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Understanding that function of the artistic team. Understanding the functions of the artistic team

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Matuk V'yacheslav Alfredovich. Organizational-pedagogical ambush of collectives in the system of cultural-permissive activities: dissertation... candidate of pedagogical sciences: 13.00.05 / Matuk V'yacheslav Alfredovich; [Misce zahistu: GOUVPO "Moscow State Educational Pedagogical University"]. - Moscow, 2009. - 244 p.: il.

Entry

CHAPTER 1 Theoretical training of the functioning of contemporary artistic self-discipline 15

1.1. The essence of artistic self-discipline like ceramics and self-developing 15

1.2. Organizational aspects of the functioning of artistic self-discipline 29

1.3. Conceptual foundations for the functioning of a self-made pop-instrumental team in modern minds 44

ROZDIL 2. Organizational and methodological security of the functioning of self-made pop-instrumental groups 59

2.1. Model of organizational and methodological security of the functioning of self-made pop-instrumental groups 59

2.2. The method of functioning of the activity of self-made pop-instrumental groups 77

103

Visnovok 114

List of vicorists dzherel 119

Programs 150

Introduction to work

The reassessment of spiritual and moral values, which are kept in society, allows us to take a fresh look at the role of self-made creativity in all spheres of human life. One of the significant areas in the rich structure of self-made creativity is self-made pop-instrumental art, directed at the expansion of the creative cob in the system of molding artistic and aesthetic culture of specialty.

The great popularity and expansion of self-made pop and jazz groups (orchestras, instrumental, vocal and instrumental groups, rock groups) is obvious in our country. This is due to the fact that the musical stage is the most graceful to the level of outbursts. It is constantly changing with the development of information technologies, musical and visual aids, sound-acoustic technology and electronic instruments. Like no other genre of musical art, pop-instrumental art quickly reacts to the transformation of the current social and cultural situation.

Вплив самодіяльних колективів на художньо-естетичний розвиток населення, а також різноманітність можливостей виховного на виконавців і слухачів засобами даного жанру музичного мистецтва вимагають постійного вдосконалення організації самодіяльної творчості як системи, в якій системотворчим елементом є особистість керівника самодіяльного колективу. For whom the status of a leader of a self-made pop-instrumental team, the creation of a rational organization of the activities of self-made groups, may be significant.

In the current socio-cultural situation in the sphere of self-made creativity, there is a viniclo situation between needs

учасників самодіяльньк естрадних колективів у різнобічності соціалізації та самореалізації у самодіяльній творчості як додатковому по відношенню до інших сфер життєдіяльності людини та спеціальної, вузько-технологічної реалізацією художніх інтересів керівників самодіяльних колективів, орієнтованих на успіх.

У діяльності керівників самодіяльних естрадно-інструментальних колективів майже повністю ігноруються такі складові їхньої професійної компетентності як орієнтація переважно на дозвілля та комунікативні інтереси та запити учасників, специфічні особливості аматорського колективу, організації у ньому педагогічного, творчого процесу. In the new social and economic minds, if the self-supporting team cannot be financed on the budget, it is important for the kerіvnik to take on the role of the manager and producer of his team.

Analysis of the literature on the problems of follow-up, showing that in stay rocky winickly robots, like looking at the problem of the functioning of contemporary artistic self-discipline. N.G. Mikhailova, A.G. Mikhailik, A.S. Kargin, Yu.Є. Sokolovsky and others. develop artistic self-discipline in these social and pedagogical problems. At doslіdzhennyah Є.І. Smirnova and T.I. Baklanova's artistic self-discipline is presented at once as a subsystem artistic culture that permit. The basis of popular musical-instrumental groups is considered in the pedagogical and organizational-methodical aspects in musical pedagogy in the practice of I.P. Arkhangelsky, L.M. Braginsky, D.A. Braslovsky, V.V. Volkova, A.A. Gnilozuba, A.L. Korotiev, V.G. Kuznetsova, E.V. Mshtsuk, O.V. Nizhinsky, B. Penchuk. Z robit,

devoted to the history of pop music and jazz art, of particular interest are the monographs of O.M. Batasheva, S. Berto, V.G. Kuznetsova, E.V. Fedorov, R. Blesh, M. Jones, D. Chilton and A.L. Korotiev.

At the same time, the problems of the functioning of self-made pop-instrumental groups are assigned large number special pedagogical reports (V.V. Volkova, A.S. Kargina, A.G. Mikhailik, E.V. Mishchuk). Self-modified creativity as a socio-cultural phenomenon that integrates artistic and pedagogical ambush in the organizational and pedagogical aspect is considered by us in the future. For whom, the following is relevant.

ROBOTIC CHARACTERISTICS

Relevance of those dissertations. Self-made creativity is like a manifestation - an important lanka in socio-cultural activity. Creativity of self-made pop-instrumental collectives may have a great mystical and pedagogical potential. At zv'yazku z tsim without interruption, thoroughly self-made creativity is a task of both social and pedagogical significance. The very problem of the revealed organizational and pedagogical foundations of the functioning of self-made pop-instrumental collectives is the most important.

Meta follow up. Meta research - scientific education, development and experimental approbation of the methodology for organizing the functioning of the activities of pop-instrumental groups.

Follow-up object- functioning of self-made pop-instrumental groups.

Subject of inquiry- Organizational and pedagogical process
functioning of self-made pop-instrumental

collectives.

Follow-up hypothesis. We admit that the process of rational functioning of the activity of self-made pop-instrumental groups is possible for such minds:

looking at artistic self-discipline as a socio-cultural phenomenon, which is free of two-sided directness - artistic and pedagogical;

rozuminnya kerіvnik samodialnogo kolektiv theoretical ambushes the development of artistic samoіyalnostі as the basis for the rational functioning of the samodialny pop-instrumental kolektiv;

inclusion to the artistic material of the self-made musical group of the musical repertoire of domestic authors;

іntegratsії zagalnodidaktіchnyh methodіv і methodіv muzicheskogo vyhovannya і to the system of artistic samodialnostі;

disaggregation of the initial-methodical security of the activity of a self-made group on the basis of the individual characteristics of a particular self-made pop-instrumental group

Follow-up task:

On the basis of the analysis of philosophical, pedagogical, psychological literature, the essence of self-made creativity as a ceramic and self-developing system is revealed.

To reveal the organizational and pedagogical ambush of the functioning of self-made pop-instrumental groups.

To develop and experimentally review the "Method of organizing the functioning of the activity of pop-instrumental groups".

4. Create methodical security for optimal performance
self-made pop-instrumental groups

Methodological basis of research.Методологічною основою дослідження стали філософські положення, що стосуються методології пізнання дійсності, трактування сутності самодіяльності та специфіки її прояву в різних суспільно-економічних формаціях, генезис художньої культури суспільства, виховної ролі мистецтва, ролі людської діяльності у вихованні особистості та колективу. Among the extreme theoretical and methodological ambushes of this research are the recent revelations about the significance of subject-subjective insights in the pedagogical process (pedagogics of speech education); the position of contemporary aesthetics about the essence and social functions of art; about the role of that place of self-discipline in the life of particularity and suspense;

problems of management and self-ordering in social systems and subsystems.

The theoretical basis of the research was laid down:

Philosophical practices A.I. Arnoldov (system of spiritual culture, її
what about spiritual progress success); B.A. Pear (features of the mass
information); A Ya. Zіsya (modern synthesis of art); Yu.M. Davidova
(Historical sociology of science); M.S. Kagan (morphology of art,
yoga social functions); Yu.M. Kulikova (current folk art
in the system of artistic culture) and in;

Pedagogical achievements of Yu.P. Azarov (systemic pіdhіd up to
training and professional training); L.G. Brilevy (psychological
pedagogical mind self-realization of an individual); G.M. Golovanova
(typological approach to joining a self-made collective);
I.F. Goncharova (the role of art in aesthetic vihovanni);
POISON. Grigorovich (training of personnel for practitioners of culture and their aesthetic
development); HELL. Zharkov (social and cultural ambush of pop music
mysticism); V.P. Isaenko (psychological and pedagogical diagnostics of development
a team of artistic self-discipline); A.L. Korotiev (basic
form that zmіst of the initial-vichalic and creative process
preparation of artistically gifted children for wind, variety
jazz viconavism); B.C. Cousin (psychological and pedagogical foundations
learning artistic activity); VC. Nazarov (features
development of the specialty of the artistic team of self-discipline);
D.V. Width (pedagogy of the formation of musical culture in the minds
dozville); T.I. Baklanova, O.I. Danilenko, O.S. Kargina, V.K. Kryuchek,
T.V. Lavrov, A.P. Markova, A.G. Mikhailika, N.G. Mikhailovskiy,
E.I. Smirnovy, Yu.Є. Sokolovsky, A.P. Khachaturyan and I. (pedagogy
cultural and lighting activities and the development of self-made
artistic creativity); V.V. Volkova, V.A. Volobueva, A.L. Korotiev,
V.G. Kuznetsova, E.M. Kurilchenko, F.O. Solomonika, V.I. Tuzova and in.

(pedagogical art of musical and instrumental

teams).

Follow-up methods. Vіdpovіdno up to the method of that task of research the following theoretical methods: analysis of philosophical, psychological and pedagogical literature from the problems of research; analysis of the documentation of the Regional Scientific and Methodological Center for Culture and Folk Creativity of the Department of Culture of the Grodno Regional Vikonkom (Republic of Belarus), modeling; empirical - questioning, caution, conversation, interviews with participants in self-made pop-instrumental groups; pedagogical - for expert evaluation of kerіvniki in self-made pop-instrumental groups.

Scientific novelty research believe in the fact that:

organizational and pedagogical planting of the functioning of self-made pop-instrumental collectives are considered as an independent pedagogical problem;

a comprehensive analysis of the features of the functioning of self-made pop-instrumental groups as ceramics and self-development systems;

the main aspects of the rational organization of the functioning of self-made pop-instrumental groups were identified;

on the basis of the most important motivation and orientation of the participants in the collectives, it was divided and experimentally tested the optimal organizational and pedagogical mind and functioning of self-made pop-instrumental collectives;

created a model of organizational and methodological security of the functioning of self-made pop-instrumental groups;

the “Method of organizing the functioning of the activities of pop-instrumental groups” was developed, which is implemented on the basis of the integration of music and global pedagogical education;

scientific and methodological security has been disaggregated: a complex of deep-didactic and special methods that reflect the specifics of the pop-musical art; a complex of problem-thematic information cards.

Theoretical significance of follow-up polagaє at vivchenni
problems of functioning of self-made pop-instrumental
collectives from philosophical, social-psychological and pedagogical
position; systematization of the main achievements of the theory, methodology
practice of social and cultural activities and artistic
creativity; at the rozkritty of the day of the artist-Vikonavcho
artistic and educational activity of self-made

collectives.

Practical (economical, social) significance of the follow-up polygaє:

in the revealed specifics of the activity of self-made pop musical-instrumental groups and the proper nutrition of their functioning;

the selection of optimal methodological solutions that allow: a) to streamline the artistic and educational work of the pop and instrumental groups; b) to ensure the scientific and methodological improvement of the lighting process of the major specializations of the main foundations of the Ministry of Culture; d) to ensure the process of professional training of ceremonies in self-made pop-instrumental groups.

Reliabilityresultsfollow-up secure:

methodological obgruntovanistyu vihіdnih theoretical provisions; zastosuvannya complex of methods of scientific knowledge and practical activity, adequate to the object, subject, goals and tasks of research; by way of analysis of data, taking away an hour of experimental work.

The following provisions are to be blamed for zakhist:

1. The essence of artistic self-madeness like ceramics
self-developing systems.

Expansion of knowledge about artistic self-discipline, originality and the specificity of self-disciplined pop-instrumental collective through informal, social and psychological regulation and self-regulation of participants and core self-disciplined collective. The activity of the self-made pop-instrumental collective is organized on three levels: a) exterior (the macrosystem acts as the subject of the organization: state, public organizations, social institutions); b) interiors (subject of organization: institutionalization or weak institutionalization of coherence, which establish the microenvironment of a person); c) intraoral (self-organization and self-regulation of the specialty of the power activity). Artistic self-discipline represents the sphere of management and self-development on the basis of self-assembly, self-organization and self-regulation, which is even necessary to see the essence of artistic self-discipline as a system of self-development.

2. Model organizational and methodological security
functioning of self-made pop-instrumental
teams, in the basis of this - the conceptual foundations of security
functioning of self-made pop-instrumental
the team of modern minds. Model sp_v_dnositsya z_ structure
artistic culture of the suspіlstva and including meta; daytime

artistic self-indulgence, which is seen as the result of a process creative activities; pedagogical potential of mystic self-made art (polyartistic nature of self-made art); the structure of mystetskoy samodiyalnosti; tipi organizational structures artistic self-discipline; equal organization of mystetskoy samodialnost; functions of organizing the process of mystetskoy self-determination; see self-made pop-instrumental groups; specific features of the method of organizing self-made teams; wash the functioning of self-made teams; see the activity of self-made teams

3. "Method of organizing the functioning of the activity of the social
instrumental groups", implemented on the basis of integration
musical and global pedagogical education in the system
artistic self-discipline and allow: to improve the quality of
replacement of the functioning of self-made pop-
instrumental groups; do the necessary thinking for
popularization of creative activities of self-made pop-
instrumental ensembles with the method of further expansion;
zagalniti progressive dosvid z organization
activities and primary-pedagogical work in self-made pop-
instrumental groups; ensure centralized coordination
activities of both professional and self-employed estrad-
instrumental groups; promote vikonavsku maisternist yak
ker_vniki, as well as participants in art groups
self-discipline in the sphere of specific musical activity;

4. Scientific and methodological safety of the process of functioning
pop-instrumental groups, what include:

A complex of global didactic methods: informational

(extended information about the creation of the pop-instrumental

team); motivational (carrying out qualified marketing to identify potential candidates in the formation of teams); diagnostic (procedure for the recruitment of participants to the pop music and instrumental group, diagnostics of their strengths, strength to creative activity); demonstrative (demonstration of the visits to the popularization of pop, jazz art);

a complex of special training methods that reflect the specifics of the pop-musical art (“Iced method”, “Finger cuts”, “Music and imitation kaleidoscope”, “My artists”). Obidvі grupi methodіv directing to the provision of optimal mystetsko-illumination process in self-made pop-instrumental groups;

комплекс проблемно-тематичних інформаційних карт: «Специфіка естрадних музично-інструментальних колективів та оптимізація їх функціонування», «Перспективні напрямки якісно-змістовної вузівської підготовки керівників інструментально-естрадних колективів», «Проблеми організації художньо-просвітницької діяльності ансамблів та орки молодіжної аудиторії», « Оптимізація організації педагогічного процесу аматорського естрадно-інструментального колективу», «Основні художньо-просвітницькі завдання музичних молодіжних інструментально-естрадних колективів Білорусі», «Організаційно-проблемні особливості науково-творчих студентських гуртків естрадного музичного мистецтва та перспективи навчальних закладах», «Студентські наукові гуртки « The musical art of the stage" in the professional development of young specialists (instrumental ensembles, orchestras)", "Features of the forms of the bath of information and thematic data bank for ceramics

аматорських естрадних інструментальних колективів з організації художньо-просвітницької діяльності», «Міжрегіональні форми культурної співпраці та її місце в активізації творчості музичних естрадних колективів», «Естрадні музично-інструментальні колективи Білорусі та їх роль у розвитку художніх здібностей молоді» та ін.

Publication of results. 19 papers have been published on the subject of dissertation problems (there are 257 publications in general, including 1 monograph, 6 articles in journals, 8 materials and abstracts of conferences, 4 popular science articles).

Approbation and implementation of the results of follow-up zdіysnyuvalosa at the process: the author's speeches at scientific and scientific-practical republican, interuniversity, international conferences (1997-2008); scientific and practical seminars (1998–2008); conducting scientific and mystical laboratories, "master class", workshops (2001-2008); professional activity as a maker of professional and self-made orchestras at the foundations of the study of the “Grodno School of Mystics”, “Minsk Musical College named after. M. Glinka”; Grodno State University named after Yankee Kupali.

The structure and scope of the dissertation enlightened by the logic of follow-up, yoga tasks. The work consists of an entry, the main characteristics of the work, two divisions, visnovkiv, a list of vikoristanih dzherel, addenda, revenge the little ones and tables. The latest collection of dissertations is stored in 244 columns, the list of victories includes 258 Russian, Belarusian, Ukrainian, Bulgarian and English language.

Essence of artistic self-development as ceramic and self-developing system

Be it a system, according to the designation of a philosophical vocabulary, to unite a certain rozmaїttya in a single and clearly divided whole, the elements of a hundred and fifty whole and other parts occupy a separate part of it. The system of enlightenment, being, in its own way, a subsystem of the sphere of social and cultural activities of the community, is composed of such mutually dependent components: the goals of the initial-spiritual and developing activities; change of duty; methods of training, development and development; koshtiv; organizational forms, in which illumination the activity is realized with this other effect. For the skin profile, in addition, for artistic self-development, such as ceramics and self-developing systems of illumination, it has its own specific navchalno-vyhovna system. Tsya specificity is determined in given due originality of goals, zmist, methods, zabiv and organizational forms lighting activities the unity of the first, the highest and the developing functions is equal to the contingent of participants in the artistic self-creation of pop-instrumental groups.

When looking at the essence of artistic self-discipline, like ceramic self-development, it was necessary to clarify the understanding of what artistic self-discipline stands for. When you think about it, the concept of "artistic self-made" is not identical to the concept of "self-made art". The statement to be understood by different scholars is viewed differently. N.G.Mikhailova means that "...with obvious clarity to understand "artistic self-madeness" and "self-modified mysticism", the stench does not lie until it is unambiguously understood in practice and does not make clear links with the terminological traditions of singing science and sciences" .

In the case of self-described artistic self-discipline, some authors place the main rank in the process of artistic creativity, and in others, they introduce the inter-artistic culture. A.G. Mikhaylik insists that “artistic self-madeness is not less than busying people with art. This is the same diyalnist іz promotion of the spiritual culture and the artistic and aesthetic equal illuminance of the people; a form of inspiration for people, filling the free hour, splintering, supporting emotional and moral optimism as a specialty, as well as whole groups and collectives; nareshti, a form of viyavu Yuletide mood of people ". For whom the posterity is designated mutually as a sign of artistic self-inflictedness with certain specific and non-specific functions of self-inflicted art, which does not allow the recognition of artistic self-inflictedness.

The most priming goes to the point of designing artistic self-destruction on the works of T.I. Baklanova, A.S. Kargina, N.G. Mikhailova, E.I. Smirnova and others. The stink to revenge the analysis of the spivvіdnoshnja in the artistic self-dialness of the processes of artistic production and artistic development, realized in the allowable forms of diyality. On the basis of what has been said, it can be argued that self-made art is not surrounded by self-made art as a sphere of artistic production, but it also includes, according to the opinion of the authors, different kinds of artistic activity. In tsomu, vrakhovuchi vyshchezakazan, we know the thought of M.N. Afazhev about the need for methodological and scientific aspects of systemic follow-up of the nutrition of art, including the specifics of artistic self-discipline.

The pedagogical achievements of I.P. Arkhangelsky, L.M. Braginsky, D.A. Braslavsky, V.V. Volkov, A.A. Gnilozuba, A.L. Korotyeva, V.G. Kuznetsova, E.V. Mishchuk, O.V. Nizhinsky, B. Penchuk) self-made artistry is most often seen in the context of social and pedagogical problems.

Other problems of the artistic and whimsical role of artistic self-discipline are analyzed by R.P. Gudyalіsa, S.S. Estemesova, T.V. Lavrovoi, F.A. Solomonika and in. No proto-analysis of the essence of artistic self-discipline, like ceramics and self-development of the system, has not been carried out in previous studies of pedagogy. In our opinion, such an analysis is possible on the basis of the development of pedagogical and mystical approaches in the system of realization of artistic self-determination in the socio-cultural environment. Mystical science pidhіd allow us to look at the essence and specifics of artistic self-sufficiency as a genre of mysticism. On the basis of the pedagogical approach, it is possible to reveal the illuminating potential of artistic self-discipline, which is important in the process of artistic and aesthetic development of all groups of the population, and to designate ways and ways of injecting artistic self-discipline into both listeners and vicons.

Vodnochas, the authors of pedagogical achievements of artistic self-discipline (V.V. Volkov, A.S. Kargin, A.G. Mikhaylik, E.V. Mishchuk), who maintain respect for it, and especially for self-improvement, are often inspired by the nature of art. It is necessary to subdue the tendencies to bring up the problematics of self-made art within the framework of pedagogy. This trend is more and more often seen as “... a sacramental methodological pardon: folk art is seen not as a bell of a universal art, but rather as an official molding human specialty. And, really, it’s important to overestimate such a role, but it’s impossible to forget that folk creativity is the whole sphere of artistic culture. Paired with the professional art, self-indulgence is presented as a poly-art: they represent all the main components of this sphere of artistic culture and, at the same time, є singing self-made sense. Itself in the polyartistic nature of artistic self-discipline is the main educational and pedagogical potential.

An analysis of the enlightenment and pedagogical potential of the implications for the manifestations of extreme and special characteristics of artistic self-discipline in relation to artistic culture, which will require support on a philosophical understanding of this understanding. Dosledzhennyah M.M. Afasizheva, Yu.N.Davidova, G.M. Pospelova, V.A. Rozumny, Yu.U. Fokht-Babushkina and others in the rest of the world, the problems of the role of this sphere of artistic self-discipline in the system of artistic culture are especially actively explored. The stench is shy to try to kill, which sometimes looks over the traditional setting to the essence of artistic self-diality, about the possibility of being able to create an aesthetic vihovannia, about the interplay of artistic self-diality and people, artistic self-diality and existence. Philosophical robots have the necessary theoretical reconsiderations and the designation of extreme and special characteristics of mystical self-discipline, and pedagogical potential.

Organizational aspects of the functioning of artistic self-discipline

With the revealed organizational and pedagogical ambush of the functioning of artistic self-diagnosis in the school, it was necessary to look at the organizational aspects with a method of looking at the illumination and pedagogical potential of artistic self-diagnosis in their colloquial robotic systems. The concept of "organization" (psychological aspect) is interpreted by Rapatsevich E.S. as “differentiated and mutually ordered association of individuals and groups that develop on the basis of common goals, interests and programs. Distinguish the formal organization, which may have an administrative and legal status and put the individual in reserve in terms of special, functional links and norms of behavior, and informally, which is a group of people, which should be separated by their own choice.

At the link with the interpretation given understandingІsnuє sense to clarify the historical background of the vision of social institutions in the system of artistic culture, as Yu.V. Petrov. The author shows how in the course of the historical development as a result of a progressive field of practice (including in the number of activities in the organization and management) the deacons of the regulatory link and the blue can be in the form of regulation, to some extent the stench was included. The stench is fixed, formalized, and sometimes formalized legally. Social institutions act in the role of specific "institutionalized subjects", playing the role of intermediaries between song communities and artists, between artists and the public. At this institution, they can be like a blue, a link, and the subject of artistic activity: musicians (creative splits, associations); public (clubs of music lovers, disco clubs); criticism (association, critical vision).

Artistic self-discipline has a management block, and officially registered clubs, students, children and other collectives of artistic self-discipline, including pop-instrumental ones. However, the order of the institutionalized forms of artistic self-discipline is not recognized. organizational forms. The stench originates and develops in the sphere, which often manifests itself as “pobutov's artistic culture”. Її the core є butove mystetstvo, like “... you can create for yourself a form like “here” and “now”, it’s less likely to look at that special life situation”. At the thought of the dosledniks, the very same art is the basis of modern artistic self-development, from which you can’t wait. Zavdyaki included to the structure of the artistic self-madeness of the butt art, significantly expanding the traditional manifestations about the borders, like, as often vvazhayut, never go beyond the borders of the suspended-organized sphere. Such a traditional pіdkhіd pov'yazaniy iz dosit a broader view of the artistic culture as "the socially sanctioned results of artistic activity at once from suspіlno hardened forms and ways of tsієї іyalnostі".

At that very hour, the basis of artistic self-discipline, vvazha N.G. Mikhailova, "... to lie deak is dynamic, equal to the spontaneous creative impulse of the specificity and organization of forms of mass suspense-cultural movement." It is not uncommon for self-made artistry to be presented only as a “cherovan (by sovereign bodies, hromada organizations) of the social and pedagogical system ...”. Such a look at the art of self-expansion in theory, and in practice. Wines can be brought to two extremes: either to social institutions ignoring spontaneous forms of permissive artistic activity, or to trying to transfer the processes of non-specific call regulation, regulation, management, to superimpose their nature.

At the same time, at the process of doing it, we had a hard time about those that artistic self-development can be self-development.

For whom, earlier, the concept of “organization” was assigned to the psychological aspect. The concept of “organization” is completely artistic self-indulgence in the usual plan, most often victorious only on a par with the most significant manifestations and is promoted as “organized” (chi unorganized) self-indulgence. For clarification of this concept, as it is closely related to the concept of "kerіvnitstvo", we turn to the sociological aspect of the designated term "organization". In the vice of the new Galuzi social science -sotsya organized, the tens of vains of the Danasian dignitant, the yields are possible: “The organizing is characterized by Elehementin, and is the deposit of the same. ). Winner); - organization is possible as “organization of parts, between them vinikaє communication” (W. Ashby); - "organization and collection of rules and disciplines" (materials of the Parisian booth of trade); - "Organization - a system of mutual behavior of the singing part of society" (G. Simen); - “Organization and social cohesion ... uniting people for the sake of such a goal, as it cannot be reached by any of them, even though it is important for the skin” (A.I. Prigozhy).

Model of organizational and methodological security of the functioning of self-made pop-instrumental groups

Analiz Filosofsko, mystseschikh, psychological and pedagogical liTereturi of the problems of the functions of the self-union ecrid-Instrumental Kolekit showing self-diverse, uninterrupted by the sodium-pedagogical potassium. Про системний характер діяльності самодіяльних естрадно-інструментальних колективів можна говорити тільки в тому випадку, коли система «дійсність – особистість художника – твори мистецтва – особистість виконавця – виконання творів мистецтва – дійсність», що реалізується в самодіяльному мистецтві, буде спрямована на зміну чи корекцію особистісних The role of the participants in self-made collectives In this process, it is necessary for us to attach importance to the formation of the motivational sphere of the victors as the basis for the rational functioning of self-made pop-instrumental collectives.

In the analysis of the problem, the role of the motivational sphere of the victorious self-made teams is reminiscent of the singing super-speechiness.

So, N.G. Mikhailova sees two types of motivation. The first one is determined by the person's attitude to the result of activity (to the creation of a new creative product: concert program, author's work, individual manner, style). Another type of motivation is a focus on the process of activity: on inclusion in the team as a subject of social cohesion, satisfaction with the process of cooperative activity, psychophysiological relaxation, self-development and social recognition in the team. Another type of motivation can be understood as a combination of those reasons for the broadest meaning of the word.

A.P. Markov also sees two types of motivation for participants in self-made teams. It is more important that the stench of the sub'єkt-sub'єktnі vіdnosinі in self-made pop-instrumental groups - instrumental vіdnosiny, which is characterized by the directness of the participants in the group on the object, and, zreshtoy - the creation of an artistic product. Expressive directives to inter-specialty connections and contacts, to linking one with one partner (on the subject of activity).

Regardless of the significance of the positions (A.P. Markov tries to date the modification of the subject-subjective variables, N.G. Mikhailova - using the concepts of “process-result”), both authors can see two hot characteristics Motivation - directing to the well-artistic subject of activity and satisfaction of non-artistic social and psychological needs.

New trends in the activity of the current self-made pop-instrumental collectives lead to new approaches to the organizational and methodological security of the functioning of self-made collectives. In connection with this, the method of modeling is of particular importance, which in order to create a system of elements that create sides, connections, functions, and rational functioning of self-made pop-instrumental groups. The model is based on the same consistency (but not the sameness) between the object (original) and the yogo model. In this way, zastosovuyuchi method of modeling, it is important to see that the model itself is not a self-perpetuator, but rather a further study of the object, which is out of place, perebuvaya with him like a singing similarity.

The previous model of organizational-methodical security of the functioning of self-made pop-instrumental groups includes the process of processing the necessary information, after which schemes of goals are formed, the task of vihovannya, spectives of the first real collectives is formed. The forward modeling is a nibi viperedzhalny stage to practical re-verification of ways and minds for the rational functioning of today's pop-instrumental groups.

This model has a conceptual framework for the functioning of a self-made pop-instrumental team in today's minds (Div. 1.1). The model spіvvіdnositsya іn the structure of the artistic culture of the society, which is part of the society and includes: tsіl; the essence of artistic self-actuality, which is seen as a process and the result of creative activity; pedagogical potential of mystic self-made art (polyartistic nature of self-made art); the structure of mystetskoy samodiyalnosti; types of organizational structures of mystic self-determination; equal organization of mystetskoy samodialnost; functions of organizing the process of mystetskoy self-determination; see self-made pop-instrumental groups; specific features of the method of organizing self-made teams; wash the functioning of self-made teams; see the activity of self-made teams

The model's primary method is the creation of organizational and methodological security for the functioning of self-made pop-instrumental groups. The reach of the surfacing of the navigated navigable, visible wounds, blocks of artistic self -propelled mystical mystery yak ї pdesystemi: 1. The appearance of artistic self -propelled, and the process of art, - the nucleus of art, - - specific self-propelled ball; - secondary (reproductive) ways to produce artistic activity; - specific goals, methods, methods, and organizational forms of functioning; - important zasіb aesthetic vihovannya people. 2. The essence of artistic self-indulgence, which manifests itself in the past of creative activity, in which it should be noted: - The creation of new artistic products; - watching new interpretations of the works of self-made and professional authors; - improvisational creativity; - Creations of new ways of artistic and productive activities. 3. Pedagogical potential of artistic self-discipline, which is based on the nature of artistic self-discipline, to lie in: - Features of the creative process; - zmіstu mystetskoy ї diyalnostі uchasnikіv; - mystetsky equal to the musical repertoire. 4. Структура організації художньої самодіяльності включає: - інституціалізовані види самодіяльних організацій (управлінський блок, колективи (клубні, студентські, дитячі та ін-); - неінституціалізовані види самодіяльних організацій. 5. Типами організаційних структур художньої самодіяльності є: - ж і гнучкий, варіативний ;- internal (keratin structure and substructures), which are included before it, and ovnіshniy (zvnіshnі links to the team), - formal (visible part) and informal (with a clear expression of special zabarvlennyam). diyalnistyu.

Methods of functioning of the activity of self-made pop-instrumental groups

For the successful functioning of self-made pop-instrumental groups, it is important to organize the activity of self-made pop-instrumental groups. At the meeting with the team, we carried out an offensive work: a) the motivational sphere of participants in self-made pop-instrumental groups was analyzed; b) analyzed the activities of the ceremonies of self-made pop-instrumental groups (from the butt of the Grodno region of the Republic of Belarus); c) analyzed the specifics of the professional, primary and self-acting pop-instrumental groups as well as in the application of the Grodno region of the Republic of Belarus.

For all three positions, substantive characteristics are reportedly given. I. Motivational sphere of participants in self-made collectives. Behind the nature of the object and the subject - tse pedagogical research-experimental research; for the specifics of rozv'azuvanih zavdan - project, creative, practice-oriented, methodical; for the nature of the experimental situations - vibrator-controlled; z substav for classification - sexual, natural, actively directed; from the logical structure of evidence - the last, tobto. control groups are available here. Prove that they are spiraling after the status of the dosledzhuvanny object until the next time the dosledzhuvanny clerk. An independent replacement for an older and self-made pop-instrumental team.

On the basis of the ascertaining experiment, a number of motives (attitudes, orientation, characteristics, needs, interests and other characteristics) of participants in several amateur pop-instrumental groups in the Grodno region were analyzed; two orchestras (the youth variety orchestra "Caprice" of the Grodno State University and the variety orchestra "Accent" of the Novoelnensky city Budinka of culture of the Dyatlіvsky district of the Grodno region); two ensembles (the ensemble of Jewish music "Shalom" of the music center "Panorama" metro station Leader and the ensemble of popular music "Nota Bene" (from the Latin "Pure note" of the Mosti district Budinka of culture of the Grodno region)).

Selected self-made teams (two ensembles, two orchestras) may have similar creative characteristics (div. Appendices A-1; A-2; A-3), as well as different regional features (large and small places).

As a deposit of changes, on the basis of which one can mark the appointment of participants in self-made groups to the degree of activity, the orientation of the participants in the form of activity in self-made pop-instrumental groups was determined. Previously, such a category was operated by E.I. Smirnova and G.M. Golovaniv. Vykhodyachy from the previously assigned types of activity, most clearly represented in practice by self-dial teams and the specifics of their functioning, the following changes in orientation were seen: Knowledge directivity and orientation to knowledge activity. Spilkuvannya that spіlny vіdpochinok as a realіzatsіya consume in informal splіkuvannі, often not connected with the mysticism. p align="justify"> Gromadska directivity as a world expression of the interest of the participants to win the team as a field of joint activity for interest. Creativity as original, individually zabarvlena diyalnist, as it speaks the singing world of the author's artistic self-realization.

The speciality of the Classifikatsiye Poleg, in the same, is not, the abstract-Categorian rowen is not the same self-assembled kolekit (yak at the classifice M.S. Kagan (71; 72) Plani Roboti, Tobto Savponovani Come with the Rod -Motivaniye spheres of the self -assigned cigarette and the yak izhikator of the Vidpovly Orintatzi, this is the method of viyannnia of the prestigious bouncers " (Div. Addendum B-4).

The skin orientation of the bula is represented not by one, but by dekilcom propositions. For example, orientation to community activity it was started by the assessment by the participants of such propositions as: “to prepare the evening with the help of the team, dedicated to the International Day of Music, then again”; “give strength to the team and the other four participants to support the musical team of the middle school”; “to organize by the team an association of music lovers pop art". Rating zahodіv zakhodіv otsіnyuvavsya for pyatibalnoyu system.

Ivanova Liliya Mykolaivna

In the 1970s and 1980s, there were scrupulous surveys of mystetskoy samodiyalnosti. 1975 year saw the first All-Union festival of artistic self-made creativity of workers. A wide range of self-made art has grown in other lands, it has been created by friendly minds at the development of self-made art.

The mass development of self-dyalism was revealed by a wealth of talented vikonavtsiv and directors. A great number of professional teams were created. Among them are famous ensembles of folk dances, ensembles of songs and dances, Russian folk choirs, a warehouse and an invisible part of these dance groups.

Artistic self-discipline continues to live today. The heads of modern artistic self-dialry є holding sacred holidays, mass festivities. Before the program for the development of culture, the stimulation of folk creativity, the development of mystetskoi self-development should be included.

2. The essence, specifics and features of self-made artistic creativity

2.1 Artistic self-development: signs and signs

Artistic self-discipline is unprofessional artistic creativity folk masses in the gallery of image-making and decorative-applied, musical, theatrical, choreographic and circus arts, cinematography, photography and other. Artistic self-development includes creation and vikonnannya artistic creations by the forces of amateurs, yakі act collectively chi one by one.

The collective of artistic self-actualism is a creative association of lovers of one of the types of art, which works on voluntary community ambushes at clubs of other cultural and mass institutions. Collective self-discipline can be low in particularities. The value of the appearance of the unity, kerіvnіkіv, organіv samoryaduvannya, as well as poddnannya suspіlnyh and special aspirations and interests of the participants in the self-made team.

Today's signs of self-driven creativity: volunteering to participate in a self-driven team, initiative and activity of participants in self-driven teams, spiritual motivation of participants in self-driven teams, the functioning of self-driven teams in the sphere of free time. Specific signs of self-dial creativity: organization, participation in the participation in self-dial special training to the degree of work, lower, lower in professional teams, the level of work, bezplatnіst іn.

"Любицька творчість - унікальне соціально-культурне явище, з багатотипною та поліфункціональною структурою, яке має властивості дозвілля та художньої культури. Як відомо, дозвілля - це частина вільного часу, спрямована на розвиток особистості, яка використовується для спілкування, споживання цінностей духовної культури, розваг , different typesНерегламентованій діяльності, що забезпечують відпочинок та подальший розвиток особистості." (Мурашко)" Будучи частиною вільного часу, дозвілля приваблює молодь його нерегламентованістю та добровільністю вибору його різних форм, демократичністю, емоційною забарвленістю, можливістю поєднувати в ньому фізичну та інтелектуальну діяльність, творчу виробничу та game. For a significant part of young people, social institutions allow for the development of areas of social and cultural integration and special self-realization."

Artistic self-discipline plays a great role in the right of aesthetic vihovannia. Doluchayuchisya to the art, people develop their building, accept and appreciate it more beautifully, promote their cultural level, develop spiritually. "Choreographic self-made collectives, cultivating the aesthetic shaping of specialty, serve as a mass shaping and illuminating. These facilitators perform the art of dance with their own hands" It is fair to say that more can be considered to be a different kind of amateur creativity. Some spіv, tvіr chi vykonannya music, fate in circus performances, creation of objects of image-making and decorative and uzhitkovo art, all this contributes to the development of intellectual and zagalnokulturnogo especiality.

"Artistic self-indulgence ... is not only a school of artistic mastery, but, perhaps, more importantly, a school of life, a school of hu- manism. in the arts, but, for us, I assert myself as a member of the society, whose activity such talent is worthy of necessity."

The fate of the self-made collective develops a little bit of evidence. Lyudina was pragmatically victorious over the tasks set, not to beat other participants in that team. Dobrovіlne, without a strong primus, to take that fate at concerts (appearances, festivals, contests, exhibitions, etc.) will increase the level of self-discipline.

Artistic self-discipline is possible as a social and pedagogical value, as it creates a system of functions: information and education; communicative; socially, how to take revenge on the artistic product of ethical values, norms, ideals, characteristic of various historical periods, the development of culture, which ensures the development of culture, the quality of transluvation from generation to generation; aesthetically pleasing, oskіlki won't carry in your own statement about the beauty of life in society, in fashion, in movement, plasticity, forms; vikhovna, which spryaє development and change of spiritual values and special needs.

Through the forms of artistic self-indulgence, there is a rich understanding of why the interplay of folklorism and professional art, its vykonavtsiv, aesthetic norms, technical priyomіv just.

2.2 Self-made art and folklore

The people are forever creating miraculous mystetsky values. In the order of professional art lived folk art creativity - the immeasurable "folklore". Folk songs, fairy tales, legends, tales of boules and є nevycherpnym dzherel inspiration of professional artists.

Do not say sumniviv that artistic self-madeness came from folklore. Until the middle of the twentieth century, there was no such difference between understandings. "If self-identity is brought to the field of folklore - such food was not set, that in fact could not be set, for that folklore and folk creativity were absolutely the same. We can bring out a lot of songs, accumulated by self-made collectives. In the given folkloristics, all the materials were, however, the facts of folk art, without any additional qualifications. collectiveness, anonymity, "polishing") could not be blamed on the works of classical folklore.

With an hour of understanding, "folklore" and "artistic self-discipline" became more memorable.

The main thing that encourages self-modification in folklore is organization. Self-modification - "a form that conveys the brilliance of creative moments, and the songs of the organization." Folklore, "as a manifestation of the first creative aspirations, blames, prote, spontaneously," unplanned "and already, one by one, does not transfer the same forward organization. Otherwise, hanging on, blaming a folklore creation can be passed on to no one. Behind him, you should be brought to call like a fact, take yoga chi, and then turn it around, if it is done, it will be directed to some kind of action, - which you can’t work for everyday furnishing. Therefore, it is impossible to reveal your own organization to organizations, the task of which included, let's say, the cultivation of folklore personnel, the cultivation of the creative needs of folklore authors, the management of the development of folklore, the same as a similar task of self-destruction, and no one can blame a miracle.

Folklore creates mystical creations. Self-modification is connected as with creations, and with vicons, you can create like folklore, and professional authors. As the author of folklore, as a rule, is unknown, then self-madeness is known to us both authors and vikonavtsiv.

2.3 Self-made art and professional art

You can remember that self-made art repeats images and genres that professional art has. This peculiarity allows you to express creatively the methods and work of the initial process, and the singing world and the repertoire of professional victors and collectives. The stages of approaching amateur art to professional art can be different.

In front of the skin self-made team, like in front of the skin yoga member, the prospect of creative growth was revealed. Vaughn polagaє in what, having reached enough high level maisternosti, the team or the people gain a wide recognition, and further away their creativity is professionalized by the significant world. On the basis of self-indulgence, a lot of professional dramatic and musical theaters, ensembles. For the joy of the talented participants in mystetskoy self-dial, the largest professional teams will appear.

Side 1

Artistic self-development - non-professional artistic creativity of folk masses in the gallery of image-making and decorative - applied, musical, theatrical, choreographic and circus arts, cinematography, photography and other. Artistic self-development includes the creation and creation of artistic creations by the forces of amateurs acting collectively.

"Любицька творчість - унікальне соціально-культурне явище, з багатотипною та поліфункціональною структурою, яке має властивості дозвілля та художньої культури. Як відомо, дозвілля - це частина вільного часу, спрямована на розвиток особистості, яка використовується для спілкування, споживання цінностей духовної культури, розваг , various types of non-regulated activities, as a way to ensure the necessary causes and development of special features. (Мурашко)" Будучи частиною вільного часу, дозвілля приваблює молодь його нерегламентованістю та добровільністю вибору його різних форм, демократичністю, емоційною забарвленістю, можливістю поєднувати в ньому фізичну та інтелектуальну діяльність, творчу та споглядальну, виробничу та ігрову. Для значної частини молодих людей дозвілля є leading spheres of social and cultural integration and special self-realization."

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"The place of self-made artistic creativity in the society".

Entry __________________________________________________ 4

Chapter 1. Features of self-made art

creativity in the soul.

1.1. Stan, problems, prospects for the development of modern

self-made artistic creativity._______________________ 6

daily living __________________________________________ 8

Partitioned 2. Wash at the development of self-made suspenst. __ _ _ 16

2.1. Normative safety of minds. ________________________eighteen

2.3. Indicators of the quality of the work of the creative team. ______________ twenty

Partition 3. Functions of mortgages of a culturally acceptable type. _____ 24

3.1. Self-modified artistic creativity as an aesthetic aspect

development of welfare ______________________________________________ 27

3.2. Self-modified artistic creativity as spiritual and moral

aspect of the development of society._______________________________________ 29

Chapter 4

4.1. I will show the folklore of that sphere. ________________________________ 33

4.2. Selection of repertoire for self-made collectives. Wimogi ta

criteria. ___________________________________________________________ 38

4.3. Base the choice of repertoire for the theater team. ____________44

4.2.2. Base the choice of repertoire for the orchestral team. __________ 45

4.2.3. Fundamentals of selection of repertoire for the choir.______________ 45

Chapter 5

artistic self-discipline. _ 47

Visnovok ________________________________________________ 52

Addendum No. 1 __________________________________________ 54

Addendum No. 2 __________________________________________ 55

Addendum No. 3 __________________________________________ 57

List of references _______________________________________63

Entry

About the artist's self-discipline to write and talk about for a long time, - it seems to be well, the interest to it was stimulated by this other form by the stretching of the old history. The subject of special education won, in truth, not in any particular way, constantly resting, as if on the periphery of scientific respect, prote її її її її її dzhe suttєvoї їїї її її її її її її її її її її її її її її її її ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ї ії ії recognized іnakshe іnakshe vіma i vzhdi. I need to say that the problem did not become especially difficult every day. It was important that we realized by itself that it is more important for the practical creativity of self-dealing to be important to the competence of the houses in folk art, the culture of culture and strong clubs, and in the theoretical plan, it was enough for themselves zagalnykh vysnovkіv as those who are self-made are one of the most important forms of modern folk creativity, which give evidence of the greatness of cultural transformation that our country has.

Considering the current situation in the development of self-made artistic creativity, we cannot but speak about the revival of the indigenous culture of the people, the preservation of that tradition.

It should be noted that in the practice of cultural activities the significance of self-made (amateur) creativity sounds like the phrase “artistic creativity”, as well as the creation and (or) the conquest of artistic creations by the forces of amateurs, acting collectively.

In this way, the understanding of "mistceva traditional folk art creativity" is a general concept, which includes both an introduction to the traditional visual cultural activity, and the self-made character of their mastery.

Selected topic for this term paper That was why it was given to me the most important and relevant, even if it was of interest to the people's root of culture - the current world trend, viklikana problems of globalization.

Suyogodni at the sassing of the rosemin, the flappy of the Krainya, who was adequate, is the reacting of the names of the sovereign, the stimulus of the minds for the ilnthic Ekonovita, the spiritual outburst of the sample of the namesake, the Rosovyki of the culture of the culture of the cult Improving moral values, saving cultural recession peoples Russian Federation, забезпечення можливості для вільного та рівного доступу громадян Російської Федерації до культурних цінностей, розвиток матеріально-технічної бази закладів культури, впровадження нових технологій та гідна оплата праці працівників організацій культури та мистецтва, ось ті завдання, вирішення яких має стати стратегічними напрямками державної культурної політики на nearest rocks.

Awareness of the role of creative cultural potential is to raise the problem of the development of day-to-day life, specificity, and peculiarity of the functioning of self-made artistic creativity and її mіstsya in today's minds.

Chapter 1

creativity in the soul.

1.1. Stan, problems, prospects for the development of modern self-made mystical creativity.

How to celebrate the practice of the wealthy Russian regions, the growth of the suspenst with new theaters, state-owned and large museums, cultural centers, houses of national folklore and crafts, children's schools of mystics - in a word, in various ways to satisfy the spiritual needs of the population, which is uninterrupted.

But, unfortunately, the transformation of the political, economic and social systems of Russia could not fail to be recognized in the socio-economic middle of the functioning of culture. On the one hand, today the most important social institutions of "broadcasting" the bathhouse of culture and professional creative teams of theaters, sovereign and private concert associations, the acquisition of mass information - radio, television and a lot of other things. From the other - a significant place in preparation for the transfer of "products" of culture, like before, is occupied by self-made creative associations of the chambers of culture, as they live through these important hours. So, for example, they have wasted their enormous role in the houses and palaces of culture, as they were once famous for being the flagships of cultural and lighting work; stink or voddan in rent to vipadkovym organizatsii, or even worse - sold under the hammer. Many of them, having spent part of the structural artistic developments, have created new kinds of creative teams such as clubs of lovers of guitar, jazz, and author's songs. Prote "classic" creatives of the association, the middle of which is the place for choirs and choreographic teams, orchestras. folk instruments, As before, they are actively engaged in the satisfaction and development of artistic and aesthetic appeals of the population and the creative potential of the participants in these collectives.
The time has come not just to condescendingly protect the potential audience of a real audience, but to put them in the basis of all the current activities of the foundations of culture. Okrema problem - the search for methodical forms of culturally-permissive activity. First of all, what should we think about here, the best way is to use traditional (oral, other-scholarly, theatrical ones) and innovative forms. come on in.

With the translation of culturally-permissive attitudes to the new minds of the Lord, the cultural activity of the population has significantly decreased, and the self-made artistic creativity. Cultural practitioners often rely less on power, not bothering to create a club asset, to give you a "permission qualification".

And today, the sense of self-made artistic teams, professions of cultural practitioners is also trying to smartly get people and help them in self-organization, self-improvement, self-improvement and self-enlightenment.

In the activity of the fount of culture, there are not only bezvikhod, as if they are frightened by a get-pure movement in the practice of those established primary cultural and leisure activities, but there are problems that check their unremarkable solution. Optimization of the viability of culturally-permissive attitudes to lie on the peritoneum of a few straight lines: critical analysis of the knowledge of our successors and the need to take from it everything that can be practiced in today's minds and accept the reality of today's tasks; creative vikoristannya zarubіzhnogo dosvіdu (equal world fit to dosvіd і near, i far zarubіzhzhzha) organіzatsії zvіllya populyаnі, narashti, vlasnі nevtomnі posuki dermal culturally-permissive establishment, dermal self-made creative team and dermal creative culturist.

1.2. Injection of artistic self-discipline into the development

contemporary suspense.

Artistic self-discipline is rightly viewed in our time as a strong mass movement in the gallery of art, as a process of mind creation for a motivational choice of special subject activity. Moreover, the whole process is determined by the needs of special interests, її іnterests.

Nasoloda, hesitate the cultural-creature of the Dianosti, the rods of the artist, and such a realistic functions of the Culture (gloom, soliditatsky, recreational, gedonistic, creative, self-regionalized, self-regionalized, self-regionalized, self-regionalized, self-regionalized, self-regionalized, self-regionalized, self-regionalized, self-regionaliza, self-regionalized, self-regionaliza, self-regionaliza. The very artistic self-made creativity most effectively brings spiritual inspiration to specialness through enrichment with the cultural values of the past and present.

One of the active forms of the cultural and creative aspect of activity is unorganized amateur vikonavstvo (pobutov choreography, song vikonavstvo and music), like a friendly pidґruntam for the satisfaction of creative drinks and the interests of self-made artistic. The first step to artistic self-made creativity, insanely, instinctively, special behavior. The miraculously penetrating mysticism, as in the mass action, so in the inner world of the people, is influenced by the heterogeneity of the spontaneity of yoga and is distinguished by this world, as the most acceptable middle ground. Transferring the tradition of cultural values to infuse the molding of the "ideal", shards life wayїх inexcusable.

In this manner, the day and the sense of contemporary artistic self-indulgence fall among the uninterruptedly enlightened wide ranges of the population to take up mysticism, the youngsters of artistic creativity, and the promotion of creativity among everyday people.

The term “artistic self-development” can be misunderstood in two ways - for the sensi and for the more specific. Artistic self-discipline among the sensi - tse vzagali the whole sum of the first manifestations of artistic initiatives, as transferring any special forms of organization. From the first glance, everything that is created in the posture of professional art can be called self-made. The work of the tubers and schools, the activity of the propaganda teams, the creativity of the “unorganized” authors, the songs of the modern “rhapsody”, as if naming Yu. Self-sustaining collectives are organized at factories, clubs, palaces of culture, military districts, chief mortgages, collective state sponsors, and sometimes radgospas.

Artistic self-development stands as a peculiar form to occupy with art, accustomed to the new, as a new form of organization of the masses with a method of immersion in artistic creativity. The main specificity of this form is that the masses of people who are professionally employed in various spheres of manufacturing and service, without breaking their vocal ties, at the same time systematically and steadily give occupations in the arts, creativity - the last part of their life specialty.

Not every amateur occupation of art can be brought to artistic self-madeness. Artistic self-sufficiency begins with a wet meaning of the word there, where they cease to be busy with mysticism as a special right, surrounded by a family or a friendly stake, and gain more less broad suspile character and suspile directness. In other words, the artist's self-invention conveys, in the first place, the singing steps of the hromada organization and, in another way, the singing to the singing audience of the spectators and the listeners. And for the sake of my cherga, I give such a rіven of artistic training, for which the participants in the self-sustainability of the building show their art at an aesthetically great hour.

Є spheres of creativity, in which criteria, which are presented as artistic self-actuality, the principles are not disturbed in any way in silence, as if they were used for professional art, and the paths to achieve mastery, in fact, are also the same. It is worth reaching such types of Vikonavian art, which have long been mastered by professional traditions: theatre, dramatic and operatic, symphony and variety orchestras, “classical” instruments, vocals, artistic reading, circus art just. region, it is impossible not to improve the professional level, it is impossible not to be burdened by someone else, not to care about it. The main problem for her here is the mastery of the master on the level of the professional, the main path is the removal of the necessary school, which in principle cannot be the same as the other professional school.

The same can be said about self-made creativity in the gallery of literature or music. The "amateur" sings that the "self-made" composer sings among his professional brothers for creativity, only behind these "virobnichik" vodnosins, in which stench they know their creativity. First Tim and Other Necessary Gifts, School, and Mastery.

Today's self-indulgence in its most important part (and if there is a place, then the most important part) is oriented itself to that sphere of creativity, Vikonian art, which has reached the heights of the great professional traditions. Naturally, we are looking forward to the qualifications and the whole range of professional curricula and creativity to help special organizations, criticism and others, artistic enormity.

Self-made artistic creativity attracts rich people of different age with its non-regulation, freedom
dobrovіlnіstyu vyboru yogo vidіv ta forms. Even from a long time ago, a person jumped to express her special light for an additional dance, little one, that song is richly different.

In parallel with the aspects of scientific knowledge and knowledge of the sciences, self-made creativity undergoes the development of two processes. socializationі individualization. Through the war of mutual modality, the current setting is being created to the degree of specialness. Being an organized aspect of cultural activity, self-made artistic creativity is transmitted as a collective, and individual, unorganized action and accessible to everyone who wants to. A special role is assigned to new enthusiasts, who like to take care of themselves around the whole mass of people, who are talented in their own way. Self-made creativity can, on its own basis, be able to educate the intellect of a person to analyze their needs, as a way of free choice of paths and forms of revealing one’s potential, one’s gifts. “... Be special - mean mother freedom of choice and through all life carry the load of choice, but not like that, like a cross, but like on the right, which gives joy,” A. Asmolov wrote.

Freedom is the foundation of samodiyalnosti, zavdyaky to which a person turns to his own cob nature, and realizing it, is constantly inspired by the friendly zbіgu surroundings.

In this hour, there is a widespread interest to revive mystical folk sounds, holy rituals, which allow us to talk about the need for a scientific approach to the achievement of modern processes, which are seen as a waste of local culture, so in self-creative.

Professor Salahutdinov R. G. in his book "Social and cultural creativity as an effective way of shaping the cultural environment" to classify social and cultural creativity, de middle of the most significant directly and self-made artistic creativity:

Self-modification is organized on folklore and ethnographic culture of the past;

Artistic self-development is oriented to professional art;

Mass artistic self-development (musical, dancing, theatrical, image-making and others);

Folk-mystetsky trades and crafts;

Original self-invention has no analogues in professional art, nor in folklore.

Yaka has its own line of functions:

community organization of social and cultural activities of the masses for the interest of dozville;

Realization of aesthetic needs and artistic needs of people;

Organizational and pedagogical - development of the moral and aesthetic culture of the growing generation;

Revival, conservation and development of national cultural traditions and folk creativity.

Such a rank achieves a few results, yak Salakhutdinov R. G. calling them subjective and divine:

subject- ce cultural values, to which one can reach the gallery of artistic creativity, sports, too; cultural medium, tobto. culture of pobutu, practice, virobnitstva.

Play life- Tse culture is special, tobto. moral, aesthetic, physical culture, ecological, economic, legal, culture

Office TsIL Tsilkom Derepovny, one of one I, in a healthy nazi, is the rods of the convoy suspension in the tsoloma - the suspension of the greatness of the greatness of the science of specialty, Ale is the reference to the Todi, if the people were visible to his “ , yakі act with a happy lankoy between the culture of sustainability and the spiritual world of specialness, between the suppleness and individual butts.

Chapter 2

creativity

I respect that the self-made artistic creativity of the society, that the people cannot be seen by the artistic culture of the people, can take care of and develop for the singing minds. Поняття «створення умов» - це комплекс дій, спрямований на здійснення, виконання, організацію та управління діяльністю, що забезпечує реалізацію прав та зобов'язань органів місцевого самоврядування щодо реалізації встановлених повноважень і, зокрема, щодо створення умов для збереження та розвитку місцевої традиційної художньої creativity. In such a rank, the creation of minds for the development of self-made creativity is the mother's responsibility for resource security, which transfers financial, material and structural support.

With the help of the method of self-organization, minds are created for the development of organizations, as a result of activity in the sphere of saving and the renewal of traditional folk culture in a way:

Development and implementation of conservation programs and development of folk art creativity;

Creation of special cultural foundations, as a result of saving functions, development and popularization of folk art creativity;

Supporting the creativity of the community, like wearing and rozpovsyudzhuvachami material and spiritual traditions of folk culture, vicorist mechanisms of grant support, awarding prizes, other inputs of material and moral incentives;

Normative regulation of the activities of the subjects of folk art creativity (communities, legal entities and community organizations);

Financing works that service from saving and increasing the collection of folklore and ethnographic materials that are saved in museums, archives, libraries and other institutions created on the territory of the municipality.

Financing works and services for the creation of teams of folk art;

Financing of creative projects with the organization of holy events, competitions and other mass entries, which are organized in order to popularize and develop self-made artistic creativity.

The basic mindset for the implementation of the renewal of municipal enlightenment and the care of minds is the development of artistic folk artistic creativity and the creation of creative teams in various genre directions: choreographic, choral, musical, theatrical, folklore.

2.1. Normative safety of minds.

The tuo of the nadannya of the organized-methodical pirim is stimulantly munitive cultural-leisure set of order, hidden on the zbereznaya cultural expanse of the typical position of the former body of culture of the subject of the federation.

Regulatory security the creation of minds for the development of the traditional folk artistic creativity is transferred by the organs of the artistic self-regulation and the structural subdivisions supported by them, the establishments of low normative and local acts, which affirm:

Municipal (inter-settlement, inter-municipal) target program "Development of traditional folk artistic creativity"; - Regulations on the municipal pledge of culture of the club type (Budynok (Palace) of culture, the village club, Budynok (Center) of folk art, the center of development, Budynok of creativity and development and in);

Regulations on the phylum of the municipal mortgage of culture and the club type (for the presence of the structure of municipal education);

Regulations on the centralized (inter-settlement) club system (for the presence of the structure of municipal education);

Regulations on tuber molding for the establishment of a club type culture (with an addendum “On the norms for the uniformity of tuber molding”);

Regulations on the folk self-made team, the smart art team, the folk self-made studio;

The task of methodical security and coordination of the foundations of the culture of the club type and the collectives of traditional artistic creativity is laid on the regional Budinki (Centre) of folk creativity.

З метою створення вертикалі управління державної культурної політики у сфері народної творчості та дозвілля, предметом діяльності закладів культури має стати організаційне, інформаційне, методичне та творче забезпечення установ культурно-дозвільної сфери та інших організацій різних організаційно-правових форм, розташованих на територіях суб'єктів Російської Federations that carry out the work of saving and developing traditional folk culture, amateur art and socio-cultural activities.

1) in the collectives of the musical art(choirs, musical, vocal, folklore ensembles, orchestras) - employment with the development of the history and theory of music, the traditional features of music and vikonavstvo, folk costume, the work of staging the voice, the development of works by soloists and ensembles, the development of the horn of this work orchestra (ensemble), holding rehearsals to take.

2) in teams of choreographic art(folk, classical, pop, folklore tabular dances) - lessons in the development of the history of choreography, classical and characteristic training, teaching and training of solo and group dances, choreographic miniatures, compositions, dance suites, plot productions.

It is also necessary to establish clear minimum standards for the activity of the creative team, which convey the result of the creative season, which lasts from spring to the grass of skin fate (addendum No.).

2.3. Indicators of the quality of the work of the creative team.

The indicators of the quality of the work of the creative team are the stability of its special warehouse, participation in reviews and competitions of creative mastery, a positive assessment of the activity of the community (publications from ZMI, lists of podyaks, applications for concerts (vistavi) from organizing concerts, income from sold tickets) .

For creative successes and social activity from the popularization of traditional folk culture, participants and cultivators of collectives in artistic folk creativity can be presented to various kinds of interest, and for themselves: a diploma, a badge of honor, the title of an honored practitioner of culture.

For the achievement of success in different genres of creativity, clubbing of artistic directness can be presented to the title of "folk" team.

За практикою, що склалася за багато десятиліть, за високу виконавську майстерність, відзначену нагородами конкурсів, оглядів, фестивалів, високохудожній рівень репертуару та внесок у просвітницьку та громадську діяльність колективам художньої самодіяльності, присвоюється звання «народний», а в ряді регіонів Росії та звання « merit self-made". team".

People's self-made team, (Dalі national team) - tse postіyno fiyuche, without rights legal entity, Dobrovilna, the Obnannnya is amateurous, the viconavian of the mushroom, choral, vocal, choreographer, theatrical, is advisable on the St. Petersburg participation.

The title of "folk" is given to the collectives of Vikonavian genres of creativity.

The title of "people's team" is assigned to permanently vibrant teams of artistic self-discipline, as they have reached a high artistic level in their creative and victorious activity, actively promote the initial and vikhovna work among the participants and regularly display their creative work, populate positive feedback population. Obov'yazkovoy umovoy, scho viznyaye creative team, which claims to be assigned a title, is the presence of a team-companion. For grown-up teams - the whole child group, for those who have newcomers to creative mastery, for child teams, the whole group for which the new participants are recruited. The meta team-companion is supported by the safe offensiveness of creative traditions. Necessity is motivated by the fact that the collectives of artistic self-discipline practice on a voluntary basis and are formed by amateurs, who, through their professional work, can become part of the warehouse of participants. In order to ensure that the activity of the team, which bears the title of "people's" and is not interrupted by the creative unity of the municipal illumination, the collectives-companions are necessary, to ensure the constant influx of prepared enough participants.

Visunennya on the zdobuttya title "folk" to get through the head of the team. As a rule, tse setting, on the basis of what is achieved artistic mastery, gіdnoї nominatsії for the title of "people's team". It is also possible to establish a cultural organ of the municipal education in the same way.

The procedure for confirming the title of "folk" is shown in the standard position, as it is confirmed by analogy with the standard provisions for tuber molding (addition No.).

For the Private of the Rishhennya Shto Borobor Nominante on the approval of the “Narodnaya” form, he is an expertna Rada (among the Teritors' creativity of the Komіsіya), one get up with the criterion of the nominante, the yaki is hut up to the federal subject of the regulatory.

For the sake of expert opinion (creative commission), one sees an order by the body of culture of the subject of the federation about assigning and confirming the title of “people's team”.

In order to apply a systematic creative vikonavchoї activity, and navit, as a creative level of the program meets the criteria of artistic quality, the team enjoys the status of "people's" acting as mandated by the body of culture of the sub'єkta of the Russian Federation.

Chapter 3. Functions of mortgages of the cultural and leisure type.

The current minds of economic activity have brought to the objective transformation of the foundations of the culture of the club type on new vidi for functional signs.

Set the club type can be grouped behind the following signs:

For the month of roztashuvannya (silksі, miskі);

For the status (district, district, territory, region, republican);

For an obligatory vikonuvanoї work (with groups from the payment of pratsі kerіvnikіv and spetsіalіstіv zalezhno depending on the number of the population and the specific characteristics of the accommodation);

For a quiet drink: Palaces (Houses) of youth, Palaces (Houses) of friendship, national-cultural and ethno-cultural centers;

For types of services: House of crafts, House of folklore, Center for Dosville, Center for Culture and Dosville.

I will lay the foundation of culture of the club type;

From the purpose of recognition, it is possible to formulate the functions of the cultural and leisure type of installations for specific signs:

1.House (Palace) of culture	Security of the populace; ensuring the minds of the development of folk art and self-made art; ensuring the minds of social and cultural initiatives of the population, patriotic development.
3. Palace of youth	Provision of support for the population, provision of minds for mass production, provision of minds for the development of folk art and self-made art, provision of minds for social and cultural initiatives of the population.
4. Social and cultural center	Provision of care for the populace, provision of minds for the development of folk art and amateur art, provision of informational and methodical services; saving non-material cultural decline; exhibition activity; care of minds for social and cultural initiatives of the population
5. National (Ethno) cultural center	Ensuring the preservation and development of national cultural traditions; ensuring the minds of social and cultural initiatives of the population; ensuring the development of artistic and decorative folk art;
6.Dim (Center) crafts	saving intangible cultural decay; development of handicraft traditions; virobnitstvo and rozpovsyudzhennya hrіsnichih virobіv; exhibition activity; the creation and expansion of methods of remіsnichoї maisternosti.
7. Budinok folklore	saving intangible cultural decay; Vivchennya mystsevyh folklore traditions.
8. House of folk art	Preservation of intangible cultural decline in the whole variety of genres and ethnic features, creation of methods for integrating traditional creative skills in the modern creative process; informatization and methodical security of creative processes; organization and holding of folk saints, festivals of folk art and amateur art.
9. Transfer cultural centers	Post-stationary security of the population; organization of viznih informational, exhibition, tract visits.
10.Information and methodological center	Providing informational and methodical services.

From the functional shoes put to the factory, it is clear that you have established an incentive for the integration principle of the creation and security of services and are engaged in the main types of activity:

creation of teams of artistic creativity;

creation of amateur (self-modified) associations of different directness;

Carrying out mass visits (creative and community);

Organization of the settlement of the population.

3.1. Self-modified artistic creativity, like

aesthetic aspect of the development of the soul

Looking at self-made artistic creativity in the aesthetic aspect of folk artistic culture, the result of which is the inner temple of spiritual nasloda, one can see the understanding of the material and spiritual values of people, the process of life and self-indulgence. The essence of the artistic and creative initiation of a person in this process is not only capturing the obvious natural artistic inclinations, calling out interest, but acting as a supranatural component in the introduction of one’s own creative light order into artistic activity. Self-modified artistic creativity transfers the inclusion of natural talent to specialness to the process of creation (the essence of creativity), develops and introduces new aesthetic values as a result of theoretical and practical knowledge. Artistic creativity can be real and potentially significant. It includes all categories, aesthetics (metacategory - aesthetic, aesthetic activity, epistemology of science, dialectics of science, sociology of science and others). Tsya diyalnіst vіdbuvaєtsya at the result of the aesthetic development of specialness.

The essence of the artistic and creative cob is revealed in the appearance of creation - self-madeness, through the implementation of two types of motivation - linking and achieving the result of practical activity, to inspire not to become significant values.

For the aesthetic molding of morality, the most significant is the art of cultivating as a goal by pouring in through the arts, for which the artist is molded with a sense of taste, relish, love of the arts, mindfulness of yoga, enjoying it, the ability to reach the process of creativity. Vinyatkovo is a great and versatile infusion of art into people. In the sphere of art, the process of mystical activity begins. V.G. Bєlіnskiy pіdkreslyuvav, scho mystetstvo priyaє razvitiє that perekonuє people no less, nizh science. Vikonuyuchi p_znavalnuyu function, razvivayuchi pragnennya that feel special, її look at that perekonannya, mystetstvo according to the theory that practice pіznannya people navkolishny svіtu. Aesthetic development of injunctions from self-improvement, which brings the mutual animosity of the moral and aesthetic ideal, the molding of inner spirituality. L. Tolstoy makes a thought about the appearance of a right art with an internal need to express the accumulated feelings.

Exploring their vibrancy through internal emotional needs to the height of agglomeration, people independently comprehend the transfer of activity and realize their needs. The tone is sensitive to the change that is felt in emotions, it is important equal to the activity of the brain of a person. From the congenital features of the brain and the inadequacy of nature, the infusions of the susceptibility, develop various insufficiencies, to talents. Talanovita specialty that directs

activity, develops in the mind, tobto. thoughts are rarely repeated to oneself accurately. Everything must be said about the people's process of creativity.

3.2. Amateur artistic creativity, yak

spiritual and moral aspect of the development of the soul

В даний час соціокультурна ситуація характеризується цілою низкою негативних процесів, що намітилися у сфері духовного життя – втратою духовно-моральних орієнтирів, відчуження від культури та мистецтва дітей, молоді та дорослих, суттєвим скороченням фінансової забезпеченості закладів культури, у тому числі і діяльність сучасних культурно- leisure centers. The situation that has evolved has changed the norms and rules of the life of subjects and objects in the socio-cultural sphere, and for the rest of the hour we can talk about promoting the interest of welfare to saving and reviving national cultural traditions.

“Spiritually rich talanovite specialty cannot help but convince yourself of such a thing, building up to right self-confidence. The axis of the tse is the person's awareness of his moral significance and is the primary element moral culture, as it can effectively develop in the process of amateur creative activity”.

In this way, looking at the current situation in the development of artistic self-made creativity, we cannot help but talk about the rebirth of the indigenous culture of the people, the preservation of the consumption of traditions, as they have taken care of the skin edge of their originality and originality.
In wealthy villages, places, forgotten and used traditions and ancestral sounds. The preservation and development of the cultural identity of the skin region, the moral basis and the "energetic charge" of the skin specificity, is impossible without the uninterrupted presence of the past in the present, the cultural traditions of the skin nation are embedded in rich wisdom of life. Contemporary traditions, preserving the advancement of the accumulated knowledge, develop and mutually compete with the historical forms of folk art.
In this hour, there is a widespread interest to revive mystical folk sounds, holy rituals, which allow us to talk about the need for a scientific approach to the achievement of modern processes, which are considered as a waste of culture, as well as self-creative.

The suffocation of folk art and cultural traditions reveals the people in the middle, pouring in more creative knowledge, tobto. revealing your emotional and psychological feelings through the formation of moral and aesthetic culture, which significantly expands the number of fans of the posture of mass creativity of clubs, for the obviousness of creative self-realization.

The preservation and development of the cultural identity of the skin region, the moral basis and the "energetic charge" of the skin specificity, is impossible without the uninterrupted presence of the past in the present, the cultural traditions of the skin nation are embedded in rich wisdom of life. Contemporary traditions, preserving the advancement of the accumulated knowledge, develop and mutually compete with the historical forms of folk art.
When the social and cultural dynamics of self-made artistic creativity is afflicted, it is right to speak about the process of socialization, which is worth low singularities, which should be added to the organizational forms of specialness. It is the heterogeneity of the team, the isolation of the system, which as a result of indiscriminate suffocation, should be brought to the achievement of equal-homogeneity of the team. Creative amateur activity at the borders of such a team helps its members to realize their spiritual needs, to express their "I". In whom the self-sufficiency of the inner world of the individual is not destroyed. Navpaki, in the process of learning the individual takes away the possibility of taking away the freedom of creative choice.

The exercise of self-expression, greater than the new realization of one's potentialities, is one of the most destructive motives in the different galleys of human life, and in the sphere of free time. To that important intellectual harmonic development of specialness - the organization of culturally-permissive activity, the foundation of the organization of self-made artistic creativity, which will bring the self-significance of the specialness of the soul. For help, the knowledge and the novice of a person have been gained, they destroy their practical knowledge, self-develop, self-assert, self-realize. Even though self-made artistic creativity is like amateur creativity, it is daily good-natured, not surrounded by any external framework of goiter and obov'yazkіv, so that normativeness is like a regulator, like one of the most important management, it collapses in front of us.

Chapter 4

4.1. I will show the folklore of that sphere.

Spheres of culture, in some of the Daedals, the rich creative energy of the masses migrates more, the Daedals multiply more: the art of self-development, and the sport, tourism, and richly other. It is natural and natural that the prices of new spheres bring out the traditional creative fields, culture and folklore. However, there is another process, which for our science is of primary interest: folklore in the most diverse manifestations, in various transformed forms and new creations, penetrates into the new spheres of the modern folk creative life, to know one's own potential for development there.

The folklore can be brought to the real to the real sorcerer, the yakscho won, having widen the nasty demand of his respect for the reasons, the no pydvidchi, to the thoughtful vision of the folklore of the custody of the custody, and the blessings of the people materials, on the basis of the development of real processes, I will try to make a statement and come up with recommendations on specific problems of culture and sociology of the arts for the people.

In connection with a number of problems, one should speak about the bindings of folkloristics along with artistic self-discipline. Obov'yazki qi without translation and meaning, but the stench may have its own borders, its specificity, and it is necessary to rahuvatisya. Folkloristics, reaching the sphere of folk art, is being abandoned by folkloristics - with its subject, with its own set of problems, it does not change either its nature or methodology. Ale, zroumilo, new aspects of that task bring new science to science, without breaking the structure. Instructing them to live tendencies, the existence of such tendencies is marked by an orientation towards folklore and folklore forms of creativity. Tendencies are not uniform in their nature, and it is important to differentiate them, so that you can clearly see the peculiarities of the processes that are being considered.

In the repertoire of Kolekiv, the participants of the artistic self -acting of the people of the people, dancing, folk izhmammental Muzika, yaki is the bucket of the professor of the professor of the professor of the profession of ioe, and the fraud, and the fraud, etc. Masses of folklore creators (both creators, like goloshens, or have long been vvazhayutsya folklore) should be among the ignorant folk for the help of professional teams that are popular with the country and vikonavtsiv. Too many such works have made their own life in the repertoire of these collectives and a few artists and none of them were angry with them.

Participants of art self -propelled folklore, yaki in the same prochov incorpobe at the profession (abstain of the perfection) core, accumulations to the ions of the ecstetics, to the tsomas, and the tsoma was in the same folklore, yogo . . If only they saved their own good folk traditions, artistic self-development here is oriented not so on them, but as a result of processing.

It is impossible not to call on those who step by step into the zagalnorodniy pobut and into the practice of artistic self-discipline folklore enters more and more often and more and more through the primal modern ways, that is in an adapted look. Tim more, respectfully and dbaily mi is put to honor in the artistic tradition of the living tradition of folk creativity.

The first elementary form of inclusion of folklore to artistic self-actuality - tse vihіd folk spivakіv, opovіdachiv, musicians, dancers on the stage.

Naturally, a folk song, sung from the stage by a kind folk song or an ensemble, which is famous beyond the borders of artistic self-discipline, invariably copes with hearing strong hostility, because it’s not a repetition of something that has long been known, but an artist’s voice. Folk song in the folk vikonnnі to capture the freshness and bezperednistyu laid in it almost, novelty

non-repetition vikonannya.

The same people who were founding the same time as the artist’s self -unhappy hour Poleg, in the one, Shukob Shukati I cultivati in the people of the mystery in the yoga of folk forms, a pre -person to self -navigation (il to self -propelled schools, folklores. , choreographic. Tsya robot is guilty of being grounded on true scientific, theoretically thought-out and may be richly developed principles and methodical methods.

In robots with folklore, the artist speaks self-indulgence and on his own problems. One of the main ones is the lightness and accessibility in the mastery of folklore devices, surface and approximability, which are wrapped in a rather elementary non-smack and simply hack-work. At vikonnі professіynykh ekstrіynіh narodny sіsnya zazvichay vtrachaє tsey mіstseviy coloring, deshcho znebarvlyuєєєy, but zabarvlyuєєєє іndivіdіdualіnіstі this artist.

Self-modification can be stunned by professional art, or rather save the unique folklore flavor of the folk song and dance. That is why artistic self-discipline can be especially strange to the ethnographic side of folklore. Tim, for an hour, the hostile lack of turbotiness manifests itself here. I use a set of stamps, as if they can serve as examples of folk dances - Russian, Ugric, Ukrainian, - the song of various breeds, so it’s the same way to establish the details of the robe, which I see as the reliability of the singing people: chobitki , as adopted by the Ugrian people, shirts, as they are transferred, at the same time Russian, and so on.

Ethnographic illiteracy is intolerable especially in our time, if cultural ties between peoples have become an everyday butt, if you don’t need so much susilla, for the help of widmin’s dzherel rozshukati or prepare robes and props, about the cultural past, it becomes the most important right of our zahal.

The artist's self-indulgence listens to that new one, which is blamed for її between and on the steps to it in our days, to that modern - folding and stringy for its nature, warehouse and aesthetics - creativity, as some call it for a sound or for a change. , otherwise - as a mass and as a result of its diversity, that innocence does not invest in the framework of neither professional art, nor traditional folk creativity?

It is obvious that folklore, folklore and other forms of creativity continue to develop and transform, representing their own parallel to creativity, which is within the framework of artistic self-discipline. One does not exclude and replace anything else, you will quickly know that the mystical people will know their place and vikonu their functions. However, there are no dull walls between them, and there are no clear demarcations in a number of vipadkivs. It is entirely natural for our time, if the cultural processes that take place in different spheres are interpenetrating and mutually reversible.

The role of the artistic self -propelled yak of the Suphi of the Supreme Organized Pole, Zokrem, in that, in the Masoviy Creative, the Steels, Shvidkopliny, the Shynnye to Shvidny Zmin, those who merged the vimaagnis, and the nasal. ambushes.

4.2. Selection of repertoire for self-made collectives. Wimogi

those criteria.

In the previous divisions of this course work, it was about the tendency of approaching the Vikonavian level of self-determination to the Vikonavian level of professional teams.

View of the closeness of the artistic-Vikonavsky district

self-made and professional creativity virna by appointment

an insignificant part of self-made collectives. Well, the main thing is that the weight behind the pompous sign is significant. Therefore, for ensuring normal activities, they need their own repertoire, which reflects the specific features of the team and the functions that are conducive to them.

The right choice for the repertoire is the last moment for robotic self-made teams. The repertoire shows the artistic taste of the participants in the collectives, expanding their global lighting and cultural range. Tilki correctly pick up the repertoire as an artistic, and technically advanced, adhering to the creative growth of the team, promoting yoga vikonavskoy maisternosti.

The repertoire can be ideologically different and valuable for the artist's opinion, different for its own purpose and in support of the themes of participation.

The problem of the repertoire for self-discipline is rooted in promotion

respect for practitioners, communities, composers, choreographers,

playwrights. Cost of food for creation for an independent team of such

repertoire, like, do not compromise on the ideological and aesthetic equal to the repertoire

professional orchestras, choirs, theaters, boov bi are available for vikonannya in self-actuality and not copied by the form, mine, style of TV for professional teams.

Їх main tasks є: organization of work and creation

a wide range of repertoire for self-made collectives, an organization of new artistic creations for choirs, orchestras, propaganda and mystic brigades, scenarios for theatrical performances and mass performances; zdіysnennya analysis and control over the composition of the repertoire of artistic self-actualism.

To create such a repertoire, you can go two ways. First,

to “attach” a specific team and, in a different way, create new original creations, invest in self-development.

The first path is often covered by significant copyright changes

text, p'esi, pіsni, dance thinly, more self-made artists do not

zavzhdi can vikonati folded mіstsya, folded psychological scenes. AT

the choice of such p'єs and creations should be especially respected,

resolutely increase the possibility of their vikonannya, as if I will translate,

instrumentation, interpretation. Traplyaєtsya, sorry, scho post nedbaloї abo

unfavorable arrangement, instrumentation, directing songs, songs, dance, original creations waste their artistic qualities, forcibly recognize, promote their tempo, rhythm, text, and specific features.

That is why it is an instrument, arranging, translating, tobto

pristosuvannya for artistic self-madeness pіd h vyborіv tsikh p'єs

more significant.

Naturally, scho tvir, creations specially for

artistic self-discipline, relying on additional processing,

dodatkovoy "artistic bringing", depending on the specific minds and abilities of the team. And this way is signifi- cantly simpler, lighter, true to the ideological and artistic aspect, for the creations are already seen far behind the improvement of the self-made vikonnanny.

Pidbіr repertoire in modern self-discipline - on the right is not easy,

Wanting, obviously, to change and accept the same criteria and principles of yogo assessment, to increase the guilt for the account of all the best things that are in the mystical treasury of the welfare. Skladnoschi tsі pov'yazanі nasampered about those, the skin of the team may be more powerful and less technical and artistic, apparently to the kerіvnik to be brought to choose p'єsi. Trivala and an important beginning, a rehearsal work can give a positive effect - pedagogical, artistic, as it was taken on the basis of a new problem and it didn’t run into it, it turned out to be easy, it didn’t require strained noises, showing everything that was built.

Similar vimogi are presented to the collective of any genre - dance, choral, orchestral (folk, pop, spiritual).

One of the criteria for choosing a repertoire is its reality,

compliance with the repertoire of technical and artistic abilities

team.

The problem of the initial repertoire must be overcome more importantly in the first

the period of the work team, if the participants open the vikonavskі

navchikami, scho vyroblyayut vihіdnі esthetic positions, vstanovlyuyut tіsne pozumіnnya among themselves.

P'esi for the instructing of the duty but to the participants and do not represent

especially at the first stage of great technical and aesthetic difficulties.

Such a repertoire gives the Swiss a thorough mastery

participants, the development of that fixed navichok gri; develops with vikonavtsiv

interest in folk art, to borrow from the collective, rich in spiritual

light, internal culture, aesthetic likeness.

I have my own concert repertoire in order of vimogami, yakim vin

is guilty of vіdpovіdati i yak navchalny, mає shche і tіlu low yakosti. 3 yoga

in addition, there are wide artistic-viconavchi and social-pedagogical tasks.

Іnsha group p'єs, scho to be introduced to the repertoire of self-made collectives,

tied with folk song, folk dance, folk instrumental

music. Tse or tsikavі obrobki, translate, or original

sumnіvy, created from the їхної basis. Prote in the skin region of Russia, other allied republics are being formed from long-standing dance, singing, musical specialties. Be careful with them, their propaganda is one of the most important tasks of mystic self-determination.

Folk songs, dances, dramas made me understand and are simple. Alece doesn't mean

ease of their mind. Creators of folk art have portrayed the history of the people, its soul, its inspiration for centuries. The stink of imminent spiritual wealth, the dungaree of nathnennya. Be it for the audience, they sound with special warmth and vigor, that is why the stonework is so great for the nature of the interpretation of folk songs or folk dance.

Slid also with a great distance to win

large-scale and folding creations of light and country classics. Vybirayuchi їх slid vrakhovuvat real feasibility of the amateur scene, obrazhenie technical and creative feasibility of self-made teams. A critical review of the selection of the repertoire is one of the most important minds of the correctness of the decision to include a classical work in the work.

Sob the repertoire is always a new element of novelty, having lost its spirit

pedagogical support, it is necessary to include it before the new

create, written by our co-workers.

Interest in the repertoire of self-made collectives calls out songs,

dances, songs, as written by local playwrights and composers. The stench, as a rule, does not seem to be widely popular, they are respectfully received and respected. The material for the creation of such works is musical folklore, parts, awards, folk songs, dances.

It is especially necessary to say about the selection of repertoire for vocal ensembles,

vocal-instrumental, instrumental, dance-too. Skladnoshchi in this food are mainly through those that are leather from the ensembles in the maє svіy warehouse, the singing rіven technics vikonannya. Everything will require appropriate translations, arrangements, instruments, stage compositions, dances.

Pidbіr repertoire of artistic self-discipline vimag

kerіvnik of a clear perspective bachenn of the pedagogical process yak

whole and subsequent system, in a skin lanka, skin

Structural support, the skin factor complements one another, ensuring the solution of the same artistic and creative tasks and those of higher education.

4.2.1. Base the choice of repertoire for the theater team.

One of the first lessons of directing is the first zustrich z p'esoyu; yak

it means a lot, for some minds out there to pass, like a feeling of zbudzhu,

which trace you fill.

Rich in the world of garnih p'єs with wonderful ideas, with good thoughts.

Ale, while the thought, the idea, is embedded in p'esi, has not become your special, not

passed through your heart, won't sound like a scene, as noble as

she didn’t come out on her own. We try to know the middle of the p'єs i

"own". "Own" - tse takі p'єsi, de є those who praise us in life.

You can make an important visnovok: on the right, we’re not talking about what you want to put

canvas after canvas. It is important to know what is yours, what flickers with ours

living dosvidom, with our conversions and similarities. Know your own - be it classic TV chi new p'єsa no one else unknown author. For an hour, a modest, weightless song can sound fresh and relevant among amateurs, and a well-tested name - to deprive the cold hearts of peeps. “It’s better,” Gorky said, “to know and understand yourself in life.” To know that understanding at the theater is also important, but it is necessary. Ale, okrіm books, p'єs, articles, music, even more smut, that's all

vyznaє, іz chim zvіryaєsya - life. Theater is needed for this, for light

screw up your turbo. It is necessary to live in the world, do the right thing, fight for

In short, do not give in to vices. And the theater is a helper for tsom.

4.2.2. Base the choice of repertoire for the orchestral team.

Brass music is popular and loves the people. brass band

- mayzhe obov'yazykovy attribute of the skin of the great holy, nationwide

urochistnosti. Rich possibilities of a brass band allow you to

Take part in all the visits to the ensembles of other musical genres: the brass band sounds at the military parades and tract evenings, on concert stages and in dance halls, near parks, gardens, too. This is why the repertoire of a brass band can be varied: it is guilty of including a concert program of works of Russian and foreign classics, and, nareshti, diverse dance music. Bazhano, so that at the ledges the orchestra took the fate of soloists - vocals and instrumentalists, choral groups.

4.2.3. Basis for selection of the repertoire of the choral group.

Spіv, especially choral, most favorite, most popular and mass

genre of art in our country. At the same hour, there is the widest and

an accessible school of musical education for the people. The traditions of choral singing are encroaching far into the depths of history, are dbaily preserved and developed by the people.

Choir collectives and virnim okhorontsy of old ones

creators of new songs that inspire our reality. Closeness

to the people - the basis of the life of these collectives, the core of their creative forces.

Only true folk art expresses the spirit, thoughts of its people, yoga

supple and aesthetic ideals.

warehouse chorus

kerіvnika, rіven nachalno-vyhovnoї work, material base - usі

ce imperceptibly pouring into vikonavska culture

the team that signifies the creative person.

The formation of the repertoire of the choir collective is being done step by step, no

come out of the singing preparatory periods. Repertoire

reflects the other organizational method of the work of the people

self-made choir

Behind the warehouse, the choir will go out to specific, real missives

minds: only one woman or one person’s voices can enter until the new one, chorus

we can mix it up.

It is necessary for the clerk to reveal that guilt, to work on

be like a warehouse.

The basis of the creativity of the folk choir is folk art in all

yoga rіznomanіttі. The very folk basis for giving a unique identity, self-reliance to the creative person of the skin team.

“The song is the cry of the people. Love the song, save it. Your

future life, you will be your best friend and ally” - Osta culli Fleur.

Chapter 5

artistic self-discipline

A person is the essence of social, practical processes, knowledge of the vibration of the system of values of wines, enters into interplay with the Cosmos with other people (subjects), builds communication from it, cooperates. Artistic self-discipline is inherent in the social organism, in which the coherence of interests of all workers (the collective among the collective) is especially noted - among the general collective.

Virobnichiy team- folding, rich structure and polyfunctional lighting. At this hour, on the yogo basis, that development is poured into different factors and minds: changing the social equality of the development Russian Suspіlstva that mentality, the reformation of the process of transformation by the flame of those other components, the change of material and spiritual values, the spiritual crisis.

Therefore, the ability of the artistic self-discipline of the collective collective is manifested in the widest organizational capabilities of the ability of the workers to be educated to creativity, and for the additional participation of the special activity of these communities - to cultural values.

The analysis of the daily culture team will provide a view of the creation of minds in order to educate the individual to the values of culture and art in the sphere of dozville. The following questions of the problem are inextricably linked with the key concepts "specialty" and "team".
M.S. Kagan, developing the ideas of psychologists B.G. Ananyeva, L.S. Vigotsky, O.M. Leontiev, S.L. Rubinshtein, affirms that the activity of the object (creative association) is directed to the subject (specialty of the creative association), to bring the subject to the yogo change, transformation, transformation and promotion of yogo spiritual values.

The science literature has problems developing spiritual light individuals in the work collective were seen as a development of a new type of work, as a development of a complex approach to ideological-spiritual work among the work collective. Some of the problems of mastering the development of artistic culture by the workers were developed by O.M. Aleksievim, E.A. Yezhovim, B.C. Zuckerman et al.

I will appoint, that mystetska samodiyalnіlnіst work kolektiv maє low vіdmіnnih rice. Artistic self-discipline (teams, departments, workshops, enterprises) is not just a sphere of inspiration, but a part of a free hour of a person. Vaughn, ring out, enter at the high-profile order of the day, de rehearsal for the concert to be held at the hour of the meeting, reshuffle on the next day labor day at the kіmnati vіdpochinku to the shop of the chi dilyanki. Therefore, it is possible to direct the process of solving various negative manifestations of the natural process, having shown the creative cob of that system of contact links.
Some of the objects and subjective factors of the life of the labor collective are formed in such a way that it is not possible for the creative team to create a palace of culture and to satisfy one’s spiritual needs without intermediary work at the worker’s militia – from the members of the labor team, from the labor team people who know their wines well.
Of course, today it is important that many members of the collective collectives give their free time to the negative hour: drinking, drug addiction, passive dozville - revisiting roaring video films and broadcasts.
For more members of the voluntary teams, exercise up to material well-being becomes the main method of life. Prote є pevny vіdsotok people, yakі saved to dosit high spiritual potential and bajannya to self-dostokonalennya, active vіdpochinku, demand from creativity.
As a matter of fact, the propaganda of mysticism by the means of self-discipline, being the basis of self-discipline and satisfaction of the artistic and aesthetic needs of a person, specialness, has become a need for self-expression, accommodating cultural values.
In today's minds, the transition of social and economic values to the succession of those cultivating collectives to artistic and aesthetic values is guarded by the following:
- between the artistic and aesthetic needs of the workforce and the economic interests of business and robots;
- between the objective needs of the entrepreneurship of the advanced culture of virobnizstva and the low-profile culture of members of the virobnicheskih kolektiviv;
- due to the artistic and aesthetic needs of the foraging team, there is no development of methods for approaching artistic self-development to the month of foraging.
In this way, artistic self-development can act as a factor in acquiring members of a group of artists to artistic and aesthetic values, as a way of managing the process of developing on the basis of such minds:
- appearance of artistic and aesthetic interests and needs of members of the selection team and their day;
- Observation of artistic self-discipline to the position of professional activity of members of the team;
- a stage-by-stage transition to the organization of stable artistic self-discipline and the emergence of informal leaders.
Conducting important provisions є:
- culturological pidkhid that allows you to see the artist's self-discipline as the cultural creativity of the people's masses, as a value;
- axiological pidkhid, which considers culture as an objective value, to satisfy the spiritual needs of the particular society;
- managerial-diyalniy pіdhіd who sees the art of self-discipline as a system, which encourages management and ensures the spiritual development of specialty and society.
The system of entries, recommendations, can be vindicated with the method of further enrichment of culturally-permissive activity in virobnicheskikh collectives, which is connected, zreshtoyu, accustomed to cultural values is not less than participants in mystic self-industrial activity, but.
Mustaches of an individual, associated with the manifestation of yoga activity in the sphere of activity, have an estimated character. However, it should be brought to the material, and to the spiritual sphere of life of specialness. Assessing whether the situation, camp, vіdnosin less and vinikaє, de іndivіd vіyavlєєє zdatnym marvel vin hіba scho s side, ochima іnshikh, tobto. at the borders of a jointly established activity. Even more often, the nature of the development of material and spiritual activity is necessary to shukat in a real system of suspensory wines, and in women themselves between the virobnicheskoy sphere and cultural and spiritual values, between the social value of the virobnicheskoy collective that
okremoyu specialty, between material and spiritual values.

Visnovok.

Today's folk creativity exists and develops independently in front of us, in addition, it is not developed by us.

An analysis of the activity of self-supporting artistic creativity confirms that in this hour of war it is going through a folding period, which is characterized by such negative processes: insufficient funding, a drop in the interest of the population to the activity of mortgages. Significant socio-cultural and social-pedagogical resources in the formation of the gromadyan, special qualities of young people in the right sphere, as a dominant element of self-made creativity. Socially - pedagogical value of allowing the significant world to lie in the building of the specialty of the young people self-regulation of the activity.

Self-modified artistic creativity (songs, dances, folklore only) gives a real opportunity to wake up, form and realize human interests. On top of that, there will be private (individual) interests and be brought to a suspіlno significant goals that task. First of all: Suspіlnі tsіlі ta zavdannya can be projected on an okrem people, reconverting її in їхній correctness and sponkayuchi to diї.

For the time being, the community will have a place (club, Budinok Creativity, Palace of Culture and Others) for the implementation of self-made artistic creativity, in life as an independent social institution.

Folklore, traditions, sounds, ceremonies - tse dzherelo, forever dzherelo, from which we draw strength, zviryaemo our own identity, national features. Preserve in a rich-national house the individuality and originality, uniqueness and originality of the skin ethnic group, create in it an atmosphere of mutuality and spirituality - the obsession of the skin with us.

supplement.

Addendum No. 1

1.To the tuber moldings be seen:

groups, teams and studios of amateur art and technical creativity, amateur associations and clubs for interests, national universities and faculties, schools and courses of applied knowledge and beginners, sports groups and sections, groups, and health tourism other clubs molding of creative, educational, physical and health-improving and other directly, which respects the basic principles and types of activity and lays the culture of the club type.

2. To folk (srazkovyh) self-made collectives one can see the constantly dynamic collectives of the artistic self-dialiness of club clubs, the title of “folk (smart)”, as one hopes to be based on the Regulations on the “folk (srazkovy)” self-dial collective.

3. To artistic self-discipline be seen:

The form of self-organization of the population of the area of folk creativity. It includes the creation and viewing of artistic creations by the forces of amateurs who perform collectively (groups, studios, folk theaters) or alone (spivaks, chits, musicians, dancers, acrobats and іn).

4.To pracіvnіkіv gurtkіv artistic self-discipline vodnosya kerіvniki gurtkіv and accompanist.

5. Before concerts one can see concerts, a trivality of at least 55 minutes, which are carried out by self-tugs (by vikonavtsy, collectives, brigades) both at hospitals, and on tours and tours.

Before concerts at the station one can see concerts that are held at the vlasnyh chi permanently rented concert halls.

Until the last concerts concerts are seen to be held in other halls of the village, city, district, district, subject of the Russian Federation, as a collective (or vikonavtsi) turn to the base with a stretch.

Before tour concerts there are concerts that are held outside the borders of your village, city, district, district, subject of the Russian Federation, as a result of the trivality of their rebuking at the train more doby.

Before concerts, concerts held by external teams, cultural brigades, solo vikonavtsivs are not included.

6. Up to the number of programs , which are in the repertoire and victorious in robots, lie on the program, confirmed by the Statute (Regulations) establish a culture of the club type.

Addendum No. 2

Zrazkovі minimum standards for the activity of a self-made creative team can be transferred the result of the creative season (from spring to grass of skin rock):

naming the genre creative team	Performance indicators
Choir, vocal	Concert program from 1 edition; 6 numbers for participation in concerts and vistas of the base team; a short update of at least 3 parts of the streaming repertoire;
instrumental	Concert program of the 2nd division; 8 performances for participation in concerts and vistas of the basic culture; a broader update of half of the streaming repertoire; ledge on other maidanchiks not less than 1 time per quarter
choreographic	Concert program for 2 weeks 6 numbers for participation in concerts and vistas of the basic culture; more updated quarter of the streaming repertoire; ledge on other maidanchiks not less than 1 time per quarter
theatrical	1 rich act or 2 one-act vistavi; 4 numbers (miniatures) for participation in concerts and performances of the basic culture; more updated repertoire; ledge on other maidanchiks not less than 1 time per quarter

Model legal act of the subject of the Russian Federation on the approval of the Standard Regulations

_________________________________________________________

RESOLUTION

type __________ № ________

About the approval of the Standard Regulations

about the folk self-made team, the smart art team, the folk self-made studio

With the method of thoroughness of the activity of laying the foundation of culture and art

(Name of the subject of the Russian Federation)

____________________________________________________________________

(Name of the supreme official body of the sovereign power of the subject of the Russian Federation)

praise:

1. Approve the Model Regulations on the national self-made team, the smart art team, the national self-made studio (addition).

____________________________________________________________________

(Posada, PІB of the highest landed individual of the subject of the Russian Federation)

_____________________________

(Name of the supreme official body of the sovereign power of the subject of the Russian Federation)

type _____ №____

Typical camp

about the folk self-made team, the smart art team, the folk self-made studio

1. TOP POSITIONS

Справжнє Положення про народний самодіяльний колектив, зразковий художній колектив, народну самодіяльну студію (надалі – Положення) розроблено відповідно до Закону Російської Федерації «Основи законодавства Російської Федерації про культуру», «Положення про народні самодіяльні колективи», затвердженого постановою Секретаріату ВЦРПС та колегії Міністерства культури SRSR dated 15 September 1978 No. 24-10.

2. CLEAN AND PROCEDURE FOR THE CALL OF "PEOPLE'S SELF-MODELD TEAM", "THE PEOPLE'S SELF-MODELD TEAM", "THE PEOPLE'S SELF-MODELD STUDIO"

Folk self-made team, smart art team, folk studio (nadali - Folk team) - permanently active, without the rights of a legal person, voluntary association of lovers and viconators of music, choral, vocal, choreographic, theatrical, image-creating, decorative, circus Mystics, and such a techno of creative, is advanced at the spial-and-tech INTERESSIVE INTEREST TO CREATIONAL PARTICAL, SUPPY ROZVITOTA YOO YOO, they have mastered the culturals of this tech teds at the same time.

The children's collectives are awarded the title of "Smart Artistic Collective", the collectives of image-creating and decorative-ugly, film, photo and video art - "People's self-made studio". Mature teams are awarded the title of "People's self-made team".

The title of "People's self-made collective" is hoped for by the team for the high Vikonian mastery, awarded by the cities of competitions, looking around, festivals, high artistic level of the repertoire and contribution to enlightenment and community diyalnist.

The appointment of candidates for the title of "People's Collective" will be carried out by the establishments of culture and mysticism, the establishment of all forms of power, creative unions, organizations and associations, bodies of representatives of the government of municipal governments, lighting the foundations of culture and mysticism.

The call is based on the submission of commission applications and materials that confirm the results of the work.

On the presentation of the decision of the commission of the collective, awarding the title "People's Collective", I take the diploma, which confirms the title.

PRINCIPLES, GOALS AND TASKS FOR THE FUNCTIONALITY OF THE PEOPLE'S COLLECTIVE

Principles of activity of the People's team:

Education of children that have grown up to the cultural traditions of the Russian Federation ( name of the subject of the Russian Federation), we enhance the cultural life and light culture;

Propaganda of the creativity of professional and self-made authors (composers, playwrights, writers, etc.)

Objectives and tasks of the activity of the People's team:

spriyanna їm at the familiar knowledge, reduce that skill in different types of artistic and technical creativity;

Cultural services to the population in the form of concert, exhibition and other educational forms of activity.

REGULATIONS FOR THE FUNCTIONALITY OF THE PEOPLE'S COLLECTIVE

People's collectives may pay tribute to fate:

Dramatic, musical and dramatic theaters
Theater Lyalok	Not less than one new multi-act and one one-act performance
Theaters of opera and ballet, musical comedy	At least one new vista and one concert program
Hori, vocal groups, orchestras, ensembles of songs and dances, circus groups, orchestras of folk and wind instruments, ensembles of instruments, vocal and instrumental	The concert program of the two vidilennyakh, schorichno novlyuyuchi less than a fourth part of the streaming repertoire
Cultural teams, theaters of reading, variety art, miniatures	At least two productions-programs
Photo, film, video studios	Two exhibitions work to help in the organization of culture, on the basis of such stench
Studios of figurative and decorative art	I will try to help one exhibition in the formalized organization of culture, on the basis of such stinks

The folk collective of various genres and genres of artistic creativity is guilty of protracted rock:

PROCEDURE FOR CONFIRMING THE CALL OF "PEOPLE'S COLLECTIVE"

The people's team is called every 3 years. For this member of the People's Collective, the commission is submitting an application for the award of the title of "People's Collective" for confirmation of the title of the basic scholarly establishment of culture and culture of municipal education.

After examining the documents, the commission takes a decision on whether to confirm or allow the rank to be awarded a diploma.

6. FOLK COLLECTIVITY AND YOGO STATE

Kerіvnitstvo collective zdіysnyuєtsya setting.

Artistic ceramics team є:

Director (conductor, choirmaster, choreographer, ceramics artist of the studio of figurative, decorative and ugly art).

Kerivnik is a regular practitioner, and is appointed to be appointed by the order of the head of the collective and the chief cultural management body. Ker_vnik carried the results of the fidelity of the people's team.

The staff practitioners of the People's Collective are tidying up for the budget, the money of the founder and the well-earned money. Behind the regular layout of the People's Collective, no more than two creative loners should lay their mothers. Residential salaries of full-time practitioners are established by the tariff commission based on the results of attestation, depending on the single tariff scale of payment for the employees of the public sector, approved by supplement No.

7. MAIN OF THE PEOPLE'S COLLECTIVE

Maino of the People's team is rebuying in the balance of the principal.

Dzherel molding lane ta financial resources National team є:

rukhome ta (or) not rukhome mine, scho perebuvaє on the balance of the base install;

costs from the budget and other needs of the principal.

The people's team has no right to decide in any other way to fix it with yoga lane.

The people's team of goiters and yazanians to ensure the safety of the lane, transferred to you on the right of operational management, that victorious yoga is strictly for the purpose of recognition.

8. FINANCIAL DIALOGY OF THE PEOPLE'S COLLECTIVE

The funding of the People's Collective by the founders is calculated from the improvement of the fundamental principles transferred by the legislation of the Russian Federation, the laws of the subject of the Russian Federation, and the legal acts of the municipality.

Additional sources of finance can be:

income from paid forms of professional activity (fee for training at studios that work with the team, concert activities, paid consultations of fahivtsiv for the team only);

otherwise dzherela vydpovidno to the legislation of the Russian Federation.

9. PRODUCTIVITY OF THE WORKING DAY OF STAFF EMPLOYEES TO THE TEAM

Trivality of the working day of staff practitioners of the People's team - 7 years. AT working hour zarahovuetsya hour, stained for:

preparation and holding of concerts, performances, special events, group and individual rehearsals;

come in whenever you want to see the show, concert programs, organize exhibitions every now and then;

tour vizdi from the team;

work with selection of repertoire, creation of script materials;

scientifically-prestigious and expeditionary activity for the profile of the national team;

participation in the initial visits (seminars, advanced qualification courses);

gospodarska diyalnist with landscaping and decoration of the working premises;

artistic design of performances, concerts, preparation of props, costumes, sketches of scenery, recording of phonograms.

10. REQUESTING THE PEOPLE'S COLLECTIVE

The artist of the People's team, the artist is glad to the People's team to recommend the best participants, veterans of the self-made stage, winners of festivals, looking around that competition of artistic self-sufficiency for awarding, in the prescribed manner, diplomas, letters, memorable gifts.

The head of the People's team is slandered by the municipal cultural organizations about awarding honorable letters, sheets of papers and other signs of the shortest workers and members of the People's team.

List of references

1. Vishnyak A.I. Tarasenko V.I. Culture of youth dosville. - Kiev: Vishcha school, 1988-53s.

2. Vasilenko V. Self-made art and folklore. "Russian Literature", 1960 No. 2.

3. Demchenko A. Possibility of the Russian Dosville // Club. - M., 1996. No. 7.-S.10-13.

4. Demchenko A. Deyaki problems of daily development of culturally-permissive activity and folk creativity // Cultural-permissive activity and folk creativity. - M.: GIVTS MK. R.F., 1996.-49s

5. Yoroshenkov I.M. Cultural and leisure activity in current conditions.- M.: NDIK, 1994.-32p.

6. Zharkov A.D. Organization of cultural education work: Chief help- M: Education, 1989.-S.217-233.

7. Kam'yanets A.V. Diyalnistst of tuber installations in today's minds: A guidebook. - M: MDUK, 1997-41s.

8. Kisilova T.G., Krasіlnikov Yu.D. Fundamentals of social and cultural activity: Heading guide. - M.: Vidavnitstvo MGUK, 1995.-136s.

9. Kluboznavstvo: Navchalny sibnik / Ed. Kovsharov V.A.-M.: Prosvitnitstvo, 1972.-p.29-46.

10. Klyusko E.M. Center for Dosville: change and form of activity // Center for Novatorov V.Є. Culturally-permissive activity Slovnik-dovidnik. - Omsk: Omich, 1992. - 183p.

11. Salakhutdinov R. G. Organizational and pedagogical foundations of social and cultural creativity of children and young people. - Kazan, exhibition "GrandDan", 1999. - 462p.

12. Salakhutdinov R. G. Socio-cultural creativity as an effective way of shaping the cultural environment. - Strata, RIC "School", 2002. - 216s.

13. A.S. Kargin. "Vikhovna work for a self-made team."

Moscow, Osvita, 1984

15. Ministry of Culture and Mass Communications of the Russian Federation, MOSCOW 2006.

16. Journal "Club" No. 5 2002;

17. "Folk culture for modern minds", uch. posіbnik \ Ministry of culture of the Russian Federation. Fig. Іn-t culturologists; Відп. ed. N.G. Mikhailov. - M., 2000.

"Любицька творчість - унікальне соціально-культурне явище, з багатотипною та поліфункціональною структурою, яке має властивості дозвілля та художньої культури. Як відомо, дозвілля - це частина вільного часу, спрямована на розвиток особистості, яка використовується для спілкування, споживання цінностей духовної культури, розваг , various types of non-regulated activities, as a way to ensure the necessary causes and development of special features. (Мурашко)" Будучи частиною вільного часу, дозвілля приваблює молодь його нерегламентованістю та добровільністю вибору його різних форм, демократичністю, емоційною забарвленістю, можливістю поєднувати в ньому фізичну та інтелектуальну діяльність, творчу та споглядальну, виробничу та ігрову. Для значної частини молодих людей дозвілля є leading spheres of social and cultural integration and special self-realization."

Through the forms of artistic self-indulgence, there is a rich understanding of why the interplay of folklorism and professional art, its vykonavtsiv, aesthetic norms, technical priyomіv just.

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