Golovna > Faces > Victor Hugo "Cathedral of Our Lady of Paris": description, heroes, analysis of creation. Analysis of Hugo's novel "The Cathedral of Our Lady of Paris" The position of the author in the creation of the Cathedral of Our Lady of Paris

Victor Hugo "Cathedral of Our Lady of Paris": description, heroes, analysis of creation. Analysis of Hugo's novel "The Cathedral of Our Lady of Paris" The position of the author in the creation of the Cathedral of Our Lady of Paris

Examples of the national and historical flavor of Hugo's rich balady, such as "King John's Tournament", "The Burgrave's Poluvannya", "The Legend of the Nun", "Fairy" and others. what was the renewal of dramaturgy, the creation of romantic drama. As an antithesis to the classical principle of “ennobled nature”, Hugo develops the theory of the grotesque: it is necessary to show funny, indulgent in a “concentrated” look. Numbers and riches of other aesthetic moods are not only dram, but, in fact, the romantic mystekstva vzagali, that before the drama "Cromwell" has become one of the most important romantic manifestos. The ideas of this manifesto are realized in the dramas of Hugo, as written on historical plots, and in the novel “The Cathedral of Our Lady of Paris”.

The idea of the novel is vindicated from the atmosphere of historical genres, the beginning of which was laid by the novels of Walter Scott. Hugo sees Danin's confusion and dramaturgy, and in the novel. For example, the 1820s. Hugo thought of writing a historical novel, and in 1828 he made an agreement with the famous Gosselin. However, the work is folded into an impersonal environment, and most of them are those who attach more and more respect to modern life.

Hugo's work on the novel takes only 1830, a few days before the Lipne Revolution. Just think about your hour, closely intertwined with the fundamental concept of the history of mankind and with statements about the fifteenth century, about how you write your novel. This novel is called "The Cathedral of Our Lady of Paris" and comes out in 1831. Literature, something like a novel, something like a drama, depicting history, but not as much as historical science wants to do. The chronology, the exact sequence of battles, the conquest, and the disintegration of kingdoms are only the outer side of history, which made Hugo firm. In the novel, respect is concentrated on what the historian forgets about or ignores, - on the “visit” of historical approaches, that is, on the inner side of life.

Dorimuyuchis tsikh new ideas for this hour, Hugo creates "Cathedral of Our Lady of Paris". Viraz the spirit of the era, the writer is respected for the main criterion of the truthfulness of the historical novel. This artistic tvir is principally examined in the chronicle, demonstrating the facts of history. In the novel, the actual “canvas” can only be the sole basis of the plot, in which the characters can develop and develop according to the author’s fantasy. The truth of the historical novel over the accuracy of facts, and the truth of the spirit of the hour. Hugo reconbists, Shaho in Pedantic Perekazі khronіk not to know Stilki Sensa, Skіlki TAI YOW IN THE CONTROL NOVIMENT NATHE "ARGYOTINTSIV" (YOVE ROMANCE TSA OVERGODNA CORPORATE BRODGRAY, ZHEBRAKIV, VLORIVA TA SHAREV), WITH WILL BE to the great chenci, to the alchemy tales of which the king shows interest.

The only one is indestructible to the author's wimislu - in keeping with the spirit of the era: characters, psychology of characters, their mutuality, vchinki, wild overflow of the development of the subdivision, the details will be everyday life- all aspects of historical reality that are depicted should be imagined as they really could be. Since the mother has been revealed about a long-gone era, it is necessary to know not only about official realities, but also about the way of everyday life of ordinary people, it is necessary to learn everything and then work in novels. To help the writer, they can tell the story of the people, the legends are just folklore dzherel, and the lacking details in them, the writer can and is guilty of filling with the power of his own show, so that he can go into the foretelling, keep remembering with it, that the fruit of his own fantasies in the spirit of wine .

Romantics respected the most creative building, and foresight - an indispensable attribute of a literary work. Well, guess what, for the help of someone, you can imagine the real historical spirit of the hour, looking at the current aesthetics, you can be truthful, lower the fact by itself.

The artistic truth is for the truth of the fact. Dominating these principles of the historical novel of the era of romanticism, Hugo is not easy to follow the real podії z vigadanimi, and the right historical characters - z without weights, but clearly see the rest. Mustaches of the leading novel individuals - Claude Frollo, Quasimodo, Esmeralda, Phoebus - vigadanі їm. Tilki P'єr Gringoire є vynyatkom: vіn maє real historical prototype - tse near Paris in the XV - the beginning of the XVI century. the playwright sings. The novel also features King Louis XI and Cardinal of Bourbon (the rest appear only occasionally). The plot of the novel is not based on the current great historical background, but before the real facts, one can add more detailed descriptions of the Cathedral of Our Lady of Paris and middle Paris.

At the sight of the heroes of literature of the 17th - 18th centuries, the heroes of Hugo will unite with their super-smart qualities. Widely koristuyuchis romantic reception of a contrasting image, and sometimes svіdomo overbіlshyuchi, savage to the grotesque, the writer creates folded ambiguous characters. Yogo is addicted to gigantic passions, heroic inclinations. Vіn bring strength to the character of the hero, rebellious, rebellious spirit, building to fight against the furnishing. The characters, conflicts, plots, landscapes of the “Cathedral of Our Lady of Paris” had the romantic principle of showing life-vinyatkovy characters in the overarching settings. The world of unstriking passions, romantic characters, inconsistencies and voluptuousness, the image of a brave person who does not succumb to some kind of trouble, the axis of Hugo in these creations.

Hugo insists that the world is constantly waging a struggle between good and evil. In the novel, even more beautiful, lower in Hugo's poetry, there were signs of new moral values; All the best are almost kindness, generosity, self-confidence - acknowledgment of Quasimodo and Esmeralda giants, like the right heroes of the novel, in that hour, like an antipode, to stand at the godval of the secular and the spiritual king of the XI king, similar to the king zhorstokistyu, buzuvirstvo, baiduzhistyu to the suffering of people.

The main principle of his romantic poetics - the depiction of life in її contrasts - Hugo slandered the "Foremovie" in his article about the novel by W. Scott "Quentin Dorward". Chi not є, writing vin, - life a chimerical drama, in which good and evil, beautiful and virtuous, high and low are the law, what do all creations have?”.

The principle of contrasting contrasts in Hugo's poetry is based on metaphysical manifestations about the life of a daily suspense, in which the primary factor is the development of the nebito - the struggle of the opposite moral cobs - good and evil - іsnuyuchih spokonviku.

Significantly, the place in Hugo's "Preface" is to introduce an aesthetic understanding of the grotesque, including it as an important element of middle-class poetry and modern romanticism. What can I do to understand? “The grotesque, like a proliferation to the present, like a contrast, and, with a glance, with the richest neck, like nature reveals mysticism.”

Grotesque images of your creations Hugo opposed the mentally beautiful images of epigonian classicism, respecting that without the introduction of phenomena into literature, they are as ephemeral, so low, as beautiful, so pleasurable, it is impossible to convey the totality and truth of life. With all the metaphysical comprehension of the category of "grotesque", the grounding of this element of Hugo's mysticism was the least short of the way forward of myscience's approach to life's truth.

In the novel, there is a “character”, which somehow navkolo itself all the diyovih features and coils into one ball practically all the main plot lines of the novel. The name of this character is attributed to the name of Hugo's work - the Cathedral of Our Lady of Paris.

In the third book of the novel, dedicated to the cathedral, the author literally sings a hymn to this miraculous creation of human genius. For Hugo, the cathedral is “nebi majestic stone symphony, a colossal creation of people and the people ... a miraculous result of the summoning of all the forces of the era, de from the skin stone of a breeze, the fantasy of a robot worker, which takes hundreds of forms, is disciplined by the genius of an artist ... All the creative hands of people can and clearly, like the creation of God, whoever has a dual character: versatility and eternity ... "

The shares of all the main heroes of the novel are inextricably linked from the Cathedral like a splendid underlay canvas, and with threads of inner thoughts and sponukane. It is especially true for the appointment to the Meshkants in the temple: Archdeacon Claude Frollo and Quasimodo ringer. At the fifth division of the fourth book, it reads: “... A wondrous share fell in those hours to the share of the Cathedral of Our Lady - the share of cohanim of the flooring reverently, alezov in a different way, two with such dissimilar istos, like Claude and Quasimodo. One of them is the likeness of humankind, wild, less than instinctive, loving the cathedral for its beauty, for its stringency, for its harmony, and for its miraculous strength. The latter, endowed with sticky, enriched with knowledge by the veil, loving at the new yoga inner meaning, attaching to the new sense, loving the legend tied to it, yoga symbolism, which is hidden behind the sculptural embellishments of the facade - in a word, loving that riddle, which peace is left for the mind of the people Cathedral of Our Lady of Paris".

For Archdeacon Claude Frollo, the Cathedral is the place of residence, services, that navіvkovo-napivmіstichnyh vyshukuvan, receptacle for all yoga addictions, vices, repentance, throwing, and, zreshtoyu - death. The clergyman Claude Frollo, an ascetic and alchemist, makes a cold rationalistic mind, which triumphs over the usual good human feelings, joys, likenesses. This mind, which takes the mountain over the heart, inaccessible I regret and speak, є for Hugo by evil power. The low passions that flared up in the cold soul of Frollo, not only lead to the death of himself, but also the cause of death of all people, as they meant in yoga life: hyne by the hands of Quasimodo, the young brother of the archdeacon Zhean, dying on shibenitsa, Esmeralda is beautiful, seen by Claude vlady, voluntarily zadzhuє for himself the liberation of the priest Quasimodo, a bunch of taming him, and then, in fact, vіddaniya. The cathedral, being a warehouse part of the life of Claude Frollo, and here it plays the role of a full-fledged participant in the novel: from the galleries, the archdeacon posters for Esmeralda, who dances on the square; in the cell of the cathedral, possessed by him to occupy alchemy, to spend years and days in occupations and scientific achievements, here the blessings of Esmeralda have mercy and bestow love on him. The cathedral, on the other hand, is becoming the scene of a terrible death, described by Hugo with gaudy power and psychological credibility.

At this scene, the Cathedral is also built with a spiritualized essence: in total, two rows are dedicated to the fact that, like Quasimodo zishtovhuє his mentor from the balustrade, the next two sides describe Claude Frollo’s “anti-fight” with the Cathedral: fiercely rushing at him, smashing him into the abyss, over which Claude chided... The priest, falling down... At the rozpachi vins of both, he clasped his hands for her... Under him, the day was yawning... At this terrible camp, the archdeacon did not win the desired word, did not see the haystack. Vіn less zvivavsya, roblyachi unhuman zusilla rise like a zholob to the balustrade. Ale, his hands forged on the granite, his feet, shabby, darkened the wall, the pillars shuffled in a frenzy... According to the yogo fox, the forehead was littered, the blood oozed on the stones, the boules were in the gardens. Vin chuv, like with skin zusilli, like vin robiv, yoga cassock, which was choked by the gore, cracked and torn. To complete the misfortune, the gutter ended with a lead pipe, which bent over the heaviness of the body... and wine, over the river, but without fear for myself, without regret to the new. Everything seemed to be like a stone: right in front of him - the opening of a wild miracle, under him - at the mud square - a brukivka, above his head - weeping Quasimodo.

A person with a cold soul and a stone heart in the rest of her life appeared alone with a cold stone - and she didn’t get pity, no pity, no mercy, for she herself did not bestow no pity, no pity, no mercy on anyone.

The call from the Cathedral of Quasimodo - that humble hunchback with the soul of an embittered child - is even more mysterious and undefiled. Axis scho write about Hugo: Navіk vіdchuzheniya vіd svіtu svіu svіy svіynym over him podvіynym pіdnіstі - dark vіdzhennyа i pіzichnomu pіdіvnіstі, zakrychennі z dіtinstva v tse podvіyne nepereborn kolo, bіdolaha zvіk svіch not pomіchat іnіcho, scho lied іn bіk іs sacred walls, єshо shоt yоogo under their cover. If it grows and develops, the Cathedral of Our Lady served as an egg, then a nest, then a house, then a fatherland, then, nareshti, all-world.

Mіzh tsієyu іstotoyu that budіvlei, unperturbed, boulder as if taєmnicha zoomed in harmony. If, we call it crying, Quasimodo with large susillis, jumping through gloomy crypts, vines, with a human head and a beastly tulub, sounding like a plasun, which is naturally a vine in the midst of syrich and gloomy slabs ...

So, growing under the cover of the cathedral, living and spending the night in the new, mayzhe nіkoli yogo not leaving and uninterruptedly staring at my own taєmnichi diyu, Kvazimodo zreshtoy becoming like a new one; vіn nіbi vrіs u budіvlyu, pretending to be one yogo warehouse parts... It is possible to say without further ado that, having filled the shape of the cathedral, it is similar to how the ravics fill the shape of a shell. Tse bulo yogo life, yogo light, yogo obolonka. Behind him, that ancient temple was founded by deep instinctive pretentiousness, physical arbitrariness...”

Reading a novel, Bachimo, that for Quasimodo the cathedral was used as a shelter, a living thing, a friend, protecting him from the cold, from human anger and bitterness, satisfying the needs of the wretched people at the spіlkuvanni: . The cathedral, inhabited by Marmur statues of queens, saints, bishops, who accepted it did not laugh at him in disguise, marveled at the new calm and kindly look. Statues of monsters and demons did not spit to a new hatred - they were like them ... Saints were friends and protected Yogo; the monster also buli yogo friends that protected yogo. Vіn dovgo waving his soul before them. Sitting on the hips in front of a statue, roaming with it for years. Yakshcho at this hour htos entering the temple, Kvazimodo tіkav, like a kohanets, caught in a serenade.

Less new, stronger, unknowingly, it could have stolen that indistinct, neimovirny link between people and life. It has become so, if in the life of the underprivileged a miracle has become, instilled in the image of the innocent and the beautiful. I'm amazed - Esmeralda. Hugo endows his heroine with all the best rice, powerful representatives of the people: beauty, tenderness, kindness, mercifulness, innocence and innocence, incorruptibility and loyalty. It’s a pity, at a zhorsty hour, among zhorsty people, all tsі yakostі were more gladly short-lived, nіzh perevagami: kindness, naїvnіstі and innocence do not help to live in the world of malice and coyness. Esmeralda perished, fooled by him, who її love - Claude, vіddana beloved by her - Phoebe, not vryatovana tim, who shrugged and adored її - Quasimodo.

Quasi-modo, what a zoom to remake the Cathedral on the “drive in” of the archdeacon, earlier, for the help of all the same cathedral - its own invisible “parts” - try to turn the gypsy, vkravshi її z mіstsya strati i vikoristuyuchi kelіyu Soboru yak pritulok, And by the power of the evil-doers, they were inaccessible to their interrogators, behind the sacred walls, the porch of the condemned was short-lived. Against evil, the will of the people showed itself strong, and the stone of the Cathedral of Our Lady did not betray the life of Esmeraldi.

Creativity Hugo - naughty French romanticism. Vіn willingly destroying social topics, the style is reinforced-contrasting, it becomes more hostile to action. The novel "Cathedral ..." was clearly contrasted with the reality.

Diya novel is celebrated for the reign of Louis XI (XIV-XV). Ludovіk pragniv result, koristі, vіn practical. Claude Frolo - readings, readings. Mav on the right is less with handwritten books. Єrzha in the hands of the drukovanu vіdchuvaє kіnets svіtu. Tse attached to romanticism. Dia comes from Paris. Heads are shown, a description of Paris in the XIV-XV century is given. Hugo opposes yoga to today's Paris. These are man-made, and Paris-today is filled with vulgarity, the presence of creative thought and practice. It's a place, like you're wearing your own guise. The center of the novel is a grandiose controversy, a cathedral on the island of the City - the Cathedral of Our Lady of Paris. Before moving on to the novel, there are stories about those who the author went to Notre Dame and looked at the word “Rock” on the wall. Tse gave a message to the plot.

The image of the cathedral is rich in meaning. Tse need. Not only a place of diy, but also a monument of material and spiritual culture. Lead characters: Archdeacon Frolo, Quasimodo, Esmeralda. Esmeralda knows she's a gypsy, but it's not like that. At the center of the novel, it seems, the history of the kokhannya is a characteristic trick, ale wine is not important for Hugo. Evolution is important in the minds of the leading heroes. Claude Frolo - a deacon, who respects himself as a true Christian, but allows himself those who the church condemns - alchemy. Vіn lyudina rational warehouse. Vіn shvidshe vіdpovіdalny, nizh the one who hoards. The guardian of the young brother after the death of the fathers. Jean is a student, roguish, dissolute. Frollo takes a little vermin for repentance, to cover up the sins of his brother. The people want to drown in silence. Quasimodo knows no other life, the crime of life in a cathedral. I know the cathedral well, mustache corners, all the life of servicemen.

Quasimodo - to post is characteristic of romanticism. Yogo portrait and spіvvіdshennya zvіshnіshnostі and vnutrіshny vzglyadova pobudovanі і kontrasіnіy mannerі. Yogo zvnіshnіst vіdverto vіdshtovhuє. Ale vin spritny and strong. Vіn not maє svogo zhittya, vin slave. Kvazimodo b'yut and put up to ganebny stovp for those who want to win Esmeralda. Esmeralda bring Quasimodo water. Quasimodo begins bachiti at Frolo's enemy, to the one who follows Esmeralda. Quasimodo Hove Esmeralda in the Cathedral. To know її zі light, de vin gospodar. Ale vin can not vryatuvat її vіd strati. Vіn bachit, like kat vіshaє Esmeralda. Quasimodo shtovkhaє Frolo, wine falls, but grabs for the drain. Quasimodo instantly vryatuvati, but not vryatuvav.

The people play an important role. People's masses are spontaneous, emotions collapse with them, the stench of nekerovani. Images in different episodes. On the back - mysteria, holy fools. Contest for the best grimace. Quasimodo rob the king. On the cathedral square there is a place for the master. The tsiganis are roaring their whistle on the square. In the same place, Esmeralda is dancing from a kizochka (Jali). The people are trying to protect Esmeralda.

The other side is the life of the Parisian chase. There you know the hut of the gypsy, Gringoire comes there (sings, friends with Esmeralda). Esmeralda ryatuyogo, having made friends with him for the gypsy zvichaєm.

Claude Frolo in love to Esmeraldi divinity. Vіn vimagає at Quazіmodo, schob vіn delivering Esmeralda to the new one. Quasimodo didn't get away with yoga. Esmeralda suffocates at her friend Phoebus. Vaughn is giving you a ban. Frolo sees Phoebe and moves him to hide in the kіmnatsі, in order from tієyu, de Phoebus zestrichate with Esmeralda. Frolo asks Phoebe to stab him in the throat. You have to think that the gypsy did it. Under torturami (іspanskiy chobit) won zіnaєtsya at tsomu, whom she robbed. For Phoebus, zustrіch iz Esmer is a good thing. Yogo love is not wide. All words, like vin їy saying, all vouched in kohann vin speaking automatically. Vіn їх vіzbriv, to that scho saying tse skin his cochantsі. Frolo speaks with Esmeralda at the v'yaznitsa, de rozpovidaє її everything.

Esmeralda sharpens her matir. Tse appears a woman with squinting nori. Vaughn tries to vryatuvat її, but he didn’t go far. Esmeralda is stranding on Grevsky Square. The body was taken behind the place to the crypt of Montfaucon. At the end of the excavations, two skeletons were found. One woman with broken ridges and the other human with a twisted ridge, alecilium. Like only a few people tried their roses, the female skeleton, rotting in ashes.

MOU "Davidivska secondary education schoolN2"

ESSAY

IN THE LITERATURE ON THE TOPIC

"NOVEL BY VICTOR HUGO

"Cathedral of Our Lady of Paris"

I DID YOUR YOGO VISION IN MUSICALS

"NOTRE-DAME DE PARIS".

Pupils 10a class

Bilova Yani.

that literature

1. Entry.

3. The novel "The Cathedral of Our Lady of Paris". Choice of epoch: 15th century.

4. Organization of the plot.

5. Reflection of the social conflict in the novel.

6. Contrast with the novel. Quasimodo, Frollo and Phoebus, skin love up to Esmeraldi.

7. Claude Frollo. It is not possible to put a person in a pose by the laws of nature.

8. Images of the people at the novel.

9. Main problems of the novel.

10. Musical "Notre - Dame de Paris".

History of creation.

Cause success.

11. Visnovok.

Why is the musical “Notre-Dame de Paris” and the novel by Hugo Cicavi and relevant

our days?

12. List of literature.

1.Enter.

Cathedral of Our Lady of Paris (Notre - Dame de Paris) eiffel tower the wine itself, respecting the symbol of France. The majestic life of the curtains of 120 meters, which may be silent secret passages, the servants, who always seemed to be especially ascetic and closed, always called out a lively interest among the townspeople. The cathedral, covered with a veil of mystery, zmushuvav people who inhabited the place to lay down legends for themselves. The most popular of them is the story of the noble hunchback Quasimodo and the "little trade in illusions" (that's what Archdeacon Claude Frollo called in the original version of the musical) of the beautiful gypsy woman Esmeraldi. Vіrnіshe, tse navіt not a legend, but a bula, as it came to us with such changes, zavdyaki to the famous French writer Victor Hugo.

2. Victor Hugo. Short biography.

Vidobrazhennya yoga life positions in creativity.

The life of Victor Hugo hovers over the entire 19th century. Vin was born in 1802, and died in 1885. In the course of an hour, France has experienced a lot of turbulent pods. The fall of Napoleon, the restoration of the Bourbon government and the accident, the revolutions in 1830 and 1848, the Parisian Commune. The young Hugo was molded like a specialty under the influx of super-smart tendencies already at the borders of the sim'ї. The father of the future writer was the blue of a carpenter, having become a year of viysk. Vіn taking part in the campaigns of the Napoleonic army and having taken the rank of brigadier general. Mother Hugo looked like a shipowner, she sympathized with the royal family, as she spent power after the revolution of 1789-1794. And as a friend, this is at the same time, and General Lagori, a republican for reconciliations. Vin taking the fate of the enemy against Napoleon, who could not reconcile with the empire. Yomu had a chance to hang out with the police in one of the monasteries of France, where for a certain hour Hugo's homeland settled. Having spent a good hour with children during the camps, young Hugo read the writings of ancient Roman writers. I saw the same people, as if guessing the novelist himself, feeling the words "Will" and "Right" more strongly. And for the rocky rocks of Lagori, together with other champs, they stood up against Napoleon and that Empire, buv rozstrіlyany. Hugo recognized from the newspapers.

In the early century, the future writer got to know the works of the French enlighteners - Voltaire, Diderot, Rousseau. Tse signified yoga democratic sympathy, sympathetic to the bіdnim, belittling, stigmatizing people. If you want to take a look at Hugo politically, he was often foldable and super-chlivimi, inspiring conservatism for an hour (for example, as a royalist), the writer was always praised by the problem of social nervousness, hatred to the point of lawlessness.

3. The novel "The Cathedral of Our Lady of Paris".

Vibir eri: 15th century.

In the novel "The Cathedral of Our Lady of Paris", which blew the light in 1831, the historical theme is deeply and obstavinno disaggregated. The novel was created in the atmosphere of the revolution of 1830, which left the rest of the power of the Bourbons in France. Tse signified democratic pathos, emotional tension of opovіdі, wide images of mass scenes.

The very choice of the epoch, to which the writer is turning, is not vipadkovy:

Great century of recognition of geniuses

Vik catastrophes,

Vik killer and creator.

(Yuliy Kim).

The 15th century is a period of significant changes in the history of Europe, zocrema, France, in life, the rice of a new hour was already born and the ideals of the Renaissance were formed. The ale of the century of "cathedrals" was zhorstok and merciless. On the cob of the 15th century, the church tried to stock up the germs of any kind of knowledge based on evidence, and preached the most stupid predictions of Catholic theologians about living nature. The development of foundations on the basis of knowledge in the Middle Ages, that achievement of successes in medicine and mathematics, physics and astronomy in the gallery, was in front of the most uninterrupted support from the side of the church. At that time, the church, as it seemed impossible to strangle the non-church schools, which were near the places of France, and to cross over the university names, tried to get the stonework with initial mortgages at hand. Vaughn drove out all the opponents of the "new order". Henceforth, driving in the living and raising the dead, the church used all its strength to those who were trying to overcome the right cultural development. Vaughn zhorstoko revisited and underestimated the spiritual culture of the working masses in the countryside, and in the city, strangled the smallest glimpses of scientific thought. Ale to everyone to come to the end. For example, in the 15th century, France appeared book-manufacturing typesets, took on a wide scale of turning the chains for wakefulness, metallurgy significantly expanded on the right, and the chavun in the hall began to form. interests. Vaughn turned the University of Paris into the center of a dead church scholasticism and the guardian of Catholic orthodoxy. Prote consumption of feudal society, scho razvivaetsya, unskillfully led to the fact that the comrades of scholastic sophistication more and more often made their way parosti knowledge, founded on dosvidi.

These processes confirmed the young Hugo's optimistic view of history as the progress of humanity from non-dominion to knowledge, from creatures aspiring to spirituality, light of reason.

Being a romantic, the writer looks at the historical development as a struggle between evil and good, wildness and enlightenment, which is gaining strength.

4. Organization of the plot.

The romantic pathos of Hugo's guilt is already in the very organization of the plot. The history of the gypsy woman Esmeraldi, the archdeacon of the Cathedral of Our Lady of Paris, Claude Frollo, the caller of Quasimodo, the captain of the royal archers Phoebus de Chateaupert and others, the characters associated with them, is full of mysteries, unstoppable twists of fate, fatal twists and turns of fate. The shares of heroes chimerically intersect. Quasi-modo tries to steal Esmeralda at the behest of Claude Frollo, but the maiden vapadkovo varta on the choli with Phoebus. For swinging at Esmeralda, Quasimodo is punished, Aleone gives the unfortunate hunchback a bucket of water, if wine costs a bloody stump, and transforms yoga with his good stuff. In reality, it is purely romantic, a mitt of character breaking: Quasimodo from rude creatures transforms into a human being and, having fallen in love with Esmeralda, objectively manifests itself in the confrontation with Frollo, which plays the fatal role of a girl's life.

The shares of Quasimodo and Esmeraldi seem to be closely intertwined in the distant past. Esmeralda in her childhood was stolen by gypsies and in their middles she took off her exotic name (Esmeralda in translation from Spanish - “smaragd”), and they in Paris were devoid of self-indulgence, which we then took to swivel Claude Frollo, calling him Latin “Incompletions”), but also in France Quasimodo - the name of the holy Chervona Girka, in a kind of Frollo and pіdіbrav nemovlya.

Hugo to bring the emotional tension of the girl to the border, imitating Esmeraldi's unrepentant son of the mother, the recluse of Roland's vezha Guduloy, as if to hate the girl all the time, vvazhayuchi її gypsy. Zustrich tsya vіdbuvaєtsya literally for lіchenі hvilini to strati. But fatal at this moment is the appearance of Phoebus, whom the girl is hard to love and whom she blindly trusts in her blind. It is impossible not to remember, in such a way, that the reason for the strained development of podia in the novel is not less than depressions, inconsistencies in the surroundings, but also the soulfulness of the characters, human passions: the passion of frightening Frollo to follow Esmeralda, which becomes the development of the central novel; Lyubov І Spіvchuttya to Neshkovnoji Dіvchini Visnochny Kvazimodo's Vinched, I'm going to an hour to go to Vikrista, and Rapto Prosznnya, Oburna Zhorsstokіsti Frollo, a chatter-sousting stratum E Emerreldi Іktrichny Skimakh, rejuvenated by the Skidaya Dzvonarya.

The shares of the central heroes are organically inscribed in the line of the life of Paris in the 15th century. The novel is densely populated. Some blame the image of French society at that hour: from courtiers to zhebrakiv, from a nobleman to a godly self-confessor, from a gleaming face to a homeless poet. Pragnuchi to convey the historical flavor of the era, the writer of the nibi resurrects before us, sings, sings, rites that zabobon of the people of the distant past. The city landscape plays a great role. Hugo hiba scho restores Paris in the 15th century, revealing the history of the skin monument, explaining the topography, name the street that Budinkov. The presentation of the images by Notre Dame himself, who speaks in the novel with his own special character.

The cathedral became the main place of diy, the shares of Archdeacon Claude and Frollo, Quasimodo, Esmeraldi were tied with him. The stone statues of the cathedral become evidence of human suffering, for the sake of nobility, for fair payment. Telling the history of the cathedral (be it another day), allowing us to see how the stench looked in the distant 15th century, the author achieves a special effect. The reality of stone disputes, which can be seen in Paris and documents, confirms that reality in the eyes of the reader diyovih osib, their shares, the reality of human tragedies, to whom to adopt and bright characteristics, as if the author gave the identity of his characters already for the first time of their appearance. Being a romantic, he is guilty of victorious narration farby, contrasting tones, emotional epithets, lack of overflowing. The axis, for example, is a portrait of Esmeraldi: “Vona was not high at the sight, but she was tall - such a stringy buv її thin camp. Vaughn was smart, but it didn’t matter if she realized that on the day of її the skin gave off that miraculous golden hue, which is powerful to the Andalusian and Roman women. The girl danced, fluttered, twirled... and shoraza, if her brightly disguised eyes flashed, her black eyes sleeving you, like a gleam... Thin, tenditna, with bare shoulders and eyes flickering s-p_d spodnichki strings, black legs , in golden, tightly fitting the waist of the bodice, in a stringed cloth, which makes you swell, with your eyes shining, it truly was an unearthly thing. Esmeralda lives unhurriedly, earning his living on bread, singing and dancing on the streets.

Depicting Quasimodo, the author does not hesitate to describe his indulgence, but to instill in his lakayuchiy glance of the figure and sing privablivist. Like Esmeralda - an instillation of lightness and subtlety, then Quazimodo - an instillation of monumentality, which calls out to the attention of tightness: , squealed out of harmony ... It seemed that there were breaks that not far away soldering orders. Quasimodo so got used to the walls of the cathedral, in a kind of sack, becoming a chimera, embellishing the wake: and the necessary yoga part. You can, if you don’t overdo it, say that having filled the shape of the cathedral ... The cathedral has become one life, one light, one shell ... Quasimodo has grown to the cathedral, like a turtle to its shield. The short coat of yogo budіvl became yogo shell.

Similar to Quasimodo's cathedral, similar to theirs, the people go through the whole novel. І tse unvipadkovo. The call of Quasimodo to the cathedral is not only outward, but deeply internal. І won is based on the fact that offense is a character and awakening the temple in one’s own folk cob. The cathedral, which was created by stretching out for two hundred years, instilling great spiritual strength into the people, and Quasimodo's bell ringer, under whose hand come to life and begin to ring the bells, becoming his soul. As if Quasimodo instilled the spiritual potential of the people, grafted under the outrageous rudeness and creatureliness, but was ready to throw himself under the exchange of goodness, then Esmeralda is a symbol of people's vitality, naturalness, harmony.

5. Reflection of the social conflict in the novel.

Criticism has repeatedly said that insulting the characters, and Esmeralda, and Quasimodo in the novel are retried, powerless victims of an unfair trial, harsh laws: Esmeralda is punished, sued to death, Quasimodo is easily ruled to a hellish stump. At the suspіlstvі vіn nekhtuvany, іzgoy. And only a little bit, but after naming the motive of social assessment of action (like, before speech, and in the image of the king and the people), the romantic Hugo zealously respects others. Yogo zіkavit zіtknennya moral principles, pokonvichnyh polar forces: good and evil, self-confidence and egoism, beauty and indulgence.

The rose-breaker Clopin Truilfoux, the king of Altins from the Court of Miracles, who chooses Esmeralda and becomes another father, also respectable character. Hugo's novel gives him a lack of respect, but in the musical "Notre-Dame de Paris" his role is even more significant. We are going to stop talking about the transfer of social conflict:

Mi nothing, mi nothing

No one needs

Ale zate, ale zate

Forever wine.

Our life is an eternal fight,

Our life - vovche vittya!

…………………………………

Who is not his, that is the enemy,

Axis and you our advice ...

(Yuliy Kim)

Shards of wine as a leader of the middle volociug, it was important to look not less than aggression, and we are in front of those who are guilty of a thinker, like and more leaders ... This character is more bright and dramatic. The musical is well shown contrasting figures of yoga character: aggressiveness, readiness to go to extremes and for the sake of life;

Esmeralda, sensible,

Aje ti became another,

Chim bula at the vіsіm rokіv,

When she became an orphan.

(Yuliy Kim)

6. Contrast with the novel.

Quasimodo, Frollo and Feb. Skin love to Esmeraldi.

The system of images in the novel revolves around Hugo's fragmented theory of the grotesque and the principle of contrast. The characters are cheering in a clearly defined contrasting pair: the Virodok Quasimodo and the beautiful Esmeralda, as well as the Quasimodo and the bells of the charming Phoebus; neosvіcheny dzvonar - vcheniy monk, like a pіznav usі srednіvіchі science; Claude Frollo opposes Phoebus in the same way: one is an ascetic, the other one is tormented by the pursuit of roses and malice. Giant Esmeralda was marked with the Fleur-de-Lis bilyava - named Phoebe, the maiden of bagat, sanctified and lie down to the next light.

Quasimodo, Frollo, and Phoebus all three love Esmeralda, but in their own skin, they become the antagonist of others (this is well shown by Luc Plamondon in the original version of the all-worldly song “Belle”).

Phoebe needs a love affair for the next hour, Frollo burns with passion, hating Esmeralda for the sake of it as the object of his desire. Quasi-modo to love a girl is self-imposed and bezkorislivo; to resist Phoebus and Frollo like a man, to allow his own feelings and drops of hisism and themselves to hang over them. Thus, a new plan is vindicated for the contrast: the evocative look and the character's inner zmist: Phoebus garnius, ale inner darkness, mentally vigilant; Quasimodo indulgent call, but beautiful in soul.

In this rank, the novel will be like a system of polar opposites. The number of contrasts is not just an artistic device of the author, but a sign of his ideological positions, the concept of life. The antagonism of the polar soils seems to Hugo's romance to be the same in life, but at the same time, as already mentioned, you want to show the history. On the thought of Boris Revizov, the legacy of French literature, Hugo looks at the change of the era - transition to early Middle Ages until the last, that is the period of Revival, - as an incremental accumulation of goodness, spirituality, a new setting to the world and to yourself. The Cathedral of Notre Dame itself stands out as symbolic instillations of this rush: roses at the 12th century and ends at the 14th;

7. Claude Frollo.

You cannot put a person in a pose by the laws of nature

But such a transition develops painfully. Characteristic of this plan is the image of Archdeacon Jozasky Claude Frollo. Vin, as they said, having played the terrible role of Esmeraldi's share: Vin tried to beat Phoebus, having sipped his superman at the new one; and allowing Esmeralda to be called. If the girl vydkinula yogo kokhannya, vin passing її to the hands of the kativ. Frollo is a villain, but at the same time a victim. A victim like a powerful egoism, his pardons, and his own victim of a historical deed: his person has a whole epoch, a whole civilization.

Vin is a chenets, who has dedicated all his life to serving God, a scholastic science, who has rooted for himself the ascetic dogma - the murder of the flesh. Over Frollo heaviness is a kind of curse - ananke dogmi. Vin is a dogmatist in his religious manifestations, in his achievements. But life of yoga seems to be stupid, science - to be fruitless and powerless.

This thought is already revealed in the description of Frollo's office: “... compasses and rhetori lay on the table. Skeletons of creatures hung from the steles. Human and Chinese skulls lay on manuscripts... on a bed without any pity to the crispness of their parchment sides, they were thrown over and bought grandiose open volumes, in a word, the whole moth of science was collected here. And in all the chaos - that peacock drank.

Even before the dawn of Esmeralda, Claude Frollo was deeply dissatisfied with himself, with his own way of life of a chents - a hermit, with all the busyness, they led him into a spiritual deaf kut. Zustrich from a young, beautiful girl, infused with natural harmony, turns his soul upside down. A new man is passing by, a man is alive, like a real love. Ale, Frollo’s feelings have to break through through the crossroads of religious fences, anti-natural moral dogmas, and it will swell the character of a painful, ruinous, hisstical predilection, as if it doesn’t feel like the very object of prejudice. Frollo takes his addiction to Esmeraldi as if he had poured in chaklunstvo, like hard rock, like a curse. But in truth, having shown the inevitable course of history, that the old middle-aged light-gazer, ascetic morality, tried to put a person in a posture by the laws of nature.

8. Images of the people at the novel.

Head of history to bring up the awakening of the people's masses. One of the central scenes of the novel is a scene that depicts the assault on the cathedral by the nato's anger of the inhabitants of the Court of Miracles, as if Esmeralda is attacked. And King Louis 11 at the same time, fearing the people that they are revolting, hovaetsya in the Bastille. The perspicacious reader of that hour instantly drew a parallel between Louis 11 and Charles 10, on the side of power after the revolution of 1830.

Depicting the people, Hugo shows his strength, mіts, ale and elemental character of the fiend, timidity of moods and instills his blindness. This is how the Parisians manifest themselves before Quasimodo, as if today they rob him of the King of Jesters, and tomorrow they will belittle him with a nasty stump.

At the scene of the storming of the Quasimodo Cathedral and the people appear as opponents; but the bell ringer that protects the cathedral, and the people who try to get away from it, act in the interests of Esmeraldi, but they don’t understand one alone.

9. Main problems of the novel.

In this rank, the position of the author in the opinion of the people is folding. Vaughn is enchanted by the fact that Hugo, being a romantic, accentuates the reader's respect for the role of the character's temperament, for the role of emotions, prejudiced twists, that of the human being and that of people. In the image of the writer, the life of the writer is suddenly punctuated by the tragedy and comical stupidity, the sublime and the lowly beautiful and the congenial, the bitter and the cheerful, the good and the evil. Taki pіdhіd to Dіisnostі Vіdpovіdaє Daistichnіyi conceptsії Gyu, and the next readachevі nagatuє about vіchnіst fatty of the Zagalnolyudsky Tsіnniki: Dobryti, Slyhetnosti, Samovіddanoia Lyubay. The novel is similar to that, as we need to speak, to speak to people of their own accord, to be humiliated, to belittle. At the translation to the Russian translation of the “Cathedral of Our Lady of Paris”, having respected that Hugo’s thought about the “rebirth of a dead person” is “the main thought of the art of the entire 19th century”.

10. Musical Notre-Dame de Paris.

History of creation. Cause success.

Hugo's creativity was widely seen in the musical art. The Italian composer Giuseppe Verdi created an opera of the same name based on the plot of the drama "Ernan", and the opera "Rigoletto" on the plot of the drama "The King to Fall". Already in the 20th century, the musical "Znedoleni" was staged.

Following the novel “The Cathedral of Our Lady of Paris”, Hugo wrote the opera libreto “Esmeralda”, the plot of which inspired many composers, including the opera “Esmeralda”, which was staged in 1847. Italian composer Cesare Pugni wrote the ballet "Esmeralda". In the 60s of the 20th century, the composer M. Jarre created the ballet "Notre-Dame de Paris".

And yet the most popular and most famous production of this novel has become the fashionable musical “Notre-Dame de Paris”, which has become the stage of theatrical life. Having broken all the records of the box office collections, having turned the peeps, the total number of them has exceeded three million. At the same hour, the total number of sold audio recordings exceeded the seven-million mark.

What way to such a nameless success?

In 1993, Roci Luc Plamondon, popular in France, Canada and other countries, sings a songwriter, starting to search for French topics for a new musical.

I began to look over the dictionary of literary heroes, - guessing wines, - and then I looked at me, not bothering with the name Esmeralda, like, vtim, and the number of other names. I went to the letter “Q”, after reading: “Qasimodo”, and then it dawned on me - well, obviously, “The Cathedral of Our Lady of Paris”, even if the plot of which work is good for all, I don’t confuse with anything, and no one has the opportunity to explain , about what to go. And just for that, there are at least a dozen screen versions of Hugo's novel - from the first of these films to the recent animated version of Walt Disney.

Re-reading a six hundred-sided novel, Plamondon, in the heat of the moment, scribbling drafts of texts for three dozen songs and breaking them down to his old colleague, Richard Cocciente.

Plamondon, who worked on the musical at once from Cocciente with a stretch of three years, guessed about the sound of the crowd:

In the same time, they played me some distant melodies, as if they changed over the years on the arias of Belle, Le Temps des Cathedrales and Danse Mon Esmeralda. It worked out for me that the stench didn’t give in to the melodies of the best opera arias, and this unique originality is small enough to ensure our success with the present-day peep-to-mouth.

To finish off the composer's original musical relish by being formed in childhood, if he seriously choked on opera and at the same time he heard the band "The Beatles" drunkenly, which richly into which pushed further creativity into Yogo: indeed, in all music Kochchienti, in the skin classical, contemporary.

In 1996, avant-garde director Zhil Mayu became interested in the musical. In the eighteenth century, he staged a twenty-five ballet about Esmeralda and three people who died with her.

It was too much to know the producer. Prominent French producer and entrepreneur Charles Talard celebrated the project by saying the historical phrase:

How do people like Plamondon, Cocciente and Victor Hugo, take the fate of such people, take into account that I am taking the same fate in the new!

The next day, the producers rented the Parisian Palace of Congresses, a hall that can accommodate five thousand peeps, and contributed three million pounds sterling to the production of a vistavi, which premiered at the spring of 1998.

The best professionals took part in the creation of the visual series of the performance - the director of the light Alan Lorty, the designer of the light at the concerts of rich rock stars; artist Christian Ratz (sketches of scenery), driven by robots on the opera stage; costume designer, famous in the world of Parisian fashion Fred Satal; late stage director of contemporary ballet performances Martino Müller from the Netherlands Dance Theatre. Arrangement of melodies boule vikonanі under the solemn ceramics of Richard Cocciente by the best French victorian of jazz improvisations Yannick Top (bass), as well as Serge Peratone (keyboards), for the direct participation of Claude Salmіerі (drums), Claude Engel. percussion instruments). For the spring months before the premiere of the vistavi, in September 1998, an album of hits from the musical was released from the world.

At the Guinness Book of Records "Notre-Dame de Paris" having spent like the most successful musical for pіdbags of the first rock. This musical won over twenty international awards, among them prizes for the best directing and the best show at the Gala of the ADISO in 1999 in Montreal and for the best musical performance at the festivals in Paris.

The musical is a bunch of sayings for success. The music is gaudy, as it was said, that it will become classical and modern in its own way, attaching respect like young people, and representatives of the older generations.

Music is a mix of different styles, relatively combined with one another: for example, the first aria of the poet Gringoire reminds himself of the song of a middle-aged troubadour; rock, gypsy romance, church songs, flamenco rhythms, just lyrical balads - all of them, at first glance, different styles miraculously unite among themselves and in totality satisfy one whole.

"Notre-Dame de Paris" played a key role in the history of the European musical, becoming a turning point, changing the laws of the genre created in America (it's true, the canons of the American musical in Russia are few in Russia), the texts of the libretto of the musical defy its own philosophy .

The musical, like the novel, has many roles of a different plan (so do not take the ballet to respect). There are only these main heroes, and the skin of them wins its function.

Pierre Gringoire sings not only a participant, but also reports and evidence of everything that is expected. Vіn rozpovidaє peeping about the era of that hour, about the podії that heroes. Vin strongly expresses his dissatisfaction with the cruelty of the world:

What a century of war of people with people,

And the world has no patience for that love.

And all the strongest beat, and all the strongest cry -

If, my God, are you sounding?!

(Yuliy Kim)

Fleur-de-lis - named Phoebe de Chateauper. Just like in Hugo's novel she is such a naive girl, like Esmeralda, like blindly trusting her beloved Phoebus, then in the musical everything is not so simple. Dzhe tsikavo to guard for the opening of the character: as if on the cob we put the very same character that Hugo has:

The sun of life is bright Phoebus!

You are my face, my hero.

(Yuliy Kim),

then, for example, there is a similarity:

My love, you are not an angel,

I'm not a sheep either.

Mrії, nadії, oaths, -

Unfortunately, nothing is forever...

I will be a faithful squad,

Ale swear to me with your head,

What can I throw...

(Yuliy Kim)

11. Visnovok.

Why the musical notre- Dame de Paris" and Hugo's novel

are they relevant in our days?

All the characters of "Notre-Dame de Paris" are accustomed to us in front of them that they stink - wonderful people: they are also powerful images, zealous, spivchutya that bajannya to live like the skin of them to live.

Why is the public dossi turbulent Hugo's characters? The one who tells the story of the beautiful Gypsy woman Esmeraldi and the noble hunchback Quasimodo tells a fairy tale about Krasunya and Chudovisko and, in some way, broadcasts The Phantom of the Opera. To inspire a calmer soul with yogo with calmer passions, and history is filled with the most powerful myth, which I take for the soul. Deyakі themes, destroyed in Hugo's novels and savings in Plamondon's libretto, in our days become relevant like no other: about the bіzhentsіv, about the jokes of the hood, about racism, about the role of religion, about the fear of the unknown, about the place of people in the world, about the posting:

Price new flood of sumnіvnyh words,

Everything is called by a name - i temple, i God, i cross.

The light is changing for the nebuvalny rights,

We fly to the stars - and there is no boundary.

And in your pride, forgetting about God,

Zruynuemo old temple and storage of a new myth.

The hour will come for us ...

(Yuliy Kim)

ale main topic and the novel, and the musical, and, of course, the kohannya.

Vіctor Hugo vvazhav, scho kohannya is the cob and the end of all speeches, and without love itself, people and objects cannot be touched. A person of great spiritual essence is clear in his mind that if he touches the secrets of a high kohanny, he becomes one of himself happy people in the world

Kokhannya is not sentimental, you can try as if you were a person, regardless of the maturity he has reached. Love cannot be without true humanness, self-confidence, courage and faith.

Kokhannya is not for his centrifuges. “The sense of a happy kohanny is in that, schob voddavati. It’s impossible to suffocate at home, take it and then inevitably open everything better in love ”().

Love is impromptu without beauty, beautify as if it were inviting, but also be internal.

If Esmeralda was in the cathedral, she once felt out, like sleeping Quasimodo. The verses of the songs were without rhyme, the melody was also not breathed with beauty, but the whole soul of the unfortunate bell-ringer was put into it.

Do not marvel at the appearance, girl,

And look at your heart.

We often indulge the heart of a beautiful young man.

E heart, de kohannya do not live.

Girl, the pine is not garna,

І not such a harn, like a poplar,

Ale pine and vzimku greenery.

Too bad! Should you sleep about it?

Those who are more indulgent, let the guinea go;

Beauty to beauty is less likely to stretch,

І kvіten not to marvel at the sіchen.

Beauty has finished

Omnipotent beauty

Povnim zhittami live one beauty.

After Esmeraldi Quasimodo's stratum came out of the cathedral, and in less than two rocks in the crypt, where they laid the dead body of Tsiganka, they knew two skeletons of a woman's man, one mіtsno hugging the other. Judging from the twisted ridge, it was the skeleton of Quasimodo, if they tried roses, they rose.

The fates passed, and after them a century, the people entered the third thousand years, and the history of the hunchbacked bell-ringer, that beautiful gypsy woman, is not forgotten. Її rozpovidatimut and retell doti, docks sound on earth zvіn ...

13. List of literature:

Foreign literature: From Eskhil to Flaubert:

A book for the teacher.

(Voronizh: “Ridna Mova”, 1994 – 172 p.)

All-world history. Volume 3

Development of French culture in the 14th-15th centuries.

(Moscow: "State publishing of political literature").

1957 - 894 p.).

3. Pier Perron.

"History of success".

MOSCOW STATE

UNIVERSITY DRUKU IM. I. FEDOROV

Institute of Forensic Science and Journalism

Department of History of Literature

course work

from the history of foreign literature

on the topic: Moral problems of the novel by V. Hugo "The Cathedral of Our Lady of Paris"

Vikonala:

student of group DKіdB-1-3

Dyatlova O. S.

Revision: Associate Professor Shchepakova T.O.

Entry

Life and creativity of V. M. Hugo

Historical and Vigadane in the novel "The Cathedral of Our Lady of Paris"

Moral values in the novel "The Cathedral of Our Lady of Paris"

Visnovok

Hugo novel moral imagery

Entry

The object of follow-up for this robot is the text artistic creativity Victor Hugo "Cathedral of Our Lady of Paris".

Metoyu roboti є vyvchennya moral problems novel "Cathedral of Our Lady of Paris".

At the end of the day, the virishity of the task was transferred:

· Acquaintance with the life of a writer, that yogo creativity, that significant step, injecting yogo life way on yogo work;

· Acquaintance with the novel "The Cathedral of Our Lady of Paris", a presentation of yoga rice, a structural analysis of the problems of the novel;

· vyznachennya virazno-viraznyh zasobіv, yakі vikoristav the author of the work;

· Vivchennya main literature on these topics;

p align="justify"> Follow-up method is a system analysis method.

Classic of light literature Victor Marie Hugo having lived a long life and having left a bagat literary recession: vіrshі, p'єsi, literary-critical statti, but the world's popularity was brought to you by the novel itself. The stench made Hugo famous and popular in two hundred years, the actuality of ethical problems, as if he had bumped into the imminent ideas and exclaimed the barvisty images of characters, which had long passed into the literary types of heroes. In addition, obviously, don’t forget about the craftsmanship of the author, what we give to these creations as masterpieces.

"Cathedral of Our Lady of Paris" was the first complete and namingly successful novel by V. Hugo, translated by many movs. The history of it was written in the same way as the cicava, even if not to forget about the podії that happened in that hour: in the 1830 lime revolution, which was created ahead of the day, like a "picture of Paris in the 15th century" and at the same hour, like a truly romantic TV "show, primhi and fantasies". And yet, the light of the world has hoarded a writer: the revolution has stumped him to put a novel into writing for an hour. Then, later, as if they were close to you, locking your clothes on the key, so you don’t leave the house, and for five months, then on the cob of 1831, Hugo appeared at the seer with a novel in preparation. This book called forth a furor among the people with its realism and malovnichestyu. The author did not particularly emphasize his respect for the psychological analysis of the characters, but he did not need it to make the novel known to be famously popular. The "Cathedral" opposes the mastery of the characterization of characters one by one, the barvy of descriptions, the melodramatism of situations - not without reason, Hugo himself called yogo a "dramatic novel". Adzhe vіn prompting itself for the dramatic principle. Hugo's work goes up to France in the 15th century. For whom, the main heroes are not the specialties, but the common people, the inhabitants of Paris. To the main storyline one can see the history of the kohannya of three people to one girl, the gypsy Esmeraldi, yak, at his side, in front of the handsome, but vicious captain Phoebus de Chateauper. The love of the skin of the heroes is rather peculiar and not similar one to one: someone has a lower and more pokirna, and someone has a passion that burns in the middle. Everything is based on a variety of different historical and special tragedies. At the same time, the author reveals the tragic proportions of such characters, like Zhehan Shkolnik, who fell apart and perished at the very height of strength, or Paquette Chantefleur, like she wasted her little daughter and knew її in people, hated the most, but, unfortunately, for a short term . The proportions of the characters in "The Cathedral" are rocked by fate, about which it is announced at the very beginning of creation. Wine is symbolized and personified in the image of the Cathedral itself, to which all the threads of divinity converge. In addition, speaking about tsyu budіvlyu, the author rozmirkovuє on spokonvіchni topics.

Critics of that hour attacked Hugo like vultures, but the public did not give it any meaning: the novel was circulating among the people in great circulation so soon that Gosselin, having seen Victor Hugo, gave it to you. He sings about two new novels: "La Quiquengrogne" ("Kikangronya" - in the name of the old-fashioned way) and "Le fils de la bossue" ("Sin of the hunchback"), which, however, were never written like that.

What is special and so famous for whom do you create? Why is this garna, but the tragic history of the kokhannya cannot deprive the bait of anyone?

Three reasons: starting from the figurativeness of the characters, one-hour historicity and fairy tales, ending their own creation - all famous rice a novel can be re-paid without upin. But the most important thoughts are on eternally those morality. Qi speech merit for special respect and report creative analysis.

1. Life and creativity of V. M. Hugo

Obviously, this TV has served as a guide to real life. As seen from other gerels, Victor Hugo himself was distinguished not only by literature, but also by political and social activity.

Yoy Dovgi, Creative Doubt Bula Tіsno Dovozhnaya Zhttyu Zestorії, Yaku Bourgeois Revolutiony 1789 ROCA II Through Revolutionary and 1848 Rockіv Keeping to Perso | an adversary of royalist persecutions and an opponent of the enlightened philosophy of the XVIII century and the revolution prepared by it. In the first literary tests of the wines, it is sharply praised to post Napoleon and glorify middle-class France. At the same time, in his own century, Hugo went through the most famous political evolution from the monarchist pardons of early youth to liberalism and republicanism, in which he was residually established after the revolution of 1848. This marked the one-hour rapprochement with utopian socialism and the rіshuchu pіdtrimka of the miserable people's masses, as if the writer had remained faithful to the end of his life. Hugo has a hard bov life way: having spent a kohana person, having repaired the opir of the power of Napoleon III, navitt buv zmusheniy leave the fatherland, even with a pen, but without respect for the whole people love yogo. If you turn back from an unplanned emigration, you will be blasted with splashes and groaning cries: "Long live Hugo!"

I wholeheartedly deserved. Moreover, the writer, having fiercely defended the rights of the people, made a great contribution to literature. Victor Hugo is the head and theoretician of French romanticism, he respects the sense of romantic directness, regardless of whether he draws either classicism or realism in his works. Yogo, by another majestic merit, contributed to dramaturgy. Having dedicated many fates of life to the theater. І endless reach of the created verse. It is not for nothing that wine is vvazhaetsya by the reformer of the French verse. Also, contemporary artists, who are simply experts in creativity, could be familiar with yoga graphical painting on those of their creations, paintings.

But most of all, it’s great, I’m loved by the people for my all-loving philanthropy and spontaneity, zavdyak like yogo to put on a par with such great writers, like Dostoevsky, Dickens, Tolstoy. Hugo is a good representative of the literature of his fatherland in the great struggle of the literature of the last century for the rights of "belittling that image". People will not forget that, before death, pіdbivayuchi podbivayuchi podbags voєї dyalynostі, zvnoy podstavoi saying: "I'm in my books, dramas, prose and vіrshah standing up for the small and the unfortunate, the blessings of the mighty and the unblessed. I will kill the convict." Victor Hugo died near Paris on May 22, 1885, about the first half of the year. All the night before, regardless of the filthy weather, the number of NATO standing in front of the yoga booth, checking the news about the ailing. If thousands of people, as if they had left their houses, they said that the great poet and the hulk, the great "hunger of all forgiveness" was gone, - they felt a lot of rejoicing. Seeing the inexorably low, they straightened up to the booth with the mind to speak their voice at home; a number of representatives of the press here were uryadovtsі, and simple workers, and secular people, and members of the municipality for the sake of, and artists.

The publicist-patriot and politician-democrat have improved the calmness of Marnoslavism, rich zabobonivs and pardons, generated by the middle ground, and come to the ideas of true humanism and mercy. Vіn becoming the owl of France at straightening up to the spiritual rebirth of the people.

2. Historical evidence in the novel "The Cathedral of Our Lady of Paris"

Obviously, there are a lot of ideas, for Hugo's yakki so groaned, were buried in the Cathedral of Our Lady of Paris. As it was already guessed earlier, the whole novel was a vіdguk on the bottom, which alienated the writer.

The author did not reluctantly go back to history and chose the 15th century as an hour for the novel. In such a rank of guilt, having tried to know an explanation for the future, the reasons that have been brought to the point of being really effective. Youmu was far away. Nasampered, you can cheer at tsomu, who in the novels of wine especially sees the change of the light-gazing inhabitants of Paris against the orders of the Serednyovichchya, as a wider appearance at that hour. Here it is even more beautiful, lower in poetry, there were signs of new moral values, like a writer to know, as a rule, not among the wealthy and possible owners, but among the poor and unimportant people. Svi Nikratshі Pottyvtya: kindness, nicknaddan, samovіddan Vіddanіsti Puzzi pіlkuchka І Tzimodo і игонці имеральді, yakі і є ї ї ї и и махоні мотима и от и и ї їхні мотильжності, и отова at ї ї ї воробно King Louis Xi Abo Archіd, Buzvіrt to the suffering of the people. To this Hugo drew prominent historical characters (Louis XI, Cardinal of Bourbon, Tristan Lermite) into the background, prompting the composition of the novel in such a manner that the different countries of France of the XV century appeared before the reader. For the novelist, it was more important to show the social and historical conflicts, and the intrigues of the historical events. Not without reason, vіn vvazhav, that it is necessary to rewrite historical science, vіn shards vіv vazav, scho in nіy insignificant regular rights of the king was given more respect, lower than the most important podіyam among the middle people. .

The interest of the romantics to the Middle Ages is rich in why the blame is the reaction of the generals to the overly strong respect of the classicists to antiquity. Its role here played and the bazhannja podolat znazhlivno stavlenya to Serednyovichchya, as the zavdyaka to the writers-educators of the 18th century expanded, for which time the realm of darkness and non-dominance, marne in the history of the development of people, was added. I, nareshti, Serednyovichchi added romantics to their invisibility, like the protegezhnist of everyday bourgeois life, to a dark foundation. It seemed to me that the people of this era were especially powerful in building up to self-sacrifice and feats, martyrdom in them, that people with strong characters, steadfastness, spovneni sour tastes lived then. Everything looked even more mysterious for them through the lack of warfare of the Middle Ages, as if at the same time it was reclaiming the beasts to folk retellings and legends. Aje stink mali especially important for writers-romanists. For example, in front of the collection of his historical poem "The Legend of the Hundred" Hugo declares that the legend can be right with the rights of history: Persha is not less magical than a friend. The middle position in Hugo's novels looks like a history-legend on the aphids of the maisterno-created era.

The basis of the legend to become inevitable for the entire creative path of the mature Hugo is to look at the historical process, as in the evening, the confrontation between the two cobs of light: good and evil, mercy and zhorstokostі, sensibleness and intolerance, almost that svіdomostі. The writer himself calls out more interest, less analysis of a specific historical situation. We see the nadhistoricism, the symbolism of the images of the heroes of Hugo, the power of his hourly character. Hugo himself admitted to the fact that history didn’t like that in the novel: “The book has no real claims to history, it’s better to describe it with knowledge and effort, , arts, nareshti, civilizations in the 15th century. Ut, it’s not a smut in the book. If there’s only one thing in it, then it’s in the fact that it’s there - tvir, creations awake, primhoy that fantasy. ”

It seems that for the descriptions of the Cathedral and Paris in the XV century, images from the era of Hugo were weaving chimaliy historical material and allowing themselves to shine with yoga knowledge, as if they had robbed it in their other novels. The last of the middle-class critics of the novel hoarsely disproved the "documentation" reviewed by Hugo, and could not know of any serious pardons in it, regardless of those that the writer did not always see his own documents from the first. The great historian of the romantic era, Michelet himself, was highly aware of the creation of the paintings of the past Hugo.

Tim is no less, mainly in the book, as if to say the words of Hugo, tse "primha and fantasy", that those who were created as a whole by yoga and are unlikely to appear in history.

In my fiction, in the "Cathedral of Parizyni" to show Іdeal_stichna concepts of іstorії: Vijalyuchi, the riskrivayuchi outcomes to the people in Istorіj, the Hugo, in the same time, I don't realize the bullies of the faudal), Ale is showing ourselves, the National Heroic Spirit, Zdatnone self-sacrifice, to every kind of humane vchinkiv, like a writer putting over a mustache and like a living world, building and noblemen, and churchmen. The image of the people the author describes such characters as Pier Gringoire and Jean Frollo. Such differences demonstrate the character of the people from the opposite sides.

Pier Gringoire is a mrіynik, sings and a philosopher, discovers new knowledge, whispers about eternal food, propagates new ideas of the era of humanism. Vіn is ready to help the maiden's order, who will make the soul of the people special, even P'єr herself, having provoked the bіdnyakіv to the її ryatunok from the shibenitsa. At the same hour, as a representative of the new hour, the wine is no longer ready for the feat of self-sacrifice, which was associated with writers-romanists from the middle ages.

On the other hand, Zhean Frollo, dissolute, having spent moral values, having stood up to the moral pitfalls of his exponent and older brother, and everything that you needed was in the form of life - the passions of that satisfaction. And to the same wine, having continued on the right P'er Gringoire and zdiyam the spirit of the bіdnyakіv pіd the hour of the storming of the Cathedral. Yogo smilivist intervening with irrationality, and yet yogo charіvnіst allowed you to win over the natovp.

"Feudalism vymaga podіlu vlady z theocracy in ochіkuvannі appeared to the people, which, as always, take your left part." In other words, Hugo, having tried to show the people as the main destructive spiritual force of history, all the significance of which is connected with the idea of the triumph of just justice.

3. A comparison of the Middle Ages and the Epoch of Resurrection. The main idea of the novel

Before the speech, protyag us rozpovіdі the author porіvnyuє srednyovіchі ossified dogmas and zaboboni, zneooblennya people, feudalism and ideas of the Epoch of Resurrection, humanism, values human specialty. First appears in the image of Archdeacon Claude Frollo. Tsya people Suvora. Vіn є suvorim pribіchnik science, asceticism, vіdmovitysya vіd vіh zhittєvih nasolod vіd zvіchny us rozіmnі ts'ogo termіnі. More precisely, to know one's own wines from science and religion. Ale, the author shows what is going on with him, if he makes a gypsy and dies in a right way. Vіn exercising self-control, becoming a terrible person, building power, deceit and blackmail to achieve their goals. Vіn zhorstoky and rude. So the author shows us the correct appearance of the Serednovichchya. Prote wines do not forget their own ideas. Claude Frollo is a symbol of the human soul, crushed by the feudal order, and at the same time the real image of the cleric of the XV century, who for all his veneration, zaboboniv and zaboboniv, cannot give way to natural human passions. Archdeacon yak real people building viklikati at the chitacha spіvchuttya.

On the other hand, Esmeralda is a real passion girl, like to love dancing, nature, noise, life, just the sky, and, more importantly, freedom. From the old lands, where the young girl visited, she took the tricks of the wondrous sermons, foreign songs that understood. Residents of quiet quarters, de vain, love її for life, radiance, for її dances and songs. Esmeralda - the "soul of the people" is poetized, її the image may be symbolic; but the reality is given to you by the innocence and innocence, and then, it is possible to have a share of a real girl among the people in those hours.

In the later years of the Middle Ages and the Epoch of Revival, the author should be shown at the establishment of architecture and drukship. The human thought, which rises from the destructive influx of feudalism and Catholic dogma, could expand downwards. More often than not, I feel sorry for those who are losing their strength in architecture, because earlier the main idea was supposed to be in the hidden reality of life, and especially temples, in their forms and to inspire the world itself, as it was chosen for them. "Skin civilization starts from theocracy and ends with democracy, - Hugo writes. - This law of successive transition leads to unity to freedom of expression and in architecture." The author revisits the evolution of the image of architecture at once from the development of society. "Cathedral of Our Lady of Paris" was the greatest achievement of Ryugo. Behind the words of Michelet, Hugo entrusted the old cathedral with a poetic cathedral on such a majestic foundation and with such high towers. Actually, the Cathedral of Our Lady of Paris is an important, happy bow for all the characters, all similar to the novel, whose image carried more meaning and associative vanity. The cathedral, of awakenings and transformations of hundreds of immeasurable masters, becomes a drive for creation, sing about the talent of the French people, about national French architecture. Ale potim vіn to talk about those who are out of their function. Por_vnyuyuchi tsі two see mystetstva, vin write: "For me to replace quiet and characteristic reminders, about yakі mi schoyly guessed, dosledzhuyemo zagalny vglyad tskogo mystekstva for an hour from the 16th to the 18th century, then respectfully those signs of the fall of that thinness." From the other side: "And what happened to the book-buildings at the same time? All life juices are poured into the new one, which are consumed in architecture"<…>"There is no need to have mercy: the architecture is dead, dead irrevocably. It's beaten in by a book that's been crafted; it's beaten in, it's less expensive; it's beaten in, it's more costly." Hugo's typography is viewed as a progressive phenomenon of the XV century and foreshadows his victory in the struggle against the authority of the Catholic Church, which they argued that it had given the people the opportunity to express their ideas. Win is called "a right representative of the human mind." Through the lips of people of the 19th century, Hugo reads Catholicism and creates a poetic hymn to the book, a faithful companion of human progress. In the fifth book of the novel, revealing the sensual words said by Archdeacon Frollo: "The book will kill me," Hugo writes: "In our opinion, this thought was twofold. - to bookmakers; tse buv zhah and zdivuvannya of the servant in front of the Drukarian workbench of Gutenberg, which is bright, which already foresees that hour, if the mind is stolen by the faith, the thought is free from the p'destal religion, if the world is afraid of the yoke of Rome.

With this negative attitude to the middle and Catholic ideals, Hugo hangs his ideas of humanism. And yet, you should also think about it in a different way - Quasimodo's hump. Not a garni call, that all life, having recognized the persecution and hatred from the side of people, I have taken kindness and goodness from myself. Especially yogo zdіbnostі to nizhnoї lyubіvі and turbulence rozkvayutsya at yogo setting to Esmeraldi. And to herself in Quasimodo, whose name has already become more savage, instilled the idea of forgiveness, people with a little love for people. It is well known that F. M. Dostoyevsky highly appreciated the moral idea of Hugo's first novel. Proponuyuchy "Cathedral of Our Lady of Paris" to the translation of the Russian mine, I wrote at the editor's office, entrusted in 1862 in the journal "Chas", with the thought of his creation - "remembrance of the dead people, crushed by the unjust oppression of the situation ... the unfortunate pariahs of the suspense". “Who does not fall into a thought,” Dostoevsky wrote far away, “what Quasimodo is the isolation of the rotten and unimportant middle-class people ... in which one is thrown, found, love and the thirst for justice, and at the same time with them and the awareness of one’s own truth and still unstoppable forces ". So Fedir Mikhailovich hung up the head thought of the novel. For the very same light-gazer, to which Victor Hugo himself came, stretching his life until the creation of a robotic path of evolution and the formation of new political views and moral values. If you have come to the idea of humanism, love of people, that freedom of specialness is the way to convey the very writing of the "Cathedral of Our Lady of Paris", the first great work of your life. A year ago, like a red thread, it pierced all yoga creativity, especially great robots. So like "Ludina, how to laugh" and "Znedoleni". The stench is also divided into two opposite "camps" - hardheartedness and kindness, compassion and hatred, power and the people, old dogmas and new thought.

3. Moral values in the novel "The Cathedral of Our Lady of Paris"

Victor Hugo wrote this novel, revisiting not only historical and political goals. Like in any other creation, here is propaganda of any moral values, life lesson, which the author tries to convey to the reader.

First, tse, obviously, the idea of what is more important and valuable is inner beauty, and not outer beauty. To convey the message, the author introduces two heroes: Quasimodo and Captain Phoebus de Chateauper. Offenses are spent under the respect of the beautiful Esmeraldi, but only one is meritorious for those, and the other is obviously not.

Do not marvel at the appearance, girl,

And look at your heart.

This is how I wrote the deaf deaf Quasimodo. So, in a terrible call, humiliation of NATO, hovaetsya in the gloomy huts of the Cathedral in the form of human zhorstokost, but beautiful, almost like a gypsy, they reveal yoga foreignness, kindness and affectionate soul. Vin is a symbol of the greatness of the people's soul, and it is a symbol of moral rightness. So, you throw off your adoptive father, the archdeacon, but it is well deserved. On top of that, he himself calls for death the order of Esmeralda. So in our eyes, zmalovavani vіchne kokhannya that right hat "in ailment and health" until death itself, or inspire it later. Readers are left with less allowance, that the hunchback no longer enjoys the sense of his life without his benefactor and without love. This "shlyub" is compared to Phoebe's team, about the yak it is said in the book as follows: "Phoebe de Chateaupert also squinted tragically. We became friends." There are two propositions, and some of the sense was passed on to them, especially if you know the protagonist of this novel. Tsya bezsovіsna and dishonest people become the object of such pure and bright love of Esmeraldi and try to speed up. The author porovnyuє їх both with negarnoy earthenware, ale with full water vase and krіshtaleva, cracked, like a flower wilted on vіdmіna vіd pershoї. The same can be said about the heroes: the captain of the guard is called, the ale with a rotten heart, and the hunchback is of an unfriendly call, the altar of the middle.

Okremo in my struggle for the kohanna Esmeraldi varto saw Claude Frollo. Devoting all life to science, religion and holiness, chants that women can’t close my heart. Ale's addiction, which she raptly shook off, roiled yogo at the old age earlier than an hour. In order to give a statement about Claude Frollo's amazing look, the author recommends readers to marvel at the engraving from the painting "The Alchemist" by Rembrandt, "whose Shakespeare was for painting." Vіn also opposing Quasimodo, only in a purely spiritual sense. At the sight of the deaf, the clergy of the cohanna awakens viciousness, which burns passion. Yak vin himself seems to be, tse "love of the unsatisfied." As in Claude, pulling up to Esmeraldi awakens only a sensitive cob, to bring yoga to evil and death, which is accepted as a payment for the evil committed by him, then Quasimodo's love becomes a virishal for yoga spiritual awakening that development. The death of Quasimodo at the end of the novel at the sight of the death of Claude is taken as an apotheosis of its kind: the indulgence of the bodily that triumph is beautiful to the spirit.

In addition, varto signify that the romance of spovneniye is a blessing. Mayzhe kozhen іz zheroїv zadzhuє kogos: Zhean Frollo zradzhuє his brothers, like the elder, and the star. Vin does not listen in any way to Claude's own sound, and also does not help Quasimodo in court, wanting to know about his deafness. At his own side, the archdeacon’s zrada is even more terrible: I’ve been for the sake of God and sworn oaths. For the sake of it, you can call P'єra Gringoire's butt as a better butt, for example, if the deputy of the maiden vіn vryatuvav vryatuvav goat, wanting to save the death of both. All the same, it doesn’t speak in the reader’s mind, but rather it’s just a fortune-telling, as, I think, it was intended by the author.

The story of Paquette Chantefleur or Guduli, no matter how much you live, calls out to the reader. The greatest mother's grief is the loss of a child, which sponkalo її on the ascetic outside of life in the cell. Ale їy more than anything and do not need, krіm turning my daughter. Zvichayno, її tragic fate and kinets cry out less loudly, but with all the hatred, nature cannot be called pure and immaculate. Righteous holiness is poked not at the sight of life's sins, but at the all-forgiving, ignorant hatred of one's heart.

There are many other moral values to understand on the sides of the novel, which lead the reader in for the sake of deceit, hypocrisy and zhorstokostі in the future, mute morality of the author.

Figuratively-virtuous nature of the novel

Victor Hugo is like a master of antitheses. In yoga robots, everything is marked: beginning with the opposite light cobs - good and evil, love and hate, ending with heroes, epochs and rich others. "Cathedral of Our Lady of Paris" is also called out in contrast. For example, Claude Frollo opposes decal characters: Quasimodo in the correctness of spiritual inspirations and vchinkivs, P'er Gringoire in philosophy and introspection of the ideas of the new hour, Esmeralda in spiritual purity. As it was already predicted earlier, the author introduces book-building and architecture, the Middle Ages and the Age of Resurrection, Suvorian Catholicism and great humanism. For the help of the method of antithesis of wines, in such a rite it is even more clear and sensible to convey to the reader your most important thoughts, your thought, for which you do not need a lyrical hero.

The only thing that doesn't have a regular match, which is written at the book, is the Cathedral itself. Navpaki, vіn serve as a common vіhoy for everything: all podії vіdbuvayutsya either in the booth itself, or else the new one on the Greek square is the same way, as the characters are constantly located near the new one or in the middle. In addition, in yoga architecture, styles of all epochs will be combined through post-yni reworks and dobudovi. Ale Cathedral not only serves the function of a happy lanka, being a spectacle of the soul of the people of that epoch's philosophy, but also a special fate or "Ananke" for the heroes. The very same novel of names in honor of the new one.

Varto also means that this life has become a popular destination, like among the Parisians themselves, so among those who come to the very talented, barvy report description Victor Hugo, which is more familiar to the style of the writer. Yogo's novels have many milestones. For an hour, the stench does not think of a direct reference to the plot line, but always reminisces about poetry, malovnichistyu and cognitional zinnistyu. So we get to know Paris more clearly, thoroughly, but at the same time it’s ticking. Chitach can quickly reveal his own and the same place and the Cathedral. Aje tse and є the best evidence of the author's talent.

Hugo's dialogue is lively, dynamic, barwisty. Yogo mova that manner of opovіdі napovnіnі porivnyannymi, metaphors and epithets. In addition, developing the provisions about the language as a way of expressing thoughts, Hugo respects what the skin era brings to the language new, then "the skin era is to blame for the mother of the word, which is expressed by people who understand." This wine also includes the novel of the term, the power of those other middle professions. Victor Hugo is the right master of the word and pen. The reader from the head gets bored with yoga's situation, zmalovanu їm, and s zahoplenyami read yoga novels.

Visnovok

In this rank, we come to the visnovka, that the novel "The Cathedral of Our Lady of Paris" is a groggily, wondrous story, filled with truth and foresight at once. It is the author's attempt to know the reasons why one can feel the spirit of the XIX century in the distant past, to understand why France came before the revolution and rose up. Ale, with all the wines of perekonaniya, which is explained to all the varto shukati not in historical science, as if looking only at the crowns of the kings and the house of the political devils, but in the moods that the middle of the people's masses are bluffing. Hugo's allegiance is that just people- this is the head of the spiritual spirituality, that political power, whether it be a country, already deeply instilled in the novel. And also I pass on to the readers and their faith in those who, in the diverse and all-season light-seeing people, swear the whole essence of justice and morality.

In the shortest romantic practices and certain principles of dramaturgy, the writer portrays the suvor and gloom of the Serednyovich, protiv feats of self-sacrifice and martyrdom, and the new era of Revival of the її innovative philosophy of humanism. And as the head of life, the principle of guilt is to blame human love, specialty, compassion and mercy. The novelist himself should come to the light-gazer already in a mature age, having endured a lot of negativity and tatters, which provoked him to write his first great work in life, which, having secured the author such a greatness, carried through the crisis of a century of popularity. Irrespective of his rank of pen, that vihovannia, Hugo dedicating his life to defending the rights of the common people with love until the new. Not without reason, to rob the novel itself with its leading heroes from the different social versions of society. Readers hooted at him and loved his little books, took from themselves all the moral values dictated by them.

The clerk stumbled on eternal food, trying to find out the clues to those that tormented him, and to convey them to the reader. Zavdyaki his talent and mastery, as well as closeness to a great person, that huge man, intercession for a new kind of people-loving yogo im'ya was vindicated in centuries on a par with Dostoyevsky, Dickens and Tolstoy. Vіn becoming a well-deserved representative of France in a romantic way, as well as in intercession for the ideals of mercy, and his first novel "The Cathedral of Our Lady of Paris" is a miracle work, which has become a classic of literature, a tribute to the genius of the author, which is still read by generations of generations.

List of victorious literature

1. Hugo V. Cathedral of Our Lady of Paris. Roman/Trans. from fr. N. Kogan. - M: "Eksmo", 2003, 539 p.

Evnina E.M. Victor Hugo. - M: Nauka, 1976, 215s.

Lunacharsky A. V. Victor Hugo. Creative way of the writer. T.6 - M. - L.: Goslitvidav, 1931, 320 p.

Paevska A.N. Victor Hugo: Life and Literary Activity. - M .: Book on vimogu, 2011. - 50 p.

Tolmachov M.V. Certificate of victory Victor Hugo. Collection of works in 6 volumes. T.1. M: Pravda, 1988, 295 p.

Treskunov M. V. Hugo. Cathedral of Our Lady of Paris. - Chisinau: "Cartya Moldovenyaske", Chisinau, 447p.

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The novel "The Cathedral of Our Lady of Paris", works on the border between sentimentalism and romanticism, having acquired signs of a historical epic, romantic drama and a profoundly psychological novel.

History of the creation of the novel

"Cathedral of Our Lady of Paris" is the first historical novel in French language (which, according to the author's idea, will be around 400 years ago, for example, the 15th century). Victor Hugo started winemaking yoga in the 1820s, and seeing the birch in 1831. Rethinking before the creation of the novel was a great interest in historical literature and the era of the Middle Ages.

In the literature of France at that time, romanticism began to take shape, and romantic tendencies in cultural life began to burn out. So, Victor Hugo was particularly aware of the need to preserve the old architectural memos, as if someone wanted to either remember or re-awaken.

I have a thought that even after the novel “The Cathedral of Our Lady of Paris” the followers of the cathedral came to the end, and in the supremacy the nameless interest to cultural monuments and hvilya hromadyanskoy samosvіdomostі in Bazhannі zahistit ancient architecture.

Characteristics of the main characters

The very reaction of the court to the book gives the right to say that the cathedral is right. head hero novel, order of people. Tse main place podіy, scho vіdbuvayutsya, nіmy reports of dramas, love, life and death of the leading heroes; place, like on aphids, the swedishness of human life is filled with such unruly and indestructible.

The main characters in human form are the gypsy woman Esmeralda, the hunchback Quasimodo, the priest Claude Frollo, the military Phoebus de Chateauper, sings Pier Gringoire.

Esmeralda shared the other leading heroes in her own way: all of her rehabilitated people died, and some of them - without chirping, like Quazimodo, others are tight, like Frollo, Phoebus and Gringoire - visibly bodily pulls; the gypsy herself loves Phoebe. In addition, all the characters appear among themselves Cathedral: Frollo serve here, Quasimodo pratsyuє bell ringer, Gringoire we teach the priest. Esmeralda chimes in front of the cathedral square, and Phoebus marvels at his future squad Fleur-de-Lys, as if lingering near the Cathedral.

Esmeralda is a child without a turbo, like she doesn’t know about her privacy. Vaughn dances and performs in front of the Cathedral with her kizochka, and all dovkola from the priest to street villains give their hearts, shanuyuchi, like a deity. With such a child without a middle ground, with such a child to gravitate towards glittering objects, Esmeralda overwhelms Phoebus, the noble, glittering cheval.

Zovnishnya beauty of Phoebe (zbіgaєtsya z іm'yam of Apollo) is the only positive rice of internally virile viyskovogo. A swindling and brudny companion, a boyaguz, a lover of drinking and reckless, less a hero in front of weak wines, less a cavalier in front of women.

Pier Gringoire, sings sings, which the surroundings have been forced to zanurititsya in the midst of French street life, trochs is similar to Phoebe in the plan of that, which is almost like yoga to Esmeraldi - physical pulls. True, it’s not for building wine, and to love a friend of a gypsy that person, showing a killer and a woman’s charisma.

The greatest love to live before Esmeraldi is the most terrible thing - Quasimodo, the bell ringer at the Cathedral, as if the archdeacon of the temple was raised, Claude Frollo. For Esmeraldi, Quasimodo is ready to do anything to love її quietly and sweat in the air, to win over the supergirl girl.

There are more similarities to the gypsy woman Claude Frollo. Love to a gypsy is a tragedy for a new one, even if a predilection for a new yak is for a clergyman. Passion not to know the way out, to that wine either calls out love, or lets go, then throws himself at her, then rages in the face of death, nareshti, he himself hands the gypsy to katu. The tragedy of Frollo is no less than the collapse of his kokhanny. Vіyavlаєєєєєєєєєєєєє the representative of the hour, sho naє, and vodchuvaє, sho vіdzhivaє z vіzhivaє z epoch: people take more and more knowledge, enter into the religion, be new, go to age. Frollo holds in the hands of the pershu a hand-crafted book and understanding, as if it is without a trace diverges at once from handwritten folios.

Plot, composition, problems of creativity

The origin of the novel comes from the 1480s. All podії novel vіdbuvayutsya near the Cathedral - in the "Misto", on the Cathedral and Grewski squares, near the "Court of Miracles".

In front of the Cathedral, they give a religious whistle (the author of the mystery is Gringoire), but at the same time, you should admire yourself for better marveling, like dancing Esmeralda on Greve Square. Marveling at the gypsy, Gringoire, Quasimodo, and Father Frollo will suddenly die in her. Phoebus to know Esmeralda, if she asks for a company of girls, Phoebe, Fleur de Lis, is among them. Phoebus appoints Esmerald's wedding, and then the priest comes. The priest is jealous of hurting Phoebus, but they are ringing at whom Esmeralda. Under the tortours, the maiden is known to chaklunstvo, prostitution and Phoebe's vbivstv (who is really alive) and is sued to the height. Claude Frollo would come to her at the house and help her to follow him. On the day of the Strati, Phoebus guards for the counsel of the viroka at once from the named one. Ale Quazimodo does not give the status of a stratum - win a gypsy and run to the Cathedral.

The whole "Door of Miracles" - the back of the villains of the same marriage - throws itself "forgive" Esmeralda in love. The king found out about the rebellion and punished the gypsy strategist be-scho-be. If you are afraid, Claude laughs with devilish laughter. After succumbing, the hump is thrown at the priest, and that one is broken, having fallen from the veil.

A compositional romance of zakіltsovaniya: scribble the word “rock” on the back of the head, sit on the wall of the Cathedral, and zanuryuetsya at the end of the past for 400 rokіv, for example - sing at the crypt behind the mіstom two skeletons that are intertwined in arms. Tse heroes of the novel are a hunchback and a gypsy. Hour erased their history into a pill, and the Cathedral still stands as a guardian over human passions.

The novel depicts both private human passions (the problem of cleanliness and filthiness, mercy and zhorstokost) as well as folk (wealth and wealth, wealth of power among the people). Previously, in European literature, a special drama of characters develops on aphids in detail painted historical backgrounds, and the private life of that historical floor is mutually permeable.

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