Presentation of "Sculpture of Ancient Greece". Prominent sculptors of Ancient Greece
Class: 10
Presentation before the lesson
Back forward
Respect! The forward review of the slides is scored solely for the purpose of learning and may not give notice about all the possibilities of the presentation. How did you get hooked dana robot, be kind, zavantazhte povnu version.
Target: accept the molding of knowledge about the artistic culture of Ancient Greece.
Manager:
- to give a statement about the nature of ancient Greek architecture and sculpture;
- understand the "order" in architecture; look at them, see;
- reveal the role of ancient Greek culture in the development of European culture;
- to develop interest in the culture of other lands;
lesson type: molding new knowledge
Lesson equipment: G.I. Danila MHC. From birth to the XVII century: tutor for 10 cells. - M: Bustard, 2013. Presentation, computer, projector, interactive whiteboard.
Hid lesson
I. Organization of the class.
II. Preparation before adopting new topics
III. Introduction of new material
The land of Ancient Hellady dosі vrazhaє majestic architectural spores and sculptural monuments.
Hellas - this is how the Meshkans called their country, and themselves - the Hellenes in the name of the legendary king - the ancestor of Hellen. In the past, this country was called Ancient Greece.
The blue sea sloshed, going far beyond the river. In the middle of the expanse of water, the dense greenery of the island was green.
On the islands, the Greeks set up places. Talanovite people lived near the skin place, people in the building spoke my line, farb, relief. SLIDE 2-3
Architectural view of ancient Helladi
"We love beauty without vigilance and wisdom without delicacy." Having thus articulated the ideal of Greek culture, the hromadsky fiend of the 5th century. BC Perikl. Nothing zayvogo - the main principle of science and life Ancient Greece. SLIDE 5
The development of democratic world-states is rich in what has sown the development of architecture, which has reached special heights in temple architecture. New people knew the most important principles, formulated on the basis of the practice of Greek architects by the Roman architect Vitruvius (another half of the 1st century BC): "Mitsnist, korist and beauty".
Order (lat. - order) - a type of architectural design, if there is insurance against each other between bearing (supporting) and bearing (recurving) elements. The most wide-spread was the Dorian and Ionic (the end of the 7th century BC) and the smaller world (the end of the 5th - the ear of the 4th century BC) - the Corinthian order, which is widely vikoristovuyutsya in architecture right up to our hour. SLIDE 6-7
At the doric temple, the columns stand right on the pedestal. They have no embellishment, krіm smug-flute-vertical grooves. Dorichni colonies with an elastic trim, it is clear that it is important to them. The top of the column is crowned with a capital (head). Stovbur colony is called її body. In ancient temples, the capital is even simpler. Dorich order, as the most laconic and simplest, instilling the idea of masculinity and resilience to the character of the Greek tribes of the Doryans.
It is characterized by a strict beauty of lines, shapes and proportions. SLIDE 8-9.
The columns of the Ionic temple are thin and thin. Below, it is raised above the pedestal. Grooves-flutes on the її stems are often ruffled and stream like folds of thin fabric. And the capital - may have two curls. SLIDE 9-11
The name resembles the place of Corinth. The stench is richly embellished with growing motifs, among which the images of acanthus leaves are revered.
Sometimes, like a column, a vertical support was victorious in front of a woman's figure. Vaughn was called a cariatid. SLIDE 12-14
The Greek order system was instilled in stone temples, which served as dwelling places for the gods. The widest view of the Greek temple became the peripter. Peripter (Greek - "pteros", tobto. "feathers", sharpening along the perimeter with columns). There were 16 or 18 columns on the long side, and 6 or 8 on the smaller one. SLIDE 15
Athenian Acropolis
V century BC - An hour of rozkvity old Greek policies. Athens is transformed into the largest political and cultural center of Helladi. In history, ancient Greece is often called the “golden centuries of Athens”. At the same time, there was a life of rich architectural disputes that went up to the treasury of light art. This is the hour of the reign of the leader of the Athenian democracy, Perikl. SLIDE 16
The most beautiful life is found on the Athenian Acropolis. There were the most beautiful temples of Ancient Greece. The Acropolis not only embellished the great place, it was a holy place in front of us. Lyudina, having leaned forward in Athens, fought for everything
Irpin. SLIDE 17
Acropolis - at the crossbar from the Greek “upper place”. Roztashovuvavsya on the hillock. Temples were built here in honor of the Gods. The great Greek architect Fidiy cherubed the Acropolis with robots. Tsіlih 16 rokіv svogo zhittya Fіdіy vіddav Acropolis. V_n v_drodiv tsey colossal vitvir. Usі temples were built as a whole from marmur. SLIDE 18
SLIDE 19-38 On these slides of representations is the plan of the Acropolis, report description reminders of architecture and sculpture.
On the pivdenny schili of the Acropolis, the theater of Dionysus was roztashovuvavsya, a kind of mistiv 17 yew. Cholovik. At the new one, tragic and comedic scenes were played from the life of gods and people. The Athenian public reacted vigorously and temperamentally to everything that came before their eyes. SLIDE 39-40
Image-creating art of Ancient Greece. Sculpture and vase painting.
In the history of worldly artistic culture, ancient Greece has given way to miraculous creations of sculpture and vase painting. The sculptures have embellished the squares of old Greek places and the facades of architectural spores. Following the words of Plutarch (block 45-c. 127), there were more statues in Athens, less living people. SLIDE 41-42
The greatest early works that have come down to our time are kurosi and measles, created in the archaic era.
Kouros - a type of statue of a youth athlete, sound naked. Reaching significant expansions (3 m). Kuroshi were placed at shrines and on tombs; stench mali important memorial significance, ale and cult images. Kuroshi are marvelously similar one to one, naviti їхні poses are always the same: directly static figures with a leg set forward, hands clenched into a fist by the palms of the body. Figures of their appearances have been added to the features: the correct oval of the appearance, the straight line of the nose, the wide rozrazre of the eyes; povnі, swollen lips, big and round pіdboriddya. The hair behind the back creates a succulent cascade of curls. SLIDE 43-45
Figures kor (girls) - instilled vishukaness and subtlety. These poses are also single-mandate and static. Tightly curled curls, entangled with tiaras, separated by extension and descend on the shoulders with long symmetrical skeins. On all faces there is a mysterious smile. SLIDE 46
The ancient Greeks were the first to think about what a beautiful person can be, and they embraced the beauty of the body, the courage of the will and the strength of the mind. Sculpture gained a special development in ancient Greece, reached new heights in the transfer of portrait devils and the emotional state of a person. main theme robot sculptor bula lyudina - the best creation of nature.
The images of people by the artists and sculptors of Greece begin to come to life, collapse, stink, start walking and put your foot back, freezing in pivkrotsi. SLIDE 47-49
The old Greek sculptors were already befitting statues of athletes, as the stench called people of great physical strength, athletes. The most popular sculptors at that time are: Miron, Poliklet, Fidiy. SLIDE 50
Myron is the most beloved and most popular among sculptors and portrait painters in Greece. Mironov's statues of athletes-victims brought the greatest fame. SLIDE 51
Statue "Discobolus". Before us is a miracle young man, ready to throw a disc. Here it is, for the athlete to straighten up and throw the disk with majestic power to fly far away.
Miron, one of the sculptors, who, having rushed to convey the shock to his robots. Statue of the 25th century. To this day, there have been only a few copies that are saved from various museums around the world. SLIDE 52
Poliklet - an ancient Greek sculptor and theorist of art, who worked in Argos in the 2nd half of the 5th century BC. Poliklet wrote a treatise "Canon", de first rozpovіv about those, yakі forms can and is to blame mother zrazkova sculpture. Rozrobiv his kind of "mathematics of beauty." Vіn respectfully marveling at the beauty of the hour and vivіv proportions, dorimuyuchis of which you can inspire the correct, harp figure. Same celebrity tvir Polikleta - "Dorifor" (Spisonosets) (450-440 BC. E.). It was important that the sculpture was created according to the provisions of the treatise. SLIDE 53-54
Statue "Dorifor".
A beautiful and powerful young man - maybe, a survivor of the Olympic Games, it’s right to go with a short list on his shoulders. Sculpture has long been deprived of the canon (clearly) paint. Polikleitos jumped to represent the people at peace. Tі, scho to stand or povіlno to go. SLIDE 55
Approximately 500 BC a boy was born in Athens, who was destined to become the most famous sculptor of the modern Greek culture. Vin deserved the fame of the greatest sculptor. Everything that Phidias has cultivated, will be filled with the visitation of the mysticism of Greece. SLIDE 56-57
The home of the robot Fidiya is the statue of "Olympian Zeus". Appearance, the hands of that іnshі parts of the body were zі ivory tassels - to reach close behind your color to the human skin. Hair, beard, cloak, sandals were made of gold, eyes - from expensive stone. The eyes of Zeus were expanded from the fist of a grown man. The base of the statue is small, 6 meters of crown and 1 meter of crown. The height of all the statues at once from the p'edestal became 12 to 17 meters for various tributes. There was an enmity "that yakbi vin (Zeus) wanted to stand on the throne, then he would know". SLIDE 58-59
Sculptural masterpieces of Hellenism.
To change the classical traditions in the era of Hellenism, a more enlightened inner world of people comes. There are new themes and plots, the interpretation of classical motifs is changing, but others are becoming more suitable for depicting human characteristics and subdivisions. Among the sculptural masterpieces of Hellenism, we should name: “Venus of Meloska” by Agesander, sculptural groups for the frieze of the Great Zeus at Pergamon; “Nick of Samofrokiysk of an unknown author, “Laocoon from Sinami” by sculptors Agesandra, Afinador, Polydor. SLIDE 60-61
Antique vase painting.
So beautiful, like architecture and sculpture, boo and painting of Ancient Greece, about the development of which you can judge by the little ones that embellish the vase, starting from 11-10 st. to the sound e. Ancient Greek masters created impersonal vessels of various recognition: amphorae - for collecting olive oil and wine, craters - for mixing wine with water, lekif - a vessel for olive and arable land. SLIDE 62-64
The judges were molded from clay, and then painted with a special warehouse - yoga was called "black varnish". The painting was called black-figure, on the yak the black color served as a background, and the image had a small color of scorched clay. The plots for painting were legends and myths, scenes everyday life, high school lessons, zmagannya athletes Hour not sparing the ancient vases - a lot of someone from them smashed. Ale zavdyaki kopytkіy pratsі archeologists deyakі vdalos gluing, ale and stink to please us with the perfect forms of black lacquer table. SLIDE 65-68
Culture Ancient Greece, having reached a high level of development, celebrated a majestic influx on the culture of the whole world. SLIDE 69
IV. Consolidation of the material covered
V. Homework
Handyman: split 7-8. Prepare a briefing about the work of one of the Greek sculptors: Phidias, Policlet, Myron, Skopas, Praxiteles, Lysippus.
VI. Pouch for the lesson
ARCHIA. KUROSHI AND KORI The archaic era was the hour of the birth of ancient realism. prote, artistic culture archaic values are no less than transferring to the realism of the classics. The cultures of the archaic are powerful and powerful, the singing world has spent the classics, and the human being, unknown to the most ancient cultures.
Realistic life, indistinct anger of the philosophical and aesthetic on the cob in the artistic image, heroic typization of the image real people these are the main drawings of the classical art that have developed. The new rozminnya task of art was given signs and in a new rosy image of a person, in a new criterion of beauty. The emergence of a new aesthetic ideal is especially clear when looking at the “Delphian Origin” (other quarter of the 5th century). Suvora simplicity, calm greatness of spirit is poured out in every figure. The "Delphian Viznik" had a characteristic for the classics statement about sculpture, like about harmony and life reconciliation of the image of typical figures of a thoroughly human being. CLASSICS Frontal composition
For example 6 and on the cob 5 tbsp. BC a number of masters are trying to reshape the scheme of the archaic statue of kuros and to develop the image of a natural, organically whole roo. The heroic character of the aesthetic ideals of the early classics was instilled in the bronze statue of Zeus the Thunderer, found in 1928. on the bottom of the sea there was the coast of the island of Evbey. This large statue (curtains over 2 m) in the order of the “Delphic Emergence” gives us a clear indication of the miraculous mastery of the sculptors of the early classics. "Zeus the Thunderer" is similar to "The Charioteer" and exudes even greater realism in the modeling of body forms, greater freedom in the transfer of movement.
With the greatest strength of the creative art of the early classics, the quests of heroic, typical-styled images emerged from the activity of the great Greek sculptor Myron of Eleuthera. Miron pratsyuvav in Athens on the basis of another and on the cob of the third quarter 5 tbsp. BC Miron's help robots didn't reach us. They have to be judged from Marmur Roman copies. Pragnuchi to the unity of harmoniously beautiful and lifeless, Myron zvіlnivsya in the rest of the days of archaic mentality, in the impenetrable sharpness of the ruins and at the same time in the sharp exaltation of details, which went into other parts of the world. i.e., they used such a way to give special truthfulness and naturalness to their statues. Miron became a master, synthesizing in his creativity the main features of the realistic art of the early classics. “Don’t you talk about the discus thrower, which has shrunk in Russian methanny, turning your head, marveling at your hand, that you are trembling the disc, and lightly bending one leg, not getting ready to prostrate at once with a blow” Lukian
Look at the busy life and statues of Poliklet, wanting to see his partner Myron, Poliklet loves to depict athletes in the right hour, or maybe calm. "Spisonets" or "Dorifor", V Art. to the sound e. Whose able-bodied person is spontaneous with a touch of goodness. Vin stand unmoved in front of the looker. Ale is not a static calm of ancient Egyptian statues. Like a man, who was kind and easy to lift his body, he took off the troch, bending one leg and moving the tractor to the corps on the other side. It’s up to you to mine the mine and win the crop in advance, turn your head, proud of its beauty and strength. Before us is a man, free of fear, proud, striman, instilled in the warrior and the hulk.
Scopas. Maenad. 335 BC e. Roman copy.) SCOPAS BC. e. rr. to the sound representative of the novelty classics. One of the first masters of the Greek classics, which gave the edge to the marmur, having been inspired by the casting of bronze, beloved by the material of the earlier masters, the zokrem of Myron and Poliklet. Inspired by the powerful science of the 5th century. Harmonious calm image, Skopas turned to the transfer of the rush, strong emotional experiences, fight addictions. For incorporating them, Skopas victoriously created a dynamic composition and new interpretations of details, especially rice appearance: deep-set eyes, folds on the forehead and open mouth. Skopas, Praxiteles and Lysippus are the greatest Greek sculptors of the modern classics.
Hermes from the words of Dionysus IV c. to the sound e. Marmur. Museum in Olimpia, Greece. Praxiteles is an ancient Greek sculptor, who worked in the era of the new classics. This is the period of the formation of the ideas of Socrates and Plato in philosophy, the hour of the formation of new forms and the new language of Greek figurative art. In sculpture, on the change of masculinity and suvorost images of suvor classics, there is an interest in the spiritual world of a person, and in plasticity, one should know the folding and less straightforward yogic characteristic. At the marmur statue of Praxiteles, the beautiful youth Hermes of the images becomes calm and unturbulent. Thoughtfully and deeply marvel at the disobedience of Dionysus. To change the male beauty of an athlete of the 5th degree. BC come beauty is more vitonchen, vitonchen and more spiritualized.
Praxiteles' maverick tver is especially famous for the statue of Aphrodite of Knids (the original was not saved). Tse Bulo First Greek mysticism The blue of the sculptor and the yoga model of the beautiful Frini were already occupied by the students. They said, for example, nibi Phryna asked Praxiteles to present her best sculpture as a sign of kokhanny. Vіn waited a while, and then pressed the choice of his own, slyly hoisting, what his own tvir vvazha most thoroughly. Todi Frina virishila yoga outwitted. Once a slave, sending her messages, came to Praxiteles with a stingy sound, that the artist’s mine was on fire... at the mountain vyguknuv Praxiteles. So Phryna recognized the assessment of the author himself...
Behind the words of Pliny, Lysipp said that, in front of his predecessors, they portrayed people like stinks, wines, Lysipp, having tried to depict them like that, like stinks are created. The human being will be Lysippus in a new way, not in a plastic synthesis, like in the statues of Myron or Polykleitos, but in a swidkoplen aspect, such as she presented herself (was) to the artist in a given way you won't give up. Lysippe was the only sculptor whom Oleksandr the Great recognized as a good day to depict yoga rice. “Oleksandr’s new merciful look and the whole image of Viliv from midi Lysipp. Nache live tsia mid. Here, marveling at Zeus, you seem to be a statue: I take the earth myself, and Olympus of Volodya. Lysippus, destroying the old, polykletivsky canon of human posture, to create his own, new, more adventitious yoga of dynamic art. For this new canon, the head is folded no more 1 | 7 and less than 1 | 8 of the whole growth.
"Apoxiomen" (Rome, Vatican). This is a young athlete, a prosthetist, not the same as the sculpture of the last century, de yogo image of the proud symbol of victory. Lisipp, having shown us the athlete, already smelt, that with a metal scraper he diligently cleared the body of the oil and the saw. Not sharp and, it would seem, a small-sized movement of the hand can be seen in the entire figure, giving me a vinyatkov life. Vіn zvnі spokoіyny, аlе mi vіdchuvaєmo, sсо vіn having gone through a great hvilyuvannya, and in yoga rice you can see that there is an extreme strain. "Hercules with the Left" (Hermitage). Tse biased pathos of fighting not so for life, but for death. The whole sculpture is as if bi charged with a gurgling strained rush, which unstrikingly angers in one whole the hardened figures of a man and a beast.
Leohar Leohar - an ancient Greek sculptor of the era of Early Hellenism, who worked in the middle of the 4th century. BC at Athens, Olympia, Delphi. "Apollo Belvedere": a Marmurian Roman copy of the bronze original of Leochar (the last third of the 4th century BC), this is the name of the gallery, it was exhibited for a long time (Rome, Vatican). The statue called out to the bagato. We know the Belvedere "Apollon" in the light of the Greek classics. Ale itself is less likely to see. For all the impeccable effectiveness, the statue of Leochar is given to us internally cold, almost theatrical. Hocha Leochar and being a co-worker of Lysippus, the mysticism of yoga, investing in the right significance of the zmist, in the form of academism, signifies the fall of the absolute classics. Leohar. Artemida-myslivets.
ELLINISM After the death of Alexander the Great, it is time for Hellenism: the Hellenic world is reborn into Hellenistic. Artists had to expand the reach of Greek art in the territories conquered by Oleksandr. The king's and noblemen's lieutenants tried to embellish their palaces and parks artistic creations, How can you be more similar to those who swayed thoroughly at the great time of Oleksandr's power. It’s not surprising that the Greek sculptor didn’t groan on the paths of new poshukіv, spontaneously he was less likely to build a statue, as if he would have given up not for the original of Praxiteles or Lysippus. And that, with its own blackness, inevitably led to the position of the already known form. to what we call academism. Nevidomy master "Nick of Samothrace" (Paris, Louvre)
Ale prote... Naprikintsі II. to the sound e. Pratsiuvav in Asia Minor, the sculptor named after Oleksandr or Agesandr: not all the letters were preserved in the inscription on the single statue of the yogic work that came to us. Qia statue, found in 1820 on the island of Mila (in the Aegean Sea), depicting Aphrodite Venus and ninth in the house of the earth like Venus Miloska. Under the cloak of a bright, lightly lifted hair, Like a rich pride of pride, It spilled over to the heavenly face! So, all the wildly pathetic passion, All the fun of the sea stump and all-powerful power, You marvel at the eternity in front of you. A. Fet at this statue everything is so stringent and harmonious, the image of the goddess kokhannya is simultaneously so royally majestic and so enchantingly feminine, the whole image is so pure and the miraculous modeling of marmur shines so softly, which is given to us: the cut of the sculptor of the largest Greek era moment bi virubati nothing perfect! Lacoon from sinami. 40 r. BC
Etapi development of ancient Greek sculpture: archaic, classic, Hellenism.
The archaic period is kuroshi and measles. Sculptural Canons of Policlet and Miron. "Dorifor", "Discobolus" - a hymn to the greatness and spiritual power of the People. Create sculptures
Scopas and Prixiteles - "Maenad", Afrodita Knidska. Lysipp is the master of the new classics. Agesander-Laocoon, Venus Miloska.
Zavantage:
Captions before slides:
Shaykhіeva Nadiya Ivanivna, teacher of the image-creating art of the MOBU Children's School No. 3 named after Yu.Gagarinag. Taganrog, Rostov region
Stages of development of ancient Greek sculpture: Archaic Classic Hellenism
KORA (from Greek kore - girl), 1) among the ancient Greeks in the cult of the goddess Persephone. 2) At the ancient Greek art, a statue of an upright girl in a long-standing dress. KOUROS - in ancient Greek archaic art - a statue of a young athlete (excellent.
Sculptures of Kurosiv
-The height of the statue is up to 3 meters; -They inspired the ideal of human beauty, the strength of that health; -The figure of an upright young man placed forward with his foot, his hands clenched his fists and the body is pulled back.
Sculpturi core
- Vtіlyuvali vyshukanіst and frivolity; - Posi odnomanіtnі and static; - Chitons and cloaks with beautiful vіzerunkami with parallel fluffy lines and oblіmіvkoy edges; - Hair curled in curls and frilled diadems. - On the face of a mysterious grin
1. Hymn to the greatness and spiritual power of the People; 2. The image of love is a stringy youth of an athletic statue; 3. The spiritual and physical image of the harmony, there is nothing overbearing, nothing over the world.
Sculptor Poliklet. Dorifor (5th century BC)
HIASM, in the figurative art of the image, there is a human figure that leans on one leg: with it, as if the right shoulder is raised, then the right shoulder is lowered, and navpaki.
Ideal proportions human body:
The head stocks 1/7 part of the whole growth; Disguise that hand 1/10 part
Sculptor Miron.Discoball. (5th century BC)
The first sample of Greek sculpture is full of unruliness.
IV Art. f.1. They jumped the transmission of energy actions; 2. They conveyed almost that experience of the people: - addiction - sum - mriylivist - zakokhanist - swindle - rozpach - suffering - grief
Maenad. 4th c. BC
Scopas (420-355 BC)
Head of a wounded warrior.
The battle of the Greeks and the Amazons. Detail of the relief from the Mausoleum of Galikarnas.
Praxiteles (390-330 BC)
Held in the history of sculpture as a spirited match of a woman's beauty. Following the instructions, Praxiteles created two statues of Aphrodite, depicting the goddess dressed on one of them, and naked on the other. Aphrodite in clothes was brought by the inhabitants of the island of Kos, and the bare bula was installed on one of the head squares of the island of Knid.
Lysipp. Head of Alexander the Great Close 330 BC
Lysipp. Heracles, scho to fight with the left. Close to the 330s. BC
Lysipp. "Revealing Hermes". 2nd half of 4 tbsp. to the sound e.
Leohar
Leohar. "Apollo Belvedere". Middle 4th c. to the sound e.
At the sculpture: 1. Flexibility and tension osib; 2. Vikhor sensible that experience in images; 3. The imaginativeness of images; 4. Harmonious thoroughness and cleanliness
Nick of Samothrace. Cob 2 tbsp. BC Louvre, Paris
At the time of my nightly madness, You blame in front of the eye - Samofrakijska PeremogaZ with outstretched hands.
Agesandra. Venus (Aphrodite) Miloska. 120 BC Marmur.
Agesandra. "The death of Laocoön ta yogo blue". Marmur. Close to 50 to the star. e.
http://history.rin.ru/text/tree/128.html
http://about-artart.livejournal.com/543450.html
http://spbfoto.spb.ru/foto/details.php?image_id=623
http://historic.ru/lostcivil/greece/art/statue.shtml
Behind the topic: methodical developments, presentations and summaries
Ornaments of Ancient Egypt and Ancient Greece.
One of the most important topics in the lessons of the 3rd quarter of the 5th grade “Decor is a person, a life, an hour” (according to the program under B.M.
Zahid. Greece. Myths of Ancient Greece.
Get to know the culture of Ancient Greece. Help evaluate the beauty of artistic images of ancient Greek myths. Awaken the bazhannya to get to know other myths.
Synopsis of the class-by-class entry "Greece. Myths of ancient Greece"
Get to know women from the culture of Greece. Help women appreciate the beauty of artistic images of ancient Greek myths. Awaken the bazhannya to get to know other myths.
"Monumental Sculpture" - Formulate a statement about characteristic rice round and relief sculptures. Sculptor's tools: cutters, stacks, palette knives, chisel. Possessing that material: “Monumental sculpture. Teacher: Kozlova V.V. Learn about the types of monumental sculpture. The word "sculpture" resembles the Latin word sculro, which means "viskati".
"Monument Cranes" - And over it rushed uphill low white cranes. Lugansk (Voroshilivgrad). Location View. From Brest, Kursk and Stalingrad, to Day and Berlin. The memory of those who have died is the lingerie of the skin, who is alive. Moscow region. St. Petersburg Nevsky memorial "Cranes". Ukraine. 9 "A" 2008-2009 initial paper. , KRASNOYARSK 8 May 2005
"Sculpture of the 19th century" - Architecture and sculpture of the 1st half of the 19th century. St. Isaac's Cathedral. Auguste Montferrand. Oleksandrivska column. A.D. Zakharov Admiralty. P.K.Klodt "Horse tidying". Rostral colonies. Classicism is a European cultural and aesthetic trend that was oriented towards ancient literature and mythology. A.N. Voronikhin.
"Sculptori" - Fidii. Bronze litte. Fragment of the frieze of the Parthenon. SCULPTURE - the anthem of people Zeus. P'eta. Sculptura, vіd sculpo -visіkayu, virіzayu), creation, plasticity (Greek. Phryna. Sculptures of Praxiteles were rozfarbovuvav by the Athenian artist Nikii. For further tribute, he died at the vignannі in Elіdі. For a long time already rich sculptors depicted the goddess in a similar position.
"Sculpture of the 18th century" - River nymph, 1770-1780 (Clodion, France). Sculpture portrait. Vivchiti styles and straight lines, which are panned by the light sculptures of the 18th century. Rococo-graceful lightness. Petro picked a unique collection of statues and busts at the Summer Garden. Chapel Cornaro, 1652 (Bernin D.L., Italy). Romanticism-folklore and natural forms.
"Sculpture by Donatello" - Vvtarny relief depict the miraculous deities of St. Anthony. Relief in the Cathedral of San Antonio. Donatello is a Yaskravian representative of the era of the early Renaissance of Italy. 1447-1453 pp. Sculptural masterpieces by Donatello. Having been born in Florence at the same comber Spopchatka, he started in the jewelry workshop. David.
Total topics 31 presentations
GREAT CLASSIC SCULPTURE Kinets VIV cent. to the sound e. the period of the turbulent spiritual life of Greece, the formation of the idealistic ideas of Socrates and Plato in philosophy, which developed in the struggle against the materialistic philosophy of the Democrat, the hour of the formation of new forms of the Greek image-creating art. In sculpture, on the change of masculinity and suvorost images of suvor classics, there is an interest in the spiritual world of a person, and in plasticity, one should know the folding and less straightforward yogic characteristic.
Poliklet Poliklet. Dorіfor (list-bearer) rokіv BC Roman copy National Museum. Naples Poliklet's robots became a reference hymn to the greatness and spiritual power of the People. The image of love is a stringy youth of an athletic statue. The new one has nothing zayvogo, "nothing over the world", Spiritual and physical image of harmony.
Dorofor has a foldable posture, reminiscent of the static posture of antique curiosities. Poliklet the first, having guessed to give the figures such a setting, so that the stench spiraled on the lower part of only one leg. In addition, the figure is made rickety and chewy, due to the fact that the horizontal axis is not parallel (so-called chiasm). Canon of Polykleitos.
The canon of Polykleitos Dorephorus is the image of a particular athlete, but the illustration of the canons of a person's position. Policlet, having set for the mark exactly the proportions of the human figure, is evident from his statements about ideal beauty. Qi proportions are in the digital space. "They sang to say that Poliklet was a vicar in її navmisne, so that other artists would revere her like a model," writing a contemporary writer. The tvir "Canon" itself, having plunged into European culture, regardless of those that only two fragments were saved from the theoretical creation.
Canon of Polykleitos To reshape the proportions of the Ideal Man for a height of 178 cm, the parameters of the statue will be as follows: 1.bust - 44 cm, 2.chest - 119, 3.biceps - 38, 4.waist - 93, 5.front - 33, 6. wrists - 19, 7. buttocks - 108, 8. buckles - 60, 9. knees - 40, 10. legs - 42, 11. feet - 25, 12. feet - 30 cm.
Myron Greek sculptor of the middle of the 5th century. to the sound e. The sculptor of the epoch, who rebuffed the most profound development of the Greek art (K. VI, half of the V century), instilling the ideals of strength and beauty of Ludina. Became the first master of folding bronze forks. Miron. Disco thrower.450 BC Roman copy National Museum, Rome
Miron. "Discobolus" Old-timers characterize Miron as the greatest realist and expert in anatomy, who, however, does not slap people's lives and viraz. Vіn zobrazhuvav gods, heroes and creatures, moreover, with special kohannyam vіdvoryuvav vіdvoryuvav vіzki, soon-to-be poses. The most famous yoga tvir "Discobolus", an athlete, who can let us know the disk, a statue that has come down to our time in many copies, from which the best is smashed with marmur and can be found at Masami's palace in Rome.
Sculptural works of Skopas Skopas (420 - approx. 355 r.r. BC), a native of the island of Paros, rich in marmur. On the face of Praxiteles, Skopas continued the traditions of high classics, creating images of monumental and heroic. Ale in images of the 5th century. their dramatic tension of all spiritual forces. Passion, pathos, strong movement are the main drawings of the art of Scopas. He also acts as an architect, taking part in the creation of a relief frieze for the Halikarnassky mausoleum.
At the station of ecstasy, at the boisterous breath of addiction, Skopas depicts the Maenad. The companion of the god Dionysus is shown in a streaming dance, her head is thrown back, her hair falls on her shoulders, her body is bent, presented at a folding angle, the folds of a short chiton are creased by a raging ruffle. At the sight of sculptures of the 5th century. The Maenad of Skopas is already protected from the left side. Scopas. Maenad Sculptures of Skopas
The statue of Aphrodite Knidsky is the first image of a naked woman in Greek art. The statue stood on the birch of the Cnidus Pivostrov, and the contemporary people wrote about the right pilgrimages here, to have mercy on the beauty of the goddess, who was ready to go near the water and threw off her robe on a vase, to stand on a charge. The original of the statue was not saved. Sculptural works of Praxiteles Praxiteles. Aphrodite Knidska
Sculptural works of Praxiteles At the only sculptor of Praxiteles, who came to us at the original, the Marmur statue of Hermes (the patron saint of trade and mandrivniki, as well as the vesnik, the “currier” of the gods), the master depicted a beautiful young man, in a state of calm and absence of turbotism. Thoughtfully marveling at the lack of Dionysus, who is held in his arms. To change the masculine beauty of an athlete, the beauty is deshcho womanly, thinned, and even more spiritualized. On the statue of Hermes, traces of an ancient zabarvlenya were preserved: red-brown hair, silver-coloured bandage. Praxiteles. Hermes. Close to 330 BC. e.
Lysipp the Great sculptor IV Art. BC (Mr. BC. E.). Pratsiuvav in bronze, because. having jumped to take a picture, image in a fleeting blow. Having left 1500 bronze statues for himself, among the colossal positions of gods, heroes, athletes. Їm pritamannі pathos, nathnennya, emotsіynіst In the first work before us did not come. Court sculptor A. Makedonsky Marmurov copy of the head of A. Makedonsky
Lysіp pragniv as close as possible to his own image to action. So, athletes showed their wines not at the moment of the greatest effort of forces, but, as a rule, at the moment of their decline, after the increase. The very idea of yogo is apoxiomene, which cleans itself after a sports fight. The new one had a vision that was angry in the sweat of hair. Lysipp. Apoxyomenos. Roman copy, 330 rubles. BC
Charming Hermes, always swedish and alive, the same representations by Lisipp as if in the camp of the extreme vtomi, like an untimely crouching on the stone and ready for the coming second and the big distance at his winged sandals. Sculptural works of Lysippa. "Recovering Hermes"
Leohar. Apollo Belvedere. 4 BC Roman copy of the Vatican Museum. In yoga creations, not only the perfection of images, but the mastery of that technique is perfection. Apollo is respected by one the best creations Antiquity.
Greek sculpture Otzhe, in Greek sculpture, the image was different in the usual body of a person, її Rukh, and not only one appearance. Regardless of those that a lot of walnut statues did not save their upper part (like, for example, “Nika Samothrace” or “Nika, who rose sandals”, came to us without a head, but we forget about it, marveling at the integrity of the plastic solution The shards of the soul and body were thought by the Greeks in an inseparable unity, those bodies of the Greek statues were supernaturally spiritualized.
Nika of Samothrace 2nd century BC Louvre, Paris Marmur The statue was erected in honor of the victory of the Macedonian fleet over the Egyptian in 306 BC. e. The goddess bula was depicted as if she were on the prow of the ship, telling her to win with the sound of a trumpet. The pathos of overcoming the expressions of the strong Russian goddess, the wide swing of the її krill.
On April 8, 1820, a Greek villager from the island of Melos on the name of Yorgos, digging the ground, realized that his shovel, muffledly rattling, drank it on hard. Yorgos digging instructed the same result. V_n stepping on the rock, but here the spade did not want to enter the ground. Yorgos patted the stone niche on the back. Von bula was about five meters wide. At the stone crypt of wines, on my own heaving, I know a statue of marmur. Tse bula Venus. Agesander. Venus Miloska. Louvre. 120 BC Laocoön ta yoga blue Laocoön, don't lie to anyone! No mist, no world - not a ryativnik. Powerless mind. Proud Three pasta is foreseen in advance; the number of fatal podias closed at the suffocating mountain of serpents. Zhakh in appearance, blessing and stogіn your child; another son was silenced by otruta. Your restlessness. Your wheezing: "Let me go ..." (... Like a mekannya of sacrificial lambs Criss of darkness and penetratingly, and subtly! ..) I again - yav. І otrut. The stench is strong! It is hard to plow the anger of the serpent's pasture... Laocoön, who are you feeling?! The axis of your boys ... Stink ... do not breathe. Ale in leather Troy check on their horses.
