Pre-Raphaelitis briefly. Pre-Raphaelitis: the purpose of art, artists, works, paintings
R. Fenton. Inter'єr Abbey Tіntern, end of the 1850s.
In 1848, Great Britain founded the Pre-Raphaelite Brotherhood, an association of artists created by William Hunt, Dante Gabriel Rossetti and John Miles. Young painters were against the system of academic education and the conservative likeness of the Victorian society.
The Pre-Raphaelites inspired the painting of the Italian Proto-Renaissance in the XV century, and the very name "Pre-Raphaelites" - literally "before Raphael" (Italian artist High Renaissance Raphael Santi).
Vinahid Frederick Scott Archer of the wet colloid process, who came to change the calotype, for an hour spitting from the vindication of the Brotherhood of the Pre-Raphaelites. The members of the fraternity were enthusiastic about the emergence of a new method. At that hour, when most artists paid little attention to the marvelous accuracy of the photographic image, pre-rapabilities, as if they themselves neglected the scrupulous transfer of details in painting, were groaning about the very aspect of photography. A critic of art who promotes the ideas of pre-Raphaelites, John Ruskin, speaking about the first daguerreotypes he bought from Venice, like about “little belongings”: enchanted country".
Pre-Raphaelites, like a lot of artists at that time, were painted with photographs as a preparatory stage for creating paintings. Gabriel Rossetti created a series of photographs by Jane Morris, which became the material for the future canvases of the artist. Rossetti and William Morris painted and photographed this woman many times, knowing in her picture of romantic middle-class beauty, such a stink was so choked up.
A few years after the founding of the Brotherhood of the Pre-Raphaelites in England, a trend “For high-art photography” appeared. The organizers of this movement were the painters Oscar Gustav Reilander (1813–1875) and Henry Pich Robinson (1830–1901), closely related to the Pre-Raphaelites and their ideas. Reilander and Robinson, like pre-Raphaelites, drew inspiration from the world of images of middle English literature, from the works of English poets William Shakespeare and John Milton. In 1858, Robinson created one of his shortest photographs, The Lady of Shalott, close to the composition of the pre-Raphaelite D. Milles' painting Ophelia. Being a lover of photomontage, Robinson slandered a sign from two negatives: on one negative, the author took the mistress in a shirt, on the other - depicting a landscape.
Participants of the movement “For high-art photography” interpreted the sign as a picture of modernity up to the standards of academic painting. In his book “Image-creating effect in photography” (1869), Robinson relied on the rules of composition, harmony and equalness, which are necessary to achieve the “pictorial effect”: an artist who adorns with farbs and olives”.
Oscar Gustav Rejlander was born in Sweden, started painting in Italy and in 1841 moved to England. Photo Reilander got stuck in the 1850s. The allegorical composition "Two Ways of Life", exhibited in 1857 at the Art Treasury Exhibition in Manchester, brought popularity to you. The photo was cut by a photomontage technician, and Reilander needed 30 (!) Negatives to prepare it. And yet, the existence of public awareness has led to the fact that wines have been trained in their own laborious technique and transitions to the capture of portraits. On the face of yoga allegorical compositions, Rejlander's portraits are more perfected for the technique of vikonnanny. The portrait of Mrs. Mender is one of the best, created by Reilander.
The painter Roger Fenton (1819–1869) took the deepest thoughts about photography, and fell asleep in the photographic society of 1853. His early series of photographs from the regions of Russia, portraits of the royal family and reports from the Crimean War brought him international recognition. With pre-Raphaelites, this yoga of Fenton's towers poov'yazuє pіdkhіd to the landscape: the line of the horizon is high, the presence of such romantic priyomіv, like serpanok, fog and іn. Fenton, as if it were pre-raphael, having exalted his technical mastery and embracing the reality of the landscape. Meister also showed interest in pre-Raphaelites to women in exotic outfits, which you can watch in “Nubian noses of water” or “Egyptian girls who dance”.
The photographs of children taken by Lewis Carroll (1832-1898) deserve special credit. The author of "Alice in Wonderland" and "Alice in the Looking Glass", Professor of Mathematics at Oxford University, Carroll (right named Charles Lutwidge Dodgson) is also a gifted amateur photographer. For Carroll, light painting was not just an hour spent, but a great passion, sacrificing a few hours and dedicating a small amount of small works and navigating the verse "Hiawatha Photographer" (1857):
On the shoulders of Hiawati - A box of rosewood: The apparatus is so diverse, Three planks and a skel, Tightly tied with screws, To fit in a screen. Hiawatha lize into the screen And the hinges are pink, Turning the small screen For the cunning to put Nemovby from the books of Euclid. On the tripod її put I under the black canopy of the lyze. Twisting, waving his hand: - Well! Freeze! Thank you! Wonderfully busy.
The writer dedicating 25 years to the “wonderful” busyness, creating miraculous child portraits, showing himself a subtle expert in child psychology. Similar to the pre-Raphaelites, in search of the ideal and beauty, which all the distances were far away from the light of their fantasies, Carroll whispered his kazkova Alice to the photographic Zadzerkalli. Mrs. Julia Margaret Cameron (1815–1878) turned to photography in the mid-1860s when her daughter gave her a camera. “I passionately wanted to imagine all the beauty, as it passed in front of me,” Cameron wrote, “and my bazhanya was satisfied.”
In 1874-75, Cameron, on the occasion of her friend Tennyson, illustrated deacons of yoga verse that sing. The composition of the photograph "The Separation of Lancelot and Guinevere" is close to the composition of the paintings by D. G. Rossetti, however, Cameron lacks the same accuracy in the transfer of details, as powerful as pre-Raphaelites. With the help of the optical baby Cameron, he reaches more poetry in his work.
The creativity of the pre-Raphaelites and the photographers was already tightly tied. Moreover, the injection of the buv is not one-sided. Julia Cameron, inspired by precise focusing, created marvelous photographic studies. Rossetti, having highly appreciated his work, having changed his style of the sheet, a year later gained a greater artistic concentration. Gabrielle Rossetti and John Milles at the hour of the creation of their paintings were cherished by photographs, and the photographs in their own hands were reduced to those shattered by the Pre-Raphaelites. Photo portraits created by L. Carroll, D. M. Cameron and O. G. Reilander convey not only the character, but also the mood of the world of their models - which is typical for Pre-Raphaelism. The same letters are used to depict nature: early landscapes of pre-Raphaelites and landscapes of photographs, such as, for example, Roger Fenton, are extremely accurate and detailed.
"Brotherhood of the Pre-Raphaelites"
In 1848 p. in England, the association of artists vindicated, as if it took away the name "The Brotherhood of the Pre-Raphaelites." Up to the new William Holman Hunt (1827-1910), Dante Gabriel Rossetti (1828-1882), Ford Medox Brown(1821-1893) ta John Everett Millais(1829-1896). Most of the representatives of the Brotherhood were not only artists, but also poets and writers, they dreamed of uniting the mysticism of the word figurative art. An artist arrived before the Pre-Raphaelites James Collinson(1825-1881), sculptor Thomas Woolner(1825-1892) both writers and critics Frederic George Stevens(1829-1907) ta William Michael Rossetti (1829-1919).
The stench called out to move towards academism in the art and turn to the aesthetics of the Early Renaissance - pre-Raphael's art and go to the Middle Ages. They added spirituality and deeply religious feelings, powerful robots at that time. The very name of Pre-Raphael appeared. The slaughter of the Serednyovichchiam caused not only to the point that they learned a lot from the middle English literature, but even to the point that the Brotherhood positioned itself as a close suspenstvo, similar to the black order. Ideologist of which ruhu buv John Ryoskin(1819-1900) - a writer, historian, mysticism, philosopher, like a vimahaw of turning the beauty on the contrary to the machine's insular virobnitstvu. Vіn assessed the religious and symbolic motives of the artists of the Brotherhood and supported them. Bagato, why the troubles of youmu prerafaelity without a hitch gained the recognition of the general public.
The Pre-Raphaelites were inspired by the rich principles of academic art. Zokrema, the stench was practiced from nature, and like models they robbed only people close to them. The stench and technique of painting are changing. On the primed canvas of the stench, a ball of white was applied, the composition was painted and painted on top of the white with translucent farbs, vicorist with less than pure colors. Tse allowed them to reach bright, fresh tones, as they were preserved in their paintings right up to this day. Ale, with whom the stench did not protect the laws new perspective, nehtuvali plein air
The Brotherhood united more than one artist and poet. And even though they had a lot of ideas in them, the skin author had his own. Thus, Millet wised up the visible primacy of his plots from deep symbolism (“Christ at the House of Fathers”, 1850). For pictures, the accuracy and truthfulness of the image is powerful. So, in order to write his “Ophelia” (1852), it depicts a body, which drowned Ophelia in a vein, having swayed the mistress to call the mistress at the bathtub with water in a brocade dress.
Hunt's paintings can be called as parables, the floorings often contain allegories and symbols (“The goat was released”, “Light of the world” and “Lady of Shallot”).
One of the most interesting articles by Dante Rossetti. Yoga creativity intertwined mysticism and eroticism. Vіdomy with his graphic illustrations to Tennyson's works and sketches to " Divine Comedy» Dante. Having written wines and pictures on the plots of the life of Christ and the Virgin Mary, yak, it’s true, they were not worthy of the public. I also have a sprinkling of water-colours, among them "The Vesilla of St. George and the Princess of Sabri."
The first stage in the history of the Pre-Raphaelites ended in 1853, after Millet, Woolner and Hunt left the Brotherhood. A new stage has emerged from the acquaintance of Dante Rossetti William Morris(1834-1896) ta Edward Burne-Jones(1833–1898), also students of Oxford. In 1857 p. Rossetti and other artists painted the walls of one of the new days of Oxford with scenes from the book "The Death of Arthur" by Thomas Mallory.
Under the influence of robotic Morris (which was a middle artist, but with whom one of the founders of design, as well as a utopian writer) painted the painting “Queen Guinevere”, in which he presented his ideal of beauty (Jane Burden’s team played the role of mistress), becoming the ideal of the beauty of the entire era of modernity. In 1859 p. having made friends with Jane Burden (as the bula was also the muse of Rosseti), and the stinks sang their own “Chervoniy dіm”. Tsey budinok, middle-aged for his philosophy, for his style sharply resonated with the Victorian pseudo-Gothic style, yak bula was even more popular at the hour. It’s just practical to finish everything at your booth.
At 1861 p. Morris fell asleep firm "Morris and Co.", Yaka engaged in any kind of design. For the help of design, that mysticism of wines tried to transform the soul. Without wondering in the guise of progress, industrialization, as if it were given to you, leveling the people to the level of the machine, Morris tried to flow in like a new one in the past and lead people behind him. Vіn propovіduv іnіnіstі іnіnіst chesnoї, tvorchoї rumanії pratsі in protilezhnіst і to the factory, hotіv zvіlnіt people іnіd factories. Maistri Morris firms produced furniture, stained-glass windows, fabrics, tapestries, books, and interior design. Easily accessible "Morris style" popular in England and now, having had a blast of middle-class and similar arts and crafts.
At 1891 p. Morris, having fallen asleep at the Kelmscott-press bookmaker, stumbled upon the rebirth of the bookmaker of the high class.
In the 1870s, after Rossetti's illness, the Brotherhood of Choliv Burne-Jones, author of the watercolor “Sidonia von Bork. Monastyrska chaklunka”, canvases “The Mirror of Venus” and paintings about King Arthur. After the death of Burne-Jones, the history of the Pre-Raphaelites ended.
July 1, 2014, 21:15Who are the pre-Raphaelites? These boys were English artists. In 1848, a handful of artists, who were trained in the schools of the Royal Academy of Mysteries, founded the Brotherhood of the Pre-Raphaelites, the main house of which said: depict the material world with marginal reliability. Before them, the British art school, which gave light to the impersonal great painters, went through the singing stagnation - ceremonial portraitism, pobutovy sentimentalism, shallow landscapeism - and everything that England can boast of until the middle of the 19th century. Dante Gabriel Rossetti, William Holman Hunt and John Everett Millet opposed the creation of new art and opposed the canons of painting, which were built indestructible.
“The Pre-Raphaelite Brotherhood” (eng. PreRaphaelite Brotherhood, in Latin prgaє - “before”, “in front”, ital. Rafael - “Raphael” and English brotherhood - “brotherhood”).
William Holman Hunt Self portrait
Dante Gabriel Rossetti
John Everett Millais Self Portrait
The sign of "pre-Raphaelite" stench was taken away, in order to denounce the style of the Italian artist High Renaissance Rafael Sant and show interest in the creativity of the Italian masters of the Proto-Renaissance of the XV century. In this epic, they got “naive innocence”, as well as right spirituality and deep religious feeling. The romantics for their day of pre-Raphaelism have created the light of images of the middle English literature, which has become for them a permanent inspiration of inspiration. The word "brotherhood" conveyed the idea of a closed, taєmnoї spіlnosti, similar to the middle-class black orders.
All the members of the "Brotherhood" turned back to the mysticism of the Gothic, de zamіst zvіchnі svіtlotіnі panuvala gra kolorovyh flats. Shriveling with bright farbs, the stench depicted nature in a realistic manner, but without slavish dotrimanna, they ruled the classical composition. The stench wrote their naturalists - wonderful people - with scrupulous accuracy, placing them in the natural surroundings. Sob not one jot not to err against nature, the pre-raphaelism vimagali absolute accuracy in the skin details, for which they wrote nature less in the open air, then on the open air. Already, one thing became a revolutionary crop ahead of time, the shards before them, the artists practiced less at the studio.
Artists respected that it was not possible to depict third-party people, so they were always chosen as models of friends and relatives.
John Everett Millais "Ophelia" (1851 - 1852)
The picture is based on the plot from Shakespeare's poem "Hamlet". Mille created the landscape of the white river, spent the white of the easel for 11 years a day. Such appeasement to the point of roboti is explained by Millet's glances, which stood up for the establishment of the principles of pre-Raphaelism in the art. One of the key ideas was that nature can be depicted as authentically as possible, that is why it is necessary to create letters on paintings with botanical accuracy. The artist painted the image of Ophelia at his studio after creating a landscape, which was unusual for quiet hours. The locals were respected by a less important part of the picture, they were deprived of sweat. The model was the nineteenth century Elizabet Siddal, like Milli zmushuvav for a year lie in a bathtub. Irrespective of those that the bath was warmed up by the help of lamps, it was winter, so Siddal seriously caught a cold. Її father threatening the artist with a court, as if he did not take on himself the payment of medical services, and later Milli buv hanging rahunoks from doctors.
Tvorchіst prerafaelіtіv Bula tіsno pov'yazana of lіteraturoyu: s happening іtalіyskogo Epoch Renaissance poet Dante Alіg'єrі, anglіyskih poetіv Vіlyama Shekspіra that John Mіltona long zabut serednovіchnimi legends that Balad of noble poklonіnnyam prekrasnіy damі, samovіddanoyu muzhnіstyu ritsarіv that mudrіstyu ritsarіv.
John Everett Millais "Girlfriend of the Betrothed" (1851)
John Everett Millais "Marianne" (1851)
John Everett Millet "Spogad about Velasquez" (1842)
Dante Gabriel Rossetti (named in honor of Dante Alig'eri) took away the greatest subtlety of that kind of inspiration.
Dante Gabriel Rossetti "In Love" (1865-1866)
Mustaches of the Pre-Raphaelites began to write on a white ground, otrimuyuchi pure color gaps. This method is rich in why guessing the technique of fresco painting. On the canvas, white farba was applied on the back and dried thoroughly. The artist painted ink with her, having written the contours of the little one. On top of the sketch, a thin ball was applied, even without olії and only sweat - a barvy ball with scrupulous dotrimanny contours of the little one. All this meant the superhuman lightness of the brushstroke, so that the farbi did not rise from the watery soil. Moreover, it is impossible to apply new strokes on top of the laying farb without losing the original purity of tones (sound at oil painting the picture is painted fragment by fragment, and it is possible to correct it, be it a pardon. Holman Hunt wrote in this way, often going to the new and Milles, however, the technique was given to demonstrate such ingenuity in work, that an industrious artist could not create more than two paintings on a river.
The chosen technique made it possible to reach bright, fresh tones and it turned out to be so long-lasting that these robots have been preserved in their original appearance to this day.
Dante Gabriel Rossetti "Venus"
Dante Gabriel Rossetti "Lady Lilit" (1867)
Dante Gabriel Rossetti "Pia z Tolomei" (1868)
John William Waterhouse is an English artist, whose work is carried to the last stage of pre-Raphaelism. Vіdomy with his female images, as if inspired by mythology and literature.
Waterhouse "Boreas" (1903)
Waterhouse "Hilas and Nimfi" (1869)
Waterhouse "The Lady of Shallot" (1888)
Waterhouse "Drowsy Beauty" (1849 - 1917)
Waterhouse "Ophelia" (1910)
Robots of the same mind of the Brotherhood of the Pre-Raphaelites:
Lawrence Alma-Tadema - one of the richest artists of the 19th century. Having plunged into the style of historical cinematography (Hollywood productions of film directors).
Lawrence Alma-Tadema "Trojandi Geliogabala" (1888)
Lawrence Alma-Tadema "Spring" (1894)
Lawrence Alma-Tadema "Caracali ta Geti" (1909)
In 1853 p. The brotherhood of the Pre-Raphaelites is falling apart. The Crimea of the young revolutionary romantic spirit that was suffocated by the Middle Ages, few of them sank, and from the first pre-Raphaelites, Holman Hunt was left behind with the true doctrine of the Brotherhood. If in 1853 the year Millet became a member of the Royal Academy of Mystics, Rossetti voted tsyu as the prince of the Brotherhood. "Round steel at the time of unraveling" - to rob Rossetti's whiskers. Step by step go that іnshi members. Holman Hunt, for example, having gone to the Near Skhid, Rossetti himself took over landscapes and religious themes, having been inspired by literature and having created rich robots from Shakespeare and Dante.
For those who are interested in the creativity of the Pre-Raphaelites:
є BBC TV series ("Vidchaydushni Romantiki" 2009) on a typical channel for the genre of "costume historical films". There is no star in the leading roles here. Young rebels are played by young actors, who look charmingly in frock coats and with romantic hair. The creators of the film tried to capture not a solid biography of famous artists, but the history of life and the love of young geniuses, pierced by the very spirit of wisdom and creative thought, which inspired the magic of the past. In six episodes of a single season, the great stuff of their life was included - from Rossetti's cut to the "ideal model" Elizabeth Siddal to William Morris' dress with mistress Jane Burden. And also human friendship, struggle with reactionary support and new insights in painting.
Dehto writes about it, so that you can use the word "pre-Raphael". And you write about it, you know why Dante Rossetti digged a string with the body of the squad, and Nick Cave drowned Kyle Minogue.
Maria Mikulina
"Lady Lilit", Dante Gabriel Rossetti, 1866-1873
The National Gallery presented its head exhibition hall for the Summer exhibition for a short time. In 1850, roci vins, yak and zavzhdi, were jam-packed. Shvilyovan students of the Royal Academy of Mystics tremtili order with their paintings and intimidatingly caught a look at the vikladachi. Approximately a year after the opening of the exhibition, the main mass of exhibitors concentrated on only one of the paintings.
"Christ at to the father's house”, John Everett Milles, 1850
Like a vulgar student, with a newspaper in the hands of his friends, reading out the reviews of the famous art lover Charles Dickens. After the first rows, it became clear that the review was devastating.
Charles Dickens:
“Father, in front of you is the master of the teslar. In the foreground in this main there is an ogid ore-haired young man with a crooked neck, who, obviously, having injured his hand, is roaring with the other young man. Calm the little Jesus, the woman, who is standing on her knees in front of him, - why, go out, Mary? That zhahlivy special place in the greatest French cabaret or the rest of the English tavern!”
I skinned the citation of the NATO writer with laudatory laughter.
The order from the picture standing її author - John Everett Milles. The 21-year-old young man with diligently laid by the coachmen, it was given, at once to burst into tears. Youmu, the youngest and most gifted student of the Royal Academy of Mysteries, has never been the victim of such bitter criticism. From my other side, I did not write anything like this earlier. Dosi all the works of John Milles conformed to the tenets of the Victorian painting.
Tim, for an hour, a student, did not read and continue the quotes of the writer:
“For one picture, we can judge the new people of the Brotherhood of the Pre-Raphaelites in a flash. Otzhe, get ready to forget everything vitonchene, sacred, lower that breathlessly. Natomist prerafaelity to proponuyut us all the more odious and irritating that only in painting.
Before pre-Raphaelites
Until the middle of the 19th century, English painting was residually skulking in the development of that moralization. The paintings were inhabited by fluffy children with a reddish blush and dogs with shiny coats.
Vlasne, for the sake of falsehood and virish fought against pre-Raphaelites, like they respected that the mysticism was zipsuvalos with the arrival of the new Raphael Santi, in whom to inspire Christ was importantly lifted into the sky - such a wine of resentment.
The main commandments of the Brotherhood of the Pre-Raphaelites were painting from nature, restlessness, exercising the realism of the image.
“Hvilinka, let it pass, turn away!” - lunalos from the NATO, and the next second, two young people appeared in order with Miles: a short, handsome young man with dark coachmen and an exhausted bearded man, who marveled at the NATO at the intelligence, domineering youth. Dante Gabriel Rossetti - that was the name of the curly-haired youth - sharply rebuffed the student with the newspaper:
- The hour will come, and you will write to them that it is an honor to stand in order from this great people! - Yunak pointing his finger at Miles, the blush of which already caught up to change into a menacing glare of that pet.
- Oh, I have no doubts, Gabrielle, - with an indulgent smile, a student. - I have nightmares sometimes. I think that you have described one of the possible ones in a neat way.
The sound of the student was drowned by the roar of the restless. For the whilina of NATO, I got up. Milles spoke first.
- Maybe Dickens is right? Zreshtoy, we go against all the canons.
- Wu chiomu sense! - Rossetti was angry at once. - People are asleep! Give me a swollen Christ, who lies at the colossus, woven from heavenly flowers. Cheer up, Maliy. Give me the principles of brotherhood.
- It is necessary mother of brilliant ideas, - Miles muttered, marveling at the strong pastoral with sheep that hang nearby. - It is necessary to respect nature in order to understand the image of її. It is necessary to take to respect everything that was serious in the mysticism, and turn everything into a caricature. Well, more than that, do the right things of the art.
“I think, given today’s change, we need to expand the code by one point,” added Hunt gloomily. - Keep Dickens out of our pictures.
- Shh, we must move, Ryoskin go! Rossetti nervously straightened her scarf.
John Ryoskin was one of the most famous art critics. Being three years older for pre-rafaelity, Vin Prote has already managed to create his own reputation and gain popularity. Ring out one word for the sake of the artist's poverty, and for the sake of raising it. Now yoga respects have been honored with pre-Rafaeliti.
Hm... Hm... - The first sounds, like a critic having seen a lot of praises of the painting, were not told about by the young artists. Vtіm, yak і viraz yoga guise, absolutely non-penetrative. First, like a dream, not to see Rossetti.
- Mister Ryoskin, give respect to the blood of the wounded Christ. Too natural, isn't it? This is the right blood of the artist, so you want to reach the authenticity.
It's quiet. The critic looked at the canvas of a thin sprat. Then we turned around and broke at the straight door. Miles, who, having taken away his hope, is znіtivsya. And here Ryoskin turned around and said loudly:
- Tse is absolutely new directly in painting, pure and truthful. It is possible, on its own, to give the character of English art for the next three centuries. Maybe I'll write it myself in the Times.
Varto boulo Rєskіn unhurried move to get out of the gallery, like a crypt voiced viguks of triumphant artists.
- I'm saying, Maliy, it's worthy of you! We have Ryoskin! - Gabrielle, having forgotten about the suffocation, scribbling on Hunt, what he was trying to do. Miles did not stop laughing in a moment.
- Terminovo let's celebrate the holy day! - At a fraction of a second, Rossetti remembered the viraz of the face of the triumphant in pity: - Only I am new to the milin. Would you like a flask of gin?
Happy friends left the gallery. They had a new check, better life, yak at the moment was symbolized by the tavern behind the horn.
The stars of the Pre-Raphaelites grow legs
Appearance in the light of the Pre-Raphaelite Brotherhood (The Pre-Raphaelite Brotherhood) called out in the artistic midst of dissatisfaction. Vtіm, scho can call young people, yakі vydkryto declare to their teachers, scho scho znajatsjaetsya in deep crisis?
All members of the criminal fraternity - zzvichiy have developed from three to seven osib - goiter signed their robots with the abbreviation PRB. The London public immediately began to recover in goodness, deciphering її. The most popular options were "Please Ring the Bell" and "Penis Rather Better". Another variant of the inspiration is the irreplaceable way of life of the Pre-Raphaelites.
Dante Gabriel Rossetti
The head brat of the brotherhood. The son of an Italian professor, having forgotten the sleepy batkivshchina on the foggy shores of England from the political circles, Gabriel turned away from the middle of everyday intellectuals. From early to late evening in Rossetti's booth there were funny conversations about politics, and mysticism - the boys were no longer able to pick up revolutionary moods.
To his first names, Gabriel goiter was buried by the father of Dante Alig'ieri. Im'ya smashed his right: only a little boy learned to trim a pen in his hand, as if he began to write verses. Later, it became obvious that the smut of yoga was a painting, as well as a woman, alcohol, and a half-moist wash. Rossetti mav korisne vminnya vmoviti whether someone robit scho in a good way. So vin acquired associates.
William Holman Hunt
Tall, well-built bearded man, nicknamed by the fraternity as a Madman for his eccentric ideas, looking like from a poor provincial homeland. And to that one, in front of Gabriel, he looked at diligence: he didn’t have the right to support his relatives, they invested the rest of the pennies from his tutor.
John Everett Milles
Doglyanuty blush on a prize Malyuk, the youngest of the brotherhood, from early childhood was a lover of his wealthy family. Yogo's talent was believed by everyone without blame, and at eleven years of age he became the youngest student of the Royal Academy of Mystics. For the new one, favored by the respect of critics and professors, joining the brotherhood is like a rebellion.
Periodically, before the brotherhood, other young people joined in, but three of them were yogo bones. At once, the stench hit public booths at the musi's shops. For without music, there is no mitya.
Museum of brothers
Before the women, the pre-Rafaelites were set more powerfully. The stench jokingly joked about the non-violent, "middle-class" beauty, zdatnu zdivuvati. Rossetti came up with the word stunner for such a woman English language. And, obviously, the muse is guilty of bula volodіti chic hair, bazhan rudim.
It was not easy to know such a girl in a brothel. Having reached success, Hunt is less. Yogo mistress and madness kohanka Anni Miller amused by her fine forms and golden hair. The same Ani called for yoga the most famous paintings "Hiring a shepherd" and "Dream, scho slunk."
Hiring a Shepherd, William Hunt, 1851
Under the hour of the creation of these paintings, Hantu fell asleep on the thought of the wonderful idea of \u200b\u200b“recreating” Anya. Vyagti її from the bottom of the English suspіlstva, twist, and then make friends with her. The coming fates Madness stained the majestic pennies on Anna's course at boarding houses for noble girls and decent bribery.
The idea did not overwhelm Hunt until that moment, until, turning from work to the Holy Land, de vin painting a goat, William did not realize that Anna had spent the whole hour indulging you with Rossetti. I did not just greet - the Italian penniless Hunt also knocked. Vіdnosini mіzh Hunt and Rossetti lost their heads. In the meantime, if the friendly crisis has passed, Gabrielle continued to earn money from William.
Rossetti never had a penny. Navіt yakscho youmu went far away to sell the picture, it was said that vin vitrativ before, like їх having taken them off. The artist, having gone to a shabby, worn-out dress, navit not knowing the time to sew patches on his trousers. The Natomist Gabriel farboa, having shkir nig, which shone in the dirks, black furboi. And to inspire a young Italian with such an uncommon look, celebrating a woman with a murderous enmity. Inode in literal meaning...
The Apparition of Ophelia
Biography Elizabeth Siddal bula floorings are typical, like and boring. The daughter of a London knife-grinder, she worked in a drop shop, sewing pins and stitches to drop stitches, as if she herself could not afford to. It was necessary for him to become a foreign trader in an oiled dressing gown, to make children and grow old in absence of weight. So it would have become obov'azkovo th, yakby artist Walter Deverell, close in spirit to the Pre-Raphaelites, without looking once at the window of the drip-stone on Cranbursky Alley.
At a glance, a maiden of wondrous beauty appeared. High, thin, with chiseled rice guise, a thin nose and an alabaster eyed skin. Ale smut - її hair. Yaskravo-ore, put in a low bundle, the stench slithered like a summer sun. The next day, Lizzy was already chanting all the pre-Raphaelites at the warehouse. Rossetti bov kills. Vіn hotіv pisati dіvchinu negayno.
Miss Siddal was spantelic and pleased with a similar splash of burnishing: in that case, when she grew up, Elizabeth was not famous for her beauty. On the father of Lizzy, the anger was more pronounced. In the 19th century, natural women were equaled to the next, like a daughter, even if you want a poor family, but a decent maiden. Deverell had a chance to bring her mother, and she vouched for the honor of Lizzy. Residually, Mr. Siddal gave up, if he recognized that the mistress in the year takes three times more, lower worker of the dripping maisterna.
So the sparkle of Lizzy's car rose. Rossetti's hand was depicted by Elizabeth in the image of the Virgin Mary at the "Blessed". Then the girl called Hanta. For the sake of it, writing the hair of Christ for the painting “Light of the Earth” - for the first time in history, Jesus became the Volodar of the long ore hair.
But right popularity came to the ore-haired music after Milles' Ophelia. (Before the speech, the picture itself sighed the director of the video for the song of Kyle Minogue and Nick Cave.) Lizzie was lying by the bathtub near the artist’s studio in an important old-fashioned cloth, her wet hair was intertwined with quilts. The pity of Mother Milesa placed dozens of candles under the bath, so that the stench would not let the water get cold. Ale passed an hour, the candles burned out, the water overflowed.
"Ophelia" by John Milles, 1851
Unable to respect the robot genius, Elizabeth lay unruly in the cold water, the docks were not tired. Only if the mistress went to the bottom, Miles rushed into a creative trance and rushed to click for help. Likar, who glanced at Lizza in blue, saying that the cold had caught the legend. Mister Siddal was furious. Vіn yak vіdchuvav, scho no good tsia marvelous robot not to be skinned! Miles happened to pay the father's maiden 50 pounds (a large sum for that hour) to take Lizzy back. A heavy illness brought Ms. Siddal and Rossetti closer. Now I clicked on її not otherwise, as we affectionately called Sid, and more and more often she was left to spend the night in yoga studio.
Miles finished "Ophelia". The picture is of little naming success, moreover, not only among the peeps, but also among the critics, as they changed anger to mercy by way of brotherhood. One by one, pre-Raphaelites began to take away expensive prayers. The need and hula - їhnі virnі companions - have been lost from the past. John Ryoskin, having become the official patron of the brotherhood, was so pleased that he had given Miles a great honor - having called for the attacking picture to win as mistress Effi Ryoskin. Solution, about the yak, the critic is foolishly foolish.
Separation of the capital
Reskins brought glory to the succession of the reception couple. Hiba scho John Ryoskіn bov nadto loops on the arts, and his squad, beautiful Effі, on rozvaga. In the meantime, Mrs. Ryoskin didn’t care about lightness: she was miraculously illuminated, well-read, miraculously played on the pianoforte, and enchantedly slept. Reskins have not yet reached the acquisition of children, and to that Effi is small in the hour and it was easy enough to call Milesa for the painting “Instruction about the call”, to call on those who the women from the great supremacy did not call for plot canvases. Effi mav spend a good year alone with Miles, which is the youngest for her on the river. In the Victorian epoch, people were harrowed for a long time to look at women, but painting a picture was a special mood.
Miles is thoroughly vivichiv rice misis Ryoskin. I sho ochіkuvano, suffocated. And a few hours later, after long heartfelt thoughts, Effi confessed to John at her terrible secret place: there is no borrowed money. Rєskin is driven to roll up to her, arguing with different drives, hardening, for example, that the canopies encourage a woman *. Moreover, with the skin of the new Effi, consummating the hats of Ryoskin, becoming more and more angry, calling a squad of ailments and straining, scho wake up її, laying in a divine booth (the most popular way of roses to make friends with Victorian English). Milles gasped. The ideal image of the yogo patron Reskіna rose, acting like a mіsce kudi more than a majestic image of the yogo squad. The artist, having declared to Effi that it was necessary to work, and negainally, the good of the father of the girl, having learned about the correct standard of speeches, began to її bіk.
* - Note of Phacochoerus "a Funtika: « And in the wake of Reskin, pedophilia and hostility to the body of grown-up women were ringing. Vіn succumbed to Effi, if there was a pidlіtkom. And at 48 rokiv it succumbed again, at the 9th river Rosa La Touche. Wait a minute, pidozrilo »
The painting "Instruction about the call" was exhibited in 1853. The public freaked out. Firstly, Mr. Ryoskin embraced this person, obviously not Mr. Ryoskin (in fact, Miles won not a living person, but a mannequin). In another way, you could see Mrs. Ryoskin's legs without shoes and panties (Milles painted the legs of his model). Ale head scandal bov in front.
After the exhibition, it became clear that Mrs. Ryoskin flowed from the man to the father’s house and voiced her discord on the assumption that Mr. Ryoskin had not yet built his retinue. Leave the critic tearing and metal. Yogi was especially suspected of impotence. “I can, if I want to, appear tomorrow before the high-ranking court and bring my potency,” Ryoskin wrote to the Supreme Court. As a critic himself, trying to bring potency, unfortunately, he lost his unreasonableness.
In the gentle hands of the gynecologist of Queen Victoria, Effi successfully passed the low-key procedure of checking the value, as she brought it, that she was clean and that “there are no contraindications to wearing dress shoes with Mrs. Ryoskin.” Effi withdrew her order about separation - separation - 1854. Through the river she won out for John Everett Milles. They lived long and happily, and small children.
Grand Exhumator
Tim an hour at the vіdnosinakh Elizabeth Siddal and Dante Rossetti idilіya did not come. Lizzie leaned against the restless camp. The axis has already been out of kіlka rokіv vіdkrito spissed with the artist - now it would not be friends with her and the wicked salesman at the tarred apron. Chi did not ease the camp and stay for the sake of Rossetti. Lizzy called to the infusion of opium - laudanum, which was legally sold in a skin pharmacy. Nareshti, May 23, 1860, nevertheless, the kohantsi became friends in the seaside town of Hastingsi, which is blown by a cold wind. There were no relatives on the beach, the roles of witnesses were played by the viladkovy passers-by, and the name of the pavement weakened, so Rossetti had a chance to carry the guest to the church in her arms.
The encampment didn't care about long-term settlement: Dante continued opening brothels, Lizzy continued opening pharmacies. Vaughn took laudanum in great doses, being vaccinated, and in 1861 she died as a dead daughter.
Turning as if in the evening from a chergovoi sumnіvnoї promenade, Rossetti found the squad of mіtsno sleeping and voice croaking. There is a note on the back of your bed: "Worry about my brother." Undaunted by all susilla - their own doctor, Lizzy still could not wake up. Gabrielle's note was poignant: pliers weren't allowed to put money on the zvintar, and on their own they were minted by an unmistakable slander.
The days of Rossetti, which were lost before the funeral, were like a bright Italian man, who was god-willed in grief. In the middle of the studio stood a string of Lizzy, and for years without coming in sight of a new one, thanking the squad to “turn around”. On the eve of the funeral of Rossetti, with rites, having laid at the string of Lizzy, one sings with his own verses, swearing no more folds of verses.
More richly rocky Gabriel stverdzhuvav, that the spirit of Lizzy sees his son. The largest portrait of Lizzy - "Divine Beatrice" - was written through the fates of death. Give respect to the poppy, which the dove is helpful to the girl. Poppy not only symbolizes death - it is also to slay opium, since Lizzie died.
The most important part of Rossetti's life was killed through this fate after the death of the squad. Yomu was asked to publish a collection of verses. Here the artist guessed where to put a single copy of the zoshita.
Under the cover of night, a calm grave of Lizzy was anxious. Gabriel didn't dig the grave himself, but obliging people did it for him. We sweated the stench, that the gunpowder was overcast and the whole string was filled with gold, divine beauty hair. Rossetti was quiet, that he was not hurt by the tops. Like a wine hanging from a leaf to a friend, "only in a few places, the sides had worms." In fact, the Brotherhood of the Pre-Raphaelites, having adopted the first yoga warehouse, fell apart to finish the shvidko. Hunt did not say goodbye to Anne and Rossetti, and Miles spent more than an hour away from home. And in the first pre-Raphaelites, successors appeared, who were rich in mystical scholars, bringing them to other varieties of Pre-Raphaelism. Especially Rossetti made friends with one of them - William Morris, a man of majestic talent and grotesque poise.
The chubby, ungrabable Morris followed Rossetti on his heels, listening to the skin's yoga word. On the eve of one visit to the Oxford theater, insults brought respect to the marvelous girl. The commoner Jane is small in every way a stunner: smartly curly chestnut hair, chiseled figure and age. Jane succumbed to William Morris, having waned in her important position, but allowed Rossetti to get drunk on herself (possibly, even to the physical sense).
Eyes like buttons did not marvel at me,
Yogo boki hoch buli pishnotilі,
Death took Yogo with him hotter.
The new muse of Rossetti ruled the entire zoo - taken from Fanny Cornforth's brothel. From the surviving natures of the pre-Raphaelites Fanny bula, perhaps, the most vulgar. Її zvnіshnіst - spherical forms, fluffy lips, ore to the fold of hair - shouted about unbridled sensibility, and did not disdain these cries. Fanny, like Rossetti, having given the honor to the Elephant, became a model for the "Holy Grail".
Rossetti's second muse late period The fashionista Oleksa Wilding, the artist's only mistress, has become a pioneer of creativity, for which romantic and sexual dreams have not been described. You can have mercy on her on the canvases of Veronica Veronese and Monna Vanna. And the axis in the painting "Lady Lilit" (div. first illustration to stati) the artist painted the body of Fanny Cornforth with the guise of Oleksi Wilding.
Come on, we gave you a chill and drank from a pack of felt-tip pens and depicted a miracle (a tank, for example). If you want to take a sublime dose of intoxication, go to the Pushkin Museum of Moscow for an exhibition of pre-Raphaelites. You can either, like before Dickens, bark at them, or, like before Ruskin, now.
Thematic zmist (Reviews and criticism: ІЗО (painting, sculpture and іn))
At DMII named after A.S. Pushkin's exhibition of pre-Raphaelites ends. The rest of the day is 22 September, but at Thursday on Saturday the museum is open until 9-10 pm. Cherga this year was about 40 hvilin, at weekdays, maybe, less. Є audio guide, є і living guides, є report signatures to the paintings - a lot of information. Ticket cost 400 rubles. without pills and 200 rubles. pygmy. (One hour you can see an exhibition of Titian. It will end three times later, on the 29th of spring. Titian has 2 small halls).
There are stained-glass windows, tapestries, espaliers, chasing pre-Raphaelites for little ones, and one painted sideboard. Mustache tsgogo, zvichayno, no more richly - like a dream: The White Hall is that gallery.
Looking at the pictures at the exhibition, you can get to know the foldable special lives of the members of the church of mystetskoy spilnoti.
I will put Dante Rossetti, the most beautiful of the Pre-Raphaelites, at the center of the discussion. The illustrations will be only those pictures that were on display at the DMI, plus photographs. It's a pity that not all the pictures that I was worthy of, were far away to know in Merezh. At DMIII, as you know, it is categorically fenced.
Dante Gabriel Rossetti was born in 1828. Yogo father Gabriel Rossetti, Carbonari, who in 1821 became a professor of Italian language at King's College. Vіn made friends with Francis, as she was the daughter of the Italian Vignan Gaetano Polidori and the sister of John Polidori, the author of "The Vampire" and the doctor Lord Byron. .Perhaps, that Rossetti's divatsia has subsided in the form of an uncle).
This family had four children - two boys and two girls. The lads painted and folded the tops. To the best of my knowledge Dante Gabriel, to tell about the right cult of the great Italian poet, who is panuvav at the house. Rossetti started at the academy of the little one at Bloomsbury.
Tse yoga duzhe call the photo.
In 1848, at the exhibition of the Royal Academy of Mystics, Rossetti got to know William Holman Hunt, Hunt helped Rossetti complete the painting "The Childhood of the Virgin Mary", as a bula was exhibited in 1849, and in the same time to know Rossetti. Together stink to found the Brotherhood of the Pre-Raphaelites.
The name "Pre-Raphael" is small to signify the spiritual controversy among the Florentine artists of the era early rebirth, then the artists "before Raphael" and Michelangelo: Perugino, Fra Angelico, Giovanni Bellini. Hunt, Milles and Rossetti stated in the Rostok magazine that people and nature are not supposed to be depicted as abstractly beautiful, but that they are far from reality, and, nareshti, they got the mentality of official, "sensual" mythological, historical and religious creations. The pre-rapabilities were inspired by the academic principles of the robot and they respected that everything needed to be written from nature. They chose friends and relatives as models. Deyakі pictures of the stench were written in the open air. A composition was painted on the primed canvas, a composition was drawn, a ball of white was applied and cleaned from a new olive with a blotting paper, and then they were written over the white with a transparent farb. The selected technique made it possible to reach bright, fresh tones.
The robots of the Pre-Raphaelites were greeted with a warm welcome, then they were criticized, and then John Ruskin, an evocative historian of art and an art critic of England, spoke on the sidelines.
Great significance for the creativity of the Pre-Raphaelites was played by their natural ladies. Mustaches were women of the people. It was as if the artists painted pictures from them, as if they robbed them with their kokhankas, and they made friends, took care of their illumination, taught them to draw. Wonder how it was in a different way.
Elizabeth Siddal is depicted on rich paintings of the Pre-Raphaelites.
Elizabeth Siddal was born on March 25, 1829 rich sіm'ї worker from Sheffield. From early childhood, she helped mothers and sisters to sew cheap cloth. From nineteen years she worked as a milliner at a drop shop in the London district of Covent Garden. Here, in 1849, the fate of Elizabeth was called by Walter Deverell and, through her matir, uttered a call to youma.
Walter Deverell. “The Twelve Nights”, act II, scene 4. At the center of the image of the imposing Duke Orsino, the artist depicted himself; to the seated right-hander the blazon of Festus, having pressed the rice of his friend Rossetti. Cesario Viola dressed up - Lizzy Siddal
Blіda i rudovolosa Elizabeta distinguished herself in the revealed pre-Raphaelite type of woman Quattrocento (That's the name of the period of the Renaissance in the 14th century). Vaughn became the right muse for the members of the brotherhood. The most famous painting, de depicted by Elizabeth, is “Ophelia” by Millet (1852). For the artist, having guessed a reliable image of all the details, she called at the bath. On the right, the winter was collected and the girl did not freeze, under Milla’s bathroom, they placed lamps, like they warmed the water. For W. Rossetti's rose, the lamps went out, Elizabeth caught a cold and її father was thirsty for the sight of Mille, who paid the services of a doctor. Elizabeth buv prescriptions laudanum (an opiyna tincture for alcohol) is the most famous medicinal zasib at that time. Tsey vipadok, mabut, pіdіrvav і so krihke zdorov'ya іvchini.
Dante Gabriel Rossetti met Elisabeth in 1852 in the Milli Maisterna. Vіn vimagає, schob won out of work. Vіn zbiravsya vchit її everything that he knew himself, including painting, and if you become a well-lit woman, її sim'ї i make friends with her. Rossetti moved from the fathers to rented rooms near the old booth on the Thames birch in Chatham Place and settled there together with Lizzy. Vaughn became a permanent model of Rossetti. Passion inspired Rossetti on the instillation of plots from the history of Dante and Beatrice: in the paintings "Paolo and Francesca da Rimina", "Dante's Loves", "Dante's Appearance of Rachel and Leia" women image- Tse Elizabeth Siddal.
Annunciation. Qiu picture was criticized through those that Mary looked like a slouch.
Love Dante.
"Bachennya Dante Rachel and Leia" 
Rossetti craving Liz literary creativity she is busy with graphics. Vіrshi Siddal was not small for success, but she became like an artist at home. Vaughn, the only woman among artists, took part in the exhibition of pre-Raphaelites at Russell Place in 1857. Її robots were exhibited at the exhibition of British art in America in 1858. Ruskin gave his support and paid a scholarship.
http://preraphs.tripod.com/people/lsiddal.html
However, not everything went smoothly for Elizabeth and Dante: Rossetti, not respecting her high love before Siddal, could not break her ties with other women, including Fanny Cornforth and Annie Miller (Hunt's friend).
Let's tell a little about them.
Annie Miller was born in 1835 in Chelsea, London. Її Father Henry served with the 14th Dragoon Regiment and was wounded in the Napoleonic Wars. Mother was a tidy-up. If she died at the age of 37 years, the father did not immediately end up with two small children, Annie and her elder sister Harriet, and Millery zmusheni would move to relatives. Sim'ya lived more poorly, Enni worked ten years.
At the time of meeting Hunt Miller, who was about fifteen, was serving drinks at the bar. Hunt chooses to make friends with Enni, before his journey to Palestine in 1854, after leaving her vkazіvka, he will take care of his enlightenment, while the wine will be at the sight. Hunt also filled out the list of artists, including Millet, for whom she could call.
William Hunt. "The Significance of the Savior at the Temple", 1860 saying that he came to his Father's house).
For the sake of this picture, Hunt is destroying the Close Skhid. The picture went away, but I will name you vіn vtrativ. At Yogo's appearance, Enni, in front of Yogo's bajan, also called for Rossetti, and all the mistresses of this artist became Yogo's kohankas.
Hunt turned back from the road of 1856. Zvyazok Enni z Rossetti called before welding between him and Hunt. The team of Rossetti Elizabeth Siddal was also jealous. A little bit, as if she had thrown a little yoga into the Thames, which Miller depicts. Irrespective of those that Hunt had broken the proposition, Annie had an affair with Thomas Heron Jones, Som Viscount Ranelagh, which made Hunt mad in 1859 to break the handcuffs.
After opening the armbands, Enni turned back for help to Heron Jones, who urged him to file a lawsuit against Hunt before the court for destroying the obіtsyanka to make friends (what was possible for the legal norms of that hour), and then, out of the blue, she met the viscount's cousin, Captain Thomas Thomson, who suffocated in her . . Thomson shouted threateningly that the stench would give the newspaper Hunt's leaves to Enni. Hunt's friends were allowed to buy the leaves.
Thomas and Enni became friends in 1863. They had a blue daughter. By the way, Hunt, as if he had written Ennis with her children, wrote that he was feeding the “matron’s breast”.
Thomas Thomson died at the age of 87, at the age of 1916. After her death, Enni Miller lived for nine more years and died at 90, at 1925 roci.
Fanny Cornforth was born in Sussex in 1835, and met Rossetti in 1858, becoming a model and a kohana without Elizabeth Siddal. But the main її occupations were prepared and cleaned up - її they hired like a servant.
Sign of 1863 rock. 
Vaughn looked like from the lower social levels, and її vіdіznyali neosvіchenіnі that rude accent.
"Lady Lilith".
Rossetti rearranged here the simple-looking look of her cooker. Having written a bunch of wines to Jane Morris, but the deputy was not worthy of її disguise, and the artist rewrote yoga in the guise of Fanny. 
Fanny wrote no less than Rossetti.
Watercolor "Sidonia von Bork" by Burne Jones (behind the book of the writer of the first half of the XIX century Wilhelm Meinhold "Sidonia von Bork. Monastyr's chaklunka"). The malicious essence of the heroine of the picture is reinforced by a special cloth. Before the speech, the visor was a bunch of farboi applications, and then shaking with a bare head. The axis here is a report about it:
http://blog.i.ua/community/1952/723967/ 
If in 1860 Rotsi Siddal turned around, Rossetti became friends with her, at the age of Kornforth she became the assistant to the mechanic Timothy Hughes, but they did not live together for a long time.
After the death of Elizabeth Siddal, she moved to Rossetti as a housewife, and even her little sisters stayed until the death of the poet. At the same time, Rossetti had an affair with Jane Morris, and Jane was friends with William Morris, who had a secret affair.
In the middle of the night Cornforth gave the vase a big shove, for which she took Rossetti's "Dear Elephant" award. She called Yogo "Rhinoceros" in her black, pulling on Yogo's waist size, which was bigger. Perebuvayuchi in Rossetti's rozlutsi, painting that posila їy elephants.
In 1879, she separated from the artist and married John Schott. The stench stole the hotel. Naprikintsi life suffered from senile dementia and in 1905 she was born on the bail of the sister of a man. She died in 1906.
Enni, Fanny and not only ... How could a woman survive everything? Elizabeth's health improved. On the cob of 1860, she fell ill, and even Rossetti agreed to make friends with her, as if they were only dressing her. Wesilla was born on May 23, 1860. In early 1861, Elizabeth gave birth to a dead girl. Siddal fell into depression, began welding with Dante and the attack of Goddess. On February 11, 1862, Vaughn died from an overdose of laudanum. It is invisible that tse vipadkov pardon chi self-destruction. Rossetti was deeply struck by the death of the squad. Everything is far away from the life of suffering from attacks of depression, nightmares and sickness. Relieved Rossetti knew about alcohol and drugs.
Hardly experiencing the death of a squad, Rossetti, having closed the houses on Chetham Place, is alive at once with Elizabeth. Vin settled at the Tudor House (Chelsea). Here, stretching for a few years, having turned anew to the technique of oil painting, creating a monument to Elizabeth - a picture, in which he presented її in the image of Beatrice.
At Rossetti's funeral, I swear I swear at the throne of Elizabeth the manuscripts of my verses and swear to give up poetry. Through a sprinkling of rokiv vin vyrishiv publish youthful verses, schob їх far away, Siddal's grave on the Highgate tsvintary was opened. The reports showed that, irrespective of the past fates, Lizzy appeared to be asleep, and not dead. The body was simply mummified, and the reshta was completed with an incomparable light of tar-skips and a gurgling appearance of the presence of artists. Dante Gabriel himself took out the manuscript - just once more to get to the dead hair.
The book was seen and small majestic success - a small world through motor history and turning around the world. The book of verses came out in 1870. Ale richly know and friends of Rossetti's shots.
The axis is one of the yoga vertices.
Raptove light
Well, I've been here for a long time.
If, now, these days are moot.
At the door I remember the canvas,
herbal aroma,
Zіtkhannya wind, rivers of light flame.
I have known you for a long time.
I don’t remember zustrіchey, rozluk, my friend:
Ale ti to lastivka at vikno
I glanced up,
In the first minute - before me it came out.
Was everything a long time ago?
I hour, climbing get out,
Like life, turn the kohanny given:
Death overcome,
І day, and nothing to prophesy for us alone?
1871 Rossetti's fate suffocated anew. That was the squad of his friend William Morris. The stinks became kohantsy, and Jane called Rossetti loudly. Cholovik, maybe, having experienced it, but not breaking through the link. Jane said that she did not love the man in any way, but about Rosette she said that he was not like other people.
The photographs show that Jane was truly garna herself. 
Jane Burden was born in Oxford. Father, having worked as a groom, and mother was unwritten and, better for everything, came to Oxford to work as a servant. Little is known about Jane's childhood, but it is clear that it has passed in vigilance and misery.
At the end of 1857, Jane and her sister Elizabeth were sent to the ledge of the Drury Lane theater, de Jane was commemorated by the artists Dante Gabriel Rossetti and Edward Burne-Jones, who were included in the group of artists, who painted frescoes in the Oxford Union with motives. The stench was hostile її beauty and urged to call. On the back of her head Jane was a model for Queen Guinevere at Rossetti's, then she called Morris for the painting "Beautiful Izolda", which formed her proposition and the stench became friends. I painted sketches and wrote on the back: “I can’t paint you, but I love you.” Yogo did not sound different in the current social situation - vin buv socialist. Jane succumbed to Rossetti, but she already linked her life with Siddal.
Morris was a visionary, writer, artist and one of the ideologists of the Pre-Raphaelites. Vіn having written the novel "Visti nіzvіdki". Morris vvazhav, scho treba vіdrodzhuvati not only middle-class painting, but also middle-class crafts. Having organized majsterns (under the common name “Arts & Crafts”, that is the art of that craft), they made furniture by hand, wove kilims and trellises, robbed pottery on a potter’s stake. I myself am a miracle weaver. "Arts & Crafts" outlived the master and lasted until the 1st war of the world.
Until late, Jane was very little-illuminated, because the fathers, more than anything, allowed servants to care for her. After being entrusted, Jane Morris began to take private lessons, learned French and Italian language, and became a master pianist. її manners and language mats changed, so that the co-workers characterized її like a “royal” person. Later, it went up to the greater English Suspіlstva and, perhaps, served as a prototype of Eliza Doolitl z P'yesi Bernard Shaw's "Pigmalion". In 1896, Jane buried a man - William Morris. Jane Morris herself was famous for the 20th century, enjoyed fame, as she accompanied pictures of rich pre-Raphaelites and died on September 26, 1914, in Bath.
Proserpine.
Rossetti's fates are marked by more and more painful moods, having become more scalable to alcohol and chloral hydrate, he is alive to the life of a self-sufferer.
In 1872, there was a flurry of anonymous bitter attacks on Rossetti's robots. Vіn zavzhdi vіdіznjavsya sensitivіst іn vіdnoshnіnіnі іnіkої criticism, іnіvіv vіdchuv nervovy discordіn navit zrobiv sprob samoubstvo, vypivshi pіpіnoї tincture (mabut, having guessed about the pershu retinue). Vіn alive, but having begun to suffer on the mania of re-investigation, and for the next hour, vowing to be stunned. Regardless of the price, Rossetti continued to practice and write, having a lot of successors, both in the arts and in poetry. Another two rocky artist lives at Kelmscott Manor, and Jane has lost order from him. On the side it looked like this, no self-reliant artist to share a cottage with a family couple - the stench knew yogo navpil. In 1874 Morris began to pay his part for renting a cottage. This meant that, in keeping with the legacy of tradition, Jane could no longer hang out there all at once with Rossetti, as she did not want to damage the rest of her reputation. Rossetti from 1875 to 1876, having rented a cottage on the coast of Sussex, Jane came again to New and spent several months with him. 1877 fate in Rossetti became a heart-rending vision. Jane had a little more to say about him. She began to grow wiser, naskіlki razkhitanim becoming the roz of the artist, gradually indulging in alcohol and drugs. Surplus life of Rossetti provіv samіtnik. However, friendly listing with Rossetti lasted right up to his death.
Since 1881, the fate of the wines has caused suffering on hallucinations and attacks of paralysis. Yogo was transported to the seaside resort of Birchington-on-Sі and locked up under the watchful eyes of a watcher. There he died on April 9, 1882.
Another model for Rossetti was Oleksa Wilding.
Monna Vanna (The Martyr's Woman) or Belcolore (1866) 
The family of Oleksi Wilding, who belonged to the robotic class, was like Shrewsbury, Shropshire. Alexa herself was born in Surrey around 1845 and was the daughter of a piano maker. Since the 1861 census, when Wilding was close to sixteen, she lived on 23 Warwick Lane with her 59-year-old grandmother and two uncles. Vaughn practiced, but for the standards of that hour, mind її life was especially bad, she was able to read and write. At the time of her acquaintance with Rossetti, she was rude and dreamed about the career of the actress.
Rossetti first danced Wilding one evening on London's Strand in 1865 with beauty. Vona was in time to call youma on the coming day, but the hour did not come at the appointments. Possibly, її lapped up the dubious reputation of the mistresses of that hour. The days passed, and Rossetti already realized the idea of the picture that had come into his head, for which it was more important for him to play the very same model, if he drank again on the streets of Alex. Vіn vistribnuv іz kabа, in yakmu їhav, і perekonav її virushiti straight to yogo studio. Vin paid Wilding for the day, so that she would call only youma, for fearing that other artists might hire you. The stench is small tripali in return; Further information following Rossetti's death in 1882 Wilding, although his financial position was not entirely prosperous, regularly went to lay a wreath on his grave in Birchington.
Wilding herself was by no means friendly, but lived with two small children. Possibly, the stench was illegal people, but it is said that Uncle Oleksi's children could be. According to the records of 1861, she was the sack of indestructibility and rent - a significant achievement for a girl from the robotic class.
Based on the death certificates, Alexa Wilding died on April 25, 1884 at the age of 37. The cause of death was called peritonitis and residual discharge; sixteen months earlier, she had been diagnosed with a spleen bulge. Tse mozhe buti that ailment itself, through the yak of Rossetti, vvazhav, that there is an ailment, and at other times she could not call.
Speaking of pre-Raphaelism, one cannot, of course, do without John Everett Millais (1829-1896) - one of the three co-founders of the conspiracy.
John Everett Millais. Ariel adds Ferdinand (Based on Shakespeare's "The Tempest").
Christ at the father's house. The lad shows the fathers the stigma on the palms - there, where there will be flowers in the form of roses.
Mille became a child prodigy, and at the age of 11 he entered the Royal Academy of Arts, becoming the youngest student in the entire history of the Academy. Already, yoga educational robots were exhibited at academic exhibitions and held the first month. In 1848, at one of the exhibitions, Millet met Holman Hunt and Dante Gabriel Rossetti, and together with them founded the Brotherhood of the Pre-Raphaelites. Whenever wines continue to be exhibited at academic exhibitions. Yogo was also praised by the critic John Reskin, who once sang Milla's outstanding talent.
In 1853, the fate of Ryoskin and Effi’s team asked Millet to go to Glenfinlas together for the summer.
An order about svіlnennya. Effi (1746, 1853) called for a woman's post
Effi was born in Perth, Scotland, and lived in Bowerswell, a booth, de did Reskina, with her hands on her back. I knew father Reskin, who longed for a connection between them. In 1841, Ryoskin wrote a fantastic novel "The King of the Golden River" for the twelve-year-old Effi. After his wedding in 1846, the stench went up the road to Venice, de Reskin, choosing material for his book "Stones of Venice". Prote, in spite of the difference in temperaments, making friends with her comrade, that flirtatious Effi, it was not uncommon to feel that Reskin's categorical specialty was downplayed. Five years later, the friendship was still unborrowed, to that Ryoskin was posting a consummation bill. The reasons for this are not clear, but the stink is included right up to the last parts of the body. Effi later wrote to the fathers: “I’m sorry for different reasons, hatred for children, religious motives, I’m supposed to save my beauty, and, damn it, why should I tell me the right reason ... to succumb to me, and for a reason, through the yak of wines, without having built me with my retinue, I was yogo ogida to my individual from the first evening of April 10. Rєskin confirmed it with the application to his lawyer under the hour of the blue-collar process. “Maybe it’s amazing that I’ve grown up like a woman, like most people respect such an accommodating. Ale, wanting the appearance of її beautifully, її specialness did not form an awakening of passion. Navpaki, in її individuals there were many details, as if they were completely out of order. The reason for this is unknown to the "details in this individual". Boulli vysunutі raznі pripuschennya, including divination to pubic hair Effі or її menstrual blood.
Mille ta Effi died one of one i, after her scandalous separation z Reskin (At 1854, roci їх shlyub buv vyznanny nedіysnim.), became friends. In an hour of her friendship, Effi gave birth to Milla eight children, one of them was a gardener and an artist who depicted birds, John Gill Millet. If, later, Ryoskin had enlisted the young maiden Rosa La Touche, the turbulent fathers turned away from the leaf to Effi, as in her own appearance Ryoskin described Ryoskin as a despotic person. Without a doubt in the width of Effi, next to designate, what її vtruchannya sprung up the opening of the braces, imovirno, what served, by its own power, as a drive to Ryoskina's rozum discord.
The team changed Mille: for the support of this family, it is the responsibility of making paintings bigger and bigger, and also selling them expensively.
Milla povnistyu zrіksya glancing at the idea of pre-Raphaelism, then gaining great popularity and a great status, earning up to 30 thousand. pounds per river Vin became a portrait painter and became the first English painter to take the title of baronet (1885). In 1896 he was elected president of the Royal Academy. In the portraits of Millet, as a rule, I depict people who live in high places.
I would like to show some pictures of other authors.
Ford Madox Brown. "Take your son, sir." (1851-1857). The unfinished painting depicts a team of the artist Artur.
Brown repeatedly rewrote the painting. The first squad died at 27 years, leaving their 3rd daughter. After 2 years of marriage, I married Emma Matilda Hill, the daughter of a Herfordshire farmer, who became a yoga model. In 1850, she gave birth to a friend's daughter (offended daughters Lucy and Katherine soon became artists). In 1853, the brothers of Emma and Brown repented. The witnesses were Dante Gabriel Rossetti and Thomas Seddon. Two years later, Emma gave birth to the artist's son Oliver. At the spring of 1856, son Arthur was born in friendship, who had lived only a river. After the death of the youngest son of Emma, it turned to alcohol, which, especially after the death of the elder son of Oliver, came catastrophic forms.
Oliver gave great hopes as an artist and sings, but in 1874 the young man died of blood poisoning. Rossetti wrote the sonnet "Timeless Waste" on Yogo Death.
At the exhibition, the region is presented. Axis two of them.
Sendis. Autumn
Thomas Seddon. View of Jerusalem and Yosafat valley.
