Buy tickets for the play "Fathers and Blues". Notes about: Fathers and Blues (Moscow Academic Theater named after M.
Not long ago I was led to a discussion about life and relevance theatrical art our hour. Bringing my opponent to be chaotic and for me absolutely inconsistent - vin singing an ode to Russian cinematography, contemptuously commenting on the present theater shows the one about the situation in the theater in a flash. Never mind those who didn’t have a hundred fates.
Discussions (chomus) are often brought up: it’s already been like that for most of the hour my robot has been working with people of the cinema, and the stench is put up to the theater in the cold weather (you can’t say “with sarcasm that irony”). I can understand and accept everything, but not without snobbery. Ale, so lyrical entry. At the theatre, everything is good with us, which is the result of talented director Leonid Yukhimovich Kheifets.
Scene at the Stritenci theater im. Mayakovsky. Premiere of the play "Fathers and Blues" for Brian Friel's song based on the motives of Turgenev's novel "Fathers and Children". Viyshlo tsikavo, not spiteful, but topical. More often than not, I saw such a Turgenev with his political pamphlet, with his social problems and "Bazaar-centric" world - but I sighed (in fact, the "in the middle" appeared - the gaudy scenography of Volodymyr Aref'ev) was polyphonic, ice, not Chekhov's character.
Evgen Bazarov (Sergiy Belyaev) in Heifetz is not just a misanthrope, a cynical person - but a tragic hero, internally tormenting, languishing in himself, in the light of the knowledge of his own nihil or nothing. If at the finale of the first act there is little crying, speaking to the fathers, what is it, looking at the flocks, they realized: to live in zovsim not in the presence of their turbot, not in the sight of їhnої richness and innocence - Bazarov lives in the presence of himself behind the back of dreams.
Tsіkavim and richly faceted - the image of Fenechka, Kohanka Mikoli Kirsanov (Nataliya Palagushkina). At the first stage, which plays the performance, we see a young village girl, maybe the same age as Arkady, who arranges tickets for the booth, and speaks to Dunyasha (Olga Yergina), a sweet-natured girl. Look at the stench in contrasts - calm, streamy, slender Fenechka and pinky, enticing, beaten Dunyasha, looking like that and checks like a suffocating vipadu.
Ale marnі gladatski ochіkuvannya - Dunyasha's modest vipad as a sulіya of warm milk on the road to Bazarov, handed over to her by Fenechka. And the axis itself is zim, stop, woman's rank razyuchi metamorphoses. In the course of our work, we will make a transformation - if Fenechka is modest, she transforms into a suvoru Pan Fedosya Mykolayivna, as a master (although not formally being her) dictating to someone who needs to grow. Tse on the cob dear Fenechka red in the eyes of Bazarov’s piercing glances, but not less, turn your head and kiss him passionately, sweat hotly crying, seeing off yoga - and the axis is closer to the finale, graciously take your likot and Mikoli Petrovich’s turn. Fenechka herself, but not Ganna Sergievna Odintsova (Natalya Korinna), is not inspired to come to the fore, which gives us a special fresh sound.
At the first stage of Mikoli Petrovich (Oleksandr Shavrin) himself, there is no sound, but the melancholy sounds of the cello are wafting up to the eye. "Sumna melody, like wine himself," - they say about the new girl. Let's sweat and "wine myself": straw drops, eyepieces, a ruffled frock coat - the soul is open. Ridiculous, stupid and outrageous in his innocence.
The brother of Pavlo Petrovich Kirsanov (at the viconan of the affable Yevgen Paramonov) is the dandy who looks at the first sight of the yogo's brother Pavlo Petrovich Kirsanov - a dandy, who sees the English beauty and the French perukar. Vіn sceptically skeptical about the relationship to Bazarov and cynical in his own way, it would seem b, vin good opponent Evgena. But it’s clear that Pavlo Petrovich is also a funny person, as in the past he experienced a romantic story with a summary ending.
Vzagali "Fathers and Blues" by Heifetz is a drama of comedian people. Ridiculous that Arkady, "clown", as characterizes Yogo Katya. The axis of only smіh at tsіy vistavi seems to be summarized.
Arkadiy Mikolayovich Kirsanov is truly the son of his father - from the first glance, from the first glance, from the first sight, from the father, he remembers (name) similarity: those eyepieces and a suit, a similar type, charitable good-naturedness and people-lovingness, like Arkady and did not take the image of himself.
Zagalom, all the characters in "Fathers and Sins" were spelled out without a clue - the director gave the skin character a special farboa. So, the names of the character-functions (Petro, Fedka, Dunyasha, Princess Olga) are forgotten by the memory of the peepers. I not with a faded flame, but with a rank. Why is the varta of the filigree actor's robot Lyudmila Ivanlova, reminiscent of the divine princess-titka Odintsova, as if I live in the power of the world! And tse її “Clean up the intestines! You need to shoot, otherwise the stench will rule here ... ”from an eye-catcher ...
And how poignant the scene in Oleksandri Rivnensky, how it plays Arina Vlasivna - how living, what a nerve! “God rest, O Lord, the soul of your servant Yevgen ... - pray out of selflessness, and tears will flow involuntarily;
The only thing that cheered me up is the finale, the sense of what I mean in one, my bitterly unloved phrase "life continues ...". Vіn zdavsya me troch navmisim and attract.
"Before that, Bazarov died, - shout Arkady in the hearts, - Abyss between us, tattoo!" Ale tato just don’t want to close your evening, is that it? In front - one farewell that two (or maybe three) vesіllya.
Axis and go out, that the scourge of life is the eternal human scourge. And even if for some life it won’t be too much, then you don’t remember spending - everything continues, continues, continues ...
new
Tsya vistava was put behind the song of Friel Brian, as if he had written Turgenev's novel behind the motives. There was a tsіkava transformation: the English playwright, on the other hand, rozpovіv іstory russian classics, marveling at her under his hood, and then after the twisted translation, the heroes began to speak Russian again. What did it come from?And the viishla is a wonderfully atmospheric vistava. Moreover, the atmospheric in the direct meaning of the word is the fault of the beginning of repetition, light and the sounds of a summer day. Expansion of the expanse of the scene is full of peeping eyes and again zanuryu їх at the light of the noble sadibi of the nineteenth century. A wooden veranda that stretches across the whole hall, fir franks and tablecloths, servets, a glittering samovar, a bird’s-eye spice, a dzyurchannya glass (of the right blue one!) and rich colors - the classic realism of the Russian theater in its best manifestation.
The performance is three years long, but an hour passes by without memory: there is no long drawn-out scene or boring dialogue, no sagging and pauses - to inspire the heroes to mourn, you literally observe their internal assessments of what is going on. Kindly pick up the actor's warehouse - leather in its place, everything is changed again. We were especially honored with the "fathers": Mikola Petrovich Kirsanov with Viconess A. Shavrina and Vasil Ivanovich Bazarov with Viconess Yu. Sokolov. Vtіm, іnshі played the nіtrochs not louder, and navіt dіvіrіdnі charіcаіrіvshli аrе more sаrаvіvіnі і such, scho zam'yatovuyutsya. This is a given interpretation of the image of Yevgen Bazarov - here the testimonies are not a half-witted hero-revolutionary, but a man who literally rose in the middle of the power of ruthlessness to others.
And vzagali, on my thought, tse whistava about kokhannya. About the love of fathers to children and children to fathers, about the love of a man to a woman and about love to people vzagali. Regardless of the drama and passions, we were shown a light and good story, for example, a sum of light and life is triva.
The century qualification for the performance is 12+. I think that this plot will be great for the lads, beginning in fourteen years. There were a lot of high school classes near the hall for the spectators, and at the end of the day there was a quiet silence, and for the most part, the children shouted “Bravo!” to the actors.
I recommend tsiu vistava and tim, who already knows the work of Turgenev, and tim, who can read it. The classic plot of savings is practically without change, small vіdminnostі є, perhaps, only in vіdtinkah that interpretation of such images.
Even better respect, that at the first hour of the day artists often appear in the aisles of the stalls between the twentieth and twenty first months and from the lower side between the fourth and fifth months. After you see us from the blue, I wanted to marvel at others create classical at the production of the miracle theater. Obov'yazkovo will come.
All rajahs marvel at the miraculous vistav "Fathers and Blues"! Vin is wonderful. Having been uniquely vouchsafed to the unimaginable expanse of the hall, for the back of which the gazers lean about near the actors and exude emotions from the unimaginable slope. Belyaev S. was more worthy in the role of Bazarov and Zaporizky M. in the role of Kirsanov the young. The young actors groaned at the respect of the spectator, and they groaned behind them on the side of Frila's p'esi. An invisible performance, which is worthy of being-like a spectator. Beautiful costumes and decoration. Tse buli 3 years, good luck and please! Thank you very much! I will definitely come again and recommend to all my friends!!!
Katerina Frolova
Turgenev, classics, and with entourage: embroidered tablecloths, a samovar, embroidered styles, tickets in the front garden, decanters with liqueurs ... Just a little more and sweeten it up. Ale, the whole stage is on Stritenz, and the whole entourage can literally be touched, the stage space here is bigger than the glaring one, in the first row you see yourself as a participant in the process. The verandah across the hall, the firanks of the lily, the board creaking on the bottom, the chirp and the birds, of course, chirp. Everything has classical realism, the costumes are beautiful, put on pants with “strings”, and you can’t sleep in a wheelchair, Fenechka smiles so heartily. Oh, Fenechka... I remember that I didn't remember the character in the novel, but here, maybe, Main role at the charming Natalya Palagushkina.
Vtіm, at the vista there are dumb and there are no headless ones. Skin your own mission, and be it your role, it’s small. I catch myself thinking, which I believe to all of them, why did the stink crumble from the other half of the nineteenth century, and they allow me to have mercy on myself. Ну як не милуватися розкішною Дуняшою/Ольга Єргіна, іронічним Павлом/Євгеній Парамонов, зворушливими стариками Базаровими/ Олександра Рівненських та Юрій Соколов, вишуканою Одинцовою/ Наталія Корінна, аристократичної княжною Ольгою / дивовижна Людми Нікулін, простодушним Миколою Кірсановим / Олександр Шаврін, і Петром з fashionable zachіskoy / Oleksiy Ushakov, and chekayushchy crochet Fedko / Kostyantin Deniskin.
Obviously, the performance is inspired by the novel, which is due to Brian Friel's fault, but the director's bachelor of Leonid Kheyfets, only in the face of nihilism, has lost the fear of shadows, and the addiction that puts everything in the world under the shadows has turned into love. Kokhannya, yes, it broke out in the wind. Viguk Arkadiya Kirsanova (miraculous role of Oleksiy Sergiev) "I love people!" - Key. And really, well, what can be important and beautiful for the same reason that changes the world?
І Bazarov's kohannya change, want to live in the vіd neї, ale marno. Sergiy Belyaev is arrogant, I’ll say arrogant. And the moment, if I stumbled and fell into the Gank's meeting, she squeezed all - dear vartuє.
To murmur a glass, give a shout in the light of the summer speck, but in a whisper - and then you will pass. What to get rid of - hіba love only, nіy poryatunok, and on her hope. Chudova Fenechka / Natalia Palagushkina - this is a clear confirmation of this.
For three years I was not deprived of the sight of a quiet saint, my soul was kind and joyful, in the sight of a beautiful performance, professional actors, as if enjoying their thunder and bestowing happiness on the watchers. Dyakuyu, Mayakivka!
NG, 27 leaf fall 2014
Grigory Zaslavsky
Conflict of generations on Stritenci
"Fathers and Blues" by Brian Friel at the branch of the Theater. Mayakovsky
"Fathers and Blues" - this is the name of the premiere, which came from the branch of the Academic Theater. Vl. Mayakovsky. Director Leonid Kheifets, who modestly celebrated the early 80s, before his birthday, released the performance for the song, like the Irishman Friel, the great chanel of Russian literature, writing for Turgenev’s novel “Fathers and Children”. Well, the conflict of the generations is a topic, why should you love to celebrate those who are for ... But in fact, it’s worth mentioning that the performance of viyshov is not about those who make the old people walk, but don’t make the old people blue, that and the old in the performance of Heifetz ( like in Turgenev's novels) to be suitable for directors is not in blue - it's made by onuki.
Brian Friel - s quiet, who appreciates the accuracy of the skin word. If you have come to Moscow (you already wanted to visit Chekhov’s fatherland), I can chat with him and say goodbye to him for a long time. I have mentioned that in Russia these days even more popular is the Irish McDonagh. "Vіn іn іrlandets", - raptom zhorstko vіdrіzav Frіl. “Ah… who?” "I live in London". Everything suddenly became clear.
It would be nice to talk about the performance behind Frila's song after the St. Petersburg premiere "Who Work?" All the same, they are closer and closer to the topic, and to the hour, and to the other, like that and the second, and Chernishevsky, and Turgenev, and behind him - the directors, the directors, they learned the strangeness of these texts, like the stench vibrates, like the stench every time our today. Rozmov is a super girl. Kheifetz, on the other hand, is experiencing the rest of the fates, one might say, the Boldin autumn, playing performances with even breaks on the small stage of Mayakivka or at the filia on Stritenz. І skin vistava is becoming a part of today's theatrical life, where the value of the school, the right roboti z, I ask for a tautology, rozrobtsi charac- teristics , zanurennya in heroes, plot. And for Kheifetz, everything is important, we should take care of ourselves and, sing-song, love. And there is a new, special and unique light - now the world of Ostrovsky (“Not everything is oily to a cat”), then - Arthur Miller (“Price”), now the axis is Turgenev-Frila.
Another important situation, you don’t know about how to navit, how to say, so as not to create miracle actors. Chudovikh, ale - I confess - I don’t know anything about this specific performance by Leonid Kheifetz. So, by the way, I didn’t manage to rate Andriyenka and Zaporisky to “Not everything is oily for a cat” and “Tsini”, but immediately after that, I called for the lead role in “Kant” by Mindaugas Karbauskis, the artistic director of Mayakivka. "Fathers and Blues" exclaims ... an exclamation of all, whom the director has occupied. I need to say that the director of the famous famous artist - Volodymyr Aref'ev, who once became famous for "The Seagull", like the stench "bubbling" with Sergiy Solovyov on the stage of "Friendship of Taganka Actors" and de Trigorin (Mikola Gubenko). ) standing knee-deep by the water at the tank with 16 tons of Chaklunsky lake. Here, near Turgeniv's rural paradise (when it was hot - it was hot), there was also a water reservoir - but water needed a lot less. A slug, a slug, vtim - with its own flow, stream, do not rattle for a second. Livoruch - vases and vases with tickets, in the back - a veranda of a booth. The public is seated on the summer chairs and armchairs. The scene is a straight-lined winding at the dovzhin, like and - in long rows - rosadzhuyut and gazing. Life rages before the eyes of a wide front. Dunyasha (Olga Yergina), Prokofich (Yury Nіkulin) - must live in a report, mustache - right, without nizhok on episodic plots. In the skin - the role of its life, history, rozvyazkoy.
To know the guise - to know the hero - maybe, smut, happy director. Kheifetz knows once two such, extreme ones. Bazarov (Sergiy Belyaev) and Pavlo Petrovich Kirsanov (Evgen Paramonov), acting captain, still young, older brother, he’s chasing after a century, who breathes more clothes and even stronger - in the way of thoughts, rozum, vtikm, zovsky don’t wear a suit passions boil. The role of Arcadia is played by Makar Zaporisky, yoga father Oleksandr Shavrin. A couple of Bazarov's fathers are played by Yuri Sokolov and Oleksandra Ravensky. Ridkіsny vppadok: - through marriage, the mіstsya can be brought to the conclusion: in this interview about the skin of heroes, you can write okremo, about the life of the hero. About God-ville, for example, as you fall after the death of the son of Bazarov's mother, and as lowly, as a man, as madly messing around with her, Vasil Ivanovich Bazarov. Like hesitantly trying to get away, talk about his teammate father Arkady, who rushes around behind his cello, setting it forward, like a defensive armor.
Tsya іstorіya go more not about іntelektualnu superechku, but about duel pochuttіv, scho took place after an hour of reading the novel of ideas. Kheifetz is a hero of the emotional conflict between fathers and children: children are not able to reconcile with them, that and fathers are also people, they can love and love, sometimes it’s so strong. The blues try to change the initiative and go overboard. Zhorstoko, heartlessly and unseen. As he wrote Voznesensky: “Change the angel, change the boundary, but don’t change the almost unfamiliar…”
Zvichayno, Tsey Turgenev, “re-flashed” by Brian Friel, is Chekhov’s right-handed supporter and navit is a modern-day fellow. The performance has a lot of Chekhov's: it's sleepy, it's bright, it's not so brightly felt, it's looked through, it's shining, it's life at home, and it's different fathers and blue.
New news, 6th leaf fall 2014
Olga Egoshina
"Parks for babine belkotinnya"
"Fathers and Blues" began to settle in the Stage on Stritenci
On the Stage, which was seen after a long repair, on Stritenz, another premiere. The transforming stage was created by the architect Sergiy Kutsevalov, with whom the most successful theatrical projects were created the rest of the years(at the beginning of mid-autumn near Voronezh, a sporudzhen for the yoga project new wake-up call Chamber Theater, which has already become a memento). The actors of the Theater named after Mayakovsky energetically master the new space of Stritenka. І behind the performance-walk-through "Decalogue" by Mikity Kobelev, the full-scale "Fathers and the Blue" by Brian Friel was staged by Leonid Kheifets.
The Patriarch of Irish Drama Brian Friel should be placed in Russia more or less than his young colleague Martin McDonagh, but more successfully. Possibly, the secret is to the fact that ours will be beaten by the covers of their black humor and all sorts of thrillers, moreover, their Irish counterpart on the stage is an obvious enumeration. Brian Friel did not in any way prihovuvav vplu, like the Russian literature (Naspered, Turgenev and Chekhov) hit on him. Sit down life, passions in the fresh air, count those thoughts of helpers-intellectuals, who toil in search of the sense of life and fear of an approaching nebutt - all the same thoughts, sensibility, throwing Frilu close, sounding like yoga to the power of thoughts.
The garden of the Kirsanovs, yak, vtim, and the garden of the Bazarovs, at the yogi p's - clearly in the Garden of Eden, washed out by the summer calm, slashed by the sound of the birds and the noise of the river. Director Leonid Kheyfets and artist Volodymyr Aref'ev create on Stritentsi a right little piece of Eden: a top tree of walls, a flowing can of white and blue eyes, a sea of flowers - blue, white, erysipelas, violet, yellow. The mirror of the stage is strongly twisted, the veranda is surrounded by meters of clay.
Diya rises up on a vіdstanі vytjagnutаї hand і to the first row add water breezes. Garna exposition vistavi, if the lower Fenechka - Natalia Palagushkina is torn with tickets, sleep at the vіzku її sin in the form of Mikoli Kirsanov. And Dunyash’s resting place, Olga Yergina, freely spread out on an armchair, exposing the sun to the burning woman’s flesh. Brian Friel's blue bars and kripakiv are more similar to Jeeves and Wooster's blues, lower to those described in Turgenev's novel. Himself, scho mav donku vіd krіpatstva, Turgenev well knowing the gnat of the old zabobonіv. In Brian Friel's house, the little fenichkas and the pan are shocked by the restless, then by the cost of the vіtsі, and not by the destruction of the decencies.
Young nіgіlіstіv, scho came on vacation, zustrichaє vіdsіch dosit hard, but not even nіyak іdeynіy. Don’t call Pavel Petrovich Yevgen Paramonov’s eyebrows ironically raised an ideological vision, but all smooth over Mikoli Petrovich Oleksandr Shavrin’s bat’kivs’ clod. And yet the blind desecration of the old Bazarovs - the father - Yuri Sokolov and the mother - Oleksandr Rivnensky and zovsim are ready to accept the lamentation of desecrated Genyusha ...
Evgeniya Bazarova Graduate student of the Shchukin School Sergiy Belyaev. The camp of a debutant, which is the first to enter the professional stage, having sprung better with the camp of Bazarov, which is the first to enter the wide stage of life. And there, and there - anxiety is raised, self-love is sharpened, the suspicion is terrible, that the axis will not be accepted, booed - and the heat is up to that victory. Bazarov - Belyaev neruchny (always chimps with trousers with trousers), ungrabable - and absolutely enchanting in his meths. Especially if you are raptly weaving the thread of your zavchenih mirkuvan, having helped the walk of the companion Dunyasha, the sweet grace of Baubles or the shoulders of Odintsova - Natalya Korinnoy. Women at p'єsi Frila tsyu ostovpіlіst feel good and react to it adequately.
Vzagali, at Frila, Bazarov’s conflict and garden life should not go along the line, - toads rіzati chi Pushkin read (Bazarov Frila doesn’t know about toads)? - And according to the line of mutual articles: so there is only one physiology here? How to suit a pure young man, Bazarov is firmly convinced that there is only one physiology, and with the power of his approach to life, he strikes a little bit, but beats him down.
Radical children - Bazarov and Arkady Kirsanov - Makar Zaporizky - at p'єсі Frіl oppose not conservative fathers, but mother nature itself. And there you take yours easily and swiftly: insults to negativity will suffocate violently, to self-forgetfulness and fierce proofs of pride. To lead the hero to that yogo university vishkil, who, appearing powerless, entrusted the elements to typhoid. The medicinal vmіnnya, with which wines are written like that, do not speak out against the infection. And the order of the pratsyuchy Bazarov Sr. - Yuri Sokolov (whose medical knowledge is the subject of gluzuvannya blue) is left alive and neushkodzhenim.
Like a stone, thrown at the stakes, it fills up with a swishing cola, and Bazarov is mercilessly swept away by the smoky smoky sky. As early as they have good tickets, the Kirsanov family prepares until the wedding and sings the old - eternal - song about the love tug.
“Fathers and blue” is a pilot performance. I realized that the actors (especially the older generation) could still sing to the unseen expanse, to the sound of a wreathed hand in the hall for the peeps, like some cursive and onslaught - commemorate the voice and reveal the falsehood. More commemoration of the days that failed the rhythm, and the director’s thought sometimes bursts out from the back with an easy-going detail. But it’s already obviously a smut – The scene on Stritenz nabula has its own special atmosphere, its own atmosphere and its own place on the theatrical map of Moscow.
RG, February 16, 2015
Olena Karas
Duel for a Kiss
At the branch of the Mayakovsky Theater "Fathers and Blues" appeared
Architect Sergiy Kutsevalov created the name of the Theater named after Mayakovsky to Pushkarev provulk Stritenki to the station of the modern hall-transformer. The vistavi that was played on the main and small stages of the theater was transferred there - on the front of the monumental "Kant" for the song of Marius Ivashkyavichyus. The modern expanse of a neglected theater on Stritenci has begun to live an intensive and groggy life. The foyer with white slate walls and black wooden ceilings, with antique lamps and the bar slats from the railings will acquaint the public with the images of the artist's corpses, depicted in 3D format - that's with looking at the large figures.
The same name-experience "3D" stuns you in the open air by Leonid Kheifets for the song "Fathers and Blues" by Irishman Brian Friel, a lover of "Russian old times", for the motives of Turgenev's novel "Fathers and Children". The artist Volodymyr Aref'ev has filled this expanse with radiant beauty and a right attraction - a living streak that runs on the wooden boards of Kirsanov's gardens, on the floorboards of Odintsovo's mat, on the strong bows of the Oryol province, looking straight ahead.
A wide verandah of light wood descends to a meadow crowded with mountaineers with floored quilts. The stench is so radiantly flooded with sun, they have lives of life, that it’s possible, the stink of the axle-axis smell, reconquering us from the one who is on the right stage.
Dear pansky good-naturedness of Mikoli Petrovich Kirsanov in the presence of Vikonn Oleksandr Shavrina even more overcomes the most hostile hostility and instills in the eyes of glyadatskoy gloom. To echo the enchanting Fenechka - Natalia Palagushkina - with soft noble manners and a calm childish breeze. Yevgen Paramonov in the role of thinned Pavel Petrovich and start a spicy play with the peeps, once he gets them from different drives.
If Yevgen Bazarov (Sergiy Belyaev) from Kirsanov-younger (Makar Zaporizky) appears at the galyavin in front of the house, Pavlo Petrovich starts to make the daedal stronger. Promote the first Russian nihilists are given to the creators of the vista and sound of the day. Let's not say anything about the connection between the co-workers and the co-workers. Charivncy of the Litny of the Excommunication Day, Aprovatny of the Service of the Service Dunyashі (Olga rygina), Fenechka Z Kolyasochka, SPIV PTAIV I Dzurchannya Strumka, Kralykhi Slick of Pershi Ryadi - All the Sadiban Rajyki, about Yaki Brain Grain, il Brain, il Ghothah, il Ghothah. Tribute to 3D.
It’s also important to be afraid that you yourself podіlyaє nіgіlіsta Bazarov and your opponent Pavel Petrovich. Unite them Fenichka, through the kiss of a duel, and the axis of the nature of the ideological chvars is only littered with rubbish (smoke in the hall) and is indistinctly designated.
The murmur of a trumpet, marvelous flowers and freshly carved woods of the "Russian paradise" wins over everything, and Pavel Petrovich's rapid departure to Paris is no more than a flow in the form of an unfortunate mess. Zhakhi nіhіlіzmu, scho nastoє, zalishayutsya here far beyond the scope of stage roses.
It seems that Leonid Kheifets wants to surround the enchanting landscape with the stingy feelings of love that Bazarov went through, - the first for all the love of Yogo Batkiv. As soon as we shout praise here, then the scene may be beautiful in the very finale, de Bazarov Sr. (Yuriy Sokolov) tells about the sickness that death of the son, zachіsuyuchi that vtіshayuchi his divine squad. Simple, ascetic and strict Oleksandr Rivnensky, nowhere "squeezing", shedding tears over the audience.
Everything else in the performance is virtual "3D", a little like the Russian psychological school, the remaining apostle of Leonid Kheifets, like the deep flow of the philosophical Turgeniv prose, in whose "paradise" bushes they sing the evil lilacs of the future
Artist's kerіvnik theater im. Mayakovsky, Mindaugas Karbauskis, with a vengeance, exclaims the smug of the "Russian novel". Tolstoy's "Fruits of the Light", dedicated to yoga teacher Pyotr Fomenko, will not be missed on the main stage. Calling on everything, the "intrigue" is only getting hotter.
P'esa in 2 acts (based on the novel by I.S. Turgenev "Fathers and Children")
Auto: Friel Brian
Director: Leonid Kheifets
Artist: Volodymyr Aref'ev
Costume designer: Olga Polikarpova
Director's assistant: Vladislav Lyakhovetsky
A generational conflict with a British accent. Having once taken the modern English playwright Brian Friel the book of our classic Turgenev, a difficult book full of conflicts with reality and today, and writing new things. Nemov looking at the very essence of the conflict between generations and illuminating the most important moments. And then the already speaking heroes turned to the Fatherland and entered the stage, having survived like a new emigration.
The first axis is already running along the stage of streams, refreshing in the sizzling summer afternoon the baggies in the miraculous Russian sadibi, the flowers are blooming and are hovering under the delicate parasols of the garnet Russian pannochki, rustling with the hem of the spiky Russian pannochki And into this paradise vvіv vіn - rebel, revolutionary, Bazaar. And here ... there is a misunderstanding of a somersault, that turn in the plot, like a zmushu, to look over one's setting before life. Nihilist, a hero without fear and dokor, raptom sticks not so with the confrontation of the “batkiv”, as with another revolutionary force - with a woman, and with him, that he should come at once with her. With love, as it appears to inspire more for death. Sticking and… stepping out. And when you look at it closely, you see yourself not as a hero, but as a person who has his own power of mercilessness to others. And death comes before a new calmness, calmly not for zhorstokist, but for stupidity for love, as a result, laughed at him.
Ale don’t get confused, it’s better to come and sit in the shade on the wooden boards near the stream, so that you can enjoy the whole world with the beautiful atmosphere of a calmly Russian sadibi and post-posterigat for it, like Lyubov descending down the mustache of the prapori, inspire the revolutionary.
Review
Bazarov did not fit into the rural life, which caused a commotion with his nihilism, so that everything was forbidden and unimportant to the principles, which simply nabrid everyone. Viriv wines in one physiology and matter, and won yoga and zdolala: earthly love, then typhus.
And in the meantime, in the rural paradise, life is licorice-free: the ladies take the tickets, the cavalry conduct sensible conversations, and everyone will enjoy life. Kirsanov Sr. has long been happy with the kohanna, and the hour has come to make friends. The young tezh kohanny laughed, knowing the wine of his Katenka.
Two bets, two vesillya - and now, eat, cook, fathers and children? Let's live happily, live happily ever after.
Only the one to whom everything is not nice, who always spoke out against everyone, ended his life tragically.
