Lyrics at the dead souls. Dead souls, Lyrical steps at the door
Lyric voices the song "Dead Souls" play a great role. The stench of the flooring organically increased to the structure of this creation, which is incomprehensible to me without the miraculous monologues of the author. What is the role of lyrical introductory speeches in Poem? Wait a minute, we are constantly aware of the presence of Gogol, who shares with us his experiences and thoughts about how you feel differently. In these articles, we will talk about the lyrical voices of the poem "Dead Souls", let's talk about their role in the work.
The role of lyrical passages
Mikola Vasilyovich becomes not just a leading reader on the side of creation as a guide. Vin є, soon, a close friend. The lyrical sounds of the poem "Dead Souls" spur us to share the emotions with the author, so that we can recapture yoga. Most often, the reader checks that Gogol, with his powerful, unique humor, will help him to overcome the troubles of becoming foolish, calling out with podias at the door. And sometimes we want to recognize the thought of Mikoli Vasilovich about something that comes up. Lyrics in the poem "Dead Souls", moreover, mayut great artistic power. In such a rank, with a skin word, we are pleased, chomping on its beauty and accuracy.
Thoughts about lyrical passages, spoken by Gogol's famous part-timers
Many of the author's peers gave a good assessment of the TV channel "Dead Souls". The lyrical steps of the poet did not lose their posture of respect. About them hung deyakі vіdomі people. For example, I. Herzen naming, what a lyrical place hangs, enlivens the discourse in the one who changes the picture again, as it is clearer to tell us in the one who baked us. The lyrical cob of this creation was highly appreciated by V. G. Belinsky. Vіn vkazuvav on humane, all-season that deep subjectivity, as if showing in the artist a person with "a sympathetic soul and a hot heart."
Thoughts that Gogol shares
The writing-book for the help of lyrical speeches is written in the air, no less than the names of the people who describe them. The stink of taking revenge on your own, the Crimea, the approval of the high recognition of the people, the significance of the great suspіlnyh interests of those ideas. Dzherelom to the author's lyricism - thoughts about serving his country, about її sadness, the share of that enslaved gigantic forces. Tse appear independently in the light of which Gogol speaks of his anger and greed with the drive of the worthlessness of the characters depicted by him, chi blame for the role of the writer's support to the living living Russian mind.
First steps
With great artistic tact, Gogol included plot elements in the TV series "Dead Souls". The lyrical speeches in the poem are no more than the words of Mikoli Vasilovich about the heroes of creation. However, in the world of that, as the plot develops, those become different.
Gogol, having spoken about Korobochka and Manilov, is interrupting his unfortunate rozpovid, nibi bazhaє go to the next hour of death, so that the reader better understands the picture of life painted on him. For example, in a way, the story of Nastasya Petrivna's Korobochka is interrupted by the creator, to avenge her parity with her "sister", which is up to an aristocratic suspіlstva. Irrespective of the things, the other looking out does not look at anything in the sight of a pompous gentleman.
Beautiful blonde
Chichikov at the door of the dorozi after seeing Nozdrova streak her way to a beautiful blonde. A wonderful lyrical opening completes the description of tsієї zustrіchі. Gogol writes that a man’s creaks will strike at the path at least once a manifestation, like it’s not like everything that you had a chance to bachiti earlier, and awaken a new one in a new way, not like a sound. Prote Chichikov is a stranger to him: the cold character of his hero is shown with a manifestation of feelings, powerful people.
Step at the 5th and 6th branches
The lyrical approach, like the fifth division, may have a different character. The author here is not talking about his hero, not about growing up to that other character, but about the talent of the Russian people, about the mighty people, as if they live in Russia. nachebto is not connected with the forward development of diy. However, it is even more important to sing out the head idea: the right of Russia is not boxes, but the elements of the people.
Closely connected with lyrical words, dedications folk character and the Russian word, and the inspirational speech about youth, the adoption of life by Gogol, which opens the head of the head.
In the angry words of Mikoli Vasilyovich, that the story about Plyushkin may be constantly interrupted, which, having instilled in himself with the greatest strength of the bottom, that pragnennya is felt. Gogol is overwhelmed by those to which "gidoti, frivolousness and worthlessness" a person could go.
The author’s mirkuvannya in the 7th division
Mikola Vasilovich began a somie with mirkuvannyami about life and the writer's share in the work of the present day. Vіn rozpovidaє about two different shares, yaki check on the new one. A writer can become a creator of "magnificent images" or a satirist, a realist. In this lyrical way, look at the art of Gogol, as well as the author's position to the people and the pan-in-the-head of the supremacy.
"Happy Mandrivnik..."
Another step, which begins with the words "Happy mandriving ...", is an important stage in the development of the plot. Vono vіdokremlyuє one lanka opovіdі vіd іnshої. Vislovlyuvannya Mikoli Vasilovich visvitlyuyut the meaning and the day of the past, and the next pictures of the past. This lyrical entry of interplay without intermediary with folk scenes depicted in this way. It plays an even more important role in the composition.
Vislovlyuvannya about stand and repair
At the consecrations of the images in the chapters, we are talking about Gogol about standing and repairing them. It seems that the stinks of the flooring are "ripped", that they are given "specialty" everything that is in the hands of the book. Mabut, such a "roztashuvannya in povіtry".
Think about people's pardons
Mi Bachimo lyrically sing "Dead Souls" with a stretch of the rose rozpovid. Gogol ends the description of the wild sum'yattya with thoughts about the hellish ways of the people, її pardons. Humanity in its history has accumulated impersonal pardons. The next generation is self-sufficiently laughing at someone, wanting to start a new clemency for themselves. Yogo naschadki in the future will be laughed at by the ninth generation.
Remaining steps
Gromadyansky pathos of Gogol is especially powerful at the entrance to "Rus! Rus!...". Vono viyavlyaє, as if on the cob of the 7th division, a lyrical monologue, a reading between the lanks of opovіdі - rozpoviddu about the journey of the main character (Chіchikov) and mystic scenes. Here the theme of Russia is already widely discussed. It's "uncomfortable, rozkidane, bіdno" with her. Prote itself here the people of the rich. The author, following them, shared thoughts with us, as if they were inspiring you to rush along the trio and the distant road. Mikola Vasilovich, one by one, draws pictures of native Russian nature. The stench appears before the gaze of the mandriving man, who rushes along the autumn road on swedish horses. Regardless of those who have left behind the image of a three-piece bird, at whose lyrical entrance we see it again.
The story about Chichikov ends with the words of the author, like a sharp description of the one whom head hero And the whole TV as a whole, which depicts "trash and trash", can be shocking.
What do the lyric voices say and what is left without a voice?
Feel the patriotism of the author to lyrical sounds of the poem by M. W. Gogol's "Dead Souls". The image of Russia, which completes the tvir, is applauded by deep kokhanny. Vіn vtiliv in his own ideal, scho visvitlyuvav way to the artist in the image of the vulgar dry life.
Speaking about the role of that place of lyrical openings in the poem "Dead Souls", I would like to mention one moment. Irrespective of the author's number, the most important food for Gogol is left without confirmation. And tse pitanya in that, where are Russia to rush. You won't know the clues to this, having read the lyric in the poem by Gogol "Dead Souls". Less than the All-Vishish moment to know about those who minted in the whole country, "nathnennu by God", for example, the way.
The author's thoughts about the ideal Russia are expressed in lyrical voices, reminiscent of a deep patriotism and love to the Fatherland and almost hatred to injustice. At the lyrical openings, the writer’s thought goes far from the life of the protagonist and sighs over the whole subject of the image, “Usyu Rus”, and navit go out to the heart of the people’s rіven. The author's thoughts about the high place of recognition of the people, about the share of the Batkivshchyna and the people are contrasted against the pictures of Russian life.
Lyrical steps, roaming in all directions, organically intertwined in the rhyme and sound like a cry to pain, maddened by that suffocation. The stinks are tormented by the actual for all hours of food and potentiated by the impressions of the pictures. At the entrances, the readers get to know people who do not work at the door. Tse panov "tovstі" and "thin", panov "great hand" and "middle hand", the ruler of the office Ivan Petrovich, broken small, p'yanitsі and scandals and others. Numerous episodic individuals are painted by the author with two or three strokes, but play a great role. The stench in no way speaks to the main hero - Chichikov, but to help the author in creating the image of united Russia.
Opovіdannya poem repeatedly revise the daily lyrical road signs, sincere roaming with the reader. In one of the most poetic places of creation, which tells about life and molding the special features of the main character, the theme of the road of that future Russia is angry. At this lyrical approach, folk-rozmovna mova is intertwined with the sublime tone of the mov, and the reader at once with the author is taken over by the charm and music of the word “road” itself, that is almost suffocated before nature: ! And what a wondrous way she herself is, this road: a clear day, autumn leaves, cold weather ... "
The author talks about “churches with old domes and black buds”, “dark ruined logs and stone buds”, “fields and steppes”, “huts that sprang up on the slopes”, penetratingly conveys the sight of people who are rushing on three: "God! like ti garna for an hour, far, far the road! Skіlki once, like a woman and a tone, I grabbed for you, and you magnanimously blamed me and rebuked me! And how many wonders were born in you, poetic dreams, how many wondrous enmities were felt! .. "
Organically enter into the plot, inserted episodes, scenes, paintings, the author's reflection. For example, Gogol casually throws up portraits of "thin" and "thin" officials. “Too bad! Tovstі vmіyut more beautifully in this world, do your work, lower thin ones, ”Gogol writes. Abo is a satirical portrait of the Emperor of the Chancellery. In the midst of his supportive ruler - “Prometheus, daring Prometheus! .. and three more for the new one, with Prometheus, such a transformation is made, which Ovid does not see: a fly, a fly, a fly, a flies!”
In the rest of the division, which tells about the formation of Chichikov's character, the reader will again become bored with the world of vulgarity and evil. On the example of the life of his hero, the author even precisely formulates the principles that pan out in the modern world: “keep your copy as much as possible”, “follow those who are richer”, “dogodzhay bosses”. With unrequited irony, the writer speaks about the system of vihovannia, in case of some kind of fluctuation, that gift does not give away the worth, and the eternal truths are hammered into the heads of young people for help, the fool and the others are punished. Earn the spirit of trade, having panuvav in the world of the krіposnitsky nobility, penetrating at the head office, and plundering in the souls of young people, everything is purer and more poetic.
Prote zanurivivshis for the first time in the light of scurrilousness and gain, Gogol turns us anew to positive beginnings of the Russian character, instills enthusiasm in the bright future of his people. At the lyrical opening, which completes the story, I tell about the talent of the Yaroslavl peasant, with a chisel and a hammer, building a road wagon, about a three-way bird, which originated among the chewing people "in that land, we don’t like jarring, but let’s smooth it out" delete simple Russian people. I complete therefore the grandiose image of the bearing Russia for its vibrancy - the three-bird. In the rest of the lyrical speech, the author admonishes the world of officials and assistants that faith in the boundless ability of the Russian people.
By protracting his efforts, the author sends our respect to Chichikov's troika, more than once instructing us to instill the prize of harnessing her horses. Triyka Chichikov є one of the top and most diyovih osib create. For example, sing to me again Bachimo Chichikov's trio: Selifan slips Chubary on the back, after which he starts up with a fist. The movement of the trio gradually accelerates and the image of the trio changes its internal meaning. The deputy of the trio of Chichikov is called by the Russian trio, and at once the intonation of the rose is changed. We see the image of the native land in front of us, and the horses rush in a whirlwind, they are anchored in the earth and transform on the line, so that they fly in repetitions, and the deputy of the trinity blames Russia for all її strimky Russia. The author's language is deep, filled with emotional epithets and synonyms, metaphors and wiguks: “Rus, where are you going to rush? give me a hint. Do not give advice. To whom is the result of Gogol's opportunistic thoughts about the share of Russia, about the future of that future people. Aje itself, the people to resist the holy officials, assistants, dilkiv, yak the soul is alive- dead.
All the topics of the book “Dead Souls” by N.V. Gogol. Short zmist. Eat particularities. Create":
Short zmist sing "Dead Souls": First Volume. perch head
Features of singing "Dead Souls"
Happy mandrivnik, like after a long time, tedious roads with cold, mud, mud, that didn’t fall asleep station guards, bryazkannyam dzvіnochkіv, lagodzhennyami, husky, coachmen, farriers and all sorts of road negіdniki bachel nareshti znayomiy dakh z vognikami, sho rush nazustrich, and appear before him znayomі kіmnati, radish cry vibіgli nazustrіch vladina people, almighty bіgani memory bag. Happy Sim'yanin, who can have such a kut, but woe to the bachelor!Sharvivius writer, Yaki, chose the characteristic, unnecessary, Shi to be enjoyed by his mummy dіsnіstya, to get closer to character, the giby -toe of the great virus of the vibrata, who was not blooming, did not see his own shelter. , worthless of his brothers, and, not sticking to the ground, all rushing at his far, look out at her and magnify the image. Vdvіchі pobacheno miraculous share of yoga: vіn among them, like in their native homeland; and in the meantime, far away and loudly resounds Yogo glory. Vіn having smoked human eyes with charіvny smoke; marvelously vtishiv vtishiv їm, shove bag in life, showing them a beautiful person. Everyone, applauding, rush after him and rush after the natural chariot. Yogo is called the great all-world poet, who expands high above the rest of the geniuses of the world, like an eagle spreads above the other high-flying ones. At the same name Yogo already embraces the trembling of the young sticks of the heart, tears at the spirit of Yomu to shine in all eyes ... There is no equal Yomu in strength - God knows! But not such a share, and even a share of a writer, who sang loudly called out everything that shokhvilini before the eyes and why not stare baiduzhі eyes, - all the terrible, muffled mud of the dribnitsa, which entangled our life, all the depths of cold, fragmented, everyday characters, like teeming with the earth, at times a hot and tedious road, and with the mighty power of an unwelcome cut, which sang loudly and brightly in the eyes of the people! You can’t pick up the people’s splashes, you can’t see the tears of tears and the one-flock slaughter of their souls; the sixteenth century maiden with her head, which spun around, and heroic suffocations, cannot fly to the new one; do not forget youma in licorice enchantment with the same vibrating sounds; do not vanish to you, nareshti, in front of the modern court, hypocritically-baiduzhny modern court, which is called worthless and low cherished by him, in the presence of you, the unimportant kut of a number of writers, who represent the people, give to you the Yakost їm in the heart, in the hero image , and soul, and divinely half a mind of talent. For you do not know the current court, which is one wondrous thing, looking over the sun and passing the ruins of unmarked coma; for it is not the knowledge of the current court, which is richly necessary for the depths of the soul, to illumine the picture, taken from a filthy life, and to call it into a pearl of creation; for the present court does not know that the high suffocation of the smіkh gіdniy stati was entrusted with a high lyrical movement and that the strength was prіrva between them and the antics of the buffoon buffoon! I don’t know what the current court is and everything is beastly for the zakid and slander of the unknown writer; without a podіlu, without a vіdpovіdі, without a share, like a bezsіmeyny mandrivnik, vin to be left alone in the middle of the road. Suvoro yogo tertya, і gіrko vіdchuє vіn their own self-worth.
I have long been appointed by my wondrous power to walk hand in hand with my wondrous heroes, look at all the majesty of life, look at the visible crisis of light and invisible, invisible tears! And it’s far away that hour, if with the other key the nasty zavіryukha rises from the one given by the saints and in the glare of the head and smells the majestic grim of other promos from the trembling trembling ...
Analyzing “Dead Souls” by Gogol, Belinskiy signified “deep, all-season that humane subjectivity” sing, subjectivity, as you do not allow the author “because of the apathetic baiduzhisti, but with a stranger’s world, painting it, ale zmushu yogo, pass through your soul the living being light, then I breathe my soul in them ... ".
Gogol unfailingly respecting his tvir sing. Tim himself is a writer, adding the breadth and epicness of the opovіdі, the meaning of the new lyrical cob. The critic K. Aksakov, who sang at the poem “the old-fashioned, Homeric epic”, also pointed out the same. “Why can it be amazing that Gogol’s individuals change for no particular reason... unity of the inner,” wrote the critic.
Epichnist opovіdі, internal lyricism - tse became a legacy of Gogol's creative ideas. It seems that the writer was planning a great creation. Divine Comedy» Dante. The first part (Volume 1) is small for "Hell", the other (Volume 2) - for Purgatory, the third (Volume 3) - for Paradise. The writer, thinking about the possibility of Chichikov’s spiritual rebirth, about the appearance of characters in the poem, they inspired “the indecent richness of the Russian spirit” - “a man gifted with divine valor”, “a wonderful Russian girl”. The mustache gave opovіdі special features, deep lyricism.
The lyrical steps in the same way are different for their themes, pathos and moods. So, describing Chichikov more dearly, the writer uses our respect for impersonal details, as if it were the best way to characterize the Russian province. For example, a hotel, a hero who sounded like a hero, was “of a known family, that’s the same, like hotels are in provincial places, where for two rubles they go to the booty to take away the deserted room with targans, which they look like prune, from the mustards.”
“Spillna hall”, where Chichikov goes, good at home to the skin passing: “those walls, stuffed with oil farboi, darkened in the mountains in the form of pipe smoke”, “the same smoked chandelier with a lightless hanging skel, іstertih kleyonkah”, “there are pictures all over the wall, written in olive farbs”.
Describing the governor's evening, Gogol spoke about two types of officials: "thin" and "thin". "Thin" in the author's statement - chepuruni and franty, which entwined white women. The stench is often smart to the point of spending money: "a thin one for three years does not lose his precious soul, not mortgaged in a pawnshop." Tovsti is not necessary for an hour, then “grunty and practical”: they stink in no way “do not occupy an indirect place, but everything is straight, and if you sit down de, then sit down nadіyno and mіtsno ...”. Tovstі officials - "truly stovpi suspіlstva": "having served God and the sovereign", they deprive the service and become glorious Russian bars, helpers. In this description, the author's satire is obvious: Gogol miraculously reveals what kind of "bureaucratic service" has been, how the people have brought "a wild feat."
Often the author accompanies him with blatant ironic admiration. For example, speaking about Petrushka and Selifana, Gogol respects that it is not easy for him to occupy the reader with people of a low class. And then: “So is the Russian people: the passion is strong to know about those who would like to be in one rank, even more, and the acquaintance with the count or the prince is better for the new one for be-yakі tіsnі friendly vіdnosiny”.
At the lyrical vіdstupakh Gogol mіrkє і about literature, about writing practice, about different artistic styles. In these worlds, there is the author's irony, the controversy of the writer-realist against romanticism seems to be attached.
So, depicting the character of Manilov, Gogol ironically remarks that it is easier to depict the characters of the great rosemary, generously throwing a farby on the canvas: “black eyes, hanging eyebrows, wrinkling his forehead, throwing black or red over his shoulder, like fire, a cloak ready .. .". Ale, it’s more important to describe not romantic heroes, but wonderful people, "as if they look like each other, and at the same time, as if you are surprised, you will see a lot of the most elusive features."
In another area, Gogol explores two types of writers, a writer-romanticist and a writer-realist, a satirist. “Enviable is a wonderful share” of the first, which vvazhє for the best description of the nature of the present, which is “the high goodness of the people”. But not such is the fate of the other, who “having laughed at the viklikati naming all the terrible, gibberish mire of the rubbish that entangled our life, all the depths of cold, fragmented, everyday characters, with which our earthly, hour-long and tedious road is teeming.” “Severely yogo tereni”, and succumb to yoma of the current judgment, respect doing yogo “the image of people”. Without a doubt, what Gogol is talking about here and about the power of fate.
Satirically depicts Gogol's way of life of Russian helpers. So, telling about Manilov and his yogo squads, Gogol, as if in passing, remarked: “Surely, you can remember that there are plenty of other people to take in the booth, a lot of trivaly potsіlunkіv and surprises ... For example, stupidly and uselessly getting ready in the kitchen ? navіscho dosit empty in Komori? now the villainous housekeeper? ... But all the things are low, and Manilova is good.”
At the branch, consecrations of Korobochtsy, the writer of the rozmirkovu about the "unknown vminnya" Russian people speaks with the lonely. And here the author's irony sounds. Having indicated that Chichikov’s unceremonious occasion with Korobochka should be reported without ceremony, Gogol respects that the Russian people have overtaken the foreigner in smart sparring: “it’s impossible to overdo all the subtleties of our animals.” Moreover, the nature of this splintering is to lie down in the future, I will become a spy: “we have such wise men, like a helper, that we have two hundred souls, they say we should call it otherwise, lower s tim, who can have three hundred ...”.
In the discussion about Nozdryov Gogol, there are also those “Russian splintering”, prote in a different, more positive aspect. Here the writer expresses his originality to the character of the Russian people, his good nature, kindness, gentleness.
The character of Nozdryov is a series of recognitions - tse “broken maly”, reckless, reveler, gravel and beshketnik. Vіn maє sound shahrayuvati pіd hour gri in the card, for which yogo is repeatedly beaten. “What’s more amazing,” I respect Gogol, “what can I do only in Russia alone, and I’ll start talking again with these friends in an hour, like I was beaten, and I’ll say, nothing, and the stink of nothing.
In the author's passages, the writer is rozmirkovuє and about the Russian noble camp, showing how far away people are from the Russian, national: in them “you don’t feel any ordinary Russian word”, then French, German, English are not good for such, English ". Most of the community worships everything foreign, having forgotten their quiet traditions, sound. The interest of these people to national culture is intermingled with life at the dacha of a hut in Russian relish. The author's satire is obvious to any lyrical person. Gogol here calls spіvvіtchiznikіv to be patriots of their own country, love that respect native language, zvichaї those traditions.
Ale, the main theme of lyric speeches for the poet is the theme of Russia and the Russian people. Here the author's voice becomes shy, the tone is pathetic, irony and satire recede into the background.
At the fifth division, Gogol glorifies the "living and living Russian mind", the unparalleled talent of the people, "the Russian word was well spoken." Chichikov, drinking the peasant he had hitched about Plyushkin, took the following advice: “... paid, paid! - wiggling the man. Bulo їm added and the name of the "paid", even far away, but not living at the secular rose ... ". “The Russian people are on the move! - vigukuє Gogol, - and if you reward someone with a Slav, then you’ll get it into your family and offspring, pull wine with you and into the service, and at the post office, and to St. Petersburg, and to the ends of the world.
Even more important in lyrical passages is the image of the road that passes through the whole of Tver. The theme of the road appears already in another section, in the description of Chichikov’s trip to Manilov’s city: old, wild veres too thin. In this way, this picture is the background, on which the action is seen. Tse typical Russian regional species.
At the fifth branch, the road tells the writer about the joys and sorrows of human life: rush like a hushed village fell silent ... "
In the discussion about Plyushkin, Gogol is talking about the susceptibility of people of different age to life hostility. The pismennik here describes his child and the youthful feeling, who was tied up on the road, I will go up the road, if everything called out to him a lively interest and cicacity. And then Gogol will pierce the enemy with his current baiduzhist, chilled to the manifestations of life. The author’s thought ends here with a summative tweet: “Oh my youth! oh my freshness!"
The thought of the author is irrevocably transformed into an idea of how the character of a person, his inner image, can change from time to time. Gogol to talk about those, how a person can change in old age, to the point of “worthlessness, drib'yazkovost, gidoti” can go out.
Having offended the author's opinions, here they perekukuyutsya with the image of Plyushkin, with the history of his life. And to this we end Gogol's thought, we shy away with a cry to the readers to save in yourselves the best, that you have a powerful youth: x. road, do not come later! Terrible, terrible in front of old age, and nothing can be seen back and back!
The first volume ends dead souls”a description of the trio, how to fly fast forward, like a true apotheosis of Russia and the Russian character: “Is it possible for a Russian not to love a Swiss ride? Chi yogo souls, sho pragna spin around, go for a walk, say to others: “Damn it all!” - Why do the souls not love її? ... Eh, triplet! ptah-triyka, who told you? nobility, you could have been born among a chewing people, from your land, who did not like to be shrill, but spread out to the world with equal smoothness ... Russia, where are you to rush? give me a hint. Chi does not give advice. The twinkle is filled with a wonderful ringing; to make up and become rozirvane in the wind in shorts; to fly everything that is not on the earth, and, squint, take care and give way to other people of that state.
In this order, lyrical steps were taken by the poets of the rіznomanіtnі. Tse and satirical undertones of Gogol, and pictures of the Russian pobutu, and the reflection of a writer about literature, and ironic caution about the psychology of the Russian people, the peculiarities of Russian life, and pathetic thoughts about the future country, about the breadth of the Russian people, about the breadth of the Russian soul.
from Shurikiv and initial assistant for students to universities, written by Krasovsky
With the help of lyric approaches, the image of the author is created. Introducing the image of the author into this, Gogol, having taken into account the possibility of expanding the subject of the image, blaming the reader for a number of low problems, as if they were put and vyrishenі less on a par with the plot. This explains the richness of the problems of lyric speeches in poets. The stinks are hanging around and philosophical food way of life, that problem of spiritual expenses, yakі zaznaє lyudina (lyrical speech about the share of a young man in 6 divisions); problems of true pardon patriotism; create the image of Russia - birds-threes.
At lir. Vіdstupi G. put and virіshuє literary food. At lir. An introduction to two possible paths of creativity (the beginning of chapter 7) to establish a new ethical system, voted by the natural school, - the ethics of love-hate: love to the bright side of national life, to living souls transferring hatred to the negative sides of the butt, to dead souls. The author of a miraculous mind, on what he admits to himself, having become on the path “to win the natovpu, yoga of passions that oman”, - to chase and tskuvannya from the side of false patriots, on the rejection of spivvitchiznikiv - but the husband robs this path.
Sverdzhuyuchi at lir. In stepping into the new concept of creativity, G. asserts his right to choose the subject of the image: at the center of his respect, there are vadi suspіlstva that okremoї people.
Є th plot element - in 11 parables about Kif Mokievich and Mokіya Kіfovich. Tezh about patriotism.
At the author's entrances, Gogol marvels at Russia with the glance of an epic writer, who understands the primary, ephemeral nature of the life of the people he depicts. Behind the empty and unruliness of the “neboktyuvachiv”, the author of the building looks at “all the greatness of life”, the future whirlwind of Russia.
At lir. Vіdstupi expressions the widest range of moods of the author. The hoarding of the fluency of the Russian word and the vitality of the Russian mind (the end of chapter 5) is replaced by a sumptuous and elegiac thought about youth and maturity, about spending “living time” (ear of chapter 6). The spadix of the 7th chapter: stating the share of two writers, the author writes with vehemence about the moral and aesthetic deafness of the “current court”, which does not know that “equally marvelous mistakes, look around at the sun and transmit the ruins of unmarked coma”, that “high lyrical rush". The author considers himself to be that type of writer, which he does not know the "current court": "Severely thorny, and harshly judge his own self-worth." Ale at the final lir. the mood of the author changes: I become a prophet of the future, and at a glance I see the future of the “dreadful wind of the air”, as “to rise from the blessedness of the holy life and in the glare of the head” and then the reader “smell the lucky promo of the great”.
At 11 lyrical-philosophical thoughts about Russia and calling on a writer, whose head was overshadowed by the darkness of darkness, the head of the coming woods "(" Rus! Rus! , gim ruhu - dzherelu “wonderful thoughts, poetic dreams”, “wonderful foes” (“It’s wondrous, and manly, and carry, and miraculous at the word: road! ..”). The two most important thoughts of the author - the theme of Russia and the theme of the road - get angry at the lyrical entrance, as if completing the first volume. “Rus-triyka”, “all inspired by God”, stands for some as the author’s bachelor, which is the right way to understand the mind of її rush: “Rus, where are you going to rush? give me a hint. Do not give advice. The image of Russia is intertwined with the Pushkin image of Russia - the “proud horse” (at “ Midny Vershnik"). І P. and R. passionately bazhali zrozumіti sensa and metu of the historical movement of Russia. Becoming an artist’s bag of thought for writers, becoming an image of unstrikingly rushing the lands.
from my defenses from preparations for joining
At lir. Gogol's high aesthetic ideals, love to the fatherland, battle for the country, for the people, invisible tears of light, were born.
Chapter I: an introduction about comrades and subtle officials (not about the figure, but about the peculiarities of the suspense camp)
Chapter II:
· In the skin є svіy "zavzyattya". Manilov didn’t have such a “zavzyattya” - death.
· Words about garne vihovannya.
III division: about the signs of the Russian occasion with the people of the different social status of the Vismyuvannya of rank.
Chapter IV: Describing the helper, the author always gives you a detailed description, as if showing this type of people
Chapter V: Zustrich Chichikova with a blonde (governor's donka) Prompted for help by the reception of contrasts. Gogol: "The true effect is in a sharp protolezhnost, the beauty is not so bright and it can be seen, like a contrast."
· Significance of the world, bliskuchoy joy, as if it were once manifested in life.
contrast: mriya ta everyday life; It is possible to adopt a 20-year-old young man (like Chichikov accepts the governor's donka => it's not so, like a 20-year old young man).
Gogol: “The originality of the Russian mind is especially felt among the villagers,” and this mind is glorified by Gogol in the example of Chapter 5.
Chapter VI: vodstup about youth and holodzhennya, like coming at mature rocky ( impotence is called).
Here Gogol seems to be in the first person, tobto. nibi see yourself. Before us is the butt of the private rozbіzhnostі of the author that opovіdacha. Gogol himself took an interest in life. Ale smut is not in this, but in the fact that, for the help of the first person, the author creates such a real image, as for the help of the third person. "I" on the cob of the VI chapter is also its own character, and in the new Gogol it is also important to christen the singing psychological image.
The change of people on the "life path" - the axis of which hangs in the forefront of this character. Such a change, which was not without his participation, is guilty of such a change. Everything is connected with the internal theme of the chapter. He shared about Plyushkin, about those razuchchi changes, how he happened to survive the yoma. I, having described the changes, R. again goes back to the image of the road: “Take it from you on the road, walk out of the soft youthful fates of the suvor zhorstok masculinity, take with you all the human ruins, do not deprive them on the road: do not take sweat !"
I know the metaphor “the road of life”, the contrast is the cob and the end.
Chapter VII:
· About mandrivnik (contrast of the road and the houses, the houses and the homelessness).
About two types of writers:
1. pure art (write only about reception and good)
· Long-term reconciliation of Chichikov about the villagers bought by him (an entry, but not a lyric and not an author, but Chichikov, a Chinese author in the cinema). The author is blatant that his thoughts are close to those of Chichikov.
VIII division:
· About writers and readers of the worldly society
· Prodovzhennya mirkuvannya about comrades and subtle officials
X chapter:
· History of Kapitan Kopeikin (the hero of the 12th century war, having put his arm and leg into the Chinese), a group of people show their defenders, showing their own anti-national identity. Tse completed that zagalnennya those of the dead shower.
richly at the world received pardons
Chapter XI:
Mirkuvannya about Batkivshchyna (patriotic), a thought about a hero
Crossing at the entrance to the road (Gogol spent a lot of time at the road, where it was born large number conceived).
Mirkuvannya about the hero
Inserted parable about Kif Mokievitch and Mokiya Kifovich
bird-triyka (where to rush the bird-triyka: Gogol's ideal is high, ale abstract. Loving the Fatherland, the people and believing in the light of the future. Russia knows how to destroy your life, bezpritulne life). Naїvna hope that a person can be found, like to squash the eyes of all Russian people on the vulgarity of their life, anti-human sounds and sounds. The role of such a person Gogol takes wine. “Whoever is not the author can tell the truth.” I didn’t smash the eyes of the officials and helpers, then the advancing revolutionaries did yoga)
