"Creation of Adam": a look at the look of neuroscience. Fresco "Creation of Adam" Fresco of creation
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For example, you never saw the stele in the Sistine Chapel, as at least 1 out of 9 frescoes you know (especially as you were the master of a Nokia push-button phone): hands that stretch one to one have become a familiar symbol in the whole world. The author of this work is Michelangelo Buonarroti, who could no more create a true masterpiece, and encrypt it with a new meaning, as if changing the information about the biblical plot.
website respectfully twisting the fresco "Creation of Adam" and hasten to reveal the artist's idea, which can help sleep.
How much of what Michelangelo was presented with: entrusted to the robot, for which fault it is not to blame
Before that, how to proceed to deciphering one of the most famous frescoes, to get to know the history of its creation by the artist himself. Michelangelo Buonarroti is more like a sculptor, and his statue of David eclipsed all antique, Greek and Roman statues. The axis and spivpratsya with the Pope (Julius II) originated not from the construction of frescoes, but from a special tomb for the head of the Catholic Church. But the unkindness of the artist lied about the absence of Michelangelo without a job and reminded him that the life of the tomb for life is a summation and can cause famously. The task was taken, but the guards did not calm down. The stench ordered Julius II on the stele of the Sistine Chapel and pulled on him, which caused a change, having pleased Buonarroti to hand over to the right. Behind the idea, Michelangelo, who could not finish the painting, could fail the spell and leave Rome with humiliation. Ale mitets turned out to be not so simple: he himself gathered the materials, designed the future decoration and started to work.
The frescoes on the stele in the Sistine Chapel call out to be inspired by our days, and it is important to believe that such a building is created by people. Meister's truth was not easy: after 4 years of painting the stele of Michelangelo, having developed arthritis, scoliosis and infection through a farba, yak was consumed in disguise. That church seemed like a zamovnik, immkhlivim: having forgotten to mourn for the materials at the hour, but at the same time, he was constantly working on the artist and intervening at the process to help correct the colors, so that he looked rich.
If the work was over, Julius II became satisfied, and the frescoes with the plots of the Butt zmushushuvachiv churches to spend the gift of moving. The most popular was the fourth painting under the name "Creation of Adam".
Version No. 1: Michelangelo encrypted the human brain at the fresco
“I God created man in His image,” says Buttya 1:27. At Michelangelo had its own interpretation of the phrase, and, apparently, to the popular version, the artist on one fresco with Adam and God by placing a third important participant in the creation of a reasonable mind- Human brain. Buonarroti, as if bi straining, that a person of the building looks complete (like Adam on a fresco), but not to get close to the Creator without the building of thought. Abo, to sound even more provocative, everything was created by humans, and God is a figment of his fantasy (even if building itself is the head power of humans and creatures). I such a theory is now different from religious ideology.
It’s surprising that standing in the courtyard in 1511, and for talking about people’s journey, with the glance of science, you could not only work, but life. The artist is also famous for his interest in anatomy, and taking up roses. And not only did Buonarroti know in love before his burial, but he also built it on the stele of the church near the Vatican.
The oskel artist, knowing the life of a human being in detail, didn’t bother to bother with the anatomy of his robots:
- A lot of vchenih noted the similarity by outlining the cloak of God with contours human brain.
- Beach crack Silvio- tse arc deep furrow, like podіlyaє skronevu that tim'yanu share.
- The lowest angel, which humiliates God, guesses with its contours stovbur mozku.
- For the endocrine system hypophysis, And on the frescoes of the wines, the images are like the feet of an angel.
- The right hand of God to pass through the prefrontal cortex, like a space for the human mind, to show that creativity.
- A woman's silhouette under the hand of God forms over the edge of the zvivina.
- An angel who knows the Creator's nigga kutovy zvivini.
- Waving scarf - spinal arteries, yakі mayut winding form
- Bend the knee of the angel - junction of the oral nerves the fibers of the oral nerves often twitch
- Myself creator to be located in the area of the limbic system, as the emotional center of the brain and the anatomical analogue of the soul.
Famous paintings and prihovani kodi, buried in them:
1. Mona Lisa: reference code in your eyes
Intrigue ring out at її enigmatic laugh. Tim is no less, looking at the picture under a microscope, historians in Italy have shown that, having brought a greater slope to the eyes of "Moni Lisa", you can chime in bad numbers and letters.
Experts seem to think that the ice can remember the letters and numbers along with the Da Vinci Code in real life: in the right eye you can distinguish the letters LV, as a whole you can represent your own name, Leonardo da Vinci (Leonardo Da Vinci), todyak the left eye also has symbols, but the stench is not so clearly remembered. Obviously, it’s important to designate them even more importantly, but stink, they are written in Latin letters CE, or E can really be the letter B. On the arch of the bridge, which can be seen in the background, you can write the number 72, or the Latin letter L and the number 2. In addition, The number 149, erased by the fourth number, is on the back of the picture, which we give you an idea of what Vinci wrote її like that, if it was in Milan in the 1490s.
Take it to the point of respect, that this picture may be 500 years old, it’s not so clear that it’s already clear, like at that moment, if it was created.
2. Last Supper: mathematical and astrological puzzle, plus secret notes 
"The Last Supper" was also the subject of impersonal hypotheses, no matter how many messages were attached, like in the picture.
Information technologist Slavisa Pesci created a cicatorial visual effect by overlaying a translucent, mirror image of the picture on top of the original. As a result, two figures appeared on the table, as if looking like a Templar, like a man, perhaps, a woman could not stand left-handed in the sight of Jesus.
The Italian musician Giovanni Maria Pala (Giovanni Maria Pala) also pointed out that the position of hands and loaves of bread can be interpreted like notes on a musical staff, and that they can be read right-handedly, which was characteristic of Leonardo's method of writing, the stench of the composition of music.
Sabrina Sforza Galitzia, a Vatican clerk, said she deciphered the mathematical and astrological puzzle in Leonardo's painting The Last Supper. Vaughn said that she had passed the end of the world to the “all-world flood”, which would rise on 21 February 4006 and end on 1 leaf fall of the same fate. Vaughn thought that this deluge would mark a new start for humanity.
3. Creation of Adam: a divinity like a brain 
Painting Michelangelo (Michelangelo) under the title "Creation of Adam" є no less than the most important part of the Sistine Chapel, but also one of the few legendary images of people.
Michelangelo is respected as one of the greatest artists and sculptors of the era of the Italian Renaissance. However, not everyone is aware of the fact that the wines are already anatomy and at the age of 17 rokiv soil anatomy of the corpse, like wines taking on the church tsvintary.
A couple of American experts in neuroanatomy argue that Michelangelo really left some anatomical illustrations in one of them vіdomih robіt- Sistine Chapel.
If you want something more important, the experts admit that it is more important to explain that the anatomical context is not in Michelangelo's painting. In the picture you can see the folding components of the brain, such as the brain, the normal nerves and the hypophysis. If you stand for a bright green line, if you gravitate towards the varicose bridge / ridge / people, as if appreciating God, you will ideally stray from the mystic nerves of the vertebral artery.
4. Sistine capela: another image of the human brain, but still below 
Like the masterpiece “Creation of Adam”, in the opinion of experts, on the panels of the Sistine Chapel there is another figure of God with a secret code.
They remembered that the throat and breasts of God in the picture are depicted with anatomical inconsistencies, which are not seen in any other figure on the fresco. In addition, if light falls on other figures diagonally from the left lower kut, God's neck is illuminated by direct light. Look at the visnovka, that it looks ungraciously and can be a genius robot.
Putting a marvelous image of God on a photograph of a human brain, depicted below, the stench showed how exactly these two images fit together. They added that a marvelous roll of cloth, which stretches to the center of God's robe, can be an image of a human spinal cord.
The bumps on the image of God (A) show photographs of the human brain, as if marveling from below (B), and (C) show different parts of the brain, perhaps attached to the picture.
Behind the words of the vchenih, Michelangelo also depicted other anatomical features in the other side of the stele, the stone nirka, the appearance of which was familiar to Michelangelo, and it was of interest to the new person, shards of wine suffering from stones near the nirkah.
5. Madonna with Saint Giovannino: UFO watchdog
In addition to turning our respect to the hard like stones of m'yazіv Nemovlya Jesus, in the painting by Domenico Ghirlandaio "Madonna with Saint Giovannino" is also depicted a small droplet, which is spreading in the sky over the left shoulder of Mary.
Above the left shoulder of Mary, a disk-like object is painted, like, maybe, shine. The artist depicted this object in more detail, so that it was remembered by his creation of art. On the right side of the picture, a person is depicted, as if he holds his right hand over his eyes, which points to those that this object is even more eloquent, and at the upper left corner of the image there is an object similar to the sun.
“Madonna with Saint Giovannino” by Domenico Gurlandaio is only one of the numerous middle-class paintings, in which images of marvelous, vaguely unknowing flying objects are depicted.
6. Zechariah (prophet) (Prophet Zechariah): the image of a religious authority figure
The differences between Pope Julius II (Julius II) and Michelangelo were well documented. Historians say that Michelangelo, having depicted a portrait of the Pope like the prophet Zacharias, and that one of the angels, roaring behind him, shows him a very obscene gesture.
A charming little child shows her mouth, and it’s not a licorice fruit, it’s a right blow from her fingers and її the meaning is far from being so licorice, like a fruit of the same name. Sticking the thumb between the expressive and middle fingers, make a gesture, which in the old world is analogous to the demonstration of the middle finger in our days.
7. David and Goliath: mystical signs of Kabbalah 
Skanyuchi painting of figures on the majestic stele of the Sistine Chapel, with an area of 1300 square meters, the authors knew the forms, how to give the Jewish letters
For example, the figures of David and Goliath adopt the form of the letter "gimel", which symbolizes "strength" in the mystical tradition of Kabbalah.
The authors consider that Michelangelo had taken away his knowledge in Judaism, if he was known at the court of Lorenzo de Medici near Florence, and the whole Sistine Chapel, as a matter of fact, was awakened in the same proportion, that the Holy Temple in Jerusalem was “destroyed” by him, . messengers of wild love”, as little has been deciphered.
8. Netherlandish Proverbs: 112 Dutch idioms present in the plot 
"Flemish surviving" is a picture painted by an olіy on an oak panel in 1559 roci. Її the author є Pieter Bruegel the Elder (Pieter Bruegel the Elder), having depicted the land, is inhabited by literal images of the Dutch past in quiet days.
There are approximately 112 idioms in the writing of the picture, which are recognized. Acts from them, vikoristovuyutsya and until today, for example, such as: “weep against the leak”, “beating your head against the wall”, “thrown to the teeth” and “there is a small fish”.
Other prisliv'ya incite people's foolishness. Deyakі figures, perhaps, are more than one figurative virase, such as, for example, a person shearing in the left hand in the center in the lower part of the picture. Vіn sit entrusted to a man, like a pig less often, є viraz “who is shearer than sheep, and who is less than pigs.” Tsej vislіv means that one person can prevail in porivnyannі z іnshoy, but you can also be the one who will “shear them, but don’t take the skin from them”, so win your protection to the maximum, but don’t stain it again.
9. "Supper at Emmaus"
"Supper at Emmaus" is a picture painted by the artist Caravaggio in the style of the Italian baroque.
In the picture of the images, the moment, if Jesus, who is risen, is left unrecognised, shown to two of his own teachers, in the place of Emmaus, and then he emerges from the field of dawn.
The picture is invisible through the figures, painted in full size and dark, empty background. On the table there is a cat from the same, which is unsafely balancing on the edge of the table. In the picture, there is also a clear shadow, which guesses behind the outlines of the fish, as it can be shown to the law of movment for Christians.
10. Portrait of young Mozart (Young Mozart's Portrait): signs of Masons
Obviously, the artistic robots could not but bump into Freemasonry. Portraits of people, like a hand, can show on the right or right of the hierarchy. The butt of such portraits is an anonymous portrait of Mozart (perhaps written by the artist Antonio Lorenzoni).
"The Creation of Adam" (Sistine Chapel, Vatican, Rome, 1508-1512) - the fourth of nine central compositions of the cycle of frescoes on the theme of the creation of the world, the prayers of Michelangelo Buonarroti to embellish the stele of the Sistine Chapel by Pope Julius II.
"LIVE - MEAN CREATE"
Marina Khaykina, mysticist: “Michelangelo wrote God in the ancient spirit: the real in his corporeal and divine intuition. At a simple horn-bearing tunic, God rushes over the created world in polished angels without wings. The woman’s figure is right-handed in the sight of the new one - Eva, she still checks for the year of her creation, but was already conceived by God. Under the hour, God turns around, straight ahead to Adam and stretches out his hand to the new one. Tsey Rukh until his vitvor instills the energy of life, as the Creator can give us to people. The figure of the Creator is mirrored in the pose of Adam, who is lying down, created in his image and likeness. But at once I repeat Adam's posture and outline the walls: there is only a part of the landscape in the middle. Marriage is literally a spark of life force, to breathe into a new soul.
Mayzha's hands are trapalyayutsya. Michelangelo makes this gesture at the center of the fresco and observes a pause in order to force the infusion of images. We are practical bachimo, as the energy of God's brush is transmitted in the hands of people. Choosing from the history of the creation of the people themselves, tsyu mite - the people of the soul, Michelangelo equates it to creative enlightenment. On yoga thought, building and creating is the greatest gift from the quiet that these people burn. Between the two, stretched one to one with their hands, and a wonder is seen, inaccessible to our eyes. This gesture is already learned from Leonardo da Vinci; ale like an angel in yogo’s painting “Madonna in the Grotto” is less amazing, then the gesture of God yogo insinuates. For a year, this gesture is to repeat many other artists - the weather is better than Michelangelo's faith in people and through creativity.
"WE ARE NATIONAL AT THE MOMENT OF RELEASE"
, psychoanalyst:
“First, what I'm seeing here is a moment of unique zestrichi, a kind of spawning of energy and strength. God rush forward to Adam, to breathe into a new life. At the same time, their fingers close - and the body was born, in the wake of strength, life, and in the eyes of Adam a fire ignited. Ale, at the same hour, I could see the ice, that God with his retinue is collapsing into another world, watching the sight of Adam. At the same time, the position of the woman is unmoved, the stench of the nibi is in the air, and the cym is set to turn around. Why?
I admit that Michelangelo's unfamiliar painting here is not a zustrich, but the coming moment of separation. God separates himself and the father's, and the mother's ear at the same time, their union and bring to the birth of the child - Adam's innocence. The maternal origin of God is transmitted through a red veil, as if associated with my mother’s bosom, with my mother’s world, the uterus, in which impersonal future lives, potential human “I” are born. Stretched out one hand of Adam and God is similar to the umbilical cord, as if it had been torn, and the axis of this moment I can see in the picture. And in such a time, Adam's melancholy posture conveys not the reality of life, but the turmoil of separation. You don’t know yet how only such a separation can be born as a person, as if I were alive.
The fingers of God and Adam in the picture are similar to the artist's penzle, and they are more important. Michelangelo is unfamiliar with the history of separation from two sides - like Adam, and like the Creator. I’m running around here no less than the troubles of a child, as if having left my father, that trouble of an artist, like a trouble to say goodbye to my child, my picture. Aleshche and rіshuchіst of the artist robit tsey krok. Even if you know the strength to part with your wicker, the picture will be completed and you can live a good life.
Michelangelo Buonarroti (1475-1564), Italian sculptor, artist, architect, eminent master of the Renaissance era. The whole world associates Michelangelo with the frescoes of the ceiling of the Sistine Chapel, the statues of David and Moses, the Cathedral of St. Peter at Rome. At the art of Michelangelo majestic power instilled like deeply human ideals High Renaissance, and tragically, the crisis of humanistic light is typical of the Renaissance era.
"Creation of Adam" (ital. La creazione di Adamo) - a fresco by Michelangelo, painted around 1511.
The life of the Sistine Chapel in Rome was roared on the eve of the pontificate of Pope Sixtus IV in 1475, just to that fate, if not far from Florence, in the small town of Caprese, in the same Lodoviko di Lionardo di Buonarroti Simoni gave birth to another son, born. Tse im'ya is now in the house of all and is inextricably linked from the Sistine chapel.
Knowing the details of the life path of a brilliant sculptor, artist, architect and poet, one cannot help but be amazed at how titanic the strength of the bool is in New. She herself allowed herself to stand in front of failures, inseparable ones, it would have been given, by reshkods, and sometimes just by significant shares, they cleared up. life way maistri.
In 1508, Pope Julius II summoned the famous sculptor from his native Florence to Rome. Behind Michelangelo's shoulders are already such masterpieces of sculpture, like "Lamentation of Christ" and "David". It would be logical to admit that Julius II asked the sculptors to choose a new statue. Ale don't know. According to the teachings of the unkindness of Michelangelo, and in the first year of Urbino, the architect Donato Bramante, who stood up for his fellow countryman, the young Rafael Santi, and wanted to take away a competitor’s path, that is why Michelangelo propagated the painting of the Sistine Chapel stele. The stele is close to six hundred square meters! The idea of the enemy is simple.
Michelangelo. Creation of Adam. 1511 rec. Fresco on the ceiling of the Sistine Chapel
First, turn the maistra into the head of the head - sculptures. In a different way, call on the new one - at a different time - the wrath of the pontiff. Well, if Michelangelo still comes in handy, then, better for everything, the sculptor cannot create anything worthwhile, and Raphael’s success will become unbearable. It’s easy to understand why Buonarroti hadn’t been engaged in fresco painting until that moment, it’s easy to understand why the sculptor on the back of his head asked him to entrust his prayer to Raphael. Ale zustrіvshi zhorstku napoleglivіst Julius II, Michelangelo zmusheny buv wait.
The artist accomplished his feat in less than 26 months (practically with breaks from May 10, 1508 to July 31, 1512). You have painted the stele, lying on your back or sitting, throwing your head back. With my eye, the farba flooded, dripping from the brushes, the body in the unhandled camp, roaring the unbearable beat. Ale wine, having created a work, like for grandiosity, excellence and thoroughness, occupied the central place in the mystic of the High Renaissance. Goethe wrote: "If you don't sing the Sistine chapel, it's important to lay down the appearance of a person who can stir up one person."
One of the finest frescoes on the ceiling of the drop is "Creation of Adam". Having burnt on the right hand, on the ground, bring on the young and the garne, the still lifeless body of the first person. The Creator-Sabaoth, who to fly in a sharp host of wingless angels, stretches out his right to the left hand of Adam. Mite again - їхні fingers stiknitsya, and the body of Adam came to life, knowing the soul. Describing this fresco, the mysticists call out that Sabaoth and angels, united in one whole, can successfully fit into the picture, equally important to the left part of the fresco. I all.
Matching a fragment of the fresco of the Creation of Adam and the image of the human brain
However, marveling at the artist’s creation, you quickly realized that it was not the Lord who revived Adam, but the majestic brain, which I repeat in detail the head brain of a human being. Tse is guilty of understanding whether it is a biologist or a doctor who knows the basics of anatomy. A century after century passed, and only after five thousand years Michelangelo's ideas were revealed to us. Meister enciphered at these frescoes that the act of creation was created by the light mind. Why should Michelangelo for life not pull on the co-participants, which he truly portrayed?
The explanation will come up by itself. The artist wakes up the brain instantly, more than roaring the corpse. And for the outrage over the dead body for the hours of Michelangelo, the death penalty lay. And the yakbi of the seventeenth century Buonarroti were caught, if they taemly anatomized the corpses in the late monastery of Santo Spirito near Florence, then even on the coming day, the yogi of the power of the corpse hung bi in the opening of the window on the third version of the palace of the Signorsheibut, and maykodevil svіt. From Quiet Memorable Days of 1492 Rock, If the Artist Lived in Budov human body, Before the creation of the fresco "The Creation of Adam" on the plafond of the Sistine Chapel, twenty years passed. However, regardless of such great term, contrary to the accuracy, with which Michelangelo depicted the zvivini and furrows of the human brain
It is easy to guess the bichna furrow, which strengthens the frontal part of the brain from the cranial part. The upper and lower skronevy furrows form a middle skronevu zvivina. The right shoulder of Sabaoth is the middle frontal zvivina. The profile of one of the angels repeats the central, abo-roland, furrow - between the frontal and thyme parts of the brain. And come, heads of two angels behind the back of the Creator - nothing else, like that kutova zvivini over the edge.
Cicavo, that the details of the future of the brain are guessed and in the folds of the robe of Sabaoth on the fresco "The Creation of the Sun, the Moon and the Roslin", and in the outline of the fabric on the fresco "The Land of the Land, Leading the Creation of the Fish".
The rest of the words of the ninety-nine Michelangelo on his deathbed were: "How badly, how can I die, if only I began to read behind the warehouses of my profession."
You can only add with a sum: "Yak Skoda, only after five hundred years we can read for warehouses those that the great Meister gave us."
Michelangelo Buonarroti "The Creation of Adam" (1511). Fresco. 280 x 570 cm
Sistine Chapel, Vatican, Italy
The most marvelous stand in front of the beholder in all his writing. Taєmnitsya, as you do not stop praising people in the face, the grand master is interpreted by the same logical string.
To fly near the infinite expanse of the Creator in the sharpened guardian angels. The rest of the great Right was left for the completion of the Creation of the world - the creation of a human being, one with living beings similar to the image and inner inspirations of the Creator himself.
Precise and evocative gesture of God the Father. Divine energy has already begun to remind the body of the ideally built Adam, the first of people.
Angels watch over the Great Mystery of Creation from the suffocation and reverence. Among the helpers of God, there were few such who were afraid of fear and wonder. How will I be new, unfamiliar before? What will you bring out of this body of creations of the world? Do you truly trust God?
The figure of Adam meritorious respect. The author creates this image out of love and special retelling. In front of the peeping man is the best person on Earth, and to him she is ideal. Nomu does not know the right wadi. Nemov, having rolled over in a long sleep, not understanding until the end of the sense of everything that comes to mind, Adam is reminded of the energy of life, respectfully marveling at the Creator of the world.
Cicavo, that the master is creating the image of Yevi, still uncreated, but still existing in the Great Plan. Її the image of a peeping bachelor among the angels, under the left hand of the Lord. With an irresistible interest, to inspire a clique of posterity for the first woman for the Divine act of creation.
Irrespective of those that the image of God the Father of creations is majestic and may not be doubtful, the peeping people have a seditious idea that people and God in their robots act more like equal partners, which is without a doubt innovation in the science of Revival.
The author is unique in the number of spectrally pure colors. The color of the fresco is soft, muted. The only thing that gives energy to the composition is the cloak of God-Father, flickering at the purple-red color, a symbol of all-powerful dominion over the world.
A bright background of calls to see the head figures diyovih osib. Vin riveted the gaze of the peeping to the fact of Creation. I encourage you to become familiar with the Majesty of God, by the immeasurable Will and by the power of Yogo Creation.
9 symbols, encrypted in the "Created Adam" 
Hands that stretch one to one - the most famous fragment of the fresco of the Sistine Chapel.
Ale in the "Created Adam" by Michelangelo is more important than hands, but ... a brain
Tse zamovlennya vіdrazu was not worthy of the artist, who gave the preeminence of sculpture to painting and little did not succeed in the creation of frescoes.
Michelangelo suspected that the idea of handing over to this robot, who is not strong in any way, Pope Julius II was given backs.
And even though Europe could not compete with the most powerful deputy of Europe, out of a sense of super-accuracy, the master signed the contract as follows: “Michelangelo, sculptor.”
Sculpture, according to Michelangelo's designation, is "a work of art that is created through change."
And if you marvel at the fresco of the sculptor's eye, "seeing everything" (behind the words of Rodin), then on the image appear the uncontourable contours.
The main part of the painting is nine plots from Butt, "The Creation of Adam" is the fourth of them.
Dia on the fresco died a second before the beginning of the biblical history of homo sapiens, if God, having created human beings in his own way, “breathed into individuals the same life, and became a human being a living soul” (But. 2:7).
Ale, Michelangelo has a good interpretation: on the frescoes, Adam is already building dihati and crumbling, but still with an unfinished wickerwork.
Why don’t you see the first people, so that they become like God?
How to write a scholar of the arts, Temple University professor Marsha Hall, USA:
“From the perspective of the Italian Renaissance, endowing people with building thinking meant being created in the image and likeness of God.” 
Deyakі doslidniki vvazhayut, scho here Michelangelo depicting the Creator as a dzherelo roza literally at the sight of the brain.
1 Adam.
Yogo posture mirror may repeat the posture of the Creator - Adam is similar to God - only weak-willed and relaxed. The energy of that life is poured into Adam by the divine flow of light.
2 Brain.
The American doctor Frank Lynn Meshberger first noted the similarity of the outline of the cloak, which develops like God and his companions, from the contours of the human brain.
Qiu point of view was raised low by physicians and biologists. Michelangelo, according to the words of his friend and biographer Giorgio Vasari, “constantly occupied with anatomy, opening up the corpses, to beat the cobs of that ligament of the bone, m'yazyv, nerves and alive ...”
So that the mitets are fully imaginable in the details and in the place of the cranium. And in the era of the Renaissance, they were already talking about the brain as a container for the mind.
It is impossible to turn off, what on the frescoes of Michelangelo, having visualized the idea: the cob, what to create in the person of God with angels is the center of reason.
3 Furrows to separate parts of the brain.
Мешбергер і його послідовники вважають, що на фресці художник візуально виділив основні частини розумового органу і лінії, що відповідають бічній борозні (відокремлює скроневі частки), глибокій центральній борозні (відокремлює лобову частку від тім'яної) і тім'яно-потиличній борозні (відокремлює thyme
4 Varoliev city
Sweep the pathways for nerve impulses between the spinal and cephalic brains.
The master of the 16th century hardly knew about the functions of the chi, but he depicted the contours of the pons varolius in a similar way.5 Hypophysis. Meshberger appreciated that the artist saw the anterior and posterior parts of the organ connected with the endocrine system.
6 Two spinal arteries.
The stench is so vibrating, like a fabric that grows on a fresco.
7 Middle frontal zvivina.
Biologist Kostyantin Efetov is aware that the frescoes represent the outer surface of the brain.
At the middle part of the frontal part there is a okorukhovy center, which causes an one-hour turn of the head and eyes. At Michelangelo, the contours of the tsієї zvivini are given by the contours of the hand of the Creator, as if naked, even the sleeves of the tunic dovgi.
The message is written in the Bible: “To whom did the Lord’s mind shine?” (Isa. 53:1).
From the Christian tradition, these are the words of the prophet - about Jesus, the new Adam, who will come, to put the sin of the forefather to rest.
8 Nadkrajova Zvivina.
Zgidno modern science, Keruє folded with people's hands. On the fresco, the silhouette of a woman's head repeats the contours of the Zvivini.
Marsha Hall is aware that the artist is here depicting Sophia, Divine Wisdom.
The Bible says that Wisdom was for God, if he created the world and people (Appendix, ch. 8).
9 Kutova Zvivina.
The contours repeat the contour of the child's head. Mysticist Leo Steinberg thinks that the boy, up to the shoulder of which God sticks up, is not a word Christ, who transfers his share.
