Yakі p'єsi Ostrіvskogo is titled like a slut. Doslidnitsky works of O.M.
DBPOU "Bryansk Budіvelny College" named after Professor N.Y. Zhukovsky
SORRY THAT SENT IN P'ESAH O. M. OSTROVSKY
"OUR PEOPLE - POLIKUEMOS!"
I "DOWNLOAD"
We are now naming all our ideals and types ... depict to the most important
detail, but smut, we respect the first
mental artistry in the image given
the type of correct transmission of the image is vislovlyuvannya, tobto.
movie and navit warehouse movie.
O.N. Ostrovsky
Behind the linguist's puns, the texts of yoga p'єs have 307 adjectives and orders. Deyakі iz them the author vinіs u nazmu svoїh p'єs:
Our people - we will be afraid. Comedy, 1849.
Do not sit in your own sleigh. Comedy, 1852, Publ. 1853.
Violence is not a vice. Comedy, 1853, Publ. 1854.
Don't live like you want to. Folk drama, 1854, Publ. 1855.
Someone else has a hangover. Comedy, 1855, Publ. 1856.
Not z_yshlis characters! Pictures of Moscow life, 1857, Publ. 1858.
Kіshtsi іgrashki, and mishtі tears, 1858, publ. 1858.
An old friend is better than two new ones, 1859, publ. 1860.
Make faces on your own dogs, don't pester someone else's! 1861, publ. 1861.
For what you come, you know (Odruzhennya Balzaminova) 1861, publ. 1861.
Grih that bіda on whom you do not live. Drama, 1863.
On every wise man to finish simplicity. Comedy, 1868.
Not everything is oily for a cat. Scenes from Moscow life, 1871.
It didn’t take a penny, that raptom Altin. Comedy, 1871, Publ. 1872.
The truth is good, but happiness is better. Comedy, 1876, Publ. 1877.
No blame wine. Comedy, 1883, Publ. 1884.
Do not see the world. Family scenes, 1884, Publ. 1885.
Shine, that is not grіє, 1880, publ. 1881.
"Own people - let's be scared!"
The motive of the rahunka, more precisely, the appearance, which knows one’s own vіdbitok and the promotion of the heroes at the sight of victorious inscriptions and orders, passes through the whole p'єsu. For whom the author of vikoristovu, for our fagots, 32 people's messages and orders.
Samson Silich Bolshov
"Let me in one shirt around the world"
“Which people are christened with one hand, and with others in someone else’s bosom”
“For the great you will marry, and you will remain to take away”
"God forbid to strive for someone else's rahunok"
“My child: I want with porridge, I want to butter butter”
"The goose of the pig is not a friend"
"Know, tsvirkun, your shistok"
"Women have cheap tears"
Pidkhalyuzin Lazar Elizarich
- Building up to deceit: “Own people - we will be shocked!”;
- vminnya pristosovuvatisya: “Speak at a good hour, promo for a bad one” and “Everything will be crushed - it will be flour”;
- belittle the bajannya quietly, who is weaker: “Make-up make-up not from gloom, but from purulent buy”;
- Zarozumіlіst is enshrined: "If the grass doesn't grow for me."
"Dowryless"
We have fared away to reveal only 6 similar ones in each creation.
2 times їх vikoristovuє Vozhevatov: “For every product є cіna” і “On grіkh і z palicі vistrіlish”.
2 times vikoristovu Paratov: "There is no way for the taste and color of the image" and "One loves kavun, and the other - pig cartilage."
1 time - Knurov: "Dear diamond, dear frame, wimagai."
1 time - Karandishev: "Not all those gold to shine."
"Own people - let's be scared!"
"We felt in our own time, now it's time for us"
"What an ace, but into the trumpet wiletiv"
“Youth is not a bottomless mountaineer, it seems that this and that one is changing”
“Send a little child - it’s not crowded with cibulini”
"Dowryless"
“Kohanna has no zeal”
“Kohanna has some crying” “You won’t live in the world without cunning”
"Not all hardships are evil"
O.N. Ostrovsky can understand Russian life more deeply and more vividly and vividly depict the most important side.
N.A. Dobrolyubov
Literature
1. A.N. Ostrovsky - M.: 1982.
2. Dal V.I. Sending orders to the Russian people. - M .: 1957.
3. Bilokurova S.P. Glossary of literary terms. - St. Petersburg: 2006.
The purpose of the lesson. O.M. Ostrovsky Drama "Dowryless". At first glance, the first two manifestations are the exposition. Symbolic change of names and nicknames. Paratov Sergiy Sergiyovich. Ring out the name of the p'єs Ostrovsky-prikaz, prislіv'ya. Karandishev. Ideas of creativity O.M. Ostrovsky. Dyuchi faces. Discussing the image of L.I. Ogudalova. Analysis of Drama "Dowryless". What do we know about Paratov.
"Heroes" Snow Maidens "" - Songs. Cold istota. Majestic power. Snow Maiden. Like heroes are less than kazkovi. O.M. Ostrovsky. Lely's image. Early Kokhannya. Heroes. Mikola Andriyovich Rimsky-Korsakov. Zimova kazka. Opera finale. Characters Shepherd's rіzhok. Author's ideals. Scene. Love. Elements of Russian folk rituals. Exhaustion and beauty of nature. Careful setting up to the cultural traditions of the people. V.M. Vasnetsov. Kupava and Mizgir. Did Frost.
"P'yesa" Dowryless "" - Final scene. "Dowryless". Ale, the building is zakhopluvatisya and marnotstvo zovsіm do not see the true roses. Vіdnosini Larisi and Paratova make up the huts of the hut and sacrifice. A large number of merchants are transformed into entrepreneurs-millionaires. Katerina - true tragic heroine. Yak and Katerina, Larisa to live up to women with a “hot heart”. Like on a steamboat there was no shvidkіsny, like on a chic villa.
"P'esa Ostrovsky" Thunderstorm "" - Read Katerina's monologue at the stage of repentance. How are the orders to pan at the city? (Vіdpovіd podverdіt text). Tikhin - kind, generously love Katerina. What is the heroine to fight for: from the feeling of being bound by the “dark kingdom”? Chi buv Katerina іnshiy vihіd, crіm death? Why is Katerina alone in her grief? To bring justice to the words of M. Dobrolyubov. With what minds? Kabanova Marfa Ignativna - instilled in despotism, covered with clergy.
"Heroes of the Thunderstorm" - Ostrovsky's style. Portrait of Ostrovsky. Oleksandr Mikolayovich Ostrovskiy. The song "Thunderstorm" was written in 1859. N.A. Dobrolyubov. Suspіlna diyalnіst O.N. Ostrovsky. Rozmova shodo sprinyattya p'yesi. The main theme is "Thunderstorm". Call me sens. The behavior is hypocritical. National theatre. Let's take a rose. The largest in the house of A.N. Curly. Monument to O.M.Ostrovsky. Katerini's protest Slovnik.
"P'esa Ostrovsky" Dowry "" - Virshovani rows. Beginners write down their thoughts. A sumptuous song about a dowry. Problem nutrition. Yaky Karandishev. Kokhannya for Larisi. What kind of person is Parativ? P'yesi analysis. Nabuttya novice text analysis. Naming Larisi. What does the gypsy song say about that film. Ostrovsky. Postril Karandasheva. The mystery of Ostrovsky's p'esi. Romance. A bitter romance. Chi is needed by Larisa Paratova. Gypsy song.
Entry
What has already been said about the creativity of O.N. Ostrovsky, but always want to look deeper, reveal those who have not yet remembered anyone, not vivichiv.
For the creations of the realistic, it is directly characteristic to endow the objects with a symbolic zmist. The first to win was A.S. Griboyedov at the comedy “Likho z razumu”, and it became another principle of realism. O. M. Ostrovsky continues the tradition of A. Z. Griboyedov and gives important heroes a sense of nature, the words of other characters, landscape.
Relevance. The successors of the Russian literature attach great respect to the suggestions of these methods and methods of analysis, as they shrugged off the artistic suggestions of writers, especially playwrights.
Drami Oleksandr Mykolaiovich Ostrovskiy є to separate the moral problems of the Russian people. The "image-symbol" system borrows an important place from the created singing pictures world with their own ideas and internal conflicts. At the link with the rich meaning of the Russian word, at the same time, the question of its interpretation is broken, at this robot the topic is relevant. The Crimean topic is still relevant for low reasons: it is possible to interpret її as patriotic or zagalnonational, shards of symbolism, from the historical point of view, accompanied Russian culture not only from hours of paganism (symbolism, special features were present in the whole nation the hours of the on-the-wall little ones, which tell about the unity of all peoples at the cob stage of development.
Vyhodyachi zushy vyschenamenogo, meta dana term paper it is written as follows: analysis of the symbolism of the figurative system in A.N. Ostrovsky "Dowry" and "Snіguronka".
From meti vyplivaє i low zavdan:
To know, name and characterize the main types of symbols on the butt of the past creations of O.M. Ostrovsky.
To know and analyze the symbols in the creations of "Dowryless" and "Snіguronka".
The object of the course work - p'єsi O.M. Ostrovsky "Dowry" and "Snіguronka".
The subject of the course work is the symbolism of the letters “Dowryless” and “Sniguronka” by O.M. Ostrovsky.
The work is composed of: an entry, two divisions, the skin is divided into two subpoints, visnovki and lists of victorious literature.
practical significance. Carrying out the analysis of the camp in the future in robotic lectures during the lessons, lectures, seminars or additional courses on the choice of Russian literature. Also, the work called out the interest of the previous works of O.M. Ostrovsky and all to whom the cikava drama is in full swing.
Doslidnitsky robots from the work of O.M. Ostrovsky
Critics about the work of a playwright
Vіdomі critics of that hour, dosit pіmnno vіdgukuvalis about Ostrovsky's creations, about his talent, for example, zіv M.I. Pisareva about "Thunderstorms": "Ale ne drill" Our Hour, "no rozumova gymnastics on tightly stretched visnovkas is not necessary in order to go to work, which nevertheless is clearly and far seen from the lows of our dozen dramas. The storm of the soul vikrivaє inner anxiety, which looks like some third-party mirroring; rosy subtleties show innocence, otherwise they show annoyance, which comes through those who want a berry and not our field, it suits everyone.
Smіst is brought to the merchant's middle, deaf mіstsevnostі (vіddalenoї). Ale navіt tsomu sredovishchi, yak crushed dribnoy piha and different moral indulgences, people break through a little, then right, without some kind of impossible life. In Ostrovsky's creations, there is a constant struggle of freedom of specialness from stagnant sounds, an atrocity to understand that yoga results. Why didn’t this struggle end, and how didn’t it start - it’s out, and then, the possibility of drama, and the head of the author.
Ostrovsky's creations clearly show order for the older generation. (At the "Dowryless" submissive Larisa Dmitrievna mother - mothers marry a daughter for the one whom the mother herself chose, the daughter humbly went to the wedding; at "Snigurontsі" - a rumor main heroine fathers and we will call them fathers.
From the other side: the despotism of the older generation is “behind the unspoken law”. (At the "Dowryless": mother take all the power in her hands, cunning by the appointment of Pan Knurov and other often visiting guests, abi take advantage of the help of "happy daughter", but to rob it so that you don’t waste your own, not even a low camp of success , for all the sounds, laws, in the "Snіgurontsі" the father trims the Snіguronka among the filіnіv, ptakhіv, and other creatures, and also to rob Lisovik.
... "Snіguronka, bіzhi vіd song Lelya, beat promo yogo that song ..."
Її the names of the fathers: Bobil z Bobilikha, for his, "batkіvskoy" zmushuyut її lure rich names from the booths, so that they lived in abundance:
... "Reluctant,
Not according to your heart, but clapping for you mani,
And you will be proud and not get drunk, you will
Walk around"
... "Father with honey and mash
Drink up. Chi long, chi short?
Behave with you, and we are the barish.
You miss one, get surprised
Shake the kitty, mani another,
Beck!"
Tsіkave nutrition kokhannya and family life at Ostrovsky. Feel like in a friendly life you can only show up for old people, for the law.
At the “Snіgurontsі”, the father is zakohuvatisya in be-whom, the shards of the curse її to death, she is guilty of being cold to people. Її fathers (names), which she took away in the human world, look out for her rich betrothed, so that he lived well. As soon as there are names that come to the world of the fathers, she behaves humbly, looking at her, listening to the fathers. Ideally, she is called guilty to behave like this (after the words of Mіzgіr):
... “Zakokhan is more dear for modesty
I fearful looking back at the girl;
Sam-friend out, having lost his miles, joking
Nache de sobi zahist look.
Downy litter's eyes,
Vіami vkritі; less kradkom
Mayne krіz them the one who prays lower glance.
With one hand, jealously touching a friend,
The next yoga vіdshtovhuє get out ... "
In "Dowryless" the heroine can become a zamіzh for a person lower than the її camp. Yuliy Kapitonovich Karandishev takes away the privilege of being friendly and not wealthy official becomes equal with the nobles, takes away the garna and pokirna squad, and also shatters quiet people, as they didn’t notice yoga earlier. It is her fault to listen to her man, to understand the calmness of the situation and to listen to the mood of the mother. Krym stosunkiv at sim's and stosunkiv until pobutu, the life position of the critic starts the other side of the drama.
For example: At the "Snigurontsі" the girl still does not know the right action, she lives in kazkovy world, light of snow and frost, light of chanterelles and filins. Rape to invade your life reality and drank at the world world of people right, you blame the bajanna to love, not knowing how much you know the right way. Cіkavo, what is one of the motivations for viniknennya bajannya love to make love Lel to її girlfriend, baiduzhіst lad to her, even if you need not a childish kohannya. Already at this moment, she is filled with human wickedness, she has matured morally: she begins to cry not through fur coats, not through a song, but through those who see the spiritual pain, look out, self-esteem.
At "Dowryless" the girl spends her life as a gypsy camp. Beautiful, young, zakhoplena, she plays the guitar, sings songs that grab for the soul, dance. At the link with the century and the material position of your own family, you will turn home and follow the tradition of becoming a girl in sight. It’s hard to finish it, even now it’s necessary to live according to the laws of home life. Krіm chіnі way zhіttya polyuіє situatsіyu її zakokhanіst over the future man, and the young kar'єrista. I will not leave the role of the girl’s life as a mother, she won’t pick up for her daughter the optimal one to the situation of the intended one, even if the wine and the lower one behind the camp and not more wealthy, but the wine will help you to stay їx sim'ї from the unhanded camp and even if you want to help) (for some help) vryatuvati їhnє financial camp.
In the creations, the main heroines are fighting against themselves. At the svidomo that souls resist obov'yazok and bajannya (those who really want to stink), reason and passion. In the aftermath of what it is necessary to reduce oneself physically and morally. Adzhe, in fact, the creations of Ostrovsky are charged with singing evil, which, according to the laws of morality, can be punished. Sniguronka, Larisa Dmitrivna, vlasniy bazhannyam. Snіguronka herself ask mother Spring, so that she gave me love, instilled a sense in her heart.
Larisa Dmitrivna picks up the cloak herself, and not the shoes, escaping from a future man. Offended girls commit evil against the suspense, not getting along with the new one and not rushing to ambushes of their time. They voluntarily punish themselves with death. Aje for a person can not be anything important for people, but a family rite, housekeeping and other low, conducive to moral understanding and segregation of people, leading a person to spiritual desolation, madness, violence against oneself, death. Such values, like: love, will, integrity, piety, through the rite, begin to appear and stand before us in their new “beauty”, but in the opposite light.
Individuals of other rows help to create the necessary picture, for a complete reading of the reader about the situation, about the heroes, about that hour, it sounds like life in general. Most of the osib є the most beautiful representatives of the soul. You must draw the character clearly, the behavior and the sounds are not repeated, the skin is an individual hero.
Ostrovskiy vodchuvav and bachiv the truth. Truth is the basis of facts for a writer. A person, for whatever hours, with honor, will marvel at the noble vchinki, oskolki tsі diї є the basis of moral nature, truth, kindness, all that to become human beings. Also, there was no interest in the creation of the Ostrovsky dosі, it's a classic of life.
І.A Galakhov, speaking about the works of Ostrovsky, as if about a drama, describes the high moral beauty of their works. From the side you can’t marvel: from the side of the characters of the heroes, or a description of the masses, or look at those, for whose help self-promotion is given - you can see the glimpse of the individual, for his large-scale creativity of the writer, his caution.
Vrazhє richness of creativity. In “Snіgurontsі” in the main plot, one can clearly see the picture of the Russian people, their traditions, the foundations of the way of life, pagan motifs, for example: sacrifice, worship of the forces of nature.
Primitna mova in the works of Oleksandr Mikolayovich. People say “right language”, because the language of skin heroes is taken from reality, but artistically framed correctly.
Yu.V. Lebedev write about the nationality of the “Russian tragedy”. The critic writes about A.N. Ostrovsky, like about “Columbus Zamoskvorichchya”, which showed people an invisible country, life. Separate Russian Drama Ostrovsky - Zagalnorosijsky zmist.
Oleksandr Mikolayovich, who describes the history of these merchants, conveys not a single note, not a single story, but an image of Russian sovereignty with the excesses of people and their particularities. The pismennik does not vindicate the middle merchant from the peasantry, showing the whole people, and not the singing camp. For the villagers are the strength of the nation. Also, among the works, one can clearly see the bourgeois visions and changes that are seen by people at the right time, it can be seen that the people are trying to vryatuvati morally pragmatically to know new forms of culture and life.
People in Ostrovskoe live at the singing lingering moment of the upheaval of life, the moral and post-butov revolution, all conflicts are best known. Adherents of the old order are trying to get rid of the kermo rule, but the axis, axis and weak thread is more torn, the crisis era is here.
Kozhen from heroes to go to extremes. If a character blocks the sides of life, then it will also strengthen the opposite sides.
Let's move on to the concrete. Speaking about the tragedy of the people, it is necessary to say about the rise of paganism in it, which is going (otherwise, in some sort of vipadkas) and the beginning of the people of the ideas of Christian culture. Let's add a few examples: The "Snigurontsa" clearly shows the importance of the pagan faith, faith in the God of the sun - Yarila. The "Thunderstorm" is afraid of a transition from paganism to Christian motives.
Lebedev speaks about Ostrovsky's works, as if about a vision of the world of classical Russian prose, vindicating his talent in his critical articles.
Valery Mildon, a successor to Russian drama, wrote the book "Philosophy of Russian drama: the world of Ostrovsky". Assigned to one of the writers, Oskilka Oleksandr Mikolayovich most voluntarily and concretely showed the camp of the people in the votchiznyany life, independently of their nationality. That is why creativity is for national banns. The creativity of Ostrovskiy allows people to put before them the necessary spiritual tasks and shards of the task and the paths to them do not reach the end of criticism and verse, then the creativity of the writer is up to date.
Mildon write about the sensi, as you can play in the shares of heroes in those quiet zaobah, for the help of such shares, the chitachevs open up.
A leather writer, sings, an artist and all practical works of the epoch, but if only in the midst of the songful hour, the interest in them is known after that hour. And do mi remember and constantly perebuvayut on hearing the names of those writers, as if they wrote for the people not for some small part, obviously: as a practical matter for the whole people, it means stink is practical for the whole world, international.
Mildon weaves the philosophy of drama, we understand the rise of the sense of buttya, the sight of the recognition of people in this world, the rise of the world of ideas, ideas, as if they carried drama in themselves.
As if marveling at the call, without burying yourself in the drama, it becomes clearly visible that the construction is created by one and the same, but it is given by the writer from different sides, variably. The Russian family is described: naming, naming, kohannya, wesilla, fidelity, infidelity, separation…. Tse tim, that the life of one man was the same, the zvichayn turboti is the axis, which praised the greatest mass of people.
“Which people with one hand baptize, and with another in someone else’s bosom” (“Your people are afraid”).
І zatuє: Why is the merchant's middle man swaying at the attention of a writer, why do the "people" need to be educated in a wider sense? There are still many other sources of food on the side of philosophy of creation.
Valery Mildon to carry out an analysis of the Russian sim's, the sim's, to look at the skin of the characters' life, to draw a line of share. Sim'ya in the works of Oleksandr Mikolayovich is not for help, but for help of fear. Mutual kokhannya vіdsutnє, then є without a hitch obedience. Z “I” don’t know anyone, I know “mi”, “stink” (“mi” - fathers (often called), “stink” - suspense, otochyuchi people).
Mildon's warning about the drive to the warehouse of this: this is either one warehouse (mostly not a father, but a non-batch, expanded for that hour, may have a number of nasledkіv), or the main characters are orphans. To understand the orphans (cream of direct meaning): vikhovanki (s), nieces (s).
Similarly, food is destroyed, relying on the drawing 1874 by V.S Solovyov: “The heart and its meaning in spiritual life”, food “about an empty heart”. Behind the words of V.S. Solovyov - like a heart in an empty person, he takes this camp for ailments and naturally succumbs to vilіkuvatisya. Narіkayuchi on ill health, fear the stench and suffer, all through those that people do not want to spend human life. Ale and others, the stench does not understand this fear, do not respect it for the illness. Such things are no more like a human being.
Ostrovsky’s main characters are clearly representatives of people with a heart, Marveling at the psychological look at the death of the heroines of the playwright, it is necessary to say that in the past, before death, after marriage of will, they began to give in to other heroes, suspense, in such a rank, having spent their own life, having spent . Lyudina, as if she could recognize the will, those that everything that happened to her, seem to be left out of the will of the people themselves. The one who has the will, as if necessary, is not shukatima guilty, like the forces of nature of other people, vin shukatima problem in himself.
Mildon, as if he were a successor to Ostrovsky's dramas, they praise the reasons for the appearance of the role of the protagonist woman's image. Stirring up this food, the author writes in the words of F. Dostoyevsky: that and ever in the Russian women everything was ce bulo, lower among the people.
The philosophy of Valeria Mildon is torn apart by other sources, but we are reminded of what has already been said.
"Ostrovsky Theater" - 1. "Columbus Zamoskvorichya." Biographical note. 2.AN Ostrovsky - the creator of the Russian national theater. 3. Portrait of O.M. Ostrovsky. 4. Childhood and youth. 5. First p'esi O.M. Ostrovsky. 6. Rest of the life of O.M. Ostrovsky. Lesson-presentation in the 10th class of literature. TOPIC: O.M. Ostrovsky is the creator of the Russian theater.
"Dowry of Ostrovsky" - Born on 31 birch 1823r. with this official. Love social. Themes: Ostrovsky Oleksandr Mikolayovich (1823-1886). Conflicts. Miraculous dog late period creativity of A. N. Ostrovsky - drama "Dowryless". A. Ostrovskiy died on the 14th of Chernivtsi, 1886, on Shchelikov's birthday. Social problems: Becoming a woman in the Russian society Bagati and bіdnі
"Lesson of the Ostrovsky Sniguronka" - In 1900, roci began to hire some performances of p'esi. Opera "The Snow Maiden". Kingdom of the Berendeys and Tsar Berendey at the P'yes. "Snіguronka" that Russian literary kazka. The other is the ruler of the kingdom of the Berendeys. Ostrovskiy vindicates the day p'esi to the "prehistoric hour". Fairy tale as a genre of literature.
"Island Creativity" - The main method of creating schools, academies, high intercession, philanthropists ... The main method is realism. From I.A. Goncharov to A.N. Ostrovsky. The Russian dramatic art only has me. I am everything: I am an academy, I am a philanthropist, I am a defender. Vikoristov's symbols: thunderstorm, thunderstorm. O.N. Ostrovsky - the creator of the Russian national theater.
"The Life of Ostrovskogo" - The artist bursts into a stately Russian beauty, which is written in health. The newspaper "Moskovskii mіs'kyi listok" scolded the scenes from the comedy "Impossible Borzhnik". Merchants were cultivating traditions and moral values. N.V. Gogol. Painting "Merchant", miraculous pictorial palette. Urivok mav vignatkovy success.
"Biography of Ostrovsky" - Library at the house-museum of O.M. Ostrovsky. One of the sights of the construction of the Ostrov Boulevard is the carpentry on the right. Zamoskvorichya. Budivlya Maly Theater near Moscow. 1859r. Zamoskvorichchya (ear of the 19th century). Oleksandrinsky Theater near Petersburg. Ostrovskiy from the interviewers to the magazine "Suchasnik". The grave of A.N. Ostrovsky. Budinok on Zhitniy Street, where O.M. Ostrovsky.
Themes have 22 presentations in total
Oleksandr Mikolayovich Ostrovsky created the whole world of Russian merchants and bureaucrats. It was long overdue that the world of the playwright was irrevocably lost in the past. But the share of Russia in the 20th century showed that it can have a wondrous life force. The characters, created by the master, turned out to be typical floorings, like typical situations, in which stench smells. For example, Brezhnev's hour was filled with topical nourishment, like in this reality to inspire the intellectual, and so Ostrovsky's p'esi "Achieve simplicity on every wise man" and "Pributkov's place" sounded in a new way. Today's Russia, which has a singing type of people with ideas of "new Russian", zmushuє guessing merchants-tyrants from yoga p'єs, characters in the bourgeoisie, who will be born, the period of primary accumulation of capital.
Realism of the heroes of Ostrovsky's works
Father, the heroes of the playwright are merchants and officials. Ostrovsky creates a singing type of a merchant-tyrant, a person who knows how, what, if you spend a penny, you can buy everything. As a rule, close people suffer as a rule.
So, for example, Boar and Wild in the drama "Thunderstorm", the stench is aware of the fallowness of other people and fawns over it, the stink cannot endure standing, or they can give up strength (Wild in zіtknennі z viyskovim). Civilizations Knurov, Vozzhevatov from "Without Dowry", but for them smut - pennies, profit. The stench is well aware that you can buy a mustache. It is not without reason that Knurov is propagating Larisa not as a kohannya, but as a zmist, which is to confuse people, forget about morality.
"Dark Kingdom"
- calling the world tyrant-merchants.
Types of images, individuality of characters
Prote next designate that, creating a type of tyrant, Ostrovsky creates an individual character in a given skin type. So the Kabanikha and the Wild Bagatos are united, ale Savel Prokopovich is a laika, in the light of the new, it reaches all and relatives and servicemen, you know for yourself and it seems that you simply can’t get involved. The boar is called Kuliginim a hypocrite
(“zhebrakіv saw, and domestic zovsіla zaїla”),
she is called pious, she has a lot of old-fashioned words, and ale її behavior is super-speech to that which she wanted to be.
The individuality of the characteristics is also manifested, just as the characteristics of twins appear in the p'єсі. So similar are Tikhin and Boris: insults cannot stand against the forces of tyranny, both love Katerina, insults cannot defend you, but Boris is civilized, if he is able to speak about kohanny like that, he can’t Tikhin. And Tikhin, on the other hand, stood up against the tyranny of his mother, ringing at the death of Katerina.
(“Tse vie її drove in, mom!”),
Boris is preaching to Katerina to reconcile.
Ostrovskiy's author's
Oleksandr Mikolayovich, at various times, was placed in a different way up to the image of the characters: he deserved the independence of these people, the courage of life and the range of enterprises, and step by step the playwright saw that the pursuit of profit is growing in the people of the people. In a different way, the author's assessment is manifested in different periods of the playwright's work. The heroines of "Thunderstorms" and "Dowryless" are rich in what they are similar. The author's sympathies are those who look at the boots of the heroines. Ale and Larisa live in different Russia, to that Ostrovskiy shows the old school to the world, how to distinguish the finals of these p'єs. After the death of Katerina, the light of the "dark kingdom" acknowledges his fault, and Tikhin throws a call to his mother at the death of the squad. Vbivstvo Larisya does not call such a sound: sing a gypsy choir. The author seems to be convinced that the hour of commercial pleasures has come, the era of merchants, cold, like joking about their profit.
Plots and compositional solutions
Ostrovsky will be on the upsurge of the exposition, the created situations, in which conflict is laid on the back.
So, foundations on the resistance of the patriarchal, home-budding way of life and the new spirit.
Characters are subdivided into two tabori:
- tyrants (Boar, Wild)
- and bad - (Tikhin, Boris),
- what they hung around (Barbara, Curly)
- and rebellious (Katerina).
The conflict starts with the knowledge of Katerini at the link with Boris. It ends with Katerina's self-destruction, as if not with a mortal sin (on the aphids of the heroine's religiousness), but with a protest against the lies of the "dark kingdom", overcoming it, the shards of the p'esa strengthen the proximity of the kingdom of Kabanikh and the Wild.
In all of Ostrovsky's plays, the role of other-row and off-stage characters is great, as they add additional accents to the developments of the diy.
The image of Feklusha, for example, is a grotesque denunciation of the absurdity of the life of possible owners near the Kalinov city. Її rozpovіdі about the fires of the monsters are united, what they say. dark kingdom» with the decision of the world. The share of Boris's sister is rich in what she is responsible for explaining the behavior of that girl with Diky.
Artistic credit for the playwright
For the creation of the stage image, Ostrov's victorious monologues of the characters, which allow not only to learn about the past of the heroes, but also to learn about those smuts that are turbulent (Katerini's monologues).
Kozhen of the heroes to speak in his mine:
- the poetic mova of Katerini is contrasted with the merchant mov Kabanikhi,
- mіska mov Boris movi Tikhon,
- Kuligin's promotions have a lot of scientific words.
The promo heroes have a lot of suffixes and orders, so name the author of the chosen suffix.
The world of the playwright is the world of Zamoskvorichchya, the world that lives in the past.
P'ysi Ostrovskogo є miraculous assistant to the Russian pobut other half of the nineteenth century. And the light of Oleksandr Mikolayovich is real, so that someone can get help.
Did you like it? Do not take your joy to the world - shareMaterials are published with the special permission of the author - Ph.D. O.A. Maznev (div. "Our Library")
