“Why Boris Kostyaev - the main character of the novel "The Shepherd and the Shepherdess" - dies in the worst wound. Why is the main character of the explanation I
Option 3
1. Main thought artistic creativity tse: a) topic; b) idea; c) problem.
2 . Tell me, yake literary directions put tasks before the artist:
a) depict the life of addictions in the soul of the hero, his dissatisfaction with the world that is too much, the realization of the ideal;
b) depict a hero, who must always defend high moral principles, serve as a wife;
c) depict the life of a private person with a variety of spiritual life, and feel that experience.
3. At the riverbed of which is it directly written tvir "Mtsiri"? a) romanticism;
b) classicism; c) sentimentalism.
4. Mtsiri translated from Georgian means: a) boy; b) mandriving; c) novice.
5. The Kalmyk fairy tale about the eagle of the hero of roses: a) Father Masha Mironova; b) Pugachov; c) Shvabrin.
Qile:
Vihovannia spiritually razvinenoї specialty, shaping the humanistic svetoglyad, national self-confidence, a sense of patriotism, love and respect for literature and the values of the country's culture;
A development of figurative and analytical thought, reading culture and a sensible author's position;
Opanuvannya vminnyami and novice reading and analysis of artistic creations.
Manager:
Develop in schoolchildren a strong interest in reading and love in literature;
Molding the first ones to kill that newcomer of the ruined sprynyattya of the creation of creation.
The data of the test is to be taken to the fact that it is necessary to revise, as the material of the assistant from the main topics has been mastered.
The test consists of 20 meals.
For skin correct examination, I take 1 point.
The scale of the pererakhunka of the total ball
for vikonannya examination work zagalom
at the badge
Option 1
1. Mystery for its own nature:
a) rationally; b) emotionally; c) eat on your own and rationally and emotionally on the cob.
2 .The young person of the artistic creation is called:
a) rank; b) a character; c) type.
3. The topic of creation is tse:
a) main idea; b) the object of fermentation; c) the situation is specifically described.
4. The genre of conventional folk art cannot lie:
a) advice; b) a part; c) order; d) kazka.
5 .In some creations, there is a historical peculiarity. Pugachov?
a) "Captain's donka"; b) "Anna Snigina" by S. Yesenin; c) "Mtsiri"
; d) "Death of Yermak" by K. Rilyev.
6. Who is the poet on the Black River?
a); b); c) Before. Rilev; d) S. Yesenin.
7 . in "Captain's Donets" he wrote:
a) about the rebel S. Razin; b) about Gromadyanskaya war; c) about Pugachov's rebellion.
8. To whom s heroes " captain's donka» overlay words:
“Scarity is so cute, cute is so cute - that’s how my sound”?
a) Pugachov; b) Grіnev-father; c) captain Mironov; d) Shvabrin.
9. In what image did Grinov dream of Pugachov in a foreign courtyard?
a) the king; b) shibenik; c) imprisoned dad.
ten. " Vіn buv pіd pіd pіd pіd pіd pіd pіd pіgachov's strati, yakіv pіznіv yogo. Who is wine:
a) Petro Grinov; b) Shvabrin; c) Savelich.
11. The poem "Mtsiri" is brought straight to the point:
a) classicism; b) romanticism; c) realism.
12. Who is the epigrapher of the poem "Mtsiri"?
a) “we shot at us ...” b) “cherish the honor of the youth” c) “tasting, savoring little honey, and now I’m dying.”
13. Gogol took the idea of "Inspector": a) from Pushkin; b) Lermontov; c) this history became with him.
14. Who among the listed characters is not Gogol's special comedy "The Inspector"?
a) Lyapkin-Tyapkin; b) Shpeikin; c) Kuteikin; d) Sunitsa.
15. The name of the mayor from the comedy "Inspector".
A) Shpekin; b) Lyapkin - Tyapkin; c) Protyag-Dmukhanovsky.
16. Acquaintance with some kind of writer boasting Khlestakov? A) from Gogol; b) Pushkin; c) Lermontov.
17. Who is the hero in Gogol's comedy "The Inspector" saying to himself that "the lightness of thoughts is unparalleled."
a) Bobchinsky; b) Khlestakov c) mayor.
18. Why did the hero of the opovіdannya "Pіslya balu" quit his service?
A) from religious perekonan; b) Yogo, having struck a vipadok from a soldier who fought; c) їх rozvіv vpadok.
19. Who said at the comedy "Inspector": "Vono, well, Oleksandr the Macedonian hero, but what about the lamati stilts? a) Mayor; b) Khlestakov; c) Sunitsa.
20. What kind of tvir wrote Gorky? A) "Telegram"; b) "Song about the Falcon"; Vasya".
Option 2
1. What is the difference between understanding "image" and "character"?
a) so, sutteva; b) nі; c) fallow to the genre.
2. Idea to create - tse: a) those that the author wants to say; b) a moral lesson; c) the main idea of creation.
3. Can different problems be raised on one topic? a) so; b) nі; c) there is no clear answer.
4. In some genre of old Russian literature, the life of such a group of people is described, buried to the face of saints: a) a story; b) saying; c) life; d) litopis.
5. Podії "Captain's donka" vіdbuvayutsya: a) at the Bіlogіrskіy fortezі;
b) Orenburz Fortress; c) Bіlogіrskoї fortezі.
6 . The main problem of the "Captain's Donka" is: a) the problem of kohannya; b) the problem of honor, bondage, mercy; c) the problem of the role of the people in the development of society.
7. Rocks of life: a) 1798-1837; b) 1801-1838; c) 1799-1837; d) 1799-1835.
8. Who were the heroes of the Kalmykian fairy tale-alegory, like rozpoviv Pugachov Grin'ov on the way to the fort: a) Already Sokil; b) Eagle and Raven; c) Leleka and Zayets.
9. In the name of whom the investigation is carried out at the story "Captain's Donka":
10. Who is Grinov's "anti-hero"? A) Shvabrin; B) Zurin; C) Ivan Ignaty;
11. The genre of Lermontov's work is "Mtsiri". a) story; b) virsh; c) eating.
12. Which bishop took Gogol from the comedy "Inspector"? a) "Take care of the honor of your youth"; b) “There is nothing to write about the mirror, like a crooked peak”; c) "We were shooting..."
13 .Khlestakov boasting of knowing some kind of writer? a) Z Gogol; b) Z Pushkin;
c) Z Lermontov.
14. Who is the hero in the comedy "The Inspector" saying the words "I, I know, I myself love to engage in others: in prose, and in the other and virshiki to fall."
a) Khlestakov, b) Sunitsya, c) Sudda.
15. What is the main compositional device used in the opi- dation of “To the Ball”?
a) contrast; b) a change; c) setting.
16. Has a monument been erected near the municipality Vasil Tyorkin? a) Leningrad; b) Smolensk; c) Kiev
18. From what creation are the words: “People are created for happiness ...”
a) "Asia"; b) "Song about the Falcon"; c) Paradox.
19. What kind of tvir did you write? a) "Sleepy musician"; b) "Telegram";
c) "Chervoni Vitryla".
20. To whom is the creation of a row: “To whom is memory, to whom is glory, to whom the water is dark ...”
a) "Telegram"; b) "Asia"; c) "Vasil Tyorkin".
Keys.
1 option.
1c, 2b, 3b, 4a, 5a, 6a, 7c, 8a, 9c, 10a, 11b, 12c, 13a, 14b, 15c, 16b, 17b, 18b, 19a, 20b.
2 option.
1a, 2c, 3a, 4c, 5c, 6b, 7c, 8b, 9a, 10a, 11a, 12b, 13b, 14a, 15a, 16b, 17c, 18c, 19a, 20c.
Tvir
Story I. A. Turgenev "Asya" - one of the best creations Russian literature dedicated to love. Love, greater than the smallest world, is present in all the works of Turgenev. To the writer's thought, which is mostly felt by life. All the heroes of the writer go through the testing of kohannyam. The very same testing is the most common and the most complicated. But the very same will signify the moral basis, the essence of a person.
So, in the story "Asya" a kohanna is born between the main hero, pan N. N. and the maiden Asya. Having settled down near the deaf little place of Nimechchini and having begun to talk together, the heroes will understand that they fell in love with one and the same. Emotional and merciful in her feelings, Asya does not need to cross the border for her happiness with Pan N. N. The hero becomes a victim of powerful weakness, fear, zaboboniv.
Under the hour of describing the next twenty-tip'yatirichny hero will rise in price for Europe, live the life of people, enjoy his youth, freedom, wealth. Mayzhe in the skin mist of a new woman's heart, but he himself has a miraculous mind, that all these are not serious.
And yet, in one German place, Pan N. is cultivating his kohannya. She shows the wondrous girl Asya. A people like a nobleman and a servant mother, she was seen in the midst of her honed wild, spontaneous vows, intelligence, emotion, exuberance: But I didn’t want to go under the burning rіven, I resisted, marveled at the bee ... ".
The author speaks out on the eccentricity of the girl. First truth, pan N.N. once again pomitiv tse: її artistry, plasticity, voluptuousness, majestic emotion, the desire to live a bright life. Such a heroine could not but screw up the respect of the hero.
Zestrivivsya with Asya, vіn vіdchuvaє vіn vіdchuvaє vіdchuvaє vіdchuvaє svoєmu і love іnієї garnoї widow, yak vіdkinа yogo. Ale mi rozumіёmo, scho tse a little rich in what has been played. That hero himself is known to tsomu. Asya seemed to be more intelligent in the new liche. Turgenev draws us the birth of love, the formation and separation of heroes.
Rozluka, in my opinion, became pan N.'s fault. We remember that Gagin came to Pan N. from telling about his sister's wife. Vіn giving the hero an ultimatum: either Vіn make friends with Asa, or else go. Trohi later, the hero speaks from Asya herself. Vaughn knows Mr. N. in his own way, but the hero zrazhuє and maiden, and his kohannya. Zaboboni and fear of thoughts of suspіlstva and thoughts of Gagin zmushuyut yogo v_dshtovhnut Asya, as if she was ready to drink after Pan N. to the end of the world. In the future, the hero is at a loss for harm and bazhaє everything is corrected, but he missed his chance of guilt. Tell Asya about this at the farewell note.
To finish the good knowledge of Pan N., Gagin, and his sister, they lied about it, without having checked the evidence. The stench realized that Pan N. was not yet ripe for such an important decision and for an hour he was foolish about the new one. So it went. In a fight, the hero almost rushed to attack Asya, and then the share ordered those outposts. As if knowing himself Pan N. himself, he gave the best rozvyazka for the new one: I know that the fate of the good order, not having met me with Asya; I was inspired by the thought that I, maybe, would not be happy from such a retinue.
For the rest of the day, I’ve learned about it, that the hero doesn’t learn his kohanna, he lives like a self-made bean and keeps the memory of Asya. Among the numerically low women, like in a new boule, the girl has left a deep trace in the soul. Possibly, for the sake of yoga alone, and, having let go of yoga from the blame, wine until the end of life was filled with selfish and unfortunate. Abo, perhaps, the hero has a better chance to fall in love, become happy, ale vin proishov later. Because, due to his nature, Mr. N. is not ready to swear, he is afraid of strong emotions and cardinal changes in life.
In this rank, my glance, Pan N. did not show the test of love. Vіn vtrativ love Asі less z vlasnoї blame. Tse mi rozumієmo, reading the scene їhny pochennya.
Here the hero stands before us, not yet mature enough to deep and serious love. On the vіdmіnu vіd Asі, pan N. afraid of hardships, to go the easiest way, which, however, does not bring happiness to you.
The hero is afraid of new strong, high feelings, in the form of strained spiritual experiences. The way of life of the secular neroby, having instilled Pan N. to shallow suffocations, to superficial experiences, to a light-weighted attitude to life, that is sensitive. To that, with the first serious testing, If the hero needs a choice, you will enter.
Pan N. stands before us without delay until independent decisions and life changes. Particularly clear is the insensitivity and weakness seen on aphids Asi, one of the ideal “Turgeniv girls”. Vaughn is ready to the greatest show of love - self-sacrifice.
Do other things
Analysis of 16 chapters of the story I. S. Turgenev "Asya" Analysis of the XVI chapter of the story I. S. Turgenev "Asya" Asya is like a butt of a Turgeniv girl (following a story of the same name by I.S. Turgenev). The idea of binding in the novel by I.S. Turgenev "Asya" How do we understand the phrase "Happiness has no tomorrow"? (According to the story of I. S. Turgenev "Asya") Place for the image of Asi at the gallery of "Turgeniv girls" (for the same title story by I.S. Turgenev) My spriynyattya povistі І. S. Turgenev "Asya" My love tvir (tvir - miniature) My reading of "Asya" My thoughts about the story "Asya" A new type of hero in Russian literature of the other half of the 19th century (according to the story of I. Turgenev "Asya") About the story of I.S. Turgenev "Asya" The image of the Turgeniv girl in the story "Asya" The image of Asya (according to I. S. Turgenev's "Asya") The image of Asi in the one-men story I. S. Turgeneva The image of the Turgeniv girl The image of the Turgeniv girl (according to the story "Asya") Why is the main hero of sayings for self-sufficiency? (According to the story of I. S. Turgenev "Asya") Why didn’t the stosunki mіzh Asey and Pan N? (According to the story of I. S. Turgenev "Asya") Subjective organization in the experience of I. Z. Turgenev "Asya" Plot, heroes and problems of the story I. S. Turgenev "Asya" The theme of taєmnogo psikhologizmu in povіsti I. S. Turgenev "Asya" Characteristics of Asi for the same story I. S. Turgeneva Tvіr according to the story I. S. Turgenev "Asya" Analysis of the field I. S. Turgenev "Asya" Sens name The name of the story "Asya" “Happiness has no tomorrow ...” (based on the story of I. S. Turgenev “Asya”) (3) Romantic ideals of Turgenev and the same expression in the story "Asya" Hero of Turgenev in the story "Asya" My spriynyattya povistі І. S. Turgenev "Asya" The theme of kokhannya in the novel by I.S. Turgenev Asya And happiness could be so possible ... (for the story of I.S. Turgenev "Asya")In the description of "Pan from San Francisco" I. Bunin even vividly and in detail depicts the world of luxury and prosperity, the world of rich people, as they can afford. One of them - a pan from San Francisco - is the main hero. In yoga, images, manners of behavior, the author shows the vadi of the “golden” stake, which is the character's place. Ale najaskravisha singularity, which is immediately thrown into the eyes when reading, lies in the fact that nowhere in the description the hero’s name is guessed and his inner world is not depicted.
Who is this, pan from San Francisco? In the first rows, the author writes that “the name of yoga is not in Naples, nor is it in Capri that I remember anything.”
It would have been better, smut diyova persona, dovkol new and roar the main under creation, and raptom do not hesitate to name the hero. It is immediately obvious that the writer is unimportantly placed before the character. A more detailed description of the fineness of the pan: a tuxedo, whiteness and winding great golden teeth. Great respect is attached to the details of the description of soundness. The hero of the representations of a solid, respectable, well-to-do person, like you can buy everything that you want. It is shown in roses, like a hero sees the monuments of culture, ale wins baiduzhiy to everything, the magic of yoga does not cackle. The author knows in detail how the heroes eat, drink, dress, move. Bunin laughs at any "piece" life.
Why, by attaching great respect to oldness and vchinka, does the writer not demonstrate the inner world, the psychology of the hero? Tse everything to that pan from San Francisco simply does not have an inner light, soul. Having dedicated all his life to the profit of the camp, the creation of capital. The hero pratsyuvav at potі chola i nіyak not zbagachuvav himself spiritually. And until adulthood, having acquired statutes, I don’t know what to borrow for myself, more unspiritual. Yogo life is painted according to the years, they have no place of culture, soul. The inner world of the hero is empty and will require more than savage hostility. Pan from San Francisco does not want to live. All the tasks of yoga are brought up to the satisfaction of the physiological needs of sleep, hedgehog, smell. The hero of the navit is not affected by the change. And yoga death is not remembered for everyone, only the retinue and that daughter are harming yoga. I turn home in the box at the luggage compartment to speak clearly about this place among people.
I Bunin, in his confession, shows his apprehension and ignorance of such people. Vіn vismіyuє їх razmirene, painted according to the mundane life, vikrivaє їхні vices, picturing the empty inner world that vidsutnіst be-like spirituality. The author is widely convinced that such people step by step come together with their waters, and the world will not be deprived of “pan from San Francisco”.
The episode of the battle between Mtsiri and the leopard is in the key, and also the most memorable. The wines were repeatedly illustrated by artists (for example, O. Pasternak's little one, Dubovsky's engraving, Kostyantinov's vikonan until the end - they have a skin episode to know their own image). For critics and literary scholars, as they said, the analysis of the episode of the battle between Mtsir and the leopard is also of paramount importance. In a new mind, all the characters of the protagonist are revealed, which is the key to the rozuminnya creation.
In the small poem “Mtsir” for the roaming of the episode with the leopard, a whole chotiri stanza (16-19) was added. Introducing the style of the city to you and arranging the battle scene in the middle of the field, Lermontov already compositionally reinforces the importance of the episode. The leopard is reportedly described on the back. It is important to respect that the characterization of a wild beast in the mouth of Mtsira is given without the least fear of divination, now, enchantment by the beauty and strength of a hut. The wool on the new one "looked like a silver", the eyes glow like fire. At the night fox, pid minlivim moon light, vin similar to a fairy tale, which came to life, on one of the quiet old-fashioned retellings, as if they could tell Mtsir-child yogo mother and sister. Hizhak, yak and Mtsiri, enjoy the night, win the gray, "fun to see."
“Cheerfully”, “affectionately”, “playfully” - all the meanings tell more not about the animal, but about the child, like (child of nature), the leopard and є.
The leopard at Poemі Mtsirі symbolizes the mіts of wild nature, on the yak and vіn, i Mtsirі - equally important parts. Beasts and people here are however beautiful, however, in a day of life and, more headily, however, in Vilni. For Mtsira, the battle with the leopard serves as a reversal of yoga forces, an opportunity to show one’s strength, as it did not know the hard time in the monastery. "Hand of the Dole" led the hero along a different path, and vіn sound vvozdat yourself weak, more attached to prayers and fasting. However, having gained a mountain over a hut, you can sigh with pride that “you would be at the edge of the fathers in a moment / Not from the rest of the good fellows.” Zavdyaki raznomanitnosti dієslіv, scho signify shvidku zminu dії: “rushing”, “having shrunk”, “catching up”, like vikoristovuє Lermontov, it is possible to reveal the bewitching episode of the essence with the snow leopard Mtsiri all over the world: dynamic, rich undertones. By stretching the scene, the reader does not lose anxiety for the hero. Ale Mtsiri peremagaє, and permagaє not the leopard's style, the sculls are isolated in the new force of nature and share, fortune-tellers to the hero. Yak not be a strong supernik, Mtsir still take the zoom uphill, and, even if it’s a dark fox, Mtsir doesn’t step out of his bazhannya to turn to the fatherland. Wounded after the battle, with deep traces of pazurov on the chest, still continue the way!
The scene of the battle from the leopard may be a sprat of turns. The basis of Lermontov's creative interpretations is the Georgian epic, which tells about the battle of the young man and the beast. It is not clear that the author of Shota Rustaveli’s poems knows that she has taken away all the main motives of the epos, but it is unambiguous that the retelling of Georgian songs is different. Having consecrated a little of the fates of your life to your choice of wines (a little bit in childhood, and then we’ll go up the road on the Viysk-Georgian road). It can be seen in the episode and in the afternoon sing the great spiritual teacher Lermontov - Pushkin. Yogi sings “Tazit” in such rows: “I built steel into you’s throat, / I quietly turned the three”. In a similar way, Mtsiri handles the leopard: “Ale, in the throat, I got stuck / And there the two turn / My armor ...”. Poem "Tazit" is also dedicated to the mountaineers, where the stench is depicted as primitive and wild, as if they require enlightenment. Lermontov, putting the words of the Pushkin hero into the mouth of the positive hero Mtsir, argues with Pushkin. Monastir, which carried "sanctification", appeared for Mtsir in the pit. And the axis is a wild animal, which gave you the joy of honest essence, becoming a friend: the leopard sings the picture most lovingly and relatively.
P'esa N. A. Ostrovsky's "Thunderstorm" dosi є the subject of discussions, which are discussed for a long time about the genre of creation. On the right, in what the author's definition of the genre is not correct enough. It would be more logical to classify The Thunderstorm as a tragedy genre, even if Katerina's self-destruction in The Thunderstorm is a rose-colored creation. For a tragedy, a characteristic finale, in which the death of one number of characters is shown; before that, the conflict itself at the "Thunderstorm" passes from the sphere of butt to the sphere of eternal values.
Vzagali, nutrition, chim є suicide - a manifestation of strength and weakness - to finish the cicavii. Otzhe, the text shows, mentally seeming, evil - the death of Katerina. In order to find out who is guilty, and to instill answers to food: “Katerini’s self-indulgence is strength and weakness,” look at the reasons for Katerina’s self-destruction in the “Thunderstorm” song. For scoєnnya tієї chi іnshої dії in people, there are buti motives. Katya's motives had a kilka. First of all, sim's have problems. Katerini's mother-in-law, Martha Ignativna, belittled, imitated and cherished the young girl for no matter how handy she was. At that hour, it was not accepted that the elders were super-clear; Garne vyhovannya did not allow Katya to form a vіdpovіd. Marfa Ignativna knew that Katya had a strong character, she was afraid of it, as the bride did not hurt the poor Tikhon. Vzaєmini іz cholovіkom at Katya were formed stiffly. The girl was seen early abroad for the one whom she didn’t love so much. Katerina knows Barbara, that she feels sorry for Tikhon. Tikhin himself lays the orders of his mother, who cannot protect Katya from the hysterics of the Kabanikhs, without respect for those who love the squad generously. A person knows the order of the soul at the drunkard.
In a different way, rozcharuvannya at Boris. Katya succumbed to a young man, who had come from Moscow, rather quickly. They almost seemed to be mutual. Seeing for everything, the maiden showed the strength of her strength, supplemented the right Boris with rice that was not powerful to him, created an ideal image and fell in love with the image itself, and not the person herself. Katerina respected that with Boris її life, according to the statements: be equal with a man, do not lie, be free. From just Boris, three others appeared. Vin came to Kalinov only to ask for pennies from his uncle Saul Prokopovich. In one of the most important moments of Katya's life, Boris was taken to the hospital. The young man is guided by Katya's brother from him to Siberia, it seems even unclear. Boris does not want to take responsibility for his feelings, for the girl Katya. Katya lost herself. There is a mind, that I have nowhere and there is no one to go to. I'll take a look, catfish. Adzhe can be known in your own strength, reconcile with the shambles and otherwise. Ale important to know one situation.
Thirdly, Katya was concerned about the inconsistency of real life and the evidence about his life. The girl was taught to live honestly, according to the laws of Christian morality. At Kalinov, they understood the laws of suspense on the zhorstok. Katya bachit, scho, pretending to be Christian values, people create greedy speeches. Those who see, guess a closed colo, a swamp, like it’s too early to get into the soul of a skin inhabitant of a place. It is impossible for Katya to vibrate from this world, for that Kalinov is the ultimate expanse. There is no other space. For a long time, the girl is felt at the klitz, nothing allows her to see life itself.
Dobrolyubov, when analyzing the image of Katerina, saying that such people "better to die, lower life for quiet ambushes, like you are not accepted." The critic vvazhav, scho itself “in the integrity of that harmony of character, it exerts its strength. In the future, and light, despite all the warnings of the guinea of tyranny, they rush into Katerina’s cell, they are torn to a new life, if only they had a chance to die in the same blow. What is death? All the same - she doesn’t care about life and those animals, as if it fell to the lot of these Kabanovs. Katerini's self-destruction, according to Dobrolyubov's thought, is a vivacious force. Її decision bv impulsive. Katya miraculously knew that she would die soon. Vaughn bula z tієї give birth to people who live by extreme nights in order to save themselves. Katya did not want to deprive her soul of petty tyrants dark kingdom, The girl simply could not do otherwise. Reconcile and move the patience of Kabanikh's wind, like lies, high and for the good, the girl could not. To go out, for her life is impossible in the same sense. You can't help but get drunk more, don't drink. Katya virishu cross the threshold real light to win freedom through death.
Tsikavo, that Dobrolyubov can be considered Katerini's lawyer, and Pisarev, the second Russian critic, deserves a lot of merit in the prosecutor's office. On the right, in the article “Motives of Russian Drama”, Pisarev is widely amazed: Boris glancing - Katya sighed, “Boar grumbling - Katerina knows.” The critic denounced Katya's self-destruction as a stupid thing, without changing anything. Instead, to ease the suffering of others, Katya throws herself at the Volga. From this perspective, Katerina is a victim to herself; a weak girl, so as not to succumb to other ways of solving problems.
The thoughts of critics are rich in what they are. Choose what really is the death of Katya - special right skin person. To the mischief of Pisarev's theory, one can say that the death of the maiden did not really change anything. Tilki Tikhin, a kind of protest that is not ready for a bigger protest, it seems, to appease the dead squad.
In this publication, we tried to explain the reasons for Katerina's insecurities. This information will help 10 classes when writing a work on the topic “Katerina’s self-indulgence in The Thunderstorm – is it strength or weakness?”.
Creativity test
