The character of the main heroine is a thunderstorm. Head heroes of "The Thunderstorm" by Ostrovsky

Boris Grigorovich - Diky's nephew. Vin is one of the most weak-willed heroes of p'yesi. B. himself says to himself: “Adzhe already calls for the murders of Khoja ... Exiles, beatings ...”
Boris is a kind, well-lit person. You can clearly see the anatomy of the merchant's middle. Ale vin is a weak person for his nature. B. embarrassment to humble yourself before your uncle, Wild, for the sake of hope for the fall, as to deprive you of it. If the hero himself knows that he will never be, wine, prote, succumb to the tyrant, tolerate yoga windings. B. untimely protect yourself, nor Katerina, who is in love with him. In misfortune, only people throw themselves and cry: “Ah, yakbi knew tsі people, how can I say goodbye to you! My God! God forbid, if it were so licorice itself, it would be like me now ... You are evil! Inhumans! Oh, yakby strength! But there is no strength in B., that the guilt cannot be alleviated by the suffering of Katerina and take care of the vibes, taking it with you.


Varvara Kabanova- Daughter of Kabanikh, sister of Tikhon. It can be said that life in the boudinka of the Kabanikhi morally rocked the girl. You don’t want to live behind the patriarchal laws, like preaching to your mother. Ale, regardless of a strong character, St does not hesitate to protest against them. Її principle - "Robi, what you want, abi shito ta krito bulo."

This heroine easily adheres to the laws of the "dark kingdom", easily deceives all those who are alienated. Tse became familiar to her. V. insists that it is impossible to live any other way; “I didn’t bullshit, she twisted, if it became necessary.”
V. was cunning, the docks were possible. If її began to zamikati on the castle, it flowed in from the house, giving the Boar a beggarly blow.

Wild Savel Prokofich- a wealthy merchant, one of the most famous people of Kalinov town.

D. is a typical tyrant. Vіn vіdchuvaє their power over people, that is completely bezkarnіst, and to him to do what he wants. “There are no elders over you, the axis of you is swaggering,” - explains Kabaniha’s behavior D.
Yogo squad of the shoranka with tears of happiness: “Fathers, do not make me angry! Doves, don't get angry!" Ale D. it’s important not to make me angry. I don’t know myself, in what kind of mood can come offensive whilini.
Tsey "zhorstoy husky" and "sharp man" do not quarrel at the vislovlyuvannya. Yogo mova is filled with words like “darmoid”, “ezuїt”, “aspіd”.
Ale "attacks" D. less people, weaker than himself, quiet, who can give advice. Then D. is afraid of his clerk Kudryash, who has a reputation as a rude man, not seeming about Kabanikh. Її D. respect, more, there is only one, who knows yoga. Aje is a hero, and sometimes he himself is not radiant with his tyranny, but he can’t influence anything. To that Kabanikh vvazhє D. is a weak person. Kabanihu and D. unite and belong to the patriarchal way, dotrimony yogo laws, and worry about changing the name.

Boar -Not knowing the changes, the development and development of the diversity of the manifestations of action, Kabaniha is intolerant and dogmatic. She “legitimizes” the primary forms of life as an eternal norm and respects with her greatest right to punish quietly, who crossed the great and small laws. Being a reconstruction of the prichilnice nekmіnnosti of the vs-giving method of Life, "Vіchnostі" Suspilinoїї Tu SMEYNOI ІєРРХІїї та та TA Ritual Non_ninki Skinny People, Yaka Libeos, His істце in Tsіy ієєrkhії, Kabaniha Non-Visno Ієдrnostі іndivіdualnostі vіdmіnniki people, people. Everyone who thinks about the life of other cities in the wake of Kalinov’s place, speaks about “infidelity”: people who live differently, like Kalinivtsy, blame their mother’s head. The center of all the world is the pious place of Kaliniv, the center of this place is the Kabanovy's houses, - this is how Feklusha's mandriving woman characterizes the world for the master of the lord. Won, remembering the changes that are found in the world, hardening, that the stinks threaten the “applications” of the very hour. Be-yaka zmina є Kabanikhe the cob of sin. Vaughn is a defender of a closed one, which includes the interplay of people's lives. To marvel at the vikna, on the її perekonannya, from the filthy, sinful sponukane, in the other place is fraught with calmness and insecurity, to that you read the unspeakable instigation to Tikhon, yak їde, and zmushuє yogo vimagati in the squadron, so you won’t marvel at the vila. Kabanova zі spіvchuttyam raspovіdі about "bіsove" innovations - "chavuntsі" and stverdzhuє, scho would not go by train. Having used a non-dominant attribute of life - zdatnіst vіdznіuvati і vіdmirati, all zvichaї ta rituals that harden Kabanikhoy, turned into "eternal", inanimate, thoroughly in their genus, ale bezmіstovnu form


Katerina-but it’s not right to take the ritual pose of yoga with a zmіstom. Religion, hometowns, to walk along the banks of the Volga - a mustache that among Kalinovtsy, and especially at the house of Kabanovs, turned into a call to complete the collection of rituals, for Katerina, it’s either sensu, or unbearable. From religion, the wonna took away the poetic ecstasy and sharpened almost morally viable, but the form of churchness and baiduzha. She will pray in the garden in the middle of the night, and in the church she will not dream of the priest and the parathians, but of the angels at the change of light that fall from the dome. From the art, ancient books, icon painting, wall painting, she took over the images, scribbled on miniatures and icons: “churches of gold, plant as if unbelievable ... and burn that tree, not like it’s amazing, but like writing on images” - all Tse live at її svіdomosti, transform into dreams, and now you’ll not be able to paint and book, but the world, which has moved, you can smell the sounds of this world, smell its smells. Katerina carries with her a creative, ever-living cob, generations of inexhaustible needs of the hour, there is a decadent creative spirit tієї ancient culture, yak pragne to transform Kabanikh Katerina into a bezmistovna form by stretching us sієї dії suprovodzhuє motif polota, shvidkoї їzdi. Vaughn wants to fly, like a bird, and їy dream about watering, she tried to split the Volga, and in dreams to rush herself to triytsі. І to Tikhon, and to Boris, she’s going to go to hell, take її with you, take

TikhinKabaniv- Cholovik Katerini, son of Kabanikhi.

This image points to the end of the patriarchal way of life. T. already does not care for the needs of the old ways. Ale, by virtue of his character, can’t repair wines, as he respects his needs, and go against his mother. Yogo vibіr - tse zhittєvі compromise: “Who її hear! Well, you need to speak! Well, and hi there, it seems, but you skip the whistle!”
T. is not evil, but a weak person, she throws herself between the fear of the mother, and she speaks to the squad. The hero is to love Katerina, but not so, as if Kabanikha means so - suvoro, "in a human way." You don’t want to bring your retinue to power, you need the warmth of that caress: “Are you afraid now? To get me to do it, that she won’t love me.” I don’t take ale that into the booth of Kabanikhi Tikhin. At home, play the role of a hearing-sink: “That’s me, Mom, and I don’t want to live by my own will! Let me live by my own will! Yogo єdina vіddushina - tse trips on the right, de vin forget all your humiliation, drowning them in guilt. Ignorant of those who love T. Katerina, they don’t know what to do with this squad, like mental anguish out there. The softness of T. is one of the negative qualities. Through her own faults, she cannot help the squad in the struggle against addicted to Boris; Wanting to win himself, standing up to the sake of the squad gently, without being angry at her: And I її love me, її zachepit me with your finger. Just over the body of the dead squad of T., he dares to rebel against his mother, publicly ringing її in the death of Katerina. The very revolt in front of people is the cause of Kabanis the worst blow.

Kuligin- “a townsman, a self-taught year-old, a kind of perpetuum mobile” (that is an eternal dvigun).
- nature is poetic and mrіyliva (to choke on the beauty of the Volzky landscape, for example). The first appearance of the year was marked by the literary song “In the middle of the river valley…”
But at the same time, the technical ideas of K. (installation of a sleepy year in the city, a thunderbolt toshcho) were clearly outdated. Tsya "old age" blatantly speaks of the clay link of K. s Kalinov. Vin, obviously, is a “new person”, but he was called the wine of the middle of Kalinov, who could not but be recognized for his light and life philosophy. Golovna on the right of K.'s life - a dream about the wines of an eternal dvigun and a reward for a new million from the English. Tsei million "antique, chemist" Kalinov want to visit next place: “The work needs to be given to philistinism” In the meantime, K. is satisfied with other wineries for the benefit of Kalinov. There, vin zmusheny postyno beg for pennies in the rich people of the place. Ale stinks do not understand the crusty wines of K.; Therefore, the kulіgіvska passion for creativity is overwhelmed by Kalinov's unrealized walls. K. shkoduє their fellow countrymen, bachachi in their vices is the result of non-government and vigilance, but in what you cannot help them. So, it’s a pleasure to swear at Katerina and don’t think anymore about the unfortunate sin at the Kabanikh’s house. This pleasure is good, out of the humane mirkuvan, but not the vrakhovu's character of the Kabanovs' reconciliation. In this rank, for all the positive traits of K., nature is contemplative and idle. Yogo beautiful thoughts can never outgrow with miracles. so I will be deprived of Kalinov's divak, his own reminder.

Teklusha- Storinka. Mandrivniki, holy fools, blessed - a non-standard example of merchant budins - Ostrovsky often asks to finish, but always, like off-stage characters. A number of mandruichimi on religious occasions (went to the shrines, took pennies for everyday life and matrimony of the temples) there were few and simply empty people, as if they lived for the rahunka of the bounty of the population, which always helped the mantras. There were people, for whom the faith was more than a drive, and the miraculous, that rose about the saints, those miracles were the subject of trade, their own goods, like a stench, they paid for the mercy of that porch. Ostrovsky, who does not like zabobonіv and sanctimonious manifestations of religiousness, always speaks about mandrivniki and blessed in ironic tones, sound to characterize the middle, or be someone of the characters (divinely, especially "To every wise man to endure simplicity", stage in Turusina's booth). On the stage, Ostrovskiy played such a typical mandrake once - in "Thunderstorm", and the role of F., which is small for the text, became one of the most famous in the Russian comedy repertoire, and F.'s deacons replicas went up to the usual movie.
F. does not take part in the diї, is not connected directly with the plot, but the meaning of the image in the p'єсі arc of the story. First (and traditionally for Ostrovsky), won - most important character to characterize the medium with a zagalom and Kabanikhi zokrema, in the zagalі creation of the image of Kalinov. In a different way, її the dialogue from the Kabanikhoi is even more important for the understanding of the Kabanikhi to the world, for the explanation of the powerful tragic feeling collapse of the world.
For the first time, appearing on the stage in the wake of the roar of Kuligin about the “zhorstok zvicha” of Kalinov’s place, and without intermediary before the exit of the Ka-banikhi, as if mercilessly sawing the accompanying children, with the words “Bla-a-lepia, mila, bla-a-le-pіya ! ”, F. is especially praised for the generosity of Kabanov’s houses. In such a rank, we take a subdued characteristic, given to Kabanikha Kuliginim (“Honge, sir, zhebrakiv saw, and homemade zaїl zovsіm”).
For the offensive, Bachimo F. ​​is already at the Kabanovih's booth. At the rozmovі with the maiden Glasha won out for the sake of keeping an eye on the wretched, “I wouldn’t have pulled off something”, and I can hear a replica from the guardian: “Whoever sorts you out, everyone is one on one riveter.” Glasha, who repeatedly speaks clearly and understands the goodness of the people around that situation, innocently believe F.'s statements about the lands, de people with scribbled heads "for infidelity." Tse podkrіlyuє vrazhennya, scho Kalinov is a closed world, who does not know anything about other lands. The hostility becomes even more intense if F. starts telling Kabanova about Moscow and that bay. Rozmova starts from F.'s assertion that the "remaining hours" are insisting. Prikmet tsyogo - povna metushnya, hurry up, persecution for shvidkistyu. F.’s steam locomotive is called a “fire serpent”, which they began to harness for swedeness: “If you don’t blow anything, you’ll show yourself like a car, stink like a car and call it, and I stalked, like a win with paws like this (opening fingers) to rob. Well, stogіn, like people of a good life, they smell like that. Nareshti, she will remind you that “it’s become an hour to come again” and for our sins “it’s getting shorter and shorter.” The apocalyptic murmur of the mandriving speaker sensitively hears Kabanov, from the final scene of the replica it becomes clear that she is witnessing the death of her world, which is nasuvaetsya.
Name F. has become nominal for the signification of a dark hypocrite, who, under the gaze of the pious mirkuvan, all sorts of stupid tales.

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P'esa Oleksandr Ostrovskiy "Thunderstorm" is a rightful congression of future generations. Irrespective of those that it was written maybe two hundred years ago, the plot is tormented by the impudent problems of our turbulent hour. Those are the problems of the bride and the mother-in-law, the person and the squad, the mother and the child... Let the creation come to life on the banks of the river under the name Volga, near the forefather city of Kalinov. There, at whom, it would be possible, in a quiet place, a fair drama develops, the fault of which is the great people. But in order to understand what happened, it is necessary to get to know the heroes, and then assign the role that the skin of them plays in creation.

Medical mechanic-self-teacher Kuligin

Tsey hero is figured from the very cob of the cob. Vin is a self-taught mechanic, who is his own guide. For nature Kuligin - good people, which sound should be appropriate to tired rules. Speaking about others and evaluating them, he is more accurate in his judgments. Vіn postіyno mrіє pro zagalne good, pro gromovіdvіd, properpet mobiles, pro honest praccia, however, it's a pity, yogo's orders weren't destined to be thrashed.

Vanya Kudryash - kokhany Vari

Tse is a different character, whom the author described as a kind and generous one. Irrespective of mere callousness, Vanya is a fighter in life and always brings rozpochat to the end. Be-yak on the right in yogo hands are crossed. Behind his character, Ivan is not a romantic, but a practician, from which I look at the wine to marvel at life.

Dear readers! It is recommended to get acquainted with O. Ostrovsky for the deities and the appearances.

Vin is a strong, sensible, well-built lad who loves Varvara Kabanova. Between them blame light and good sense, wanting to get away scandals from the side of the mother Barbara, the woman should be reluctantly caught.

Boris is the nephew of Dikiy

Boris is the nephew of Savl Prokopovich Diky, a man of power, zhorstok and zhadibnu. The author gave this hero a superb character, on the one hand describing him as young, illumined, well-read, fashionable, and on the other hand, fearful and weak-willed, who did not learn how to deal well with the idea in front of the best conditions. Knowing that this scum is in the hands of Uncle Saul the Wild, Boris is trying to make it to you in every possible way, no matter how stupid it is.

Having languished at Katya Kabanova’s, as if you’re feeling up to this lad in return, the lad doesn’t value these cents, and at that hour, if the least problems are blamed, you don’t try to protect the girl, but go back, fearing that your cents will be voiced.

In this rank, you can make a whisker, that Boris is not so positive, like a negative character in Oleksandr Ostrovsky's "Thunderstorm".

Wild - a representative of the "dark kingdom"

Savl Prokopovich Dikiy is a wealthy merchant, who is the richest and most successful person in the city. Tim is not smaller, he is whiny, angry, unlit and zhorstoky. This set of negative traits greatly outweighs the savage significance of the Wild One, the name of which can speak for itself - all yoga behavior is wild, unnatural.

It doesn't matter to you what to think other than the drive of that other food, Wildly respect the only correct thought. Vіnі nі before chim zapinyaєєєєєє, impudently vіdbirayuchi impudently those who acquire unbearable practice. From us, layuchis, layuchis, whose hero takes satisfaction. Vіn to shout at your ancestors, as if coming for an overdue payment, raising your voice to the members of this family, which is the most distancing in the character of Saul Prokofich. Knowing that the share of the nephew is in your hands, you are evil with your rebirth of Boris, even if for the sake of secession, you are ready to be vikonati be-like yoga vimogi. On the equals of the Wild, only Martha Ignativnaya Kabanova can mate, for example, on the basis of understanding, understanding of his nature. Savl Prokopovich specializes in the name of a small provincial town. For the help of this image, the author wants to show the reader the need to change the views of that behavior at that hour.

Kabanikha - a negative character p'esi

The image of Martha Ignativna Kabanova is one of the most negative ones. Tse bagata is a merchant's wife, a widow. The woman is despotic and dexterous, she is terrified of the whole house, imagining that little girl like her own son, so is the bride, as she suffers the most. “Maє vykonuvati, scho mother to speak” - punishes the helpless son of Tikhonov, and venerates the help of the despotic father. Keeping order to the pain, the Kabaniha uses violent methods, afraid of everyone. You should not be afraid, having prepared me. What kind of order will the house have? ..” - they wonder.


In addition, Martha Ignativna is hypocritical, that cold-blooded old woman, like to love to read morality to her children, while not condoning what she herself does. Kabanova called out to domagatsya her not otherwise, like dokorami and threats, їy nevidomі so chuchtya like a hoot that svіchutya. Vaughn respectfully respects that the children are guilty of the flooring of the fathers, that their thought is not taken to respect. Indirectly, Kabanova becomes the main cause of the terrible death of Katerina's bride, who is scarcely seen.

Tikhin, son of Kabanova

Є such a whistle "mother's son". It is the best way to go to Tikhon Kabanov, the son of Martha Ignativny.

From the childhood of a vicious life with a new order of a suvor mother, in a virus weak and characterless.

Tse manifests itself in all yoga life. Tikhon, who can’t have a good idea, can’t accept the simplest decisions, fearfully afraid of condemning his mother, yak, without knowing it herself, swayed in a blue and infantile misery podіbne vyhovannya is the only correct one.

It is suggested to get acquainted with the p'єsi A. Ostrovsky “Thunderstorm”

Only once, for example, if there was a tragedy with Katerina’s retinue, Tikhin yelled, dorikayuchi matir: “Mommy, you її zapastil! ve, ve, ve…” And here it is shown that a person driven into a deaf corner is forced to maintain his position. Only Skoda, pizno vin zrozumiv, some kind of koshtovnistyu and belongings for the new bula squad.

Varvara - Tikhon's sister

Varvara Kabanova - Tikhon's sister and daughter of Marfi Ignativna. Get to know each other, the reader can remember, what a contrast is brother and sister. Vaughn, on the face of the uninitiated Tikhon, - chewing that courage, as if you could make a decision on your own. Varya zumila, at the sight of her brother, attaches herself to the character of an overly powerful and nimble mother; learned to lie, hypocrisy, twist, de need, ignore punishment.

In order to put in a jumper for zustriches from cohanim, Varvara simply changed the lock. With this rank, she secured herself from the stormy splashes of her mother's anger. As it seems, and vovki siti, i vіvtsі tіlі.

Tsya girl, in a way, is practical, in a different way, life-loving, in a third way, she is sensible and penetrating. In addition, there is one in this, who supports Katerina and gives her obedience. At creation, the attitude “robi, what you want, smut, so that you don’t know anything”, is realized in the image of Barbarian.

Katerina - the main heroine p'esi

In A. Ostrovsky's play "Thunderstorm", the image of Katerina is the key. Tsya girl is going through a folding share and, unfortunately, her life will end tragically. And to understand the character of the heroine, to follow the storyline of the author from the cob.


Happy for Katerini, it was less childish, if out, like a sponge, absorbed in itself those good things that splintered beloved fathers, with great joy I went to church.

And then a thunderstorm thundered at the girl's life. Vaughn came to the zamіzh. Unfortunately, not far. For a lifeless and characterless person, for such a mother's punishment is important for the normal and healthy life of the powerful family.

All the dreams about happiness and mіtsna sim'yu have fallen, life has gone under ukіs. Fierce mother-in-law Marfa Ignativna began a child with a girl for her already distorted methods of violence and inexcusable zakidiv, which were unacceptable for Katerina. Although the bride did not try to smooth out the situation that had developed in her family, nothing came of it. The mother-in-law kept on sawing with the drive and without the drive, and the weak-willed person was also following the order of the mother.

Katerina with all her soul internally opposes such hypocritical and stupid behavior, not to speak superbly of her bright and generous nature, but the girl cannot resist the orders established in the homeland of Kabanova. You won’t love a person, but shkodu, and who is not enough for the creation of a motherland. First, Katerina goes to love to the other - the nephew of Wild, Boris. And from that hour, even more problems arise - the torment of conscience, which does not give peace of mind day or night, fast food in the soul: “Why don’t you know your fault?” “Trimkaє all, nache її likhomanka b'є; such a bleak, throwing herself around the house, as if she were joking, - the sister of the man Varvara told about the camp of Katerina. - Eyes at the divine! Not long ago, the lie began to cry, and so I rejoice. My fathers! what should I do with her?

I, nareshti, Katerina to rob a roaring cry, roaring the father-in-law and the people about their sin after the appointment to Boris: “Matusya! Tikhin! I am a sinner before God and before you! Why did I swear to you that I would not look at anyone without you! Remember, remember! And do you know that I, without a way, worked without you? The first night I went out of the house... All ten nights I walked with Boris Grigorovich.”

After that, a tragedy is played out: throw and like the mother-in-law, beat the bride like a national son, unbearable spiritual pain and, nareshti, fatal decision - throw yourself at the Volga. Unfortunately, Katerini's life was cut short by the young lady. Deyakі razumіyut and do not sue її for tsey vchinok, deyakі, navpaki, vvazhayut, that only a weak person could commit self-destruction. Ale, as if it wasn’t there, Katerina will be left in the eyes of rich readers as a positive heroine, who is the best of the characters in the world.

Federal Agency for Education of the Russian Federation

Gymnasium №123

from literature

Movna characterization of heroes in the drama of A.N. Ostrovsky

"Thunderstorm".

Viconal robot:

10 class student "A"

Khomenko Evgeniya Sergiivna

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Vikladach:

Orehova Olga Vasilivna

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Rating…………………….

Barnaul-2005

Introduction………………………………………………………

Chapter 1. Biography of A. N. Ostrovsky……………………..

Chapter 2

Chapter 3

Chapter 4

Conclusion……………………………………………………

List of victorious literature……………………….

Entry

Ostrovsky's drama "Thunderstorm" is the most important work of the famous playwright. Vaughn bula was written in the period of a suspenseful pidyoma, if the foundations of the fortress crackled, and in a suffocating atmosphere a thunderstorm was actually gathering. P'esa Ostrovsky to transfer us to the merchant's middle, de housekeeping orders were treated with the greatest carelessness. Residents of a provincial town live closed and alien to the public interests of life, with the unknown of what lives in the world, with the non-government and the baiduzhost.

Until the cієї dram mi zváєmos i contagion. Even more important for us are those problems, as the author hangs around with her. Ostrovsky destroying the problem of fracture suspіlnogo life, which became in the 50s, changed the suspension ambushes.

After reading the novel, I put myself as a metaphor, to highlight the peculiarities of the characters' moving characteristics and explain them, as the characters' language helps to understand their character. Age the image of the hero is created with the help of a portrait, with the help of artistic features, with the help of the characteristics of the features, the modern characteristics. First of all, bachachi people, for її promo, intonation, behavior, we can understand її inner light, like life interests and, more heady, yoga character. A moving characterization is even more important for a dramatic work, even though through it one can sing the essence of another hero.

In order to better understand the character of Katerina, Kabanikhi and Diky, it is necessary to comprehend such a task.

I often wrote from the biography of Ostrovsky and the history of the creation of “Threats”, in order to understand, as if I could see the talent of the future master of the characterization of the characters, even if the author clearly shows the entire global difference between positive and negative heroes of his work. Then I will look at the current characterization of Katerina and I will analyze the very characterization of the Wild Boar. After all, I will try to create a song about the moving characterization of the heroes and their role in the drama "Thunderstorm"

Working on the topic, I got to know these articles I. A. Goncharova "A note about the drama" Thunderstorm "by Ostrovsky" and M. A. Dobrolyubov "Promin light in the dark kingdom." Please, I read the article by A.I. Revyakina "Peculiarities of Katerini's Movie", de good shows the main dzherel of Katerini's movie. Relevant material about the biography of Ostrovsky and the history of the creation of dramas I knew in the assistant of the Russian literature of the nineteenth century V. Yu. Lebedev.

Exploration with theoretical concepts (hero, characterization, mova, author) was supplemented by an encyclopedic glossary of terms, visions for kerіvnitstv Yu. Borєєv.

Irrespective of those that Ostrovsky's drama "Thunderstorm" is devoted to a lot of critical articles, reviews of literary scholars, the current characterization of the heroes is not fully developed, that's why it's worth mentioning.

Chapter 1. Biography of A. N. Ostrovsky

Oleksandr Mikolayovich Ostrovskiy was born on 31 Birch, 1823 in Zamoskvorechchi, near the very center of Moscow, near the center of the glorious Russian history, everyone was talking about the yaku, name the Zamoskvoretsky streets.

Ostrovsky graduated from the Pershu Moscow Gymnasium and in 1840, as a father, entered the law faculty of the Moscow University. But the study at the university did not touch him to the soul, the culprit was a conflict with one of the professors, and, for example, another course, Ostrovsky was called "for home furnishing."

In 1843, the father's father appointed him to the service of the Moscow Summary Court. For a future playwright, this is the gift of a share of failure. At the court, the fathers' scargs looked at the short-lived blues, the main ones and the other homely superchicks. Judging deeply delving into the right, respectfully listening to the super-cats, and transcribing Ostrovsky in the notes on the right. Pozivachі and vіdpovіdachi in the course of the investigation acted in such a way that it sounds like it's good and it's good in the eyes of strangers. This was the right school for learning the dramatic sides of the merchant's life. 1845 Ostrovsky crossing to the Moscow Commerce Court as a clerical officer at the table "for the purpose of verbal punishment". Here, the wines stuck with the trade of the peasants, the city dwellers, merchants, and the ancient nobility. Brothers and sisters were judged “according to their conscience”, as if they were talking about recession, impromptu barmen. In front of us, the whole world of dramatic conflicts was roaring, all the richness of the living movement sounded in different voices. It was possible to guess the character of a person for її movny warehouse, peculiarities of intonation. Vikhovuvavsya that vydtochuvavsya talent of the future "realist-hearing", as if calling himself Ostrovsky - a playwright, a master of the characterization of the characters in his songs.

Propratsyuvavshi for the Russian stage mayzhe forty rokiv Ostrovsky having created a whole repertoire - close to fifty p's. The creations of the Ostrovskiy dosi are overflowing on the stage. І for the second half of the rokiv it is not important to sing the instructions of the heroes of yoga p'єs.

Ostrovsky died in 1886 with his beloved Trans-Volz mother Shchelikov, who is in the dense forests of Kostroma: on the humpy banks of small winding rivers. The life of a writer of a good life and passed through these hearts of Russia: in his youth, for a moment, he was able to calm down, still little damaged by the modern world civilization, sounds and sounds, a little bit the root of Russian language.

Part 2. The history of the creation of dramas "Thunderstorm"

The creation of "The Thunderstorm" was carried out by the playwright's expedition to the Upper Volga, which was destroyed by the head of the Moscow Ministry in 1856-1857. Vaughn revived and resurrected in the memory of the youthful anger, if in 1848 Ostrovsky had first broken with the household in a hoarsely dear father to the fatherland, in the Volzka there was a place for Kostroma and far away, in the pridbana the father of Shchelikov's garden. Under the bag of the trip, Ostrovsky's worker showed up, richly vodkrivaє yogo adopted by the provincial Volga Russia.

For a long time, it was important that Ostrovsky took the plot of The Thunderstorm from the life of the Kostroma merchants, which formed the basis of it for the richness of Kostroma and the end of 1859 to the right of the Klykovs. Right up to the beginning of the 20th century, the Kostroma people were calling on the place of Katerini's vbibivka - an altanka like a small boulevard, which literally hung over the Volga in the mountains. Showed and budinok, the girl lived, - the order of the Church of the Assumption. And if the "Thunderstorm" first appeared on the stage of the Kostroma theater, the artists made up their faces "under the Cliques."

The Kostroma kraisnauts dutifully rounded up the canvas in the archives of Klikivska Prava and, with documents in their hands, vysnovka, which Ostrovsky won the very story at the robot over the Thunderstorm. Zbіgi came out literally. A.P. Klikova was seen sixteen years in a gloomy, unsociable merchant family, which was formed from old fathers, the son of that independent daughter. Mrs. Budinka, suvora and dexterous, with her despotism made a person that child. She frightened the young bride-to-be like a black robot, slapped her at the prohannyas to flirt with her relatives.

At the time of Klikovo's drama, there were nineteen years. In the past, she wriggled at the kohanna and in the soul of the soul in her, as if she didn’t chula her grandmother, she was cheerful, lively, life-radius. Now she has opined herself in this unkind stranger. A young man її, Klik, a non-turbulent person, could not defend the squad against the mother-in-law and standing up to her baiduzh. The Klikovs had no children. And here another man, Mar'yn, who served at the post office, got up on the path of the young woman. Suspicion began, scenes of jealousy. It ended when, on the 10th leaf fall of 1859, A.P. Klikova knew about the Volz. Having begun a trial trial of the judges, like a wide-voiced voice to inspire the pose of the Kostroma province, and from Kostroma, no doubt that Ostrovsky was quick to correct the materials in The Thunderstorm.

A good ten years passed, and the first investigators established for sure that the Thunderstorm was written before the Kostroma merchant Klikova rushed to the Volga. Pratsyyuchi over the "Thunderstorm" Ostrovsky rose at the red-linden 1859 year and ended on the 9th day of the same fate. Previously, the article was published in the current issue of the journal "Library for Reading" for 1860. The first performance of "Thunderstorms" on the stage took place on the 16th leaf fall of 1859 at the Maly Theatre, with the benefit performance of S. V. Vasiliev with L. P. Nikulin-Kositskaya in the role of Katerina. The version about the Kostroma dzherelo "Grozi" appeared far-fetched. Prote the very fact of the marvelous ability to talk a lot about what: we can tell about the foresight of the national playwright, that we have caught the conflict, that we are growing in the merchant's life, between the old and the new, the conflict, in which Dobrolyubov not for nothing said S. A. Yur’ev said: “Thunderstorm” was not written by Ostrovsky ... Volga wrote “Thunderstorm”.

Chapter 3

The main dzherela movi of Katerini is folk vernacular, folk poetry and church-life literature.

A deep connection between the language of the language and the popular vernacular is given signs in vocabulary, in figurativeness, and in syntax.

Її mova ryasnіє verbal vyslovlyuvannya, idioms of folk vernacular: "Don't beat me neither father nor mother"; "the soul is not a chula"; "Calm my soul"; “what a long time to eat in the bidu”; "Be a sin", the sensi is unhappy. Ale tsі ta podіbnі to them idioms - zagalnozumіlі, zagalnovzhivanі, zrozumіlі. Less than a vinnyatka in її promos are garbled with morphologically incorrect coverage: “you don’t know my character”; "After you move."

The figurativeness of її mov is manifested in a great number of verbal and image-creating abilities, zocrema porivnyan. So, її promov have over twenty porivnyans, and at the reshti dіyovih osіb p'єsi, at once they are narrow, three times more than tsієї kіlkostі. When tsmu її porіvnyannya wear wide, extensions, folk character: “Nibi pigeon me”, “Nibi blue cooing”, “Nibi the mountain fell from his shoulders”, “Shoot your hands, mov vugilla”.

Katerina's promos often sound like words and motives from folk poetry.

Turning to Barbara, Katerina seems to say: "Why don't people fly like birds? .." - and so on.

Sumyuyuchy after Boris, Katerina in a monologue seems to be: “Now I need to live now, well now? I don’t need anything, I don’t like anything, and God’s light is not nicer!

Here there are phraseological turns of a folk-spacious and folk-song character. So, for example, in the collections of folk songs, seen by Sobolevsky, we read:

No, you can't live without a dear friend...

I'll guess, I'll guess about the dear, not dear girl, the light was more,

Not nice, not nice white light...

Viyshovshi poachennya before Boris, Katerina vigukuє: “Navіscho you come, my destroyer?”. At the folk rite of passage, the name of the zubrіchaє named with the words: “Otse go my slubnik”.

In the final monolose, Katerina seems to say: “At the grave it’s more beautiful ... The grave is under the tree ... like kindness ... The sun is її grіє, the plank її wet ... hanging grass grows on it, it’s so soft ... birds fly to the tree, sleep, children evoke, quotes open: Zhovtenki, Chervoni, pigeons ... ".

There are all types of folk poetry: changeable-suffixal vocabulary, phraseological turns, images.

For this part of the monologue in sleepy poetry, one has enough and direct textile appearances. For example:

... Oak with a doshka

And lower it into the grave

And sizzle with orphan earth.

You with ant grass,

More brightly-red kvitami!

The entrustment from the people's vernacular and the power of folk poetry to the language of Katerina, as it was meant to be, was celebrated by the church and everyday literature.

“We have, - rozpovidaє won, - povniy budinok buv mandrivnitsa and pilgrimage. And we’ll come from the church, sit down for a robot ... and the chanters will roar, they’ll stink, they’ll sing, lives of difference, or the verses will sleep” (d. 1, yavl. 7).

Volodiyuchi matched with a rich vocabulary, Katerina speak freely, zaluchayuchi raznomanіtnі that psychologically great deep porivnyannya. Її mova llєtsya. So, її not strangers so words that turn literary movie, yak: mriya, thought, realized, as if everything was in one second, it was so unimaginable for me.

At the first monologue, Katerina told about her dream: “And what a dream I dreamed about, Varenko, what a dream! Abo the temples of gold, or plant like an invisible one, and all the invisible voices sing, and the smell of cypress, and the burning of that tree, nothing is not so, like it is wonderful, but like it is written on the images.

Tsі dream and for zmіst, and the form of verbal influencing, without a doubt, and spiritual verses.

Katerini's way is original both lexical and phraseological, and syntactically. It is formed by the head rank of simple and foldable speeches, with the setting of adjectives for example phrases: “So before the hour and pass. Here old people lie down to sleep, and I walk in the garden ... It was so good” (d. 1, yavl. 7).

Most of all, as if tamanly to the syntax of the folk promo, Katerina poov'yazuє propozitsії at the look of the unions and so. “And we’ll come from the church ... and the mandrіvniki rozpovidatimut ... Otherwise, I’m flying ... And I dreamed about dreams.”

The floating mova of Katerina sometimes sings to the character of the folk voice: “Ah, my bida, bida! (Crying) Where do I go, poor, go? For whom do I fall for?".

The mova of Katerini is deeply emotional, lyrically sincere, poetic. For nadannya її movi emotional-poetic variety serve and change suffixes, so powerful in folk mov (key, water, children, grave, plank, grass), and subsyllabic parts (“How did you screw me? How did you say words?”), and wiguk (“Ah, how boring I am for him!”).

The lyrical sincerity, the poetic nature of Katerina's motives give epithets that go after the appointed words (churches of gold, gardens undead, crafty offerings), and repetition, so powerful in the poetry of the people.

Ostrovskiy rozkrivaє promo Katerina like її pristrasnu, low-poetic nature, and volova force. Volova's strength, Katerini's daring are recognizable by syntactic constructions of a sharply stubborn negative character.

Chapter 4

Kabanikhi

In Ostrovsky's drama "Thunderstorm", Wild and Boar are representatives of the "Dark Kingdom". There is an enemy, nibi Kalinov vidgorodzheny in the light of the world with the most parkan and we live like a special, closed life. Ostrovsky, having concentrated his respect on the most important, showing the wretchedness, savagery of the Russian patriarchal pobut, even if all life is only to stand on the primary, outdated laws, which, obviously, are absolutely stupid. "The Dark Kingdom" is chipping away at its old, tired. Cost of standing for one mist. And it’s possible to stand at that vapadka, as if it were supported by people, as if they could gain strength and power.

More externally, my glance, the manifestation of a person can give a lot of promo, so that it is obvious and specific, more powerful than this hero. Mi bachimo, like a Wild yak, it didn’t happen in anything, it’s just that you can imagine a person. Don’t put wine in anything more than otochyuchy, but inspire your relatives and loved ones. Yogo at home live with constant fear of yoga anger. Wild everything knows about his nephew. To finish guessing the first word: “Just saying to you, saying two to you”; "Don't let me trample on zustrich"; you will find everything! Are you short on time? Wherever you fall, here you are. Shut up, damn it! Why are you standing still! Do you think so?”. The wild door shows that you don’t respect your nephew. Vin to set yourself higher for all the rest. And no one can repair his beloved support. Vіn barks all, over whom you see your strength, but if you want to bark yourself, if you can’t tell, then stay at home! On them Wild and wild all their anger.

Wild - "significant person" in the city, merchant. The axis is how to talk about the new Shapkin: “Already such a like, like we have Savel Prokofich, joking. Wrong man ripped off.

"Invisible sight! Beauty! The soul is happy! ”- Kuligin viguku, but on the aphrodisiac beautiful landscape there is a hopeless picture of life, as it stands before us at the Thunderstorm. Kuligin himself gives the exact description of the description, I will tell you about it, what to pan at the city of Kalinov.

So, like a wild boar, the Kabaniha is revolted by his mystical impudence, she thinks only to herself. Residents of the Kalinov town talk about Wild and Boar more often, but I can only take rich material. Shapkin calls Dikiy a “liker” at Kudryash’s roses, while Kudryash calls Yogo a “penetrating man.” The boar calls Wild "warrior". It’s all worth talking about quarrelsomeness and nervousness in one’s character. Notes about Kabanikh tezh are not worth it. Kuligin calls her "prudish" and it seems that she "saw the zhebrakіv, but zaїl zovsіm" at home. Tse characterizes the merchant's wife from a filthy side.

We are opposed by their heartlessness due to the introduction to the fallow types of people, the lack of separation from a penny when they are cut off from the workers. Let’s guess, what did Wild say: “About fasting, about a great thing, I said, but here it’s not easy and fuck a little man, for a penny, he brought firewood ... I’ve made a mistake: waving, waving so much ... without killing a little.” Mustaches for people, I think, will be on wealth.

The boar is rich for the Wild, and to that there is a single person in the city, at the meeting with the Wild one, there may be more. “Well, don’t open your throat too much! You know cheaper for me! And I am dear to you!

One more rice, yak їх podnuє - tserіgіynіnіst. Ale God stench not like someone who forgives, but like someone who can punish them.

The boar, like nobody else, brings all the promise of this place to the old traditions. (She’s going to read Katerina, Tikhon, as if it’s necessary to live in a fire and how to behave in a specific mood.) Kabanova tries to be kind, generous, and a smut unfortunate woman, tries to be true to her vchinki vіkom: “Mother is old, bad; well, you, young people, are reasonable, not guilty of us, fools, and pull. Ale tsi hardness is more similar to irony, lower is wider than awareness. Kabanova respect yourself as the center of respect, you can show that you will be with us light after death. The boar is absurdly blind to its old traditions, zmushyuyuchi all domestic dances to its tune. Vaughn zmushuє Tikhon in the old way to say goodbye to his retinue, crying out laughter and almost stinging in otochyuchih.

From one side, it seems that Wild is rude, strong and, also, terrible. Ale, surprised, mi bachimo, that the Wild building only scream and buoy. Vaughn stunned everyone, kept everything under control, she tried to slander people with mutual efforts to bring Katerina to death. The boar is cunning and sensible, at the sight of the Wild, and to rob the terrible. The promos of the Kabanikha clearly show hypocrisy, the duality of the movie. She even sighed and rudely spoke to people, but at the same time, at the hour of talking with him, you want to be kind, splendid, wide, and a head unfortunate woman.

We can say that Wild is absolutely illiterate. Vіn kazhe Borisovі: “Fail you! I don’t want to talk to you and I don’t want to speak with you.” Wild live in his promo "with a reason" deputy "with a reason". So, you will accompany your promo with spitting, which will still show your lack of culture. Vzagali protyag us drama mi bachimo yogo husky, scho over your promo. What else is here! What a hell of a water thing is here!

Wild rude and straightforward in its aggressiveness, roaring the teeth, sometimes crying out like a sting and scorching at the otochyuchiy. Create a building and beat a man, not giving him a penny, and then, in front of everyone, stand in front of him at the fort, asking for forgiveness. Vіn buoyant, and in his belligerent building throw thunder and gleams at your home, fear is in the air.

To that it is possible to give a pleasant visnovka to that which the Wild and Boar cannot be considered as typical representatives of the merchant's camp. Many of the characters in Ostrovsky's dramas are similar and are revolted by his mystical impudence, it's hard to think about yourself. And inspire good children, as if the world is given to them at the front. Such a setting cannot beautify people, for the same reason Wild Boar calls out negative emotions from readers.

Visnovok

Speaking about Ostrovsky, my glance, we can with the full right to call Yogo an unperfect master of the word, an artist. The characters in the play "Thunderstorm" appear as if they were alive, with vivid embossed characters. The skin word, spoken by the hero, reveals a new facet of his character, showing him from the other side. The character of a person, її moods, set to otochuyuchih, navіt like wine tsgogo do not want to appear in the language, and Ostrovskiy, the right master of the movable characteristics, mark the figures. The warehouse of the movie, in the author's opinion, can be said a lot more about the character. In this rank, the skin of the diy's person gains her own individuality, a unique coloring. It is especially important for dramas.

In Ostrovsky's Thunderstorm we can clearly see the positive hero Katherine and two negative heroes Wild and Kabanikha. Without a doubt, they stink as representatives of the "dark kingdom". And Katerina is the only person who tries to fight with them. The image of Katerina's inscriptions is bright and vivid. The head heroine seems beautiful, figurative of my folk. Її mova ryasnіє thin smyslovymi vіdtinki. Katerina's monologues, like drops of water, bring out all the rich inner light. At the promo of the character, blame the author of the new one. With such love, Ostrovsky's words are placed before Katerina, and as sharply vin condemned the tyranny of the Kabanikh and the Wild.

Winning the Kabanikha as if I had overtaken the ambushes of the “dark kingdom”. Vaughn suvoro dotrimuetsya all the orders of the patriarchal antiquity, do not tolerate any in whom show a special will, may have great power over the restless.

To the Wild, the Ostrovsky Zmig convey all the anger and anger that boils in your soul. All households are afraid of the wild, zokrema and nephew Boris. Vіn vіdchineny, rude and unceremonious. Ale offended by the power of the hero is unfortunate: you don’t know what to work with your unstriking character.

In the drama of Ostrovsky "Thunderstorm", for the help of the artist, the writer zoomed in to characterize the heroes and create a vivid picture of that hour. "Thunderstorm" is even stronger for injecting into a chitacha, a peep. Dramas of heroes do not fill the hearts of people with bait, that minds of people do not go into the skin of writers. Only a right artist can create such miraculous, promotional images, only such a master of the modern characteristics of the building can say about the heroes of Chitachev for the help of their own words, intonations, without going into any other additional characteristics.

List of victorious literature

1. A. N. Ostrovsky "Thunderstorm". Moscow "Moscow Robotnik", 1974.

2. Yu. U. Lebedev "Russian literature of the 19th century", part 2. Education, 2000.

3.I. Є. Kaplin, M. T. Pinaev "Russian Literature". Moscow "Osvita", 1993.

4. Yu. Borev. aesthetics. Theory. Literature. Encyclopedic dictionary terms, 2003.

P'esa "Thunderstorm" - Oleksandr Mikolayovich Ostrovskiy's most famous vitvir. Kozhen is the hero of his creation - a unique specialty that borrows its place from the system of characters. Tsіkavoy y zv'yazku z tsim є Tikhon's characteristic. "Thunderstorm", p'єsa, the main conflict that will be in the confrontation between the strong and the weak, cicava with its rotten heroes, our character will enter before them.

P'yesa "Thunderstorm"

P'esa bula was written in 1859 roci. Misce dії - Vigadane place Kalinіv, like to stand on the birch of the Volga. The hour of the day is summer, the whole Tver is suffocated for 12 days.

Behind its genre, "Thunderstorm" lies up to socially-butovoy drama. Ostrovsky richly respected adding to the description of the buttress of the place, the characters of creation enter into conflicts from tired orders, as if they had lived for a long time, and the despotism of the older generation. Understandably, the main protest is raised by Katerina (the main heroine), but in the remainder of the space, the rebellion is occupied by that її person, which confirms the characterization of Tikhon.

“Thunderstorm” is a tvir that speaks about human freedom, bazhanya virvatis from kaydaniv old dogmas, religious authoritarianism. And everything is depicted on the aphids of a nearby kohanny main heroine.

Image system

The system of images in p'єсі was inspired by the description of tyrants, like they called out to command everything (Boar, Wild), and young people, like they want to know freedom and live with their own mind. Looks like a different tabir Katerina, she has no more courage to resist. Prote and other young characters will escape the yoke of old and stupid rules. Ale є і tі, hto resigned, and not remaining among them, the person of Katerini speaks (below is the report of Tikhon).

"Thunderstorm" is a small light of the "dark kingdom", only the heroes themselves can destroy it, or perish, like Katerina, they were unaware of it. It seems that tyrants, that they have taken power, and these laws are too strong, and whether there is any rebellion against them, lead to tragedy.

Tikhin: characteristic

"Thunderstorm" - tver, de there are no strong human characters (with a hint of Wild). So, Tikhin Kabanov is no longer a helpless, weak and sleazy matir'yu human being, an unacceptable defender of a kohan woman. The characterization of Tikhon in the poem "Thunderstorm" shows that his hero is a victim of the "dark kingdom", he does not have the courage to live with his mind. If you didn’t rush and where you didn’t give in - everything depends on the will of the mother.

Even in the childhood of Tikhin, the sound of the Kabanikhi's punishments was taken care of, and this sound was saved by the new and mature fates. Moreover, it was so necessary to succumb, so that the thought of inaudibility would bring Yogo on fire. Axis scho himself to say from his drive: “That I am, mom, and I don’t want to live by my own will.”

Characteristics of Tikhon ("Thunderstorm") to talk about this character as if about a person, ready to endure all the stupidity and rudeness of his mother. And only one thing, on which wines are navazhuetsya, - bajannya virvatisya z house, shobi bite. The whole thing is available to you, freedom and freedom.

Katerina and Tikhin: characteristics

"Thunderstorm" - p'esa, de one of the main storylines Is she loving, but how close is she to our hero? So, Tikhin love his squad, but in his own way, not the way Kabaniha would like. Vіn is affectionate with her, do not bazhaє panuvati over the girl, zalyakuvati її. However, Tikhin does not understand Katerina and her spiritual suffering. Yogo softness perniciously infuses the heroine. Yakbi Tikhin was a trocho masculine and maw wanting freedom and building to fight, Katerina didn’t need to shove everything on the boots - at Boris.

The characteristic of Tikhon from the p'єsi "Thunderstorm" puts it in the mind of the unpretentious light. Irrespective of those who put themselves before the sake of the squad calmly, wine is not able to protect them neither in the form of a mother, nor in the sight of other representatives of the "dark kingdom". Vin leaves Katerina alone, without respect for her love before her. The failure of this character was rich in what caused the final tragedy. Just realizing that having spent the kohana, Tikhin is indulging in a rebellion against his mother. Vinuvachuє її in the death of the maiden, already not afraid of її tyranny that rule over him.

Image Tikhon and Boris

The similar characterization of Boris and Tikhon ("Thunderstorm") allows you to develop an unusual visnovka, that the stench is rich in what it is similar, the deacons of literary scholars call them heroes-doubles. Otzhe, what do they have sleeping, and why do they stink?

Not knowing the necessary tips, that rose from Tikhon, Katerina turns to Boris. Why did the newcomer get a heroine like that? Nasampered wines look like other bagmen places: approvals, after graduating from the academy, dress up for the European image. Ale, it’s less of a sound bik, but what’s in the middle? In the course of the rozpovіdі z'yasovuєtsya, scho to fallow wine in the wild so itself, like Tikhin in the boar. Boris is helpless and characterless. Vіn kazhe, scho trim yoga less recession, having spent some yoga, the sister will become a dowry. Ale, everything is given by the guardian: it is necessary to endure all the humiliation of the uncle. Boris will succumb to Katerina, but don’t be turbulent to ruin his wife’s wife. Vin, yak and Tikhin, turbuetsya less to himself. In the words of insults, these heroes sing the main heroine, but they do not have the strength of the spirit to help them defend.

Podії at the drama of A. M. Ostrovsky "Thunderstorm" burst out from the bank of the Volga, at the foreman's place Kalinov. The creation has a lot of character traits and short descriptions, but it’s still not enough to better understand the light of the skin character and to understand the conflict in general. The leading heroes of Ostrovsky's "Thunderstorm" are not so rich.

Katerina, girl, the main heroine of p'yesi. Vaughn is young to finish, її early they gave zamіzh. Katya swung as if following the traditions of house-building: the main characters of the squad were povaga and pokirnist.

your person. On the back of her head, Katya tried to love Tikhon, but nothing, I’m sorry, she couldn’t taste it. With whom, the maiden tried to help her man, to help him and not to hurt him. Katerina can be called the most modest, but with whom, the most powerful character in Thunderstorms. True, the sound strength of Katya's character is not manifested. At first glance, the maiden is weak and movable, yes, you can easily get angry. Ale tse zovsіm negarazd. Katerina is alone with her, to resist the attacks of the Kabanikh.
Resist yourself, but do not ignore them, like Barbara. The conflict carried more of an internal character. Adzhe Kabanikha will be afraid that Katya might get stuck on her son, after which Tikhin will stop bowing to the will of his mother.

Katya, if she wants to fly, often beats herself out of the bird. Vaughn literally choke in “ dark kingdom” Kalinova. Having suffocated at the arrival of the lad, Katya created her own ideal image of a kohannya that could be allowed. It's a pity, її the appearance of little is little known from reality. The girl's life ended tragically.

Ostrovsky in "Thunderstorm" as the main hero to kill not only Katerina. The image of Katya is affixed to the image of Martha Ignativna. A woman, as if she were afraid of fear, she strained her whole family, not crying out for fear. The boar is strong and despotic. More for everything, the "power of government" took over after the death of a person. I want to find out that the Kabanikha did not care for the cold. Katya, the bride, got the most out of her. Kabanikha itself is in the middle of wine at the death of Katerini.

Varvara is the daughter of Kabanikhi. Irrespective of those who, for the style of fate, learned to be quiet and nonsense, the reader still sympathizes with her. Varvara garna girl. It's wonderful, but deceit and cunning not to shy away її similar to the decision of the inhabitants of the city. Vaughn to repair so, as it should be, and live like you will be tempted. Barbara is not afraid of her mother's wrath, for that is no authority for her.

Tikhin Kabanov repeats his own name. Vin is quiet, weak, incomprehensible. Tikhin cannot defend his retinue in the sight of his mother; Yogo rebellion is the most significant result. Even the very words, and not for the sake of Varvara, will make the readers think about the whole tragedy of the situation.

Kuligina the author characterizes as a self-taught mechanic. Tsey character is his own guide.
At the first divinity, you can lead us along Kalinov, telling us about your voice, about your family, how to live here, about the social situation. Kuligin, you know, you know everything about everyone. Other estimates are more accurate. Kuligin himself is a kind person, as he called to live by tired rules. Vіn postіyno mriіє about zagalne good, about perpet-mobilі, about gromovіdvіd, about honest work. Unfortunately, yoga dreams were not destined to be realized.

Wild clerk, Curly. This character is Tskavy Tim, who is not afraid of a merchant and can speak to you of those who think about him. With whom Curly, just like Wild, everyone is trying to know the best. Yogo can be characterized as a simple person.

Boris arrives at Kalinovoe on the right: you need a term to pay a hundred dollars from Wild, even if only in your case you can legally take away the commandments to you pennies. Prote ne Boris, ne Wild don't want to make one alone. On the spot, Boris is given to readers like Katya, honestly, she is fair. In the rest of the scenes, it is necessary to ask: Boris is not built to venture into a serious job, take on the responsibility, you just stick in, leaving Katya on your own.

One of the heroes of "Thunderstorm" is a mandriving woman and a servant. Feklusha and Glasha are shown as typical residents of the Kalinov district. Darkness and lack of light are widely hostile. These judgments are absurd, and the horizon is too narrow. Women judge morality and morality for some kind of twisted, created understanding. “Moscow is now a playground and a playground, but in the streets it’s indo gurkit, it’s worth standing. That one, mother Marfa Ignativna, they began to harness the fire snake: everything, bachish, for the sake of speed” - this is how Feklusha is talking about the progress of the reform, and the woman calls the car “fire snake”. It is alien to such people to understand the progress of culture, even if it is easy for them to live in the foreseeable world of peace and serenity.

tsіy statti given short description heroes of the p'єsi "Thunderstorm", for a more in-depth understanding, it is recommended to familiarize yourself with thematic articles about the skin character "Thunderstorm" on our website.


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  6. More recently, the thought has been expanded that the song of the Ostrovsky Cicava is famous for us less than that, which illustrates the song stage of the historical development of Russia, ...
 
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