On the day of a hot short zmist analysis. Analysis "On the Day" Gorky
Maxim Gorky - literary pseudonym of Oleksiy Maksimovich Peshkov (16 (28) birch 1868, Nizhny Novgorod, Russian Empire - 18 chervnya 1936, Gorki, Moscow region, SRSR) - Russian writer, prose writer, playwright.
I dedicate Kostyantyn Petrovich P'yatnitsky
Dyuchi faces:
Mikhailo Ivanov Kostilov, 54 years old
Vasilina Karpovna, yoga team, 26 years.
Natalya, її sister, 20 years old.
Medvedev, his uncle, police officer, 50 years old.
Vaska Pepel, 28 years.
Klisch, Andriy Mitrich, slyusar, 40 rolls.
Hanna, yoga squad, 30 years.
Nastya, girl, 24th birthday.
Kvashnya, trade in dumplings, pіd 40 roіv.
Bubniv, kartuznik, 45 years.
Baron, 33 years.
Satin, Actor - approximately one century: rokiv pid 40.
Luka, mandrivnik, 60 years.
Aloshka, Shevets, 20 years.
Kriviy Zob, Tatar - gachniks.
Sprat of the tramps without names and promotions.
Analysis of Drama "On the Days" by Gorky M.Yu.
The drama is essentially recognized for staging on stage. Orientation to the stage interpretation, surrounding the militia in order to express the author's position. You can’t, in front of the author of an epic work, express your position directly - blaming becomes less of an author’s remarks, which are recognized as an actor for a reader. ale yakikh do not talk peep. The author's position is shown in the monologues and dialogues of the characters, at diah, at the development of the plot. In addition, the playwright is surrounded by the creation (vistava can go two, three, depending on the strength of the chotiri years) and among the acting ones (they can “stand” on the stage and be caught realizing themselves in the exchanged hour of the stage).
To the very same gostre zіtknennya between the heroes of the most significant and succinct for them drive. In a different way, the heroes simply can't realize themselves in the obsessed obsession with drama and stage space. The playwright makes such a vuzol, when he deceives such a person, he shows himself from his sides. With whom Drama can't have "zayvih" heroes- all heroes are guilty of being included in the conflict, ruh and perebig p'esi is guilty of hoarding them. Therefore, a sharp, conflict situation that plays out in the eyes of a peeping eye is the most important figure of drama like literature.
The subject of the image in Gorky's drama "On the Days"(1902) a growing number of people who have gone down the drain of deep social processes to the bottom of life. In order to fit the similar subject of the image by the stage images, the author needed to know the current situation, the current conflict, as a result of which the most important thing appeared was the suppression of the opinions of the opposing parties, the strengths and the weak sides. What is the adjunct for which social conflict?
True, social conflict of ideas among p'ssi on a large scale. In the first place, this is a conflict between the rulers and the friends of Kostilyov and її bagmen.. Vіn vіdchuvaєtsya heroes protyazhu sієї n'єsi, but it appears as if it is static, let's ease the dynamics, which does not develop. Tse vіdbuvaetsya that Kostilyovs themselves, not so far in the suspіlny plan, went from the bagmen to the nіchlіzhki. Vіdnosini mіzh lords and mechkantsy can create less strain, but do not become the basis of a dramatic conflict, a home-made drama.
Crimea of that , skin of the heroes in the past survived their social conflict, after all and leaning on the "days" of life, among others.
But social conflicts are fundamentally responsible for the stage, which are left in the past and do not become the basis of a dramatic conflict. My bachim is less the result of suspіlnyh negarozdіv, scho so tragically marked the lives of people, but not the tsіtknennya themselves.
The manifestation of social tension is already indicated in the very name of p'esi. Adzhe the very fact of the foundation of the "bottom" of life conveys and the presence of the "rapid", the upper flow, which the characters are supposed to jump. But it can’t be a substitute for a dramatic conflict - even if the tension is even relieved of the dynamics, all try the heroes in five of the “bottom” appear to be unpromising. The appearance of policeman Medvedev does not give impetus to the development of a dramatic conflict.
Possibly, organize drama traditional love conflict? True, such a conflict is in p'essi. Yogo is zoomed in by Vaska Pepel, Vasilisia, Kostylov's squad, the very ruler of the nichlizhka that Natasha.
The exposition of the love plot is shown by the appearance of the nechlizhtsa Kostilov and the rozmov of the nichlizhnikiv, for it is clear that Kostilov is joking with the nechlizhtsi of his squad Vasilisa, as if he is protecting you from Vaskom Popel. The opening of a love conflict - appearing in the name of Natasha, for the sake of which Ashes shed Vasilisa. As the love conflict develops, it becomes clear that the girls from Natalka are enriching Popela, invigorating him to a new life.
The climax of the love conflict is principally blamed for the stage: we don’t bachimo, like Vasilisa herself scalding Natasha with dip, we hardly know about it by the noise and the cry behind the scenes and the roses of the strangers The capture of Kostilyov by Vasky Popel is a tragic rozvyazkoy love conflict.
I understood love conflict is the boundary of the social conflict. I show you that the anti-human minds of the "bottom" to mutilate a person, and to feel better, to instill love, lead not to wealth in specialty, but to death, kalіtstvа and penal servitude. Having unleashed a love conflict with such a rite, Vasilisa goes out with a new overcomer, reaches all her goals: to take revenge on the colossal kohanets Vaska Ash and her superwoman Natasha, to spare an unloved person and become a single sovereign prince. Vasilisa has not lost anything human, and її morally viciously shows the frailty of social minds, in a way zanurenі and meshkantsі nіchlizhki, and її lords.
Ale, a love conflict cannot organize a stage act and become the basis of a dramatic conflict, even though, roaring in front of the eyes of the neighbors, the wines do not stick around themselves . pong zhvavo zatsіkavlenі in the vicissitudes of tsikh vіdnosin, but do not take the fate of them, only outsiders. Otzhe, a love conflict can also create situations that would form the basis of a dramatic conflict.
Once again, we repeat: the subject of the image in Gorky's p'єsі is not only and not the style of social resistance to activity, but also to the possible ways of their vision; yoga svіdomіst nіchlіzhnіkіv vsіy yоgo super-speechiness. Such an object of the image strikes the genre of philosophical drama. Moreover, despite the non-traditional forms of artistic diversity: the traditional ovnishnya diya (lower row) is indulged by the mass of the so-called internal diya. On stage everyday life: there are some weldings among the neighbors, some of the heroes appear and know Ale and the furnishings are plot-inducing. Philosophical problems confuse the playwright to transform traditional forms of drama: the plot manifests itself above the characters' actions, but not at the dialogues; dramaturgіchnu diyu be translated by Gorky in the posterior row.
In the exposition, there are many people, in fact, rooted in their tragic situation in the days of life. The beginning of the conflict is revealed by the appearance of Luke. The bells and whistles do not in any way affect the lives of the non-natives, but in the future, the work is strained. Luke immediately stands in the center of his own respect, and the whole development of the plot concentrates on the new. In the dermal hero of the wines, to learn the light sides of your specialty, to know the key and pidhіd to the dermal one. I want to fight a right revolution in the lives of heroes. The development of internal action begins at the moment when the heroes show their own vision of a new short life.
It's clear that you bright sides, what having guessed Luke in the skin character p'esi, and to become yoga the correct essence. appears, goodbye Nastya dream about the beautiful and light of love; Actor, a person who has drunk himself, thinks about creativity and seriously thinks about turning on the stage; "forward" villainous Vaska Pepel know your own pragnennya to an honest life, if you want to go to Siberia and become a gentleman there.
Mrії reveal the true human essence of Gorky's heroes, their deepness and purity..
This is how another facet of the social conflict manifests itself: the depths of the special features of the heroes, their noble aspirations are rooted at the screaming wipe out of their current social setting. Sustainability is such that a person does not have the ability to realize his right essence.
Luke From the first moment, bachiti appeared in the houses of the shakhraiv. “I respect shakhraiv, in my opinion, a good flea is not bad: everyone is black, everyone is stribayut”- so it seems, vin, proving their right to name their new susіdіv "honest people" and recounting Bubnov's description: "To be honest, that one has forgotten the curtain." The turns of such a position in the naive anthropologism of Luke, who cares that a person is good on the back and less socially furnishes to shy away and filthy and incomplete.
This parable-parable of Luke clarifies the reason for this warm and kindly attitude towards all people - among those who are leaning on the days of life. .
Luke's position is more foldable in the drama, and the author's position looks ambiguous to a new degree. . On the one hand, Luke is absolutely rude in his preaching and awakening in people the best in the bazhann, hooked to the side of their nature for the time being, about the stench instilled and did not suspect - the flooring contrasts sharply with the stench of their camp on the days of the temple. Vіn schiro bazhaє his spіvrozmovniki good, showing the real way to reach a new, better life. And with a splash of yoga, the heroes really experience a metamorphosis.
Actor stop drinking and save up pennies in order to destroy the bezkoshtovnoy liquor for alcoholics, do not suspect that you don’t need it: think about turning to creativity, give you the strength to overcome your illness.
Popil pіdryadkovuє your life pragnenny viїhati from Natalka to Siberia and there stand on your feet.
Mriya Nastya and Ganni, the squad of Klisha, Totally illusory, ale and cі mrії give them the opportunity to make themselves happy.
Nastya revealing to yourself the heroine of tabloid novels, revealing in your dreams about the unknown Raoul or Gaston the feats of self-sacrifice, as if it were true;
dying Hanna, mryuchi about potoybichcha, also often unique in appearance without a break: Bubniv So Baron, People absolutely baiduzhі to іnshih i navіt themselves, become deaf to the words of Luke.
The position of Luka is exposed superechka about those what is true, what is the fault of the new one with Bubnov and the Baron, if the rest mercilessly vikrivaє unsupported dreams of Nastya about Raul: ... "In other words, Luke affirms the goodness for the people of this nonsense. Ale chi only lies stverzhu Luka?
Our literary studies have long had a concept, for which Gorky unambiguously sees Luke's sermon. But the position of the writer is folding.
Vaska Pepel was right to go to Siberia, and not like a free settler, but like a convict, he was sued for killing Kostilov.
The actor, who has spent faith in his own strength, exactly repeats the fate of the hero of the parable about the righteous land, told by Luke. Trusting the hero to tell the story, Gorky and in the fourth act play yoga, making straight laces. Luka, having told a parable about a person, yak, having become angry at the foundation of a righteous land, pressed in, vvazhє that a person cannot be relieved of hope, let it be illusory. Gorky, through the share of the Actor, sings a chitach and a peep in the fact that the pardon itself can bring a person to the noose. Ale, I’ll turn to the front food: why did Luka fool the bagmen?
The actor calls yogo to the one who did not fill in the address of the cost-free clinic . All heroes agree on what hope, like Luke instilled in their souls, hibna. Ale w Vіn i didn’t declare to live my life from the bottom of my life - vіn just supported my fear of faith in those who were out and that vіn didn’t make promises for them. That faith in itself, as if it had thrown itself at the witness of the neighbors, appeared above the German and the characters of the hero, like a building bov to stimuvat її, immediately died out. All on the right, in the weakness of the heroes, in the ignorance of that nebazhannі їkh robiti, it’s not enough to stand up to the pitiless social conditions that call them on the basis of the nіchlіzhtsі Kostilyovs.
To that smut, the author addresses not to Luke, but to the heroes who have not known in their own time the strength to oppose their will to the truth. So Gorky is given to open one characteristic rice Russian national character: dissatisfaction with reality, sharply critical to failure and completely unprepared to be willing to change reality . Even so, it’s such a warm reminder to know Luke in their hearts: even explaining the failures of today’s life with the help of surroundings and the not-so-smiling sound of the heroes themselves in their lives nearby. The first thought about trying to change the situation does not fall on the thought of neither Lucy, nor my flock. That's why the flooring the heroes of Luke's life experience a dramatic experience: hope, awakened in that soul, impossible to know the inner support of that character; It will always be necessary for him to evoke such a shameless person in a practical sensi, like Luka, a “bezpachportny” Luka.
Luka is the ideologist of a passive svіdomosti, the bedrock of the unacceptable Gorky.
In the opinion of the writer, a passive ideology can only reconcile the hero with his lower camp and do not hesitate to change the camp before trying, as it happened with Nastya, with Anna, with the Actor. . But who could oppose the hero for a moment, who could oppose this passive ideology? No one had such a hero. The bottom line is that the bottom is impassible to vibrate and another ideological position, the ideas of Luke are so close to the bagmen. But yoga sermon gave an impetus for vindication of a new life position. Її becoming Satin.
Vin miraculously sees that his mindset is manifested as a reaction to the words of Luke: “So, tse vin, old drіzhdzha, having fermented the spivmeshkantsiv for us ... Old? Vіn razumnik!.. The old one is not a charlatan! What is true? Lyudina - the axis is true! Vіn tse rozumіv... vy — nі! .. Vіn... hitting me like acid on an old and stupid coin...» humiliation - expresses another life position. Ale tse is still less than the first cut on the way for the formation of active information, building up to the change of social conditions.
The tragic finale of the drama (actor's self-destruction) puts in front of us the nourishment of the genre nature of the song "On the Days". I guess the main genres of dramaturgy. The difference between them is the subject of the image. Comedy is a genre of moral descriptions, so the subject of the image in comedy is a portrait of conscience at a non-heroic moment of development. The subject of the tragedy in the most part is the tragic, non-separable conflict of the hero-ideologist from the suspense, the evocative light, the non-separating surroundings. This conflict can move from the outer sphere to the sphere of the hero's knowledge. At this time, we are talking about an internal conflict. Drama is a genre that is difficult to reach philosophical or social problems..
How can I imagine to look at the p'esu "On the Days" as a tragedy? Aje, in such a time, I am guilty of appointing the Actor as a hero-ideologist and looking at his conflict with the Suspension as an ideological one, moreover, the hero-ideologist will confirm his ideology by death. Tragic death - the rest and often the only opportunity not to shy before the power to resist, and to solidify the idea.
Hey, no. Yogo death is an act of witnessing that neviri in the power of the force until resurrection. Among the heroes of the "bottom" there are no obvious ideologies, like to resist reality. Moreover, their own camp is not comprehended by them themselves, as it is tragic and lifeless. The stench has reached the level of knowledge, if we can see the tragic light of life, more than it conveys awareness of the opposition to social and other conditions.
Such a hero in the name of Kostilov, in the days of Gorky's life, is clearly not to be known. Therefore, it is more logical to consider “On the Days” as a social-philosophical and social-pobutov drama.
Razmirkovuyuchi about the nature of the genre p'esi, it is necessary to z'yasuvati, yakі zіtknennya opinyayutsya in the center of the playwright's respect, which becomes the main subject of the image. In the episode "On the Days" the subject of Gorky's study is the social mind and Russian action frontier to make that її exuberance among the heroes. In this head, the main subject of the image is the very evidence of others and that in the new side of the Russian national character.
Gorky is trying to signify, with what social conditions, like they poured into the characters of the heroes. For some wines, I will show the history of the heroes, as if I were a sensible observer of the dialogues of the characters. But it’s more important for you to show those social conditions, surround the “bottom”, in which the heroes have now stooped. The very same camp of the big aristocrat Baron with the cheat Bubnov and the villain Vasko Popel and forms a bed for all the risks of witnessing: the rejection of action and at the same time passively setting up to it.
The beginnings of Russian realism, starting from the 40s of the last century, are formed directly, which characterizes the pathos of social criticism of good action. The same directly, like ideas, for example, in the names of Gogol, Nekrasov, Chernishevsky, Dobrolyubov, Pisarev, otrimav name critical to realism.
Gorky in the drama “On the Days” continues the traditions, which are manifested in his critical attitude to the social aspects of life and rich in what to the heroes, we zanurenim in life and mold it.
Tipove - means the widest: on the other hand, typical is most often manifested in Vinyatkov. Judging about typicality means judging the fact that the circumstances gave rise to that other character, the lower character of minds, like the hero’s history, like turning the proportions brought yoga to the current state, and they appointed those other qualities of yoga.
Analysis of the p'єsi "On the Days" (opposition)
Chekhov's tradition in Gorky's dramaturgy. Having originally said Gorky about Chekhov's innovation, "driving in realism"(traditional dramas), lift up the image to "spiritual symbol". Thus, the appearance of the author of "The Seagull" was marked out in the light of the sharply twisted character, strained plot. Following Chekhov, Gorky, trying to convey the slow pace of everyday, "underwater" life, she sees in a new "underwater flow" the inner spontaneous heroes. Only sens tsієї "leaks" Bitter rozumіv, zvіsno, in his own way. Chekhov can't change his moods, worry. Gorky has a zіtknennya of heterogeneous svіtovіdchüttіv, those “wandering” thoughts, as if Gorky had caught the truth. One by one, yoga dramas are shown, many of which are ostentatiously called “scenes”: “Mishchani” (1901), “On the Days” (1902), “Summer Residents” (1904), “Children of the Sun” (1905), “ Barbarians" (1905).
"On the Days" as a social and philosophical drama. From the cycle of these creations, deep thoughts and thoroughness will be seen “On the Days”. It was staged by the Art Theatre, which went off with a rare success, the song struck with “non-stage material” - from the life of tramps, cheats, new ones - and its own, in the same way, philosophical nature. “Pop up” the gloomy coloring, the fearful one will help to add a special author's pidkhid to black bagmen, brudnoy nichlizhka.
I'll leave my name p'esa otrimala on theater poster, after that, Yak Gorky sorted out: "Without sleep", "Nichlizhka", "Dno", "Days of life". On the view of the cobs, which one sees the tragic camp of the tramps, there remains clearly little richness, it was widely accepted: “on the day” is not less than life, but we are in front of the human soul.
Bubniv to say to herself that of her spivmeshkantsiv: "... everything was fading, one goal of a man was lost." Through the “fake”, spend a huge camp of heroes with truth, and it’s hard to understand like a bad people. In such a variant, the inner state of specialness visibly emerges. " Temne kingdom”allowed to see the harsh sense of existence, which is not remembered for normal minds.
Atmosphere of spiritual separation of people. The role of the polylogist. The power of all literature on the cob of the XX century. sickly reaction to roz'dnanny, elemental light in Gorky's drama nabul on a sizable scale and inconsistency of inspiration. The author conveyed the stability and boundary of the mutual guests of Kostylov in the original form to the “polylogue”. Act I seem to be the characters, but leathery, mayzhe not hearing others, about their own. The author speaks loudly on the uninterrupted nature of such a “spill-cutting”. Kvashnya (from її replicas start p'єsa) continues the rozpochata behind the scenes from Kliszcz. Hanna ask you to pin those who are celebrating "God's skin day." Tambourines are shaved by Satin: "Chuv a hundred times."
Pototsi urivchastih replicas and likes have words that may sound more symbolic. Bubnov dvіchi repeat (engaging Kushnir’s right): “And the threads of rot ...” Nastya characterizes the words of Vasilisa and Kostilov: “Tie every living person to such a person ...” Bubnov mentions about the camp of Nastya herself: “You are a zayva” . Saying something specific to the drive of the phrase reveals the "subtextual" sense: the manifestation of the links, the peculiarity of the unfortunate.
The originality of the internal development of the p'yesi. The situation is changing appearance of Luke. With the help of yoga itself, the souls of the strangers come to life in the shackles of the souls of the illusory dreams and hopes. II and III acti dramas allow to pamper in the "naked people" sipping until the next life. Ale, founded on hibnih manifestations, it will only be crowned with misfortunes.
The role of Luke in such a result is significant. The sensible, knowledgeable old baiduzhe marvel at his real sharpness, respecting that "for the best people live ... For a hundred years, or maybe even more - for the shortest people to live." To that pardon Ash, Natasha, Nastya, Actor Yogo do not eat. Tim is not smaller, Gorky is not surrounded by those who are greeted by the infusion of Luke.
The clerk, the least human rose, does not take the faith in wonder. Itself miraculously manifests Ashes and Natal in the “righteous land” of Siberia; to the actor - at the marmur liquor; Klischu - at the chestnіy practice; Nasti - at love happiness. Promote Luke to that and pod_yali, scho fell on the fertile ground of secretly vibrating illusions.
The atmosphere of the II and III acts is different from I. Blame the nasty motive for the exit of the inhabitants of the house in the absence of the world, the mood of the hvilyuyuchy ochіkuvannya, impatience. Luke for the sake of the Ashes: “... the march is roaring! - Go! Get out, go ... "Actor seems to be Nataltsі:" I'm going, I'm going ...<...>You - you can go ... "I urged Natasha on drink:" ... Siberia has the will to go ... Let's go there, well? Ale immediately sound іnshi gіrkі words bezvikhodі. Natalya: "Go nowhere." Tambourines, if you were "shamed for an hour" - having sunk into a wickedness and permanently lost yourself in the amount of drunkards and cheats. Satin, guessing his past, sternly asserts: "After all, there is no way to go." And Klisch is more aware of it: “There is no closet... there is nothing.” In these replicas of the inhabitants of the Nichlizhka, one can see a deceptively fluctuating atmosphere. The Gorky tramps, through their presence, are experiencing the eternal drama for a human being with light bareness.
The ring of the heart of the sky closed: in the distance to an unattainable dream, in the distance to real shocks and death. Tim himself at the beginning of the heroes of the playwright knows about his spiritual break.
Significance of the IV act. Act IV has an overwhelming atmosphere. And yet it seems to be new - wandering begins earlier than the sleepy thoughts of the tramps. Nastya and Actor angrily yell at their stupid classmates. The Tartar hangs us in front of a stranger to you: we need to give our souls a "new law." Klisch know the truth calmly. Ale golovlyuyut tі, hto for a long time no one and u sho do not believe.
The baron, knowing that “I didn’t understand anything,” thoughtfully respects: “...because now I was born ...” And the borderline strength of the food “Have you been born now?” Satin. Witty, zukhvaliy, vіn virno roztsіnyuє tramps: “stupid, like ceglini”, “thinness”, like they don’t know anything and don’t know anything. To this Satin (vin "kind, if drunk") and try to protect the goodness of people, to exclaim their ability: "Everything is for the people, everything for the people." The mirkuvannya Satina is unlikely to be repeated, the life of the unfortunate will not change (the author is a far-off kind of embellishment). Ale polit thoughts of Satina enchanting hearing. Up ahead, the stench is raptly felt by a small part of the great world. The actor does not show his own prejudice, shaving his life.
It's strange, until the end, we didn't see the closeness of the "wild brothers" getting a new look with the arrival of Bubnov. Where are the people? - shouting wine and proponing "sleep ... the whole night", "drink" your share. Why is it that the call about the self-destruction of the Actor Satin is sharply pronounced: "Ex ... zipsuvav song ... fool."
Philosophical subtext p'єsi. Gorky's song of the social-philosophical genre, and for its life-specific concreteness, was straightened out, no doubt, to the deepest understanding of people: the perception and possible contacts of people, the obvious, the real underlayment of the condescending camp, the illusion of that active thought, the dream of the awakening of the soul. The characters of "In the Days" more than intuitively bumped into the truth, not living a seemingly hopeless life. Such a psychological colloquium enlarged the philosophical sounding of dramas, which revealed the sacred significance (inspire for the unfortunate) and the importance of the right spiritual values. The occasion of the eternal and the mitt, the tenacity and the cunningness of the voices, the small stage space (brudna nichlіzhka) and the thoughts about the great world of mankind allowed the writer in the buttovіy situation to cope with the complicated life problems.
On the day - my short collection of chapters
Diya persha
Pіdval, similar to the oven. Stele vzhka, with plaster, that has collapsed. Light from the lookouts. To the right, beyond the fence of the Komirchini Popel, entrusted to Bubnov, there is a large Russian pich in the kutka, opposite the door to the kitchen, where Kvashnya, Baron, Nastya live. Behind pіchchu - wide lіzhko behind calico veil. Around the dari. On the first plan, on a chopped tree, there are bream with an anvil. Order to sit Kvashnya, Baron, Nastya, as if reading a book. Hanna is coughing heavily on her bed behind a firanka. On the bunks I look at the old ripped trousers of Bubniv. Instructed him to stoically throw Satin to lie down and grumble. The Actor will be punished for piktsі.
The beginning of spring. Ranok.
Kvashnya, roaming with the Baron, vowed to never go abroad. Tambourines squawk at Satin, why does that “grunt”? Kvashnya continues to develop his idea that a woman is free to do it and not to wait "at the fort for yourself." The mite rudely shout їy: “Breshesh! Itself povinchaeshsya for Abramka.
The Baron whimpered while reading Nastya's book and laughed at the vulgar name "Fatalne Kohannya". Nastya and Baron fight through the book.
Kvashnya barks the old goat, as it brought the squad to death. The tick barks lazily. Kvashnya is convinced that Klisch does not want a little truth. Anna to ask for silence, to die peacefully, Klisch reacts impatiently to the words of the squad, and Bubnov philosophically respects: "Noise is not a problem for death."
I wonder how Ganna lived with such a “evil thing”? Vmirayucha to ask for peace.
Kvashnya and Baron are going to the market. In the proposition to eat dumplings, Anna is convinced, but Kvashnya is still full of dumplings. The baron irritates Nastya, tries to make her angry, and then we go frantically after Kvashnya.
Satin, who has left the rest, clucks, who beat Yogo in front of him for what. Tambourine rozmirkovuє, chi all the same, but they beat for the cards. Actor screaming from the oven, that one time satina zovsіm will kill. Klisch klich Aktora zlazit z pecheni that pribyrannya pіdvalu. The actor has barred the baron. The baron, peering from the kitchen, observes his employment - he goes from Kvashnya to the bazaar. Let the Actor fix it, don't do anything to me, or Nastya. Nastya is prompted. Kvashnya to ask the Actor to clean up, the wine is not angry. The actor is afflicted with ailments: I am severely dihati with a saw, my body is destroyed by alcohol.
Satin wimovlyaє misunderstood words: "sіkambre", "macrobiotics", "transcendental". Ganna proponuє cholovіkovі eat pelmenіv, zalishheny Kvashnei. She herself will be forced, forechanging a swedish kіnets.
Tambourine asks Satin, what do the words mean, but Satin already forgets their meaning, and all the words of the people, all the “human words”, like the wines of the Chuv, maybe, a thousand times, have come to mind.
The actor decides what the graves of graves are at the "Hamlet" of the burial ground, quoting the words of Hamlet: "Ophelia! Oh, guess me in your prayers!
Klisch, sitting at the robot, creaks with a sip. And Satin guesses that when you were young, you served on the telegraph, reading a lot of books, you were a blessed person!
Bubnov skeptically respects that I felt history “a hundred times!”
Actor perekonany, scho osvіta - nіsenіtnitsa, smut - talent and faith in yourself.
Time for Hanna to ask to open the door, it's stuffy. The tick is not good enough: it’s cold for you in the cold, in cold weather. The Actor comes to Annie and pronounces the message to the blue. Helping the sickness, bring wine in the air. Zustrivsya Kostilyov laughs at them, like the stink of a "wonderful couple."
Kostilyov cackle at Klisch, why didn’t Vasilisa lie here? The tick is not bachiv. Kostilov laє Klischa, who borrows in the same place for five karbovantsiv, and pay two, it would be necessary to throw a pivtinnik; "Throw a noose more quickly" - retort Klisch. Kostylov mrіє, scho on this pіvtinnik vіn to buy olії lampada and pray for your own and other people's sins, even Klisch don't think about your sins, from the squad of zvіv at the grave. The tick is not visible and begins to shout at the ruler. The actor, having turned, rozpovida, that he has kindly applied Hanna in the blue. The owner remembers that everything will be saved for the good Actor in that world, but the Actor would have more power, as if Kostilov had knocked off half of the borg at once. Kostilov immediately changes his tone and feeds: “Can you improve the kindness of the heart with a penny?” Kindness is one thing, but obov'yazok is nothing else. The actor calls Kostilov a rogue. The boss is knocking on Popel's commissariat. Satin laughs, scho Pepel vіdkrіє, and Vasilina in the new. Kostilov is angry. Opening the door, Ashes wiping Kostil's pennies for the year, and if you know that you didn't bring that penny, you will be angry and bark the ruler. Vin rudely shakes Kostilov, waving the new borg at this ruble. If the Lord is going, explain to Ashes that he was joking with his squad. Satin marvels that Vaska has not yet beaten Kostilov. Popil vіdpovіdaє, scho "you will not become through such a guide to your own life." Satin read the Ashes "wisely kill Kostilov, then make friends with Vasilis and become the ruler of the little house." Such a prospect should not be silenced, the nichlizhniki all yogo mayo in a tavern will drink, more good wine. I started to get angry that I didn’t wake up Kostilyov at once, I fell asleep, that I caught a majestic lyach. Satin laughs, that it’s not lyashch boov, but Vasilisa. I drank my strength to the encore of all at once from Vasilisa. Klisch, who turned from the streets, dissatisfied with the cold. I didn’t vaccinate Hannah - Natasha took her to the kitchen.
Satin ask Ash for a penny, but the Actor seems to need a hryvnia for two. Vasil yes, the docks did not ask for a ruble. Sateen is choked with the kindness of the villain, "there are no better people in the world." I respect the klisch that they can easily get away with pennies, and the stench is good. Satin recounts: “A lot of pennies are easy to get away from, that one is not so easy to separate from them,” wins the world, so that the robot will be accepted, wins, maybe, practice. “If pratsia is contentment, life is garne! If pratsia - obov'yazok, life - slavery!
Satin and Actor go by the taverns.
I drank at Klisch about the health of Ganni, she confirmed that she would die soon. I popil for the sake of Klischa do not work. "And how to live?" - to chirp that. “Live for others,” I respect Ashes. Klisch iz znevagou vіdkuєtsya about otochuyuchih, vіn believe that the stars are roaring. I drank back: I’m not sorry for Klischa, but “honor and conscience are not up to it. Your deputy will not dress you up. Honor that conscience is necessary for them, who has the power that strength є.
To enter prodrogly Bubnov and to feed Popel about honor and conscience, it seems that conscience is not necessary for you: "I'm not rich." Popil pogodzhuetsya with him, and the axis Klishch against. Tambourines to squawk: why don't Klisch take conscience? I popil for the sake of Klischa to talk like a covenant with Satinim and the Baron: stench is reasonable, hot and p'yanitsa. Tambourines of upevneniy: "Whoever drunk that is wise - two o'clock in the night."
He drank, like Sateen, saying that it’s easy for the mother to sum up the sum, but for the sum itself “it’s not visible.”
Natalia to direct the mandriving Luka. That something is hovering from the presence. Natalya introduces the new guest, telling you to go to the kitchen. Luka sings: for people of a frail age - de warm, there is fatherland. Natalya seems to be a Klishu, so that I would come after Hannah and we’ll be affectionate with her, she’s dying and she’s scared. I drank it up, that it’s not scary to die, but if Natalya yogo vb’є, then you’ll be deadly dead with a clean hand.
Natalya doesn't want to hear it. I started drinking Natalka. It's amazing why you see something, even if it's gone.
"Through you and perish",- Sing tambourines.
Klisch and Bubnov seem to think that Vasilina knows about such a setting of Ash before Natasha, both will not say hello.
In the kitchen, Luka is drawn to a dull song. Started wondering why people are being attacked with a rapt rap? Vіn shout to Luka, schob that not viv. Vaska loves to hear garniy spіv, and tse vittya naviyuє tightness. Zdivovy Luke. Vіn thinking, what a good sleep. Luka tells you that Nastya is sitting in the kitchen crying over a book. The baron sings, what nonsense. Popil proponuє Baron for pіvplyashki vipivka barking dog, becoming crustaceans. The baron of chirping, as a joy to the sight of Vaska. Aje now stink equal. Luka is the first to beat the baron. Counts of bachivs, princes, and the baron - forward, that and then zіpsovanogo.
Luka seems to be in the life of the nichlizhniks. Ale Baron guesses, how wine used to be in a bed of cavi beer from tops.
Luke respects: people grow smarter with a year. "Live all the harder, and want - all the better, vperti!" The baron is old. Who is this? Toy vіdpovіdaє: mandrivnik. It seems that all the world has mandriving, that “our land is mandriving in the sky.” The baron went with Vaskom at the tavern, saying goodbye to Luka, calling him a rogue. Enter Alyosha in harmony. You start shouting and foolishly, if you are not worse for others, then Medyakin does not allow him to walk on the street. Vasilisa appears and also laments Alyosha, the wife of Yogo s eyes. Order Bubnov to drive Alyosha, as if she would show up. Bubnov is guided, but Vasilisa is evilly guessing that if you live out of grace, then don’t let yourself be swayed by the rulers.
Shouting to Lukoy, Vasilisa calls him a passerby, since he has no documents. Mr. Popel jokes, and, not knowing yoga, lashes out at Bubnov for the ford: "There was no smitka!" Vaughn shouted angrily at Nastya, that she cleaned up from the basement. Knowing that her sister was here, Vasilina became even more angry, shouting at the strangers. Tambourines of zdivaniya, skіlki at tsіy zhіntsі anger. Nastya says, what with such a person, like Kostilov, be-yak ozvіrіє. Bubnov explains: the "master" came to the kochantsy, she did not find Yogo on the job, and she was also angry. Luka will be fine to clean up the basement. Bubnov recognized the cause of Vasilisia's anger to Nastya: Aloshka said that Vasilina had caught the Ashes, the axis of the lad's wife. Nastya zіthaє, what a zaiva here. Bubnov vіdpovіdaє, scho there is a twisted zayva... those people on the earth are zayvі...
Medvedev come in and click Luka, why don’t you know? Luka proves that not all the earth can enter into the yoga lot, has lost its surroundings. Medvedev talks about Ashes and Vasilisa, but Bubnov thinks that they don’t know anything. Kvashnya turns. Narikaє, scho Medvedev cry її zamіzh. Bubnov praises the union. Ale Kvashnya explains: women are more beautiful in a cap, lower zamіzh.
Luka direct Hanna. Kvashnya, vkazyuyuchi on ailment, it seems, її dovіv to death. The blues have a little noise. Kostil's cry of Abram Medvedev: zahisti Natasha, sister is beating her. Luka feeds Hanna, which the sisters did not share. That vіdpovіdaє, scho stink offends і і, zdorovі. Hannah seems to Luka, who is kind and soft. The other one explains: “M'yali, that one is soft”.
Diya friend
Such is the situation. Evening. On the bunk beds Satin, Baron, Crooked Goiter and Tatar are playing at the card, Klisch and Actor are watching over the thunder. Bubnov graє at the checkers with Medvedev. Luka sit bіlya lizhka Hanni. The stage is weakly illuminated by two lamps. One burn bіlya kartyariv, іnsha — bіlya Bubnov.
Tatar and Crooked Goiter are sleeping, Bubnov is also sleeping. Ganna told Luka about his important life, in which he did not remember anything, the crime of beatings. Luka vtishaє її. Tatar shout at Satin, shakhraiv at the card garden. Hanna knows that she has been starving all her life, she was afraid of having this family, of getting zayviy things; Isn’t it in that world that flour is on her? At the footer one can feel the cries of gamblers, Bubnov, and then we sing a song:
Like you want to guard ...
I won't get in like that.
I want to be free, ex!
I can't break the lanceg...
Crooked Goiter The Tatar shouts that the Baron puts a card in his sleeve, shahrayu. Satin calms the Tatar, seemingly, scho is known: stink shakhrai, why should you take care of them? The baron calm down, that he has lost a dime, and shout at a three-pointer. Crooked Goiter explains to the Tatar that if non-natives start to live honestly, then in three days they will die of hunger! Satin lays the Baron: a human being is blessed, but I didn’t learn how to shahrayuvati in a card. Abram Ivanovich prograved Bubnov Satіn pіdrakhovuє wingrash - fifty-three kopіyka. The actor asks for three kopecks, and then we wonder ourselves, why do you need the stench? Satin is called Luka to the tavern, but to that it is guided. The actor wants to read the verse, but with a gasp he sees that he has forgotten, having drunk away his memory. Luka calms the Actor, who rejoices in the night of the party, only forgets the wine, at the place of the liquor. Luke will change the Actor, who wins, take it into your own hands, I will renew good life. Anna called Luke to speak from her. Klisch stand in front of the retinue, then let's go. Luka shkoduє Klishcha - it’s bad for you, Ganna vіdpovіdaє, that it’s not up to the person. Seeing a new one, I withered away. Luka vtіshaє Hanna, she will die and feel better. "Death - everything will calm down ... it will be affectionate for us ... You will die - you will recover!" Hannah is afraid that raptom and in the other world are tormenting her. Look, Luke, call the Lord, and tell me that she lived well, now let her go. Ganna feeds, but what if she wears clothes? Onion to squawk: now, on a new front? Alya Hanna wants to live, she’s ready to suffer, so we’ll keep calm on her. Enter Popіl i shout. Bears try to calm down. Luke to ask for help: Anna is dying. I drank some time with Luka: “You, my dear, be kind, I respect you! You, brother, well done. Breach ty good ... you speak fairy tales well! Breach, nothing ... little, brother, much in the world!
Vaska feeds Medvedev, why did Vasilisa beat Natasha so hard? The policeman is advised: "that is family, but not yoga, Popelu, on the right." Vaska sings, whatever you want, Natalya goes with him. Medvedev of encumbrance, that the evil one dares to plan for the future of his niece. Wine is threatening to bring the ashes to clean water. Vaska's back at the fuse seems to be: try it. Ale potim threaten, scho yogo lead to the worst, wine won't move. Rozkazhe, that Kostilov from Vasilisa was shoved against the villainy of Yogo, the stink of the stolen is zbuvayut. Medvedev's upheavals: none of the villains can be believed. Ale Pepel is inspired to believe the truth. I drank that Medvedeva was threatening that he was getting confused. The policeman is going, so as not to pretend to be unacceptable. I popil self-satisfiedly respected: Medvedev escaped Vasilisa. Bubnov for the sake of Vaska, guard yourself. Ale Ash, Yaroslavl, you can’t take it with your bare hands. “It’s like a war - we’re at war,” - I threaten the villain.
Onion for the sake of Ash to go to Siberia, Vaska is frightened, what buds, if Yogo is lucky for the official rahunok. Luka entreats that, like Ashes, Siberia needs them: “There are such people there.” Popil vіdpovidaє, scho yogo way buv in advance of appointments: “My way - my appointments! My father spent all his life in the villages sitting and calling me ... If I was a little boy, then at that time they called me the villainous, villainous son ... ” Luka praise Siberia, calling it the “golden side”. Vasko cіkavo, why Luka is all wrong. The old one says: “What do you really need ... think about it! Vaughn, really, maybe, butt for you ... ”I drank Luke, what is God? Old vіdpovіdaє: “If vіrish - є; if you don’t believe, - don’t ... If you believe, you won’t. Bubnov goes to the tavern, and Luka, having grunted the door, nibi pishovshi, carefully climbs into the pich. Vasilina went to Popel's room and called Vasil there. Vіn vіdmovlyаєєє; youmu all nabridlo i won tezh. I began to marvel at Vasilisa and knew that, regardless of her beauty, no one’s heart lay before her. Vasilina is imagining that Ashes are so passionately loving. The evil one explains that it’s not raptom, the soul in it is dumb, like a beast, stink with a man. Vasilina knows Ash that she loved in the new hope, that the hero of the night is the star. Vaughn proponuє Sister Ash, like a wine call її in the form of a person: “Znіm z me tsyu noose.” He began to smile: it was great that she knew everything: a man - at a prison, a cokhan - to hard labor, and herself ... Vasilina ask him for help through her friends, as Pepel himself does not want to. Natalya will be the payment to you. Vasilina is jealous of her sister, and then she herself is crying for pity. Quietly uvіyshov Kostilov zastaє їх i shout at the squad: “The zhebracha ... the pig ...”
I drank to Kostilov's wife, and then the lord himself lied, de yomu buti. He drank strongly for Kostilov's comrade, but Luka made noise on the stove, and Vaska let the master go. I drank wisely that Luka understood everything, but that one could not be denied. Having made a special noise, so that the Ashes did not strangle Kostilov. The old one for the sake of Vaska was sent to Vasilisa, take Natasha, she went with her. I drank, I can’t swear, like youmu buti. Luke, it seems, that Ashes are still young, having caught "to acquire a woman, let's go better alone, until yoga is miserable here."
The old man respects that Ganna is dead. I started not to love the dead. Luke proves that the living need to love. Go to the tavern to tell Klischu about the death of the squad. The actor guessed the verse of Paul Beranger, who wanted to know Lucy:
Panov! Yakscho to the truth of the saints
The world cannot know the way,
Honor madness, what a navi
People have a golden dream!
Yakby tomorrow the earth is our way
Illuminate our sun zabulo,
Tomorrow tsiliy b svit vysvetlila
Thought of a divine god…
Natasha, as she heard the Actor, laughs at the new one, but feed on the one where Luka went? Just as soon as it becomes warm, the Actor may namir їhati shukati place, in which they rejoice in the form of a party. We know that this is the stage name of Sverchkov-Zavolzhsky, but here we don’t know anyone and don’t want to know, just cover it up. “Navit dogs mayut prizviska. Without a name, there are no people.”
Natalka died Hanna and talk about Aktor and Bubnov. I respect Bubnov: no one will cough at night. Vіn zasterіgaє Natasha: I drank "їy break my head", Natasha all the same seemed to die. They looked at Hanna, and Natalya wondered that no one was wrong about Hanna. Luke explains that the living need shkoduvati. "The living - do not harm ... we cannot harm ourselves ... de here!" Bubnov philosophizing - everyone will die. Must be glad to tell Klishch about the death of the squad at the police. To scold him: the new one has more than forty kopіyok, why use Hannah? Crooked Goiter declares that I will take a penny for a penny - a hryvnia. Natalya is afraid to go through the dark blue and ask Luka to see her off. The old one is afraid of the living for the sake of it.
The actor shouts to Luka, naming the place, de rejoicing in the party. Satin perekonaniy that everything is a mirage. There is no such place. The Tatars are yelling so that they don't cry out for the dead. Ale Satin, it seems that the dead are dead. Luke appears at the door.
Diya third
The sight of a small moth is empty. At the mud, the wall is with fire-pits, the right-handed wall is crushed from decks, and everything is overgrown with weeds. Livoruch wall nichlizhka Kostilov. At the narrow passage between the walls lie boards and timber. Evening. Natasha and Nastya sit on the boards. On the firewood - Luke and the Baron, the order is roztashovuyutsya Klisch and Baron.
Nastya rozpovidaє about nіbito her paternity s we will die with her as a student, we are preparing to shoot ourselves through love before her. Bubnov laughs at the fantasies of Nastya, but ask the Baron not to slander lies far away.
Nastya continues to fantasize about not giving a student a father a favor for her school, but you can’t live without her. Vaughn nibito lower says goodbye to Raul. Mustaches laugh - last time the Kokhan was called Gaston. Nastya is overwhelmed, what can I not believe. Vaughn is strong: she has a bula right kokhannya. Luka vtіshaє Nastya: "Tell me, girl, nothing!" Natasha calm Nastya, that all of the zazdroshchiv behave like this. Nastya continues to fantasize, like the lower words she spoke to her kohan, exhorting him not to indulge in life, not to embarrass the beloved fathers / The Baron laughs - the whole story from the book “Fatal Love”. Luka comforts Nastya, believe it. The baron laughs at Nastya's stupidity, it's true, showing her kindness. Bubnov marvels: why do people love nonsense so much. Natasha is impressed: they will accept the truth. Axis and out of sight, that tomorrow the unknown person will come and become special. And then we will understand that there are no checks. Baron podhoplyuє її phrase, scho checks nothing, and vіn nothing else checks. All vzhe ... boolo! Natasha, it seems that sometimes they show themselves dead and motorosh her flock. Baron shkoduє Natasha, yaku torment sister. Ta pita: and who is it easier?
Already raptom Klisch shout, scho is not bad for everyone. Yakby all, not so covered. Tambourines chirping with the viguk of Klisha. The baron is going to reconcile to Nastya, otherwise he won't give you a drink.
Tambourines of dissatisfaction, that people are lying. Garazd, Nastya called out "peak your own pіdfarbovuvat ... bring a blush to the soul." And the axis of Luka is now a breeze without any hardness for himself? Luke wilts the Baron, so that Nastya’s soul will not be destroyed. Hi bi was crying, like you want. The Baron will be fine. Natasha feeds Luka, why wine is good. Old upevneniy, sho to whom and we kindly need a buti. “In an hour, people are blowing ... good luck ...” We tell the story, like, being a watchman, taking pity on the villains, like climbing to the dacha, like protecting Luka. Then, these villains turned out to be good men. Luka rob the whiskers: “Don’t mess with them - stink, maybe they beat me ... why else ... And then - the court is that vyaznitsa, that Siberia ... what’s the point? V'yaznitsya - not to teach good, and Siberia not to teach ... but people - to teach ... so! Lyudina - you can teach good ... it’s even simple!
Bubnov himself can’t lie and always tell the truth. The ticks congregate like stings and scream, de Bubnov tell the truth?! "Robots are dumb - the axis is true!" Klisch hate us. Luke and Natasha pity about Klisch, who guesses divine. I drank about Klisch and added that I didn’t love yoga - I’m even angry and proud. What is written? Horses naipratsyovitishі, then stink, what's the matter with the people?
Luka, continuing Rozmov, rozpochat Bubnov about the truth, rozpovida such a story. A man lives in Siberia, like to believe in the “righteous land”, like especially good people inhabit. This person endured all images and injustices, spodіvayuschsya, if they were there, they fell in love with the world. And if the teachings and doviv came, there is no such land, this person hit the vchenny, waving him with a wicked man, and strangled himself. Luke, it seems, that it’s not difficult to get out of the n_chlizhki in “Khokhli”, marvel at the local faith.
The ashes propagate Natasha to drink with him, she is led away, but the Ashes promise to throw the steal, the literate pratsyuvatime. Propone to go to Siberia, sing: you need to live differently, live lower, better, “so that you can honor yourself.”
Yogo z childishstva called villain, the axis of guilt and becoming a villain. "Call me in a different way, Natasha," ask Vaska. Ale Natasha don’t trust anyone, check what’s best, even hurt your heart, and don’t love Vaska Natasha. Some people like wine, and some people marvel tediously at the new one. Drunk entice Natasha, that by the end of the year you will rest, like wine. Natasha feeds on gluzuvannyam, how can one go to Ashes to love two at once: is that Vasilisa? I drank it up, it’s a tone, like a quagmire, for which you don’t hoard, everything is rotten. Vіn instant bi pokohati Vasilisa, yakbi won't be so greedy for a penny. Ale їy is not a kohannya, but pennies, freedom, let go. I got to know that Natalya is another river.
Luka encourages Natasha to be with Vaska, only to tell more often that wine is good. And here, do you live with Kim? Її rіdnі - girshi for wovkіv. And Pepel is a lad of mitzny. Don't trust Natalia to anyone. He drank up: їy one road ... but don't let them go, rather you yourself. Natalya is happy that Ashes are not yet a man, but they are already getting ready to be beaten. Vaska hugs Natasha, and she threatens that as Vaska її with her finger, she is not tolerant, to push in. I began to swear that I could dry my hands in a new one, as if I were to impersonate Natasha.
Vasilisa, who was standing there for a long time, can feel everything and say: “They got married from I! The joy of that love! .. ”Natasha is zlyakana, and the Ashes of the songs: no one now dares to portray Natasha. Vasilina denies that Vasil can neither imagine nor love. Vіn more in words boa constrictor, lower in truth. The bow of hostility against the language of the "gentlemen".
Kostilov put the samovar to his wife Natalya and twisted it on the table. I started to intercede, but Natalya started to chime in, not commanding her, “it’s too early!”.
I drank to Kostilyova, who knew Natasha and to speak. "Now it's mine!" Kostil's laugh: they haven't bought Natasha yet. Vaska is threatening, so that they didn’t have fun, as if they didn’t have a chance to cry. Luke to the wife of Ashes, like Vasilin pіdburyuє, I want to be irritated. I drank and threatened Vasilisa, but it seemed to me that I couldn’t cope with Ash’s plan.
Kostilov squawk, is it true that Luke won the piti. The one who sees where you can marvel at. Kostilyov seems to be tinyatis unkindly. Ale Luka calls himself a mandriving man. Kostilov laє Luka through the passport. Luke seems to be people, but people. Kostylov did not understand Luke and get angry. And the one who proves that Kostilyov will never be a human being, instill that the Lord God himself will command. Kostilov to his wife Luka, Vasilina comes to the man: Luka has a long language, let's get out. Luke obіtsyaє pіti u nіch. Bubnov confirms that you should drink more often at the hour, tell your story about those who were drunk at the hour, having gone to hard labor. Yogo's team called up the master-kushnir, she was so quiet, that, marvel at that, to destroy Bubnov, so as not to interfere.
Bubnov beat the squad, and master yogo. Bubnov navit obmirkovuvav, like bi "kill" the squad, but shamenuvsya and pishov. The main bula was written down for the squad, to that a goal appeared like a falcon. To whom spriyaє and those that Bubnov is a drunken p'yanitsa and a lazy arc, as Luci himself knows wine.
S'yavlyayutsya Satin and Actor. Satin vimagai, schob Luke was aware of the bullshit to the Actor. The actor did not drink at the ninth gorilka, but at the street of crady. I show you earned pennies - two five-ruble coins. Satin is proponing you a penny, but the Actor seems to be earning his own money for the road.
Satin swear that after blowing "all vshchent" from the card. Є “sharp razumnishi for me!” Luke calls Satan a cheerful person. Satin tells you how funny you are when you are young, you love people, make you laugh, show on the stage. Luka squawk, like Satin dіyshov until the next life? Satin is unacceptable to stir the soul. Lucy wants to understand how such a good-looking person and raptom drank to the very bottom. Satin says that for some months I have spent my time at the prison, but after that I can’t go anywhere. Lutsі tsіkavo, for what did Satin have spent in the pit? To that vodpovida, that for a non-given, such as having driven in the fuse that razdratuvanni. I learned from the v'yaznitsa and from the card.
- Through whom did you drive? - Ask Luke. Satin says that through her sister, she doesn’t want to tell anything more, that sister died nine years ago, she was glorious.
Satin asks Klischa, why is he so gloomy. The slyusar does not know what to work, the instrument is dumb - must bury "z'ili". Sateen does not work for anything - just live. Ale Klisch is ashamed for such a life. Satin zaperchuє, even if it’s not shameful for people that they called Klishcha on the basis of cattle.
Luna's cry of Natasha. Її new b'є sister. Luke to call Vaska Popela, and the Actor ticks after him.
Kryviy Zob, Tatarin, Medvedev take the fate of the fighter. The satin looks up to Vasilisa as Natasha. Vaska Pepel appears. Vіn usіh rozshtovkhuє, live for Kostilyov. Vaska churn, that in Natasha's legs are scalded with sprinkles, there may be in a memoryless camp like before Vasil: "Take me, give me a treat." Vasilina appears and shouts that Kostilov has been beaten. Vasil doesn’t understand anything, he wants to take Natalka to the liquor store, and then we’ll get rid of the swindlers. (The light on the stage is dimmed. A little more sound of vigukas and phrases.) Let Vasilisa shout in a triumphant voice, that a man has beaten Vaska Pepel. Call the police. It seems that she did everything herself. Popil went to Vasilini, marveled at the corpse of Kostilov and fed, why not beat Vasilisa? Medvedev called the police. Satin calm Popela: driving in a soldier is not a serious evil. Vіn, Satіn, tezh having beaten the old and ready to act as a witness. I got to know: Vasilina beat him to beat the man. Natasha uncontrollably screams that Ashes is that її sister at the same time. Vasilisa was respected by a man and sister, the axis of the stink was beaten by a man and scalded by throwing a samovar. I drank a drink for Natasha's calls. Vіn want to prostuvati tse scary ringing. Aleone does not hear and curse her falsehoods. Satin is the same zdivovaniya and seems to Ash, what is the homeland of yoga to drown.
Natalya may shout in the madder what her sister taught, and Vaska Pepel, having killed Kostilov, ask to be slapped.
Diya fourth
The atmosphere is the first one, but there is no room for Popel. Sit at the table Klisch and play the accordion. At the other end of the table - Satin, Baron, Nastya. The stench is drinking a burner and that beer. The Actor is on the stove. Nich. Outside the wind.
Klisch and not remembering, like Luke in a metushny sign. The baron adds: "... as we saw the fire." Satin speaks in the words of a prayer: “Thus do sinners know in the name of the righteous.” Nastya stands up for Luka, naming all the present irzhey. Satin laughs: A bow for bagats, yak m'yakush for the toothless, and the Baron adds: "Yak a plaster for nariviv". Klisch also stands up for Luka, calling him sorry. Tartar perekonaniy, scho the Koran can be the law for people. The mite is good - it is necessary to live according to God's laws. Nastya wants to drink. Satin for the sake of it, take the Actor with you, and go to the path.
Satin and the Baron override the muses of art, they cannot guess the patroness of the theatre. Actor їm pіdkazuє - tse Melpomene, calling them neviglas. Nastya scream and wave her hands. Satin for the sake of the Baron does not care about the courts, work those who want to stink: let them shout, go nowhere. The baron calls Luka a charlatan. Nastya obureno calls Yogo a charlatan.
Klisch respects that Luke "no longer loves the truth, standing up against it." Satin shout that "the person is the axis of truth!". Old brehav through pity to otochyuchih. Satin seems to have read: the truth is vtishna, reconciling. Ale, this nonsense is needed by him, who is weak in soul, who hides behind it like a shield. Whoever, the master, is not afraid of life, that nonsense is not needed. “Nonsense is the religion of slaves and masters. Truth, God is a free people.
The baron guesses that he is born, that he is from France, rich and noble for Catherine. Nastya interrupts: Baron Vigadav. Toy get angry. Sateen calm yoga, "... forget about the carriages of the past ... at the carriage of the past - you will not go anywhere ...". Satin asks Nastya about Natalya. She confirms that Natalya has long been out of the clinic. The nighters keep quiet, whoever you want to “plant”, Vaska Ashes to Vasilisa or Vaska out. The stink of robbing the whiskers, that Vasily is cunning and “wrap”, and Vaska went to hard labor to Siberia. The Baron will again cook with Nastya, explaining that I am not making friends with you, the Baron. Nastya laughs at the vіdpovіd - the Baron lives on її handouts, "like a worm - an apple."
Bachachi, that the Tatar prays, Satin seems to say: “Lyudina is free ... she will pay for everything herself, and that she will be free! .. Lyudina is the axis of truth.” Satan affirms that all people are equal. “Isnuє only a man, reshta - on the right of the yogo of the hands and її brain. Lyudina! It's wonderful! Tse sound ... proudly! Let's add wine, that a person needs to be respected, and not to belittle pity. Vіn tell yourself that vin is “convict, hacker, cheater”, if you go
The play “On the Days” was conceived by Gorky as one of several cycles that shows the life of that spy-eyer of people from different versions of the soul. This is one of the two purposes of the creation of creation. Glibinny sense, which slayed by the new author, is a test of evidence on the main food of the reason: what is a person and how do you save your individuality, sinking "to the bottom" of the moral and social buttya.
History of the creation of p'yesi
The first information about the work on the p'esoy is known until 1900, if Gorky at the Rozmov z Stanislavsky zgaduє write a scene from the life of a nichlizhka. Deyakí handwriting z'appeared as a reminder of 1901 rock. Before seeing K. P. P'yatnitsky, to whom the author dedicated the TV, Gorky wrote that all the characters, ideas, motives, and “it will be scary.” The remaining version of the creation was ready on March 25, 1902, visions from Munich and even more hopeful sales.
It was not so easy to cope with the production of p'esi on the stages of Russian theaters - it was practically fenced. Only the Moscow Art Theater blew the vines, and other small theaters took special notices for the production.
The name of the p'esi of the robotic process was changed, at the last stop, chotiri, and the genre was not assigned by the author - the vision had "In the days of life: scene". Shortened and known to everyone today, the name first appeared on the theater poster for the first production at the Moscow Art Theater.
Becoming the first vikonavtsy of the Moscow Artistic Warehouse academic theater: K. Stanislavsky, Baron - V. Kachalov, Luke - I. Moskvin, Nastya - O. Knipper, Natasha - M. Andreeva.
The main plot of creation
The plot of the plot is tied to the sights of the heroes and in the atmosphere of rampant hatred, which is felt by no one. Tse is the name of the canvas for creation. Parallel to the depth of the deep is the fall of a person “to the bottom”, to the world of worthlessness of a socially and spiritually degraded individual.
The story begins and ends with a plot line between two characters: the villain Vaska Pepla and the guards of Vasilisia's spymaster. I began to love my young sister Natasha. Vasilina is jealous, constantly beat her sister. And there is one more interest in it to kohantsya - you want to see a person and pidshtovhuy Ash to beat. Under hour p'yesi Ashes are right at the welders driving in Kostilov. In the rest of the act, it seems to the guests of the insignia that Vaska will have to go to hard labor, and Vasilisa will still “get out”. In such a rank, diya zakіlkovuєtsya with the shares of two heroes, but not between them.
Timchasovy promіzhok p'єsi - kіlka tizhnіv early spring. It's time for fate - important warehouse p'esi. One of the first names given by the author to the work is “Without a dream”. Definitely, spring is coming, a sea of sleepy light, and in the souls of її bagmen - a haze. Let's change the sun for the non-believers, becoming Luka, a vagabond, like Natasha induces one day. A bow to bring hope for a happy result in the hearts of people who have fallen and spent faith in the best. For example, Luke knows nothing. characters who have trusted you spend faith in the best. P'isa ends with the self-destruction of one of them - the Actor.
P'yesi analysis
P'sa signifies the life of the Moscow nichlizhka. The main heroes, apparently, were the її bagmen and the lords of the mortgage. So, individuals appear at their place, like a pledge of life: a policeman, a vindictive uncle of a nobleman, a trade in dumplings, vantazhniks.
Satin and Luka
Schuler, the colossal convict Satin and the vagabond, the mandriving Luka are the bearers of two antagonistic ideas: the need to speak to the people, the ryativnoy nonsense of love before her, that need to know the truth, as a proof of the great people, as a sign of trust to її strength to the spirit. In order to bring the hypocrisy of the first sky-gazer and the truth of the other, the author evoked the action of p'esi.
Other characters
All other characters become ashes for cієї battles of ideas. In addition, the stench can show, subdue the depth of the fall, to what a building a person will sink. Actor and fatally ill Hann, people, like zovsm, have spent faith in their strength, fall under power miracle fairy tales, in Yaku Veda їх Luke. The stench is the greatest deposit of all. With yoga, the stench cannot physically live and die. Other baggies take on the appearance and appearance of Luka, like a grove of spring spring change - a vine and a sign.
Nastya, who sells her body “on the boulevard”, believe in those who are brighter, and she was in her life. Klisch, the man in the dying Annie, believe that you will rise from the bottom and re-earn a life of pracey. With a thread, as if yogo is tying it to a working past, a box of tools is flooded. Naprikintsi p'yesi vіn zmusheny їх sell, shobi pohovat squad. Natalya is inspired that Vasilina will change and stop tormenting her. After the devil's beatings, viyshovshi from the liquorice, you won't show up at any more. Vaska Ashes will not be lost to Natalia, but you can’t get rid of Vlad Vasilisia. Stay, with your black, check that the death of a person will open his hands and give freedom to the final. The Baron lives by his aristocratic minulim. Bubnov, a gambler, a ruiner of “ilusions”, an ideologist of people’s hatred, respecting that “all people are in”.
Tvіr was going on in the minds, if after the economic crisis of the 90s of the 19th century in Russia there were backwaters, the population was strimko bіdnіl, richly someone leaning on the lower slope of social gatherings, at the foothills. Kozhen іz geroїv p'єsi in the past survived the fall "to the bottom", socially and morally. At the same time, the stinks live in peace about it, but they can’t rise to the light: they can’t help it, they don’t have the strength, to be ashamed of their worthlessness.
Head Heroes
Light for dekogo becoming Luke. Gorky gave Luka the name to “speak”. Vono vіdsilaє and up to the image of St. Luke, and up to the understanding of "cibulism". It is obvious that the author does not show the impossibility of Luke's ideas about the beneficial value of Viri for people. It is practical for Gorky to make Luke's miserable humanism understandable for the sake of it - behind the plot, the tramp will go for nothing, if you have trusted him, they will demand yoga support.
Satin - post, poklikana voice the author's thought. As Gorky wrote, Satin is not a suitable character for anyone, but there is simply no other person with such an exhausting charisma. Satin is the ideological antipode of Luke: I don’t believe in anything, I swear by the pitiless essence of life and that camp, in which I leaned on the guilt of that other poor bag. Why believe Saten at Lyudin that її power over the government furnishes those pardons? A prejudiced monologue, like a wine, in absentia in front of Lukoy, which he has lost, he has lost more strongly, but super-tonguishly hostility.
Є in creation and wearing the "third" truth - Bubnov. This hero, like Satin, “stands for the truth”, is only a little bit scary. Vin is a hater of people, but, in fact, he is beaten. Only to die not in the face of a knife in his hands, but in the face of hatred, like wine to live to the skin.
Drama grows from act to act. With a happy canvas, Luke’s roamings of Luke and the sufferers are melting into yogo speech and rіdkіsnі replicas of Satin, to talk about those who respectfully listen to wine and vagrants. The culmination of the p'yesy is the monologue of Satin, following the sight of Luke. Phrases yoga are often quoted, shards of stench may look like aphorisms; “Everything in a person is everything for a person!”, “Bullshit is the religion of slaves and rulers ... Truth is the god of a free person!”, “A person - why sound proud!”.
Visnovok
With a hot pіdbag p'єsi staє the triumph of freedom of the perished people perish, die, drink, without leaving a trace, without spogadіv. Meshkantsі nіchlіzhki vіlnі vіd suspіlstva, moral norms, vіd sіm'ї i koshіv іn іsnuvannya. Behind the great rakhunok, the stench of life is free.
P'esa "On the Days" is alive for over a hundred years and continues to become one of the most powerful works of Russian classics. P'sa zamushyu zaslititsya about the place of faith and love in the life of people, about the nature of truth and lies, about the building of people to resist the moral and social decline.
Artistic features. The driving force of Gorky's drama is the struggle of ideas, and the whole spectrum of works won by the author of artistic approaches to support. As the plot is p'єsi, and її the composition also works on the main line of the drama. There is no clear plot line in p'єсі, which is collapsing. Heroes p'єsi roz'dnani, zozeredzhenі raznimi kutyami stage.
The play “In the Days” is a cycle of small dramas, at some traditional culminating moments come off the stage (Kostilov's death, Vasilisia's death over Natalka, Actor's self-destruction). The author svіdomo vyvodit tsі podії z field zaryadach, blaming on the fact that the smut in p'єsі - tseromovi. Gorky's drama begins with the appearance of the nephew of the nephew Kostilov. Z romov nіchlіzhnіkіv z'yasovuєtsya, shokaє his team Vasilisa, as if slaughtered by Popel. With the appearance of Luke, the opening of the diy (the end of the first act) begins. At the fourth day, the rozvyazka is coming. Satina's monologue: What is the truth? People - the axis is true! є nayvischoyu point of tension diї, culminating drama.
Gorky's legacy of creativity is marked by one more feature: the playwright vikoristova is so called "romantic" episodes. Mirror-like, two dialogues of Nastya Baron are repeated. On the cob, the maiden defends herself in the face of the Baron's mockery. When the bows of the hero are released, the roles change as if: all the Baron’s statements about the richness of life are accompanied by one and the same replica of Nastya: “It didn’t happen!”. It is precisely the meaning of Rome in p'єsі to establish the parable of Luke about the righteous land and the episode about the self-destruction of the Actor. Offending fragments literally zbіgayutsya at the final rows: "And then pіshov home - and pushing ..." and "Hey ... you! Come... come here! ... There the Actor strangled himself! Similar fragments, in the author's opinion, may link parts of the composition.
Heroes of the poem "On the Days" are not traditionally divided into head and other rows. The skin character has his own history, his share, he brings his own sense of vanity to the creation. In p'yesі the stench is sharply marked. The author goes to the antithesis more than once. In opposition to the terrible minds of life, the villains and the restless, the anthem of Lyudin is loudly heard.
Gorky zavzhda slammed my great meaning. And in the middle of the dialogue itself, the dialogues create a different atmosphere of tension and conflict. The author puts into the mouth of the hero Yaskra, єmnі words to express the main idea - about Lyudin's confession: “It's only a human being, all the same - on the right of one's hands and one's brain! Lyudina! It's wonderful! Tse sound proud! The promo of the skin character had a share, a social attitude, a culture rіven. For example, Luke’s motto is super-aphoristic: “It’s warm - there is fatherland”, “There is no order in life, cleanliness”, “... a flea is not filthy: black mustache, mustache shave”.
in such a manner, artistic originality p'esi Gorky "On the Days" є:
- Statement of guest philosophic problems;
- Vіdmova vіd yakravoї rukhomoї storyline;
- "Rimovani" episode;
- rozpodіlu rose on the head and other row characters;
M. Gorky's work "On the Days" has a majestic layer of moral, moral and spiritual problems of the soul. The author vikoristav the principle of great insights of the past: the truth is popular among the super-echoes. Yogo p'yesa - a dispute called to destroy the most important food for a person, so that she herself would attack them. A new analysis of creativity can be used to learn 11 classes in preparation for literature lessons, test tasks, and creative work.
Short analysis
Rik writing- the end of 1901 - the beginning of 1902.
History of creation- the song was created especially for staging at the theatre, Gorky put at the mouth of his heroes the most important food buttya, having seen his look at life. The period of the end of the 19th century is shown, a deep economic crisis, unemployment, worklessness, ruin, the collapse of human shares.
Topic- the tragedy of the poor people, who stumbled on the days of life.
Composition- Linear composition, podії in p'єsі budovanі in chronological order. Diya is static, the characters are in the same place, it is composed of philosophical thoughts and superechok.
genre- Socio-philosophical drama, p'sa-dispute.
straight ahead- Critical realism (socialist realism).
History of creation
P'esa bula was conceived by Gorky for the river before the її creation, as if at the rose of Stanislavsky's wines he guessed what he would like to create a p'єsu about the inhabitants of the nіchlіzhka that sank to the bottom. In 1900-1901, the author created deaky sketches. During this period, Maxim Gorky seriously choked on the songs of A.P. Chekhov, their staging on stage and playing the actors. Tse virishalne meaning for the author of shodo work in a new genre.
In 1902, the song "In the Days" was written, and in the chest of the same fate it was staged on the stage of the Moscow Art Theater with the participation of Stanislavsky. It should be noted that the writing of the creative work overflowed the crisis, what became of Russia in the 90s of the 19th century, factories and backwaters were thriving, jobless, ruined, evil, famine - the picture is still real in the places of that period. P'esa was created with a singing method to raise the level of culture of all classes of the population. The staging called out a rich resonance in why the genius of the author, as well as the spontaneity of the problems voiced, are insane. Have some kind of temper - they talked about p'esu, iz zadrіstyu, dissatisfied chi zahoplenyam - tse buv success.
Topic
Creators are intertwined sprat of topics: share, hope, sense of life, truth and nonsense of the Heroes p'esi rozmirkovuyut on the temples by those, peresbuvayushchie nastіlki low, scho it was already impossible to descend. The author shows that a poor person can mother a deep life, be highly moral, spiritually rich.
At the same time, whether a person can sink to the very bottom, rise from something that is practically impossible, drag it out, give freedom in terms of intelligence, allow you to forget about culture, viability, vihovannia and moral aspects. Bitter only voicing the most problems the present, without violating them, without giving a universal insight, without showing the way. To this reason, the names of the new names are p'esoyu-dispute, it is based on superechtsi, in which the truth, its own for a skin character, is born.
Issues create rіznomanіtnі, the most relevant, maybe varto vvazhat dialogues of heroes about ryatіvnu nonsense and girku truth. Sens name p'is in the fact that the social bottom - tse prosharok, de tezh є zhittya, where people love, live, think and suffer - there is no matter how epoch and there is no insurance against that bottom.
Composition
The author himself designed the composition as a "stage", wanting to show genius to the masterpiece songs of Russian and foreign classics. The linearity of the prompted p'esi is framed by the chronological sequence of the subdivisions. The zav'yazka p'yesi - appearing in Luke's nichlizhtsy with its dissimilarity and facelessness. Far away, in a lot of deeds, there is a development of podias, passing to the most intense heat - a dialogue about the sense of reason, about the truth and that nonsense. This is the climax of the story, followed by a rally: the self-destruction of the Actor, the loss of the last few bagmen. The stench is not in the power to vryatuvat itself, but also, doomed to death.
genre
In the episode “On the Days” the analysis allows us to develop a non-trivial story about the uniqueness of the Gorky genre – the p'esi-debate. The headline in the development of the plot is conflict, vin ruhaє diyu. The heroes perebuvayut at the dark foothills and the dynamics reach the corners of the opposite points of the dawn. The genre of creation is accepted as a socio-philosophical drama.
Creativity test
Rating analysis
Average rating: 4.3. Usy otrimano ratings: 2263.
It's easy to fall to the bottom of the suspension, like transferring two bytes. For whom it is not necessary for the mother to have special knowledge, but in the mind. The axis is only overwhelmed by people, it’s not enough to think about everyday speeches, but to hang on philosophical topics - it’s not possible anymore. Aje a person, as if he were resting for a day, he can only go out three times: live on the river, pretend to be a philosopher, or resurrect from the ashes.
Spadshchina Maxim Gorky
Oleksiy Maksimovich Peshkov spit about those who inhabit the world "new people". People who are ignorant in terms of the intellectual physical development, manners and principles. These new people are awakened by fearlessness and burning will, be nothing to them, they can reach everything they want. I don’t let them know the limits of the possible, I’m on the shoulder.
During the whole hour, I managed to write 5 novels, 10 short stories, 18 reviews and drawings, 16 p.s. and published 3 cycles of publicistic articles. Writer, prose writer and playwright Nobel Prize at the gallery of literature. Having become famous as one of the most famous Russian thinkers and writers. I wrote to myself the guilt of having left the wealthy recession, and one of the pearls of the yogo collection є p'єsa "On the Days".
"On the day"
The song “On the Days” sang the light of 1902. Before publishing the material, the author did not have a moment to choose for a long time, on which name to name. Vіn mav vybir med kolkoh variantіv: “Bottom”, “Nichlіzhka”, “Days of life”, “Without sleep”. Zreshtoy p'esa took away the short and laconic name "On the Days". Two years later, after leaving, in 1904, she was awarded the Griboidivsky Prize.
First, the performance was staged on 18 December 1902 at the Moscow Art Theater for the motives of the creator. IN Radian hour the production delighted the viewers 9 times. You can resurrect the 1956 rock. Alece did not apply її success. More than once, the song was set up outside the cordon at such places as Berlin, Krakiv, Helsinki, Paris, Tokyo, New York, London, Tunis. Since 1996, over 20 performances have been staged this year in different countries of the world. P'isa was screened 10 times not only by the domestic cinematographer, but also in Ukraine, Japan and France.
Why did the bulk of the population graft on me so much: with a problem moral choice; informing that the skin person has her own truth; Why is the very image of the bottom in the song “On the Days” hitting the strings of the human soul? Let's try to get to know each other.
M. Gorky, “On the Days”: short essay
Come and create in such a place, like a nichlizhka. Night for the power of M.I. Kostilov. People are loitering here, as they have long since sunk to the bottom of the suspense. Some of them still believe in those who can vibrate from that hell and change their share for a better one, and some of them have long lowered their hands and squatted at the farthest channel of the “bottom”.
Mіzh residents nіchlіzhka folding stosunki. Stinks of different shares, different look at life, it’s hard for him to know spilnu mova, through which welding is constantly blamed. I’ll pledge the lord’s squad, Vasilisa, to love Vaska Pepel, who earns his living by stealing. Vaughn encourages the villain to drive in a man, so that the stench was free, and їm did not care about anyone. Tilka Vaska does not reciprocate the feeling of Vasilisia, but her young sister Natalya has long since died. Vasilina remembers tse and mercilessly b'є Natal, through which she drags her to the liquor. After the voucher is out, it doesn’t turn around at the nіchlіzhku.
About what does the television tell, what did M. Gorky do (“On the Days”)? A short zmіst navіt at the other part of the tragic. Among the guests are Nova people Luke, who instills in everyone, that life will be rewarded. But if Vaska blames the conflict between Kostilyov and Vaska, then after that Vaska violently beats Kostilov, and zaareshtovuyut the villain, Luka is known by a miraculous rank. The actor, who prikipiv to Luke, having believed you, tormented by Yogo, hung around the yard. The reader is opposed by the final phrase to the creation, written by Satin after that, as he knew about the death of the Actor:
bottom people
People of the bottom at Gorky's p'єsi "On the Days" Zvichaynіsіnki. The stench ate to a folding life situation. Head Heroes to Creation:
- Mikhailo Kostilov - head of the department.
- Vasilina - Kostilov's team, love the villain Ash.
- Natalya is the sister of Vasilisia, to endure the beatings of her elder sister after she leaves the medicine.
- Luka is a mandriving man, who raptly speaks and knows, sweetly swallowing all nonsense.
- Vaska Pepel is a villain who wants to change his share.
- Klishch is the ultimate robot, who wants to turn around before the past life.
- The Baron is a benevolent aristocrat who has lost the best moments of his life in the past.
- Satin is a sharpie, vpevneniy, scho smut for people - tse spiritual freedom
- Actor - if you speak right great scene In the given hour, p'yanitsa, yak did not foresee anything better, like ending life with self-destruction.
P'yesi analysis
How did you write Gorky's "On the Days"? An analysis of this creation shows that in the midst of the moral confusion of the suspense, there is a small smoldering vug, like a hatefully hiss: “A person is proud, a person is good!” It is especially evident if the guests face a small problem.
Is it true that's bullshit?
The problem of moral choice in Gorky's "On the Days" is much more difficult. What can people believe? Do licorice bullshit chirku the truth, spicing it up with Gorky's "On the Days"? The analysis shows that Luka, mandriving, speaks like a master of licorice in creation, that people need to say those who want to smell the stench. Win encouragement to all residents of the Nichlizhka. Grant faith, that there is a chance to change your life, to make it so that it is so. Ale, if you know raptly, everything becomes n_yakovo. The guests feel abandoned, and the Actor, having believed the words of Luke the most, ends his life with self-destruction.
The truth in Gorky's poem "On the Days" is distinguished by its hero - Satinim. This person is not the best representative of the human race - vin unclean at hand, love to drink, take the fate of the beaters, marvel at the future with pessimism. Ale є in the new troch is more knowledge and understanding of what is being seen. The very thing to come out of it is a simple truth: "You need to write to them, that you are a person." Satin is not a charismatic personality, as he can lead the NATO, he is not a revolutionary, not a psychologist and not a politician - he simply pointed out the obvious, as if burned in the eyes of a skinny, not yet angered to the point of a bag, especially a spark. And it won’t go out if Satin is gone, as it became with Luke’s garbled nonsense.
The image of the bottom of the p'єсі "On the Days"
What else can you say about this vitver classic of Russian literature? Why is it so eager to inspire our co-workers? Maybe the topic, raised by Oleksiy Maksimovich, is relevant for all hours?
P'esu, as written by M. Gorky ("On the Days") can be called social and philosophical. Here, social life and philosophical thoughts do not mingle, but kindly complement one another, the roblyachs are full, live and right creation. The image of the bottom of the p'єсі "On the Days" is the suvor reality of the lower versions of the Suspіlstva. There are no other facts here, but life is more real, just like it is. The share of the poor, quiet, who has no more chances for those who rise. For the first time, the worldly dramaturgy was shown a bezprosvitnu share. too many people". At the sticky temryava of the musty pіdvalu, the rocky ones were taken, the people were more often. Today the stench is fiercely fighting for their foundation. Whom will gain strength on those who survive, and who will be in the masses of death. Luke brought the only promise of hope in the darkness without enlightenment, which gave people hope, and then a sign. It’s hard not to give up in such a situation, but the words of Satan instill faith in people not in the future, but in the power of human goodness. The image of the bottom at the p'єсі "On the Days" is a camera of tortur, de the role of kata appears Yogo Majesty of the rose. Vono zhorstoko b'є already long ago covered with a mob of people.
The image of the bottom at the p'єсі "On the Days" - it's all dark and hopeless, but with a human in the middle. And there, de є lyudina, there will be trochs of hope, and even lyudina - it's miraculous.
The truth is already known
Gromadskyst was ambiguously put to p'esi, as M. Gorky wrote ("On the Days"). The people were always alien to the suffering of the lower prosharka of the court. But the truthfulness of its history, the characters of that share of its heroes became known not only in the Radian Union, but in the whole world - from America to Japan.
