The image of Katerina at the creation of a thunderstorm. The image of Katerina at the p'єсі "Thunderstorm" - briefly
P'esa Ostrovsky "Thunderstorm" bula was written for r_k before skasuvannya krіpatstva, 1859. Tsey tvir is seen among the middle of the playwright's minds to the character main heroine. In "Thunderstorm" Katerina acts as the main character, through some evidence of a conflict of p'esi. Katerina is not like other residents of Kalinov, she is especially blessed with life, strength of character and a touch of goodness. The image of Katerina from the poem "Thunderstorm" is folded into a veil of richness of rich officials. For example, slіv, dumok, sharpening, vchinkіv.
childishness
Kati is close to 19 roki, її saw the zamіzh early. From Katerini's monologue, the first children learn about Katya's childishness. Mommy in nіy "didn't chula the soul." Together with the fathers, the girl went to the church, walked, and then she took up some work. About everything, Katerina Kabanova guesses with light confusion. Tsіkava Barvari's phrase about those who "we have the same." Now Katya’s axis is no longer visible lightness, now everyone is fighting for the primus stove. In fact, life before zamіzhzhya was practically not considered in life after: tі zh dії, tі zh podії. But now Katya is put up to everything else. Then she watched the podtremka, watched herself alive, she dreamed marvelous dreams about weeding. "I take off at once," that only richly rіdshe. Before the winter, Katerina felt the turmoil of life, the presence of such great forces in this world, she was devout: “I loved to go to church with passion!
» From her early childhood, Katerina had everything she needed: mother's love and freedom. Now, by the will of the environment, she’s been torn apart like a native person, that’s freed to her will.
sharpening
Katerina lives in the same hut with a man, the man's sister and her father-in-law. One situation is no longer conducive to a happy family life. The prote camp is aggravated by the fact that Kabanikha, Katya's mother-in-law, a zhorstok and a greedy person. Zhadіbnіst here varto razumіti like pristrasne, scho between God's villas, bazhannya chogos. Kabanikha bazhaє pіdkority vsіh i all his own will. One word from Tikhon was far away from her, the victim was approaching - Katerina. Ignorant of those that Martha Ignativna was counting on her son's wedding, she is not happy with her bride. The boar did not realize that Katerina would have a strong character, that she would be able to resist her infusion. Old mind, that Katya can slander Tikhon against her mother, she’s afraid of that, that’s why Katya is trying hard to get away with such a development. The boar seems that the squad has long become Tikhonov's sweetheart for the matir.
“Kabanikha: Al squad to you, I don’t know what to lead me to.
Kabanov: No, Mom!Whoa, have mercy!
Katerina: For me, mom, it’s all the same, what a dear mother, what you, that and Tikhin you love.
Kabanova: You, yes, you could help me, if you don’t feed. What did you see in your eyes? Sob bachili, chi scho, how do you love a person? So you know, you know, in your eyes you bring it to everyone.
Katerina: You talk about me, mom, for nothing. What about with people, what about without people, I’m alone, I don’t bring anything to myself ”Replying to Katerina to finish the cicava for a number of reasons. Vaughn, on the vіdmіnu vіd Tikhon, turns to Marty and gnatіvni on ti, as if they were putting themselves on a par with her. Katya gives respect to Kabanikhs for those who don’t know and don’t try to give up, they don’t. Irrespective of those who Katya victoriously beats down on her knees in front of Tikhon, do not talk about її humility. Katerina is depicted by the words: “Who should tolerate it in vain?” - Katya doesn’t just defend such a confession for herself, but she tells Kabanikha to bullshit that reckless.
The man of Katerina in "Thunderstorm" is an orphan person. Tikhin is similar to a child, as if she was tired in the wake of her mother’s care, but if she does not try to change the situation, it’s less to waste her life. Navit yogo sister Varvara Dorika Tikhon Tim, who cannot protect Katya from the attacks of Martha Ignativna. Barbara is the only person who wants to talk a little bit to Katya, but all the same, she cheats the girl to the point where she happens to lie and call, to live in this family.
Vіdnosini with Boris
In "Thunderstorm" the image of Katerina is revealed through a love line. Boris arrived from Moscow on the right, so that the conquest of the past is hovering. It’s almost as if they’re sleeping raptly before Katya, like I’m almost like a girl at a vіdpovіd. Tse love from the first look. Boris is turbulent, that Katya is friendly, prote wines continue to chat with her. Katya, acknowledging her feelings, tries to follow them. Zrada superechit the laws of Christian morality and suspіlstva. Varvara helps us to snuggle up. For ten whole days, Katya secretly chats with Boris (until Tikhin is near the air). Having learned about the arrival of Tikhon, Boris is moved to hear from Katya, and to ask Varvara to move Katya to talk about her secrets. The axis of only Katerina is not such a person: she needs to be honest in front of others that she herself. She is afraid of God's cursing for her sin, to that thunderstorm that raged, like a sign of burning and telling about evil. After whom Katya virishuє talk to Boris. It appears that she is going to Siberia for a few days, but you can’t take the girl with you. It is obvious that Borisov really does not need Katya, who does not love her. Ale and Katya did not love Boris. More precisely, she loved her, but not Boris. In "Thunderstorm" Ostrov's image of Katerina endowed the power of the bachiti with everything well, endowing the girl with a completely strong vibe. Katya came up with the image of Boris, she sipped at him one of the yogo rice - not accepting Kalinov's activity - and smashed the main one, moving the other side. Adzhe Boris came to ask for pennies from Dikiy just as the other Kalinivtsy did. Boris bov for Katya a person from the other world, from the world of freedom, tієї, like a girl dreamed. That is why Boris himself becomes an inspiration of freedom for Katya. Vaughn zakohuєtsya over the new one, and her own statements about the new one.
The drama "Thunderstorm" ends tragically. Katya throws herself at the Volga, having learned that it is impossible to live in such a world. And there is no other world. The girl, in spite of her religiousness, to fight one of the worst sins of the Christian paradigm. To be called to such a vchinok, you need majestic power will. Unfortunately, the girl did not have another choice for the quiet environment. It's wonderful, but Katya saves her inner purity by committing self-destruction.
A detailed description of the image of the main heroine and a description of її vidnosin z іnshimi dіyovimi persons p'єsi camp in good 10 classes in preparation for creation on the topic "The image of Katerina at the p'єsi" Thunderstorm "".
Creativity test
2. The image of Katerina at the p'єсі "Thunderstorm"
Katerina is a young woman of her own accord, a kind of marriage to the human lot, a spy, a lover. Need in tsmu pull її to Boris. Vaughn, that the name of the wine is not similar to other inhabitants of the Kalinov town, and, not being able to find out about his inner essence, respecting his human being in a different world. Have її uyavі Boris є handsome prince Cossack world, what is in її dreams.
Behind the warehouse of character and interests, Katerina is sharply seen from the navkolishny middle. Katerina's share, unfortunately, is the standard butt of thousands of Russian women of that hour. Katerina is a young woman, the squad of the merchant's son Tikhon Kabanov. Vaughn recently abandoned her native house and moved to the house to the man, she lives together with her mother-in-law Kabanova, as if she were a sovereign sovereign. This Katerina does not have any rights, she is not able to manage herself. With the warmth of that love, you will see Batkivsky dim, your girl's life. There she lived freely, honed by the caress and caress of her mother. fun life and payment of people for sins.
At the same time, Katerina drank her mind into a man's booth. On the skin, she felt the staleness of the mother-in-law, tolerated the humiliation of that image. From the side of Tikhon, she doesn’t sing the joyful pidtrimki, but there is more understanding, the shards of the wines themselves change under the power of the Kabanikh. For her kindness, Katerina is ready to be placed before Kabanikhi, like a dear mother. Ale, more like Katerini, they don’t sing tricks either from Kabanikha or from Tikhon.
Living in such a situation changed the character of Katerina. The generosity and truthfulness of Katerina are clinging to the Kabanikh's booth with nonsense, hypocrisy, hypocrisy, rudeness. If in Katerina there is love for Boris, then she is zdaetsya malice, and she won’t fight for the feelings that hurt her. Truthfulness and broadness of Katerina terrify її suffering so much that I have to repent before a man. The generosity of Katerina, and the truthfulness are incomprehensible with the undermining of the "black kingdom". All this became the cause of the tragedy of Katerina.
Katherine's public repentance shows all the depths of her suffering, moral greatness, and courage. But after repentance, the camp became unbearable. The man is not wise, Boris is helpless and does not go to help. The camp has become lifeless - Katerina Guinet. one specific specialty, її death - the result of the absurdity of morality and the arrangement of that life, in which it was embarrassed, the image of Katherine maw for Ostrovsky's co-workers and for the coming generations is of great significance. human specialty. Tse viraz the growing protest of the masses against all types of slavery.
Katerina, sumna and cheerful, amiable and nimble, merry, humiliated and proud. Thus, the differences of the soul become explained by the naturalness of the skin soul’s movement, which at once strimana and tormenting nature, the strength of such a field in the building, start by itself. Katerina lost her true self, so that she could not change the very essence of her character.
I think that the most important thing for Katerina's character is honesty in front of herself, a man, a great light; tse її nebazhannya to live with nonsense. She doesn’t want to and can’t be cunning, go in, lie, hide. This confirms the scene of Katerini being seen from the front. It was not a thunderstorm that did not blather on the prophecy of the divine old, not fear of the fiery hell that urged the heroine to tell the truth. “The whole heart thumped! I can't bear it any longer! - So, she began her confession. For її honest and tsіlіsnoї nature unbearably those camps, in which she opinated. Living abi living is not for her. To live means to be yourself. Її more expensive value - tse special freedom, freedom of the soul.
With such a character, Katerina could not, for the sake of people, stay in yoga at home, turn around to a one-man-dumb life, blame the postyni, throw that “training” of Kabanikhi, spend her freedom. Ale be-yakoy patience to come end. Katherine it is important to talk there, de її do not understand, belittle it, depict її human goodness, ignore її almost that bazhannya. Before death, it seems like: "What to get home, what to the grave - it's all the same ... At the grave it's better ..." It's not the death of a bazhan, but life is unbearable.
Katerina is a deeply religious and God-fearing person. Oskіlki zgidno z christianskoy religiєyu self-destruction є great sin, then svіdomo zdіysnivshi yoga, she showed not weakness, but strength of character. Її death is a cry of the “dark force”, a blessing to live in the “bright kingdom” of love, joy and happiness.
The death of Katerina is the result of the closing of two historical epochs. With her death, Katerina protests against despotism and tyranny, her death is a sign of the approaching end of the "dark kingdom". The image of Katerini lie down to the best images Russian art literature. Katerina is a new type of people of Russian activity in the 60s of the 19th century.
The image of Katerina in the play "Thunderstorm" clearly contrasts with the gloomy realities of Russia in the pre-reform period. In the epicenter of the drama, which is roaring, is a conflict between the heroine, who rightly maintains their human rights, and the world, in which strong, wealthy and powerful people rule everything.
Katerina is like an instiller of a pure, strong and bright folk soul
Even from the first side, I create the image of Katerina in the song "Thunderstorm" can not help but turn on respect and not feel like being transferred to sympathy. Honesty, zdatnist deeply discerning, the breadth of nature and schilnist to poeticity - the axis of the figure, like Katherine herself in the form of representatives. dark kingdom". Ostrovsky tried to photograph all the beauty of the people's simple soul at the main heroine. The maiden's emotions are expressed imperceptibly and not victoriously, the words are spoken, widened in the merchant's middle. It doesn’t matter if you remember, Katerina’s mova herself guesses the melodic tune more, she changes it with gaudy words and virazas: “sonechko”, “grass”, “plank”. The heroine reveals the unimaginable generosity of her heart, telling about her free life in the father's booth, among the icons, calm prayers and letters, the girl lived "like a bird in the wild."
The image of a bird is more precisely a representation of the heroine's mental state
The image of Katerina in the song "Thunderstorm" is most clearly intertwined with the image of a bird, which symbolizes freedom in folk poetry. Roaming with Varvara, she repeatedly turns to the analogy and stverzhu, that she is “a free bird, having eaten a cage at the entrance.” In captivity it is hard and tight.
The life of Katerini at the house of the Kabanovs. Lyubov Katerini and Borisa
At the booth of the Kabanovikhs Katerina, such a primal mrіylivіst and romanticism, one feels like someone else's. The mother-in-law's condescension, which called out to the trinity of all households in fear, the atmosphere of tyranny, lies and hypocrisy despise the girl. Prote Katerina herself, as if she were a strong, wholesome person, you know that I am patient with the boundary: “I don’t want to live here, I won’t, I want less!” Barvari's words about those who can't live in a booth without deceit call Katerina sharply hostile. The heroine to resist the “dark kingdom”, whose orders did not break her will to life, fortunately, did not dare to resemble other residents of the Kabanov’s booth and begin hypocrisy and lies on the skin.
In a new way, the image of Katerina is revealed in the song "Thunderstorm", if the girl tries to get out of the "ostogid" world. She doesn’t want to and doesn’t want to love like that, like shying the bagmen of the “dark kingdom”, freedom, honesty, and honestly happiness are important. At that hour, as Boris will change his mind, that your love will be deprived of a secret place, Katerina bazha, so that everyone knew about it, so they would get it. Tikhonov, his own person, however, awakened in the light of the heart, it seems to be starting to feel like it is the first time at this moment, the reader is rushing into the evening with the tragedy of suffering and torment. From this moment, Katerina's conflict is not only with the necessary world, but with itself. It’s important to choose between love and obov’yazkom, you’ll try to fence your own kokhati and be happy. Prote struggle with powerful feelings did not undermine the strength of Katerina's tendencies.
Way and law, scho to pan in the necessary world, to press on it. Won pragne to repent with the deceased, purify your soul. Hanging on the wall in the church the picture "The Last Judgment", Katerina does not see it, falls on her knees and begins to publicly repent at sin. Prote tse navit not to bring the girl's bagged relief. Other heroes of Ostrovsky's "Thunderstorm" are not old-fashioned to support її, to inspire a kokhan lyudin. Take away your stars to Katerina's hellhole, Boris is looking forward to seeing you. This person is not a hero, she is simply not good at defending herself or a kohan.
The death of Katerini - promin light that illuminated the "dark kingdom"
From all sides, evil falls on Katerina. Postiyne tskuvannya from the side of the mother-in-law, methane between the borg and love - all the same, as a result, bring the girl to a tragic finale. She caught up with her life for her shortness of life to know happiness that love, it’s simply not good to continue living in the Kabanov’s booth, we don’t know how to understand such people. The only vihіd to bask in self-destruction: the future lakaє Katerina, and the grave greets like a bellow from the anguish of the soul. However, the image of Katerina in the drama "Thunderstorm", no matter what, is left strong - she did not take a poor foundation in the "clitiny" and did not allow anyone to slander her I live my soul.
Prote the death of the heroine was bouldering. The maiden gained a moral victory over the "dark kingdom", she was able to lighten up the troubles in the hearts of people, shake them to death, squash their eyes. The life of the heroine herself has become a "change of light", which has fallen from the darkness and forever deprived its entitlement over the world of madness that drink.
* Qia robot not a scientific practice, not a graduation qualification work and a result of processing, structuring and formatting the selected information, recognized for selection in the capacity of a dzherel material during independent preparation of primary work.
Intro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Katerina Kabanova is a new type of creation for Russian life. . . . four
Katerina and Kabanikha. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . eight
Influx of folk culture and Orthodox religion on the character of Katerina. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Katerina at a number of other characters. . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Symbolism in p'єsi O.M. Ostrovsky "Thunderstorm". . . . . . . . . . . . . . . . . . . . 21
Visnovok. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
List of victorian literature. . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Entry
The drama "Thunderstorm", written in 1859, is the pinnacle of creativity of A. M. Ostrovsky. Vaughn to enter the cycle of p's about the "dark kingdom" tyrants.
Todі Dobrolyubim was given a food: “Who will throw light at the darkness of the dark kingdom?” A. M. Ostrovskiy gave a confirmation of the food for the new song “Thunderstorm”. The two tendencies of the writer's dramaturgy - vikrittya and psychologism - have already manifested themselves better in each and every work. "Thunderstorm" - a drama about the fate of the younger generation. The author, having created the p'esu of life, the heroes of which became ordinary people: merchants, their squads and daughters, townspeople, officials.
Relevance. School programs show off the creativity of O.M. Ostrovsky, but, unfortunately, not enough.
Tsіl. Take a look at the image of Katerina report.
The object of follow-up is image of Katerina Kabanova at the scene "Thunderstorm"
Manager:
look at the image of Katerina Kabanova as "a new type, creating Russian life",
look at the image of the character of Katerina Kabanova at the sight of Kabanikhoy,
prostizhity, like folk culture and religion infuse into the molding of Katerina's character,
to analyze how the character of Katerina manifests itself among other characters in Ostrovsky's "Thunderstorm"
Katerina Kabanova - "a new type, creating Russian life"
The storm has long been a separate struggle for freedom. And in p'єsі tse not only a manifestation of nature, but a clear image of the internal struggle that began in the dark merchant's life.
In the dark kingdom, the kingdom of despotism, de "tears cry behind constipation, invisible and indistinct," a heroine appeared, who admired her purity, poetically laced nature. In this guiltiness and originality to the character of the heroine, the reason is deep life dramas. Ostrovsky poking his nose on the beautiful birch of the Volga, tsim vіn stooping to see the atmosphere of the life of the place, creating that suspense background, without which it is impossible to understand the drama of Katerina. At first glance, the life of the place does not get angry with the tragic fate of the heroine, but Ostrovskiy shows us the oppressive power of a huge thought, as if by a zreshtoy he called Katerina to the grave.
P'esi has a lot of diovih osib. But the main one of them is Katerina. The image of a woman's chin is not only the most complicated, but it is sharply shaken in the eyes of others. It is not for nothing that the critic called її "we will exchange light for the dark kingdom."
In the dark kingdom Ostrovskiy saturate the world, which vodokremlyuetsya in the epic whole of the people's life. It’s stuffy and tight in a new place, the internal overexertion, the catastrophic nature of life is felt here on the skin’s skin. Ale Kalinivsky svіt is not tightly closed in the broad folk forces and the elements of life. Live life from transvolzky onions to bring the smells of flowers to Kaliniv, guessing about the rural privilege. Katerina stretches up to the center of the wild wind of the refreshing expanse, trying to raise her hands to fly. It is only given to Katerina in "The Thunderstorm" to take away the whole range of life-giving grounds in the culture of the people and to save a little moral viability in front of these tests, which is the culture that is born in Kalinov. Katerina triumphs in the love of life of the Russian people, like a shukav in religion, not a list of life, but an affirmation of it. Here, with special force, signs of people's protest against the ascetic, pre-Budіvsk form of religious culture, the protest, the relief of the nihilistic swaville of such heroes "Thunderstorms", like Varvara and Kudryash, were given. The soul of the heroine of Ostrovskiy is the help of quiet Russian souls, like someone else's compromises, like pragmatic universal truth and lesser do not reconcile. Її nature, as it manifests itself not so in the world, as in the subtlety of the soul, in the strength of experience, in the attitude to people, in all its behavior. So it is unavoidable, like a thunderstorm is gathering over Kalinov, a thunderstorm is approaching the human spirit.
“... The character of Katerina, like vikonaniya at the Thunderstorm,” Dobrolyubov wrote at the article “Promin light to the dark kingdom,” - to set the stage ahead of the dramatic activity of Ostrovsky, and of all our literature. Why images of women modern literature critic Katerina Kabanova singed "a new type of creation of Russian life?" And at that hour, when the "Thunderstorm" appeared, Olga Illinska was supervised by Goncharov's novel "Oblomov" and Olena Stakhov by Turgenev's novel "Forward". If Dobrolyubov took up the article about the Thunderstorm, he was already the author of the articles “What is Oblomovism like?” and “When will the good day come?”. Why is Katerina Kabanova, and not Olga Illinskaya and not Olena Stakhova? Olga is “homey, happy, create a new life, and live this hour with the same vulgarity, in the same and all її girlfriends, to that in the face of vulgarity there is no place to drink”. Olena "... is ready to lively, energetic activity, but you can do it right, like that, alone - there you can." The character of Katerini is “…serious – daring, unsatisfactorily true to the feelings of natural truth, belief in new ideals and self-confidence to that sensi, that death is better for you, lower life for quiet ambushes, like you are not accepted.” In tsіy - integrity and internal harmony, in zdatnosti, start by yourself, but why not change yourself, and the strength of Katerini's character is not exhaustive.
There are two types of people: one is the people who called to fight for the best life, people are rіshuchі, silnі, іnshі volіyut pіdkoryatisya, pristosovuvatisya to navkolishnіh minds.
U p'essi O.M. Ostrovsky's "Thunderstorm" Katerina can be killed to the first, and Varvara - to another type.
Katerina is a poetic nature, she sees the beauty of nature. “I’ll get up, it used to be, early, early, summer, so I’ll go down the key, wash myself, bring with me the water and everything, all the tickets I’ll pour into the booth. I have a lot of money, a lot of money, ”Katerina tells about her childishness. She is constantly drawn to beauty, dream of miracles. Katerina often plays herself in the image of a bird, which reinforces the romantic height of her soul. Ale in the booth of the Kabanovs її do not understand, she is constantly resting with the rotten master.
Katerina's dream about children: “I want children to be born! Eko famously! There is no child in me: I would have sat with them and kept them. I love to talk with children even more - even angels. Like a loving mother and a squad, they would come from Katerina for other minds.
Shira religiynist Katerina even dries up in the religiosity of the Boar and the Wild, kotrim religion is gloomy strength that strangles the will of the people. For Katerina, this is a poetic world of fairy-tale images: “... Until my death, I loved to go to church! Precisely, it used to be, I’ll see heaven, and I don’t care for anyone, I don’t remember the hour, and I don’t feel if the services are over, ”I’m guessing out.
Chesna, that principle is wide, it’s not good for false deception, like other inhabitants of Kalinovo live. Life seems unbearable. Ale Katerina - nature is already strong, so there is a fight against the "dark kingdom".
Katerina is impossible to sound with the harsh light of wild and wild boars, she will try to stand up for the freedom of her own individuality. The image of Katerina is similar to the image, like a flow, like a powerful force. Behind the words of Dobrolyubov, his behavior manifests a “rich, wholesome Russian character”, which “shows itself, unrespectfully on like a change, and if you don’t get enough strength, then guinea, but don’t change yourself.”
Zovsіm іnsha stands before us Varvara. Vaughn is not zabobonna, do not be afraid of the storm. Varvara doesn't care about obov'zkovim dotrimuvatisya zvichaїv. Vaughn could stick to the behavior of otochuyuschie її people. She has a hope that, having made friends, she will be able to get out of this “dark kingdom”. Barbara is unimpressed by her brother's lack of character, her mother's heartlessness, but Katerina is out of her mind and supportive.
Barbara is a child of the "black kingdom". Vaughn is already in no way suitable for yogo laws, but it’s necessary to be reconciled with it and stick to the necessary light. Yakby won, like Katerina, did not live all her life in the "dark kingdom", then, perhaps, Barbara could also do the opposite. Ale, all the same, she showed herself richly weak for Katerina. Furnish the very same things that were piled up next to her, breaking her will, destroying her inner world.
In this manner, Ostrovsky, with the help of the two images of Katerina and Varvara, could show in his mind the reality of different types of people, equalize their behavior, correct their behavior, set to life, bring out their weak sides.
Katerina and Kabanikha
Katerina and Kabanikha - their contrasting position in the system of characters may be important for understanding the sense of p'esi. Similarity to their likeness and belonging to the world of patriarchal manifestations and values, and strength of character. Offended by the stench of the maximalist, yakі not zdatnі pіti for compromise. Religiousness both can have one similar boundary: insults do not remember about mercy and forgiveness. However, this similitude is reversed, creating a ground for equalization, and reinforcing the antagonism of the heroines. Katerina represents poetry, the spirit of the patriarchal arrangement has its ideal meaning. The boar is all tied up to the earth, to earthly interests and interests, it is guarded by the order of that form, it is the way of life in all yogo drib'yazkovih manifestations, despite the unskilled vikonnannya rite of that rank, antrohi does not dbaє about the internal daylight of human stosunkiv. The boar does not have any doubts about the moral rightness of the hierarchical vіdnosin of the patriarchal butt, but there is no such thing as confidence in their inviolability. Navpaki, it seems that it is not the remaining support of the correct order of the world, and it is clear that chaos will come after death, giving tragedy to the position.
The drama of Katerini is seen in the eyes of the locality. In public, she was recognized by the people of the people, in public she rushed from the urvish near the Volga.
The character of Katerina, like a wine given in drama, reveals a strange nature, changes and fights. The heroine is represented in the most manipulative emotional states - in the quiet joy of the ace, in the bewildered happiness and in the sight of the bidi, in the sum'yatti, it is in the heart of the passion, in the fearless courage to accept death.
From the very beginning of the drama, Katerina listens with wonder to what is heard from her: “It’s so strange for me,” “Nibi, I’m starting to live again.” Tse evidently blames through Boris (kokhanoy її).
On the back of Katerina's mind, she starts to think about something: "I don't want to know him!" But even then, the offensive bravado will know: “I won’t think about it, but I’ll stand in front of my eyes like that. I want to break it for myself, but I can’t anyway.” Katerina is deprived of her faithful self, and “break” herself, to change her character, you can’t. Їy loses only patience: “Already more often I endure, docks to endure.”
Її patience is tried already without a bar, if you happen to listen to Tikhon, who promotes the words of Kabanova. Katerina is portrayed by him, that she could stand so unceremoniously between her and Tikhon. A more important vіdchaydushna, but more than a try to know the closeness with Tikhon: "... as if I loved you ..."
At the monologue with the key, Katerina tries to turn herself in the back, but she can’t, she doesn’t want to deceive herself: “I give in before him!” This is the essence: let the heroine of the drama not be in front of him, and there will be more in front of him. The supporting phrase of the monologue is "A girka is captivity, oh, yak is a girka." The bitterness of captivity, perhaps, shoved the heroine with drama for a crack, which turned out to be fatal for her. The monologue, which began with mental turmoil, ends with irrevocable decisions: "Come what may, and I'll give Boris a treat!"
Standing for the pain, Katerina is still doubtful, why do I need to go to the forest, but then we die, trample on everything, inherit the goodness of your heart.
For whom, that Katerina was not afraid of the “human court”, we can cross over at the stage of recognition. For her, those camps are unbearable, in which she has stooped. The purity of the soul does not allow to deceive a person. It was not for nothing that Varvara said: “I can’t deceive, I can’t grab anything.” After that, as she broke everything, she still lost her faith in her feelings for Boris. Katerina sees the wickedness of her bastard, but she is ready to resent everyone and show her life with him.
For the global concept, it’s even more important that Katerina didn’t appear as stars - those from the expanses of another life, another historical hour, but she was born and formed in such Kaliniv minds themselves. Ostrovsky reportedly shown in the exposition, if Katerina told Barbara about her life before marriage. The main motive of this explanation is that love is all permeable to the “will”, but, however, it has not entered into super-existence from the centuries of keeping a closed life. And there is no violence here, I will presume. The idylistic harmony of patriarchal life is like an ideal, which is solidified by the code of patriarchal morality. Ale Katerina is alive in the epoch, if the very spirit of morality is born - harmony between a human being and the moral manifestations of the middle. The first axis Ostrovsky shows, as in the soul of such a whole “Kalinivsk” z vihovannia and moral manifestations of a woman, a new setting to the light, a new feeling, it’s still unclear to the heroine herself: “... It’s not good for me to fight, it’s a miracle!” It doesn’t feel like it, like Katerina, obviously, you can’t explain rationalistically, it’s almost like the specialness that is being thrown around. At the soul of the heroine, it is obvious to the whole life of the merchant squad, taking on the form of an individual, special kokhannya. Katerina takes her love like a terrible, unmistakable sin, to that love to a strange person for her, a foreign woman, is a broken moral bondage, and the moral commandments of the patriarchal world of Katerina’s primordial sensation.
Having already recognized their love before Boris, they were able to resist the enemy, but not to know the support of this struggle: now everything is already collapsing, and everything, on which it is smeared, appears as an empty shell, relieved of the correct moral balance. For Katerina, the form of that ritual in itself does not mean anything - the human essence of stosunkiv is important. "Thunderstorm", in this manner, is not a "tragedy of love", but rather a "tragedy of conscience". The remembrance of sin does not overwhelm Katerina and in happiness, and with the majestic power of the angel, if happiness has passed away. Katerina repents publicly without hope for forgiveness.
On the back of Marfa Ignativna turbulent Katerina's carelessness її dokori and bow down. Potim Tikhin, without noticing it, imagining his squad and leaving for death, crying and forgetting in a drunken spree.
I, perhaps, the most terrible - Boris Grigorovich, one love and joy of Katerina, so doomed and shamelessly, inspire without protesting, deprive Katerina, pray for її shvidka death ...
Protborstvo zagostroyutsya and posilyuetsya in the soul of Katerina herself: painfully dark zabobon and poetically shining, self-suffering vіdvaga and rospach, recklessly shaking that intransigent sumlіnnya.
And if the soul of a guinea, not knowing any other order in moral death, in the humiliation of that violence, slept light, brighter than a thunder glimmer, touches the whole p'єsu, hope for a new sensation, go far beyond the dramas in the merchant's family, visvitlyu everything playful face.
In Katerina Dobrolyubov's brilliance, I did not see anything bright or lifelike. Dzherelo of integrity to the character of the heroine of wine shukav in the anthropological understood "nature", in the instinctive impulse of the living "organism". Ale, the instincts of Katerina are social, the stench is seen in the singing cultural midst, the stench of enlightenment by the light of folk poetry, folk morality. There, in Dobrolyubov's first plan, nature is historically awakened, in Ostrov's triumph, folk culture breaks through to the light of goodness and truth. The youth of Katerina, according to Dobrolyubov, is “rude and zabobonni understanding”, “silly foolish mandriving”, “dry and single-minded life”. The youth of Katerina, beyond Ostrovsky, is the dawn of the sunset, dewy grass, light of hope and the joy of prayer.
Light childishness has passed, and Katerina is seen as an unloved person. Life in the house of the mother-in-law was not worthy of Katerina. Gluzda and zhorstok Kabanikh, like his relatives “go home”, and “to sharpen, like a living thing,” to strangle Katerina’s volitional nature. Katerina is impossible to stick to the life of the “black kingdom”. “I don’t want to live here, so I won’t, I want to live less!” - Rishuche seems to be out of Barbara.
The impact of folk culture and Orthodox religion on the character of Katerina
Svіtovidchutti Katerina harmoniously combines the words of the ancient pagan age, which touches the roots of prehistoric times, with the democratic influences of Christian culture, which inspires and enlightens the old pagan vіruvannya. The religion of Katerina is unacceptable without the sleepy gatherings and sunsets, the dewy grasses on the swirling bows, the flowers of the birds, the blizzard of snowstorms from ticket to ticket. Behind her, at the same time, is the beauty of the silsky temple, and the expanse of the Volga, and the transvolzky beaming expanse.
Waving at the Russian family, she saved all the beautiful pictures of the Russian character. Tse is pure, wide, hot nature from the open soul, as it is not able to deceive. “I can’t deceive; I can’t take anything”; - it seems like Barbara is out, like a stverdzhu, scho in their bag is trimming on deceit. In the dreams of young Katerina, sounds of Christian legends about paradise, the divine garden of Eden. It is obvious that the legend about paradise embraces in it all the beauty of earthly life: prayers to the sun, what to go, the ranking of the keys - students, the light image of angels and birds. At the key of these dreams, the other way is not abiyake pragnennya - to fly: “Why don’t people fly! ... The axis was so wide-eyed, lifted its arms and flew away.»
Do the stars come to Katerina from fantastic dreams? Why don’t you see the stink of a sickly stench, why don’t you take a primha of a thinned nature? Ni. At Svіdomosti Katerina, those who have risen to the flesh and blood of Russia are awakening folk character ancient pagan myths, the deep layers of the word'yansk culture are being revealed. Katerina prayed to the rank sun, the shards of the convection vowed the words of the Skhid with the land of almighty fruitful forces. Long before the arrival of Christianity in Russia, the stench represented paradise as a miraculous garden, indestructible, where God’s light is in the Volodinni, where the mustache of the righteous souls rises, after death in light birds. Whose paradise was known as the white of the heavenly key, birds sang radiantly over it, and flowers bloomed, berries grew, apples and vegetables grew. The Dzherelas quarreled with the words with a special shano, they were credited with that healing force. Chapels were sprouted at the dzherel, in the morning, before sowing, our ancestors-villagers went out to the students, scooped up spring water, sprinkled it on us, or rushed in, rejoiced at their illness.
Navіt ukladannya shlyubnykh soyuzіv slov'yani repaired white water. Why don’t you want to go to Ostrovsky’s poetic nights on the Volz, the pagan strength and passion?
Violently quarrel with the children of Katerina's minds are not spontaneous. The stench can also be seen in the influx of folk culture. “So already I was born hot! I’ve been rocking six times more, no more, so I’ve grown up! They imagined less home, and on the right it was over the evening, it was already dark, I swept into the Volga, strength in chauvin, she looked out over the coast. They already knew the offensive wound, ten versts away! The age of Katerini's vchinok uzgodzhuetsya with the folk kazkovy dream about the truth-truth. In folk tales, the girl turns to the river, and vryatuvat її, and the river turns the girl along its banks. P.I. Yakushkin at Shlyakhovy Listy tells the legend of how the robber Kudeyar wanted to win a strong beauty: “Having opened the doors of the lamati. The girl hoarded the icon of the Most Holy Volodarka Mother of God, which stood in the front cloak, jumped at the window and ran to the Desna River: “Mom, the Most Pure Mother of God! Matinko, Desna-Rika! I myself am not to blame for this - I disappear like an evil person! - said qi words and rushed to the Desna-rіka; And the desna-river in that place dried up and went sideways, gave cibules, so that the girl stood on one birch, and Kudeyar-rozbіynik leaned on another! So Kudeyar did not slay any evil; and otherwise it seems that the Desna rushed to the side, so to the praise of Kudeyar himself she choked and drowned.
In the course of the action, Katerina does not sip and does not smell Feklushi, but it is customary to take into account that Katerina herself did not overhear such mandrivers and overheard them unhappily. Katherine's monologue, which plays the key role of tragedy, is a casual look. Navit mandrіvniki in the houses of Kabanikhs іnshі, z-pomіzh quiet hypocrites, yakі “due to their weakness they didn’t go far, but a little richly chuli”. And the stench murmurs about the "remaining hours", about the possible death of the world. Here, religion is mistrustful of life, as it plays into the hands of the suspenstories, the despotic Kabanikhs, angry mistrust, which broke through rowing, rushed forward the people's life.
At Katerina's booth, there were always a lot of sides and prayers, roses of those (that and the whole situation in the booth) were broken into a religious one, broadly believing in the commandments of the church. It's no wonder that love before Boris takes it like a big sin. Ale Katerina “sings” in religion. Vaughn is endowed with a bright veil and merriment. Hearing different stories, you won’t be able to see them in reality. I often dreamed of heavenly gardens and birds, and if she entered the church, she would dream of angels. Navit mova її musical and singing, guessing folk sayings and songs.
Katerina’s dreams are not “staying hours”, but “inhabited lands”: “Because the temples of gold, or plant like unimaginable ones, and all the invisible voices sing, and the smell of cypress, and the burning of that tree is not like that, like it’s amazing, but like write on images. And in dreams - a dream about a harmoniously happy life: a garden where a mother's house turns into a garden of Eden, invisible voices sing on the sides, spiritual inspiration goes to a free water. "Heavenly" and Katerina's dreams are organically connected with everyday, earthly things. Dreams played a special role in folk religions.
Katerina experiences the joy of life in the temple, bow to the sun in the garden, among the trees, herbs, flowers, the freshness of nature, which is thrown: I myself don’t know what I’m praying for and crying about; so know me.
The religion of Katerina is not the sanctity of Kabanikhi. Katerina, as she so wonderfully perceives everything more poetically, unlike the navkolishniy but, she adds to religion an aesthetic beak: the beauty of retellings, church music, icon painting.
Katerina with a deep breadth to believe in the legacy of national morality, as if they knew their own victory in Christianity. Vaughn is pure in soul: nonsense and disgrace їy alien and ogidnі. The straightforwardness of the heroine of Ostrovsky is one of the turns of the tragedy. Katerina understands that, having fallen in love with Boris Grigorovich, she broke the moral law. “Ah, Varia,” she says, “the sin is in my head! I’m poor, crying, why didn’t I rob myself already! Don't drag me into this sin. Don't get in anywhere. Come on, come on, come on, come on, my terrible sin, Varenko, why do I love a friend? But even if not with a mind, then with her heart Katerina recognized the inescapable correctness of other laws - the laws of freedom, kohanny, people. її zamіzh for unloving, її zarazhuє chelovek for the sake of a drunken rozguly, її imperceptibly tyrannize the mother-in-law, її terrified of living in captivity.
Through the whole p'єsu go through a painful struggle at the witness of Katerina, between understanding one's own wrongs, one's own sinfulness and invisibility, but all the more dominating one's right to human life.
However, religion, a closed life, the appearance of a non-Abian sensibility have negatively impacted his character. To that, if the hour of a storm came, she smelled a cursed half-witted lady, then she began to pray. If she danced on the walls of the little ones “fiery hell”, she didn’t show her nerves, and she knew Tikhonov about her love before Boris. Religiousness to inspire as if you see such a picture of the heroine, as an exercise of independence and truth, courage and rarity. The tyrant of the Wild and forever dear and hated by the relatives of the Kabaniha is in no way intelligible to other people. Have a partner with them, or with a characterless Tikhon, which sometimes allows you to go on a spree for a few days, with Boris, a late estimate right kokhannya, the character of Katerini becomes especially addictive. She doesn’t want to and can’t cheat and directly declares: “I can’t deceive; I didn’t grab anything in a moment)”.
In the boar kingdom, de v'yane and hanging vaga alive, Katerina has a hard time for the spent harmony. Її love is similar to the bazhannya raise your hands and fly, in the presence of it the heroine checks a little too rich. Love before Boris, obviously, tight її not vgamuє. Yogo kokhannya is everything for Katerina: a tight will, a thought about the right life. And in the name of this fool, she enters into a nervous duel with the "dark kingdom".
At the fourth scene, at the stage of repentance, there is a breakup. Everything is against Katerina in this scene: “the storm of the Lord”, and the fear of panis with її proklions, and an old-fashioned picture on the inlaid wall, which draws “hell on fire”. The signs of the passing of such a tenacious old world were not enough for such a tenacious old world, and in the lighthouse, in the camp of gloom, she repented of her sin. Vaughn herself sweats to Boris, that she was "in her own mimicry bula", "she did not remember herself." Yakby ended the drama "Thunderstorm" with a scene of repentance, and he would show the impermeability of the "dark kingdom". Adzhe for example of the fourth act of the Kabanikh triumphs: “Sho, sinku! Wherever the will is!”
But the drama ends with Katerini's moral victory over the dark forces that are suffering on her. His guilt is won at a worldless price, and in the face of captivity, that humiliation goes along the same path, which is how it was.
Ending life with self-destruction, repairing the look of the church, a terrible sin, you don’t think about the mess of your soul, but about the kohannya, as if it were crying out. "My friend! My joy! Farewell! - Leave the words of Katerina.
The storm won’t be taken out like a slut, for it’s like a scolding. Those that live in your soul are similar to those that live in stormy skies. This is not slavery, this is jealousy. Katerina is one heroic, like a prejudiced and reckless love crush, and a deeply summed nationwide repentance. "What a conscience!... What a mighty conscience... What a moral strength... What a majestic, puffed up fire, more powerful that beauty," - writing about Katerina - Strepetova V.M. Katerina realizes her fault no less before Tikhon and Kabanikhoi, and not so before them, like before the world, before the world, before the kingdom of high goodness. It’s up to you that the whole universe of images is a behavior. The soul of Katerina in the Kingdom of Kalinin is rejoicing, passing through a stormy baptism between two protaneously charged poles of love and obsession, so that again to come to harmony and voluntarily deprive this world of awareness of one’s rightness: “Whoever loves, that one prays.” The life of Katerina in Kalinov is transformed into an animal and vyanennya, at death there is a reaffirmation of the truth of life, as if she saw the heroine in her youth and that she did not know a shelter in the world of the Wild and Wild Boars, in the crisis of bourgeois Russia. The death of Katerina is foreseen and unavoidable, as if people had not led themselves to lay down their lives. Katerina is a victim of no one - but of the restless, but a life break. world patriarchal vіdnosin die, and the soul of his world goes from life in torment and suffering.
Katerina near the heroes of A. Ostrovsky's story "Thunderstorm"
A. N. Ostrovsky p'єсі "Thunderstorm" dividing people into two categories. Some of them are the tormentors of the "black kingdom", others are people who are slaughtered by them.
I'll start with rottenness. The stench is also different people and in a different way to be placed before the neighbors. Wild - the people are rude, unlit and greedy. It seems about something new: “Already such a like, like we have Savel Prokopich, joke! Wrong man ripped off. It is unimportant to be wild before people, as if it were new to lie down and be afraid of yoga. Os, for example, Wild to Kuligin: “For others, this is a fair person, but I think that you are a robber, the axis is all. Would you like to see me a little? Oh, listen up! I say that the robber is a killer! Well, are you calling before me? So you know what a worm is. If I want, I will have mercy, if I want, I will crush.” Ale Wild Water hour and fearful. Vin don’t lie with Kudryash, for example, the shards of Kudryash can give advice. Dobrolyubov at the article "Dark Kingdom" gives the following assessment of the behavior of the Wild: "Only you will show here a strong and decisive vision, the strength of a petty tyrant falls, you begin to cowardly and perish."
Now let's talk about the helpless, downtrodden people of the "dark kingdom". Tse Tikhin and Boris. Tikhin for the nature of good, naivna people. To myself, I seem to say: “That I am, mom, and I don’t want to live by my own will. Why should we live by our own will! Tikhin zavzhdy uphold the will of his mother. Vin may not listen to his mother. Tikhin, obviously, in his own way to love Katerina, wines are widely placed before her and that shkoduє її. Vіn mаgaєєєєєєє svіlyakimi ways virvatisa z home hell, but tse tse go out seldom. Kudi yak fun with you їhati! You have already visited me here! I do not have tea, like virvatisya; but still nav'yazuєshsya zі me, ”- seems to be the fault of the squad.
If Katerina is a wife, Tikhin navit zazdrat їy. Vіn kazhe: “Good for you, Katya! And now I’ve lost my life in the world and I’m tormented!”
Boris, in essence, is such himself, like Tikhin, and yet you see from all the people of Kalinov’s place his illumination, perhaps, Katerina commemorates him. Vin is fearful. In the presence of the rest of Katerina, if already knowing that Katerina was gone, Boris was afraid: “We wouldn’t be found here.” Boris is the undisputed culprit of Katerina's death. Katerina rozcharovuetsya at the newcomer.
New protilezhnistyu Boris є Kudryash. Curly volitional, you don’t want to be petty tyrants. "Ni, I will not become a slave to him." Curly recklessly love Varvara and stand up for your feelings. Curly is not baiduzhiy to the share of other people. Until the speech of Kudryash Barbara. Vaughn is straight ahead of his brother. Barbara does not succumb to the tyranny of her mother. Vaughn is merciful and rishucha. Barbara is not marnovirna and respects the obligatory dormancy of the voices, but she can stand up for her rights and is embarrassed by cunning and foolishness. Barbara, who was growing up in nonsense, is trying to understand the rules: "Robi, what you want, abi only sewed that critically bulo." She hates the lack of character of her brother and hates the heartlessness of her mother.
Kuligin - consecrated that talented person. Vіn zakhopleno that poetically put up to nature. “Miracles, it is truly necessary to say what miracles! Curly! Ax, my brother, for fifty years I marvel at the Volga today and I can’t marvel all the time. Kuligin is embarrassed by the darkness and the non-government of Kalinov’s place. Ale Kuligin razumіє, scho, even if it’s a little bit robbed of wine for a richer life, everything is marne and you need to calm down.
The whole system of imagery is blatantly based on Katerini's self-sufficiency in that direction. Її the character is insane from the “dark kingdom”. Life shtovkhaє її to the urvish, to death - there is no other way in it.
The symbolism of A. N. Ostrovsky’s song “Thunderstorm”
Crimson exact social and historical characteristics, "Thunderstorm" can be clearly expressed with a lyrical cob and strained symbolism. I those and іnshe we were tied with the image of Katerini. Її the share of this movie Ostrovskiy is consequently spying on the plot and the poetics of the lyrical songs about the hour of the night. In this tragedy, Katerina's speech about the life of a girl, a monologue before the rest of Boris's ramblings, is vividly told. The author poetizes the image of the heroine, the image of the heroine, victorious in order to create such a non-traditional for dramaturgy zasib, like a landscape. In the words of Katerina, stunted before Barbara, the motif of birds and polotu is established; And ryatuє Katerina from life in captivity Volga, which symbolizes the distance and will.
"I'll die soon," Katerina says. Don't think about it, don't think about it: No, I know that I'll die. Heart її chuє: “Be a sin for some reason! Such fear on me, such fear on me! It’s as if I’m standing above the water and I have something to do there, but there’s nothing for me to take care of.” Only to the fact that Katerina herself is in such an anxious mood, you can so cast the prophecy of the divine lady, like a viguku, pointing to the Volga: “The axis of beauty - where to go. Axis, axis, u vir. “Be good without you! Be good! Katerina is in the world wonderfully, її death is the last sleep of the radiant and selfless love to the trees, birds, flowers and herbs, to the beauty of the harmony of God's world.
"Let's change the light from the dark kingdom" naming Dobrolyubov Katerina. Naming no less than that, that this tragic death revealed all the vigor of the dark kingdom and showed the inevitability of death for those who cannot reconcile with this anger. Naming that the death of Katerina will not pass and cannot pass without a trace for the “zhorstok vdachas” of the trading place. Obviously, Wild people do not stop robbing the people and “there are more pennies to make money on yoga”.
"Thunderstorm", in the words of Dobrolyubov, "Ostrovskiy's best tvir", because it marks the near end of "tyranny of power". The image of Katerina wines has an instillation of "Russian living nature". Katerina vvazha for better die, less live in captivity.
“... The end of this is given to us in the past,” the critic writes, “it’s easy to understand why: a terrible cry of arrogant power has been given to him, it seems like he can no longer go far, it’s impossible to live far away with violent, dead cobs. Katerina Bachimo mi protest against the boars to understand about morality, protest, there are enough reports, votes and under the home torte, and over the water, at which the poor woman rushed. You want to be reconciled, you want to fawn over the zhalyugid animals, like you give for її I live my soul ... ”In the image of Katerina, Dobrolyubov’s thought was inspired by“ a great national idea ”- the idea of \u200b\u200bfreedom. The critic, having respected the image of Katerina, was close to the camp and to the heart of the skin of an orderly person. At the same time, Dobrolyubov showed that Katerina’s self-destruction is “refreshingly refreshing” - this “terrible death” is to talk about those who “knew in the life of life the rіshuchіst … pozbutisya … their tormentors”. “Malyuyuchy us at the bright picture of a pardon, with the help of their traces”, what I need is a better one.”
The great critic has arguably shown that p'esa revealed “the need for the Russian life” and that “Russian nature is alive in Katerina” and “Russian atmosphere is in everything necessary”. Dobrolyubov rightly recognized that Katerina is a “Russian strong character”, which she shows herself, unrespectfully on like a shift, and if you don’t get enough strength, then die, or don’t change yourself. Ostrovskiy's description of the spontaneous, bold, wholesome character of Katerina Dobrolyubov correctly assessed the mastery of the playwright in the creation of a true Russian and folk image.
Visnovok
You can really call Katerina for її fatal decision, but you can’t help but groaning with the integrity of її nature, burning to the will, rіshuchistyu. Death struck such downtrodden people, like Tikhin, who at the vіchі sounds like a mother at the death of the squad.
Otzhe, Katerina’s vchinok was truly “a terrible call of tyranny of power.” Later, in the “dark kingdom” the people of the country have bright natures, as if their lives and death can hang the “kingdom”.
List of victorious literature
Anastasiev A. "Thunderstorm" by Ostrovsky. Moscow " Art literature", 1975, p.104.
Kachurin M.G. Motolska D.K. "Russian Literature". Moscow "Osvita" 1986, p. 49 - 57.
Lobanov M.P. Ostrovsky. Moscow 1989 (ZhZL series)
Ostrovsky O.M. "Thunderstorm", "Dowryless". Leningrad "Child literature" 1982, p. 163 - 166.
Ostrovsky O.M. "Create chosen". Moscow "Child Literature" 1965, p. 150 - 152.
Ostrovsky O.M. "Vybranny p'yesi". Moscow "Osvita RRFSR" 1959, s. 152
Ostrovsky O.M. "P'yesy". Moscow "Child Literature" 2004, p. 17 - 19.
Pisarev D.I. "Motives of Russian Drama" Leningrad. "Art Literature" 1981, p.651 - 658.
Russian literature has a truly Russian image of a woman (Apollo Grigoryev).
The image of Katerina Kabanova in the drama "Thunderstorm"
The childishness of the heroine defines her character:
“She lived .., like a bird in the wild”, “I didn’t flinch”, “we have a new house of mantras and prayers”, “I loved going to church to death!” .
It is important that Ostrovsky chooses a character from the merchant middle class, like a patriarchal, alien to the new spirits, to evoke the strength of the heroine's protest and the drama of the conflict.
Katerini's character
The playwright is naked on the offensive rice in the image of a heroine:
- strength of character
“So I was already born, hot!”, “But if I’m cold here, then don’t hit me with any force. I’ll throw myself at the vikno, I’ll throw myself at the Volga. I don’t want to live here, so I won’t, if I want to live less”;
- truthfulness
“I can’t deceive; I can’t grab anything”;
- long-term patience
“Already I’m more patient, I’ll be patient.”;
- poetry
"Why don't people fly?";
- religion
"For sure, it used to be, I'll see heaven, and I don't care for anyone, I don't remember the hour, and I don't feel if the service ends",
setting up for the sake of yak sin, to self-destruction yak sin
- zaboboni (fear of a threat like God's curry).
Katerina at the figurative system p'yesi
The heroine can stand up to them at once:
- the resistance of Katerina and Kabanikhi signifies the main oval conflict of the p'esi (opposition to the new and patriarchal ambushes - Domostroy);
- the strength of the character of the heroine to resist the character of the heroes, Tikhon and Boris, like people who have subdued themselves under the power of tyrants
“Before Boris, її are not the only ones who are like wine, who look like wine, and behind promos are not similar to others, who will vanish її; to a new burden, її and the need for love, as if she did not know her own way in a man, and is depicted almost as a squad and a woman, and the deadly pressure of a single-mansion life, and a blessing of will, space, hot, undefended freedom.
Boris and Tikhin - twin images;
- Katerina appears to be commemorated by those who express their protest against the "dark kingdom" - Varvara and Kudryash. However, the stench sticks to life
(Barbara deceives, that one cannot be without deceit, Curly behaves like that, like Wild) until the singing hour, and then run. Statement: Katerina - Varvara-Kudryash - the younger generation to resist the "dark kingdom". References: Varvara and Kudryash big vilni, Varvara is independent, Katerina is a married woman.
- the image of Kuligin can be compared with the image of Katerina, the shards of wine also protest against the image of Kalinov
(“Zhorstokі zvichaї, kindness, in our place”),
Prote protest yogo is expressed exclusively verbally.
Our presentation about Katerina:
- exercise to love a person,
- look at the sound of Boris,
- I feel like I'm viriving the names, zustrіchi with Boris,
- gnіt sin, thunderstorm, vyznannya,
- the impossibility of living in the booth of the Kabanovs after being expelled,
- the struggle between the understanding of the sin of self-destruction and the daily exit,
- death.
Create the image of Katerini
The stench reinforces the bitterness, for example, in my character, de richly poetic words, it is especially manifested in the monologues of the heroine.
The historical significance of the appearance of the Russian female character of the image of Katerina in the literature of the other half of the 19th century is the transfer of the need for changes in the social life of Russia.
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