Sofia and Liza in the comedy A. S.

Sofia and Liza in the comedy by A.S. Griboyedov "Likho z razumu": two characteristics and two parts.

One of the greatest creations of the first half of the nineteenth century. The comedy by A.S. Griboyedov “It’s famously out of mind” in the comedy, the author puts the most important problems of his time to the bottom, as they continue to praise people.

At my comedy large number diyovih osib, among those present women image. Tse Sofia is Famusov's daughter and Lisa is her servant. The image of Sophia Pavlivna is folded. In nature, it is overpowered good vibes: With her mind and independent character, Vaughn is able to deeply experience and love deeply. For the maiden of the noble stake, that vihovannia received good illumination. The heroine chokes on reading French literature. Famusov, її father, it seems: "I can’t sleep in French books, but I can sleep more in Russian ones."

But, unfortunately, all these positive developments in Sophia's character could not develop in Famus's soul. Axis wrote about it in his own critical study“Million of torments” by I.A. Goncharov “it’s important to put Sophia not nicely. She has strong inclinations of a non-dizhinnoy nature, a lively mind, passions and womanly softness. Vaughn is stocked in the back, where the rain of light does not penetrate, the stream of fresh air does not penetrate. At that very hour Sophia is the child of her soul. About people and about life, she drew from France sentimental novels, and the very sentimental literature unleashed in Sophia serenity and sensitivity, she can say about Molchalin: all nothing passes, hand with hand, and do not open an eye for me. To that, she did not viciously turn her own respect to Molchalin, but with her rice and her behavior, she inspired her beloved heroes. It’s impossible to say to Prote that the heroine is blinded: she’ll assess the work firmly and critically “Surely, I can’t in a new mind, it’s dark for others, and for others it’s a plague, like a shvidky, glittering one and will soon repair the opera ...

Sophia love Molchalin, but when he comes, he sees his father, vin, obviously, without knowing his son-in-law, knowing that he is vigilant. The heroine, at the secretary of her father, has a lot of kindness: “... accommodating, modest, quiet, in person and in the dark, restless, and in my soul I don’t blame anyone, I don’t rub it crookedly and navskis, - I love yoga for that.”

Sophia also fell in love with Molchalin, who, a girl of character, needed a person in her life, which she could cherubate. “Pulling to intercede for a kohaniy people, poor, modest, not able to lift your eyes on her, lift it to yourself, to your stake, give your family rights” - the axis of the її meta, on the thought of Goncharov.

To that Chatsky, turning to Moscow and swaying, as Sophia changed under the infusion of sharpness, she was already worried. It was even more painful for Yomu to be sick of such a thing after three summer days, it was important to know that Molchalina had taken the kokhan. Sophia is so worried about herself, but later. Vaughn involuntarily smells Molchalina's rozmovu with Lisa and raptly walk her dress in another world. Vaughn realized that Molchalin really, having looked like a kohant, was no longer “good for the daughter of such a person.” Sophia needed a bula for you only in order for the necessary moment to speed up with a splash. Yogo method was also to take away the higher rank, to that wine, zgіdno with the covenants of his father, having finished: "We must people without education." Possibly, if Sofia knew about Molchalin's right name, it wouldn't hurt so much. But all at once she wasted a person, as if she was more suitable for the role of a man - a boy, a man - a servant. It turns out that she can know a similar person and repeat the share of Natalia Dmitrievna Gorech and Princess Tugoukhovskaya. He didn’t need such a person, like Chatsky, but she herself smashed her eyes on everything that came up. Yakby Sophia grew up in another middle, out, perhaps, she would have taken Chatsky. Ale, she chooses such a person, how to go more, not to think of herself as another hero, and, for Goncharov’s respect, “Important for all, important for Chatsky” to Sophia herself.

Griboyedov presenting us the heroine of the comedy as a dramatic guise. The main character, like thoughts and vikonations, like close to Chatsky, but at the finale, if Sophia becomes a fleeting witness of Molchalin's "watching" Liza, she is smitten in the heart, she is wretched. This is one of the most dramatic moments in p'esi.

The role of Lizi in the comedy “Likho z rozumu” is no less important. Already from the very cob, we know that Lisa is not a transverse person, she has a lively mind, cunning, penetration, which help her to grow good in people. Vaughn knows the characteristics of other people: Skalozub (“talkative, but not more cunning”), Chatsky (“who is so sensitive, cheerful, and hospitable”). Sticking with Lisa, the skin of the hero may stay with his true person. Famusov, a kind of “black-witted behavior” quietly drags along behind the servant, Molchalin, who loves the lady “in the garden,” don’t mind hitting Liza. I’m sure that the image of Lizi is like a bi dvigun usiєї p’єsi, and yakbi yogo didn’t exist, then the rozv’azka was b zovsіm іnshoy. So, Liza plays the most important role in the development of the plot of the comedy.

At the comedy of Griboyedov, show zooms for an hour, if you are alive (1795-1829), and having created unforgettable images of women, cicadas and modern chitachev, and gliders.

P'esa AS Griboyedov "Likho z rozumu" marks a victory in the creativity of the writer of realism, or rather ostensibly, critical realism. At p'єсі to be placed the most important food of that hour: the camp of the Russian people, strong right, mutually between assistants and peasants, autocratic power, shalene marnotism of the nobles, the camp of enlightenment, the principles of education and enlightenment, independence and freedom of specialty, national self-confidence is too thin. But the strength of the talent of A. S. Griboyedov was given signs and in the fact that it may be some kind of character of yoga genius p'esi - type

wide scale ta one-hour portrait. In other words, the skin of the hero is not, being a typical image, but at the same time a unique specialty. In the past, dramaturgy already created individual images for Griboyedov, and

Individuality was most importantly unilaterally, unilinearly, schematically, in some of them it was most often expressed as one clear characteristic of character. Developing your best gains!

x predecessors, A. S. Griboyedov, having started to depict his heroes, the floorings are foldable, like real people are foldable.

The playwright lays down the laws of comedy to classicism and introduces new feelings into the mind, which are important not for the development of a love affair, but for the depiction of the social medium, chosen by the playwright, that of vdach (figures of Repetilov, Zagoretsky,

Tugoukhivsky). P. A. Katenin dorikav A. Z. Griboyedov at tsomu, scho yogo p'єsі “scenes po'yazanі enough”, but rightly said yomu: “So it is with nature, be-like podіy, dribnih and important”.

One of the most compelling and super eloquent characteristics of the song “Likho z rozumu” is Sophia. In our opinion, having a better understanding of this image I. A. Goncharov. At the article “Million of torments” we have the best respect for the folding її

character. You can't talk about the summation in Sophia of "good instincts for bullshit", "a lively mind with all the pressure to reconsider." "His own, special physionomy," Goncharov wrote, "should be in his own silence, hot, lower, navit mriyliv." Goncharov had a chat with her "incredible nature". Yogo visnovok dosit promotions: "Not without reason її loving and Chatsky." Chatsky at p'єсі addressє your ї promote us to Sofії. Sophia herself wins with her one-mindedness. Win sound

verity, look at it. Tsієї vіri, at the last stop at the first day, did not steal from him “no distance”, “no rozvagi, no change of mission”.

Lyubov Chatsky to Sophia helps us to understand one truth: the character of the heroine in some important way to become a hero. At her own seventeen fates, not only "rozkvitla charivno", as if talking about her with the love of Chatsky's cries, but y

I envy the independence of thoughts, unacceptable for such people, like Movchalin chi to inspire a father. To finish the famous "what does Princess Mariya Oleksiivna say to me!"

Sofia - What am I sensitive to? Whoever wants to, so i judge.

Wanting to have everything, maybe, chimalu, the role played just by that bezprierednist, unpretentiousness of її nature, as I allowed. A. Goncharova is close to the Griboidivska heroine from Pushkin’s Tetyana Larina: “... Vaughn in the hut is so ready to see herself, like Tetyana: offended, like sleepwalking, wandering around the slaughtered child with simplicity.”

For Father Sophia, books are all evil. And Sophia glared at them. Shvidshe for everything, on the quiet, as if they were accessible and “povіtovіy pannochtsі”, Pushkin's Tetyani - Richardson, Rousseau, de Stael. Behind them, better than everything, Sophia designed that ideal image, which is to hang around in Molchalin.

The heroine of the Griboidivsky p'esi, in fact, takes only a hard lesson. Vaughn is depicted on the cob quietly tasting, yakі vypadyat їy part. So Sophia is a character that can be repented and explored "until the end" only in the future.

Already the first appearances paint nature, I live, that I groan, svavilnu, that I declare my behavior a drill, another development is coming. Let's make potter's words about those who in її "phyzionomy" are hovering in their own darkness, hotter, lower, navit

mriyliv. Griboyedov needed to be reminded of the quality of the heroine already in the first places head hero. It was important to the very fact that in contacts with him Sophia still flickered in herself, hung, and for peeping eyes she might not be completely clear of internal motivation for her vchinkiv.

An overly important explanation of the image of the heroine is a dream. A dream, telling Sophia, to avenge like a bi formula її soul and its own program of diї. Here, above, Sophia herself was named those drawings and її specialties, which are so highly appreciated

I. A. Goncharov. Sophia's dream is so important for understanding her character, like Aunt Larina's important dream for understanding the character of Pushkin's heroine, wanting Auntie's dream to be true, and Sophia making up her own dream. Ale fold yogo so that

in the new one, one can clearly see its character in relief, that one “taєmnі” namiri.

“Historically impeccable,” dutifully stating M. Do. Piksanov, - what a drama experienced by Sophia Famusova at the finale of the fourth act, at the Russian literature ... the first and brightest proof of the artistic image of the spiritual life of a woman. The drama of Tetyana Larina was created earlier”.

Presenting Tetyana and Sofia, I. A. Goncharov wrote that “great difference between her and Tetyana, and between Onegin and Molchalin. Choose Sofia, obviously, I do not recommend...”.

At Molchalin's, she is fatally pardoned. The axis of the head of the hard blow. So, just like the main character, he also falls into a part of his heart's grief, his “million of torments”. Step by step, getting involved in your own fight for Chatsky, out

Like a mity vtrachay vtrachay vіdchuvat vіdchuvati vіdchuvati vіdchuvati vіdokremlyuє ії kolkі, rasdratovani vіd vchinku obviously bezchesnogo. But, perhaps, the very same, you can be considered one of the most important characters in comedy. Sofia - no

less singing social type. no less than a simple moral model, but a more illustrious individuality

1.Enter

2.Woman in suspension

a) Mrs.

b) servant

3. Special Drama Sofia

a) look at Sophia at the lonely

b) fight for a kohan

c) hit the beat

d) appointment of a servant to paniv

e) disgraceful choice of a kokhan pani

4) The skin has a "million of torments"

The comedy "Likho z razumu" is a great creation of Russian realism. Plot n'єsi є forgive. The collapse of the love of the main heroes on aphids suspіlnogo life Moscow. Social intrigue never frames love. A day for two intrigues for everyone

In order to develop the plot, we give significance and life to the plausibility of the twisted characters. Comedy revolves around deceit. Everything in Famusov's booth was slandered on nonsense. Ale, at Lisa, she looks like a militant shakhrai, like she looks like a pansky

anger, and Sophia’s lies protect the secrets of her heart. Sophia is embarrassed to take her love to Molchalin, not only through fear of the father: it hurts more, if in speeches for her poetic, it’s more than prose. Sophia's image is even super chic. He has superficial sentimentality from a deep nature. Reasonable and independent, she won the honor not to Chatsky, but to Molchalin, not to be surprised at those who were the first cohans of Chatsky. Sophia's words call out Chatsky's hoarding. Vaughn garna itself,

mentally pure, a stick with heart and mind, rejoice!

I judge myself. Її mova reflects її waving and well-read, courageous judgment of the pannochka, which sounded panuvati. Sophia is proud of her proud, independent character. Vaughn svavіlna and primhliva, inspire the singing world

divine. You can believe it, if it seems like Lizy: “What am I sensitive to?” to Molchalin "You know that I don't value myself."

Prote, arguing the independence of the conduct of that court, Sophia does not give direct evidence to Chatsky's request. Vaughn replies to you coldly and ironically, trying to hide in the doorway of knowledge. Chatsky's arrogance zmushuє її but more wide. ale

I don’t want to understand її tensions. Try Chatsky to see Sophia's eyes on the worthlessness of Molchalin to the point that, not being a zhorstok for a date, Sophia is evilly cheating on a new one. In the image of Molchalin, she was called the dishonorable vchinok, deafening Chatsky with divine. Її mimovіlna zrada becomes a thoughtful place:

Ah, Chatsky! Love you all at the blasphemy, Would you like to reconcile on yourself?

And for the sake of justice, it should be noted that Sophia, if she recognized what the truth was Molchalin, did not hide herself in the face of truth and did not break down under її tyazhkіstyu: she saw through one quiver. "Zahliva people! I myself, stіn shy." In one

hvilina, proudly looked at herself as a wicked infidel, did not show “pity”, if she was wallowing at her feet and drove away.

The camp is greedy for its restlessness. Sophia ditched Molchalin, spent Chatsky, lost her toy in the hands of an angry father, who didn’t understand anything. Who knows how Sophia can survive the image and reconcile with the Moscow stake,

having made yourself for a person "a low worshiper and a dilka." Possibly, she will become isolated in an image of pride, in distrust of the whole world. The share of її is tragic, because it is not in the middle, it has a hospitable mind, human agility, breadth.

Liza is a classic type of servant, like a master of power and love. Vaughn is the forte of the Famusovs, but in the house of her masters, Liza changes to the position of her friend Sophia. Liza navit took part in the flirty amusements of Sofia and Chatsky. That’s why there’s a gostra on the language, she has free manners, that freedom in occasions with Chatsky and Sophia. So Lisa grew up with her illuminated pannochka, her mova - the sum of common people and manners, the flooring is natural in the mouth of peace. Tsya pіdloga pannochka, pіdlozі maid vikonuє the role of companion Sofії. Lisa is a diyal participant in comedy, she’s cunning, glaring at the lady, and laughing at her, grinning at the pansky street of Famusov, like: “Let me go, windmills

yourself, change yourself, become old. Guessing about Chatsky, with such Sophia at once wriggled, mischievously, that the lady had gone cold to the new. With Lisa, she trembles on the equal Molchalin, trying to keep an eye on her, until the pannochka is running around.

Out to nothing, and wine to me, And I ... alone, I'm in a kohanna, I'm shaking to death.

And how can you not fall in love with Petrusha, the barmaid!

Giving up on her lady's hand, Liza doesn't speak a little about her love intrigue and tries to fool Sophia, it seems that "the kohanna will not have a way." Sophia tells Liza about her appointment to Molchalin, but the servant-confidante sees her lady. Liza is on the vіdmіnu vіd Sofії miraculously razumіє, scho Molchalin is not a couple of її panі, and that Famusov in no way blamed Sofії for the squad of Molchalin. Yomu will need a son-in-law, that he may be a camp at the household that camp. Fearing a scandal, Famusov sent Sophia to hell in the Sarativ wilderness, but in another hour he would try

see zamіzh for the people of your stake. Zhorstokіsha rozprava ochіkuє krіpakіv. Famus sees evil on the servants before us. Lizi vin punishes: "Let's go to the hut, march, go after the birds." And I threaten to send the porter Filka to Siberia:

"At pratsyu you, to settle you." From the mouth of pan-krіpak, the servants smell their own virok.

The era of classicism was three times in Europe over two thousand years - in antiquity up to the beginning of the 19th century. For not a short period, the theorists and writers of classicism created the most perfect system of rules for reporting, as they respected obov'yazkovoy.

for the skin creator. Finding and finding rules were set before tragedy and comedy. The public reacted strongly to the destruction of these established canons, so few of Griboed’s co-workers understood the comedy “Woe

intelligibly." Tvіr nastіlki not vydvіdnіmnym vypovіdnyam pro komedії, scho navіt Pushkin podachiv vіdіlі іn'lіlіk іn't innovation. Nasampered, readers called to the rule of "three units". Undoubtedly, at "Mountain from your mind"

dorimano the unity of the month that hour, but the head-one hour - it’s not visible in any way. Admit it, comedy shows two storylines. In a pinch, a love tricutnik: the main hero is Chatsky-Molchalin-Sofia Pavlivna. In a different way

the story of the hero's standing against that whole suspense, as it ends with a tile about divine life. Qi lines are told, but still the plot is clearly “divided”. Sumnivno

it was given to those who had the right to be called a comedy. The plot itself is to blame for the comic, which is definitely not in the comedy, although there are some funny replicas and it’s funny to make it funny playful face. Until then, after the literary events of the mushroom hour, positive heroes win, and negative ones become fools. I won’t win at the result, I won’t win anything, and I’ll laugh more at them. Prote is the author of "Woe from the mind" without setting himself the task of destroying the poetics of classicism. Yogo credo - creative freedom. Tom in

quiet vipadkah, if more than classicism was surrounded by yogo possibilty, not allowing to reach the rich artistic effect, vіn rіshuche vіdkidav їх. But seldom did the very principles of classical poetics allow effective verse. artistic director. For example, Griboyedov is a maisterno vikoristav deyaki privately and stage roles: not a hero-kohanets, yogo shrill supernik,

primkhliva and deshcho chimera heroine, the servant - the trusted person of her pani, groaning father, comical old, plitkar. Ale navit here Griboyedov to rob his own corrections.

You can change the numbers in the image of two female characters in the comedy “Likho z rozumu”. Vzagali, the system of images in classicism was ієrarchіchno - similar to skhodіv. So the servant could not in any way become an object of description, she could not mother her own thoughts, but she was small to support the thought of the lady. In Jean-Baptiste Molière's comedy "A gentry among the nobility", which conforms to all the canons of classicism, the servant Nicole seems to be like Mrs. Lucille, only less illuminated by that with a smaller stake of intercourse. Offended by the maiden died, only Lucille died in Kleonta, and Nicole in

Yogo servant of Kov'el. The stench hangs out your own thoughts, only in a different way. For example, at the stage of welding, the shackling of the shackles, like the moon, repeats the words of the lady, changing them. Lucille seems to say: “Have you spent the gift of moving, Cleont?”, And Nicole repeats: “Does your tongue speak, Kov’el?” We can’t learn a reasonable servant.

In a different way, the images of women in the comedy "Mountain in the Rose of Mind", which enter into the classicism. For some we can understand the life positions of both heroines. Like in a divine creation, Liza is a faithful companion and friend of Sophia. Servant

cover the shadows, but even more valuable caresses of your masters from the father. Vaughn is rather terrified of Famusov’s pet, so that she doesn’t suspect that a man is changing in her daughter’s room.

It's time, goodness, you know, you are not a child,

The girls have a ranking dream so thin,

Troch dverima ripnesh, troch whisper:

You can smell...

And the lady herself was ruined by slapping Pavel Opanasovich:

Allow me, father, to spin my head,

I’m shifting my spirit for a perelyaku;

They allowed you to come in so fast,

I freaked out.

Suspecting the immoral behavior of the daughter of wine, set yourself up as the butt of a "black" behavior, praising yourself as an honorable father of the family, wanting to shove yogo zagravannya with Lizonka. Why did the servant miss the phrase, like in

for a year become krylatim viraz:

Pass us more for all sorrows

I pansky gniv, i panske kohannya.

The girl is reasonable, but practical, powerful everyday life, then I'm cunning.

Another heroine of life learned wisdom from novels and stories, even French books, narrated by Famusov, French language, dances - the axis, which became the light of the lady. Ale for all the books and the obvious comedy її

almost love, not dominated by the Famusian suspense, the heroine gave herself people, not calling for wealth or nobility. Vaughn is happy with her love, so don’t be afraid of vikritta that possible punishment: “ happy birthday don't be afraid." So Sophia, wide and open, can’t take in the sight of those who have lost their love to Molchalin, and її tell about the dream of insight, the situation is greater, if the pannochka’s father was welcomed into the room, it was already open.

Molchalin mayzhe obviously - the hero of the dream, told by her, she just can’t be so excited when the music is forgotten, that fool.

Otzhe, the heroine is completely zanuren at her kohannya, she is blinded by her. And Liza is mirkuє great, keruyuchis rose. Vaughan vvazha, scho in Sophia's kohanna there will be no way “no!

on viki vіkіv ", father's oskilki bazhav bi son-in-law" with stars and ranks. Chatsky is more appropriate: “Who is so

sensitive, and cheerful, and hospitable. Ale Sophia, I guess, was ripped off by the team: "Listen, don't take your freedom." The pannochka observes her power over the krіpak, she has a sort of pan's agility, not being surprised to point at those that she vryatulya її in

dad kіlka hvilin to that. For that very reason, we cannot bring the heroine to the "lowest century". Liza, watching her camp, does not allow herself a lot of things. Vaughn chomps on Chatsky, but does not allow herself to fall in love with yoga - tse її zhittєva

wisdom, you don’t give in like that, Molchalin alone, to the one who can’t help but “love Petrusha the barman”. Vaughn knows her place in the future, to that I will be happy.

Sophia, like a sack of familial suspense, is a small ideal, like all representatives of yoga. And one of the feats of women is “a man-lad, a man-servant-ideal of Moscow people”. So it is necessary for me to intercede for a poor, modest person.

Ale at the finale її kokhannya change znevagoy to Molchalin, її torment almost conscience: "I myself, stіn swear." You will understand your self-deception, and repent widely. Sophia recognized a new fiasco in her kohanna, it is possible that the heroine will become isolated in

depicted pride, distrustful of the whole world. So chi іnakshe, її share є tragic.

Otzhe, Griboyedov went far in the face of the established rules of classicism. Oleksandr Sergiyovich vikoristovuvav priyomi and classicism only as a "pіdsvіchuvannya", scho reinforcing the smut-individuality of the characters, originality of their characteristics and that position.