Pier. Theater im
Theater im. Vakhtangov marked the 90th anniversary of Mayzha Chekhov. Without cabbages, fun, trivial grafts and other similar attributes of a round jubilee. From the other side, which could not be, as if kerma cost Rimas Tuminas. For the third season, this director is given over to those who are not rich in strength - literally from the knees of the Vakhtangiv Theater. І Ninіshnya "Pristan" is a direct confirmation of this. Irrespective of those who staging sing a song bag, it’s like an expensive frame presents the legendary vakhtangivtsi, it’s important to name it. Neither the great Miserere chorale of the composer Faustas Latenas, nor the stingy strictness and gothic expanse of set design by Adomas Jacovskis are not associated with the saying of farewell and quiet, who, having created the glory of this theater. It's time to repair the opera at this stage. Now, here are the updates. The theater does not die, but revives, nareshti in the lethargic sleep, the right spirit of the Vakhtangiv theater has thrown itself! And the head of the head - the new one had a future.
Not vipadkovo Rimas Tuminas at the "Pristan" united two generations older and younger. In the middle, take your place at the performance, less than a little less. Urivkas are being prepared at once from Sergiy Makovetsky in the role of Richard III, Mary Aronova, Yuliya Rutberg, Maxim Sukhanov. Ale, the director, laying a link between the past and the future, already knowing in advance how to give a gift to such an uneasy anniversary. Preserve the traditions and don't become their guarantor... Through the fallacy. It has the whole essence of "Pristan" and the theater, like a living organism, like you want. That is why the traditional "Princess Turandot" did not appear on the stage of the theater today. And yet the legendary performance will be lost forever in the souls of the actors. Heroes - Brighella, Pantaloon, Tartaglia, Truffaldino, only little girls stood on the platform, respectfully looked into the hall for peeping eyes and came across, following the path of the heroes Yuliya Borisova, Volodymyr Etush, Galina Konovalova, Irchin Vasilovich, Yury Yakovich. It was given, now there are more platforms for the cheerful characters of "Turandot", as if having created the founder of this theater. Tse stinks go near the past, but not actors. Spadkoєmnіst dіysno duzhe tsіkava thing, in the basis of єkoї є simple and zrozumіle pochutya - povaga. I do not varto yogo stray from this past. Rimas Tuminas felt the courage to close the whole theater, to open a new stage. With the honor and delicacy of the wines, having risen to the tradition of Vakhtangov, moreover, without being himself. And lead the theater in its own way. Even more symbolic is the presence of the sonorous and lightly reminiscent of "Princess Turandot".
The actors themselves chose their roles, playing those who had been dreaming for a long time. Vіdkriv performance V'yacheslav Shalevich in the image of Brechtiv's Galileo. Monologue viyshov trohi tightened and important, ymovіrno, trivala the actor's presence in great roles. In the rest of the hour, the artist gives a lot of respect to the robots in the theater of Ruben Simonov. But Galileo's sly grin revealed the simple duality of the hero's character. It suddenly dawned on me that Vin is not so simple, as it turns out, cunning and wise. I will designate that the performance for the genre is more predictive of the concert, which is made up of a number of numbers. The same theater itself is ahead, which numbers can change, shuffle, so don’t blame me, as if by rapt show that they didn’t show you the episodes. The theater is depriving itself of such a right. A composition is being formed from the works of various classics - Pushkin and Brecht, Durenmatt and Shakespeare, Dostoyevsky and Bunin. Ale, it’s not surprising, you can’t get lost in the theatrical kaleidoscope. Wanting to stage and not unite one idea and that sequence, apparently there is no confusion. And Vasil Lanovoy's fleeting appearances between the episodes creak together. Actor z'yavlyaєtsya raptovo. The light is muffled, the scene is covered with snow at the same time, the curtain rises, and Vasil Lanovy yells like Nevidomy with a majestic move. The characters catch on and in the midst of the stone memos the verses of Pushkin sound, as if forever that indestructible. Zruynuyu imperishable severity is absolutely "earthly" heroine Galina Konovalova. Dear old lady - at the past, she was sleeping with Bunin's story "A good fate." Shoroku won a concert in honor of the impossible gymnasium students. Zagalom, an hour to spend fun for the choice of choice, hands and tutors of young girls in vocals. It is unlikely that in the eyes of the charming ladies of the slug of confusion and recognition of the unenviable actor's part in old age and self-sufficiency. And її vstup, de artists all applaud and wear clothes on their hands like “death, who got to the ball”, reach fantastic absurdity. Age pro tse mriє skin actor. Vaughn and zhalugidna, and comedy, and charivna. It is impossible not to guess the tragic fate of our actors. Galina Konovalova's heroine was sparkling, so light and coquettish. With such grace, that virtuosity won out on pickups, dressed up in different clothes, to boast of your decollete. Skilki humor in this old comedy. The age of the actors is greater than the fates, lower than the theater itself. She has the main principles of the actor's school of Vakhtangiv - raznobіchnoy, tragicomic, grotesque, which balances one extreme image in another way. Actress-holy-zhart, ale with subtext. A little bit about the vіk won't be able and hotly calling Vakhtangovsky his young Kokhan. Galina Konovalova came here at the age of thirty years and only recently, from the premiere of Uncle Vanya, she became a big fan.
A real surprise was the appearance of Yuliya Borisova. Spochatku, її navit vpіznat importantly. At the golden sheer robe, with pir'yam on the head, pіdborah and fiery ruddy curls that frame the guise. Vikhіd buv vykljuchno urochisty that rozkishny, like the heroine herself. The actress took the role of Clari Tsakhanassian, F. Dürenmatt's multi-millionaire in "Dami's Visit". Resurrection Borisova appeared on the stage in 1994 at the performance "Dear Liar", from that hour, as she worked in the theater for 65 years, she rarely appeared in the theater. Klari was also coquettish, but she was more aristocratic, elevated. Napіvprozora merezhivna spodnitsa on a pіdlogue vibrated the strings of the legs. Nastasya Filipivna guessed from the screen version of Dostoyevsky's novel "The Idiot", with a sly grin and a voice, troch creaky, sing, sly - Borisova's visiting card. After being stunned by the viroku - death in exchange for pennies, for a beloved woman, Clara pretended to be the goddess of justice. Honest, beautiful, fair.
It was impossible for Volodymyr Etush to play the leading role in the lead. The role of the count in the play "Uncle's Dream" in 2000 is still great, and here the Jewish seller of the antiquarian Gregory Solomon plays Arthur Miller's "Price". An old man cannot name the variety of old and in essence speeches that lived his life, but all the stench is so dear to him, the stylists are tied with them. A harp, a majestic steel with ruffled legs, that stench does not fit into one's current apartment, or ruin the interior of one's old-fashioned. From the thought of the old seller, far away from the modern people, it’s not clear that so many shopping centers have been separated. Moreover, wines do not tremble for their speeches, they separate with ease, only they can’t be found at a price. Also, how can you evaluate the lives of the rocks? Vіn prudent and wise, trohi vіv vіd zhittya, but to love and respect yoga, vdyachny іy for everything. And do not grumble like a grumble at sores and do not curse old age, but put yourself philosophically before it ... and until you enter the next world. “Well, am I just doing a little here? Do you mind?" - slyly, in a kind way, pidmorgue to the one who is far in the sky. The image of Volodymyr Etush Viyshov is even brighter, more sleepy. At a new man there is no gram of silence, learn it, if the buyer is not easy-going, not listening to the rumors, then, like all of us, we all know about the life of the old, cry Solomon to speed up the process please. Aje is always trapping. To be honest, the warmth of that breadth, with which the role is given, is unbearable for a staring troch. The Jewish flavor is not peddled by the actor, which is especially nice. So bi image zdavavsya unnatural that nagranim.
Ludmila Maksakova wins the benefit row. So it was on the general run, and on the premier itself, the deck of numbers was shuffled again. It's a pity we couldn't make a joke with Yuri Yakovlev. It seems that this is one of the most hostile episodes, and Yakovlev himself guessed the image of Chekhov. In front of Maksakova, an episode from “Filumeni Marturano” by Eduardo de Filippo briskly slipped through with the affable, thinned Irina Kupchenko and the affable Italian non-gut Evgen Knyazevim. With papa's whistle, like an ataman, on a wheelchair, they brought a cheerful grandmother - Lyudmila Maksakova. Vaughn, as if vyyavilos, zatyatiya "Gravets" F. Dostoyevsky. Having played the whole camp, knowing the bellowing kudlat peruku and mute Lady Macbeth repeat in prayer that I will wake up the stone church. І hovaєtsya near the depths of the scene on white aphids near the NATO. I'm still scratching my head, what made the heroine Maksakova so prograte. The actress wiyshov has an image of a good-looking woman with the character of a grandmother.
For a couple of years before the spectator, the low premiere, the parade of legends of the Vakhtangov theater, may be the whole history of the actor. From stage to stage - choking the spirit, not being able to switch from one episode to the next. It’s not like the director is viviv of these actors, who can rarely be seen on stage these days in one performance. It can be seen that it is already important for some actors to enter the stage, but there are some stilts of tension, maisternosti, іskor at the vikonnі. In the instructions to the symbolic "Pier" go, scho there are months, and the theater is a temple. So the axis of the month came to serve as actors and watchers. At the finale, on a great white canvas, as if it were developing in the wind with wisps, portraits were projected of a quiet person, who has not been seen for a long time and without whom it is impossible to reveal Theatre. Vakhtangov - Ulyanov, Simonov, Orochko, Gritsenko, Mansurova, Goryunov, Shchukin and, obviously, the teacher himself - Evgen Vakhtangov. The whole theatrical division has ended, a new one is coming. A miraculous prospect emerges ahead. The theater revives and begins to swell itself. "Pristan" is not a parade until the anniversary, de famous actors win solo numbers and on which you can put a fat speck. The chain result, the change of coordinates, the transition of the tradition to a slightly lower date, the change of the hour. Possibly, that handful of elders of the theater were repairing Tuminas's ceramics in this way. Lead the theater in a different way. Ale, those who have grown up to the jubilee - meritorious for a lifetime of education.
On the stage of the theater named after Vakhtangov there is a rocky rocky pier, where every hour ships moor our ships: Yuliya Borisova, Volodymyr Etush, Vasil Lanovy, Lyudmila Maksakova, Sergiy Makovetsky, Irina Kupchenko, Evgen Knyaz in ... Corypheus, legends, without yoke it is impossible to reveal the history of the Russian theater. Recently, ships were moored from them Yuri Yakovlev, Vladislav Shalevich, Galina Konovalova. Ale stink already in another world, following your path in quiet, unfamiliar waters, there is no turning.
"Pier"— tse vistava is dedicated to the memory of people and the history of the Vakhtangiv theater. Vigadav tsyu visoku that romantic wistav until the 90th century theater yogo art kerivnik Rimas Tuminas. “This is our memory, this is a place for the young, who continue on the right luminaries,” explains Vin. - Tse mesa і for all parafiyans - peeps. Must have passengers in every life. This territory, as if uniting us, we think that life is eternal, more beautiful, ale ... ale ... Let's go, and the curtain is closing.
"Pier" can be called a benefit evening, even though someone has close to five hundred artists. Great artists, who have given their talent and life of service to Vakhtangovsky, enter the stage in their roles. For the dermal bulo, the very same p'esu zі svіtovoї classics was found, in yakіy vin you can reveal your individuality as much as possible. Axis Julia Borisova — Golovna heroine mini-vistavi "Visit of a woman" for p'esoy Friedrich Durrenmata. There's Zhіnka's right hand, at the top of the line, honed to the wild hoards. Її the heroine in the name of Clara turns to the place of her youth; Ale at the valley on the skin of its own plan - and the axis is already out of the millions of recession, with a young man turned to his place with a single method - to bring unimportant justice. Not maє znachennya, yakim zasobami. It is important that the townspeople are ready to drink for the sake of great pennies. Yulia Borisova is brilliant in her role, vtim, but what kind of she was not brilliant? Mimovoli zgadaєsh її Cleopatra in duet z Mikhail Ulyanov at the performance forty years ago "Antony and Cleopatra". She has a youthful fuse at the same time, such energy pours from the stage into the hall for spectators that it is impossible to believe in the actress's age.
For Volodymyr Etush, who is called the oldest Russian stage, the creators of the vistavi chose a piece from the drama Arthur Miller "Price". Yogo hero, an old antiquarian named after Solomon, haggles with a client not for a penny - even though he does not give up his penny. A self-made 90-year-old radium to that which, having appeared anew, we demand, with whom to behave like a rightful master of the camp. Vіn priyshov evaluate the furniture not for the sake of earning, but for the sake of that, we feel we are alive, we thrive in our life. I just happen to know a little about the intonation of a beloved artist, who seems to be absolutely adequate to his hero. For Volodymyr Etush, like, vtim, and for a century-long artist, life means growth, go on stage and bathe at the cohanna of a vdyachny peep.
Lyudmila Maksakova yoga is still far away. But behind the director's idea, she got the role of a crazy grandmother, as she got so caught up in roulette that she lost all her mine for nothing, having lost her fall, like no one to check for death. Grandma Lyudmila Maksakova at the urivka "Gravets" on Dostoevsky streaming onto the stage in an armchair, in a black papa with a feather, what to wash - and lift the whole space around.
Together with the elders, representatives of the middle generation enter the stage, as they have long won the love of the public not only on the stage, but also at the cinema. For example, a whimsical wind blows. Irina Kupchenkoі Evgen Knyazev at the miniature Filumena Marturano on Eduardo de Filippo. That th masovtsi can sing artists, yakі have already become famous for a long time. Namely costumes of artists, like for all the heroes of the future lead artist theater Maxim Obrizkov, to add the appearance of a hoary vistavi.
Above the vistava there was a sprig of directors, the skin had its own handwriting. Ale wiyshov tsilisnym rich in what zavdyakov vіrsham Pushkin, how to go through a new skrіznim plot. Reading Vasyl Lanovy. Well, as if you were able to do it, you don’t need to tell. And more decorations. On the stage, the Holy Temple of Mystery was called up (scenography Adomas Jackovskis). It’s not for nothing that Tuminas calls “Pier” a mess to walk uphill. At the finale, the urochist music sounds, nibi transferring gazers at the expanse of a real temple. On the whole wide stage, a white cloth - a window-panel, to which the guise of great directors and artists are called, as if all their lives served this theater. Evgenia Vakhtangovі Rubena Simonov before Mikhaila Ulyanova. The ship is sailing, the window is descending, and before the public stands the last generation of vakhtangists, de place for the skin and luminaries, and for the young. Voni is a team, for a glorious past and a great future.
After a day passed from that unforgettable evening, if I felt lucky to see the performance "Pier" at the Theater im. Vakhtangov, but I still stand in front of my eyes and hesitate to think about the richness of speeches, about the undestroyed value of the word that artist's voice, about the beauty of the classical repertoire, which does not lend itself to daily reading.
You can zastosuvati impersonal barvisty epitetіv to vistavi, ale viokremlyu two: unique and sumny. The uniqueness of the action on the stage is the fate of not one great actor, but a whole bunch of great actors. The Radical Theater can boast of it, that on its stage there is such a large number of known lovers of the public. All of them have given the theater a decade of their creativity, and I want to believe that the traditions of great directors are being continued in the theater, and love for their theatrical booth unites the whole corpse. Possibly, the brilliant idea of Rimas Tuminas succumbs to itself in tsoma: show no less than miraculous views to the theater, but that marvelous studio atmosphere, like a rocky bula was attached to the Vakhtangovites.
The vistas of the theater have always been opposed to theatricality, svyatkovistyu, fires on the topic of the day. But serious psychologism is also attached to the theater. The first axis of my productions is small performances on the stage, different for the spirit, staged skins for one actor. Every summer meeting is accompanied by applause. All miracles. You can grumble a little from different leads - you can speed up the min-vistav, keep it down, and remember the times, that music at the finale can be muffled a little. And all the same, chotiri godini pass on one foot. Tse zustrіch іz spravzhnіm Theatre, which did not let the bar in, scho respect your spy. Bravo to Volodymyr Etush, Galina Konovalova and Yuliya Borisov! It’s all brighter and unattainable for an equal gry! And if, later, at home, I found out about the age of artists, then I’m left with less to bend low at the waist! Okremo I want to see Vasil Lanovoy, who appears on the stage for a short time, so that I can read Pushkin's poems. Ale yak tse rob! Skilki tragedy and turmoil in yoga words and zovnіshnostі. I haven't had goosebumps in the theater hall for a long time. Thank you and everyone for the goosebumps.
The performance has a lot of humor, and yet after the end of the action, I didn’t let in a little stingy embarrassment, embarrassment from the art that’s going. The performance rose on a sumptuous note - with a vikonnannya prayer, and ended with a majestic curtain, on which the portraits of glorified vakhtangovs appear and emerge. What is it? "Vidnesenі vіtrom"? Ale young artists in the first scene to pray that we do not forget quietly, who created Russian theatrical art. Now, at the age of television broadcasting and films with special effects, I want to believe that the Theater is alive and for whom to continue this tradition. Once again, I miss the staging of such a brilliant performance by Rimas Tuminas.
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Volodymyr Etush bliskuche zigrav at the "tsіnі" Arthur Miller old Jew, who does not get tired of enjoying life |
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Roman Dovzhansky. . The Vakhtangov Theater marked the 90th anniversary ( Komersant, 11/16/2011). Olena Karas. . The Vakhtangov Theater marked its 90th birthday ( RG, 11/15/2011). Grigory Zaslavsky. . The Vakhtangiv Theater celebrated its 90th anniversary without a president and that premiere ( NG, 11/15/2011). Olga Egoshina. . The Vakhtangov Theater celebrated its 90th premiere (News, 11/15/2011). Olena Dyakova. . Vakhtangiv Theater - 90 years ( Nova gazeta, 11/13/2011). Dina Goder. . Rimas Tuminas staged a performance for the stars before the anniversary of the Vakhtangiv Theater ( MN, 11/15/2011). Marina Raikina. . Foreigner brought a lesson to Russian theater-goers ( MK, 11/15/2011). Oleksiy Bartoshevich. (OpenSpace.ru, 11/18/2011). |
Pier. Theater im. Vakhtangov. Press about the performance
Komersant, 16 leaf fall 2011
"Pier" of memory
Vakhtangov Theater
The Moscow Theater named after Vakhtangov celebrated its 90th anniversary of the premiere created under the ceremonial work of Rimas Tuminas and staged "Pier", in which the glorious veterans of the Vakhtangov corpse appeared on the stage. ROMAN DOLZHANSKIY roamed and summed up at the time of the premiere's anniversary.
About the traditions of jewelry urochistas at the "Pristan" show, one can only guess the finale, if the stage is closed by a white screen-window, and photographs of famous actors are projected on the new one, when they played on these platforms, - and the appearance of skin from the faces of the hall with splashes of splashes. The idea of artist theater maker Rimas Tuminas, however, believed that the splashes were not for the shadows of the past, but for us in front of the Vakhtangovites, as they are left on the stage of their native theater. Many of them, through reason, sing-songly, could not "wrestle" on themselves at once main role at the great vistavi - but not headily їm and pronounce shamefully - but a fragment or a few scenes you can not just play, but you can do it, only wondering.
New performance inventions are not just noble, but also cunning: in essence, this is a performance-concert that is made up of urivkiv. There are nine of us, at the day of the anniversary, it was zіgrano vіsіm, but it's easy to reveal the composition of the "Pristani", which consists of seven or six parts (there are more eight-part composition of trivala chotiri godini). The program is designed like a set of leaflets, which can be easily shuffled. It's so easy to shuffle the fragments of the vistavi - any skіlki-somehow importantly nasty thoughts in your composition, de Pushkin є susіdami z Eduardo De Filippo, and Brecht z Buninim, not to be read. The water theme, given in the name, is given as signs only rarely with the sounds of hvil. The pier is, obviously, the Vakhtangov Theater itself, about the architecture of the most predictable scenery of Adomas Yatsovskis, which may not change all evening: high walls, columns, wooden lava, a theatrical chandelier and dark stage clay.
The best evening of benefits is not the kind of thing, if you speak verbally to the work of the director, more so, that the director’s team worked on the vistava and the authorship of that part of the fragment was left anonymous. Until then, if there are scenes about middle-aged masters, it’s unlikely that it’s possible to spell out the metamorphoses - and it’s not surprising that, let’s say, Vasil Lanovy reads Pushkin so very resonantly and radiantly, like two three epochs ago. I realized that the smut in my vistavi is the very fact of the audience of the public with their favorite actors. І hoch bi yak zminyuvavsya typing "Pristani", some fragments from the readings on the day of the 90th century are especially valuable.
Two of them still ask to be roared in the whole performance - "The Price" by Arthur Miller and "The Visit of the Ladies" by Friedrich Dürrenmatt. If Julia Borisova first appears in the role of the millionaire Clary Tsakhanassian, she came to a dear place, in order to exchange for great pennies the life of her old kokhan, the hall literally zavmiraє vіd zakhoplennya. Princess Turandot stands as a dignified and sovereign queen - eccentric and mysterious, chiselled and at the same time majestic. There is less cover left, because the previous premiere at the native theater near Borisov Boulevard took place in the last century. Without a doubt, in her first episode, the actress is given a little bit, but if there is a dramatic turning point in the role, Borisova’s temperament and subtlety, you should work hard on the floorings, so sorry to yourself, so much for that, miraculously virakhovuvav the actress’s life.
Volodymyr Etush and yoga hero - furniture salesman Gregory Solomon from "Tsіni" - the same age. "Me may 90," - Etush's retort is addressed to the non-intermediate hall for peeping eyes, which literally vibrates with applause. A lot of other replicas of Solomon are thrown around the hall - the ironic and wise old Jew, the philosophizing businessman, who, having become tired of life, still does not stop enjoying his skin for a second. First, count Yuliya Borisova told about aristocracy and the high nobility of the Vakhtangov tradition, then count Volodymyr Etush - about її cunning, about masks and bliss.
Zreshtoy, not urivki z p'єs, but two short roses of Bunin. One is small-domy, "A good fate", with the 95-year-old Galina Konovalova, an actress, who was by no means among the Vakhtangiv celebrities. Less than a dozen dozen years brought їy blatant shanuvannya and commemorative new roles. It’s obvious, looking at her as if on a miracle: a woman, like an elder for her academic theater, literally fluttering around the stage in shoes on pidborah, demonstrating frilled legs and asking to evaluate your neckline, juggling with the text like this, don’t improvise, change the swearing literally in front of the eyes of the peeps and don’t forget to flirt with them. In the wake of forgetting about everything, the old actress, as she tremblingly prepares for the start at the auspicious evening, Galina Konovalova does not share a bit of self-irony - and at the same time she allows the public in the face of unhandedness, as delicate gazers would try to take part in "Prikhilniy".
If, spiraling on a reed, Yuri Yakovlev appears on the stage, the hall will not move on a single target, which clings in love to that miracle actor and in trivoz for a new one. It turns out, with the help of physical differences, there is now only a voice in the new one. "Dark Alleys" by Bunin Yakovlev in the gray of his voice, near the oxamite folds, there is a hint of bitterness in the irreversibility of the past, and suvore accepting a share, and raising in the face of the impossibility of understanding the greater promise, and as enviable love of the earth. If the story is over, the hero will go into the depths of the stage, and on the aphids of the bright backdrop, which looks like a black figurine, nibi getting ready to fly, you start to dance easily with rapt - and at parting wines, without turning around, swinging a reed. "Everything passes, but not everything is forgotten," Bunin said. The axis and this dance-sight of Yuri Yakovlev will never be forgotten.
RG , November 15, 2011
Olena Karas
Happy kіlkіst "13"
The Vakhtangov Theater celebrated its 90th anniversary
The number "13" became for the Theater im. Yevgeniya Vakhtangov is truly happy. In 1913, the students of the young actor, who had already become famous as the best teacher behind the "system" of Stanislavsky, created the "Vakhtangov Studio". On the 13th of spring 1920, the stench of fate poured into the great Moscow Art Theater family under the name of the Third Studio of the Moscow Art Theater. Fall 13, 1921 - the day of the premiere of "The Miracle of St. Anthony" by Maeterlinck - becoming the day of the birth of the new theater.
The death of his teacher (Vakhtangov died in 1922) did not set the stage for a new theatrical movement. Tragically fell on the days of Svyatkov, and "Princess Turandot", like a dying artist in a hungry Moscow, became a symbol of quiet paradoxes, like it was fixed in cultural evidence under a non-strict, but all-understandable "Vakhtangovsky". Get to the energy of these paradoxical days by trying the latest artist's work of the theater Rimas Tuminas together with the directors Anatoliy Dzivaevim, Volodymyr Yorominim, Volodymyr Ivanov and Oleksiym Kuznetsov.
The stench saw "Pier" as a gift for the miraculous actors of the Vakhtangiv scene. Tuminas vigadav genre and form - memorial month. Ninish majstri play roles, played by their great champions, otherwise they didn’t play on this stage, roles, they dreamed about yak stink specially for the jubilee event. The famous chorale "Miserere" ("Have mercy on me, Lord!") by Faustas Latenas fills the stage. Zavdyaki tsim sounds and suvorim "chords" of temple walls and shops (artist Adomas Yatsovskis) the stage becomes a spacious temple, in which voices are quiet, who are alive, angry with souls, who are quiet.
The first urochist "rozkochuvannya" "The Life of Galileo" by Brecht at the viconan V'yacheslav Shalevich, it seemed, threatened to give the whole evening an unjustly serious turn. Ale axis - a slight turn of the screw, and on the change of you - bravura and sarcastically - gaining praise from Ivan Bunin "A good fate", de old sleeping get ready until the good evening of the gymnasium students and almost never die in praise. Humor, subtlety, virtuosity and self-irony - the power of the famous Vakhtangiv school Galina Konovalova demonstrated with supernatural ease. Aje, the special voice of this actress, like the oldest for the theater itself, felt and felt the sound of Rimas Tuminas.
"Hymnasium students" pick up її in their arms. And just like that - in our arms - then we can’t impress the great Yuliya Borisov (grandiously - between the grotesque and the high melodramas - I engraved "The Visit of the Ladies" by Dürrenmatt), Vasil Lanovoy, who reads Pushkin, Lyudmila Maksakova, for example, she played another Countess in her life - on this time from Dostoyevsky's Grave.
A flurry of applause seeing them off, but, it seems, more than once the hall (and literally the entire theatrical and cinematographic Moscow from Valentin Gaft to Mikita Mikhalkov) did not vibrate and vibrated with splashes right at the exit of the actor. Yury Yakovlev elegantly and quietly veiled in Ivan Bunin's description of "Dark Alley", and the first words sounded so innocently simple and complete, that my heart sank. The beauty of an unmatched heart with a woman, like a wine, loving, almost irrevocable, cold clarity of old age, a cry of happiness - everything was played with such a quiet, penetrating simplicity, that no signs of theatrical glory would pass here.
Ale sacred theatricality - schemne i zukhvale - continued. Volodymyr Etush sings Solomon's assessment at Artur Miller's "The Price". Accurate, ripped like a musical passage, the melody of a Jewish movie, the phenomenal humor of Eclesiast, which will bring love to life and stingyly oversight - all this was sung by Etush for a sprat of praise of the stage life.
The sound of "Miserere", a prayer for all the living and the dead, and on the majestic seam cloth, which is like a windshield in the wind, reveal the faces: the faces of faces and martyrs in the theater. Mansurova, Orochko, Gritsenko, Simonov, Ulyanov. First - Vakhtangov. Crying in the theater, which will never happen again, the rustle of the hour, which takes away the appearance of that voice, sacred to the theater, like changing into actors, joy and hope for new roles have settled on the "Pristan", to pick up strength for a new sailing.
NG, November 15, 2011
Grigory Zaslavsky
At the pier at the full
The Vakhtangiv Theater celebrated its 90th anniversary without a president and that premiere
For a week in the Academic Theater named after Yevgen Vakhtangov, without official promotions and urochistih vital addresses, the 90-year-old theater was assigned. At the hall there was no president, no prime minister. Volodymyr Putin, who was minted in the theatre, from two "humanitarian" jubilees, fell down on holidays, scoring the 50th anniversary of the KVK.
The Vakhtangiv Theater is not the first one, which marks the round date not with a jubilee concert, but with a revue performance, there is no doubt that “Pier”, prepared by the Vakhtangists until its 90th anniversary, will become one of the hits of the city theater season. And so it’s better for all the rich theatrical awards and festivals to bypass “Pristan” with your respect: it’s necessary to nervously go to the vistava, like obvious masterpieces of Vakhtang’s style, with sums with numbers in a row of crosses.
Calling for everything, the artistic director of the Vakhtangiv Theater Rimas Tuminas was planning to bring people of a frail age to the Jubilee "Pier". Theater named after Vakhtangov - perhaps, remaining in the whole space colossal SRSR, de on stage in one performance can come once Chotiri folk artists Radyansky Union. Yak at the "Pristan", de chotiri "numbers", one by one, lead by Yulia Borisova, Vasil Lanovy, Yuri Yakovlev and Volodymyr Etush. Ale potim to the "old servicemen" reached mature, but after a century they did not achieve the status of people's SRSR - Irina Kupchenko, Yevgen Knyazev, Sergiy Makovetsky ... Skin vibrating, scho youma to like, that is the role of his dream. Sergiy Makovetsky did not manage to rehearse "Richard III" until the jubilee, however, he is hopeless that this fragment could spend the whole time with the performance, de replacing the numbers, I want to spodіvatisya, explaining not a natural physical decline. Yakomoga dowshe, I want to spodіvatisya!
For a week in the evening at the hall of the Vakhtangov Theater, “the whole of Moscow” was chosen - at the її theatrical look. Oleg Tabakov with Marina Zudina, Galina Volchek, Valeriy Fokin, Valentin Gaft, Natalia Seleznyova, Mark Zakharov, Oleksandr Shirvindt, Igor Kvasha, with official and alcoholic backgrounds - Minister of Culture Oleksandr Avdєєv and Vice-Mayor Lyudmila Shvetsova.
“Hvili”, which sounded those who were calling, and “hit” one number like the other, they did not win one picture and gave way to the advancing beneficiaries. V'yacheslav Shalevich having framed the scene from Brecht's Galilee, Irina Kupchenko and Yevgen Knyazev sang the duet from Filumeni Marturano, p'ezi, as if with great success they went to the Vakhtangiv stage. Vasil Lanovyi saw and read the poems of Pushkin, his beloved poet, who, having lost his mind, played a role in peace before peace ... . For a week, the greatest success was in Etusha herself, wanting, as if once having respected the great Swedish actor Yerland Josefson, who was engraved by Bergman and Tarkovsky, to play the old Jew, let’s not obov'yazkovo buti the old Jew. For a long time, the public of Yury Yakovlev did not give a chat and gave a standing ovation, who read Bunin's poem "Dark Aley" with Lidia Velezha. The final fragment from Dostoyevsky's "Gravtsya", de co-authored by Lyudmila Maksakova, also went with a bang. But the most splashes still fell on the part of the Honored Artist of Russia Galina Konovalova, as she marked a serious anniversary (at the corpse of Vakhtangovsky won the death of 1938!). Vaughn also took Bunin, his speech about the stern lip of a middle-aged actress, and played him in a perfect silent actor's accompaniment, with its naming naturalness, simplicity, which became like the greatest manifestation of the actor's craft and that Vakhtang's lightness.
New news, 15 leaf fall 2011
Olga Egoshina
Parade of planets
The Vakhtangov Theater celebrated its 90th premiere
At the urochist celebration of the 90th anniversary of the Vakhtangov Theater, it was quiet near the hall on the Old Arbat, about whom it seems - "all Moscow". Theater clerks, directors, directors, actors, children of culture, journalists, an imposing priest who towers over the rows. Behind the entrance feed a zayvy ticket, at the hall all the tiers are clogged. And the program has not just a “juveline vistava”, but a large mini-benefit for the luminaries in the Vakhtangiv scene, united by their own kind, a gala concert with a modest name “Pier”.
The leitmotif of the production was the urochiste of the composer Faustas Latenas, like the trichi was repeated by Miserere, like it sounded like the final coda to the great play "Macbeth" by Yeymuntas Nyakroshyus. Eschatological notes of farewell to the past from a little macabre vіdtіnkom - not yet a jubilee (anniversary forever farewell to your life), here they sounded with pure Vakhtangov's fearlessness.
Nabіr names for the jubilee scenes instantly make your own line. Here are prose explanations and verses from p'єs, and reading verses. Dostoyevsky and Eduardo de Filippo, Bunin and Brecht, Miller and Pushkin, Shakespeare and Durenmatt. Rimas Tuminas did not begin to inspire and tie up the fabric of the fabric, unite it with a wild thought and mood. "Pier" was inspired not by the laws of the performance, but by the concert, where you can change the order of the numbers, you can move from that third fragment. The concerto, de numbers are not even equal, and the pearls are entirely calm and with pebbles. The vistavi program itself is designed as a set of leaflets, which is easy to shuffle in any order. I also balk at the tone of the jubilee vistavi, conceived not as a director's performance, but as a parade of the old Vakhtangiv scene, where the number is a gift from that commemoration in the kohanna.
Tuminas will relatively appear and enter the first plots, if the splashes of the participants in the scene are angry in the hall for the peeps. On the palanquin, the scene of the blind Yulia Borisova sings from the depths. Golden swearing, a long feather on a capelus, a familiar voice with a slight hoarseness and a deep voice: “I’m constantly strumming the pull” ... to fly to the third tier, I may sing Pushkin’s: “If, intoxicated with love and bliss, / Silently in front of you, evading, / I marveled at you and thought: you are mine, / - You know, my love, what I want to glory "...
I’m catching you again on my thoughts, that here, behind the lashtunks of the Vakhtangiv theater, perhaps, the elixir of youth is being saved ... That’s why the energy of that life of the old Vakhtangiv stage is so redeemed ...
Yuriy Yakovlev is declared the hero of Bunin's "Dark Alleys". The languor lifts the old one with quiet intonations that take for the soul, roam with the woman, as if loving and ruthlessly throwing thirty fates to him: “Everything is passing, my friend, - murmuring wines. - Kokhannya, youth - everything, everything. History is vulgar, obvious. With fates all pass. What does it say in the book of Job? "Yak about the water that leaked, you will guess." Mykola Oleksiyovich marvel at the beautiful Nadiya (the exact and thin robot of Lydia Velezhova) is dumb from the other shore, none of them have already given the drive to Stiksa. So you marvel at the road of darkness and become embarrassed at the praises. So you say goodbye and forgive only a little before the parting, as if you don’t say goodbye. Yuri Yakovlev - Mykola Oleksiyovich, walking with a light dancing step into the blind whiteness of the stage-sky, which was brightened up.
Like z'yasovuєtsya, benefit performance is a marvelously approaching genre, similar to a close-up photograph. І pervagi and nedolіki vyyavlyayutsya pobachenimi, as in zbіshuvalne slouch. To the honor of the Vakhtangiv elders, the greater part of this close-up is shown brilliantly. Volodymyr Etush has not had such a charming role for a long time, like the old furniture dealer Gregory Solomon from Arthur Miller's "Tsina". On the question about the age of wine, I lower my shoulders: “So, my boy, I’m ninety.” To break a pause and turn around to the hall for the peeping eyes: "Mayzhe"... Vin lightly blinks at the sky, troch vibes in front of the All-Vishin: "Well, am I the same troshka here? Do you mind?"...
The senior actress of the theater Galina Konovalova took Bunin’s poem “A good fate” and with regret, rozuminnyam, with pityless sarcasm, she told-played the story about the old “total actress of the imperial theatres”, as if she could perform on a good evening. Low-shouldered, she talks about those, like a critic from the first row, shuddering at the romance “I would kiss you” and making a grimace, talking, robi scho you want, just not tse! I was like a critic who got lost, because the actor is a little sly success. I Galina Konovalova at the luxurious concert dress must be blamed for the scenes of a young extravaganza, right under the deafening splashes of the Vakhtangiv Hall ...
Rimas Tuminas, having staged his kind of parade “to the theater, what’s going”, gleaming, bright, overpowering. Bachenny theater, which will not be, but about which one is so different nudguesh. I - who knows - the theater, which came to you to change, to live your life so well and make old age so gracefully.
Nova Gazeta, November 13, 2011
Olena Dyakova
Benefits of Princess Turandot
Vakhtangiv Theater - 90 years
The 90th anniversary of the most romantic theater in Moscow is celebrated today. And on the 11th of the fall of the leaves, Rimas Tuminas' jubilee vistav "Pier" appeared on the stage - the benefit of the benefits, shocking and nostalgic. Yuliya Borisova, Galina Konovalova, Lyudmila Maksakova, Irina Kupchenko, Volodymyr Etush, Yuriy Yakovlev, Vasil Lanovy, V'yacheslav Shalevich: the color of Vakhtangivtsiv of the 20th century. "Pier" - a collage of their unsatisfactory roles and plays.
And for the formula of Tuminas - a place for the theater.
I put it before say a word, rezhiserska group - shower at p'yat. The hand of Tuminas is most noticeable in the fragment “A good fate”. The benefit of Galina Konovalova was Bunin’s accurate and lower speech about the short (and united in the rotation) performance of the old soloist of the Imperial theaters at the evening on the shortcomings of the insufficient performances of the P’yato Moscow gymnastics, about the rehearsal, in the rehearsal. Zreshtoyu - about the theater like a drug and black order. І about the innocent, chepurna, divine, holy days of Moscow near the Arbat in the 1900s.
Statisticians of this saint - students-orders, students-enthusiasts, "strange youth" of the 1900s with triumphant splashes (under the very curtain of the history of all the tієї of Moscow) play young Vakhtangivgurushka actors, transforming fables into grotesque. at "Masquerade" Tuminas. The soloist of the Imperial Theaters, as already mentioned, is Galina Lvivna Konovalova. The corpse of the Vakhtangov Theater accumulates from 1938 rock. Galina Lvivna played the street lad in "Sirano" with Mikhail Astangov in 1943 - and played the duo of Roxanya in "Sirano" with Maxim Sukhanov in 1943. (And ten more years later she became a miracle Nanny at "Uncle Vanya" Tuminas.)
The note of “Prihilnoy Uchastі” is sung by her shifting a fragment of “Prices” by Arthur Miller with Volodymyr Etush in the role of a 90-year-old New York antiquarian. At the past - a sailor and an acrobat, a philosopher who is not mandriving at the gatherings of dead budins (in fact, he never forgets about the surplus), the antiquarian Solomon appreciates not only a bunch of old-fashioned furniture that is sold by an impromptu downcast. Vin appreciates the whole of New York in the 1960s by the brilliant Miller monologue. Yogo diagnosis to sit on the lower Moscow like a street.
Cі razblenі furniture zroblenі navіki: i don't need it for people, for them the best thing is to buy something new. This stele of ebony lakaє: “Sitting behind such a stele, a person not only knew that the guilt of friendship, but knowing that the guilt of friendship for all life.” Gothic cupboards and a harp with a cracked resonator do not fit in a modern apartment: the width of the doors is not covered by them.
The speeches of the "inhogo svіtu", the practice of skills, are piled up on the Vakhtangiv stage.
Volodymyr Etush plays an antiquary-acrobat-philosopher, one-liner of his own, - virtuously and with a touch of salt. It is inconsistent in its thoroughness, in its state-of-the-art, ceremonial, old-fashioned accessories of fake furniture, not built to fit into the opening of modern information, and in the very performance of "Pier". Tse vіdchuvaєsh, if gray and straight Vasil Lanovy at the cylinder and with white mittens to pass to the ramp krіz natovp young actors, reading: “Long live the sun, that sleep is falling!” If, under fanfare, I blame on the palanquin marvelously shattered, vitonchen, as before, maliciously chewing the millionaire Clara at the sight of Yulia Borisova (The Visit of the Woman by Friedrich Dürrenmatt). When Yuri Yakovlev enters the stage, he is the leading general from Bunin's "Dark Alleys". And especially, if Yakovlev at the finale of "Dark Alleys" read Bunin's 2011 diamond eight-verse "Quickness, and dzhmeli, and grass, and ears of corn ..."
Fragments of "Pristani" are different and nerіvnotsіnі. The appearance of Lyudmila Maksakova in "Gravtsi" (Lyudmila Vasilivna could already sing-alongly play Polina, - ale Grae Grandmother), її lordly and powerful, a gesture, as if she won out of the unassailable black-brown muff and fox boa "with a muzzle" ( just like a fakir (a snake from khurdzhin) - all the promises of the virtuoso Dostoevsky. But it's a pity: Roulettenburg is not at the stage muffler. To the noise of the style, then the Cossack regiment marches through the peaceful German resort, panicking and creating the legend of the century for two.
Zagalom - yuveleyna "Pristan" chipae peeping. I, without a doubt, victorious one of the key tasks of culture: to set the public building to the point.
Vakhtangivsky of the XX century, the parade and divertissement to pass in front of the looker at the glare of eyes and sivin, feast on capelyukhs and sham diamonds, at the glare of witness and plasticity, Pushkin and Bunin, - it’s impossible not to respect.
And what a good fate we have for our little life.
MN, 14 leaf fall 2011
Dina Goder
Wine of Benefits
Rimas Tuminas staged a performance for the audience before the anniversary of the Vakhtangiv Theater
Rimas Tuminas fell asleep on the thought of a great idea - to signify the 90th century of the Vakhtangovsky theater not with the unbearable reincarnation of "Princess Turandot", but with the vistavoy, which is formed from the beneficiaries of the corpse, as if all life was propagated on the stage. The premiere was played after the 11th, on the 12th and on the 13th - on the very day of the 90th (at the Vakhtangov Theater, a devil's dozen was given a lucky number). The tribute under the name "Pier" was formed from nine min-wistavs, which can be put into a bouquet at a different warehouse and bring different sequences. No wonder the program here looks like a collection of leaflets, where the skin of the program is mini-benefit. It made me think: most of the episodes will be like the oldest artists in the theater, like in stay rocky it's rare to go on stage. Tim is more hostile, like a stench - and we are in front of the actress - look.
Yulia Borisova, who worked at the Vakhtangov Theater for 65 years and played her last premiere - "Dear Liar" - 1994, did not enter the stage as a rich old woman ("Visit of the Ladies" by Dürrenmatt), but as a princess Turandot in gold. A familiar voice with soft intonations does not allow one to doubt that it’s there, even if it looks like a miracle: a string, with a blind smile, that vikoristov’s rozmov about a prosthesis in order to wave in front of the nose of a shabby partner to the Vakhtangov Theater) with long legs. Ірина Калечко at Filumen Marturno de FіlіprPO Visradew on scenic so, Nivi i Rockіv Thidzy, Meni Nіkoli did not bring Bachiti on the scenic of Taku Molo, Greivia, Doroslich Sinіv's Heroїnі ї Doroslich Sinіv І Sorry, Nonhai and Z character.
The director is wise, in what way he speaks for the first time, and "simulates Tuminas" as much as possible, so that in most of the scenes he puts his mischievous eccentricity into the background, and will no longer be an effective frame for the beneficiary. The skin from the first mini-vistas is not just a snippet from the famous song, but the composition is completed, and it means that the hero has the ability to get out of the flooded splashes of the hall alone, or in a polished mask from the depths of the scene, so effectively "corps de ballet" "pick up in your arms). For the deacons of Tuminas to see a stele in the center of the stage, similar to a throne, dovkol such and spins the whole action. I think that most of our great people of a frail age could only dream about such a dream.
But the best ones in this country are not those episodes, in some years the actors show what more gunpowder is in the powder flasks, but you, de stink, do not be afraid of your age, laugh at the new, but at one time with yourself. De stinks accept themselves as they have become today. Yak 89-year-old Volodymyr Etush, who appears in the role of a dealer in old furniture Gregory Solomon from Arthur Miller's "Tsіni" with his enchanting privatility of an old Jew and enchanting cunning. (“Golden, all the wives have been satisfied with me for a long time, what’s wrong here,” - it’s like the fault of the young heroine of the register.) And if the young partner, marveling at the antiquary’s paper, zdivovano asked: “Are you ninety?” - Etush easily says: "So, my boy, - and, turning to the hall, I again spread my arms: So." І the hall to enter at the splashes, until everything else is clear, how important is the life of a colossal acrobat, and then the merchant Solomon is nothing against the real life of Volodymyr Abramovich, the father of a merchant, a businessman from a small town, two children sitting at a radian narok, and the actor himself succeeded, war, otrimati gravely injured, survive, buti komіsovanim z і invalіdnostі і less than once having entered the Shchukin school.
At the "Dark Alleys" Yuri Yakovlev does not come out as a young Viysk, like Bunin, but by himself, a tall, intelligent old man with waxy appearances and a quiet voice, which mittevo is known, with soft intonations. With a small beard, at a civil coat, wine like someone and guess, then sooner than Chekhov, who was engraved in 1965 at the vistavi “Mocking my happiness”. Yakovlev looked like a human being, even far away, praising the old ones, having abandoned love, and living already in a different, own world. The history of the beautiful Nadiya, which has been cut in 30 years, may not be turbulent, but it’s less to make noise here on the periphery of the svіdomostі, like rustling whistle, interspersed with episodes of vistavi. And those, like Yakovlev, in the middle of the scene - in the whiteness of the sky, which was seen in the depths, without looking back, without moving with an easy, waltzing move, - looking piercingly, lower, be-like a tear.
Well, the most wonderful episode is Bunin's "Good fortune" - 95-year-old Galina Konovalova spoke about the praise of an old, long-time unplayable actress, who was asked to take her fate at the gymnasium's favorable wound. It is necessary to say, Konovalova, on the vіdmіnu vіd іnshih zіrok tsієї vistavi, nіkіl was not Vakhtang's premier, she didn't play great roles, but at the same time, on the tenth ten, raptom appeared necessary to her theater like few people: even fearless eccentrics ideally matched the manner of the new artistic director of the theater. In Konovalov's "Pristan", in a polished youth, which is constantly fluttering, he reads Bunin's speech with his charmingly nonchalant intonations, easily, ironically, with the caustic understanding of the psychology of the little actress - she would not have looked like a funny blast at the same hour. Razdyagnuvshis, like "Death, sho got to the ball," out to fly from the stage on the raised hands of suffocated students, and the actor's happiness is the best that could be invented for Vakhtangovsky's stars.
MK, November 15, 2011
Marina Raikina
Tsya pier with tears in the eyes
Foreigner brought a lesson to Russian theater-goers
90th anniversary of the Theater im. Evgeniya Vakhtangov went down in history as a risky project, like a zmushu marvel at the "Danish" come in, not like it's holy. With details from the academic theater - an observer of "MK".
At the hall, the whole color of the country's theater with rare representatives of officials and business was gathered. IN Great Theater it was out of the blue. At Vakhtangivsky - artistic directors, directors, artists, directors' corps and navіt assemblers of scenery - all requests for jubilee. Kisses, embrace (because all your own), ochіkuvannya is holy. The first axis of the wines has risen.
Thrilling, full of tension music instead of fanfare and falsely raised overture. In the midst of the tragedy, the scene was carrying, and it was astonishing, to say the least. The guests look around, professionally winking: talking, they took the wrong note. A crystal chandelier between two columns is quite stolen - the stench is installed on the stage in front of the six walls, not flat, but with details. The whole scenery of the talented artist Adomas Jatzkovis until the next stage with an intermission.
Rimas Tuminas, the third season, like a very Vakhtangovsky, with great soul he poured water across the flow. Vіn proponuvav rosіyskіy capital and її theatrical (and not only) beau monde the vision of the head idea - the human factor. The same one, like in Russia, in the її sovereign mentality, has long been scored. Immediately, the special character of the actor and the memory became the idea-fix of "Pristani" - vistavi, specially prepared before the anniversary. Nine actors, nine brilliant names, who made Vakhtangovsky's golden fund, leaned on the stage with tricks from p'es, about how they dreamed, but did not play for all their lives - so the share was formed. I would never have been beautiful, Yuliya Borisova did not become Clara Tsakhanassian (“Vizit pani”), Lyudmila Maksakova - Countess Antonida Vasilivna (“Gravets”), Yuri Yakovlev - Mykola Oleksiyovich from Buninsk “Dark Alleys”. Who knows if Irina Kupchenko and Yevgen Knyazev would partner with Filumen Marturano, and Volodymyr Etush would become Gregory Solomon with Miller's "Tsina"? How many chances does Galina Konovalova have to win a huge artist of the imperial theatres? In її chic rock - artists 95 - the stench was equal to zero. After the end of the "Pristan" to Konovalovo, they literally threw themselves: "Galino Lvivno, you are dazzling ... Your fates!"
What are the fates? Stop it! - in a twinkling voice, the old actress compliments. - I take podyaks with tsetsenyatami, that furniture is worthless.
Humor tsіy zhintsі do not look. And on the stage, like the director Tuminas evoking the stylistics of a silent movie, it shone.
The tricks are more advanced, not circumcised, and they are dragged out by months, it is possible, for the better - you can work on mastery and a lot of things to understand about those that are in the Russian theater, and that is irrevocably, unfortunately, go. The zavdyaks of "Pristani" understand that the scene (and in this case - no less than the Vakhtangiv theater) absolutely went intonation. If you can flatten your eyes in one phrase, you can say: it’s like Vasil Lanovy, but it’s more like Yuri Yakovlev. So, Vin is already old, and it is clear that he is unhealthy, his voice is scarlet, his manner is insinuatingly soft ... Never forget! And it’s easy to learn to just stand on the stage, not saying the right word, or to sit on the boardwalk, then it’s impossible not to shake the organic foundation.
And Yulia Borisova! In a perche, non-repeating voice - a little bit of nervousness. And in a different way, as if by an unreasonable rank, evil and voices, and psychologically become a heroine, as if she came to take satisfaction to the place of her childishness.
The unforgettable smile of Vyacheslav Shalevich in the image of Galileo, the courage of Lyudmila Maksakova, as if she became a Gogol countess. Volodymyr Etush sees splashes literally after the skin replica of his old appraiser, and it dawned on him that the artist is more luxurious and better, lower director of the Budinka actor.
At the finale of the music of Faustas Latenas, the whole nibi tensed, as if in front of the kick, the organ hummed, and on the stage a majestic window opened up, on which in the breeze the portraits of the Vakhtangovites, who had already gone, and the founder of the theater himself - brown-eyed, with dudes, were shattered and swirled. Obviously, such a philosophical metaphor cannot help but evoke emotions, rumble a little. "Pier" appeared to finish off Tuminas with the universal winemaker, like a Rubik's cube. At the same time, tricks are being prepared with other miraculous actors, zokrem Makovetsky, Sukhanov, Aronova, as if they will go to the already repertoire "Pier".
OpenSpace .ru, November 18, 2011
Oleksiy Bartoshevich
Requiem of Rimas Tuminas
Before the jubilee of the Vakhtangiv stage, the artistic director of the theater staged a performance for the yoga of the old luminaries with the richly meaningful name "Pier".
Sitting in the hall of the Vakhtangov Theater at the play "Pier", staged by Rimas Tuminas until the nineteenth century, I guessed the story, how to describe Lawrence Oliva in his autobiography.
On the occasion of the year 1925, June Olіv'є listened to the Rozmov of two summer actors over the lashtunkas. The stinkers were guessing about someone who was called "Old Man" in a shanobly way. Do you remember what the Old Man did at the fourth act of "The Merchant"? And what about the finale of "Richard"? Chi yogo pause at "Poshti"? Olіv'є ozumіv, scho about Henry Irving, and immediately swore that if he himself became an Old Man, and they would talk about him with the very honor of that hoary.
The theatrical lexicon of the "old" - more, lower artists of an important age, yakі have served on the stage of the rock for fifty or more. The skin corpse had old actors, but there were few de bule “old”. Summer people-luminaries, leaders of NATO choirs, the legend of the theater is alive, the memory of the great theatrical hours that have been gone for a long time is instilled. The stench is the middle of the best, most beautiful rice of the skin nation. I’m on the vlasni ochі bachiv (me was rokіv shіst), like, zustrіvshi on the streets of Gorky Vasil Ivanovich Kachalov, on the way to the Art Theater from my Bryusov lane, people zupinalis, took capelyuhi and bowed to the one who brought them to their own, that not everything has dried up in Russian culture and Russian life. The one, like the stink of an actor, had no fanatical ecstasy of crazy shanuvalniks, no crowsiness of dwellers, like a celebrity starred - that rose to the ears. In the eyes of passers-by shone those that can be called reverent.
With the fates of the retirement age in our theaters, there were more daedals, and less “old” daedals. The problem is not so much for gerontologists, but for cultural historians.
Where are the past fates? De "old" now? The stench has long become something that is not familiar, then by nature, which is dying, a dying tribe of veletniv. Not only through the obov'yazkovі laws of nature, but most of all - through the changes that are found in the theater and in the very practice: they wrote about it and said to finish it.
The "old" know each other knowingly through those that the present theater and the present society do not require. It's not good and it's not bad: it's just that it can't be like that and otherwise. Who needs Irving at the capital of Marthaler?
The pier does not tell traditional jubilees. The place of sound on Vakhtangov's and all other theatrical urochistos of the lightly (and in order stagnant) melody from "Turandot" from the stage one can feel the shaking omniscience of the tragic move of Miserere Latenas - the universal prayer for the chirps, which sounded at the finale of "Macbeth". For whom is music crying, how do you cry, whose memory to praise? At the finale on a three-handed white cloth, one by one, individuals (now faces) of Vakhtangivtsiv appeared to us, who went to another world. Keep stinking here, starting from the Teacher himself: Kuza, Glazunov, Shchukin, Goryunov, Simonovi (Ruben and Evgen), Orochko, Lvov, Mansurov, Shikhmatov, Gritsenko, Ulyanov. Beautiful, radiant with the talent of an individual, happy shares (navіt like sumnі, all the same happy).
One by one, the ninth Vakhtangiv luminaries rise to the stage to play an unknown role for Bazhan, a role for an unknown dream. Tse does not mean that the heroes of the jubilee do not have an actor's future. Some of them, perhaps, play more than one role. Tuminas says goodbye not to Shalevich, but to Yetush, but to the wondrous generations of Vakhtang's people of a frail age. For not a lot of vinyatka (Maksakova) there is nothing for them to work in yoga theater.
The whole path of this generation, from the first yogo rocks, passed before my eyes. I remember that in Moscow they started talking about Etush and the funny comedy Launs in "Two Virontsy", how they made up the name of Yulia Borisova, how they played in the staged "On a Golden Day" based on Mamin-Sibiryak, how stink - Ulyanov, Grekov, Borisova, Shalevich, Gunchenko, Yakovlev, Gritsenko, young people, who shone with talent, combined with fresh forces, were hanging in a herd on the stage at the performance, becoming the debut of a generation - to the beautiful “Misto at Dawn”. The very same generation of stench also reprimanded Moscow. I have lost their loves for many years.
Moscow loved the actors of its numerous theaters with all its soul, but in a different way. Vakhtangovtsiv - with special lowliness. Nothing better for them can embellish the gloomy chi motor weekdays, resurrect the life of the spirit of an elegant saint (who is the master for the Vakhtangov minds wearing cravats-blizzards or marvelous knitted cloth?); there is nothing in the building with such a mysticism of wisdom, that the light is kind, beautiful, and the coincidences of various receptions, which are necessary for the sake of. So all the fears of the marne, all the hardships of the vreshti-resht pass - and everything will be taken care of and rule by itself highest rank. For hours of hard testing, bored with the messages of the country's history, people demanded such a message themselves. Ale, until the singing hour. The embellishment of reality, as it happened more than once, turned into embellishment. The vistas of the Arbat Theater began to make rozkishni confectionery products. Buli vinyatki (staged by Pyotr Fomenko, deakі works of Volodymyr Mirzoev), but they were not rich.
Actors of the Ulyanovsk generation were deprived of majstrs, but the spirit of aesthetic isolation, which panuvav at the theatre, could not fail to strike at the same time. As a result, the stinks made their loved one on the stage less rich than that, judging by the scope of that depth of their gifts, the people were robbed.
Now, the axis is now, covered with litas and glory, as if they have become Old Men in the Irvingian meaningful word, Vakhtangov luminaries have entered the stage to play their observable (who knows, maybe, stay) roles in the play with a richly meaningful name "Pier". Vasil Lanovy reads Pushkin, V'yacheslav Shalevich plays Brecht, Lyudmila Maksakova - Dostoyevsky, Yuliya Borisova - Durrenmatt, Volodymyr Etush (wonderful!) - Artur Miller, Galina Konovalova and Yury Yakovlev - Bunina.
The culmination of the entire evening was, without a doubt, Yuri Yakovlev at the Dark Alleys. We raptomly understood that such a great actor is in the right, and not in the masculinely zazhdzhennom sensi, how charmingly simple and beautiful, how much we clean and holiness can be a theater, beasts to the human heart. Forever remember the remaining gesture of the old one, who is going into the unknown expanse. Turning around at the pіvdorozі, throwing a glance at the temryavu hall, for a second he rattled, lifting the reed, and again destroying it, into the mud of the footbridge, at the unknown expanse of eternity, dare to say - at immortality. Here, there is not a little bit of unexpected happiness, but a calm readiness to reconcile with the sent share, the farewell wisdom of Shakespeare's Prospero. You were seen not only by the thought of those who are more beautifully approaching the inevitable result (God bless us), but the greatest gift for the light, like the stench of the style of the rocks bestowed upon us and continue to grant.
Well, well: Rimas Tuminas has clearly confessed his love to the great Vakhtangiv old people and the great Vakhtangiv school. Borg vdyachnosti vykonaniya z gіdnistyu that insatiable relish. Prote dovgі droti - zayvі slozi. Not a century to mourn the death. Tuminas has given his old tsar's gift, but at the same time I am moving forward between the history of the past decades.
Now the artistic director checks a difficult task - continue on the right, like a win with success: bring the theater out of the deaf kut, open the Vakhtangiv tradition to those that inspire the director's theater of the present. Not tearing the thread that stretches like "Princess Turandot", remembrance that Vakhtangov is no less a turbot-ironic gra with old-fashioned masks, and the tragic grotesques of "Erik XIV". It’s already grown on a new stage for a new one (“Troil and Cressida”, “Uncle Vanya”) to prove that, no matter what, this meta can be reached. We are in front of the fact that even the garni of Vakhtangiv actors of different generations. Blindly doubting the possibilities of a corpse, in Yakіy є Makovetsky, Sukhanov or, for example, Lydia Velezzheva (for me, I really know, it was like a mismatch, that Velezha played a little not on equal z Yakovlєvim) we mean it.
Tuminas staged a performance-elegy, a performance-farewell to the old Vakhtangiv theaters and to ourselves - from the great theater of the past hours, the theater-monster of the people. Tsei theater is amazing, but there is no turning to the new one.
