, which was based on the first edition of the article, which was published. December 27, 1924 Bulgakov read "Fatal Eggs" at the gathering of writers at the cooperative publishing house "Nikitinsky subotniki". On September 6, 1925, the Berlin newspaper "Dni" under the heading "Russian Literary News" noticed on the bottom line:
“The young writer Bulgakov recently read the adventurous story “Fatal Eggs”. Even if it’s not literary, but it’s better to get to know the plot in order to put together a statement about the entire history of Russian literary creativity.
Diya looks at the future. The professor of wine finds a way of supra-linguistic reproduction of eggs for the help of a red sony prominence ... Radyansky practitioner, Semyon Borisovich Rokk, steals a secret from the professor and writes boxes of chicken eggs from behind the cordon. It so happened that on the cordon the eggs of reptiles and hens were entwined, and Rokk ate the eggs of bare-footed reptiles. Vіn rozvіv їх in their own province of Smolensk (there and everything is going on), and neozorі hordes of reptiles rushed to Moscow, overlaid їїі zherli. The final picture is that Moscow is dead and the majestic serpent that wraps itself around the twins of Ivan the Great.
It is unlikely that the recollections of the “Nikitinsky subotniks”, the greater number of such Bulgakovs, without putting it in a penny, could have zmusit the writer to change the finale of the story. At tsomu, who is the first, “pessimistic”, he began to speak in a povesti, hesitant to speak. Susid Bulgakov from the "nasty apartment" writer Volodymyr Levshin (Manasevich) induces the same version of the finale, Bulgakov's improvisations at the telephone line with the "Nadra" show were not enough. The text of the finale is now ready, ale Bulgakov, writing on the go, adding what we read after writing: “... The story ended with a grandiose picture of the evacuation of Moscow, until the hordes of gigantic boas are approaching.” Significantly, following the advice of the secretary of the editorial office of the almanac "Nadra" P.N. Mіzh іnhim, about the basis of "Fatal Eggs" with the other finale, Bulgakov was told by an anonymous correspondent at the sheet on 9 February 1936. It is not included that the variant of the finale of the recordings was made from those present on the readings on December 27, 1924, having spent the rest of the year until samvidavu.
Tsіkavo, scho "pessimistic" finale, scho really іsnuvav, mayzhe literally svіvpav z tim, a kind of proponing by Maxim Gorky already after the publication of the story, which was seen in the world in the fierce 1925 fate. On May 8, he wrote to the writer Mikhail Slonimsky: “Bulgakov was worthy of me, dear, but he didn’t stop the rozpovidi. The plazunov’s trip to Moscow is not a whistle-blower, but think how greedy it is tsikava picture!»
Imovirno, Bulgakov changed the opening act through the obvious censorship rejection of the option of occupying Moscow with hordes of giant scavengers.
Censorship, before the speech, "Fatal Eggs" passed by force. On July 18, 1924, Bulgakov wrote to a schoolboy:
“I, like before, am suffering in Gudka. Today is a day spent on those who need to take 100 rubles from Nadrakh. Great difficulties in my grotesque story "Fatal Eggs". Angarsky vociferated on the 20th month, as if it were necessary to change the censorship. Chi pass the censorship. The povistі zіpsovaniya ії іt, bоvіv її її hastily.
Luckily for the writer, the censorship in the campaign against Moscow was nothing more than a parody of the intervention of 14 powers against Radyansk Russia in the rocks of the Gromadyansk war (although they were foreign, since they had hatched from foreign eggs). That is why the censors took the hordes of plazuns in the capital of the worldly proletariat as an unsafe pressure on the possible defeat of the SRSR in the future war with the imperialists and the destruction of Moscow in the war. And the chicken pestilence, against which the summіzhnі powers establish the cordon, the revolutionary ideas of the SRSR, against which the Entente voted the policy of cordon sanitaire.
However, in truth Bulgakov's "sweetness", for which he was afraid to dine in the "not so far away" place, seemed to be different. The main hero of the story is Professor Volodymyr Ipatiyovich Persikov, the wine-maker of the red “trade of life”, for the help of which one is brought into the world of greedy scavengers. Chervoniy promin is a symbol of the socialist revolution in Russia, which, under the fading of the future, brought terror and dictatorship. The death of Persikov at the hour of a spontaneous revolt of the NATO, awakened by the threat of an invasion of Moscow by irresistible gigantic bastards, makes this unsafe, like taїv rozpochaty Lenin and the Bilshoviks experiment from the expansion of the “red exchange” in Russia, and then in the world.
Volodymyr Ipatiyovich Persikov was born on April 16, 1870, but on the day of the cob of deeds in a clear future, 1928, on April 16, 58 years were celebrated. in such a manner, head hero- the same age as Lenin. April 16 - the same date is not vipadkov. On the same day (according to the New Style), 1917, the leader of the Bolsheviks turned to Petrograd for emigration. And exactly after eleven years, Professor Persikov revealed a miraculous red promise (during the day of Persikov’s birth on April 22, it would have been too prozoro). For Russia, the arrival of Lenin became such a change, as if the coming day would bring the famous Kvіtnev theses to the public, from a call to the transformation of the “bourgeois-democratic” revolution into a socialist one.
The portrait of Persikov conjures up the portrait of Lenin: “The head of a miracle, shtovkhachem, with tufts of yellowish hair, to be washed from the sides ... Persikov’s appearance always wore a sprat of prim hair. On the red nose are old-fashioned small eyepieces in a silver frame, eyes are bright, small, tall, stooping. Speaking in a creaky, thin, croaking voice and the middle ones marvelously mav tak: if he spoke vagomo and in a singsong way, turning the expressive finger of his right hand into a hook and screwing up his eyes. And the shards of the wines, having said it all right, because the erudition in the yoga area of the new boul is absolutely phenomenal, then the hack often appears in front of the eyes of Professor Persikov's confederates.
Seeing Lenin here - a fox with ruddy hair is characteristic, an oratorical gesture, a manner of speaking, nareshti, uvіyshov at Lenin's myth of famous people open their eyes. There is great and great erudition, like, madly, at Lenin's bula, and inspire with foreign language, Lenin and Persikov will be led by themselves, French and German my own. In the first newspaper report about the red carpet exchange, the professor's nickname was turned by the reporter from hearing to Pevsikov, which tells about the burriness of Volodymyr Ipatiyovich, like Volodymyr Illich. Before the speech, Volodymyr Ipatiyovich Persikov names only on the first side of the world, and then all of them call Yogo Volodymyr Ipatiy - mayzhe Volodymyr Illich. Nareshti, the hour and the month of the completion of the povistі, marked like the text - "Moscow, 1924, Zhovten", - say, krіm іnshgo, on the mіstse rіk of the death of the leader of the bіshovikіv i on the month, zavzhd associations with yogo іm'yamtevіyki zavodіdy
In the context of Lenin's image of Persikov, to know its own German explanation, judging by the writing on the boxes, the eggs of bastards were taken, as if sweating for a red exchange, they didn’t hoard Moscow. Aje Lenin and his comrades after the Lute Revolution were transported from Switzerland to Russia through Nimechchina in a sealed wagon (eggs, which arrived quickly to Rocca, like wines were taken for chickens, and were glued with labels).
The likeness of the Belarusians to the gigantic reptiles that were going to march on Moscow was smashed in the sheet of the nameless penetrating Bulgakov's reading room on the 9th of February 1936: "... Among the other reptiles, no doubt, a seal was unleashed from the fatal egg."
Among the prototypes of Persikov was the pathologist Oleksiy Ivanovich Abrikosov, whose name was parodied on the name of Volodymyr Ipatiyovich. Abrikosov himself anatomized the corpse of Lenin and the hero of his brain. In povistі tsey brain is like bi transmissions to a scientist, scho yogo vytyagnuv, on vіdmіnu vіd bіshovikіv, people m'yakіy, but not zhorstokіy, and suffocated to self-forgetting zoology, not socialist revolution.
Before the idea of replacing Bulgakov's life, the knowledge of mitosis in 1921 by the biologist Oleksandr Gavrilovich Gurvich could have led to the discovery of mitosis, under the influence of which mitosis was born.
The Kuryachiy Sea is a parody of the tragic famine of 1921 near the Volga region. Persikov is a comrade of the head of Dobrokur - an organization that called for help to eliminate the legacy of the death of the chicken population of the SRSR. With his vision, Dobrokur clearly maw the Committee to help the starving, the creations of the 1921 fate of a group of huge children and opposing bilshoviks. On the basis of the Committee, there were a lot of ministers of the Timchasov order, S.N. Prokopovich, N.M. The Radyansky rank of victorists, having named the participants in the organization for the removal of foreign aid, yak, really, often got used to it not to help the hungry, but for the needs of the party leadership and the light revolution. Already, for example, the sickle of 1921, the Committee was condemned, and many of the ordinary participants were arrested. Tsikavo, scho Peaches guinea tezh at the sickle. Yogo death symbolizes, in the middle, the collapse of the samples of non-party intelligentsia to create a civilized spivpratsyu with totalitarian power.
L.E. Belozerskaya appreciated that “describing the soundness and deaky sounds of Professor Persikov, M.A. looked like a living person, my relative, Evgen Mykitovich Tarnovsky, a professor of statistics, with whom he happened to live. In the image of Persikov, the figure of Bulgakov's uncle from his mother's side, the doctor-surgeon N.M. Pokrovsky, could be seen.
In "Fatal Eggs" Bulgakov is ahead of his creativity by posing the problem of the viability of the state for victoriousness, which can lead to evil people. People who are not illumined and self-singing, and those who may be unbounded by power, can speed up by the fruits of vodkrittya. Even a catastrophe can become more richly swidche, lower savage prosperity.
Criticism after the release of "Fatal Eggs" quickly bit the hooks of the world's political tensions. In Bulgakov's archives, a typewritten copy of a quotation from M. Lirov's (Moisey Litvakov's) criticism of Bulgakov's work, published in 1925 in Nos. 5–6 in the journal Druk i Revolyutsiya, was preserved. Bulgakov added here the most safe mission for himself: “But a good record breaking M. Bulgakov with his “evidence” “Fatal Eggs”. It’s already a miracle for the “Radyansk” almanac. ” In Bulgakov's archives, a typewritten copy of the statutes was saved, the writer with a black olive sang on the citation of the phrase, and the chervonim - the phrase Volodymyr Ipatiyovich, live Lirov sim once, of them only once - with the nickname of Peaches.
M. Lirov continued:
“Professor Volodymyr Ipatiyovich Persikov, having grown over the head of the vіdkrittya - vіdkrived the red sleepy promin, for example, the frogs are instantly transformed into button heads, the button heads grow fast at the majestic toads, they multiply at the same time І so very well, if there are any living creatures. Such were the exaltation of the power of the red exchange, opened by Volodymyr Ipatiyovich. About tse vіdkrittya was quickly recognized by Moscow, not respecting the secrecy of Volodymyr Ipatiyovich. The brisk Radyansky druk is strongly huffing (here is a picture that sounds like a Radyansky druk, lovingly written off from nature ... the main boulevard friend of Paris, London and New York). At once, the telephone “Lagіdnі vozlosi” from the Kremlin rang, and a radyansk ... swindler began to appear.
And then a famously vibrated over the Radyansk region: a guilty epidemic of chickens swept through it. How to get out of a difficult camp? But who should call to revoke the SRSR from us? Well, agents of the GPU. Firstly, one Chekist Rokk is known, who is the Mav at his order of the radgossp, and tsey Rokk vyrivishiv in his radgossp kurivnitstvo for help from Volodymyr Ipatiyovych.
From the Kremlin, we issued an order to Professor Persikov, to send his folded scientific apparatus to Rocca at the time of the clock for the renewal of smoking. Persikov and yoga assistant, obviously, overwhelmed, overwhelmed. How can you give such folding equipment to the profane.
Aje Rokk can be dashing. Ale "lagidni voices" from the Kremlin unfavorable. Nothing, Chekist - work all together.
Rokk having taken off the equipment, which is to work for the help of a red change, and began to operate at his radhospі.
Alas, there was a catastrophe - and the axis of why: Volodymyr Ipatiyovich wrote for his last eggs of reptiles, and Rokk for his robots - chickens. Radyansky transport, of course, mixed everything up, and Rokk replaced the chicken eggs, having taken the “fatal eggs” of the reptiles. Deputy chickens Rokk rose majestic reptiles, yak zherli yogo, yogo spivrobitnikiv, the populace of that majestic masses rushed to the whole country, heading to Moscow, blaming everything on their way. The country was stunned at the military camp, the Red Army was mobilized, the corrals died in heroic, but fruitless battles. Nebezpeka was already threatening Moscow, but then it became a miracle: terrible frost hit the sickle raptov, and all the rocks perished. Tilki miraculously vryatuvala Moscow and the entire SRSR.
Natomist in Moscow was becoming a terrible revolt, at some hour having perished and he himself was a “winner” of a red exchange, Volodymyr Ipatiyovych. Natovpi people evaded to yoga laboratory and vigukami: “Beat yoga! Lightly dashing! You let go of the bastards! - pulled yoga.
Everything has gone to its own extent. Pomіchnik of the late Volodymyr Ipatiyovich hoch and having continued yogo, but again I did not go far.”
The critic flatly called Professor Persikov Volodymyr Ipatiyovich, adding that he is the winemaker of the red change, that he is the architect of the Zhovtnevoi socialist revolution. Vladimir, who was talking, it was clear to understand that after Volodymyr Ipatiyovich Persikov, one could see the post of Volodymyr Illich Lenin, and "Fatal Eggs" - a libelous satire on the late leader and the communist idea in general. M. Lirov, emphasizing the respect of the possible pre-emptive readers of the story on the fact that Persikov, having died before the hour of the people's revolt, should beat him with the words “light dash” and “you let loose the reptiles”. Here one could slander Lenin as the voiced leader of the revolution of the world, as well as the association with the famous “hydro of the revolution”, as the opponents of the Radian power were hung up (the Bolsheviks, among their ranks, spoke about the “hydro of the counter-revolution”). Tsikavo, scho in the p'єсі "Big", ended in rіk, if there are "Fatal Eggs", "promotions" in the story Krapilin calls the defender Khludov "sveta zvir".
That death of the "guineer of a red exchange" at the hands of the bewildered "natovpiv of the people" (Bulgakov does not have such a viruza) could hardly be worthy of the communists, as they stood under power. Lirov, being afraid to openly declare that Lenin (he himself could have been caught for such unremarkable associations), but pulled on the target, we repeat, more directly and transparently. Wells did not fool yoga. Critic stverdzhuvav, scho “Looking at the riddle of the name of my great-grandfather Wells, how well you work at once, the literary person of Bulgakov does not clear up the antrohi. And what is the truth of Wells, if here the same courage of wisdom is accompanied by other attributes? Podіbnіst purely zvnіshnya…” Lirov, like and іnshi Bulgakov's unkindnesses, pragmatically, clarifies not the literary, but the political person of the writer.
In the meantime, Wells' enigma in Fatal Eggs could also be the mother of political sensation. The great science fiction writer, apparently, having visited our country and writing the book “Russia at the Temryavi” (1921), de, zokrema, spoke about the Zustrichi with Lenin and named the leader of the Bolsheviks, who proudly spoke about the possible fruits of the GOELRO plan, “Kremlin mriynik”. Bulgakov's "Kremlin clerk" depicts Persikov, taken into the world and stunned by his scientific plans. It's true, you can't sit at the Kremlin's wines, but with the Kremlin's leaders for an hour you will constantly collide.
Hope for those who are critics, as if they were in the service of the government, for the attention of thoughtful and sympathetic readers to the author, not to catch the anti-communist directness of "Fatal Eggs" and not understanding, who did not correct the masking in the education of the main character served and transferred to a fantastic future, and obviously in reference to Wells's novels "The Woman of the Gods" and "War of the World"). Pilnі critics zrozumіli usі.
M. Lirov, nabridliy at literary denunciations (what is it literary?) and not seeing in sleep and spirit at 20 years that I should perish during the great purge of 1937, “Fatal Eggs” didn’t have a buzz, they didn’t rattle in front of direct falsifications. Critic stverdzhuvav, what is the one who zigrav main role at the tragedy Rokk, which was played out, is a Chekist, spіvrobіtnik of the GPU. Tim himself was trying to push, that in the real parody of the real episodes of the struggle for power, that he flared up in stay rocky Lenin's life and death, de Chekist Rokk (otherwise the prototype of F.E. Dzerzhinsky) appears at the same time with some "legal voices" in the Kremlin and bring the country to disaster with his unsympathetic actions.
In fact, Rokk is not a Chekist, I want to conduct my investigations at the "Chervony Luch" under the guard agents of the GPU.
Vіn Vadyatsycoshko Tyini, Vijaki, Vir Yako to throw, "Zmіnіniki Fleuta to Zongnya Mauser", and Pisli Vіini "Edyu" in Turkestani "Vaguezna Gazeta", zoomіstnaya zak member "British" of the State Division of Komіsії "Grekly "".
The obvious star of Rocca is the editor of the Komunist newspaper and sings G.S. Astakhov, one of the main persecutors of Bulgakov near Vladikavkaz in 1920-1921, wanting to be like F.E. talk. “Notes on Cuffs” has a portrait of Astakhov: “smiling with eagle guises and with a majestic revolver on his belt.” Rokk, like before Astakhov, to walk around with a Mauser and edit a newspaper, only not in the Caucasus, but in the same suburban Turkestan. The deputy of the art of poetry, having respected Astakhov, a slander of Pushkin, and obviously respecting himself more of the "sun of Russian poetry," Rokk vouched for musical art. Before the revolution, he was a professional flutist, and then the flute became obsolete with his main hobby. Therefore, wines are cast in the country, like an Indian fakir, bewitch the giant anaconda on the flute, prote without success.
If you accept that L.D. Trotsky, who truly fought for power in 1923–1924, was one of the prototypes of Rocca, it is impossible not to admire the mystical zbig. Trotsky, like and Rokk, engraved the most active role of the revolution and the Gromadyansky war, being the head of the Revvieyskradi. At the same time, he took up the government's rights, worked on the development of transport, and switched to the government's work after leaving the country in 1925 from the country's government. Zokrema, Trotsky for a short hour ocholyuv the head committee of concessions. Rokk arrived in Moscow and took away a number of honors from the 1928 year. For Trotsky, it became similar to Mayzha todi. In the autumn of 1927, yoga was brought from the Central Committee and switched off from the party, on the cob in 1928 - sent to Alma-Ata, and literally through the river of turmoil, once again leave the borders of the SRSR, enter from the countryside. Chi you need to say that all ts_ podії vіdbulis after the creation of "Fatal Eggs". Lirov, writing his article in the middle of 1925, in the period of a far-reaching internal party struggle, and, similarly, in the disrespectfulness of readers, he tried to attribute to Bulgakov the “Fatal Eggs”, written earlier in rock.
Bulgakov's story was not left unmarked by the OPTU informants. One of them, on February 22, 1928, informed the fate:
“The implacable enemy of the Radyansk government is the author of “Dnіv Turbinih” and “Zoychi's apartment” Mikh. Opanasovich Bulgakov You can simply marvel at the long-term tolerance and tolerance of the Radyansk government, as long as you don’t go beyond the breadth of Bulgakov’s book (kind of “Nadra”) “Fatal Eggs”. Tsya book є impudent and slandering Chervona vlada. Vaughn vividly describes, how, under the deed of a red exchange, mushrooms one and one rocks were born, like they went to Moscow. There is a place, an evil nod at the beak of the late comrade LENIN, that the toad lies dead, in which after death the evil viraz has been left in disguise aggressiveness, moreover, "on the muzzle of її, after death, there was an evil expression" - here there is a sex of coals on the body of Lenin, who is saved in the mausoleum. - B.S.). How this yoga book freely walks - it is impossible to understand. Let's read avidly. Bulgakov adores the love of youth, he is popular. Earning yoga sagaє 30 000 rubles. on river One tax vin having paid 4000 UAH. Having paid that, scho can namir їhati for the cordon.
In these days, Yogo Zustriv Lerner (to go about the famous Pushkinist N.O. Lerner. - B.S.). Even more, Bulgakov is turning to Radyansk rule and even more dissatisfied with the lower camp. Zovsim pratsyuvati is not possible. There is nothing singing. Needed obov'yazkovo chi new military communism, chi new freedom. The coup, it seems Bulgakov, is the fault of the villager, who, speaking like a native, speaks with my right mother. Zreshtoy, there are not so many communists anymore (and among them are “such”), but dozens of millions of skryvdzhenikh villagers are dumbfounded. Naturally, for the first time in the war, communism will be remembered from Russia, etc. The axis of stench, thoughts and hopes, like hitayutsya in the head of the author of "Fatal Eggs", which is chosen at once to take a walk through the cordon. To let such a “birdie” out of the cordon would have been unacceptable… Mіzh іnshimi, at the rozmovі z Lerner Bulgakov bumped against the politician for the sake of power: - Shout from one side - take care. And for another thing: if you save more, you will be respected for the bourgeoisie. Where is the logic?
Understandably, one cannot vouch for the literal accuracy of the transfer by an unknown agent of Bulgakov's move with Lerner. Prote, as much as possible, that the very tendentious interpretation of the scammer actually took over the fact that Bulgakov was never let out of the cordon. Zagalom those who, having said the writer to Pushkin, are kindly satisfied with the thoughts, images of the yogo student "Fuck the hell out." There, zokrema, there is a mirkuvannya about the imovirnist of the new war and the oldness of the radiant power її vitrimati. At the entry dated 26 July 1923, Bulgakov nave his rozmov on this topic with a sucid baker:
“Vlady vvazha shakhrai (bonds etc.). Rozpoviv, that two Jewish commissars at Krasnopresnensky radia were beaten with a revolver, that they showed up for mobilization for impudence and threats. I don't know if it's true. Behind the words of the baker, the mood of mobilization is already unacceptable. Vin, baker, swearing that hooliganism among young people is developing in the villages. At the head of the little one is the same that everyone has - own mind, miraculous mind, that the Bilshovites are shahrai, they don’t want to go to war, about the international camp of a noble understanding. Wild mi, dark, unfortunate people.
Obviously, the first editorial office was completely swarmed by foreign bastards of Moscow, symbolizing the possible defeat of the SRSR in the war, as at that moment the writer was imminent. The bulk of the plazuniv also emphasized the ephemeral nature of the Nepovian prosperity, painted on the fantastic 1928 to finish paradially.
On the "Fatal Eggs" there were cicadas of vidguki and beyond the cordon. Bulgakov saved from his archives a typewritten copy of the TARS report dated September 24, 1926, under the title "Churchill is afraid of socialism." It was said that on the 22nd of the month, the Minister of Finance of the United Kingdom, Winston Churchill, speaking at a promotional call from the strikes of workers in Scotland, stating that "thoroughly think, what is researched in Glasgow, give birth to communism", but we Moscow crocodile eggs (recreated by Bulgakov. - B.S.). I vpevneniy, scho the hour will come, if the liberal party will give the strength to help the conservative party to uproot these doctrines. I'm not afraid of a big revolution in England, but I'm afraid of trying socialist bigness to arbitrarily promote socialism. One tenth of a share of socialism, which, having disgraced Russia, would have left England in the end…”
Bulgakov's "Fatal Eggs" parodied V.E. Meyerhold, having imagined "a theater named after the late Vsevolod Meyerhold, which, as it seems, died down, in 1927, during the production of Pushkin's" Boris Godunov ", if trapezes with bare boyars collapsed." This phrase is intertwined with one hot rose in the editorial office of "Gudok", as the head of the "fourth smuga" of the newspaper, Ivan Semenovich Ovchinnikov, conveys:
“An ear of twenty years… Bulgakov sits by the sepulchral room, but I’m trying to bring my vein casing to our hanger. The casing is one of a kind: wine without fasteners and without a belt. Putting your hands in your sleeves, you can dress yourself up. Mikhailo Panasovich himself attests the casing in this way - Russian shit. Fashion of the end of the seventeenth century. In history, the future is predicted by 1377 fate. At the same time, at Meyerhold, such thoughtful boyars fall on top of another. The injured actors and spectators are brought to the Sklifosovsky Institute. I recommend to take a look…”
Obviously, Bulgakov, having admitted that until 1927 the fate - exactly 550 years after the first one, I will hide the riddles in the chronicles, creating the evolution of Meyerhold to the point that the actors, who play the boyars, Gris replaced the historical scenery. Adzhe, speaking Vsevolod Emiliovich at one of the lectures at the fierce fate of 1924, about the production of Godunov: “. to all tragedies..."
It’s clear that, like an early description of the “Green Snake”, that the motif of a snake, dragging along with a woman, was saved, I again blame the writer in 1924 for the role in the novel “Fatal Eggs”. In the midst of Bulgakov's fantasy in the Smolensk province near Mikolsky, the radgossp "Chervoniy Promin" was created, de director Oleksandr Semyonovich Rokk, to conduct a tragic experiment with eggs of gadiv - and a giant anaconda that spun, devoured in his eyes as friends. Maybe the basis of the "Green Serpent" was Bulgakov's Smolensk animosity and wrote the essay itself.
Before the speech, Bulgakov's acquaintance with M.M. Zoshchenko could also be signified here. On the right, in the fact that Mikhailo Mikhailovich at the leaf fall of 1918 was a practicing poultry farmer (officially the planting was called "instructor of rabbits and chickens") at the Smolensk radhospі "Mankove" near the town of Krasny and there was a flock of chickens of the past sea. Possibly, this situation suggested that it be chosen as the best place for the experiment on the number of chickens in the Republic of Smolensk province itself, so well known to Bulgakov as a zemstvo doctor. Zoshchenko and Bulgakov got to know each other no later than May 10, 1926, when the stench performed at Leningrad at a literary evening. Ale as much as possible, that the stench was known to the 1924 fate.
Khocha Bulgakov and Zoshchenko may have been at the same time at the various povits of the Smolensk province, the psychology of the villagers was sharply the same. I hatred to the helpers was roused from fears that they might turn around.
Ale Bulgakov saw the peasant revolt in Ukraine and knowing that the villagers’ dark hairs can easily join the nameless zhorstokistyu.
"First Colour" in the name carried the same roll call to the amphitheater's "Fire-flower". It turns out that the new edition of this early publication could have been published in 1924 "Khan's Fire". There is described the afterlife, as if it had really become an Antler in front of the Lute Revolution. Truth, in opovіdnі yoga vіdneseno on the cob of the 20's.
According to him, before the speech, one of the heroes of Henryk Senkevich, the Tatar Asia from "Pan Volodievsky", the son of a Tatar gang, who really had Tugay-bey, who had died under Berestechkom (Tugay-bey himself, was another character in the first novel of the trilogy) ) Fire and sword"). Asia to serve the Poles, but then we protect them and burn the place, deprive the Tatar korogva. In Bulgakov's description of the "Khansky fire", the remaining representative of the princely family Tugay-begiv, like the first literary prototype, obsessed with heat to the point of ruin and avenge, burn your sadiba converted into a museum, so that the people who rebelled would not be corrupted by it. "Nadra", the author signed with the pseudonym "K.Tugai".
The sadiba Yusupovikh served as a prototype of the sadibi in "The Khan's Fire", perhaps to the fact that Bulgakov specifically refers to the history of Grigoriy Rasputin's assassination, in which the role of Count Felix Feliksovich Yusupov (the youngest) is important. In 1921 Bulgakov decided to write a poem about Rasputin and Mikola II. At the mother’s sheet to Kiev on the 17th leaf fall of 1921, the fate of the wines was asked to be passed on to the sister Nadya: “... All the material for the historical drama was consumed - everything that happened to Mykoli and Rasputin in the period of the 16th and 17th rokiv (drive-in and coup). Newspapers, a description of the palace, memoirs, and most of all Purishkevich’s “Schodennik” (Volodimir Mitrofanovich Purishkevich, one of the leaders of the right in the State Duma, a monarchist, together with Prince F.F. Yusupov and Grand Duke Dmitry Pavlovich, organizing the murder of G.E. in the chest 1916 rock, reportedly described in a posthumously seen student - B.S.) - to the point of death! Description of the costumes, portraits, guesswork, etc. “I have the idea of creating a grandiose drama in 5 acts until the end of the 22nd year. Already ready deyakі sketches and plans. My thought is suffocating me madly ... Obviously, with that hanging robot, as I lead, I won’t be able to write anything worthwhile, but the road to the dream is that robot over it. To eat the “Schodennik” to the hands of їy (Nadya. - B.S.) timchasovo, I ask you to write off negainoly now verbatim everything that is worth driving in with a gramophone (the gramophone is guilty of drowning out the sound of shooting, and before that, create in Rasputin’s defeat, sho F.F. Yusupov’s squad, Irina Oleksandrivna Yusupova, the head of Oleksandr III and the niece of Mikoli II, who was the “old man” (Grigoriy. - B.S.), the son of Felix and Purishkevich, the dopovidey of Purishkevich Mikoli, special Mikhailovich ( go about Grand Duke Mikola Mikhailovich (1859-1919), the head of the Russian Historical Association, shot during the red terror. - B.S.), and send me in sheets (I think you can? Heading "Material Drami"?) (Here - an attack on a wide-ranging perlustration of leaves. - B.S.) ". However, Bulgakov did not write a poem about Rasputin and Mikola II. an hour in prozvedennі be-yakog about the genre of Mikoli II and other representatives of the Romanov family could be portrayed only negatively. But Bulgakov himself, standing up to the fallen dynasty on the cob of the 20s, is already negative. At shchodennikov's note on April 15, 1924, the fate of the wines hung rudely and directly in the hearts: “The devil took the Romanovs! Їx didn’t hang out. Nezdiysny conceived historical p'yesi, obviously, was known on the "Khansk Fire". Here there is a strong anti-monarchist tendency. Mykola II is described in the photograph as “unshowy, with a beard and whiskers, similar to a regimental doctor.” On the portrait of Emperor Oleksandr I, "the fox's head chuckled indulgently at Dima". Mykola I - tse "bіlosudrіy general". When the old princess became a kohanka, she was "unmarried in her sacking vigadti, which she wore all her life with two glories - blind beauty and motor-driven Messalina." Vaughn could have been celebrated in the midst of the most famous libations at the Great Ball with Satan, at once from the 48th squad of the Roman Emperor Claudius I Valeria Messalina.
Nicholas II is satirically depicted in the rest of Bulgakov's poem "Batum". Prince Tugai-Beg of the idea of being a human being, doomed to the death, not deprived of offspring and not safe for the support of his readiness to live in the family nest, but it did not become quiet, whom the prince hated. Even though the devil did not take it, as if Bulgakov Romanov wanted it, then, madly, the devil brought it.
The prototype of Prince Anton Ivanovich Tugai-Beg was the moment of the buti father and the last namesake of Rasputin, Prince Felix Yusupov Feliksovich (senior, born Count Sumarokov-Elston). 1923 year, if there is a day of notification, it was 67 years for you. The squad of the elder Yusupov, Zinaida Mikolayivna Yusupova, was also alive at that hour, but Bulgakov, having squashed the squad of the hero of "Khan's Fire", died earlier, so that they could get rid of yoga on their own, like the life of Pontius Pilat and Woland in "Maister and Margarita" (guess the words of Woland on the Patriarchs: "One, one, I'm the head of one"). The younger brother of Tugay-Beg, Pavlo Ivanovich, who served with the old grenadiers and perished in the war with the Germans, can be his possible prototype of the elder brother F.F. Yusupov (younger) Count Mikoli Feliksovich Sumarokov-Elston fate at the duel by the Lieutenant of the Cavalier Guard Regiment, Count A.E. Manteuffel, they looked like Baltic Germans.
Let's turn to "Fatal Eggs" Ale. Є in povistі and іnshі parodiyni zamalovki. For example, that one, de fighters of the Pershoi Kinnoy, on a choli like “with such a raspberry hood, like all the tops, їde 10 years ago, having become legendary, the aged and affluent commander of the cinema community” - Semyon Mikhailovich Budionniy, - to perform at the march against reptiles with thieves' song, which are victorious at the Internationale:
No ace, no queen, no jack,
Help me bastards, without a doubt,
Chotiri sideways - there are none of yours.
After reading this song in rows to the “International”, we take away the comedy, but with a lot of reflections on the text:
Nobody will give us permission -
No ace, no woman, no jack.
Reachable to me,
Chotiri sideways - there are none of yours.
Here you know the place is a real trend (otherwise, accept the rumor that it has expanded widely in Moscow). On September 2, 1924, Bulgakov wrote to his friend about his well-known writer Іllі Kremlov (Sven) about those who “the regiment of the GPU went to a demonstration with an orchestra, a kind of engraving “These girls love everything””. Well, it’s possible to say “beat the bastards” in the countryside, it’s possible to bring them to the “red bastards”, that they sacked Moscow, taking it to the point of respect, that, as Bulgakov thought, in the middle of the 20s, the simple people of the city are not ready to fight for the Belarusians. At the post of the GPU, it was replaced by Persha Kinnu and such permissiveness was not a zavoi. The pismennik, without a doubt, was known by svіdchennyami and sensitively about the sounds of everyday freemen, who were vilified by violence and burglars. The stench was included in the book about the "Konarmiya" by Isaac Babel (it's true, for some reason, it looked against the facts of this cavalry student).
Put into the mouths of the everyday thieves a song at the rhythm of the "International" it was all the way to the river. The slang expression of professional cheats "Chotiri sideways - there are none of yours" was deciphered by Fima Zhiganets in the article "About the mysterious symbolism of one name in the novel "Maister and Margarita"": at the narrow ring of the evil world. It was born out of the midst of the Kartyarivs, from the situation at the grі "point". Like a banker, he buys an ace, which is in his hands, a nine or a ten (one two cards, some of the sides have suit badges on the sides; in the center, the nine has one more badge, the ten has two), tse means yogo bezpersechny wingrash. Double score either 20 points or 21 points (the value of the ace is 11 points). If you score 20 points on the grave, nothing is interpreted as the banker’s merit (“banker’s point”), and if you score 21 points at once, it means that the banker won’t be able to redeem the cards. In this order, “chotiri sideways” - these are the badges of the card suit, which mean a non-gate engraving program. Later, viraz began to win in a figurative sense for the recognition of a hopeless situation, I will program.
There were critical and positive reviews at Fatal Eggs. So, Yu. vanishes from the slanderous, very good and very decent tone. "Utopichnist" of "Fatal Eggs" the critic sang "into the very little Moscow of 1928, in the same professor Persikov, I will renew the" apartment in six rooms "and see all my life like that, like wine buv ... until Zhovtnya." Prote as a whole Radyan's criticism was raised to the point of being negative, as to a phenomenon that opposes official ideology. Censorship became more severe when the author was first born, and Bulgakov's novel "Heart of a Dog" was already coming and was not handed over for his life.
"Fatal Eggs" was a small great success in reading and in 1930 the roci became one of the most popular works in libraries.
An analysis of the artistic motives of "Fatal Eggs" gives a glimpse of those who, like Bulgakov, were staged before Lenin.
At a glance, Bulgakov's goal is to do good, as judged only by the image of Persikov and uncensored drawings, as it was in the first volume of our book. The professor speaks clearly of her tragic death, and with indescribable grief at the end of the news about her death, she left yoga long ago, but still in love with her squad, and her pretentiousness to the level of scientific knowledge, and the lack of political conjuncture. Alece is clearly not like Persikov's Leninist incarnation, but like two others - a Russian intellectual and a scientist-creator. Persikov had only one prototype - Bulgakov's uncle, surgeon Mykola Mikhailovich Pokrovsky. Zvіdsi, mabut, and the high rise of Persikov, and the bachelor way of life, and richly else. Before Lenin, Bulgakov, like me at the same time, stumbled, putting himself not positively.
On the right, in the fact that Bulgakov's Leniniana on Persikov has not yet ended. Let's try to run a troch forward and see the Leninist trace in the novel "Maister and Margarita", scribbled by a writer in 1929, then in five years after "Fatal Eggs". The new novel, chronologically, continued the story, bo diya yogo, as it seems to me later, it seems to be the same in 1929, the fate, as it were, to lie down, in the wake of the day of 1928 - that near future, in which the podії u povistі are bursting. Only Bulgakov's "Maister and Margarita" describes not the future, but the present.
To understand, Lenin became the prototype of some kind of hero of “Maistra and Margarity”, turning up to the point of view of “Pravda”, which was preserved in the archives of Bulgakov, from 6–7 leaf fall of 1921 to the fate of Oleksandr Shotman’s “Lenin u pidpilli”. There it was described how the leader of the Bolsheviks in the autumn of 1917 was born in the Timchas order, as if he had voiced him with a German spy. Shotman, Zokrema, stating that "not only counter-intelligence and criminal detectives were put on their feet, but to get dogs, among them the famous shukach dog Tref, were mobilized to capture Lenin" and they were helped by "hundreds of volunteer detectives in the middle of bourgeois inhabitants" . The rows of rows are roaring to guess the episode of the novel, if the famous police dog Tuztuben unsuccessfully whispers Woland and his friends after Var'eti's scandal. Before the speech, the police after the fierce 1917 fate was officially renamed by the Timchas order into the police, so the shukach Tref, yak and Tuztubena, is correctly called the police.
Podії, which are described by Shotman, even guess with their atmosphere Woland's jokes and yogo mail (after a session of black magic) and, even more in the world, in the epilosis of a novel, if God willed the inhabitants, they will catch tens and hundreds of suspected people of those cats. The memoirist also quotes the words of Ya.M. In the same way, Woland himself, for his own sake, to Berlioz and Bezdomny, was invisibly especially present at the trial of Joshua, “but only taemno, incognito, so moving,” and the scribes suspected that he was a spy, a German spy.
Shotman rose, like, hovayuchis in the eyes of enemies, changed the name of Lenin and who knew him at the same time at the Rozliv G.E.Zinov'ev: “Comrade. Lenin in Peru, without his hair and beard, but may be unrecognized, but in Comrade. Zinov'yeva until this hour, the hair and beard grew, the hair was cut, and the wine was known to be unfamiliar. It is possible, just for that, to shave Bulgakov and Professor Persikov, and Professor Woland, and the similarity from Zinov'ev in "Maister and Margarita" is rapt to know the whale Behemoth - Woland's love blaze, the closest you to all mail. Povniy, who loved Zinov's way, in whiskers and beards, was guilty of being a cat, and in a special plan, he was right for the closest Lenin from the former leaders of the Bolsheviks. Before the speech, which changed Lenin Stalin to Zinov'ev and stood like a bastard, wanting a year, in 30 years, not sparing Yogo.
Shotman, who was at once with Lenin and in Rozliv, and near Finland, having guessed one of the conversations with the leaders: “I’m already pathetic, because I don’t use shorthand and didn’t write down all those that I said. Ale... I’ll change my mind, what a lot of what happened after the Zhovtnevoy revolution, Volodymyr Illich has passed it on.” At the "Master and Margarita" we will give Woland's gifts as a gift.
A.V.Shotman, who wrote about who lived Bulgakov’s creative fantasy, shot in 1937, and his memoirs fell under the fence. Mikhailo Opanasovich, obviously, remembering that Persikov's prototype was easy to complete in his own time. Truth, then, after the death of Bulgakov, since the "Fatal Eggs" have not been seen for decades, inspire for people who are professionally engaged in literature, the link of the protagonist of the story with Lenin, having become already far from obvious, that and all the same did not have a moment of deafening through the chorus censorship. . First, as far as we know, such a sing-along was played in the performance of "Fatal Eggs", staged by Y.Elanskaya in the Moscow theater "Sphere" in 1989. Ale Bulgakov's co-workers were bluntly obstructed by the collection of compromising evidence, lower patches, that censorship was more ill. Also, Lenin's books in the novel needed to be retelnishe, otherwise it was not possible to pay for publication. One similarity of Lenin to Satan, what the hell!
The goals of masquerading, zokrema, served as an offensive to the literary community. The new one talked about an old professor, who would conduct scientific research on the front of the mihurian sting in dogs (similar to Professor Preobrazhensky at “The Heart of a Dog”), moreover, in the course of the action, Trefka’s criminal chicanery played. The opovіdannya was done well in the house of the co-workers, and with him, and not with Shotman's memoirs, which had not been seen in any way since 1921, it is unlikely that there was bi Bulgakov's dog Tuzbuben. Later, Bulgakov's novel had its own quirk. And so the impression of masking with some prototypes of others became one of the "firm" figures of Bulgakov's creativity.
The very parody in the description of Zoshchenko is based on the fact that the club is a formal suit, which is why police (like police) dogs were often called similar names. Before the revolution, the ace of diamonds was sewn on the back of criminal mischief-makers (it immediately falls into the thought of the block characteristic of the revolutionaries from The Twelve: “The ace of diamonds would be required on the back”).
Obviously, Woland can claim the title of the most sympathetic devil in worldly literature, but the devil of wine with whom is overwhelmed. And be sure to sum up how Bulgakov’s appointment to Lenin is known, if there is one more character of “Maistra ta Margariti”, the prototype of which is also Іllich.
Forget a dramatic artist, who, having changed the manager of Bosogo's house and other arrests, voluntarily hand over the currency and other values. In the residual text, he is called Savva Potapovich Kurolesov, but in the previous edition of 1937-1938, the names of the future are richly clear - Illya Volodimirovich Akulinov (as a variant - Illya Potapovich Burdasov). The axis is like a description of this unsympathetic character: “Obіtsyany Burdasov did not bother to appear on the stage and appeared in summer, legged, in a tailcoat and white kravatsі.
Without daily changes of guilt, having frowned, arching his brows and speaking in an unnatural voice, marveling at the golden little twinkle:
Like a young gulvisa, she checks the care of some kind of crafty libertine.
Dali Burdasov rozpoiv about himself a lot of nasty things. Nikanor Ivanovich, more gloomy, dude, like Burdasov, knowing that the widow was unhappy, the widow, stood in front of him on her knees under the plank, but did not hit the callous heart of the artist. Nikanor Ivanovich zovsіm, not knowing the poet Pushkin’s personality until the end, though he could, and often, the phrase: “Will you pay for Pushkin’s apartment?” - And now, having become acquainted with yoga creation, I thought about it, thinking about it and seeing my woman with children on my knees and in passing thinking: “The bastard of Burdasov!” to get up to someone who was not on the stage, and for whom he himself called himself every day, moreover, calling himself “sovereign”, then “baron”, then “father”, then “blue”, then on “vi”, and then on "tee".
Zrozumov Nikanor Ivanovich is only one, that the artist died an evil death, shouting: “Keys! The keys are mine!“ - having fallen down after him on the pidlog, hoarsely and staring at his bed.
Die, move wine, cut off the pill from the frock-colours, bow, grinning with a false smile, and with occasional splashes of pishov, and the entertainer speaking like this.
Well, dear currency brokers, you listened to the miraculous viconan Illi Volodimirovich Akulinov " miserly face“».
A woman with children, who is happy on the knees of the "stingy face" about the pieces of bread - not just a quote from Pushkin's "The Stingy Face", but also an attack on the episode from the life of Lenin. Ymovіrno, Bulgakov CCB znayomy Zi zmіstom stattі "Lenіn at vladі" opublіkovanіy in popular rosіyskomu emіgrantskomu parizkomu zhurnalі "Іlyustrovana OOO Russian Federation" in 1933 rotsі author scho skhovavsya pid psevdonіmom "Lіtopisets" (mozhlivo, Tse LUVs kolishnіy Secretary, scho utіk on Zahid Polіtbyuro (Boris Georgiyovich Bazhanov) In these statutes, we know an offensive touch to the portrait of the leader of the Bolsheviks:
“From the very beginning of the good mind, that the villagers did not come for the sake of the new order, not only on the bezkoslivy sacrifice, but also on the voluntary return of the fruits of their hard labor. І vіch-na-vіch with your closest spokesmen Lenin, do not hesitate, speaking just like the one who had a chance to speak and write officially. If you were pointed out to those who inspire children of robots, then to that very class, for the sake of which and for the sake of which a coup was staged, to be underestimated and to starve, Lenin parried the claim with fury:
Order of bread cannot be given to them. Sitting here, near Petersburg, you won’t get bread. You have to fight for bread with a guinea pig in your hands ... If you can’t fight, you will die of hunger! .. "
It is important to say that when the leader of the Bolsheviks spoke like this in truth, we may be right with another legend, but Lenin’s mood is conveyed here authentically.
Illya Volodimirovich Akulinov is a parody of Volodymyr Illich Ulyanov (Lenina). The clues here are obvious: Illya Volodymyrovich - Volodymyr Illich, Ulyana - Akulina (the remaining two names are successfully found in folklore). Significant names themselves, which are the basis of nicknames. Ulyana - the Latin Juliana was created, so that she should belong to the genus Juliiev, from whom the viishov and Julius Caesar, who, in honor of the changed look, were adopted by the Russian tsars. Akulina - the Latin Akilina was created, that is an eagle, and the eagle, as it seems, is a symbol of the monarchy. Mabut, at the same row and along the father's Persikova - Ipatiyovich. It appeared not only through the sound of Ipatiy - Іllіch, but, better for everything, and to the one who went to the house of engineer Іpatiev in Yekaterinburg in 1918, at the order of Lenin, they found the family of the Romanovs. Let's think about those who were the first Romanovs before the crowning of the kingdom, knowing the porches in the Ipatiev monastery.
Wanting on the cob of the 20s, Bulgakov decided to write a book about the royal family and G.E. fakes on the kshtalt "Move the Empress" by A.N. Tolstoy and P.Y. Shchegolev. And with the materials tied to the share of the rest of the Russian tsar, Mikhailo Opanasovich chirped openly.
Oskіlki іm'ya Іllya Volodimirovich Akuіnov would have been a clear call of censorship, Bulgakov, having tried other names for this character, yakі small yelled at the readers a chuckle, not lakayuchi censors at once. Vin called, zokrema, Illei Potapovich Burdasov, who called out the association with myslivsky dogs. Zreshtoy Bulgakov naming his hero Savva Potapovich Kurolesov. Im'ya, according to the father's character, is associated with the censor Savva Lukich from the song "Crimson Island" (you can guess and the people's name is Lenin - Lukich). And the name is guessing about the consequences for Russia of the fiery leader of the bіlshovikіv and yogo comrades, as if they were just “fucked up”. In the epilogue of the novel, the actor, like Lenin, dies an evil death - in the face of a blow. Well, as if addressing himself to his own Akulinov-Kurolesov: “sovereign”, “father”, “sin” - this is an attack on the monarchical essence of Lenin’s power (popular among the first rocks after the revolution in the middle of the anti-communist opposition, the term “communist power”), so on deification of the person of the leader by radian propaganda (vin - i God-sin, i God-father, i God - holy spirit).
