Creative history of the creation of Evgen Onegin. The history of the creation of the novel "Evgen Onegin
"Eugene Onegin" rightfully stands apart among the works of Russian literature of the 19th century. This is one of the most harmonious for the composition, and the richest for the best of Pushkin's works. Dedicate more than 8 years to Oleksandr Sergiyovich to his child: having begun work on the novel at the top of the spring of 1823, completing the work of more than 1831 until the autumn of 1831.
Vіn then throwing the work over Eugene Oneginim, then I start to work on it again. Mentally, the work on the novel can be subdivided into several stages, such as Pushkin's life was trapping without a face: and pivdenne zaslannya, and Boldin's autumn, and low, boisterous novels. Mustaches were seen step by step, accepting writing, one by one. The rest of the author's version of the light at 1837 roci. Zgіdno z opisom, podії in novії ohoplyuyut intermittently for an hour stretching 6 years. At the process of confirmation, the heroes grow up, pass deaks life way And they transform from merry young people and girls into mature specialties.
Zavdyaki vyslovlennyu emotsiy geroїv vіglyadі vіrshovanoї form, the novel is filled with great lyricism and variety, in such a rank, the reader becomes sensible and accessible the whole palette of sensibilities, as if the author laid the foundation. Krіm tsgogo, Pushkin to introduce a novel to himself as one of the heroes of the opovіdі, vіn takes the leaf of Auntie from himself and sings with Oneginim from Petersburg. In the novel there are impersonal lyrical openings, de Pushkin shares with the reader his thoughts and experiences, niby vіchuyuyuchis in the course of that main line of opinion.
Analysis of creativity
The main plot of creation
The plot is based on a love line: the young Tetyana Larina succumbs to the extraordinary specialty of Evgen Onegin. We call you young, already languishing in the galasliva vanity and tinsel of the superfluous, and calling your soul a cold one. A young girl zakokhana navazhuetsya on the vіdchaydushny krok and write a sheet of znanny, de zі authoritative її natsіy nаtі pіlіvaє vgenovі vіlivaє vgenovі his soul i vyslovlyuє hope on the possibility of romantic stosunkіv mіzh them. The hero does not show Auntie in return, what else can hurt you. Among young people, there is a richer explanation, and Onegin softly speaks of Tetyana about those who are already unable to fall in love with such a callous soul, let such a young and beautiful girl, like Tetyana. Later, if Larina became a zamіzhnoy zhіnkoy i, it would be better to know quietly family happiness, the paths of the heroes change again. Onegin's mind, like a greedy pardon for wines, but, unfortunately, it's already impossible to correct. Tetyana imovlyaє her famous "...but I'm not for another, and I'll be forever vіrna ...", which put a spot in the history of love, which I didn't know.
Impersonal pardons, like powerful work for people, especially in youth, made young heroes buti at once, without respect for each other. Just passed through the low spiritual shocks, Onegin's mind, that Tetyana is that girl, for which wine could be even more happy, but, as usual, her mind is too tired. All the same, insanely, zmushuє chitacha zaslititsya over him, and chi not to break the wines of such a pardon. And, it’s possible, I’m tired of thinking about the past sums, or I’m afraid to live the sticks again and feel the lower ones.
Head Heroes
One of the main heroes is Evgen Onegin. Closures unak zі collapsible character. The author does not navmisno idealize his image, endowing his us with such imperfections, like sounding like a real person. From childhood, not knowing the need for anything, being the son of a Petersburg nobleman. Yogo's soul was not heavy to work, was reduced by novels, balls and scientific works of beloved authors. The life of yoga was so empty, like in a million of such gentlemen's own in that hour, full of buns and empty, stupid spitting of life. As it happens, as a result of a similar way of life, Evgen has become a right, callous egoist, who thinks only about good satisfaction. It’s not a sin not to put someone else’s feelings and with ease imitates a person, as if she fell down on you not to the soul, or she didn’t express a phrase that was inaccurate at your glance.
Tim, for an hour, our hero’s indulgence and positive figs: for example, by stretching out a mustache novel, the author shows us how much Onegin is heavy to science and knowledge. Vіn postіyno at the request of the one with whom you can expand your knowledge, practice the practice of philosophers, conduct intellectual conversations and superechki. Crimea, on the vіdmіnu vіd odnіtkіv, yomu, the vanity of the balls and the hour spent without a head is already swirling. Sooner or later, the reader can watch for his special growth, at that hour, as his friends, one by one, inevitably degrade, turning into flabby assistants.
Irrespective of his disappointment, that dissatisfaction with this way of life, which is the cause of confusion, no one has spiritual strength, that motivation breaks the closed ring. Vіn not vhopivsya for that ryatіvnu straw, yak stretching out to you that bright maiden Tetyana is pure, knowing at the kohanna.
The turning point in his life was the driving in of Lensky. At this moment, Onegin's eyes are spitting, and the mind is small, all the amount of reason. Seemingly like a litter and finishing the conscience of the trembling tikaty, and righting the expanse of the country, spodivayuchis shovatsya in the "crooked fog" of a beaten friend.
From the tripartite voyage of wines, we turn to our other people, mature and enlightened. I know the sister of Tetyana, as at that moment she was already friendly, she was wise, that she was sensitive to her. Vіn bachel at her grown-up sensible woman, miraculous spirit and mature nature. Vіn is afraid of її greatness and coldness of the world, not knowing in nіy ієї timid and lower silskoї maiden, which її knowing її earlier. Now there is a loving squad, that tact is good-natured, that streamer is calm. Qiu woman's veins will suffocate without memory, and her veins will ruthlessly exclaim.
This was the finale of the novel, away from the life of Onegin and Auntie, they become invisible to the reader. Pushkin does not give any kind of food for food about those who, ch zmіg Evgeniy will calm down and forget your kohannya and how will you spend your coming days? Chi bula far away happy Tetyana is friends with an unloved person? Everything lost its mystery.
No less significant image, descriptions in the novel - the image of Tetyana Larina. Pushkin describes like a simple noblewoman from the provinces. The lady is modest, not endowed with special beauty and seductiveness, however, she may have a deep rich-faceted inner light. Її romantic poetic nature fascinates the reader and frightens to sympathize with and experience її suffering from the first to the last row. Pushkin himself is more than once confessed in love to his heroic heroine:
« Vibatch me: I love you so much
My dear aunt!"
Tanya's growth is closed, zanurennuyu vlasnі pochutya, closed girl. Books became my best friends early on, from which they joked about all the food, through the sidelines of novels they knew life. Tim is more wondrous looking at the reader of unstoppable blows of Auntie and її vіdvertiy leaf to Onegin. Such a behavior is not overbearing to our character and to tell about those who seem to have been saved before Eugen, the floors were stronger, who obscured the mind of a young girl.
The author gives us an understanding that after the thought, and after the trivial departure of Onegin, and after the death of Tanya, Tanya does not stop loving yoga. However, the majestic nobility and almost dampness do not give her the ability to rush to embrace yoga. She respects her person and protects her family. Seeing the impressions of Onegin, she looks to herself like a vignantly feisty, strong, that wise woman. The Borg seem to be over everything for her, and the decision to zmushuє chitacha will change to a heroine with a deep pogogo. The suffering of Onegin's life is the natural finale of his way of life and vchinkiv.
(Illustrated by K. I. Rudakov "Evgeniy Onegin. Zustrich in the garden", 1949)
The crime of the main heroes, the novel describes the impersonal other characters, but such a clear characterization, like Tetyana and Onegin, does not take more than anyone. Hiba scho Lensky the author attaches great respect. With bitter guilt, I describe my tragic fate with an unfair ending. Pushkin characterizes him as a pure young man, with a clean reputation and high moral authority. Vіn talanovitiy i rvuchkiy, ale with whom else is noble.
Visnovok
It’s okay to take a description of the nature of the novel: the author adds an hour to it. We can know on the sides of the novel the miraculous pictures that make Moscow, St. Petersburg, Crimea, Odessa, the Caucasus, and, obviously, the miraculous nature of the Russian hillock before our eyes. Everything that Pushkin signifies is a typical picture of a Russian village. At the same hour, you can work so masterfully that the pictures created by him literally come to life with the reader’s eyes, bewitch Yogo.
Not marveling at the unfortunate ending to the novel, yoga cannot be called pessimistic. Navpaki, there is a great number of bright living moments that amaze the reader in a beautiful future and hope to marvel at the distance. There are so many bright, right feelings, noble porivivs of that pure kohanna, that the novel is more edutainous and leads the reader to positive emotions.
The whole composition of the novel was completely harmonized, wonderfully, looking at those, with some great breaks, the author again started to work on it. Budova maє chіtku, string that organic structure. Podії smoothly vіdbuvayutsya one zіnshoy, stretching the whole novel zastosovuєtsya loves Pushkin's reception - Kіltsev's composition. Tobto the place of cobs and kіtsevyh podіy zbіgaєtsya. The reader can also see the mirror and symmetry of the undertones, which are seen: Tetyana and Evgen kilka once in similar situations, on one of them (Vidmova Tetyany) the novel is interrupted.
Varto signify that there is a love story in the novel that cannot have a successful ending: like my sister Tetyana, Olga Lariny was not destined to know happiness with Lensky. The range of heroes is shown through the typography: Tetyana and Olga, Lensky and Onegin.
It should be noted that "Eugene Onegin" is truly a confirmation of Pushkin's non-abyak poetic talent and lyrical genius. The novel is read literally in one breath and chomps from the first row.
The "Yevgeniy Onegіnі" marked the whole life of the Russian society at the beginning of the 19th century. Prote two centuries of this tvir tsikavo in the historical and literary plan, and in the plan of the relevance of nutrition, as if putting Pushkin in front of the reading public. Kozhen, inventing a novel, knowing his own way in a new one, having lived through the heroes, denoting the lightness and mastery of the style. And quotes from this creation have long become aphorisms, they are inspired by those who have not read the book itself.
A.S. Pushkin created this tvir for about 8 years (1823-1831). The history of the creation of Eugen Onegin began in Chisinau in 1823. I have seen the story of "Ruslan and Lyudmila", but the subject of the image was not historical and folklore characters, but contemporary heroes and the author himself. So he sings beginning to practice along the lines of realism, gradually moving towards romanticism. During the period of Mihailivsky's sending of wines, he continued his work on the book, and having completed the first hour of the long-awaited affliction near the village of Boldine (Pushkin was plagued by cholera). In this manner, while creating history, the creation has taken away the “kindred” fates of the creator, if its mastery has evolved with a crazy swedishness. So, in this novel, all those whom I have learned in an hour, all those who I have known and recognized, have been included. Possibly, this furnishes the TV with its own depth.
The author himself calls his novel "collections of strings of divisions", skin of 8 divisions may reveal self-reliance, even though the writing of "Eugene Onegin" has been three years old, and the episod of leather has shown a song stage in Pushkin's life. Partially the book came out, the release of the skin became a podієyu in the world of literature. Outwardly seen, the world succumbed to less than 1837 rock.
Genre and composition
A.S. Pushkin wrote his own tvir like a novel among the verses, subduing it, it’s lyrical-epic: the plot line is expressed by the love story of the heroes (epichne cob), by the words of the author’s thoughts (lyrical cob). The axis of why the genre of "Eugene Onegin" is called "novel".
"Evgeniy Onegin" is made up of 8 divisions. In the first divisions, readers get to know the central character Eugene, move from him to the village at once, and get acquainted with their future friend – Volodymyr Lensky. The dramatism of the story increased with the help of the appearance of the Larin family, especially Tetyany. The next chapter is the culmination of Lensky's and Onegin's speeches and the passage of the protagonist. And at the end of the work, there is a decoupling of the plot line of Yevgen and Tetyani.
The lyrical voices are related to the rhyme, but also the dialogue from the reader, they support the “free” form, closeness to sincere conversation. The same factor can explain the incompleteness, the ending of the skin division and the novel in a flash.
About what?
Youthful, even though the nobleman is already disappointed in life, he takes away his mothers from the recesses in the village, destroying them, helping to develop his own nudga. we repent from the fact that we are sick of an uncle, who has left his ancestral nest to his nephew. However, the strong man will soon come to the hero, his reasoning would become unbearable, as if he did not know the poet Volodymyr Lensky. Friends - “the leader of that half-moon”, but they did not respect the friendly stosunki. help others to grow up.
Lensky to know a friend with the Larin family: an old mother, sisters Olga and Tetyana. Sings for a long time suffocating at Olga, winding up a coquette. The rather serious and grandiose character of Auntie, as if she herself would suffocate at Yevgen's. For a long time, the hero has been painting for a long time, only a comrade has been left without showing up. The girl suffers, torments, write a romantic sheet. Onegin, however, is satisfied, but wise, if you can’t feel the same way on such a bias, then you give the heroine a zhorstka. Tsya situation to lead її into depression, it’s famously transferring. I came for the truth. Onegin tries to take revenge on Lensky through a violent welding, but he chooses a stingy zasib: he will kill Olga. He sings images, calls his friend to a duel. Ale blame kills the “follower of honor” and here forever. The essence of the novel "Evgen Onegin" is supposed to be in the fact that it shows everything. Golovnya, on the basis of which the war is respected, describes the Russian life and the psychology of the characters that develop under the influx of the depicted atmosphere.
Tetyany's protege and Evgena's work is not finished. The stench is chirping at the secular evening, de hero does not lure a naive girl, but a mature woman in full glare. І zakohuєtsya himself. So torture and write a messenger. І zustrіchaє taku vіdpovіd. So, the beauty didn’t forget anything, but it’s pizno, out of the “inshoy vіddana”:. Kokhanets, which is not seen, is left with nothing.
Head heroes and their characteristics
Image the heroes in "Yevgeniy Onegini" - not a vipadical dobirka of diyovih osib. Tse miniature Russian Suspіlstva that hour, all the types of noble people were scrupulously resurrected: the poor helper Larin, yogo svіtsk, but the squad descended into the village, Lensky sings of sings and impromptu, yogo is light-weighted and windy pasіya, etc. You must represent the imperial Russia for hours of your rozkvit. Not less tsіkaviy i samobutnіy. Below is a description of the main characters:
- Evgen Onegin is the main character of the novel. Vіn you carry dissatisfaction with your life, vіd it. Pushkin reportedly spoke about the middle, in which the young man was, about those, like the middle formed his character. Vihovannya Onegin is typical for the nobles of quiet roki: superficial illumination, directed at those who would be successful in a decent life. Vіn getting ready not for help, but only for secular rozvag. To that, from a young age, I got tired of the empty glare of balls. Vіn maє "souls with direct nobility" (feeling friendly pretentiousness to Lensky, not calming Tetyanya, barking її love). The hero of the building on the deep is a little bit, but he is afraid to waste his will. Ale, not respecting nobility, wine is its own, and self-admiration lies at the basis of all yoga feelings. The work has written a report characterization of the character.
- Even Tetyana Larin's face is strongly shaken, and his image remains ideal: wholesome, wise, strong nature, ready for anything for the sake of a mess. Vaughn grew in a healthy environment, in nature, and not in the light, to that in the strongest right, it feels like: kindness, faith, goodness. The girl loves to read, from the books she has drawn the image of special, romantic, haunted by mystery. The very image instilled in Yevgenia. I’m addicted to Tetyana, truthfulness, that purity was seen by everyone. Vaughn did not calm down, did not flirt, but took upon herself the courage to confess. Tsej vіdvazhny i chesny vchinok do not know vіdpovіdі in the heart of Onegin. Vіn fell in love with її on this rock in the night, if she shone in the light. Glory, that wealth did not bring happiness to the woman, she went out for the unloved, but the face of Evgena was impossible, the family oaths were holy for her. Report about your work.
- Tetyani's sister Olga does not have a great interest, in her there is no welcome hot kuta, everything is round, not without reason Onegin equals the moon. The maiden accepts the name of Lensky. I be like another person, more, why not accept it, it’s coquettish and empty. Mіzh sisters Larinim once posterіgaєtsya majesty vіdminnіst. The young daughter went to matir, she became a socialite, forcibly ensnared in the village.
- Volodymyr Lensky sings to himself at the flirty Olga's. It’s sing-song, to that it’s easy to remind the empty space with a damp zmіst in the dreams. The hero is still burning with fire, subtly observing and analyzing little. He has a high moral understanding, that is why someone else's light is not destroyed by him. Just as Onegin roamed and danced with Olga only as a nuisance, then Lensky drank at the other hospital, becoming a friend of a sinless maiden. At the maximalist sprinyatti of Volodymyr, he once rose a hundred years that duel. The program sings at Newomu. The author put food, what could check the character for a friendly result? Visnovok nevtishny: Lensky became friends with Olga, became the greatest helper and calmed down in a routine stomach. So you may need.
Those
- The main theme of the novel "Evgen Onegin" is great - the whole Russian life. In the book of testimony, there was that wihovannia near the world, near the capital, the countryside, the name of the occupation, the daubing of types and with this unique portraits of characters. Mayzha, two centuries later, the heroes are known as figures, powerful and modern people, who represent deeply national.
- The theme of friendship is also featured in "Eugenia Onegina". The main hero of that Volodymyr Lensky was rebuked by a close friendship. Ale chi can you help me? The stench rushed out of the forest in the nudga. Yevgen was widely attached to Volodymyr, who, with his spiritual fire, warmed the hero's heart coldly. Prote is so very smartly ready to pretend to be a friend, crowed with yoga kohana, as if I were glad of it. Eugen thinks only to himself, you absolutely do not care about other people, he could not save his comrade.
- Kokhannya is also an important topic for creation. All writers can talk about it. Pushkin did not become a blame. In the image of Aunt, she is expressed shira love. Vaughn can rozvinutissya vseperech usoyom that zalishitissya for all life. Onegina doesn’t love anyone and doesn’t rest like a head heroine. Having let in such a thing, you are left unhappy for all your life. On the face of the sacrificial, all-forgiving, almost maiden, Onegin's emotions are self-love. Vіn zlyakavsya a timid girl, as if she squirmed forward, for the sake of which it was necessary to throw the ogidne, but it was brighter. Ale Evgen was rooted by a cold worldly beauty, who has an honor, not those who love її.
- The theme of zavoї people. Inspired by realism, tucked into Pushkin's creativity. The sharpness itself made Onegin so enchanting. Itself volіlo bachiti in the nobles surfacing, directing the usіh zusil of the creation of the bliss of the world. I don't need anything more. Navpaki, vihovannya from folk traditions, the support of ordinary people robbed a healthy soul, and a whole nature, like Tetyany's.
- The theme of recognition. Tetyana is her first and strongest love, and Olga is light-weighted, modest and ordinary. Sisters Larini's whole protege. In Olzya there is a typical svіtskaya maiden, for some smut - out herself, standing up to her, that can be changed, as a short version. Varto bulo Onegin to say a couple of receiving words, she forgot about Lensky, the pretentiousness of such a richly strong man. Well, Auntie's heart is true to Evgenov's life. Navit if you trampled on її feeling, you would check for a long time and could not know anything else (I am aware of Olga, as I was suddenly inspired after the death of Lensky). The heroine had a chance to go abroad, but in her soul she continued to be faithful to Onegin, even though she was no longer able to be.
problems
Even ostentatious is the problem in the novel "Evgen Onegin". Vaughn shows both psychological and social, and political shortcomings and brings about the tragedy of the system. For example, the enemy is outdated, but there is no less motor drama of Mother Tetyany. The woman was seen abroad in the afternoon, and she was angry under the onslaught of the furnishings, becoming an evil despotic ruler of the hated mother. And the axis, destroying actual problems
- The main problem, which is raised by all realism in general, is that Pushkin in “Eugenia Onegina” zokrema is a ruinous influx of svіtskogo suspіlstva on the soul of a person. The hypocrisy and the greedy sharpness reveal specialness. Vono shows signs of great decency: a young person is guilty of a trifle French, a trifle to read fashionable literature, to be decently and expensively dressed, to cope with an injury, to say hello, and not to be. And everything feels so false here, the stench is less likely to be given. The axis of what the svіtskі svіlstvo takes away the best from people, it chills the best half-mind with its cold deceit.
- The spleen Evgenia is another problem food. Why does the main character fall into depression? Not only through those that yogo zіpsuvalo suspіlstvo. The main reason is not to know how to get food: is it all right? Are you still alive? Sob їzditi to theaterіv, in Bali and take it? The presence of the vector, straight to the rumble, the recognition of the lack of stupidity of the foundation - the axis of the feeling, like Onegin is being slandered. Here we face a calm problem of the sense of life, as it is so easy to know.
- The problem of egoism is seen in the image of the main character. Understanding that nothing can be loved by that cold world, Evgen, having become to love himself the most in the world. To that you don’t give a damn about Lensky (whine only develops nudga), at Tetyana (you can choose freedom), you think only about yourself, but for the sake of punishment: you’ll be left alone and forsaken by Tetyana.
Idea
The main thought of the novel "Evgeniy Onegin" is criticized by the essential order of life, which attaches greater or lesser inconsistency of nature to self-reliance and death. Even though Evgenia has more potential, but if you can do it, there are no more worldly intrigues. Skills of spiritual fire at Volodymyr, and around the death of yogo, we can only ask a little less in the suffocating, suffocating middle. There are some soulful beauty of that rose in Tetyan, and there you can be less the master of secular evenings, get in that empty news.
People who do not think, do not roam, do not suffer - the axis of t, who suits reality. This is a life of comfort, as if you live for the rahunok of others, as if to shine at that hour, while you, “inshi”, live at the vigilance of that brotherhood. Thoughts, over which Pushkin pondered, merit for respect and ponin, they become important and vital.
One more sense of "Eugene Onegin", which laid down Pushkin in his work, - show how important it is to preserve individuality and honesty, if that fashion is fiercely calm, that way, more than one generation of people will order themselves. While Evgen was chasing new trends, playing the cold and enchanted hero of Byron from himself, Tetyana heard the voice of her heart and lost herself in her faithful self. That one won’t know happiness in love, even though it’s not divided, and guilt is only one nudga for everyone and everyone.
Features of the novel
The novel "Eugene Onegin" is a new phenomenon in the literature of the beginning of the 19th century. The new one has a special composition - the “novel at the top”, the lyre-epichne verse of the great obyagu. In the lyrical passages, the image of the author, his thoughts, almost that idea, like you want to convey to the readers, is emphasized.
Pushkin opposes the lightness, the melodiousness of his language. Yogo literary style of consolation of greatness, didacticity, the author can speak about folds and important speeches simply and wisely. Obviously, it is necessary to read between rows, to that Suvora censorship was merciless and to geniuses, the prote sings also not in the face of sewing, to that zoom in on the fineness of the verse about the social and political problems of their state, they successfully moaned at the press. It is important to understand that, before Oleksandr Sergiyovich, Russian poetry was different, having created its own “coup d'etat”.
The peculiarity also applies to the system of images. Eugene Onegin is the first in the gallery of “foreign people”, who have a majestic potential, which is impossible to know the inner. Tetyana Larina "lifted" the woman's image from the mission "it is necessary to love the head hero" to an independent and solid portrait of a Russian woman. Tetyana is one of the first heroines, as if she looks strong and important for the main character, and does not hover in the darkness. This is how the novel "Eugene Onegin" manifests itself directly - realism, which more than once reveals the theme of the conquest of a man and the struggle of an important woman's lot. Before the speech, the peculiarity of the mutiny was described in the work of "A".
Realism in the novel "Evgen Onegin"
"Eugene Onegin" marked Pushkin's transition to realism. In this novel, the author stubbornly destroys the theme of people and suspense. A person does not get along well, out - a part of society, like a vikhovu, imposes a song, or else I will shape people.
The main characters are typical, but at the same time they are unique. Evgen is an authentic secular nobleman: enchanted, overhead illuminated, but not at all similar to otochyuchy - gentry, sensible, watchful. Tetyana is a typical provincial lady: she is inspired by French novels, inspired by the sweet dreams of her works, but with whom she has a “Russian soul”, she is wise, good-natured, loving, harmonious nature.
Itself in the fact that the readers spend two hundred years bacheling with the heroes themselves, their acquaintances, the same in the inexhaustible relevance of the novel and its realist straightness is manifested.
Criticism
The novel "Eugene Onegin" was a great hit with readers and critics. Behind the words of E.A. Baratinsky: "Kozhen talk about them to his own: some praise, others bark and read everything." The co-workers barked at Pushkin for the "labirint of steps", for the lack of prescriptions for the character of the protagonist, the non-balance of the movie. The reviewer Thaddeus Bulgarin was especially noted, who supported a number of conservative literature.
Prote the best novel understood by V.G. Belinsky, who called yoga “an encyclopedia of Russian life”, a historical creation, regardless of the nature of historical characters. True, a modern lover of red writing can read "Evgeniya Onegin" and from the first glance, to know more about the nobility of the cob of the XIX century.
And in a hundred years the verses understood the novel. Yu.M. Lotman is very creative in his work, foldedness, paradoxicality. It's not just a collection of quotes, known from childhood, it's "organic world". All you have to do is to bring the relevance of creating that її significance for Russian culture.
Why read?
Pushkin, showing the life of the young, how can the share be formed. Well, the share is to lie like a medium, and th like the heroes themselves, but spitting into society without a hitch. He sings, showing the head enemy, which is the enemy of young nobles: coldness, helplessness of reason. Visnovok of Oleksandr Sergiyovich is simple: the creator calls not to confine himself to worldly wisdom, bad rules, but to live a better life, cherishing moral and spiritual warehouses.
Qі ideї zalishayutsya relevant and dosi, modern people often get up vibir: live in harmony with yourself, or lamat yourself for the sake of gaining the benefits of a suspіlny exile. Choosing another path, chasing after illusory dreams, you can spend yourself with the heat of revealing that life is over, and nothing has been broken. The most need to be afraid of the most.
Tsikavo? Save on your wall!What about romance Do the heads of Oleksandr Pushkin have nobility of leather?
Text: Evgenia Vovchenko, Artem Novichenkov, writer, contributor to the course "School Literature"
Photo: performance "Evgen Onegin" for the Vakhtangov Theatre. Director: Rimas Tuminas / vachtangova.ru.
"Eugene Onegin" by Alexander Sergiyovich Pushkin is one of the most classic (as one might say) works. Navitt those who did not shrink their novel at the top as a whole, in the course of all approaches, more as if they were surprised if they wanted one of the screenings, and maybe they went to the theater. At the extreme end, you can always read a short lecture, and those who are out of prose can read it better. Natomist to quote: “My uncle has the best rules…” or "I'm writing to you - what more?" maybe leather. The one who is known in a decent society, who, without reading or reading, but forgetting Eugene Onegin, is simply obscene. To that R_k Literatury.RF together with the illuminated project from the literature "YES TO READING" were told to tell you 10 facts about "Eugene Onegin", so as to allow you to feel like an illuminated person in any kind of suppleness. And the schoolchildren can distort their knowledge and recognize that good stench is ready before the future
1.
"Yevgeniy Onegin" spellings for
7 years, 4 months and 17 days.
2.
Tvіr was published not randomly, but often, for distribution.
Pushkin did not take into account what was explained by economic benefits to others.
We saw each other like books, and then we merged together. 
3.
The name "Yevgeniy Onegin" to say Chitachev - Pushkin's co-worker, who
The hero, whose name is assigned to the title of the book, could not be real.
It is folded from the offensive: Evgen Onegin is a nobleman. Ale, the name of a right nobleman could be tied up with a river, only as long as the whole river was at his volodin. It is difficult to show the sovereign Volodin Onega.
Similar to the nickname of Volodymyr Lensky. 
4.
Tsikavo, scho, having begun to write first, they spread it, I thought at the head of a wild one. Vіn visikuwavsya under the hour of writing. I don't care about the price, all the plot lines are arithmetically cleared up and related to a single goal. 
5.
At the first divisions, there were real people from the sharpened young Pushkin. Zdebіshgo people to the theatre.
6.
P'yaty razdіl prograni Pushkinim at the card.
(Oleksandr Sergiyovich buv zatyaty gravets and navit buv at the moscow police on special note, like a cash machine.) Having played all the pennies, Pushkin, in the heat of passion, tried to play and put the manuscript of the 5th branch, which is also maw і tіlіlіv. 25 rubles per row! Started again, and again Pushkin's program is a manuscript of passages to Zagrjazky. Todi Oleksandr Sergiyovich having put a box of dueling pistols on the line... I — luck laughed at him: he won Onegina, his penny program and another thousand on the repetition of his companion's gris!
Truth be told, Pushkin himself will program the manuscript categorically, sing-songly that he "paid with copies of the book." 
7.
Pushkin himself had 20 duels for the occasion.
What a cicavo: the rest of the duel, with Dantes, vydbulas z these reasons why Onegin and Lensky have - it’s true, to tell the infamous sensi. Prote tehnіchnі podrobits vlasnoї zabibelі sings, unfortunately, having delivered it exactly: Dantes, yak and Onygin, vystriliv, not reaching the bar'єru, while Pushkin, yak and Lensky, only cilivsya. And one more zbіg: Onegin and Dantes were 25 years old at that moment. 
8.
Rows about the place of Lensky's burial to give an understanding that Lensky is not buried in the tsvintary. so yak
duels were fenced, yoga death was more obvious for everything as self-destruction,
to hide the scandal, and pohovat pose zvintar.
"In the city: to the left in the village,
De alive vihovanets nathnennya,
Two pine trees grew to roots;
Under them the strings were ringing
Streams of the dry valley.
There orach to love vіdpochivati,
I reapers at the whil
Come dzvinki gleki;
There was a stream in the thick shade
A monument of forgiveness has been erected."
9.
Pushkin, bazhayuchi give the creation a more finished look, a little bit of a wish either to send Eugene Onegin to fight in the Caucasus, or to turn yoga into a Decembrist. However, at the result, having allowed the reader to think out the final.
10.
And why is “Evgeniy Onegin” still the price of an encyclopedia of Russian life?
In a novel, like in an encyclopedia, you can find out about the era: about those who dressed up and what was in fashion, what people valued the most, about what stench they talked about, with such interests they lived. Briefly, but to make it clear, the author showed the capital, pansky Moscow, St. Petersburg. “Yevgeniy Oneginya” marked all Russian life. 
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Pushkin and the її epoch in the novel "Eugene Onegin"
For the reader of the 19th century, the name of the protagonist carried a whole lot of meaning to the readers of the XIX century. Hours of Antioch Kantemir їm Dorikali negative characters. The hero named Yevgen (Greek: “Noble”) is most of all a nobleman with a rich ancestry, but he did not achieve anything on his own. Pushkin's Yevgen is so rich in why he stands before us.
Tsikavim is the name of a hero, at the root of which is the name of the great river Onega. As the literary scholar Yury Lotman writes, Pushkin tried to induce Eugen's name so that it was similar to the noble names of the nobility, the prote did not lose its poetic quality.
AT Russia XIX century, the frequent boules of "toponymic" nicknames, which included the names of the maetkivs, also like the similar ones of the hydronimivs (great rivers, if they didn’t belong to anyone) were impossibly. Pushkin followed this rule, giving both Onegin and Lensky "hydronymic" titles, which, in Crimea, were associated with the heroic titles of the commanders: Donsky, Nevsky.
Way of life of Evgen Onegin in St. Petersburg
About those, how the hero of the novel is alive near the Pivnichniy capital, the reader knows literally from the first stanzas. Pushkin gives reports about the consecration of that Onegin's dream, and also about those who were awakened that day.
Buvalo, wine in a lie:
Carry notes to the new one.
What? Requested? True,
Three houses for the evening...
Onegin led the life of people, free and in civil, and in military service, which they could afford only rather poor young people. The novel doesn't say that every year a new day begins, but there are some remarks about those that the hero didn't break too early.
It was a special privilege of the aristocratic society. The day of the "people of light" sometimes began in the evening and ended with the first change of the sun. In part, we can explain the strangeness of one of Pushkin's wives - Princess Golitsino, the master of the Petersburg salon, who received it earlier than ten in the afternoon. Onegin has less frills in fashionable stars and gets up from bed on a regular year. Yuri Lotman writes that the splendid promenade of the capital's dandies fell for two or three years, the text of Pushkin reads:
For now, in a wound dress,
Dressing up a wide bolivar,
Onegin along the boulevard
Let's fall in love with the festivities near the 10-20s of the 19th century, Admiralteysky Boulevard - perhaps, there is our Evgen. The very tradition of such a promenade was set by Emperor Alexander I, who always followed the song route: “About the first year in the afternoon, leaving the Winter Palace, straight along the Dvirtsevy embankment, turning the Pracheshny bridge over the Fontanka to the Anichkivsky bridge.<...>Then the sovereign turned to himself Nevsky Prospekt. The walk was repeated every day and was called le tour impérial (“Imperial Colo”). If the weather had not been bad, panishov in one frock coat ... "
Come, we know about the day of Onegin, - those who hurt the wines at the singing hour:
And there you walk in space,
While dreaming breguet
Do not call you obid.
Chi hero dbav pro dotrimannya regime. The reason for such delicacy lies elsewhere. Young bachelors of the Pushkin epoch seldom ate a hot cook, and to that they went to restaurants. At this hour, there were not so many restaurants near Petersburg, when it was possible to have a good meal; in Moscow, no wonder, they lived better. This means that the Petersburg taverns were spread out and the public was gathered in the same places. Later, the dandy Onegin went to the Talon restaurant on Nevsky, which at that time was the main place for the festivities of the world's dandies. Pushkin to rob his hero as an acquaintance of Peter Kaverin, who became famous, okrim іnshoy, like famous revelers that brat, that duellist.
Appearing in such a place at a songful hour meant that the guest was ready to follow the rules of behavior, as dictating the mity's suspility:
Uvіyshov: i cork in the bed,
Vina cometi breezing strum;
In front of him roast-beef curls,
I truffles, roses of young rock,
French cuisine is the best color.
Theater or ballet, as if three days of Eugene, also an invisible part of worldly life at the beginning of the 19th century. Not only, not so, to build a “temple of mysticism”, like a club, when it was possible to drive in an hour, chat with people, start a love affair.
The ball became the culmination of the evening. Tsikavo, that Onegin is there "in the yamsk carriage". Lotman writes that it was cheaper to hire a carriage, lower mother's eye, and the hero looks so economical. Prote іnsha version. The actor of the Art Theater Leonid Leonidov, citing the words of his senior co-worker Oleksiy Stakhovich, a fine connoisseur of social etiquette: “We were small miracles, but for chic it was worth getting through“ on the bathtub ”!”
Stakhovich's liege lay until the other half of the 19th century, but, as if he had taken in the actor, it might have appeared in the first half of the century, and Pushkin, having gone away, left the novelty behind.
Until the very ball, similar saints for the inhabitants of St. Petersburg were not uncommon and were given from various occasions. Some of the evidence of this firmness can be explained by Anna Tyutcheva about Empress Oleksandr Feodorivna: “For the Empress, a fantastic world, which reminded me of the worship of the omnipotent man, the world of miracle palaces, luxurious gardens, merry villas, the world of sights and enchanting balls, filling the whole aubry ...”
Onegin, having lain down to the next generation and on the cob of the novel, bathed himself in this luxury.
Lotman Yu. M. Roman A. S. Pushkin "Yevgeny Onegin": Commentary. L., 1983.
Bali at Romani
At the day of fun, that bag
I'm like a ball without a mind:
There is no place for knowing
І for handing the sheet.
The organization played a significant role in the plot of "Eugene Onegin". Let me tell you that at the ball at the Larinikhs, there is welding of Lensky and Onegin, as it ended in tragedy. At the ball, the leading hero suddenly chimes Tetyana.
Similar saints were important in the life of Pushkin's fellows. Starting from Peter's assemblies, they were one of the few forms of organization of social life. The stench was regulated suvoro, and the guests present on them obeyed the rules of ballroom etiquette. At the thought of the presenters, a foldable set of rules for behavior is necessary for the conscience:
“There, de panuє etiquette, the courtiers are nobles and ladies of the world, there, de etiquette during the day, the stench descends on the rivument of the lackeys and rests, for intimacy without intimacy and without zealousness is degrading, so it is for the quiet, who її nav'yazu, yak i for quiet, to whom її impose ", - Ganna Tyutcheva, the daughter of the poet Fyodor Tyutchev and the young companion of Pushkin, guessed.
Acts of freedom and steps in accordance with these rules were dictated by fashion and the social status of the guest. So, Onegin come to the ball, if "natovp mazurka occupations". Tse means that the hero appeared in the holy place, if the guests had already walked in the ceremonial Polish (polonaise) and could dance light dances, the head of the mazurka bula.
“Mazurka is small for a short period of time, especially for its meaning, - wrote the memoirist Katerina Sabaneva, - won served as a ker_vnitstvom for mirkuvan schodo heart nachili - and skіlki blobleno razrobleno podznan pіd sounds її live melody ".
Onegin, not respecting the ideology of dandyism, which punished the cavaliers for the uniqueness of dances, and even to dance, then with a look of tedium and carelessness of this work, nevertheless “it’s easy to dance a mazurka”, not being able to make yourself happy.
Before the hero appears at the ball, you can take it as a follow-up to the capital's fashion (on the name day of Tetyana Onegin and Lensky are also one of the rest): the delay was a sign of dandyism. Only holy, from those who have taken the fate of the emperor, all requests are small to come every hour. Especially suvor tse rule was added to itself for the hours of the reign of Alexander I and Mikoli I.
In “Eugenia Onegina” it is not so richly spoken about the woman’s ballroom etiquette, but there is one important illustration of how the lady of the svyatsia is to blame:
І scho їy soul did not zbentezhilo,
I wouldn’t get out much
Zdivovana, hostile,
Ale y didn’t change anything:
He took that very tone,
Buv so very quiet її uglіn, -
This is how Pushkin describes the Zustrich of the newlywed Aunt Onegin at the eighth division. Zgіdno with the rules of a warm tone, a representative of the greater world, in no way, could not show good feelings for everyday minds. The presence of the spirit of that calmness was especially honored.
Lotman Yu. M. Roman A. S. Pushkin "Yevgeny Onegin": Commentary. L., 1983.
Lavrentiev E. A. Everyday life of the nobility of the Pushkin doby. Take that caress. M., 2006.
duel
Duel of Onegin and Lensky. Illya Repin. 1899
The death of Lensky at the sixth division of "Eugene Onegin" became a turning point for all the heroes of the novel. Hero of killings in a duel with the best friend; it is important that you wash this duel against the super worthless cause of welding, that Onegin’s banter is less likely to annoy the young poet, or else not to bring this story to a crooked end, they will finish it with zhorstokami.
Zaretsky thirty-two kroki
Vіdmіryav with exactness vіdmіnnoy,
Friends rose on the last line,
I skinned my pistol.
Imovirno, in the midst of the bars, the boulder was no more than ten crocs, and the skin from the quiet, who shot, instantly spawned eleven crocs a day, one to one. Moreover, the novel does not have any indications of those who duelists were small after the first shot. And it made the fight easier.
The analysis of the duel scene itself and the preparation before it shows that in this organization a lot of pardons were allowed, through which she could not get out. So, Onegin comes to the appointed month from serious zaznennyam, more for everything - about a year of age.
Dark nights are already coming
I shoot Vesper pivnem;
Onegin to sleep deeply.
The sun is already high...
Lotman respects that, according to the duel rules, supermen could enter at an appointed hour for more than a quarter of a year, after which the duel was respected such that it didn’t take off.
One more broken buv vibіr that behavior of the seconds. First, Zaretsky, susid and second of Volodymyr Lensky, mav to pronounce Evgenov virishiti to the right with light, prote “getting up without explanation; get rid of not wanting, lounging at home richly right. In a different way, wine, nobleman, instantly win a duel at that moment, if you recognize that Onegin’s assistant will be one’s servant, the Frenchman Guillot, even seconds may be equal one to one for status. Natomist kolishniy buoy and otaman "kartezhnoy zgra", like a small boy Pushkin, cold-bloodedly developing superniks to barriers. One more wounded were those who were shot by the seconds on the day of the duel, wanting to discuss all the rules ahead of time.
Otzhe, Zaretsky buv tsіkavleniy at tsomu duel, podіvayuchis, perhaps, in such a barbaric way to urіznomanіtnіtі sil'ske zhittya. Looking ahead, let's say that the hero has gone crazy. The vbivstvo of Lensky appeared unremarkable, like a grave pose of a church fence, to witness to the fact that the young poet was praised as self-destructive.
What a moment Evgen independently moves in a duel, miraculously rozumiyuchi, what is not right? Unfortunately, not a moment. The honor of the nobility was to accept this viklik “il cartel”, otherwise the hero had every chance of becoming known as a boyaguz. Celebration in the face of Onegin tezh not maw right, rizikuyuchi image of the enemy. Well, until you calm down, having lifted a pistol and knocked in a friend, then Lotman explains the hero’s behavior, because he knows the dictates of the norms of behavior, imposing on you Zaretsky, “and immediately, exercising his will, Onegin becomes a baby in the hands of a faceless duel ritual . ". I thought to myself that Onegin's behavior in the duel was similar to that of Pushkin himself, for such a duel was not rare.
“Knowing Oleksandr Sergiyovich with passion, sometimes to the point of swindle; but in the squalor of insecurity, if the wine is standing forever and ever after death, if a person shows himself as a whole, Pushkin Volodya ukrai nevorushnistyu. If on the right it went to the bar'er, the wine would be cold, like ice.
Ivan Liprandi, participant of the Vitchiznya war of 1812, Pushkin's acquaintance from Chisinau
Lotman Yu. M. Roman A. S. Pushkin "Yevgeny Onegin": Commentary. L., 1983.
Pushkin without gloss / order., author. intro. Art. P. Fokin. SPb., 2007.
The novel "Eugene Onegin" is a testament to the marvelous creative life. Vіn svoryuvavsya nad sim rokіv - from May 1823 r. until spring 1830 But the robot did not stick to the text right up to the appearance of the first new vision in 1833. The rest of the author's version of the novel was instructed in 1837. Pushkin does not have many creations, if only I could create history on my own. The novel was not written “on a single breath”, but folded - in stanzas and chapters, created at the hour, in different settings, in different periods of creativity. Work on the novel hoarse about the period of Pushkin's work - from the first sent message to the Boldin autumn of 1830.
The work was interrupted like turning Pushkin's shares and thinking new thoughts, for the sake of such guilt, throwing the text "Eugene Onegin". Deyaki vіrshi (“Demon”, “Free the empty siyach...”) vindicated the novel from blacks. At the black women of another, I divided (it was written in 1824) the verse of Horace "Exegi monumentum", which became the epigrapher after 12 years until the verse "I am a monument to myself, arranging not made by hands ...". It seemed that the story itself was not too whimsical to Pushkin's creation: from a novel about a day-time worker and modern life, he sings like that, having conceived "Eugene Onegin", after 1825. vin becoming a novel about another historical era. "Internal chronology" of the novel is close to 6 years - from 1819. hanging 1825 p.
Mustache chapters were seen from 1825 to 1832 as independent parts of a great work and even before the completion of the novel, they became facts of the literary process. Perhaps, if you take into account the fragmentary nature, the level of detail of Pushkin’s work, you can affirm that the novel is for someone else a piece of the majestic “notebook” of the poetic “album” (“zoshitami” and sometimes called chapters of the novel he himself sings). For a stretch of more than seven years, the recordings were filled with summative "remarks" of the heart and "guards" of the cold rose.
On tsyu sooblivіst the novel was given the respect of the first critics. So, N.I. Nadezdіn, inspiring you to the unity and stringency of the viklad, clearly denoting the real look of the work - "a poetic album of living hostility to talent, which plays with its richness." The Cicavia "image-summary" of "Eugene Onegin", which supplements Pushkin's judgment about the "Vilniy" novel, can be included in the cross stanza of this section, which was about Onegin's album:
Vіn buv write-offs, naming
With Onegin's hand,
Mіzh unreasonable maran
Migotili thoughts, respect,
Portraits, numbers, names,
So letters, secrets of writing,
Urivki, black leaves.
The first division, publications in 1825, pointing to Evgen Onegin as the main character of the conceived creation. However, from the very beginning of the work on the "great verse" to post Onegin was necessary for the author, not only in order to express his statement about the "modern people". Bula y іnsha meta: Onegin was assigned the role of the central character, which, like a magnet, “attracted” diverse life and literary material. The silhouettes of Onegin and the silhouettes of other characters, the plot lines in the world of work were gradually cleared up over the novel. Three thick scribbles of black notes showed through the contours of the proportions and characteristics of Onegin, Tetyana Larina, Lensky, the creations of a unique image. image of the Author.
Portrait Author of hobbies. Try to reveal yoga zvnіshnіst - krіm bіlої plyami, before you do not win anything. We know little about the Author - about his share of that spiritual world, about literature, look and learn about wines, like wines to love. Ale The author of "Yevgeniy Onegіnі" is a person without a face, without a name, without a name.
The author - opovіdach i vodnochas "hero" of the novel. In the Author, the specialty of the creator of "Eugene Onegin" was seen. Pushkin saw a lot of what he experienced, re-felt and changed his mind himself. Prote to honor the Author with Pushkin is a rude pardon. It is necessary to remember that the Author is an artistic image. Spivvіdnoshennia between the Author in "Evgenії Onіgіnі" and Pushkin, the creator of the novel, the same, like a mizh rank, be-like a person in literary creation and yogo a prototype in real life. The image of the Author is autobiographical, the image of a person whose “biography” often collides with the real biography of Pushkin, and spiritual world and look at the literature of Pushkin's exposés.
Vivchennya novel requires a special approach: it is necessary for us to respectfully re-read it, reading the comments at hand (for example, Y.M. Lotman’s book “A.S. rozumіnnya text: vіn mіstit impersonal realіy, allusion and allegory, scho require explanation. Follow the structure of the novel (dedicated, epigraphy, sequence and summary of chapters, the nature of the essay, which is torn by the author's remarks, the author's notes). Just a little bit later, you can start to develop the main images of the novel, the plot and the composition, the system of characters, the author's approaches and the image of the Author.
The novel "Eugene Onegin" is Pushkin's best work, despite the apparent lightness and simplicity. V.G.Belinsky called "Yevgeny Onegin" "an encyclopedia of Russian life", adding to the scale of Pushkin's "practice bagatorichny". Tse praise of the novel is not critical, like a metaphor. For the "string" of the chapters and stanzas, the change of acceptance of the opposites, there is a stringent idea of a fundamentally innovative literary creation- "a novel of life", which he took away from his own majestic suspile-historical, butovy, literary material.
The innovation of the "novel at the vіrshah" appeared before Pushkin, who knew a new type of problematic hero - the "hero of the hour". Evgen Onegin became such a hero. The same share, character, and attitudes to people signify the complexity of the situation of the current activity, the insipid special features and the number of "eternal", deep human problems, from such faults.
The person of Onegin was formed in the St. Petersburg secular center. At the report's prehistory (chapter of the first), Pushkin identified the main social officials who zoomed in on his character. This is belonging to the greater prosharka of the nobility, which is more important for that stake, education, training, first steps in the world, finishing the “one-many and stringed” life for eight years. The life of a “free” nobleman, not burdened with service, is vain, unturbulent, full of love and love stories, fit into one long day. Onegin in his early youth - “having fun and a luxurious child”, “kind maly, / Like I am, like a healthy light”.
At every stage of his life, Onegin is a person in his own way, original, warm, “very small”, but still completely remarkable, pokirno advancing behind the secular “chinny natovp”. The only reason why Onygin is “a true genius”, who “knowing more firmly for all sciences”, as if not without irony, I respect the Author, bula “science of the lower passion”, that “mystery” does not love love, imitate the feelings and passions, become cold we’ll get excited. Prote Onegin is not a representative of Pushkin as a representative of a broader social-button type; N. miracle people.
The nature and life of Onegin are shown in Russia, development. For the first one, we have a turning point in the yogo share: the wind is moving in the face of the stereotypes of social behavior, in the form of a thick, but inwardly empty “rite of life”. Having shown Pushkin, as if from a faceless, but requiring insane ordering, a rapt, sharp, inconsistent specialness appeared. Socially sensitively told the poets that it was not life “in the old age”, but the building itself would throw off the “tractor” of її minds, “look like vanity” - the head sign of a modern person.
Svodlіkt Zi Svіtl's short-spinning Svіtl, Silskiy Posilіv's Suspilia, Silskiy Velіvіv at the other Svostom Rydіlah - Tіlki on the first plot of "Snamo", Viklikanoy Sudo іndivіdualniy reasons: okhudgo, "Rosіyskoy, Command", fogwing . The price of a new stage in the life of a hero. Pushkin confirms that Onegin’s “repeated divinity” is a kind of protest against social and spiritual dogmas, which disdain people’s specialness, which allow one to be oneself. The empty soul of the hero has become a legacy of the empty and bezmistovnosti secular life. Onegin is looking for new spiritual values, new ways: in St. Petersburg and villages, they read books, try to write, mate with people who are not rich in spirit (Author and Lensky are among them). At the village of wines, having tried "a new order to fall asleep", replacing the panshchina with "easy dues".
Pushkin does not ask his hero. The search for new life truths stretched out long ago and left unfinished. The internal dramatism of this process is obvious: Onegin is greatly affected by the vandalism of old phenomena about life and people, but in the past he does not allow yoga. It turns out that Onegin is the rightful ruler of the power of life. But it’s less of an illusion. In St. Petersburg, the countryside is nevertheless tedious - you can’t fix your spiritual laziness, cold skepticism, demonism, staleness in the form of a “suspicious thought”.
The hero is by no means a victim of the suspension of that situation. Having changed the way of life, having accepted guilt for a share. Vіd yogo rіshuchostі, volі, vіri people have yogo toppings. However, having acted in the light of the world's trouble, Onegin became not a playful, but a looker. Garyachkov's chasing after nasolods was replaced by thoughts of the Kremlin. Two trials, like checking yoga in the countryside, - trials of love and trials of friendship - have shown that the old freedom does not automatically pull behind it the bells and whistles of evil thoughts and thoughts.
At the centurions from Aunt Onegin, showing himself as a noble and spiritually thin person. Vіn zumіv indulge in the “zakokhanіy divі” right wide open, alive, but not bookish addictions. You can’t blame a hero for those who didn’t blame Tetyani’s kohanny: you won’t punish your heart, as you know. Ale is right in that Onegin listened not to the voice of his heart, but to the voice of his mind. Even in the first distribution, the Author has designated in Onegin "a sharp, chilling mind" that unpredictability to strong feelings. Onegin is a cold, sensible person. This spiritual disproportion has become the cause of the drama of love, which I did not see. Onegin does not believe in the house and does not fall in love with the building. The sense of love is consumed for him by the “lower science of passion” or by the “home stake” that surrounds the freedom of a person.
Onegin's experience of friendship is also not visible. And here the cause of the tragedy was the untimeliness of living life a little. It is not without reason that the author, commenting on the hero’s camp before the duel, respects: “In a moment, I will show you a little, / And don’t bristle, like a beast.” I on Tetyana's name day, and before the duel Onegin showed himself a "bear of zaboboniv", deaf and to the voice of a sweet heart, and to the feelings of Lensky. Yogo behavior at the name day is a sign of "svitskaya aggressiveness", and the duel is a legacy of baiduzhnosti and fear of the maliciousness of the "old duelist" Zaretsky and susidiv-assistants. Onegin did not mention, as if he had become the brother of his old idol - "suspicious thought". After Lensky was beaten in, Oneginim called out "the tightness of the hearts of doctors." Only a tragedy could bring you out earlier inaccessible light of the senses.
At the eighth branch, Pushkin showed a new stage in the spiritual development of Onegin. Zustrivshi Tetyanu at St. Petersburg, Onegin completely disguised himself. The new one didn’t lose anything in the form of a huge, cold and rosy people - there’s a stick zakokhana, nothing is marked, the crime of the subject of his kokhannya (and this is more than guessing Lensky). Onegin looked right in the first place, but it turned into a new love drama: now Tetyana could not make a confession to his love life. To his own explanations of the psychological state of the dead Onegin, and his inevitable love drama, the author’s entry “Kokhanna all ages pokirni ...” (stanza XXIX). Like before, on the first plan in the characterization of the hero - spivvіdnoshnja mizh roza and pochuttyam. Now it’s already a mind of remembrance - Onegin love, “do not listen to the mind to strict peni.” Vіn "Least of mind without being wild / Abo without becoming a poet" - not without irony I respect the Author. The eighth branch does not have any spiritual development of the hero, which, having believed in the kohannya, is good luck. Onegin is not at the reach of the bazhana, in the new, as before, there is no harmony between the senses and the mind. Pushkin leaves his character vodkritim, incomplete, reinforcing the very edifice of Onegin to a sharp change in the values of landmarks and, respectfully, ready to go, to vchinka.
Reveal respect, as often The author rozmirkovuє about kokhannya and friendship, about stosunki mіzh zakohanimi and friends. Love and friendship for Pushkin are two touchstones, in which people are seen, the stench reveals the wealth of the soul and emptiness. Onegin curled up at the false values of the "empty world", unconcerned by their blissful gleam, but neither in Petersburg nor in the countryside did he discover for himself the right values - those of the people. The author has shown how important it is for a person to understand simple and sensible things, it would be possible to live life truths, through such testing of wines he is guilty to go through, to understand - with the mind, and with the heart - the greatness and significance of love and friendship. In the midst of the cooping and zaboboniv, inspired by vihovanni and let go of life, through rosy demonic nіhіlіzm, zapryuє like a pardon, and th just life of value, to the vіdkrittya love, high world pochutіv - such a path to the spiritual development of the hero.
Lensky and Tetyana Larina as plot partners of the great hero. Tse consanguineous images of contemporary people, among the share of those who also “had a century”.
Romantic and she sings Lensky zdaetsya spiritual and social antipode of Onegin, vinyatkovym hero, povestyu vіdіrvanim vіd pobutu, vіd rosіyskogo zhittya. Zhittєva nedosvіdchenіnіst, susceptibility of love feelings to Olga, "rivers" of elegy, written in kshtalt "gloomy romanticism" - all the same vodokremlyuє vіsіmnadtsyatirіchny helper in the colossal St. Petersburg hovіsi. The author, speaking about their acquaintance, to start a rift between them in an absolute step (“The stench has gone. Whilst and a stone, / Vershi and prose, ice and half a dream / Not laying a difference between yourself”), but let’s say “Mutually rich” the stench was worthy of one to one. Vinikl paradoxical friendship "for nothing".
Not only the extremes ate the heroes - there was a lot of sleep between them. Onegin and Lensky are familiar with the landlord's middle ground, and from them I develop one of the tendencies of the Russian spiritual life: Onegin - empathy and skepticism; The first and second trend is part of the European spiritual development. Kumiri Onegina - Byron and Napoleon. Lensky is a chanuvalnik of Kant and Schiller. Lensky tezh whispers the metaphor of life: “our metaphor for the new one / Bula was an enigmatic riddle, / The lama’s head was hung over it / I suspected miracles.” And most of all - the character of Lensky, like the character of Onegin, - disharmonious, incomplete. Sensitive Lensky is so far removed from Pushkin's ideal of human harmony, like the rationalist Onegin.
From Lensky to the novel, those youth, friendship, heart "non-government", recognition by the senses, youthful spirit and gentry enter into the novel. Pragnuchi protect Olga as a “libertine”, the hero has mercy, but there is a pardon. Lensky - sings (with one more sing in the novel, the Author himself), and wanting in the author's comments to yogo virshiv rich irony, good-natured gluzuvan, capkuvannya, the Author puts in them the right feeling and warmth:
Not madrigals Lensky write
At the album, Olga is young;
Yogo pen breathes love,
It’s not cold to shine with a dote;
What do not remember, do not feel
About Olga, write about those and write:
I, more living truths,
Elegance flows like river.
The invisibility of the hero is explained by the author from social positions. Lensky's soul did not fall into the "cold dispersal of the light," it blew up at the "nemachchina foggy", but at the Russian village. The “napіvrosіysky” Lensky mrіynik has more Russian ones, lower than the natovpі navkolishnіkh helpers. The author writes summarily about yogo's death, dvіchi (for the most and som rozdіlakh) direct the reader to yogo's grave. It is not only the death of Lensky that confuses the Author, but also the possibility of the death of youthful romanticism, the growth of the hero in the midst of the landowner. In this variant of the share of Lensky, the shares of the amateur sentimental novels of Paraska Larina and the “strong old-timer” - uncle Onegin are ironically “reimagined”.
Tetyana Larina - "cute Ideal" of the Author. Vіn does not attach his sympathy to the heroine, podkreslyuyuchi її breadth, the deepness of that experience, the innocence and vіddanіst love. This particularity is manifested in the sphere of love and family relationships. Yak and Onegin, її can be called "the genius of the kokhannya." Tetyana is a participant in the main plot action, in which the role can be compared with the role of Onegin.
The character of Auntie is just like the character of Onegin, - dynamic, which develops. Sound respect for the sharp change in the social status of that old-fashioned look in the rest of the division: the deputy of a strong pannochka, without a middle one and an open cry, that cold lady of the court, the princess, the “legislator of the hall,” stood in front of Onegin. Її the inner light closes from the reader: Tetyana doesn’t say the right word until her final monologue, The author also picks up a “mystery” about his soul, interspersed with the “visual” characteristics of the heroine (“Yak Suvora! / Don’t talk about him, don’t say a word with him; / Oh! yak is now honed / Get out with Khreschensky cold! ”). However, the eighth branch shows the third, the final stage of the spiritual development of the heroine. Її the character is completely changed already in the “strong” divisions. Qi zmіni pov'yazanі z її setting to love, Onegin, with statements about borg.
In the other - the fifth division, Tetyana becomes a super-cheerful person inside. They get along right, almost like that sensitivity, inspired by sentimental novels. The author, characterizing the heroine, tells us about the number of readings. Romani, the blatant author, who "replaced mustache." Truly, merrily, familiar with her friends, the beds are not like Olga, Tetyana still takes on as much as writing a novel, reveals herself to be the heroine of her favorite books. The abstract nature of Tetyany's dream is marked by a book-and-button parallel - the biography of her mother, as in her youth she was "looking like Richardson without a mind", she loved "Grandison", but, wiyshovshi zamіzh "by captivity", "teared and cried on the cob", and then changed into zvichaynu helper. Tetyana, as if she was counting on a “cog” similar to the heroes of novels, made such a hero in Onegin herself. “Ale our hero, who would not be a boon, / It’s true that he’s not Grandison,” - the author ironically. Behavior of the dead Auntie will be looking after her romantic models. Її sheet, written in French, is the moon of love messages from the heroines of novels. The author translates Tetyany’s sheet, that role of “translating” is not interchanged: it’s constantly embarrassing, it’s like arranging right, almost like a heroine from a full of book templates.
The coup at Tetyani's share is brought about by the somoma of the distribution. Zovnіshnі zmіni іїї zhittі - less than traces of the collapsible process, її soul pіslya vіd'їzda Onegіn. Vaughn got overwhelmed by her "optical" deception. Reminding the image of Onegin by the "traces" that were lost in yoga sadi, she realized that її cohanies - the person is more mysterious, marvelous, but not the one for whom she took yoga. The main sub-bag of Tetyana's "delivery" was kokhannya, not to the literary chimera, but to the right Onegin. Vaughn almost zvіlnilas in the form of bookish statements about life. Leaning against the new surroundings, not spodіvayuchis on the new sound of the mutuality of the kokhan, Tetyana rob the virishal moral vibіr: it's time to go to Moscow and come abroad. Respectfully, what is the heroine’s choice, for which all the lots were equal. Won to love Onegin, but voluntarily succumb to his own bondage before this. In this rank, the words of Tetyana in the remaining monologue - “Ale I have been given to another; / I will be forever and ever” - a novelty for Onegin, but not a reader: the heroine only confirmed her choice, earlier she was broken.
Do not ask for food, pouring into the character of Auntie new furnishings and life. In the rest of the episode of the novel, the contrast between the secular and the "home" Tetyana becomes obvious: However, the monologue of the heroine is not only about those who saved a lot of spiritual hardness, the fidelity of love to Onegin and her friend's obsession. "Lesson to Onegin" of unfair commotions for respect and stupidity. Auntie does not understand the hero, bachachi at yoga kohanna is less than worldly intrigue, bazhannya let the honor in the eyes of the sovereignty, ringing yoga and coyness. Lyubov Onegina for her is “a trifle”, “a little bit more”, and in the new one himself, it’s more than a slave to choke. I know, as if in the countryside, Tetyana churns and “does not know” the right Onegin. Її untruthful statement about the new birth of the light, we “we will stifle the rank”, accept that, as if respecting the Author, she “adopted it unbearably”. Aunt's monologue brings out the inner drama. Sensation of drama over the choice between love to Onegin and the loyalty of people, and that “corrosion” is felt, that became in the heroine under the influx of worldly conscience. The aunt is alive with memories and does not want to believe in the breadth of her beloved people. The ailment, in view of which Onegin was so painfully fluttering, struck Tetyan. “Light is empty”, the author guesses wiser, it’s better to set yourself up to be a living, human being.
The main heroes of Eugene Onegin are free in their task, one-line character. Pushkin is convinced that they have instilled the vices of “perfection of vision”. The novel has subsequently implemented new ambush images of heroes. The author will give an understanding that there are no ready-made opinions on all nutrition about their shares, characters, psychology. Vіdkidayuchi traditional for the Roma role of "all-knowing" opnіdacha, vіn "worries", "doubts", sometimes inconsistent in judgments and assessments. The author would like to ask the reader to make portraits of the heroes at home, to reveal their behavior, to try to marvel at them from a different, unseen glance. For this reason, numerical “pauses” (missing rows and stanzas) are introduced into the novel. The reader is guilty of "recognizing" the heroes, bringing them back to their own lives, with their thoughts, feelings, sounds, zabobons, reading books and magazines.
The soundness of Onegin, Tetyana Larina, Lensky is composed not only of ostentatious, guardianship of the author's assessments - the creator of the novel, but confusing, arguing, a bit. Kozhen's hero stands in a halo of suspenseful thought, which reflects the points of view of different people: friends, acquaintances, relatives, sus_d_v_shchik_v, sv_tsky plitkarіv. Suspіlstvo - dzherelo voice about heroes. For the author of this collection of rich life "optics", I turn the artist into "optics". Readers are encouraged to choose the same look at the hero, who is closer to you, it is the most reliable and reconciled. The author, creating a picture of thoughts, deprives himself of the right to place the necessary accents, give reading social and moral guidelines.
"Evgen Onegin" looks like a novel-improvisation. The effect of impassioned romanization with the reader is created before the various possibilities of iamb chotiristopia - beloved by Pushkin's rosemary and gnuchkistyu created by Pushkin specially for the novel "Onegin's" stanza, which includes 14 verses of chotirist iamba CCdd EffE gg(great letters signify women of ending, small letters - people). The author called his lyre "balakucha", voicing on the "free" character of roses, different intonations and styles of the movie - in the form of a "high", bookish to rose style of great strong talk "about synods, about wine, about a kennel, about one's own life".
The novel at the vіrshah is the last list of vіdomih, the fundamental laws of the genre.І on the right, not only in a zukhvalіy vіdmovі vіd vіd zvchaynoy for the prose movie novel. “Evgeniy Onegina” has no stringent explanation about heroes and podias, which fits into the back of the given framework for the plot. In such a plot, the development develops smoothly, without expansion and transition - from the beginning of the beginning to the first opening. Croc by crochet, the author goes to his headline - the creation of images of heroes on aphrodisiac logically twisted plot scheme.
In "Evgeniy Onyagini" The author-of-times "introduces" in rozpovidi about heroes and podії, going into "free" reflections on biographical, life and literary topics. The Heroes and the Author are constantly changed by the missions: sometimes the heroes, sometimes the Author stand at the center of the reader's respect. It is necessary to take into account specific divisions of such “intrusions” of the Author, but the principle of “landscape”, the name of the unmotivated one, should be taken away from all divisions. Vignatok to become five times divided, in which 10 more stanzas take Aunt's dream and a new plot vuzol is started - welding of Lensky with Oneginim.
The plot of the story is also heterogeneous: it is accompanied by more and less fired by the author's "remarks in the air". The author, looking at the cob of the novel, reveals himself, as if looking behind the backs of the heroes, telling the one who spreads the word, who creates the light of the novel.
The plot of the novel tells the chronicle of the life of the heroes - Onegin, Lensky, Tetyana Larina. Like a chronicle story, a new one has a central conflict. Diya will be in the midst of conflicts that are blamed on the sphere of private life (love and friendship). Ale, there are less than little babies of a coherent chronicle report. Already in the first division, in order to avenge the history of Onegin, it was reportedly told about one day of his life, and the next, connected with the arrival to the village, was simply repaid. Near the village of Onegin, they spent a few months, but a lot of details of the rural life did not catch on. It’s more than enough to finish it again on the next day (a trip to Larinim, explained from Tetyana, the duel on the birthday). Mayzhe tririchna is more expensive than Onegin, as it is small to link two periods of one life, it is simply omitted.
The hour of the novel does not coincide with the real hour: sometimes stylis, pressing, sometimes stretching. The author often pronounces the reader simply "re-stringing" a side of the novel, skoromovka telling about the heroes' intrigues, about their everyday activities. Okremi episodes, navpaki, enlarged, stretched out at the hour - respect for them is taken care of. The stench predicts dramatic “scenes” with dialogues, monologues, with clearly written scenery (div., for example, the scene of Aunt and the nanny at the third division, explanation of Aunt Onegina, break it into two “appearances”, at the third and fourth divisions).
The author substantiates that the hour of life of yoga heroes, the plot hour is artistic intelligence. The "calendar" of the novel, which is super-serious as Pushkin's song in one of the notes - "our novel has an hour of repayments for the calendar" - is special. Years are accumulated over days, like equal months and fates, and months, or navit roki, honoring the author with a kіlkoh. The illusion of a chronicle information is supported by "phenological notes" - statements to change the fate, the weather and the seasonal occupation of people.
About a lot of podіy The author either just closes, or replaces the images without intermediary podіy rozpoviddu about them. The most important principle of protection. For example, about Onegin's super-girls with Lensky, they are told as if about a permanent form of friendly intercourse, those super-girls are overwhelmed, but they are not shown. The very same reception of reasoning about podії or їх simple perekhuvannya vikoristovuєtsya at the eighth division, de Author rozpovidaє about the failure of trying Onegin to be arrogant with Tetyana. Mіzh podіyami somiy and eight rasdіlіv pass over two rocks. Tsey rose in roses is especially memorable.
The plot of the eighth division of water cremation is similar to the plot of the first seven divisions. The character system has changed. At the first, “strong”, divisions, it was finished with galvanization: the central characters - Onegin, Tetyana, Lensky, other rows - Olga, Paraska Larina, nanny, Zaretsky, Princess Alina, episodic characters appear at the fifth and fifth divisions: guests on a name day, with one or two strokes, Moscow relatives of Larinikh. In the eighth division, the system of characters is signifi- cantly simple: Onegin and Tetyana are left as the central characters, Tetyana's man is the two girls, and there are a few unnamed episodic characters. The eighth chapter can be adopted as a whole independent plot explanation, but I can’t, however, so the presentation of the exposition itself, like the plot of the first seven divisions, and the division of the division: Onegin of deprivation by the Author “into evil for the new”, about a further share of nothing don't remember.
There are a lot of plot situations in the novels, but they are left unrealized. The author creates a reaction, which in his hands is without any options for the development of podia, from which wines he chooses the necessary, but he is guided by the choice, encouraging the reader himself to develop. The principle of plot "variance" assignments already in the first stanzas of the novel: Onegin (i chitach) doesn’t know what he’s checking in the village - it’s hard to understand the death of an uncle, otherwise, now, he’s come as the owner of the “enchanting little place” : "Onegin is ready for me / Help foreign lands"). At the end of the novel, literally “thrown” by Onegin, The author will tell the reader to choose among the impersonal possible options for completing the plot.
The traditional romantic schemes are the underlaying of a change that blames the dies, loving super-niceness, happy rozv'azki - Pushkin reminds, ale rishuche vіdkidaє. Indeed, in front of Onegin and Tetyana, Lensky and Olga there are no trivial transitions, no respect for anything, it would have been possible for the happy completion of their dreams. An aunt loves Onegin, sympathizes with Aunt. All judges unanimously prophesy Onegin's betrothed, but the Author chooses directions, dictations not with the logic of a "family" novel, but with the logic of the characters' characters. Lensky and Olga are closer to the "hidden place of the hutch", but instead of the fun of the pictures of family life - the duel and death of Lensky, the unhappiness of Olga's turmoil and the uhlan. The proposed option for the share of Lensky additions to two more, unrealized. Even after the death of the hero The author rozmirkovu about two "struck" - high, poetic, about life "for the good of the world", and as a whole loud, "prose": Wearing a buffalo bathrobe.
Usі variant plot ї ї ї, at first glance, superechat one to one. Ale to tell the stench, however, is necessary. Vіn podkreslyuє, scho vinikaє s scribbles, blacks, s already "practiced" by other writers of novel situations. Himself in Yogo’s hands is a “staff”, which does not give the plot a blur of “kis and vkriv”. In addition, some plot options become important elements of the characteristics of the characters, which indicate the possible prospects for the development of shares. The peculiarity of the novel is the “plot self-conscience” of the characters: not only Onegin, Lensky, Tetyana, but other characters – Tetyany’s mother, Princess Alina – assimilate unimaginable variants of their lives.
Regardless of the obvious fragmentation, uriviveness, “super-arrogant” character of the opposite, “Eugene Onegin” is taken as a twirl, which can think over the structure, “the form of the plan”. The novel has its own internal logic - consequently vitrimany principle of opposite symmetry.
The plot of the eighth division, regardless of its watering, is a mirror reflection of the plot of the first seven divisions. It seems that the “rokuvannya” of the characters is: Onegin appears at the house of the dead Tetyana, and the role of Onegin is cold, inaccessible Tetyana. The Zustrich of Onegina and Tetyany at the social gathering, the sheet of Onegin, the explanation of the heroes in the eighth division - plot parallels to similar situations of the third - fourth division. In addition, the “mirror” of the eighth division according to the age to the first chair is supported by topographic and biographical parallels. Onegin turns to St. Petersburg, seeing the houses of an old friend, Prince N. Yogo’s love “romance” from Aunt’s name tells him to sing the worldly “romani”. Knowing the failures, “in the light of the light, I see again the wines. / In the mother’s office / It’s time for Yomu, / If the zhorstok is nudga / Chased after him in the noisy light ... ”The author, like at the finale of the first division, creates an ear of work on the novel, about friends, like “stanzas of the first reading”.
Use the middle of the "silk" divisions due to the very principle of symmetry. The chapter is symmetrical to the first one: if the first one had less testimonies than Onegin, then all the respect of the Author for the first one was divided on Tetyany - the same chapter, de main character of the day. Vinicating the plot parallel between the couples Onegin - Tetyana and Lensky - Olga. After the episode, which completes the unhappiness of the love colise between Oneginim and Tetyana, the rozpovid sharply echoes: The author wants to “cheer up the mind / With a picture of a happy kohannya” Lensky and Olga. An implicit, attached parallel is drawn between Tetyany's dream-phantasmagoria, reminiscent of terrible monsters that appeared from two worlds - folklore and literary, the one "let's have fun on the holy name day." The dream appears not only as “weird” (the duel was welded in the new one), but as a fantastic “black” of the rural ball.
The superbness of improvisational description and compositional symmetry of chapters, episodes, scenes, descriptions - principles close to the technique of literary "montage" - do not include, but supplement one. Let's work together to create a novel with a dynamic, internally single artistic text.
The artistic uniqueness of the novel is rich in why it is recognized as a special camp, as if sitting with a new Author.
The author of Pushkin's novel is not a traditional narrator, that he spoke about heroes and podії, clearly emphasizing himself in regard to them and to readers. The author is the creator of the novel, and at the same time the hero. Vin casually tells readers about the "literaryness" of the novel, for those who create a text with it have a new, life-like reality, as if it is necessary to accept it "positively", trusting it to rozpovidi. The heroes of the novel are vigadans, everything that is said about them cannot be attributed to real people. Light, where the heroes live, is also a figment of the creative fantasy of the Author. Real life is no more material for a novel, selection and organization by him, the creator of the novel world.
The author conducts a constant dialogue with the reader - to share "technical" secrets, write the author's "criticism" on his novel and simple thoughts of magazine critics, turn the respect to the twists of the plot action, to the opening of the hour, to introduce plans and blacks into the text - in a word, not Let's forget that the novel has not yet been added, not given to read, like a book, “ready to be lived”, just to be read. The novel is being created right in front of the reader, I will take part in it, looking at his thought. The author succumbs to a new partner, turning to a rich-faced reader: “friend”, “foe”, “buddy”.
The author is the creator of the novelistic world, the creator of the plot opovіdі, but also vin - yogo "ruinіvnik". Super-accuracy between the Author - the creator and the Author - the “ruinist” opovidі vinikaє todі, if wine, interrupting the opіvіd, he himself enters the black “frame” of the novel - for a short hour (replica, respect) or zapovnjuє yogo with a whole (author’s monologue). Prote The author, indulging himself in the plot, does not believe himself in the light of his novel, becomes a hero. It is substantiated that the “hero” is a metaphor that mentally signifies the Author, even if it is not a prominent hero, a participant in the plot. It is hardly possible to single out the independent “plot of the Author” from the text of the novel. The plot of the novel is one, The author is the pose of the plot.
The Author has a special place in the novel, assigned two roles. The first is the role of an apologist, an apologist, commenting on everything that is related to the heroes. A friend is the role of a "representative" of life, as if it were part of a novel, but it does not fit into the framework of a literary plot. The author appears not only behind the plot, but above the plot. Yogo life is a part of the life flow that is impassioned. Vin is the hero of the "novel of life", about which it is said in the remaining verses of "Eugene Onegin":
Blessed, who is holy life early
Filled up, not drunk to the bottom
Kelikhs of full wine,
Who did not finish his її novel
I raptom mind to part with him,
Like I am with my Onegin.
Okremі peretina of the Author and the Heroes (Zustrichs of Onegin and the Author in St. Petersburg, about how to be found at the first branch, Tetyana’s sheet (“I cherish yoga sacredly”), which I have spent up to a new one), confirm that the heroes of “my novel” are only a part of that life , as I imagine in the novel Author.
Image of the Author create in other ways, below image Onegin, Tetyany, Lensky. The author clearly observes them, but at the same time between them and the main characters blamed for the differences, meanings of the parallels. Not being a diy special, the Author appears in the novel as a subject of speech - replicas and monologues (they are usually called author's speeches). Speaking about life, about literature, about the novel that I create, the Author either approaches the heroes, or moves towards them. Yogo thoughts can zbіgatisya z їhnіmi dumki or, on the contrary, stand up to them. The appearance of the Author's skin in the text of the novel is a vislovlyuvannya, which corriges or evaluates the features and look at the heroes. Others The author directly indicates the similarity or difference between himself and the characters: / Life tormented both of us; / In both hearts the heat went out”; "Let me radium commemorate retail / Mіzh Oneginim and me"; "That's exactly what my Yevgen thought"; “Tetyano, love Tetyano! / I am crying for you now.
Most of all, the author's thoughts and lives of heroes are blamed on compositional and meaningful parallels. The appearance of the author's monologues and replies, the calls are not motivated, connected with the plot episodes by deep meaningful links. The main principle can be summed up as follows: the main character or the characterization of the hero will make the Author's opinion more interesting to talk about that other subject. The author's skin painting adds new touches to this portrait, becoming an addition to his image.
The leading role in the created image of the Author is played by yoga monologues. author's notes. All completed for the replacement of the fragments of the text, to draw the string to the composition and unique style. For clarity, the analysis of їх can be divided into a sprat group.
Most of the approaches are lyrical and lyrical-philosophical. With them, many of them with various life-threatening, guarded, radiant and summative “notes of the heart”, philosophical thoughts, the spiritual light of the Author is read: the voice of the wise Poet, which is richly pumped and tasted in life. Vіn dіznavsya about everything that makes up the life of a person: strong, pіdnesіnі pochuttya і cold sumnіvі rozcharuvan, licorice torments of love and creativity and hard tugu zhittєvoї suєti. Vіn is either young, innocent and biased, or malignant and ironic. Women and wine, friendship, theatre, balls, verses and novels, but still I respect the author: “I am a people for a peaceful life, / For a strong silence: / In the wilderness, the sonorous voice of liren, / Live your creative dreams.” The author graciously observes the change in the life of the people: the acute theme of his thoughts is youth and maturity, "the age of life and the absence of life, / At the turn of our fates." The author is a philosopher, who recognizes the richly summed truth about people, but without ceasing to love them.
Acts are pierced by the spirit of literary controversy. At the great entrance, at the third chapter (stanzas XI-XIV), an ironic “historical and literary” finalization is given, and then the Author will know the reader with the plan of his “novel in the old way”. In other entries The author is included in the superchicks about Russian literary mine, baldly on loyalty to the “Karamzinist” ideals of youth (chapter three, stanzas XXVII-XXIX), arguing with the “strict critic” (V.K. Kuchelbecker) (chapter four, stanzas ХХХII-ХХХШ). Critically evaluating the literary thoughts of the opponents, the author establishes his literary position.
At a number of approaches The author ironizes over other people's statements about life, if only and in the doorway vismiyuє їх. Objects of author's irony at the entrances of the fourth division (stanzas VII-VIII - "What is the least we love a woman..."; stanzas ХVIII-ХХII - "Everyone may be in the world..."; stanzas XXVIII-XXX - "Surely, more than once bachili / Povitovy lady's album ... "), the eighth division (stanzas X-XI - "Blessed, who was young in youth ...") - vulgarity and hypocrisy, zadrіst and unkindness, sincere laziness and rozpusta, disguised by secular vihovannistyu. Such steps can be called ironic. The author, in view of the "secular readers" of the worldly natovpu, does not doubt the right life values and the spiritual hardness of people. In the spirit of freedom, friendship, love, honor, jokes in people of spiritual breadth and simplicity.
At rich vіdstupakh The author of the post is like a St. Petersburg sings, a co-worker of the heroes of the novel. Little is known about this part of the readers, only biographical “points” (lyceum - Petersburg - Pivden - village - Moscow - Petersburg), wrappings, tensions, "dreams", from which there are a lot of author's monologues. The autobiographical character may be the first step in the first section, part of the step in the eighth section (stanzas I-VII; stanzas XLIX-LI), the third section (stanzas XXII-XXIII), the fourth section (stanza XXXV), the famous entry in the final of the sixth section , In which the Author sings goodbye to youth (stanzas XLIII-XLVI), a speech about Moscow in the somu division (stanzas ХXXVI-XXXVII). Biographical details are “encrypted” and in literary and polemical passages. The author vrakhovuє that the reader is aware of the current literary life.
The fullness of the spiritual life, building up to a wholesome splendor of the world in the unity of the light and dark sides - the author's signature drawings of the author's specialty, which exalt the appearance of the heroes in the novel. Itself in the Author Pushkin instilled his own ideal of a person of that poet.
