Sens call Sholokhov's explanation "The share of the people." Analysis of the opinion “The share of the people” (M.A.
L.P. Egorova, P.K. Chekalov
At the fate of the Great Great War, Mikhailo Sholokhov, a correspondent for the Soviet Union, the author of drawings - including "The Science of Hatred" (1942), took a great suspіlny resonance, the chapters of the unfinished novel "The stinks fought for the fatherland" were treated for a protracted ten years of war. Have 1957 r. Sholokhov wrote the essay "The Share of the People", which has reached the golden fund of creations about the struggle of the people with the German-fascist zagarbniks. The rose was consecrated to Y. Levitsky. On the leaves before her, Sholokhov, we have already repeatedly sent prayers, and this is dedicated to the work that reinforces the advancement of the justification and creativity of the writer.
Fundamentally new in Sholokhov's rozpovidi were those that the writer showed like a positive hero to the hour of the people who went through the German full. (Before the speech, such was the way of Lieutenant Gerasimov at the Science of Hatred). People of such a tragic share of trivaly hour knew repressions, they did not have a place on the side of literary works. To that, having studied as early as 1946. about those who, having become the prototype of the image of Andriy Sokolov, Sholokhov was able to realize his ideas. Vіn not leaning to that type of writers, who could write in advance "in style", not spodіvayuchisya for publication. Vіn stepped out of his rozpoviddu on the sidelines of "Pravda" less in the period of "in the league" - after the XXth century of the party, which put an end to the cult of Stalin's individual and tied him with a system of fences.
The private life of the protagonist Andriy Sokolov is included in a specific hour of real historical events; The hero (born in 1900) is the same age as the 20th century, having taken on his shoulders all the social cataclysms. Vіn standing at the tragic trials - the German is full, the death of this is like a share sent to you.
Composition and genre
Naypomіtnisha compositional feature"People's share" - prompted the principle of "responsibility in advocacy". Vono appears from the presence of two subjects of evidence and mov, which consequently exemplify one of the artist's podії: in good faith, not personally identified, that hero is Andriy Sokolov. The structure of the narrative is based on the compositional framing: the hero's speech is placed within the framework of the film's narrative. Rozpovid Sokolov seen in especially artistic unity dekilkom ways. Vіn vіdіznyаєєtsya vіd movі opovіdа fоr іt's zvnіshny form, oskolki є є typical Ich-Erzahlung, and the word of the hero is given as an admonition. The language of Sokolov is marked stylistically, it can be seen until the past, the only object of the image, the rhythm and the tonality.
Through such a reinvigorated vision, Sokolov’s discourse gains special significance, it becomes a text within a text, a work within a work, it becomes another world, and the center of Sholokhiv’s creativity transforms itself into meaning. Therefore, the skin takes the word away from the hero’s speech, especially vagomist. The advent of Sokolov’s rozpovidi in the middle of another explanation creates s-similarity to them folding in the blue: the hero of that life becomes an object of emotional understanding from the side of the message, where to enter and read.
The motivation of Sokolov's roses to be pictorial in character, reminds readers of those who feel guilty about the hero's sight of the hour of the vipadkovo zustrіchi on the birch river, if Sokolov mistook the writer for "his brother" the driver. I understood, the function of which I received from Sholokhov was folding. Sokolov to succumb to the hearing people and his generation, and his share. This signifies the naturalness, borderline opening and polyfunctionality of this monologue. Foreign criticism brought back respect, that in "The Share of the People" there will be concordance as an element of style and spirit as a genre (13, 123-129). Mova Sokolova becomes a confession, brutalized to confession to herself. Tse dialogue with yourself, think about your life, that life has begun, in which you need to explore. Tse rozpovid about your grief and mental anguish, as you need to grow up, exercise and show yourself, and assert yourself in your rightness. At the process of confirmation, Sokolov's singing world sings in the wake of important mental anguish. Podekudi Sokolov's monologue transforms into the hero's judgment over himself. In such a rank of wines of two directions: atrocities to the point of disapproval, from such a Sokolov he whispers cues, rozuminnya, and to himself, stayuyu osmyslennyam his share. Koristuyuchis terminology M. M. Bakhtin, can be called a dialogue monologue. It is characteristic that Sokolov's rozpovіd ide mayzhe without any explanations, comments from the same side: vіn vvazhaє, sho opovіdach all zrozumіlo, scho їhnіy zhittєviy dosvіd і svіdomіst єdinі.
That form of opposition is specific to Sholokhiv's work. Vіn takes care of all his signs, acting imperceptibly, natural promo hero and giving її like someone else's individual language, like a picture of a word. At the same time, the choir, rich voice of voice, is not surrounded by a daily professional and dialect vocabulary.
For its stylistic organization, Sokolov's speech is twofold. At these culminating moments, the hero's language is brought closer to the author's language, angry with it. Those that the hero's language is conceived by the author are manifested both in the number of Sokolov's explanations of thoughts and steps, and in the step-by-step inclusion of high literary words and correct syntactic constructions before the hero's language.
Podії, about yakі rozpovidaє the hero, you can subdivide into two types: on podії, scho, scho vіdbuvayutsya without his will (the episode of separation, the scene is full, the death of this, the death of the sin and іn.), the other on the podії, yakі є naslіkom independent dіy Sokolov , yoga initiatives. Before them, one can see the scene of the visitation of the prisoner, the episode with the commandant of the camp, and in the fullness of that іn. It is noteworthy that these and other episodes are drawn, but as if more often than not, they are more important than the first type, “hit the share” (B. Larin), then in the world, approaching the finale of the confession, Sokolov transforms into a human being, like doing his share in defiance of fate, which shows that life social activity, as if becoming special. For whom, the composition of the description of the hero's life is based on the principle of drawing a sour and burnt description. Rozgornuty described to rank subs in the rank of subs, promoting the first meaning, denoting the most important in the ideological sensational episode. And yet, in the text, there is one more way of strengthening the significance of quiet scenes: mentioning them to be of an urgent nature, more like pauses, which are indicated by three specks. Important is the repetition of low episodes, verses, phrases, thoughts. The description of Sokolov's squad at the stage of farewell is repeated, condemned by the heroes for their behavior on the way to the front.
Podії, scho to establish the life of Andriy Sokolov, unite the fullness of their functions, roles in the life of the character. All the stinks are the testing of the hero: full, down, in like vines get lost in the full (stand up to the hospital, episode from Müller and on.), Death of loved ones, cilic self-esteem. Podії in opovіdnі nagnіtayutsya for equal їхної drama. In the life of the hero, the bida is superimposed on famously, grief on the mountain. Follow your own logic: the stench is consequently bringing Sokolov into the world, making a connection with him, leading the hero to self-sufficiency. Tim is more important than the rest, the final part of the hero - the adoption of the orphan Vanyushka. Sokolov is destined to the fullest extent, the logic of the underworld, the wine itself will establish a connection with the world, with people, starting life as if from the back.
Roaring the hero’s share as a Lancey, trying to try the Sholokhiv story with the works of traditional folk art, connecting it to the mighty folklore traditions, we’re going to fairy tales, de motive of trying out the story is one of the most recent plot devices. The current situation in Sokolov's valley is the situation of jealousy, a happy family life - a typical situation of a fairy tale, yak behind Propp "to serve as a contrasting ashes for a distant dash." The current situation of Sholokhiv’s creative work has a certain vivacity, a tragic legacy that was not passed on to the hero: “For a while, I was careless.
The closure of the podia at the opovida is dramatic. The war falls on Sokolov raptly, as it falls dashingly on the hero of the Kazakh. With a kazka spіvvіdnosyasya motives to spend that poshukіv sіm'ї. The core of the plot of the explanation is formed by the opposition of the hero / divination, the power of that life / death. At the base of the low situation, that motives of explanation lie, as a rich number of contributors, the principle of triplicity. So for the share of Sokolov, three savage women are characteristic: full, death of the squad and daughters, death of the son; in the episode with Müller, the hero trichi proponuyut a flask of schnapps, the new one has three children, at the plot of the story on the birch of the river, three people are seen. Elements of folk poetics and stylistics of Andriy Sokolov's description (orders, orders, modern turns and similarities, power in folklore creations - characteristic of the wording "better light" - the elements of crying). The stinks appear both in the rhythmic little thing of the largest emotional fragments in yoga rhymes, and in the syntactical organization of yoga movement. Finish guessing the description of life in full:
"I beat them with fists, and trampled them with their feet, and beat them with humic clubs, and with a mighty salute, as if they were eating their hands, without seeming to put that other tree about the guiding.
They beat them for those who are Russian, for those who marvel at the light, for those who are bastards, pratsyuesh on them.
Description of urges on the basis of syntactic parallelism and accepted as a poetic formula - the most important share of Russian and vzagal radian people in captivity, fascist fullness, people's knowledge of the people, people's poetic talent.
The folklore elements of the poetics of "The Share of the People" are motivated by the fact that Sokolov - the departure from the working people - is the bearer of light. Ale їhnya "density", frequency, and smut - different genres transform this private, special voice into the voice of the whole people. In yoga, the people’s attitude to pracі, sim’ї, someone else’s grief, full of, for the sake of, fatherhood, death (to all the main categories of buttya) and the moral code of the people’s life: “For you and man, for those and soldiers, to blame everything, to carry everything, as if for some need I called. "
A noteworthy feature of Sokolov's rose is his directness in the future. The life of the hero is drawn in one line, they collapse chronically, in the natural sequence. Buttya Andriy Sokolova stands like a wreck in the historical hour of that space, moreover, she remains speaking in the wake of social expanse. The role of "People's Share" of spacious motives is important: houses, roads, paths. The hero is constantly moving, collapsing, the motive of ruhu is the central thematic motif of explanation, and ruh step by step creates a wide sense of creation, becoming like a symbol of Andriy Sokolov's life.
All episodes of the plot are tied together with the figures of the hero, and the spivvіdshenie of the hero and the world becomes the center of creation. Nevipadkovo the dialogue of the hero and the denunciation of guilt on nature, comes from the world:
"... Ale, even to others, I was given to me," he said, "the mournful mourners have a serene light, which prepares for the great beasts of spring, for the eternal affirmation of the living in life."
Henceforth, the hero of Sholokhiv's creation, the brightest and most illustrious radian people, who spoke about his life path, his happiness and grief, stood before us rich and ambiguous. Andriy Sokolov,. The first work of Sholokhov can be read as a whole as a story about the life of one person in a typical situation for a military hour. Ale Sokolov speaks at rozpovidi as a specialty, meaning his private share. Vin is close to folklore images, which makes a special team, Vin is similar to an epic hero (7; 227).
Sholokhov's hero is the bearer of the people's morality, the instillation of the people's character and behavior. The rose is called "The share of the people", the new artist has such problems as the reality of the people, the sense of life, made him oblige before him that suspіlstvo, yogo setting to the share, the history of suspіlstva. Changes in understanding that share. The share is not only those who walk with people without її will, for which they are doomed by an unfavorable move, the share is tse and the actions of people, її resisting the move of the podіy. So, in the principles of Sholokhov's poetics, a new concept of specialness, dominating the realism of the 20th century, emerges.
It’s important to have a character and finally think about it: Andriy Sokolov’s share of this adopted son is interpreted by him in the higher categories of butt, through the sound of interpreting the place of people in the world: “Two orphaned people, two pishchinki, thrown into strange lands ... The heroes are again seen in the expanse of light, in history, and their share, in such a rank, outgrows the framework of private life.
The narrative story is completed, the word of the hero and the word of advocacy are completed. Ale podії the life of the hero is not completed. Yogo share is rozіknena in zagalniy perebіg life, scho to go beyond the text. There is an impression that before us is a fragment of a living reality, right and unskinned.
The rozpov_d was spared a happy ending. I asked myself: “Are you checking ahead?” - I continue: “I would like to think that this Russian people is showing off and beating their shoulders with the height of that, like, having grown up, you can endure everything, do everything on your way, like Andriy Sokolov’s roses, hard, bidi, like wines, he didn’t spend love on people to change us, that we are vitrima. a symbol of the future, a sign of well-being for the heroes of a special sense of butt.
create Nobel laureate, the great Russian writer Mikhail Oleksandrovich Sholokhov was robbed of the annual contribution not only from the national, but also secular literature. Sholokhov is often called the pride of Americans - W. Faulkner, who did not know his peers in the US literature of the 1930-1940s. from a branch of an organic connection to the microcosm of the surrounding people and the macrocosm. Let's send to the speech of the present day professor John Pilkington: "The greatest achievement of the novel mystekstva fell on the period up to the middle of 50 r.p. They created literature, as if at the same time it became both specifically regional, deeply national, and luminous. of the spent generation", Freudian complexes, introducing a small person to a great city and so far: but two giants wrote "just" about a person And about the skin of the names of the problems they wrote more for others" (43; 3).
List of references
1. Velika N. Formation of artistic evidence in radian prose of the 20s. - Vladivostok, 1975.
2. Gay N.K. Light, man, that position of the writer// Radyansk literature that light literary process. Image of people. - M., 1972.
3. Kurilov V. Composition and genre "People's share" // Creativity of M. Sholokhov and radian literature. - Rostov, 1990.
4. Kurginyan M.S. The concept of people in the work of Sholokhov // Mikhailo Sholokhov. Articles and research. - M., 1980.
Giobi Visnokovka, Shaho Share of Jac Cosmo-Planetary Realnіst І Yak Real_izatsiya Potenty Social Cultural Society of Society Society Society Roskrivyuzhnaya Speed Supreme Divine єDnostі Logіki Otrody Ta Logiki Іstorії, Satisfyuchi Disposable Strategist Doli People's People's Society, Mudyuchi Cosmoplanetary Warehouse Doli ,, ...
Historical action is marked by zmist and "Quiet Don" and "Rise of the Qilin". In the novel “The Stinks Fought for the Batkivshchyna”, that very temple of meta-revealing the feat of the people in the Vitchiznyanii war is clearly visible. RAZDIL 2. IMAGES OF THE FOLK CHARACTER OF VIYNI AT ROZPOVIDI M.SHOLOKHOV "THE SHARE OF THE PEOPLE" 2.1 Features of the composition of the description. Panorama of the Great Great Vitchiznyanoy war at the confidant of M.A. ...
People. Three boundary points i, similarly to them, three types of discharges are carried in a given name. Having looked at the chain of food, I dіyshla vysnovku, scho іm'ya poured into the share. Respect, don’t betray it, don’t blame the people for how they live, but rather suggest that they’re collapsing in a straight line. At once, at the link with innocence with God, and with sweaty strength, people ...
Help. Ten years of winemaking, the writer conceived the creation, they left in the past, and the need to hang out more and more. І os in 1956, for a few days, the epic epic "Part of the People" was completed. Tse rozpovid about the great suffering and the great steadfastness of a simple radian people. The protagonist Andriy Sokolov, with love, instilled in the Russian character, enriched by the Radian ...
sickly mind. The reader acts in the role of a peeping man, who spying on graves. Empathy is manifested here, but at the same hour the reader has a miraculous mind, it’s more than enough, it’s too early to end. These are the laws of the actual literature, which are used in the form of the Internet text, or navit e-pshRa, with which the author also experiments. Law, yakim vіdpovіdaє svіdomist today.
BIBLIOGRAPHIC LIST
1. Zolotonosov, M. Snack for Ludozherіv // MN-Podії Kultura. - 2004. - No. 13.
3. Petrushevska, L..S. Number One, or By the Gardens of Other Opportunities/L. S. Petrushevska. - M.: Eksmo, 2004. - S. 119-120.
5. 7 books of worms. For.sensitive. Ludmila Petrushevska. Number one, or in the gardens of other possibilities. Novel. - M.: Eksmo, 2004 / / Vognik. -#25.
6. Petrushevska, L. S. Number One, or At the gardens of other opportunities / L. S. Petrushevska. - M.: Eksmo, 2004. - S. 306.
Rikova Dar'ya Viktorivna, PhD student of the department "Philology, seeing right and redaguvannya" UlDTU.
E. F. KONDYURINA
THE SHARE OF THE PEOPLE OF MIKHAIL SHOLOKHOV (BEFORE FOOD ABOUT THE ROZKAZ GENRE)
Dolіdzhuyutsya genre aspects of M. Sholokhov's explanation of light humanistic theory. Keywords: genre, innovation, humanism, antique aesthetics, picture of the world
The name of the word, the singing world, signified the vector of interests of the past: the stench traditionally focused on the image of Andriy Sokolov, rightly showing his share as the share of the people, who made great sacrifices, but fascism won. Notes about Sholokhov's innovations: "... the concept of "epos", one hundred percent of Sholokhov's work, was guessed by writers and critics as one of the most innovative genre signs: "Microepopeya" (V. Zavorsky), "Epos about people" (German) author K. Kasper), "Epos, stylistics before the epic" (V. Pavlovsky), "right epic" D. Blagiy), ("episode is epic" (N. Maslin), "episode epic for its spirit and genre features" (A. Khvatov) ". Prote epіchnіst didn't extrapolate on the humanistic zmіst create. And in the meantime, without any overkill, we can say that Sholokhov rises to the headlines
© E. F. Kondyurina, 2007
I will show human forms of rich forms. Possibly, if only the author’s method was used, but the picture, painted by him, allows you to put food yourself like that. That is why, when analyzing the work, we should pay respect to all the characters, not being surrounded by Sokolov and Muller.
At the rock of the Other light war of the German army it was not possible to lead in the mind to fight. Zreshtoyu, the complex of warfare has the same essence of quality, like masculinity, goodness, high-quality clothes. Ale stinks walk between special heroism. Right heroism conveys more fundamental human feelings: setting up to the fatherland, sіm'ї, people. Vіn inconsistently connected with humanism and significance in the historical process.
Sholokhov turned to the bottom, like a small all-worldly-historical character: more than once in history, millions of people have not been able to assert their right to life, to human dignity. The pismennik reveals the conflict, apparently not through grand military undertakings, but through the closure of different types
human beings, which do not apply the scale of yogo aggregation. Vіn reveals the essence of the historical process, allowing the reader to chitchat that until the middle of the 20th century, fascism, having smelt a human-hating character, victorious methods and cruelty and violence, which were founded BC. e. So, in the era of slavery, the slave was not a human being, but a living power (T. Momsen). Aristotle vvazhav slave "living part of power." Andriy, leaning against the crowd, puts himself in the same way. The summer German soldier blocked the young Andriy's bazhann to shoot Andriy, rejoicing at the unabashed physical strength of the captive.
Pictures of the life of the Germans are full of pictures of the setting of the slave-holding household to the “living power”. If the physical body is in the act of chivalry, they are vibrating in a different way. Andriya zdivuvav unreasonable, on one thought, blow of the escort on the head at that moment, if he stood at the column. And the goal was the traditional re-verification of the new for vitrivality. Yakby vin fell, yogo was shot b. The appointment of the major to his driver is stereotypical: “... kinet, like a dog. At the hand, without giving, no, respecting oneself for the low ”Surging natural links between people, as such, it’s understandable to blame the right court.
It would seem that the turn of the era of slavery would seem to be, as it was characterized by the meanness of rosum and physical practice. In the case of Sholokhov, a new variant is strikingly revealed: the psychology of a slave-owner, rather than a slave, is being revived. All episodes are given to the underbelly. For the sake of the gods of the lords, the camps are judged by those who are respected by people. Andriy, in addition to the chorus, like a young German soldier, he gives it to him and onuch. Tsey gesture is not enough to koshtuvav yoma life. And the intercession of the summer soldier of poloneniya was sensible: “... my right hand in the litter is dying, m'yaz, otzhe, matzaє ... Stomp, moving, robocha cow, work on our Reich” (44). At the stage, I’ll finish drinking at the commandant’s behavior Andriy Nastylka slammed Muller, who declared: “I won’t shoot you” (54). It is also characteristic that the major, the watchman of the German defense lines, did not allow himself to lean in the fullness of his full body.
The theory of humanism first appeared only in the era of the Renaissance (Italy, Х1У-ХУ1 centuries). The new concept of a person was born from the polemics with the ideology of the Middle Ages. Uppershe otrimala
vyznannya thought that a person is a part of nature, and not only God, moreover, he found a part of it. The humanities of the Resurrection did not quarrel with God, but only joked at the new man to show human. The art of Resurrection manifested the gods in the images of beautiful people, and by the same token, it did not only lead the divine to the human, but also brought the human to the divine. But the creations of the ideal are not only called Garnoy, but also spiritually beautiful people. The humanistic ideal is the first, the first for everything, the ideal of universally devised specialness. Ale, the oskіlki won become self-worth, it turned around on the safety of individualism.
In rozpovidi Sholokhov there is an episode, which bears a sign of a similar self-esteem of a person. Perebuvayuchi in broken church, Andriy chuє rozmovu: one ask іnshoy not to see yogo vranci, if filtratsіya pochnetsya - vіdіlennya komіsarіv, komіsarіv i єvreїv vіd reshti rank and file. The second reply: “... do not ask me, I will tell you everything. Your own shirt is closer to the body” (47). Andriy bachit, what’s up, the man’s muzzle is moving lazily, quietly laughing, with his big commander - a snub-nosed cotton, that I sit at the posture, wrapping my arms around my legs, squeezing up to myself. When it was seen, Andriy could see the posture of a sleeping Red Army soldier, vin ozumiv, which one can not see. Krizhnev's posture spoke of calmness, instilling unturbulence, self-confidence, feeling guilty, nareshti, free: "Comrades ... lost behind the front line ..." (47). This may be the result of the development of individual characteristics. In extreme minds, in the name of special freedom, she can pretend to be a prisoner.
The reshta of the open space was given to the image of two types of installation to the people. Those who started from the era of Renaissance - the defender of the rights of specialty - began to grow into an idea of a different type. From one side, from the middle of the 20th century, not only a theory was residually formed, but a structure was organized for fascism, recognized as an extension
life's expanse in view of the earth, which you
On the other side, the progress of civilization could not develop and improve the ideas of humanism.
2 Even in "Mein Kampf" Hitler stverdzhuvav, which the Germans considered the very share of the state as evidence of a catastrophe, as if he brought a virishal confirmation of the correctness of the racial theory.
This is the essence of the principles of humanism: the concept of the divine was transformed as the main factor in the creation of the human being, individuality was rich in what began to signify social minds, for us in front, such as the practice of that human coherence.
For all the grace of rozpovіdі Sholokhov again presenting different types of promotion to the people (Zokrema and in the German army) as a legacy of the fascist doctrine. Already the first appearance of German soldiers allows you to talk, that they stink in a different way with the ideas of the Third Reich. The eldest, “you can say summer”, a corporal, simply put himself in a lordly way to a gratuitous working force, and the young one does not surround himself with shoes, but for the whole hour he points a machine gun at Andriy. It is not the "statelessness" of youth that stands behind it, but the honor of serving before the elders for the ranks. Andriy calls yoga “black”, and this color contrasts with it, which is considered ideal in the concept of German racism. We become aware of yoga behavior after the scene at the church. The liens, if they called all the polonets, without revealing the commissars and commanders, shot some shots: one Jew and three Russian privates, “for all three were black and with curly hair near the hair” (48). The soldiers thrashed, perhaps, they did not listen to the fascist ideas of genocide, but they were super-chilled by their internal persecutions. And by the fact that the stench was put up to the prohanna of the believer, who did not dare to desecrate the temple, - “... giving the fascist through the door, for the whole її width, for a long time, and I’ll forgive him by driving in, and three more people, and seriously injuring one, he died to the point of death" (46), - we bachimo povnu baiduzhist until the death of other people.
In this context, if it’s easy to drive in five, there is an illogical pursuit of one single vtikach. What is the life of one people? Andriy was arrested on the fourth day, he was chased by motorcyclists with dogs. The chase, the zatrimka, and those who turned the tormented one to the camp, reveal a terrible picture of the viciousness of the fascist machine, if the mechanistic power of discipline is burnt with absurdity. At this scene, German soldiers also become victims.
3 Hitler at the rose with his honor 18. 01. 1943 zіnavavsya, scho to fortunes, and those who do not think, that thoughts can be more likely to be better at vіddaі i vikonannya mandate.
The defendants are depicted as victims of the “new order”, but they are the bearers of many ideas. Ze Lagerführer Müller. Vіn zvnі and vіshnyo є svoіdny etalon of the "new order": "... the white briar and he himself is all white: and the hair on the head is white, і eyebrows, і vії, turn your eyes into a new bіli bіli ..." (51) . Vіn shodnya, "without holidays" - say about the new Sokolov. “Neat boov, bastard.<...>... vibuduє us in front of the block ... Ide and b'є skin of the other in the nose, let blood. He called them prophylaxis against influenza” (51).
This guilt machine4 does not just generate sacrifices of discipline and order, but leads to the breakdown of specialness. Mueller is a sadist. Tse is clearly presented at the scene to finish Sokolov. The Lagerführer will be punished instantly, and Andriy would be shot for this “word of mouth”. Ale vin arranges everything in such a way that you can enjoy the torments of a doomed person. Andriy, knowing that death checks on a new one, he said goodbye to the dawning sky, to his family, to his life, and at once took up his spirit. The very appointment of the commandant's office was in contrast to it, as the barracks looked like: "... clean, like we have a good club" (52). Stil buv coercion with snacks, and Andriy the great pratsі varto was strangled "nudoness, but his eyes were broken at the table through great strength" (52). Muller strikes Andriy, roaring with a pistol. Yogo will supplement the mav of the perekonati-filled in the inevitability of death: chi is enough for a grave of one cubic meter; words about the great honor for Sokolov, if the commandant shoots him with his hand; asking at the door to bring the vikona to the court. And to inspire a flask of schnapps, proponed by Muller, is little power over a drunken people. Müller pronounces Andriy: “Before he dies, Russian Ivan, for the victory of the German defense” (53). And if Andriy was moved, then he urged to drink yoma for his death. In this manner, the menacing motive is constantly growing. This experiment looks like Muller's head. And yet, wine reveals those alone, which wine is valued in life. If Sokolov, standing in front of us with spokus and threats, “... the commandant became serious in appearance, adjusting on his chest, two crosses5, at the table viishov without
4 “If the greatest memory of rice is planted to the people exactly, then the evil will turn out to be innocent, that spiritual emptyness has been brought to complete heartlessness”
3 Zalizniy Khrest, the most prestigious German
Mansk city. Vіn buv foundations in 1813, and
gun" (54). Tsey dotik to the wine city hangs may, instinctively, bazhannya porivnyat himself with Sokolov, and the words “You are a good soldier. I am also a soldier" - show the knowledge of the Russian soldier's peril, but at the same time and see what Muller values in life. Vvvazha for goodness is less good, ignoring the smut - why won't you serve. Vіn rozdіlyaє perekonannya, scho the greatest value in war is the honesty of a soldier and the honor of an officer, which are not considered, but diy. See the barbaric simplicity of behavior. Sokolov's pardon - not showing kindness, as respected by the deacons of succession, but a confirmation of the fact that the Lagerführer accepts the absolute. Why not have mercy on one soldier, if in front of him you can control the new expanse of life? The Russian language is already vivchiv.
To the young Müller, the activity of some kind of trembling on the unpretentiousness in the cleansing of the ideas of the Third Reich, the thousand-year history of such a Hitler, having begun the resurrection from 1933, Sholokhov opposes the behavior of German soldiers at the start of the hour. “Nimtsі near the city became angry, nervous,” Andriy said. - and my Tovstun mustache became more and more drunk ... He was all swollen, the bears hung under his eyes ... (56); "... go drunk, like a brad, a German non-commissioned officer, tremble behind the wall with your hands" (ibid.). So Sholokhov gave the bags of the "urochist" of the fascist machine of subsistence.
It turns out that Sholokhov’s riddle and the riddle of Sholokhov is with the one who tabir K-14, Sokolov said, “nearby Dresden”. Chitachev hopes to be able to match those brought by the Age of Resurrection (Raphael's Sistine Madonna, Giorgione's The Sleeping Venus, Tintoretto's The Battle of the Archangel Michael with Satan) and what inspired fascism. That is, fascism is a terroristic dictatorship of the most reactionary and chauvinistic elements of the bourgeois society, if it was no longer possible to follow the laws of humanism.
This rationally organized machine of German fascism Sholokhov contrasts with the people, as he represents millions. ordinary people, which were molded according to the laws of the people's dress coat Qi laws according to the appointed
order status. Vіn mav kіlka steps. The back of the head was decorated with a cross of the 2nd degree for vikonannya for two to five especially important tasks, and having shown strength in battle. The cross of the 1st step was awarded to the special warehouse of the Wehrmacht, military SS.
need to be of a humane nature, otherwise the people would simply be instantly crippled. Vihidnoy umovoy є pratsya - creative activity. Mutual assistance, mutual independence develop the spirit of camaraderie, which makes it smart to the people. Andriy Sokolov behaves like this himself: he is full, he cannot be deprived of his comrades, who are fighting, without shells. Such a comrade vіn і in full, ryatuyuchi young commander.
Humanize and family blues. Sim'ya and є natural morality (Hegel). Family ties - setting up to the squad, children - roaming the interests of others, whirling almost like a heart setting, turbotlivosity. So, Andriy, without a carriage, lives the life of a boy commander, you can’t go through Vanyushka’s orphanage. With your heart, you reconsider the goodness of a person. “You are a heartless person,” it seems, the healer’s wine, like, straightening a dislocated shoulder, having made you even more sore, and if Andriy felt relieved, then “showing you sincerely” (46). This is the norm for Sokolov’s appointment to people: “... as you guess all your friends-comrades, as they perished, rolled up there, at the camps, - the heart is already above the breasts, at the gourds it beats and becomes importantly wild ...” (49). The same time, comrades in misfortune should pay for you, because they pissed off your hands and vryatuvali such a rank as an inevitable cool guard. At the request of one, and then another, Andriy knows the back of the back after the war. We don’t survive so much with the crowd, as if you felt guilty before the retinue, as if you’d seen the hour of farewell at the station. The first head of the yogic heart - don’t call Vanyushka with your rapto death.
Sokolov's victory over Muller is not due to a soldier's choir, but to a touch of human goodness. Tsey 331 number, Russian Ivan, how to appear on the lists
6 Behind the biblical legend, the serpent is guilty of the enemy's paradise. Whose image mіtsno zakripivsya at the people's svіdomosti.
first of all, stand in front of the commandant, "... having become courageous, to stare into the hole of a pistol fearlessly, like a soldier to lie down, so that the enemies do not scatter in the rest of my quivering, which is still important for me to part with life" (52) . Behind it is the will and the svіdomіst. І to be led by the commandant as a free person, being deprived of the specialty in extreme conditions. We can talk not just about Sokolov's human nature. Tse, for the day, the continuation of those who wrote to their ensign Resurrection. And yet, specialness is not infected with individualism, but the triumph of heroic behavior. It is heroic and є the most vivacious humanism (Hegel).
Die Andriy Sokolov directing to the defense of the weak, and not to himself. In the minds of the war, it will require special masculinity. At whom Andriy is born, resist the zagarbniks, as if by force they respect only strength. Ale behind the їhnіmi vchinki not stand special masculinity, but only the strength of the enemy. This is how humanism and barbarism are contrasted.
All that has been said allows the growth of whiskers: in Sholokhov's roses, they express themselves epically through the humanistic behavior of heroic specialness, which is accompanied by tragedy. It’s more tragic here that it’s like a life, which is assigned to the robots of all the successors, but it’s a special form. You can say that "The share of the people" by the nature of the image is heavy to the ancient tragedy. On the basis of respect, the Romanian teachings of Mihai Novikov: “The great Radyansk prose writer has a share of specialness in his interrelationship with the flow of podia, so as not to lie in it, it is interpreted richly in what is similar to ancient Greek dramaturgy.”
Sholokhov depicting specific people in specific historical settings. Ale does not mean that the wines are less than sim, the shards of yoga tver give the opportunity to go to the analysis of larger problems and images. On a new round of progressive movement of history, “repetition” has become possible human shares. The scale of the conflicts and the talent of the writers, who were able to adequately represent the world, allow for the imitation of artistic solutions.
Mihai Novikov respecting: “Like the heroes of Eskhila and Sophocles, Sholokhov’s heroes can marvel at the sun, without blinking.” The tragedies of Aeschylus and Sophocles were born at the time of the strained development of Athenian democracy, if the remnants of the tribal organization were liquidated and the polis was formed residually - a community of people who saw themselves as united before the face
exploitation of slaves and non-Greek tribes and powers. Zіtknennya many moral and new and become the essence of tragic conflicts in the literature of the 5th century. BC
The greatness of creation, the laying of a small one for obsyagom, we hope that it is not among the first to go to the analysis of the situation, how small is truly the all-worldly-historical character: fascism and the democratic forces of the world with a virishal contribution Radyansky Union. The all-worldly character of these subdivisions was overturned if they founded history. The people did not know such scales of the tragic conflict7. Apparently, youmu were aware of the scale of the heroic.
The ancient tragedy was based on a myth, but the myth took on as the truth of life.
The Greeks have a classical late period the reliability of the reports about Hercules, Edipі, Menelaus did not call out the least doubt." Aristotle wrote that in tragedy they are dignified in the name of a lot of deeds, but only if they allow in the eyes of the eye to see those that are possible (Prometheus, Edip-Tsar, Anti. BC).
How about from Sholokhovim? Yogo hero is not a historical specialty to inspire, but a person among the people, one might say, is without a name. How does the antique recognition of the hero of the tragedy reach? She's zdіysnyuєtsya for the rahunok of what head character testimonies in quiet surroundings, yakі chitachevі buli good vіdomі і so chi іnakshe experienced by him. Sholokhov, as if in passing, mentions dates and undertakings, significant for the country: hromada war; 1922 hunger rіk, “a car lured me at 29”; "War - the next day, a call from the military committee, and on the third - be kind to the echelon." І all episodes of Sokolov's life in the war tezh spіvvіdnesenі z podіyami, good vіdomimi chitachevі tih rokіv. Vіn having drunk at the full at the grass 1942 at the hour of the new approach of the Nimtsiv on the Volga and the "Caucasus", and on the 29th worm, 1944. Sokolov crossed the line of the front, which became possible as a result of the swift offensive of the Radyansk troops: on May 24, the operation "Bagration" began. Pererahovu region of Nіmechchini, de Yom had a chance to practice in Nіmtsіv: Saxony, Ruhr region, Bavaria, Tyuringіya, Berlin, Potsdam ... Stinks were well-known in the rocks of war. vrahuvati, scho Andriy - ro-
7 The Nuremberg International Viysk Tribunal denounced the aggression of the Nazi Germany as "for-" a speech against people ".
the anniversary of the century, then yoga “life is extraordinary” to go beyond the framework of specific historical approaches. Vіn staє segregated dol narodіv XX century.
1. From the ancient tragedy of the Sholokhiv hero, to make yoga great: the wine shows intransigence to the situation, it shows more behind the furnishing. You are ready to establish your own principles at the cost of life. Ale tsi principi є suto osobistimi: stench inculcate the primordial human norms of morality. Rukhomiy, for the sake of batkivstva and gromadyanskost, vіn bere vіn defending the young commander. Yom had a chance to overcome the fear of killing, of driving in his own, Russian full. Yogo vtecha from the camp - a manifestation of intransigence to the point of furnishing, a desire to turn to the fatherland at any cost. A verbal duel with Muller is a duel for death. Andriy, knowing that the request to the commandant was equal to the shooting, about the remaining one, he declares: “... now I will especially shoot you” (53). Ale Andriy, to whom "life is still important," do not do anything for the order of your life, but only to rob those who protect the honor and honor of the Russian soldier. Vіn not vіdmovlyаєєєєєєєєєєєєєє sіv vіd zadzhennya unbearable norms virobіtku, vіdmovlyаєєєєєєє piti for the victory of Nіmechchini; it will be good to drink for the power of death as a ryatuvannya in the form of torment.
On the view of the ancient tragedy, the hero of Sholokhiv, to give positive results: the driving in of the zradnik vryativ life to the commander, the merciful behavior of the commandant vryatuly yoga in the power of life, the adoption of Vanyushka helped turn the life forces.
2. Sophocles worldliness and greatness of the people in compliance with these high moral standards, yakі vyplyvayut іz vіdіdomlennya ієєє іємідідння іємієє at suspіlstі, svo ob'yazku before him that before himself. That's why you see other rows of individual drawings of the hero, shards of wines from learning to a unique and non-repeating situation. Values of nature are overwhelmed by their own protracted tragic fate.
The hero of Sholokhov will follow the rank of testimony. Vіn staє y ії і rozkrivаєєєє it's very important schodo Batkіvshchini and s_m'ї, scho zavzhd was the head of the life of the people. Moreover, qі vіdnosinі perebuvayut have nezrivnіy єdnostі. This organic interrelationship strengthens the skin and feels sensitive and at the same time relieves the hybny pathos. For Andriy, the young commander is the best son of Anatoly, with the mathematical skills of such a wine. Pe-
In the meantime, how to go to the commandant, I thought about my family: “It became a Skoda to Irinka and a child, and then Skoda woke up, and I began to get up in spirit” (52). Batkivshchina that honor in the soul of Andriy is inseparable from family ties, from love to loved ones.
3. Such is the characteristic feature of ancient tragedy, like a choir, which, turning the author's thought (Eschil), is not far from Sholokhov's explanation. The form of opification chosen by him in opov_danny made it possible to ideally reveal the hero and the author of the opiód. The rest is experiencing all the life of Sokolov. Your assessments and reactions vary. The cob of chorus is also manifested in the fact that the author has been given the right to express hope on the future: “Two orphaned people, two little birds, thrown into foreign lands by a hurricane of unstoppable power... Is there a check in front of them? I would like to think that this is a Russian person, a person of unshakable will, showing off and beating the father’s shoulder with the growth of that one, having grown up, you can endure everything, do everything on your own way, even to the cry of your father ”(6-6).
4. The very name of Sholokhov's revelations - "The share of the people" - casually addresses us to the ancient tragedy. The word “share” is a reflection of the people’s attitude to life, an assessment of a special life, at the same time - a people’s attitude to the objective environment: “Why did you, life, hurt me so much? Why did you do that?" (36). Adzhe Andriy is quiet, who “not of his own free will” ate at the full. The non-reversibility of the role of podії, it was given b, zblizhuє yogo share with the rock of ancient drama, which is essentially the ancient hero. If you weren’t timid, you wouldn’t be able to overcome the will of the gods. However, for the price of the zovnіshny podіbnіst hovaєtsya the head of vіdminnіst. Now, by God, is history, the exercise of singing historical forces to establish a new type of civilization.
5. First, let's say, we can talk about a kind of brokenness of the most characteristic feature of tragedy - catharsis. Having chosen the form of speech, Sholokhov was able to convey the whole zhah of the fascist inferno he had experienced, so you can’t help but call out to the reader a little more spittingly, that you cleanse. Vono posilyuєєєєєє and rahunok reaction of the author, acting in the role of a listener, deeply svіvperzhivaє hero.
6. Later, it becomes obvious that the tragic cob in roses manifests itself in the mind, and in the form. It would be right to call it a tragedy - a tragedy, because the tragedy is always epic due to the nature of the conflict and the scale dignified hero, hand-
him in his actions not by special, but by epochal imperatives.
Everyone who writes about rhetoric pays homage to this conciseness, but, in general, they confine themselves to stating the value of specialness. In fact, on thirty small sides, Sholokhov simply zoomed in on showing the deadly essence of the 20th century. The French writer Alain Bosquet rightly wrote that "beautifying the rozpovid of our century." Laconism of dictates by the genre: the tragic hero can be twisted at the diy. In this way, yoga greatness is transmitted to itself. The word can be exact and imaginary for a change. Amazing simplicity and grace reach us in front of the rahunok narration: Andriy Sokolov, it is possible, unfamiliar for himself, to tell the story of his life. A man’s speech about a tragic fate, naturally, is not rich in terms, he has no space for verbal subtlety. The hero of the rozpovida is more important about the podії and even sparingly about the feeling. Shards of the people of the people, the mova її is figurative of this world, which is the power of the її native middle. To that Sokolov, the following is respectfully placed: the reader is often guilty of more bachiti, lower it is said to the hero. Sholokhov is somewhat ahead of the reader. Andriy to say about his Irinka: “From the side of marveling - it’s not so visible to myself, but I’m not marveling at her from the side, but point-blank” (37). Axis tse - "in
emphasis ”- and Sholokhov's joy to readers. Let's put just one example. Andriy conveys the words, and the gesture of the German soldier: "... show the way, at sunset" (44). Behind these words, it’s not less than a direct quote - to Zakhid, but at the same time, an assessment of the future life in full.
Laconism and mnistence replace the world's power with the author's word. Tse appears already in the choice of characters' names. Їх less than three. The main character is named Andrey Sokolov. Nothing miraculous, at first glance. But in this mood it is important that the name Andriy in Greek is male, good. All of the most ancient Christian names, recorded in ancient Russian monuments as early as the 11th century. The name of the hero is the name of a strong and sprit bird; in folk art, “clear falcon” is a symbol of youth.
L. Leonov articulated this thought in his own way: “I highly value the image-making side of literature, but I always want to indulge and inward, attach the little ones of life. The little ones at the glybin - and є zhudozhnє myslennya ".
Muller turns to Andriy "Rus Ivan". So the Germans called no less than polonen, zneooblyuyuchi all. Tim Andriy himself secured millions of Russian people who fought. Name Vanyushka is also symbolic. It will come yogo to tsikh milliononiv.
Müller at the translation in German is a peacemaker. І two crosses on yoga chests, which make the shape of chrysanthemum wings, like a sign of a swastika in the center, create the image of the murderers, which remake the greatness of the number of human lives, where, perhaps, not only full, but part of the German population entered. And those who have millions of wings can spin for nothing, so fallow in the wind, destroying the sense of honor and the city. In the meantime, the nickname from the settlement - the campführer - is gaining an evil sensation (only in one Poland there were 1200 concentration camps).
І third prize - Krizhnev. The voice in the first warehouse clearly sees the etymology of this word. The cross is the name of the Catholic cross, and another meaning is the ephesus of the sword. Krizhnev wanted not only to put a cross on his past, but to get mercy at the enemy and be ready to see the commander. Zradniki, apparently, served as policemen and took off armor. The name of Krizhnev is filled with such a rank of symbolic meaning: there is no more than a single character, but it is quiet, who, after violating, put a cross on people, putting yoga on oneself. In justification, there are only three nicknames, and the stench in a flash represents three forces: the heroic people, fascism and zrada. I don’t get anything else in the war. That is, all the nicknames do not have a vicarious character, but borderline limit those forces, as if they are depicted in descriptions, moreover, the nicknames themselves transfer a share of all the names of the characters: Sokolov, how it was in life.
The most obvious form of the creation is the composition. About the ringing prompting, about the meaning of the meaning of which I can find more researches. Prote was left unmarked, that the Kiltsev composition characterizes Andriy Sokolov's disposition. This artistic technique allows us to convey the evolution of the hero in the most economical way, using the word, saving the epic significance of the character.
Andriy rozpovidaє about two zradnikіv. From the first wine I hit the cob full. Tse - Krizhnev, and the other - bezimenny, blame someone
poro called Andriy do Müller. Z Krizhnev's wines are handled like a troublesome enemy. The vchinok of another wine is called a fool, for reason, that it is not leather in the inhuman minds of the camp. Usuvayuchi Krizhnev, vin protecting the life of the commander-boy. In the next step, protect yourself from the wines. Sokolov punished the wicked with generosity, ordering to share the "hotel" on all equally.
Two scenes of drinking are also spіvvіdnesenі one from one. About one Andriy rozpovida, guessing his youth, if he is healthy and strong, like a devil, drink a lot of money "(38). “So you kick a pretzel with your feet, it’s scary to marvel at your side, maybe. It’s too late for that street and the Sabbath, without seeming already about provulki” (37-38). Before us is a bilinear hero, another Vaska Buslaev, who demonstrates, like a silushka, walks along the veins. And the commandant at Andriy already has no diabolical strength, he “disappears from hunger”. Ale vin, like before, shows wealth, like and ryatu yoma of life. However, now it stands like a feat, the shards of strength of the people are in their own support.
The obvious parallel is caught in the scenes of the cob and the whole movie. Sitting on the ground and wondering downhill at the “dark-haired one”, Andriy, with obvious slurring, gives him not only chobots, but also onuchs. Tsya zdatnіst is led to speak at the muzzle of a machine gun about the strength of a person. And in the scene at the lagerführer, the same almost human goodness is expressed not in the form of a sign, but like a familiar opera, if you drink three bottles of wine, do not stick out snacks: I don’t take a handout, because I have my own, Russian agility and pride, and that they didn’t turn me into thinness, like they didn’t smuggle ”(54).
Vanyushka's share is mirror image of Andriy's share during the hour of war. And even though it was not handed down through the lancet, but in the words of a child, those who survived the growth are repeated among others. Vanyushka, yak and Sokolov, is an orphan. This small area and calls are not disturbed in any way by Andriy, who stood in front of Muller at the lahmitti. Vanyushka's words - "I've been checking for so long" - are conveyed by Andriy's camp at the hour of the courtyard full. And yoga - “I know what you know me! You know everything! (63) - Viraz the essence of the character of that one.
One more note of thoughtfulness of the ring composition is Andriy's speech about family. On the cob of vines, intermingle with spogads about the squad, about її lagіdne, that wise setting up to the new one. About the children, they think about it.
And rozpovid about Vanyushka - tse triumph to instill not the father's, but the mother's sense: scalds of debailiness, tenderness wiggle at the lad! Andriy knows the words for Vanyushka: “little bird”, “like a humpbacked bird”, “swirl”! you smell your hair on the tufts, and your heart comes out, it becomes m'yakshe, otherwise it turned into a stone in me in the form of grief "(64). This is, in fact, the transfer of the child of the one with which Irinka Andriya has rewarded her hour.
So, for the help of episodes, it would have been possible, not to be related to each other, Sholokhov, with a borderline succinctness, conveys the succinct change of life, uniquely expressive of the author's finger.
So kіltsevі repeat poshiryuyuyutsya like on the episode, and y okremi details, yakі y carry "the attachment of the little ones of life." For example, Andriy seems to be a wiser listener: "... we will demo with him in detail, like a throw with a turtle," and then the word "gelding" will appear. “Tovstim gelding” I called Andriy Krizhnev, who knew exactly how he was appointed to a spiritually castrated person. But there is one more detail - about him, a kind of Sokolov's rose: "... ruin thin, in a thread, eyes with a squint" (44). The first words of Andriy at the hour of the transition of the line to the front: “dear ty my lip-slap” (57). In these words, there is a condemnation of the Chervonoarmyets, who, having taken yoga for a Fritz, and the joy of beating his own, not wounded, de navit "ruin in a thread."
All that has been said allows you to grow such visnovki. Pidkhіd to rozpovіdі pіd fragile dawn of the ideas of humanism helps to inspire the creation of a folded picture of the world. There is a historical perspective on the development of humanism itself. From one side - Sokolov, head hero, Vіluє truly great character, more the heroism of yoga is natural. Yogo heroism is a special form of human behavior, as a moral feat. From the other side - fascism from its turn to the era of barbarism. Sholokhov opposes the "crowd" of civilization to the rebirth of humanism. Tse nada rozpovid_ philosophical character, like the name - "Part of the people" - more widely we have heroes and tsim have been given to all people. The transfer of reports about the wealth of Batkiv's feelings of Sokolov. in the end to create philo-
9 All in the order of birds, and Andriy Sokolov from the same camp. And the shkiryans of the coat, about the yak guess Vanya, allow me to admit that Yogo dad was a liotchik. Qi details address the reader to the highest to the sky.
sophic sounding of rahunok firm thoughts about the impoverishment of people.
We have revealed the organic unity of the epic and tragic cobs in the opinion of "The share of the people". Vono knew the expression of the conflict creation? the character of the protagonist has the peculiarities of poetics.
BIBLIOGRAPHIC LIST
1. Sholokhov, M. A. Collection of works in 8 volumes - M., 1960. - V. 8.
2. Bezymensky, L. Special folder "Barbarossa"
/L. Bezymensky.-M., 1973.
3. Likhachov D.S. Three foundations of European culture / D.S. Likhachov // Our Spadshina. -1991. -No. 6.
4. About Leonov. Zb. articles. - M., 1979.
5. Fed, N. Svіtove meaning Sholokhov / N. Fed // "Moscow writer". - 2005.-№9-13.
6. http://www.moslit.ru/nn/0513/5.htm
Kondyurina Emiliya Fedorivna, Doctor of Humanities Vilnius Lithuania.
UDC 811.161.1 "366 S. V. RYABUSHKINA
MINIMIZERS IN THE SYSTEM OF MODERN RUSSIAN MOVIE: MICRO
In another article of the cycle, the semantics of the word element MICRO in modern Russian language is considered.
Key words: collocations, quantification, affixes, analytical examples
MICRO... [type of Greek. micros - maly] - the last part of collapsible words, so as to introduce some of the main meanings: 1) “more maly, more. Minibus, micro-discovery, micro-system” 2) “applying to the victims or even small objects, values. Microanalysis, microprobe, micropaleontology”; 3) “poorly manifested. Microvibuh, microearthrus, microphenomena”; 4) “a million part of the main unit of the world, given in the other part of the word. Microampere, microvolt, micrometer. Surprisingly, some of the semantics of various microwords can be motivated by these meanings.
1. Words-terms such as microcircuit, microscope, microprocessor and in. coherently gloomy only for the help of the semantics of warehouse elements, shards of power of the subject cannot be designated by transferring micro-values. For example, a microcircuit is not just a "small, microscopic circuit", but an "electronic circuit on a conductor crystal" (the semantics of the components is being updated
S. V. Ryabushkina, 2007
only in game "translations" of computers: microcircuit - dribnoschema, Microsoft - dribno-software or navit dribnom'aky). Significantly, a lot of similar words - wonderfully posited. Vtim, how do you mean Є. I. Golanova, “It’s important to safely sing food: maybe it’s a nominative one, created for the Russian soil” .
2. In the names of the longest units of the world - a micrometer (mikron), the micromole toshcho - the meaning of "million part of the main unit of the world" is realized.
3. With the same meanings, without intermediary, the terms micro-elements, micro-elements thinly, and motivated words - іnsha. Microelements are found in living organisms in small bones, which live in thousands of parts of water (that is, millions of parts of the chemical warehouse of the organism). Biologists also see chemical elements, which are less represented in the living, ultramicroelements: In vitamin complexes, present and necessary for the life of humans, macro-, micro- and ultramicroelements: potassium, magnesium, phosphorus, calcium, sodium, salt, copper fluorine, iodine and gold [Beauty & health. 2004. No. 3. S. 148].
In votchiznyany literary studies (for example, in the book of L. G. Yakimenok "Creativity of M. A. Sholokhov"), the genre "The Shares of the People" (1956) is accepted as an epic epic epic. The genre, perhaps, is already invisible, to those who go, it would be possible, without understanding. It is customary to cite a small epic form for an opi- danny , and for someone else to describe one (yaskrave) podia of the hero's life and є opovidach. Epopee is a monumental form of epic literature, which tells about the share of the people, the historical process itself. In the epic, historical podia and modernity are harmoniously combined, philosophical reflections on the shares of the light and special experiences of the heroes, a rich heroic heroine is depicted life way Okremy characters. How can one see that, in the image of a simple Russian person, Andriy Sokolov, in the image of a simple Russian people, Andriy Sokolov, the whole nation has grown up and grown like a majestic sun in a small droplet?
Sholokhov's rozpovіd maє golovnі signs of the epic. The first sign is an image of a turning point in the historical era, so it’s underway, like all nations are sticking around and in them folk character manifests itself better. At the "Dalі lyudiny" tse Vіtchiznyana war. She is portrayed not as a historical podia (that is a series of military operations), but as a hard physical, that moral test human nature. The main hero of the war in the description is not the commander, not the commander of the regiment, not the people (like L.N. Tolstoy was in the epic novel “War and Peace”, or like K.M. Simonov would be in the trilogy “Live and Dead” ) ), and one ordinary fighter, like, taking the fate of navitt at the great battle, succumbing to less of a majestic significance. The war is shown through the share of the protagonist: the war is at the front, and the fascist crowd is constantly confronted with the problem of moral choice, in order to lie down and have a good life, and the life of combat comrades.
Another sign of the epic - an image of the national character of specific heroes literary creation. That is why Sholokhov describes the history of the life of Andriy Sokolov, the miraculous Russian man. Tell yourself a hero starts from pre-war fates. Before the reader, there is a person from a distinguished biography. The same age as the century, born in the Voronezka province, fought in the Great War with the Red Army, in 1921 a group of orphans, but that little sister died of starvation. After selling the houses near the village, I went to Voronizh. Here at the time of the hour, having made friends, children were born (syn Anatoly and daughters Nastya and Olya), and, having only become a father, Andriy Sokolov saw that the life of those little people could live well. Once he stopped drinking with his comrades, he turned on the driver, to earn more money, to accumulate pennies and to wake up the houses.
At the hour of the war, in this call of the unremarkable people, beautiful drawings of character were revealed: courage and resilience (six A.S. Pushkin in “Road from Moscow to St. Petersburg” calling native rice Russian nature), elaborating steadfastness and high spiritual strength - justice, sumlіnіst, strangeness and kindness. Andriy Sokolov showed courage at the scene with Muller, if before his death he saved human goodness, the fascists appreciated it. Having offended yoga in the past, I am full of witnesses about the hero's courage and arrogance. Since the first day I was full of thoughts, but “I want to go singly”, to that it is more tolerant to check the moment. Svіy namіr Andriy Sokolov vikonav, like only the weather was falling (the guards were raised). The first time was not far off, and the punishment for the new one was terrible: the Nazis beat Yogo to death, taunted the dogs, and sent him to the punishment cell. Ale, the hero was inspired by his own ideas. Having thought over and prepared more retelnishe for another, I got to my own, adding a German engineer with plans for defense disputes.
Andriy Sokolov's savage crying stamina: I saw the humiliation of the fascist full, because they could not drive into a new mind, conscience, human goodness, they did not turn yoga into an auditory slave of someone else's will. As far as conscience is full, we don’t allow heroes to throw comrades at the bіdі, that vіn, not thinking about the safety, carrying shells for the battery, then in full vin you can’t have one piece of bread and lard, take away Muller’s honor in the city for masculinity, but to share all of them are comrades in the tabor barracks. Feeling justice, Andriy Sokolov is afraid to strangle at the blasted church of the Krizhnev hospital, and we will not repent of this vchinku. The strangeness of that kindness, like seeing the hero to his squad and children, was saved in his soul and after the war: in Vanya’s mind, she was attached to the little one with all her heart.
Why is it possible to affirm that Andriy Sokolov, a specific hero with a specific share, has instilled the Russian national character? Didn’t it hurt for the hour of the war of cowards, zradnikiv, evil fear, furnishing, tortura? Buli, but I won't win at the Great Witches' War, they got not a stink, but people similar to Andriy Sokolov, close to you in character. The hero of power in rice, like the Russians, is most valued by people, to that he will be waving from his own generation to generation. The national outlook on this human being is reflected in the creation behind the help of another hero - the author, who hears the words of Andriy Sokolov.
The author and the hero are similar, which is confirmed by several episodes of confirmation. The author expresses deep respect for those who, until the new on the birch of the river, are impatiently approaching a marvelous couple - “a tall, stooping man” and a little lad. This contrast attracts the author's glance, which at once reveals significant details to the old-looking grown-up child. Vіn, for example, porivnyuє look of the old man that son: the boy's eyes are black and clear, "like a sky"; at the father - "neebi sip with ashes, fill with such an inexhaustible mortal tightness, that it is important to marvel at them." And the main hero once swayed at the vipadkovo zustrіnutіy people, scho to sit on the fallen mud of the river crossing, “his brother”, what a clear mind is the speech of a simple driver. Andriy Sokolov did not take pity: the author reacted strimanously to rozpovid, not interrupting with clarifications and watery mirkuvannyami. As soon as Andriy Sokolov says goodbye to the retinue at the station, that voice is interrupted by praise, the author quietly mutters: “Don’t need it, friend, don’t guess!”. It is important to listen to the driver's words, but the author does not sound like a vicious spy, nervously nervous, but let him speak the rest and ease his soul. The author and the main hero are offended by the striman-lagidno to deal with Vanyushka. The look of the lad, having swayed the author at the crossing, is just like Andriy Sokolov at the tea house. The grown-ups protect the child in the event of important foes: father, if you repair your speech, let Vanyushka go to the shore, and the author, rejoicing to the depths of the soul, repents of a simple driver, when he says goodbye, the child did not succumb, like a crying of an elderly gray-haired man.
The author's assessment of Andriy Sokolov, Sholokhov, naming the eponymous, victorious the word "man" from the sensei. For example, the author-information about the creation, roaring about the Russian people, cheering on the hero and at once demonstrating his philosophical understanding of the positive human character. So the “Part of the People” includes philosophical reflections on the shares of the world, which is the third non-administrative sign of the epic. The philosophical idea of justification can be formulated as follows: everyday conditions cannot drive people into the practice of doing good, doing, loving, because it’s almost like shying away people. The proof of this idea is the share of Andriy Sokolov. Non-human beasts in the fascist full, the death of all our sins, the irrevocable waste of everything that the hero has valued in life, is guilty of embittering Yogo, or robiti baiduzhim to everything he wants. Defying this logic, Andriy Sokolov did not shut himself up at his "unforgettable" mountain, but attached himself to a little orphan boy and to the one who knows the order of the rozpachu. In this rank, like a right tragic hero, Andriy Sokolov enters into a confrontation with a bitter light, with a light war and does not let him drive his I live my soul. The life of the impoverished and in the people, and in nature, solidifies Sholokhov, not in a casual way, the “Part of the People” story begins with the description of nature, which is thrown into the first war spring.
According to the above words, it should be noted that the "Part of the people" behind the evidence signs is evidence, and the framework of the explanation does not allow to open up a folding, rich plot, rich heroine diyu. Ale, in the light of the true signs of the epic: the most important historical event of the 20th century is described - the Vitchiznyana war of 1941-1945; in the image of the main character, the Russian national character is instilled, like Sholokhov's mind; at the tragic and sometimes heroic fate of Andriy Sokolov, the writer succumbs to an impoverished life, which is constantly reborn. Whom do you prefer the philosophical optimism of Sholokhov.
In Andriy Sokolov, a writer showing his concept of heroic specialty to the current world. The main hero is the arbiter of history: he took part in the defeat of the fascist Nazi Germany without intermediary himself and indirectly - waving the elder son of Anatoly, who fought until the last day of the Great War. And now, talking about the young, non-native, son, the hero is creating future. Zavdyakov epopeynomu zagalnennya, represented in the image of Andriy Sokolov, rozpovid vyyshla nadzvychayno єmnoy for zmіst: the character and share of the people become the character and share of the people. It is also dedicated to the genre "The Share of the People" as an epic epic, as a whole, it is true.
Share of people (value)
"People's Share"- Opovіdannya Russian writer Mikhail Sholokhov. Writings in 1956-1957. The first publication is the Pravda newspaper, issues for December 31, 1956 and September 1, 1957.
Plot
With an ear of the Great Vitchiznyanoy war, the driver Andriy Sokolov was forced to part with family and drink to the front. Already the first month of war, I take away the wounded and eat the fascist full. In a full of wines, they endure all the hardships of the concentration camp, the wands of their masculinity are uniquely shot and, nareshti, live from the new for the front line, to their own. At a short front-line desertion to the small Batkivshchyna, it is recognized that Irina’s retinue and offending daughters perished during the bombardment. From his relatives, the new one was left with only a young syn-officer. Turning to the front, Andriy takes back the call that Yogo Sin has perished on the rest of the war.
After the war, self-sufficient Sokolov works at other people's places. There you will see the little lad Vanya, who has become an orphan. Yogo's mother died, and the father died of obscurity. Sokolov seems to be lads, scho vin yogo father, and tsim give lads (i sob) hope for a new life.
Two orphaned people, two little pussies, thrown into foreign lands by a hurricane of unstoppable force... Are you looking forward? I would like to think that this is a Russian person, a person of unshakable will, showing off and beating the Batkiv shoulder of that growth, like, having grown up, you can endure everything, do everything on your own way, as far as the cry of Yogo Batkivshchina.
History of creation
The plot of the story is based on real stories. In the spring of 1946, on the fate of the field, Sholokhov told the people, as if he told him his summation of history. Sholokhov zahopiv tsyu rozpovid, and vіn vyrivishiv: "I will write a rozpovid about tse, I will write obov'yazkovo". After 10 years, rereading Hemingway's statements, Remarque and other foreign writers, Sholokhov wrote the description "The share of the people" in this day.
Screening
In 1959, the roci rozpovid was screened by the Radyansk director Sergiy Bondarchuk, who was a main role. The film "The share of the people" in 1959 won the top prize at the Moscow Film Festival and made the director's way to the great cinema.
It is impossible to forget the lessons, as the people have brought from the burning tragedy to the people, the Great Vitchiznyanoy war. The war gave wrongful shoddy to millions of our spivgromadyans, and one of them was Andriy Sokolov, the main hero of Sholokhov's exposition "The Share of the People." The authenticity of the greatest work of the author won world popularity, attacking the people with its tragedy. It is recommended to analyze the work “The share of the people” for the plan for preparing for the lesson of literature in the 9th grade.
Short analysis
Rik writing- 1956
History of creation– The basis of the explanation was real evidence. One person told his story to the writer, as if he was spying on the watering field. History amazed the writer to the point where he vypіshiv obov'yazkovo slander rozpovid.
Topic- The main theme of the creation is the theme of war, in order from it the theme of the strength of the spirit of the people, the sense of life is revealed.
Composition– The composition of this creation is made up of two confessions, first of all it is told in the name of the author, then we will tell our story of our new knowledge. The TV ends with the words of the author.
genre- Rozpovid.
straight ahead- Realism.
History of creation
Tsіkava іstorіya stvennja tsієї rozpovidі. Yakos on the watering, M. Sholokhov zustrіv people. Mіzh novimi znayomimi began rozmov, i vpadkovy passerby rozpovіv Sholokhov about his sum share. The tragic story deeply touched the soul of the writer, and having broken the obv'yazkovo to write a rhyme. Before the work of wine, having started without a hitch, stretching ten years, the writer musuvav tsyu ideu, and only later, in total for a few days, transferring it to paper, and writing rose to 1956. Tver swayed the light like rock, ahead of 1957 rock.
Rozpovid "The Share of the People" was dedicated by the writer Y. G. Levitskaya. Vaughn was among the first readers of the "Quiet Don", and stole the release of this novel from the world.
Topic
At the “Part of the People” opinion, the analysis of creativity immediately reveals head topic , the topic of war, and not less war, but people, yak took a lot from her. This tragedy of the whole country is roaring the deepest human soul, it clearly gives an understanding that these people are true.
Until the war, Andriy Sokolov was a great person, mother of houses, this, a robot. Yak and all wonderful people, Sokolov is alive and pratsyuvav, it is possible, about dreams. Every time, war was not part of my plan. Andriy turned on the driver, practiced on the adventures, the children got a good start at school, the squad was engaged in the state. Everything went, as if for sure, and the war broke out with a rapt. Already on the third day Sokolov went to the front. As a right patriot of his Fatherland, Sokolov becomes a defender.
Sholokhov was one of the writers, a kind of inspiration for the strength of the spirit of the Russian people, building and crooked battle to save the right human qualities. In Yogo, the main idea was voiced by Andriy Sokolov’s share, which is a loss of people, and Yogo’s share is in tune with millions of other radian people who went through the meat grinder of war, full, concentration, but smart to turn to a normal life, without spending time
Whose creation is expressed issues morality and spirituality. The war of the skin put before the choice and the skin itself overcomes these problems. So, like Andriy Sokolov, they didn’t bow down before the enemy, they smarted up, stood up, showed their faith even more in the power of the Batkivshchyna and the Russian people. Ale buli and so, yakі for the sake of saving your drіbnogo, useless life, ready buli to save your comrade, and Batkіvshchina.
People are filled with people in any situation, no matter how terrible it would be. In a greater mood, a person chooses death, but human goodness does not allow evil to spread. And if a person chooses his own life at the cost of the life of his comrades, he can no longer be called a person. So, Sokolov, having done this: having felt about the danger that one is getting ready, one simply strangled that little bastard.
The share of Andriy Sokolov was tragically formed, and in the war you had a bad time, and after the war it became even hotter. Yogo sim was bombed by the Germans, the elder son died at the Day of the Peremoga, and he was left alone, without sim, and without a home. Ale and here Sokolov stood still, having picked up a bezprituly lad, and calling himself a father, giving hope to the future like you, so be it.
Having completed the analysis of the evidence, you can develop a new visnovka, that the people are unbearable, like the gentry, the courage and the spirit. Kozhen, who read "The Share of the People", is guilty of understanding why to read this heroic discourse. Tsya tell about the masculinity and heroism of the whole people, what a win of the treacherous enemy, and save the faith in the future country.
The fates of the war broke the impersonal valley, took the past and spared the future. The hero of the confession went through all the hardships of the military hour, and was left alone, having spent the houses and family, and wasted the sense of life. Without a home, that sim'ї was abandoned and a little lad, the same restlessness, like Sokolov. Two people knew the same one, and they knew the sense of life anew, and they revived faith in the future. Now їм є, for whom to live, and stink happy, that the share of the stars at once. Such a person, yak Sokolov, can wiggle the noble bulker of the country.
Composition
Compositionally, creativity presents itself tell at the interviewer, searched for two authors Rozpovіd starts in the name of the author.
One of the critics subtly commented on how the author's language is viewed as Sokolov's. Tv vyraznі zhiznі zhiznі sobі vіlо zastosovuє Sholokhov, i yogo tvіr nabuє yaskravostі і dіbіnі zmіstu, naє nadє nadzhіchaynuyu tragіzm іstorії Sokolov.
Head Heroes
genre
Sholokhov himself, naming his tvir as evidence, for his sutti vіn i vіdpovіdaє tsomu genre. Ale, behind the earthly glory, its own tragedy, which swears by the shares of the whole people, which can be compared with the epochal epic, behind the breadth of zagalnennya, “The share of the people” is the image of the share of the whole radian people in the rocks of war.
Rozpovіd maє yaskravo vyrazheniy realistichny directly, vіn creations on real podіyah, and heroes mаyut their prototypes.
Creativity test
Rating analysis
Average rating: 4.6. Usy otrimano estimates: 1546.
